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Cursed cows have short horns.

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Short Rap

Short rap (echo)
Repeat x2
Short rap, is everything
Its what I think, its what I sing
Cause Im a rapper, who lets you know
When it comes to music, I will grow
Rap more raps than any mc
Your rap aint rap cause your rap aint me
Short rap, is what you find
The mastermind, short rap that rhyme
Too short baby, thats the name
When I rap my rap I rap that game
I tell it to you like you always knew
Short raps not fake, its always true
Its me, its you, short rap is life
Its everyday and every night
And I dont just say its this and that
Its everything, its what short raps
Short rap (echo)
Itz what?
Short rap(echo)
Fresh
Short rap(echo)
Short rap(echo)
Short rap(echo)
S-h-o-r-t-r-a-p
Short rap is what I call this beat
Rap that rap like no one else
Im sir too short all by myself
I make fresh raps without your help
And all I want is fame and wealth
Smooth in the game, just like that
And all you hear me say is rap
Short (echo)
Short rap, is way to hard
Every I stop, its time to start
Cause what you find, when I say rhymes
Is a non-stop rap, right on time
Im the kind of person you always thought
Couldnt make a record that would be bought
Sir too short, it couldnt be
Short rap, whats that, short rap is me
Short rap(echo)
Short rap(echo)
So so fresh
I like tenders, young and hot
You never hear short say baby why not?
Im sir too short, Im so down
Mc rapper from the oakland town
You better get up, short raps a song

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Langwidge

'The flamin' cows!' 'e ses; 'e did, an' worse;
'Twas 'orrible the langwidge that 'e used.
It made me blood run cold to 'ear 'im curse;
An' me that taken-back-like an' confused;
W'ile them poor beasts 'e belted an' abused.
'They couldn't shift,' 'e ses, 'a blanky 'earse!
The flamin' cows!'

'The flamin' cows!' You oughter 'eard 'im curse.
You would a bin that shocked. . . . An' the idear!
'Im usin' such remarks about a 'earse;
An' 'is own brother buried not a year.
'Not move a blanky 'earee!' 'e ses. My dear,
You 'ardly could imagine langwidge worse.
'The flamin' cows!'

'The flamin' cows!' Wot would the parson say?
An' 'im so friendly-like with 'im an' 'er.
I pity 'er; I do, 'cos, in 'er way.
She is respectable. But 'i! It's fur
From me, as you well know, to cast a slur,
On anyone; but wot I 'eard that day. . . .
'The flamin' cows!'

'The flamin' cows!' I know quite well that we
Ain't wot you'd call thin-skinned; and nasty pride
Is wot I never 'ad.... But 'er! ... W'y she
She's allus that stuck-up an' full o' side;
A sorter thing I never could abide.
An' all the time 'er 'usband.... Goodness me!
'The flamin' cows!'

'The flamin' cows!' O' course 'e never knowed
That I was list'nin' to 'im all the w'ile.
'E muster bin a full hour on the road;
An', Lord, you could 'a' 'eard 'im for a mile.
Jes' cos they stuck 'im in that boggy sile:
'If they ain't blanky swine,' 'e ses, 'I'm blowed!
The flamin' cows!'

'The flamin' cows!' W'y, if it 'ad occurred,
An' me not 'eard, I'd 'ardly think it true.
An', you know well, I wouldn't breathe a word
Against a livin' soul, I don't care 'oo;
Not if the Queen of Hingland arst me to.
But, oh! that langwidge! If you only 'eard!
'The flamin' cows!'

'The flamin' cows!' 'e ses,, an' more besides.
An' fancy! 'Im! To think that 'e would swear!

