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Despicable Me 2 [Gru Tells the Girls He's Got a New Job]

Cast: Steve Carell, Miranda Cosgrove, Elsie Kate Fisher, Dana Gaier

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Henry Wadsworth Longfellow

The Golden Legend: II. A Farm In The Odenwald

A garden; morning;_ PRINCE HENRY _seated, with a
book_. ELSIE, _at a distance, gathering flowers._

_Prince Henry (reading)._ One morning, all alone,
Out of his convent of gray stone,
Into the forest older, darker, grayer,
His lips moving as if in prayer,
His head sunken upon his breast
As in a dream of rest,
Walked the Monk Felix. All about
The broad, sweet sunshine lay without,
Filling the summer air;
And within the woodlands as he trod,
The twilight was like the Truce of God
With worldly woe and care;
Under him lay the golden moss;
And above him the boughs of hemlock-tree
Waved, and made the sign of the cross,
And whispered their Benedicites;
And from the ground
Rose an odor sweet and fragrant
Of the wild flowers and the vagrant
Vines that wandered,
Seeking the sunshine, round and round.
These he heeded not, but pondered
On the volume in his hand,
A volume of Saint Augustine;
Wherein he read of the unseen
Splendors of God's great town
In the unknown land,
And, with his eyes cast down
In humility, he said:
'I believe, O God,
What herein I have read,
But alas! I do not understand!'

And lo! he heard
The sudden singing of a bird,
A snow-white bird, that from a cloud
Dropped down,
And among the branches brown
Sat singing
So sweet, and clear, and loud,
It seemed a thousand harp strings ringing.
And the Monk Felix closed his book,
And long, long,
With rapturous look,
He listened to the song,
And hardly breathed or stirred,
Until he saw, as in a vision,

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Mr. Dana, of the New York Sun

Thar showed up out'n Denver in the spring uv '81
A man who'd worked with Dana on the Noo York Sun.
His name wuz Cantell Whoppers, 'nd he wuz a sight ter view
Ez he walked inter the orfice 'nd inquired fer work ter do.
Thar warn't no places vacant then,--fer be it understood,
That wuz the time when talent flourished at that altitood;
But thar the stranger lingered, tellin' Raymond 'nd the rest
Uv what perdigious wonders he could do when at his best,
Till finally he stated (quite by chance) that he hed done
A heap uv work with Dana on the Noo York Sun.

Wall, that wuz quite another thing; we owned that ary cuss
Who'd worked f'r Mr. Dana must be good enough fer us!
And so we tuk the stranger's word 'nd nipped him while we could,
For if we didn't take him we knew John Arkins would;
And Cooper, too, wuz mouzin' round fer enterprise 'nd brains,
Whenever them commodities blew in across the plains.
At any rate we nailed him, which made ol' Cooper swear
And Arkins tear out handfuls uv his copious curly hair;
But we set back and cackled, 'nd bed a power uv fun
With our man who'd worked with Dana on the Noo York Sun.

It made our eyes hang on our cheeks 'nd lower jaws ter drop,
Ter hear that feller tellin' how ol' Dana run his shop:
It seems that Dana wuz the biggest man you ever saw,--
He lived on human bein's, 'nd preferred to eat 'em raw!
If he hed Democratic drugs ter take, before he took 'em,
As good old allopathic laws prescribe, he allus shook 'em.
The man that could set down 'nd write like Dany never grew,
And the sum of human knowledge wuzn't half what Dana knew;
The consequence appeared to be that nearly every one
Concurred with Mr. Dana of the Noo York Sun.

This feller, Cantell Whoppers, never brought an item in,--
He spent his time at Perrin's shakin' poker dice f'r gin.
Whatever the assignment, he wuz allus sure to shirk,
He wuz very long on likker and all-fired short on work!
If any other cuss had played the tricks he dared ter play,
The daisies would be bloomin' over his remains to-day;
But somehow folks respected him and stood him to the last,
Considerin' his superior connections in the past.
So, when he bilked at poker, not a sucker drew a gun
On the man who 'd worked with Dana on the Noo York Sun.

