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Costel Zăgan

I have acomplished my ideal: I have my own farm of words!

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The Farm

There┬┤s a cockroach in my coffee
There┬┤s a needle in my arm
And I feel like New York City
Get me to the farm

Get me to the farm
Get me to the farm
Somebody get me to the farm

I got terminal uniqueness
I'm an egocentric man
I get caught up in my freakness
But I ain┬┤t no Peter Pan
Get me to the farm

Get me to the farm
Get me to the farm
Get me...

Buckle up straight Jack
Sanity is such a drag
Jellybeam thorazene
Trancendental jet lag

Sanity I ain┬┤t gotta
Feeling like a pinala
Sucker punch-blowin┬┤lung
Motherload-pigeonholed
I'm feeling like I'm gonna explode

I wanna be a Hare Krishna
Tattoo a dot right on my head
And the prozac is my fixer
I am the living dead

Take me to the farm
Take me to the farm
Somebody take me to the farm
Somebody take me to the farm

Take me to the farm
Take me to the farm
Somebody take me to the farm
Somebody take me to the farm

Take me to the farm
Take me to the farm
Take me to the farm...

Take me to the farm

[...] Read more

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Ain't Gonna Work On Your Farm No More

I ain’t gonna work on your farm no more
I ain’t gonna scrub all your floors,
I ain’t gonna take all your friends who ignore
what I do when they hide behind doors
where they pay no attention to stuff that I think,
and say, when they pay me a dime,
that I ain’t entitled to spend it on drink,
or ladies who show me good time.
I ain’t gonna work for your children or friends
who preach of the law and the Lord,
and hear all those messages God never sends
to people with who He is bored,
like I am. I ain’t gonna work on your farm,
instead I will write me a song,
and pray that its words will all sound the alarm,
for I expect to be back before long.


Mark Z. Barabak (“He’s Digging ‘Farm, ’” LA Times, June 26,2008) writes that Barack Obama’s favorite Bob Dylan song is “Maggie’s Farm, ” performed in 1995 at the Newport Festival, when he turned electric and never looked back:

I AIN’T GONNA WORK ON MAGGIE’S FARM NO MORE

I ain't gonna work on Maggie's farm no more
I ain't gonna work on Maggie's farm no more
I wake up every morning
hold my hands and pray for rain
I've got a head full of ideas
driving me insane
It's a shame the way she makes me scrub the floor
well, I ain't gonna work on Maggie's farm no more

Well, I ain't gonna work for Maggie's brother no more
I ain't gonna work for Maggie's brother no more
He hands you a nickel
he hands you a dime
He asks you and your friends
if you're having a good time
He blames you every time you slam the door
Well, I ain't gonna work on Maggie's farm no more

Well, I ain't gonna work for Maggie's Pa no more
I ain't gonna work for Maggie's Pa no more
He stubs his cigarette out in your face just for kicks
his bedroom window is made out of bricks
And the National Guard are standing at his door
well, I ain't gonna work on Maggie's farm no more

Well, I ain't gonna work for Maggie's mother no more
I ain't gonna work for Maggie's mother no more
She talks to all the servants about man and God and law

[...] Read more

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I Aint Gonna Work On Maggies Farm No More

(bob dylan)
I aint gonna work on maggies farm no more
I aint gonna work on maggies farm no more
I wake up every morning
Hold my hands and pray for rain
Ive got a head full of ideas
Driving me insane
Its a shame the way she makes me scrub the floor
Well, I aint gonna work on maggies farm no more
Well, I aint gonna work for maggies brother no more
I aint gonna work for maggies brother no more
He hands you a nickel
He hands you a dime
He asks you and your friends
If youre having a good time
He blames you every time you slam the door
Well, I aint gonna work on maggies farm no more
Well, I aint gonna work for maggies pa no more
I aint gonna work for maggies pa no more
He stubs his cigarette out in your face just for kicks
His bedroom window is made out of bricks
And the national guard are standing at his door
Well, I aint gonna work on maggies farm no more
Well, I aint gonna work for maggies mother no more
I aint gonna work for maggies mother no more
She talks to all the servants about man and God and law
And everybody swears shes the brains behind pa
Shes sixty-eight, but claims shes twenty-four
Well, I aint gonna work on maggies farm no more
Well, I aint gonna work on maggies farm no more
I aint gonna work on maggies farm no more
I try so hard to be just who I am
But everybody wants you to be just like them
They say see, while youre playing I get bored ? ?
Well, I aint gonna work on maggies farm no more
I aint gonna work on maggies farm no more
I aint gonna work on maggies farm no more
I aint gonna work on maggies farm no more
I aint gonna work on maggies farm no more

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Z. Comments

CRYSTAL GLOW

Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!

Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.

Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.


FRAGRANT JASMINE

Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!

Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.


I WENT THERE TO BID HER ADIEU

Kente Lucy Comment: wow great writing, what a way to bid farewell

Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.


I’M INCOMPLETE WITHOUT YOU

Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.

Margaret Alice Comment:

'To a resplendent glow of celestial flow
And two split halves unite never to part.'

Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!


IN CELESTIAL WINGS

Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.

Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!

Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.

'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'

Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.


RAGING FIRE

[...] Read more

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Through the eyes of a Field Coronet (Epic)

Introduction

In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.

Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.


Prologue

The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain

mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact

that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals

becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,

who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight

in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.

Let them then also be patriotic
into their souls,
believe in and read
out of the word of God

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Whatever

ideal feat. r.l.: whatever
(r.l.:)
Yeah, ideal
Y2 kay gee and r.l. collabo
Uh-oh make 'em, make 'em
Make 'em dance to this
Uh yeah ideal come on
Make 'em, make 'em
Make 'em dance to this
Let's go
1:
(ideal:)
Whatever you
Wanna do, uh-huh
Whether it's at
The crib or club
It's all up to you, what?
What?
Whatever you wanna do
So you wanna
Groove, uh-huh
Show me how
You move, uh-huh
What'cha gonna do?
What? what?
'cause i wanna
Rock with you
Whatever you wanna do
(ideal:)
Tonight you're with me
I'm talking vip
Cristal, moet
Don p tonight, oh
Nice suite at
The double tree
You and me in
Between the sheets
It's whatever you
Like baby, tell me
2:
(lil' mo:)
I like when you
Move up close to me
Sexy grinding holding me
Real close cause you're
Supposed to be, baby
(ideal:)
I like it when you
Put that thing on me
Pushin' it up against the jeans

[...] Read more

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Henry Wadsworth Longfellow

Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.

PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors

[...] Read more

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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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Charles Baudelaire

L'Idéal (The Ideal)

Ce ne seront jamais ces beautés de vignettes,
Produits avariés, nés d'un siècle vaurien,
Ces pieds à brodequins, ces doigts à castagnettes,
Qui sauront satisfaire un coeur comme le mien.

Je laisse à Gavarni, poète des chloroses,
Son troupeau gazouillant de beautés d'hôpital,
Car je ne puis trouver parmi ces pâles roses
Une fleur qui ressemble à mon rouge idéal.

Ce qu'il faut à ce coeur profond comme un abîme,
C'est vous, Lady Macbeth, âme puissante au crime,
Rêve d'Eschyle éclos au climat des autans;

Ou bien toi, grande Nuit, fille de Michel-Ange,
Qui tors paisiblement dans une pose étrange
Tes appas façonnés aux bouches des Titans!

The Ideal

It will never be the beauties that vignettes show, Those damaged products of a good-for-nothing age,
Their feet shod with high shoes, hands holding castanets,
Who can ever satisfy any heart like mine.

I leave to Gavarni, poet of chlorosis,
His prattling troop of consumptive beauties,
For I cannot find among those pale roses
A flower that is like my red ideal.

The real need of my heart, profound as an abyss,
Is you, Lady Macbeth, soul so potent in crime,
The dream of Aeschylus, born in the land of storms;

Or you, great Night, daughter of Michelangelo,
Who calmly contort, reclining in a strange pose
Your charms molded by the mouths of Titans!


— Translated by William Aggeler

The Ideal

It's not with smirking beauties of vignettes,
The shopsoiled products of a worthless age,
With buskined feet and hands for castanets —
A heart like mine its longing could assuage.