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I Dont Stop Rappin

Dont stop
Dont stop that rap
Too short
And I dont stop rappin
Just dont stop
Too short
I dont stop rappin
Dont stop that rap
Well Im sir too short
The true mc
Fresh again with the brand new beat
The big bank roller, I know whats happening
I get on the mike and I dont stop rappin
Dont stop
Dont stop that rap
Too short
I dont stop rappin
My rap dont stop, you know it cant
I get on the mic and I make big bank
Unlike some rappers that I know
Trying to get no, but that dont go
Im that rapper, sir too short
I know youve heard my name before
And if you havent, now you have
Sir too short dont stop that rap
Dont stop
I dont stop rappin
Too short
Dont stop that rap
Im so rough so tough when I talk my stuff
I dont stop rappin cuz Im too tough
Telling you rappers what its all about
Most mcs are played out
But not too short, Im the best
You know too short is so so fresh
If thats not short, your mind is snapping
The best is fresh cause I dont stop rappin
Dont stop
Dont stop rappin
Too short
I dont stop rappin
Im sir too short, the rapping man
Im a cold mc and I know I am
Im the big time rapper from east oakland
Into music and making fans
I love young ladies who love my rhymes
Cuz what they say is right on time
The only mc with fresh hits
Its sir too short, he never quits
Thats so so true, what they say

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100 STD's 10,000 MTD's

There are STD's, sexually transmitted diseases.
and then there are MTD's, meat transmitted diseases.

The latter take a lot more lives.

*********

In Animal Flesh: Blood Sweat Tears as well as Carcinogens Cholesterol Colon Bacteria

Animal products kill more people annually in the US than
tobacco, alcohol, traffic accidents, war, domestic violence,
guns, and drugs combined. USAMRID wrote that consumption of pig flesh caused the world's most lethal pandemic in WW1,
euphemistically called flu. Anthrax
used to be called wool sorters'
disease. Smallpox used to be called
cow pox or kine pox because of
its origin in animal flesh.
.

WHAT'S IN A BURGER? BLOOD SWEAT AND TEARS (AS WELL AS BIOTERRORISM)

POISONS IN ANIMAL AND FISH FLESH... A PARTIAL LIST


a partial list in alphabetical order

acidification diseases
addiction (to trioxypurines)
adrenalin (secreted by terrorized
animals before and during slaughter)

ANTIBIOTICS (too many to list) (crowded factory farm animals standing in their own feces are often infected)

BACTERIA
creiophilic bacteria survive
the freezing of animal flesh
thermophilic bacteria survive
the baking boiling and roasting

bacteriophages (viruses FDA allows to
be injected)
blood
colon bacteria.. euphemistically
called ecoli animals defecate
all over themselves in terror
John Harvey Kellogg MD studied
the exponential rate into the billions

BSE DISEASES, PRIONS IN SPECIES FROM GELATIN (JELLO ETC)
Mad Chicken

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Halos & Horns

Halos and horns, sinners and saints,
Hearts that are torn between what's wrong and ain't
Just because it feels right does not make it so
So we struggle through life in horns and halos
Tempted and tried with each step we take
We stumble and slide and make our mistakes,
Ask God to forgive us for all of our sins,
Then we take off our horns and wear halos again
Halos and horns, sinners and saints,
Hearts that are torn between what's wrong and ain't
Just because it feels right does not make it so
So we struggle through life in horns and halos
Halos and horns, sinners and saints,
We're praised or we're scorned, we either run or we faint
Oh, but life is a challenge from the day that we're born
Just tryin' to balance halos and horns
It's heaven or hell, halos or horns
Halos and horns, sinners and saints,
Hearts that are torn between what's wrong and ain't
But just because it feels right; well, that don't make it so
So we struggle through life in horns or halos
It's either horns or halos

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A Drought Idyll

It was the middle of the drought; the ground was hot and bare,
You might search for grass with a microscope, but nary grass was there;
The hay was done, the cornstalks gone, the trees were dying fast,
The sun o'erhead was a curse in read and the wind was a furnace blast;
The waterholes were sun-baked mud, the drays stood thick as bees
Around the well, a mile away, amid the ringbarked trees.

McGinty left his pumpkin-pie and gazed upon the scene:
His cows stood propped 'gainst tree and fence wherever they could lean;
The horse he'd fixed with sapling forks had fallen down once more;
The fleas were hopping joyfully on stockyard, path, and floor;
The flies in thousands buzzed about before his waving hand;
The hungry pigs squealed as he said, 'Me own, me native land!'