Wall, Dana came ter Denver in the fall uv '83.
A very different party from the man we thought ter see,--
A nice 'nd clean old gentleman, so dignerfied 'nd calm,
You bet yer life he never did no human bein' harm!
A certain hearty manner 'nd a fulness uv the vest
Betokened that his sperrits 'nd his victuals wuz the best;

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King Volmer and Elsie

After the Danish of Christian Winter


Where, over heathen doom-rings and gray stones of the Horg,
In its little Christian city stands the church of Vordingborg,
In merry mood King Volmer sat, forgetful of his power,
As idle as the Goose of Gold that brooded on his tower.

Out spake the King to Henrik, his young and faithful squire
'Dar'st trust thy little Elsie, the maid of thy desire?'
'Of all the men in Denmark she loveth only me
As true to me is Elsie as thy Lily is to thee.'

Loud laughed the king: 'To-morrow shall bring another day,
When I myself will test her; she will not say me nay.'
Thereat the lords and gallants, that round about him stood,
Wagged all their heads in concert and smiled as courtiers should.

The gray lark sings o'er Vordingborg, and on the ancient town
From the tall tower of Valdemar the Golden Goose looks down;
The yellow grain is waving in the pleasant wind of morn,
The wood resounds with cry of hounds and blare of hunter's horn.

In the garden of her father little Elsie sits and spins,
And, singing with the early birds, her daily task, begins.
Gay tulips bloom and sweet mint curls around her garden-bower,
But she is sweeter than the mint and fairer than the flower.

About her form her kirtle blue clings lovingly, and, white
As snow, her loose sleeves only leave her small, round wrists in sight;
Below, the modest petticoat can only half conceal
The motion of the lightest foot that ever turned a wheel.

The cat sits purring at her side, bees hum in sunshine warm;
But, look! she starts, she lifts her face, she shades it with her arm.
And, hark! a train of horsemen, with sound of dog and horn,
Come leaping o'er the ditches, come trampling down the corn!

Merrily rang the bridle-reins, and scarf and plume streamed gay,
As fast beside her father's gate the riders held their way;
And one was brave in scarlet cloak, with golden spur on heel,
And, as he checked his foaming steed, the maiden checked her wheel.

'All hail among thy roses, the fairest rose to me!
For weary months in secret my heart has longed for thee!'
What noble knight was this? What words for modest maiden's ear?
She dropped a lowly courtesy of bashfulness and fear.

She lifted up her spinning-wheel; she fain would seek the door,
Trembling in every limb, her cheek with blushes crimsoned o'er.

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Miranda

At the end of the day
The end of the light
She remains of all of her foes
Miranda is dying with all of her might
She never comes
She always goes
She sticks the camera right into her arm
Anything to forget what the troubles about
It causes her pain
Thats part of the charm
Shes down for the count
And finally out
Miranda is taking the stars down
A little something to call her own
By the light there still goes miranda
And miranda is always alone
She sees her face in another magazine
And the walls all close in
As the fancy takes flight
Cant stand to be loved
But she loves to be seen
She slips headlong into the night
Miranda is taking the stars down
A little something to call her own
By the light there still goes miranda
And miranda is always alone
And then all at once
The sun starts to rise
She sees her father holding her down
All the daylight is poison to her eyes
She slips down the shade
And lets herself drown
Miranda is taking the stars down
A little something to call her own
By the light there still goes miranda
And miranda is always alone
The lights shot down in the arena
All across the safety zone
Loneliness follows miranda
And miranda is always alone
Miranda is always alone
Miranda is always alone

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Baby Kate

Kate closes the door
falls to her bedroom floor
kate cant even stand
the results in her hand

Kate closes her eyes
sees happiness she tries
to see a new world
but theres a worried girl

A girl stood staring
showing concern, caring
her heart is broken
looks up her eyes open