I leave Gavarni, poet of chloroses,
His twittering flock, anaemic and unreal.
I could not find among such bloodless roses,

[...] Read more

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I Dont Wanna Leave You On The Farm

I dont wanna leave you on the farm
I dont wanna leave you on the farm
I dont wanna go
Oh, just so ya know
I dont wanna leave you on the farm
Days go by and Im still high
But you know Im thinkin about you
Corns turned brown, leaves fall to the ground
Its a sound that reminds me of you
I dont wanna leave you on the farm
I dont wanna leave you on the farm
I dont wanna go
Oh, just so ya know
I dont wanna leave you on the farm
No telephone to call you at home
Im alone on the throne
Go get somethin, hey, thanks for nothin
Ill keep truckin and gettin myself stoned
I dont wanna leave you on the farm
I dont wanna leave you on the farm
I dont wanna go
Oh, just so ya know
I dont wanna leave you on the farm
Days go by and Im still high
But you know Im thinkin about you
Corns turned brown, leaves fall to the ground
Its a sound that sticks like glue

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The Barn at Willoughby's Farm

I have this recurring nightmare where
I'm wandering round a farm,
It's out in the middle of nowhere, just
A milking shed and a barn,
An ancient tractor sits by the house
But the blinds are pulled and drawn,
And it seems that the farmer left this place
Before Jacinth was born.

But ever I see her stand and wave
As she climbed aboard the bus,
Off for a life of adventure, not
Stuck here, like one of us,
She'd always wanted the country life
Away from the city's swell,
The day that she waved goodbye to us
Was my first real glimpse of hell!

‘Once I've settled, I'll write, ' she said,
‘Or else, there's always the phone;
I'll try to ring on a Friday night
When I'll catch you all at home! '
But she didn't ring, and she didn't write
And a month went by so soon,
She'd left in the middle of March, at night,
And then it was almost June!

I called on out to the agency
The office was next to the zoo,
She said they'd found her a pretty farm
That wanted a Jillaroo,
She'd cook and clean for the family,
And then work out on the farm,
Herding the lowing milkers in
To the milking shed by the barn.

The woman flicked through the client file
In a search for Jacinth's name,
She said, ‘That's strange, I've re-arranged
This file, but just the same,
I have no recollection of this
Girl, whatever she's called,
It could be another agency…'
But I thought the woman stalled!

I went to call at the depot where
The buses were parked at night,
I looked up the owner driver that
I'd seen when Jacinth took flight,
I don't remember the girl, ' he said,

[...] Read more

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Reminders

Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As word
s confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.

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Sun And Steel

You killed your first man at 13
Killer instinct, Animal supreme
By 16 you had learned to fight
The way of the warrior, you took it as your right
Sunlight, falling on your steel
Death in life is your ideal
Life is like a wheel
Sunlight, falling on your steel
Death in life is your ideal
Life is like a wheel
Through earth and water, fire and wind
You came at last - nothing was the end
Make a cut by fire and stone
Take you and your blade and break you both in two
Break you both in two
Sunlight, falling on your steel
Death in life is your ideal
Life is like a wheel
Sunlight, falling on your steel
Death in life is your ideal
Life is like a wheel - rolling on and on
Sunlight, falling on your steel
Death in life is your ideal
Life is like a wheel
Sunlight, falling on your steel
Death in life is your ideal
Life is like a wheel
Sunlight, falling on your steel
Death in life is your ideal
Life is like a wheel
Sunlight, falling on your steel
Death in life is your ideal
Life is like a wheel - and it's rolling still

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Animal Farm

This world is big and wild and half insane
Take me where real animals are playing
Just a dirty old shack
Where the hound dogs bark
That we called our home
I want to be back there
Among the cats and dogs
And the pigs and the goats
On animal farm
My animal home
On animal farm
My animal home
While I lay my head upon my pillow
Little girl, come play beneath my window
Though shes far from home
She is free from harm
And she need not fear
She is by my side
And the sky is wide
So let the sun shine bright
On animal farm
My animal home
On animal farm
My animal home
Girl, its a hard, hard world, if it gets you down
Dreams often fade and die in a bad, bad world
Ill take you where real animals are playing
And people are real people not just playing
Its a quiet, quiet life
By a dirty old shack
That we called our home
I want to be back there
Among the cats and dogs
And the pigs and the goats
On animal farm
My animal home
On animal farm
My animal home
On animal farm
Animal farm

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Tale VII

THE WIDOW'S TALE.