'Queensland, me Mother! Ain't yer well?' he asked. 'Come tell me how's -'
'Dry up! Dry up!' yelled Mrs Mac, 'Go out and feed the cows.'
'But where's the feed?' McGinty cried, 'The sugarcane's all done -
It wasn't worth the bally freight we paid for it per ton.
I'll get me little axe and go with Possum and the mare
For 'arf a ton of apple-tree or a load of prickly-pear.'

'The prickly-pear'll kill the cows unless yer bile it right,'
Cried Mrs Mac, 'and I don't mean to bile it all the night.
They tell me fer a bob a bag the brewery will sell
Their refuse stuff, like Simpson 'ad - his cows is doin' well.
Yer get the loan of Bampston's dray and borrer Freeny's nags,
And fetch along a decent load, McGinty - thirty bags.

McGinty borrowed Bampston's dray and hitched up Freeney's nags
And drove like blazes into town and fetched back thirty bags.
The stuff was mellow, soft, and brown; and if you came too near
It shed around a lovely scent till the air seemed full of beer,
McGinty fetched each feedbox out and filled it to the brim,
Then lit his pipe and fell asleep. That was the style of him.

The cows, they lurched off fence and tree and staggered in to feed,
The horses tottered after them - old, feeble, and knock-kneed.
But when they smelt that sacred stuff in boxes on the ground
They smiled and neighed and lowed and twirled their hungry tails around.
You would have walked a hundred miles or more to see and hear
They way McGinty's stock attacked that stuff that smelt like beer…

'Wake up! Wake up! McGinty man! Wake up!' yelled Mrs Mac.
She held a broom and every word was followed by a whack.
McGinty had been dreaming hard that it was Judgement Day
And he was drafted with the goats and being driven away;
The Devil with a toasting fork was jabbing at his jaw,
He rose and yelled and fled outside - and this is what he saw:

The brindle cow, with spotted tail, was trying to climb a tree;

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Homer

The Odyssey: Book 12

"After we were clear of the river Oceanus, and had got out into
the open sea, we went on till we reached the Aeaean island where there
is dawn and sunrise as in other places. We then drew our ship on to
the sands and got out of her on to the shore, where we went to sleep
and waited till day should break.
"Then, when the child of morning, rosy-fingered Dawn, appeared, I
sent some men to Circe's house to fetch the body of Elpenor. We cut
firewood from a wood where the headland jutted out into the sea, and
after we had wept over him and lamented him we performed his funeral
rites. When his body and armour had been burned to ashes, we raised
a cairn, set a stone over it, and at the top of the cairn we fixed the
oar that he had been used to row with.
"While we were doing all this, Circe, who knew that we had got
back from the house of Hades, dressed herself and came to us as fast
as she could; and her maid servants came with her bringing us bread,
meat, and wine. Then she stood in the midst of us and said, 'You
have done a bold thing in going down alive to the house of Hades,
and you will have died twice, to other people's once; now, then,
stay here for the rest of the day, feast your fill, and go on with
your voyage at daybreak tomorrow morning. In the meantime I will
tell Ulysses about your course, and will explain everything to him
so as to prevent your suffering from misadventure either by land or
sea.'
"We agreed to do as she had said, and feasted through the livelong
day to the going down of the sun, but when the sun had set and it came
on dark, the men laid themselves down to sleep by the stern cables
of the ship. Then Circe took me by the hand and bade me be seated away
from the others, while she reclined by my side and asked me all
about our adventures.
"'So far so good,' said she, when I had ended my story, 'and now pay
attention to what I am about to tell you- heaven itself, indeed,
will recall it to your recollection. First you will come to the Sirens
who enchant all who come near them. If any one unwarily draws in too
close and hears the singing of the Sirens, his wife and children
will never welcome him home again, for they sit in a green field and
warble him to death with the sweetness of their song. There is a great
heap of dead men's bones lying all around, with the flesh still
rotting off them. Therefore pass these Sirens by, and stop your
men's ears with wax that none of them may hear; but if you like you
can listen yourself, for you may get the men to bind you as you
stand upright on a cross-piece half way up the mast, and they must
lash the rope's ends to the mast itself, that you may have the
pleasure of listening. If you beg and pray the men to unloose you,
then they must bind you faster.
"'When your crew have taken you past these Sirens, I cannot give you
coherent directions as to which of two courses you are to take; I will
lay the two alternatives before you, and you must consider them for
yourself. On the one hand there are some overhanging rocks against
which the deep blue waves of Amphitrite beat with terrific fury; the
blessed gods call these rocks the Wanderers. Here not even a bird

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Drawing a Purple Blank Verse after Gelett BURGESS Purple Cow

DRAWING A PURPLE BLANK VERSE
Kindly refer to notes

I've never cowed to purple prose
know now I'll never write it,
for anyhow true writer knows
hand stretched finds critics bite it.