Kate picks herself up
a nightmare kate is shook
sees her reflection
then she asks a question

Can i get through this?
it was also her whish
can this pain be gone?
but kate doesnt respond

Puts on her lipstick
she had been feeling sick
so she took the test
kates chronicaly depressed

Posative results
kate took many insults
through out her life time
now isnt the right time

A jobs on the way
to give kate better pay
but kate can not work
it is over for her

Kate sits in her room
mayby a baby soon
kates next door neighber
kates neighbers in laber

Kates neighbers baby
is so small its crazy
the test was posative
kate never had a kid

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Malcolm's Katie: A Love Story - Part IV.

From his far wigwam sprang the strong North Wind
And rush'd with war-cry down the steep ravines,
And wrestl'd with the giants of the woods;
And with his ice-club beat the swelling crests.
Of the deep watercourses into death,
And with his chill foot froze the whirling leaves
Of dun and gold and fire in icy banks;
And smote the tall reeds to the harden'd earth;
And sent his whistling arrows o'er the plains,
Scatt'ring the ling'ring herds--and sudden paus'd
When he had frozen all the running streams,
And hunted with his war-cry all the things
That breath'd about the woods, or roam'd the bleak
Bare prairies swelling to the mournful sky.
'White squaw,' he shouted, troubl'd in his soul,
'I slew the dead, wrestl'd with naked chiefs
'Unplum'd before, scalped of their leafy plumes;
'I bound sick rivers in cold thongs of death,
'And shot my arrows over swooning plains,
'Bright with the Paint of death--and lean and bare.
'And all the braves of my loud tribe will mock
'And point at me--when our great chief, the Sun,
'Relights his Council fire in the moon
'Of Budding Leaves.' 'Ugh, ugh! he is a brave!
'He fights with squaws and takes the scalps of babes!
'And the least wind will blow his calumet--
'Fill'd with the breath of smallest flow'rs--across
'The warpaint on my face, and pointing with
'His small, bright pipe, that never moved a spear
'Of bearded rice, cry, 'Ugh! he slays the dead!'
'O, my white squaw, come from thy wigwam grey,
'Spread thy white blanket on the twice-slain dead;
'And hide them, ere the waking of the Sun!'

* * * * *

High grew the snow beneath the low-hung sky,
And all was silent in the Wilderness;
In trance of stillness Nature heard her God
Rebuilding her spent fires, and veil'd her face
While the Great Worker brooded o'er His work.

* * * * *

'Bite deep and wide, O Axe, the tree,
What doth thy bold voice promise me?'

* * * * *

'I promise thee all joyous things,

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Despicable Me 2 [Gru Says Goodnight to the Girls]

Cast: Steve Carell, Miranda Cosgrove, Elsie Kate Fisher, Dana Gaier

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Lohengrin

THE holy bell, untouched by human hands,
Clanged suddenly, and tolled with solemn knell.

Between the massive, blazoned temple-doors,
Thrown wide, to let the summer morning in,
Sir Lohengrin, the youngest of the knights,
Had paused to taste the sweetness of the air.
All sounds came up the mountain-side to him,
Softened to music,— noise of laboring men,
The cheerful cock-crow and the low of kine,
Bleating of sheep, and twittering of the birds,
Commingled into murmurous harmonies—
When harsh, and near, and clamorous tolled the bell.
He started, with his hand upon his sword;
His face, an instant since serene and fair,
And simple with the beauty of a boy,
Heroic, flushed, expectant all at once.
The lovely valley stretching out beneath
Was now a painted picture,— nothing more;
All music of the mountain or the vale
Rang meaningless to him who heard the bell.
'I stand upon the threshold, and am called,'
His clear, young voice shrilled gladly through the air,
And backward through the sounding corridors.