To Farmer Moss, in Langar Vale, came down,
His only daughter, from her school in town;
A tender, timid maid! who knew not how
To pass a pig-sty, or to face a cow:
Smiling she came, with petty talents graced,
A fair complexion, and a slender waist.
Used to spare meals, disposed in manner pure,
Her father's kitchen she could ill endure:
Where by the steaming beef he hungry sat,
And laid at once a pound upon his plate;
Hot from the field, her eager brother seized
An equal part, and hunger's rage appeased;
The air surcharged with moisture, flagg'd around,
And the offended damsel sigh'd and frown'd;
The swelling fat in lumps conglomerate laid,
And fancy's sickness seized the loathing maid:
But when the men beside their station took,
The maidens with them, and with these the cook;
When one huge wooden bowl before them stood,
Fill'd with huge balls of farinaceous food;
With bacon, mass saline, where never lean
Beneath the brown and bristly rind was seen;
When from a single horn the party drew
Their copious draughts of heavy ale and new;
When the coarse cloth she saw, with many a stain
Soil'd by rude hinds who cut and came again -
She could not breathe; but with a heavy sigh,
Rein'd the fair neck, and shut th' offended eye;
She minced the sanguine flesh in frustums fine,
And wonder'd much to see the creatures dine;
When she resolved her father's heart to move,
If hearts of farmers were alive to love.
She now entreated by herself to sit
In the small parlour, if papa thought fit,
And there to dine, to read, to work alone -
'No!' said the Farmer in an angry tone;
'These are your school-taught airs; your mother's

pride
Would send you there; but I am now your guide. -
Arise betimes, our early meal prepare,
And, this despatch'd, let business be your care;
Look to the lasses, let there not be one
Who lacks attention, till her tasks be done;
In every household work your portion take,
And what you make not, see that others make:
At leisure times attend the wheel, and see
The whit'ning web besprinkled on the lea;

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Old Macdonald

(words & music by randy starr)
Old macdonald had a farm, ee-i-ee-i-o
And on that farm he had some chicks, ee-i-ee-i-o
With a cluck, cluck here, a cluck, cluck there
Loud as they could be
And when those chicks got out of line
Chicken fricasse
With a cluck, cluck here, a cluck, cluck there
Loud as they could be
And when those chicks got out of line
Chicken fricasse
Well, old macdonald had a farm, ee-i-ee-i-o
And on that farm he had some cows, ee-i-ee-i-o
With a moo, moo here, a moo, moo there
Cattle everywhere
And when those cows got out of line
Hamburger, medium rare
With a moo, moo here, a moo, moo there
Cattle everywhere
And when those cows got out of line
Hamburger, medium rare
Ohh, well, old macdonald had a farm, ee-i-ee-i-o
And on that farm he had some pigs, ee-i-ee-i-o
With an oink, oink here, an oink, oink there
Pigs everywhere in sight
And when those pigs got out of line
Pork and beans at night
With an oink, oink here, an oink, oink there
Pigs everywhere in sight
And when those pigs got out of line
Pork and beans at night
Well Im goona have a farm one day, ee-i-e-i-o
And Ill do things mcdonalds way, ee-i-e-i-o
With a cluck, cluck here, a cluck, cluck there
A moo, moo here, a moo, moo there
An oink, oink here, an oink, oink there
And I can promise you
If those animals ever get out of line
Well have a mulligan stew
How about you?

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Almost Ideal Eyes

Here she comes with her almost ideal eyes
And her flawless skin and her petulant pout
The memory of such a long blond alibi
Still makes me want to shout out loud
You ************ when you clear your head my dear
You cant come out here in those stolen clothes
Telling me all about some mystery
I hope she isnt one, I hope she isnt one of those
Almost ideal eyes
Viewed through a rosey hue
So beautiful, trusting
You find liberal is an insult now and care is what you pay for
Be sure of what youre wishing for, be careful what you pray for
When you look into those almost ideal
Love is smiles, he will hypnotize you wild
He tries to analyze your dreams
Fill you up with all his big ideas while he really wants to make you
Scream out loud at the phony innocence
And pained pretence and the dismal rage.
The vacant lot that thankfully time forgot
Where you never have to act, you never have to act your age
Almost ideal eyes
Viewed through a rosey hue
So beautiful, trusting
You find stupid is a compliment and thrill is what you play for
Be sure of what youre wishing for, be careful what you pray for
When you look into those almost ideal eyes
In the spirit(? ) all your friends look uglier
And you find youre wearing an evening gown
Weeping over some tiny broken bird
While the sky is decorated
Shocking pink and a dirty shade of brown
And you think you need to be tranquilized
A feat that may fit to your new career
Whatever you invent youll never be content with
Almost ideal eyes
Viewed through a rosey hue
So beautiful, trusting
Rebellion is just currency, the moon is what you pay for
Be sure of what youre looking for, be careful what you pray for
When you look into those almost ideal eyes
Here she comes, here she comes now.....