I've never wowed, and goodness knows
hacks lack the knack of versing,
won't bow, kowtow to backhand blows,
preferring role reverse_sing.

Ah, yes, I wrote on purple prose,
yet can't regret I penned it,
one far prefers rhyme's timeless flows,
no blush need rush defend it.


10 February 2009
robi03_1856_burg01_0001 PWX_IXX

Parody Gelett BURGESS The Purple Cow

Author notes

For original and variations on a theme see bekiw
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIII
THE PURPLE COW

I never saw a Purple Cow,
I never hope to see one,
But I can tell you anyhow,
I’d rather see than be one.


Gelett BURGESS 1866_1951
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIII
CONFESSION

Ah, yes! I wrote the « Purple Cow » -
I’m Sorry, now, I Wrote it,
But I can Tell you Anyhow
I’ll Kill you if you Quote it.

Gelett BURGESS 1866_1951
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIII
A Perfect Woman

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The Purple Cow Parodies

Gelett Burgess' original poem…

A Purple Cow

I never saw a Purple Cow,
I never hope to see one;
But I can tell you, anyhow,
I'd rather see than be one.


Poem parodied in the
style of…


John Milton


Hence, vain, deluding cows.
The herd of folly, without colour bright,
How little you delight,
Or fill the Poet's mind, or songs arouse!
But, hail! thou goddess gay of feature!
Hail divinest purple creature!
Oh, Cow, thy visage is too bright
To hit the sense of human sight.
And though I'd like, just once, to see thee
I never, never, never'd be thee!


Percy Bysshe Shelley


Hail to thee, blithe spirit!
Cow thou never wert;
But in life to cheer it
Playest thy full part
In purple lines of unpremeditated art.

The pale purple colour
Melts around thy sight
Like a star, but duller,
In the broad daylight.
I'd see thee, but I would not be thee if I might.

We look before and after
At the cattle as they browse;
Our most hearty laughter
Something sad must rouse.
Our sweetest songs are those that tell of Purple Cows.

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The Great Hunger

I
Clay is the word and clay is the flesh
Where the potato-gatherers like mechanised scarecrows move
Along the side-fall of the hill - Maguire and his men.
If we watch them an hour is there anything we can prove
Of life as it is broken-backed over the Book
Of Death? Here crows gabble over worms and frogs
And the gulls like old newspapers are blown clear of the hedges, luckily.
Is there some light of imagination in these wet clods?
Or why do we stand here shivering?
Which of these men
Loved the light and the queen
Too long virgin? Yesterday was summer. Who was it promised marriage to himself
Before apples were hung from the ceilings for Hallowe'en?
We will wait and watch the tragedy to the last curtain,
Till the last soul passively like a bag of wet clay
Rolls down the side of the hill, diverted by the angles
Where the plough missed or a spade stands, straitening the way.
A dog lying on a torn jacket under a heeled-up cart,
A horse nosing along the posied headland, trailing
A rusty plough. Three heads hanging between wide-apart legs.
October playing a symphony on a slack wire paling.
Maguire watches the drills flattened out
And the flints that lit a candle for him on a June altar
Flameless. The drills slipped by and the days slipped by
And he trembled his head away and ran free from the world's halter,
And thought himself wiser than any man in the townland
When he laughed over pints of porter
Of how he came free from every net spread
In the gaps of experience. He shook a knowing head
And pretended to his soul
That children are tedious in hurrying fields of April
Where men are spanning across wide furrows.
Lost in the passion that never needs a wife
The pricks that pricked were the pointed pins of harrows.
Children scream so loud that the crows could bring
The seed of an acre away with crow-rude jeers.
Patrick Maguire, he called his dog and he flung a stone in the air
And hallooed the birds away that were the birds of the years.
Turn over the weedy clods and tease out the tangled skeins.
What is he looking for there?
He thinks it is a potato, but we know better
Than his mud-gloved fingers probe in this insensitive hair.
'Move forward the basket and balance it steady
In this hollow. Pull down the shafts of that cart, Joe,
And straddle the horse,' Maguire calls.
'The wind's over Brannagan's, now that means rain.
Graip up some withered stalks and see that no potato falls
Over the tail-board going down the ruckety pass -
And that's a job we'll have to do in December,