'And have ye heard the bell, my brother knights,
Untouched by human hands or winds of heaven?
It called me, yea, it called my very name!'
So, breathing still of morning, Lohengrin
Sprang 'midst the gathering circle of the knights,
Eager, exalted. 'Nay, it called us all:
It rang as it hath often rung before,—
Because the good cause, somewhere on the earth,
Requires a champion,' with a serious smile,
An older gravely answered. 'Where to go?
We know not, and we know not whom to serve.'
Then spake Sir Percivale, their holiest knight,
And father of the young Sir Lohengrin:
'All that to us seems old, familiar, stale,
Unto the boy is vision, miracle.
Cross him not, brethren, in his first desire.
I will dare swear the summons rang to him,
Not sternly solemn, as it tolled to us,
But gracious, sweet, and gay as marriage-bells.'
His pious hands above the young man's head
Wandered in blessing, lightly touching it,
As fondly as a mother. 'Lohengrin,
My son, farewell,— God send thee faith and strength.'
' God send me patience and humility,'
Murmured the boyish knight, from contrite heart,

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Malcolm's Katie: A Love Story - Part VI.

'Who curseth Sorrow knows her not at all.
Dark matrix she, from which the human soul
Has its last birth; whence, with its misty thews,
Close-knitted in her blackness, issues out;
Strong for immortal toil up such great heights,
As crown o'er crown rise through Eternity,
Without the loud, deep clamour of her wail,
The iron of her hands; the biting brine
Of her black tears; the Soul but lightly built
of indeterminate spirit, like a mist
Would lapse to Chaos in soft, gilded dreams,
As mists fade in the gazing of the sun.
Sorrow, dark mother of the soul, arise!
Be crown'd with spheres where thy bless'd children dwell,
Who, but for thee, were not. No lesser seat
Be thine, thou Helper of the Universe,
Than planet on planet pil'd!--thou instrument,
Close-clasp'd within the great Creative Hand!'

* * * * *

The Land had put his ruddy gauntlet on,
Of Harvest gold, to dash in Famine's face.
And like a vintage wain, deep dy'd with juice,
The great moon falter'd up the ripe, blue sky,
Drawn by silver stars--like oxen white
And horn'd with rays of light--Down the rich land
Malcolm's small valleys, fill'd with grain, lip-high,
Lay round a lonely hill that fac'd the moon,
And caught the wine-kiss of its ruddy light.
A cusp'd, dark wood caught in its black embrace
The valleys and the hill, and from its wilds,
Spic'd with dark cedars, cried the Whip-poor-will.
A crane, belated, sail'd across the moon;
On the bright, small, close link'd lakes green islets lay,
Dusk knots of tangl'd vines, or maple boughs,
Or tuft'd cedars, boss'd upon the waves.
The gay, enamell'd children of the swamp
Roll'd a low bass to treble, tinkling notes
Of little streamlets leaping from the woods.
Close to old Malcolm's mills, two wooden jaws
Bit up the water on a sloping floor;
And here, in season, rush'd the great logs down,
To seek the river winding on its way.
In a green sheen, smooth as a Naiad's locks,
The water roll'd between the shudd'ring jaws--
Then on the river level roar'd and reel'd--
In ivory-arm'd conflict with itself.
'Look down,' said Alfred, 'Katie, look and see
'How that but pictures my mad heart to you.

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The Fortune-Teller, a Gypsy Tale

LUBIN and KATE, as gossips tell,
Were Lovers many a day;
LUBIN the damsel lov'd so well,
That folks pretend to say
The silly, simple, doting Lad,
Was little less than loving mad:
A malady not known of late--
Among the little-loving Great!

KATE liked the youth; but woman-kind
Are sometimes giv'n to range.
And oft, the giddy Sex, we find,
(They know not why)
When most they promise, soonest change,
And still for conquest sigh:
So 'twas with KATE; she, ever roving
Was never fix'd, though always loving!

STEPHEN was LUBIN'S rival; he
A rustic libertine was known;
And many a blushing simple She,
The rogue had left,--to sigh alone!
KATE cared but little for the rover,
Yet she resolv'd to have her way,
For STEPHEN was the village Lover,
And women pant for Sov'reign sway.
And he, who has been known to ruin,--
Is always sought, and always wooing.