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My Ideal Man

A man of 360 degrees personality.
A man of many colours.
A man of many souls,
Suited for every single season,
Tailored for a fair number of tasks.
He is my ideal man.

It is not his outward beauty,
But his devastating internal brilliance.
A man of amazing aspiration,
Who issues incredible inspiration.
You are my ideal man.

A man like a magnet,
Drawing into his fold and bosom,
All panaches of people,
‘Cos he commands remarkable respect,
And radiates astonishing admiration.
That is my ideal man.

A man like Solomon,
Displaying incomparable intelligence,
Demonstrating wondrous wisdom,
Deadly dependable for solutions,
A consistent counselor,
And a handy one-stop resource center.
You are my ideal man.

A man of the people,
Sympathetic and exceptionally empathetic, ,
Firm but flagrantly fair,
Identifying persistently with the people,
Fighting with and for the people,
Sharing joy and pain with the people.
You are my ideal man.

My ideal man,
Lastly but foremost,
A paragon of a God-fearing person.
With biblical statutes his only standards.
A man honourable but humble,
A man of humility and humor,
A man of love, peace and truth,
A man of Godly justice,
Not fearing whose ox is jabbed.
He is my ideal man

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Juniors Farm

You should have seen me with the pocker man,
I had a honey and I bet a grand,
Just in the nick of time I looked at his hand.
I was talking to an eskimo,
Said he was hopping for a fall of snow,
When up popped a sea lion ready to go.
Lets go, lets go, lets go, lets go
Down to juniors farm where I want to lay low,
Low life, high life, oh, lets go,
Take me down to juniors farm.
At te houses of parliament
Evrybodys talking bout the president,
We all chip in for a bag of cement.
Olly hardy should have had more sense,
He bought a gee-gee and he jumped the fence,
All for the sake of a couple of pence.
I took my bag into a grocers store,
The price is higher than the time before,
Old mand asked me why is it more.
I said you should have seen me with the poker man,
I had a honey and I bet a grand,
Just in the nick of time I looked at his hand.
Lets go, lets go, lets go, lets go
Down to juniors farm where I want to lay low,
Low life, high life, oh, lets go,
Take me down to juniors farm,
Lets go, lets go, down to juniors farm where I want to lay low.
Low life, high life, oh, lets go,
Take me down to juniors farm
Evrybody tag along.
Take me down to juniors farm

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What Smith Knew About Farming

There wasn't two purtier farms in the state
Than the couple of which I'm about to relate;--
Jinin' each other--belongin' to Brown,
And jest at the edge of a flourishin' town.
Brown was a man, as I understand,
That allus had handled a good 'eal o' land,
And was sharp as a tack in drivin' a trade--
For that's the way most of his money was made.
And all the grounds and the orchards about
His two pet farms was all tricked out
With poppies and posies
And sweet-smellin' rosies;
And hundreds o' kinds
Of all sorts o' vines,
To tickle the most horticultural minds
And little dwarf trees not as thick as your wrist
With ripe apples on 'em as big as your fist:
And peaches,--Siberian crabs and pears,
And quinces--Well! ANY fruit ANY tree bears;
And th purtiest stream--jest a-swimmin' with fish,
And--JEST O'MOST EVERYTHING HEART COULD WISH!
The purtiest orch'rds--I wish you could see
How purty they was, fer I know it 'ud be
A regular treat!--but I'll go ahead with
My story! A man by the name o' Smith--
(A bad name to rhyme,
But I reckon that I'm
Not goin' back on a Smith! nary time!)
'At hadn't a soul of kin nor kith,
And more money than he knowed what to do with,--
So he comes a-ridin' along one day,
And HE says to Brown, in his offhand way--
Who was trainin' some newfangled vines round a bay-
Winder--'Howdy-do--look-a-here--say:
W hat'll you take fer this property here?--
I'm talkin' o' leavin' the city this year,
And I want to be
Where the air is free,
And I'll BUY this place, if it ain't too dear!'--
Well--they grumbled and jawed aroun'--
'I don't like to part with the place,' says Brown;
'Well,' says Smith, a-jerkin' his head,
'That house yonder--bricks painted red--
Jest like this'n--a PURTIER VIEW--
Who is it owns it?' 'That's mine too,'
Says Brown, as he winked at a hole in his shoe,
'But I'll tell you right here jest what I KIN do:--
If you'll pay the figgers I'll sell IT to you.,'
Smith went over and looked at the place--
Badgered with Brown, and argied the case--

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