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The Shepherds Calendar - July

Daughter of pastoral smells and sights
And sultry days and dewy nights
July resumes her yearly place
Wi her milking maiden face
Ruddy and tand yet sweet to view
When everywhere's a vale of dew
And raps it round her looks that smiles
A lovly rest to daily toils
Wi last months closing scenes and dins
Her sultry beaming birth begins

Hay makers still in grounds appear
And some are thinning nearly clear
Save oddly lingering shocks about
Which the tithman counteth out
Sticking their green boughs where they go
The parsons yearly claims to know
Which farmers view wi grudging eye
And grumbling drive their waggons bye
In hedge bound close and meadow plains
Stript groups of busy bustling swains
From all her hants wi noises rude
Drives to the wood lands solitude
That seeks a spot unmarkd wi paths
Far from the close and meadow swaths
Wi smutty song and story gay
They cart the witherd smelling hay
Boys loading on the waggon stand
And men below wi sturdy hand
Heave up the shocks on lathy prong
While horse boys lead the team along
And maidens drag the rake behind
Wi light dress shaping to the wind
And trembling locks of curly hair
And snow white bosoms nearly bare
That charms ones sight amid the hay
Like lingering blossoms of the may
From clowns rude jokes they often turn
And oft their cheeks wi blushes burn
From talk which to escape a sneer
They oft affect as not to hear
Some in the nooks about the ground
Pile up the stacks swelld bellying round
The milking cattles winter fare
That in the snow are fodderd there
Warm spots wi black thorn thickets lind
And trees to brake the northern wind
While masters oft the sultry hours
Will urge their speed and talk of showers
When boy from home trotts to the stack

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Jackaw of Rheims, The

The Jackdaw sat on the Cardinal's chair!
Bishop, and abbot, and prior were there;
Many a monk, and many a friar,
Many a knight, and many a squire,
With a great many more of lesser degree,--
In sooth a goodly company;
And they served the Lord Primate on bended knee.
Never, I ween,
Was a prouder seen,
Read of in books, or dreamt of in dreams,
Than the Cardinal Lord Archbishop of Rheims!

In and out
Through the motley rout,
That little Jackdaw kept hopping about;
Here and there
Like a dog in a fair,
Over comfits and cates,
And dishes and plates,
Cowl and cope, and rochet and pall,
Mitre and crosier! he hopp'd upon all!
With saucy air,
He perch'd on the chair
Where, in state, the great Lord Cardinal sat
In the great Lord Cardinal's great red hat;
And he peer'd in the face
Of his Lordship's Grace,
With a satisfied look, as if he would say,
'We two are the greatest folks here to-day!'
And the priests, with awe,
As such freaks they saw,
Said, 'The Devil must be in that little Jackdaw!'

The feast was over, the board was clear'd,
The flawns and the custards had all disappear'd,
And six little Singing-boys--dear little souls!
In nice clean faces, and nice white stoles,
Came, in order due,
Two by two,
Marching that grand refectory through!
A nice little boy held a golden ewer,
Emboss'd and fill'd with water, as pure
As any that flows between Rheims and Namur,
Which a nice little boy stood ready to catch
In a fine golden hand-basin made to match.
Two nice little boys, rather more grown,
Carried lavender-water, and eau de Cologne;
And a nice little boy had a nice cake of soap,
Worthy of washing the hands of the Pope.
One little boy more

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The Jackaw of Rheims

The Jackdaw sat on the Cardinal's chair!
Bishop, and abbot, and prior were there;
Many a monk, and many a friar,
Many a knight, and many a squire,
With a great many more of lesser degree,--
In sooth a goodly company;
And they served the Lord Primate on bended knee.
Never, I ween,
Was a prouder seen,
Read of in books, or dreamt of in dreams,
Than the Cardinal Lord Archbishop of Rheims!