STEPHEN had long in secret sigh'd;
And STEPHEN never was deny'd:
Now, LUBIN was a modest swain,
And therefore, treated with disdain:
For, it is said, in Love and War ,--
The boldest, most successful are!

Vows, were to him but fairy things
Borne on capricious Fancy's wings;
And promises, the Phantom's Airy
Which falsehood form'd to cheat th' unwary;
For still deception was his trade,
And though his traffic well was known,
Still, every trophy was his own
Which the proud Victor, Love, display'd.
In short, this STEPHEN was the bane
Of ev'ry maid,--and ev'ry swain!

KATE had too often play'd the fool,
And now, at length, was caught;
For she, who had been pleas'd to rule,

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The Daft Days

The midnight hour is clinking, lads,
An' the douce an' the decent are winking, lads;
Sae I tell ye again,
Be't weel or ill ta'en,
It's time ye were quatting your drinking, lads.
Gae ben, 'an mind your gauntry, Kate,

Gi'es mair o' your beer, an' less bantry, Kate,
For we vow, whaur we sit,
That afore we shall flit,
We'se be better acquaint wi' your pantry, Kate.
The "daft days" are but beginning, Kate,

An we're sworn. Would you hae us a sinning, Kate?
By our faith an' our houp,
We will stick by the stoup
As lang as the barrel keeps rinning, Kate.

Thro' hay, an' thro' hairst, sair we toil it, Kate,
Thro' Simmer, an' Winter, we moil it, Kate;
Sae ye ken, whan the wheel
Is beginning to squeal,
It's time for to grease an' to oil it, Kate.

Sae draw us anither drappy, Kate,
An' gie us a cake to our cappy, Kate;
For, by spiggot an' pin!
It's waur than a sin
To flit when we're sitting sae happy, Kate.

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La Fontaine

The Nightingale

NO easy matter 'tis to hold,
Against its owner's will, the fleece
Who troubled by the itching smart
Of Cupid's irritating dart,
Eager awaits some Jason bold
To grant release.
E'en dragon huge, or flaming steer,
When Jason's loved will cause no fear.

Duennas, grating, bolt and lock,
All obstacles can naught avail;
Constraint is but a stumbling block;
For youthful ardour must prevail.
Girls are precocious nowadays,
Look at the men with ardent gaze,
And longings' an infinity;
Trim misses but just in their teens
By day and night devise the means
To dull with subtlety to sleep
The Argus vainly set to keep
In safety their virginity.
Sighs, smiles, false tears, they'll fain employ
An artless lover to decoy.
I'll say no more, but leave to you,
Friend reader, to pronounce if true
What I've asserted when you have heard
How artful Kitty, caged her bird.

IN a small town in Italy,
The name of which I do not know,
Young Kitty dwelt, gay, pretty, free,
Varambon's child.--Boccacio
Omits her mother's name, which not
To you or me imports a jot.
At fourteen years our Kitty's charms
Were all that could be wished--plump arms,
A swelling bosom; on her cheeks
Roses' and lilies' mingled streaks,
A sparkling eye--all these, you know,
Speak well for what is found below.
With such advantages as these
No virgin sure could fail to please,
Or lack a lover; nor did Kate;
But little time she had to wait;
One soon appeared to seal her fate.
Young Richard saw her, loved her, wooed her--
What swain I ask could have withstood her?
Soft words, caresses, tender glances,
The battery of love's advances,
Soon lit up in the maiden's breast

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Henry Wadsworth Longfellow

The Golden Legend: VI. The School Of Salerno

A traveling Scholastic affixing his Theses to the gate
of the College.