In and out
Through the motley rout,
That little Jackdaw kept hopping about;
Here and there
Like a dog in a fair,
Over comfits and cates,
And dishes and plates,
Cowl and cope, and rochet and pall,
Mitre and crosier! he hopp'd upon all!
With saucy air,
He perch'd on the chair
Where, in state, the great Lord Cardinal sat
In the great Lord Cardinal's great red hat;
And he peer'd in the face
Of his Lordship's Grace,
With a satisfied look, as if he would say,
'We two are the greatest folks here to-day!'
And the priests, with awe,
As such freaks they saw,
Said, 'The Devil must be in that little Jackdaw!'

The feast was over, the board was clear'd,
The flawns and the custards had all disappear'd,
And six little Singing-boys--dear little souls!
In nice clean faces, and nice white stoles,
Came, in order due,
Two by two,
Marching that grand refectory through!
A nice little boy held a golden ewer,
Emboss'd and fill'd with water, as pure
As any that flows between Rheims and Namur,
Which a nice little boy stood ready to catch
In a fine golden hand-basin made to match.
Two nice little boys, rather more grown,
Carried lavender-water, and eau de Cologne;
And a nice little boy had a nice cake of soap,
Worthy of washing the hands of the Pope.
One little boy more

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Show Tune II

That's the long and short of it
now you know
how I've been waiting all these years
where I'm coming from
that's the long and short of it.

That's the long and short of it
now you see
just how hot hot jazz was
how it turned about, my bookcase
that's the long and short of it.

That's the long and short of it
now you know
that my arrest record's
not my best record
that's the long and short of it.

That's the long and short of it
now you see
how the Past's like a love
you can neither leave nor live
that's the long and short of it

That's the long and short of it
now you know
it was no gun in my pocket
it was a rocket
that's the long and short of it.

That's the long and short of it
and you're wond'ring dear
how I kept so pure
hull, it was easy
that's the long and short of it.

That's the long and short of it
now you see
so bounce your head
into bed
that's the long and short of it.

That's the long and short of it
read the blues
in these tattoos
make a song of it
that's the short and long of it.


How I wish

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18 Definitions Of A Short Poem

1) A short poem
Saves time,

2) A short poem
Saves time
For its reader, also.

3) A short poem is over
Before its read.

4) A short poem
Can be swiftly reread.

5) A short poem
Is a lightning flash.

6) A short poem
Is one metaphor only.

7) A short poem
Is less than nine words.

8) A short poem
Opens ones eyes
In the morning.

9) A short poem
May be a short prayer.

10) A short poem
May be a poem of a single word.

11) Poem.

12) A short poem
A small play on words.

13) A short poem
May be a single sentence.

14) A short poem is shorter
Than the definition of it.

15) It breaks up the icy sea within.

16) A chill down the spine.

17) There is no end
To making definitions of the short poem.

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The Santa-Fe Trail (A Humoresque)

I asked the old Negro, "What is that bird that sings so well?" He answered: "That is the Rachel-Jane." "Hasn't it another name, lark, or thrush, or the like?" "No. Jus' Rachel-Jane."


I. IN WHICH A RACING AUTO COMES FROM THE EAST

This is the order of the music of the morning: —
First, from the far East comes but a crooning.
The crooning turns to a sunrise singing.
Hark to the calm -horn, balm -horn, psalm -horn.
Hark to the faint -horn, quaint -horn, saint -horn. . . .

Hark to the pace -horn, chase -horn, race -horn.
And the holy veil of the dawn has gone.
Swiftly the brazen ear comes on.
It burns in the East as the sunrise burns.
I see great flashes where the far trail turns.

Its eyes are lamps like the eyes of dragons.
It drinks gasoline from big red flagons.
Butting through the delicate mists of the morning,
It comes like lightning, goes past roaring.
It will hail all the wind-mills, taunting, ringing,
Dodge the cyclones,
Count the milestones,
On through the ranges the prairie-dog tills—
Scooting past the cattle on the thousand hills. . . .
Ho for the tear-horn, scare-horn, dare-horn,
Ho for the gay -horn, bark -horn, bay -horn.
Ho for Kansas, land that restores us
When houses choke us, and great books bore us!
Sunrise Kansas, harvester's Kansas,
A million men have found you before us.


II. IN WHICH MANY AUTOS PASS WESTWARD

I want live things in their pride to remain.
I will not kill one grasshopper vain
Though he eats a hole in my shirt like a door.
I let him out, give him one chance more.
Perhaps, while he gnaws my hat in his whim,
Grasshopper lyrics occur to him.

I am a tramp by the long trail's border,
Given to squalor, rags and disorder.
I nap and amble and yawn and look,
Write fool-thoughts in my grubby book,
Recite to the children, explore at my ease,
Work when I work, beg when I please,
Give crank-drawings, that make folks stare

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Metamorphoses: Book The Tenth

THENCE, in his saffron robe, for distant Thrace,
Hymen departs, thro' air's unmeasur'd space;
By Orpheus call'd, the nuptial Pow'r attends,
But with ill-omen'd augury descends;
Nor chearful look'd the God, nor prosp'rous spoke,
Nor blaz'd his torch, but wept in hissing smoke.
In vain they whirl it round, in vain they shake,
No rapid motion can its flames awake.
The Story of With dread these inauspicious signs were view'd,
Orpheus And soon a more disastrous end ensu'd;
and Eurydice For as the bride, amid the Naiad train,
Ran joyful, sporting o'er the flow'ry plain,
A venom'd viper bit her as she pass'd;
Instant she fell, and sudden breath'd her last.
When long his loss the Thracian had deplor'd,
Not by superior Pow'rs to be restor'd;
Inflam'd by love, and urg'd by deep despair,
He leaves the realms of light, and upper air;
Daring to tread the dark Tenarian road,
And tempt the shades in their obscure abode;
Thro' gliding spectres of th' interr'd to go,
And phantom people of the world below:
Persephone he seeks, and him who reigns
O'er ghosts, and Hell's uncomfortable plains.
Arriv'd, he, tuning to his voice his strings,
Thus to the king and queen of shadows sings.
Ye Pow'rs, who under Earth your realms extend,
To whom all mortals must one day descend;
If here 'tis granted sacred truth to tell:
I come not curious to explore your Hell;
Nor come to boast (by vain ambition fir'd)
How Cerberus at my approach retir'd.
My wife alone I seek; for her lov'd sake
These terrors I support, this journey take.
She, luckless wandring, or by fate mis-led,
Chanc'd on a lurking viper's crest to tread;
The vengeful beast, enflam'd with fury, starts,
And thro' her heel his deathful venom darts.
Thus was she snatch'd untimely to her tomb;
Her growing years cut short, and springing bloom.
Long I my loss endeavour'd to sustain,
And strongly strove, but strove, alas, in vain:
At length I yielded, won by mighty love;
Well known is that omnipotence above!
But here, I doubt, his unfelt influence fails;
And yet a hope within my heart prevails.
That here, ev'n here, he has been known of old;
At least if truth be by tradition told;
If fame of former rapes belief may find,
You both by love, and love alone, were join'd.

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The Drug-Shop, or, Endymion in Edmonstoun

"Oh yes, I went over to Edmonstoun the other day and saw Johnny, mooning around as usual! He will never make his way."
Letter of George Keats, 18--


Night falls; the great jars glow against the dark,
Dark green, dusk red, and, like a coiling snake,
Writhing eternally in smoky gyres,
Great ropes of gorgeous vapor twist and turn
Within them. So the Eastern fisherman
Saw the swart genie rise when the lead seal,
Scribbled with charms, was lifted from the jar;
And -- well, how went the tale? Like this, like this? . . .

No herbage broke the barren flats of land,
No winds dared loiter within smiling trees,
Nor were there any brooks on either hand,
Only the dry, bright sand,
Naked and golden, lay before the seas.