_Scholastic._ There, that is my gauntlet, my banner, my shield,
Hung up as a challenge to all the field!
One hundred and twenty-five propositions,
Which I will maintain with the sword of the tongue
Against all disputants, old and young.
Let us see if doctors or dialecticians
Will dare to dispute my definitions,
Or attack any one of my learned theses.
Here stand I; the end shall be as God pleases.
I think I have proved, by profound research
The error of all those doctrines so vicious
Of the old Areopagite Dionysius,
That are making such terrible work in the churches,
By Michael the Stammerer sent from the East,
And done into Latin by that Scottish beast,
Erigena Johannes, who dares to maintain,
In the face of the truth, the error infernal,
That the universe is and must be eternal;
At first laying down, as a fact fundamental,
That nothing with God can be accidental;
Then asserting that God before the creation
Could not have existed, because it is plain
That, had he existed, he would have created;
Which is begging the question that should be debated,
And moveth me less to anger than laughter.
All nature, he holds, is a respiration
Of the Spirit of God, who, in breathing, hereafter
Will inhale it into his bosom again,
So that nothing but God alone will remain.
And therein he contradicteth himself;
For he opens the whole discussion by stating,
That God can only exist in creating.
That question I think I have laid on the shelf!

(_He goes out. Two Doctors come in disputing, and
followed by pupils._)

_Doctor Serafino._ I, with the Doctor Seraphic, maintain,
That a word which is only conceived in the brain
Is a type of eternal Generation;
The spoken word is the Incarnation.

_Doctor Cherubino._ What do I care for the Doctor Seraphic,
With all his wordy chaffer and traffic?

_Doctor Serafino._ You make but a paltry show of resistance;
Universals have no real existence!

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Elizabeth Barrett Browning

Seventh Book

'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.

'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.

'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,

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Despicable Me 3

Cast: Kristen Wiig, Steve Carell, Miranda Cosgrove, Trey Parker, Russell Brand, Michael Beattie, Dana Gaier, Pierre Coffin, Andy Nyman

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Despicable Me 3 [trailer 2]

Cast: Kristen Wiig, Steve Carell, Miranda Cosgrove, Trey Parker, Russell Brand, Michael Beattie, Dana Gaier, Pierre Coffin, Andy Nyman

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Despicable Me 3 [trailer 3]

Cast: Kristen Wiig, Steve Carell, Miranda Cosgrove, Trey Parker, Russell Brand, Michael Beattie, Dana Gaier, Pierre Coffin, Andy Nyman

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No Woman, No Cry

[wyclef] - (lauryn in parentheses)
...yo, steve marley throw on your father's old record...(yeah) - lauryn
Ha! classic material...refugee camp, hold tight! yes, yes!
Steve marley, come on! ah-ha! wyclef, ha-ha!
Feel the gong! heh-heh! yes, yes y'all! heh, come on!...yes, yes!
Feel the gong! (echo)
[steve marley - chorus] - {marley sisters background singing in brackets}
No woman, no cry (crowd cheers)
No woman, no cry! {no woman, no cry!}
No woman...
No, no woman!...no woman, no cry! {no woman, no cry!}
[steve marley - verse one] (wyclef in parentheses) {marley sisters in brackets}
You see...
Said i remember! oh, when we used to sit (where at?) - wyclef
In a government yard, in trenchtown {town!} - marley sisters
(and what did you used to see son?)
Well oh, i was observing, them hypocrites!
As they would... mingle with the good people we meet {meet!}
Yeah-yeah!
Good friends we have, and oh well!
Good friends we've lost! yeah-yeah!
Along...the way! {way!} yeah!
In this great future, yeah! you can't forget your past! say-yeah
Oh, dry your tears i say {say!}
[chorus 1x]
[wyclef] - (lauryn singing in parentheses) - {marley sisters in brackets}
Say! say! say! say!
I remember! when we used to sit! [where at son?]
Oh, in a project yard, in brooklyn! {lyn!} [oh, yeah right when i left haiti,
Ha]
And little georgie, would make the fire light! (i tell ya!)
As...stolen cars passed through the night {night!} [newark, new jersey, ah-ha!]
And then we'd hit, the corner store!
For roots, paper, and brew, wooh! {brew! whoo!}
My drinks, my only remedy! i tell ya! (sold out! sold out!)
For pain of losing, family...
But while i'm gone, sure thing...
[steve, lauryn, sharon, and pam singing] - (clef, eric, and ziggy chanting)
Everything's gonna be alright!! (oh! ah! oh-ah!)
Everything's gonna be alright! (oh! ah! oh-ah!)
Everything's gonna be alright!! (oh! ah! oh-ah!) (ho!)
Everything's gonna be alright! (oh! ah! oh-ah!) (ho!)
Everything's gonna be alright!! (oh! ah! oh-ah!) (ho!)
Everything's gonna be alright! (oh! ah! oh-ah!) (ho!)
Everything's gonna be alright!! (oh! ah! oh-ah!) (ho!)
Everything's gonna be alright! (oh! ah! oh-ah!) (ho!)
[steve marley]
...so, woman no cry!
No, no woman!...{no woman, no cry!}
[wyclef]