One boat toiled noiselessly along the deep,
The thirsty ripples dying silently
Upon its track. Far out the brown nets sweep,
And night begins to creep
Across the intolerable mirror of the sea.

Twice the nets rise, a-trail with sea-plants brown,
Distorted shells, and rocks green-mossed with slime,
Nought else. The fisher, sick at heart, kneels down;
"Prayer may appease God's frown,"
He thinks, then, kneeling, casts for the third time.

And lo! an earthen jar, bound round with brass,
Lies tangled in the cordage of his net.
About the bright waves gleam like shattered glass,
And where the sea's rim was
The sun dips, flat and red, about to set.

The prow grates on the beach. The fisherman
Stoops, tearing at the cords that bind the seal.
Shall pearls roll out, lustrous and white and wan?
Lapis? carnelian?
Unheard-of stones that make the sick mind reel

With wonder of their beauty? Rubies, then?
Green emeralds, glittering like the eyes of beasts?
Poisonous opals, good to madden men?
Gold bezants, ten and ten?
Hard, regal diamonds, like kingly feasts?

He tugged; the seal gave way. A little smoke

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Metamorphoses: Book The Seventh

THE Argonauts now stemm'd the foaming tide,
And to Arcadia's shore their course apply'd;
Where sightless Phineus spent his age in grief,
But Boreas' sons engage in his relief;
And those unwelcome guests, the odious race
Of Harpyes, from the monarch's table chase.
With Jason then they greater toils sustain,
And Phasis' slimy banks at last they gain,
Here boldly they demand the golden prize
Of Scythia's king, who sternly thus replies:
That mighty labours they must first o'ercome,
Or sail their Argo thence unfreighted home.
The Story of Meanwhile Medea, seiz'd with fierce desire,
Medea and By reason strives to quench the raging fire;
Jason But strives in vain!- Some God (she said)
withstands,
And reason's baffl'd council countermands.
What unseen Pow'r does this disorder move?
'Tis love,- at least 'tis like, what men call love.
Else wherefore shou'd the king's commands appear
To me too hard?- But so indeed they are.
Why shou'd I for a stranger fear, lest he
Shou'd perish, whom I did but lately see?
His death, or safety, what are they to me?
Wretch, from thy virgin-breast this flame expel,
And soon- Oh cou'd I, all wou'd then be well!
But love, resistless love, my soul invades;
Discretion this, affection that perswades.
I see the right, and I approve it too,
Condemn the wrong- and yet the wrong pursue.
Why, royal maid, shou'dst thou desire to wed
A wanderer, and court a foreign bed?
Thy native land, tho' barb'rous, can present
A bridegroom worth a royal bride's content:
And whether this advent'rer lives, or dies,
In Fate, and Fortune's fickle pleasure lies.
Yet may be live! for to the Pow'rs above,
A virgin, led by no impulse of love,
So just a suit may, for the guiltless, move.
Whom wou'd not Jason's valour, youth and blood
Invite? or cou'd these merits be withstood,
At least his charming person must encline
The hardest heart- I'm sure 'tis so with mine!
Yet, if I help him not, the flaming breath
Of bulls, and earth-born foes, must be his death.
Or, should he through these dangers force his way,
At last he must be made the dragon's prey.
If no remorse for such distress I feel,
I am a tigress, and my breast is steel.
Why do I scruple then to see him slain,

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Short People

Short people
Short people got no reason
Short people got no reason
Short people got no reason
To live
They got little hands
Little eyes
They walk around
Tellin great big lies
They got little noses
And tiny little teeth
They wear platform shoes
On their nasty little feet
Well, I dont want no short people
Dont want no short people
Dont want no short people
'round here
Short people are just the same
As you and i
(a fool such as I)
All men are brothers
Until the day they die
(its a wonderful world)
Short people got nobody
Short people got nobody
Short people got nobody
To love
They got little baby legs
That stand so low
You got to pick em up
Just to say hello
They got little cars
That go beep, beep, beep
They got little voices
Goin peep, peep, peep
They got grubby little fingers
And dirty little minds
Theyre gonna get you every time
Well, I dont want no short people
Dont want no short people
Dont want no short people
round here

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