[...] Read more

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Malcolm's Katie: A Love Story - Part III.

The great farm house of Malcolm Graem stood
Square shoulder'd and peak roof'd upon a hill,
With many windows looking everywhere;
So that no distant meadow might lie hid,
Nor corn-field hide its gold--nor lowing herd
Browse in far pastures, out of Malcolm's ken.
He lov'd to sit, grim, grey, and somewhat stern,
And thro' the smoke-clouds from his short clay pipe
Look out upon his riches; while his thoughts
Swung back and forth between the bleak, stern past,
And the near future, for his life had come
To that close balance, when, a pendulum,
The memory swings between me 'Then' and 'Now';
His seldom speech ran thus two diff'rent ways:
'When I was but a laddie, this I did';
Or, 'Katie, in the Fall I'll see to build
'Such fences or such sheds about the place;
'And next year, please the Lord, another barn.'
Katie's gay garden foam'd about the walls,
'Leagur'd the prim-cut modern sills, and rush'd
Up the stone walls--and broke on the peak'd roof.
And Katie's lawn was like a Poet's sward,
Velvet and sheer and di'monded with dew;
For such as win their wealth most aptly take
Smooth, urban ways and blend them with their own;
And Katie's dainty raiment was as fine
As the smooth, silken petals of the rose;
And her light feet, her nimble mind and voice,
In city schools had learn'd the city's ways,
And grafts upon the healthy, lonely vine
They shone, eternal blossoms 'mid the fruit.
For Katie had her sceptre in her hand
And wielded it right queenly there and here,
In dairy, store-room, kitchen--ev'ry spot
Where women's ways were needed on the place.
And Malcolm took her through his mighty fields,
And taught her lore about the change of crops;
And how to see a handsome furrow plough'd;
And how to choose the cattle for the mart;
And how to know a fair day's work when done;
And where to plant young orchards; for he said,
'God sent a lassie, but I need a son--
'Bethankit for His mercies all the same.'
And Katie, when he said it, thought of Max--
Who had been gone two winters and two springs,
And sigh'd, and thought, 'Would he not be your son?'
But all in silence, for she had too much
Of the firm will of Malcolm in her soul
To think of shaking that deep-rooted rock;
But hop'd the crystal current of his love

[...] Read more

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A Lady Who Thinks She Is Thirty

Unwillingly Miranda wakes,
Feels the sun with terror,
One unwilling step she takes,
Shuddering to the mirror.

Miranda in Miranda's sight
Is old and gray and dirty;
Twenty-nine she was last night;
This morning she is thirty.

Shining like the morning star,
Like the twilight shining,
Haunted by a calendar,
Miranda is a-pining.

Silly girl, silver girl,
Draw the mirror toward you;
Time who makes the years to whirl
Adorned as he adored you.

Time is timelessness for you;
Calendars for the human;
What's a year, or thirty, to
Loveliness made woman?

Oh, Night will not see thirty again,
Yet soft her wing, Miranda;
Pick up your glass and tell me, then--
How old is Spring, Miranda?

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