My Elusive Dreams
by Curly Putman and Billy Sherrill
(added 10/25/97, thanks to Pauline Buchanan)
You followed me to Texas, you followed me to Utah,
We didn't find it there so we moved on.
Then you went with me to A-la-bam',
Things looked good in Birmingham,
We didn't find it there so we moved on.
I know you're tired of fol-low-ing
My elusive dreams and schemes
For they're only fleeting things,
My elusive dreams.
You had my child in Memphis then I heard of work in Nashville,
But we didn't find it there so we moved on.
To a small farm in Nebraska, to a gold mine in Alaska,
We didn't find it there so we moved on.
I know you're tired of fol-low-ing
My elusive dreams and schemes
For they're only fleeting things,
My elusive dreams.
Now we've left A-las-ka because thewas no gold mine,
But this time only two of us moved on.
And now all we have is each other and a little memory
To cling to and still you won't let me go on alone.
I know you're tired of following
My elusive dreams and schemes
For they're only fleeting things,
My elusive dreams.
song performed by Tom Jones
Added by Lucian Velea
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poem by Caasder Fronds
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Black Betty
Whoa, black betty (bam-ba-lam)
Whoa, black betty (bam-ba-lam)
She's from birmingham (bam-ba-lam)
Way down in alabam' (bam-ba-lam)
Well, she's shakin' that thing (bam-ba-lam)
Boy, she makes me sing (bam-ba-lam)
Whoa, black betty (bam-ba-lam)
Whoa, black betty bam-ba-lam
She really gets me high (bam-ba-lam)
You know that's no lie (bam-ba-lam)
She's so rock steady (bam-ba-lam)
And she's always ready (bam-ba-lam)
Whoa, black betty (bam-ba-lam)
Whoa, black betty (bam-ba-lam)
Whoa, black betty (bam-ba-lam)
Whoa, black betty (bam-ba-lam)
oh, black betty (bam-ba-lam)
oh, black betty (bam-ba-lam)
Black betty had a child (bam-ba-lam)
and she swears it's mine (bam-ba-lam)
she must be outta mind (bam-ba-lam)
she must think im blind (bam-ba-lam)
oh, black betty (bam-ba-lam)
oh, black betty (bam-ba-lam)
oh, black betty (bam-ba-lam)
oh, black betty (bam-ba-lam)
monday she got me arrested.
on tuesday up in chain.
on wednesday my trial was tested.
thursday she posted my bail.
friday we went walking.
saturday i out my door.
on sunday we was talking,
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Whoa, black betty (bam-ba-lam)
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Whoa, black betty (bam-ba-lam)
Whoa, black betty (bam-ba-lam)
Whoa, black betty (bam-ba-lam)
Whoa, black betty (bam-ba-lam)
song performed by Tom Jones
Added by Lucian Velea
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Call that ****ing poetry?
As one of the wrinkly-crumblies
-W.A.S.P. without the sting -
it puzzles me: in poetry,
does one good **** really deserve another?
fifty years ago - fifty, for ****'s sake -
when I was an army cadet
some squaddies used it every other word
-and since we were in Signals,
it ****ing delayed ****ing battle-orders ****ing long enough
to ****ing mow down a ****ing platoon...
and longer in ****ing Morse... - - -...
and as for ****ing semaphore...makes your ****ing arms flag...
my liberal friends
who never admit to shock
say 'it shows a.... lack of imagination';
now that's ****ing serious in ****ing poets.
outside the ****ing English-spitting world
it must seem ****ing strange
that the most-loved ****ing bodily action
is used as a ****ing swear-word -
what have you ****ers got against ****ing?
or is it a term of ****ing praise maybe?
and why still a shock-word
amongst you young lot
who get a lot more ****ing ****ing than we ever did? Dammit.
Philologically,
is it still heard
as ****ing onomatopoeic?
which makes it pretty near to ****ing S&M I'd say?
could you****ers (whom I love for your interest in poetry
I have to say)
give me, as a reasonable ****er,
a ****ing explanation?
it would be ****ing useful
poetically
And who the **** is this
'American realist' poet Charles F***offski
whom you admire so much, anyway?
poem by Michael Shepherd
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Billy Barlow In Australia
When I was at home I was down on my luck,
And I earned a poor living by drawing a truck;
But old aunt died, and left me a thousand—"Oh, oh,
I'll start on my travels," said Billy Barlow.
Oh dear, lackaday, oh,
So off to Australia came Billy Barlow.
When to Sydney I got, there a merchant I met,
Who said he would teach me a fortune to get;
He'd cattle and sheep past the colony's bounds,
Which he sold with the station for my thousand pounds.
Oh dear, lackaday, oh,
He gammon'd the cash out of Billy Barlow.
When the bargain was struck, and the money was paid,
He said, "My dear fellow, your fortune is made;
I can furnish supplies for the station, you know,
And your bill is sufficient, good Mr. Barlow."
Oh dear, lackaday, oh,
A gentleman settler was Billy Barlow.
So I got my supplies, and I gave him my bill,
And for New England started, my pockets to fill;
But by bushrangers met, with my traps they made free,
Took my horse and left Billy bailed to a tree.
Oh dear, lackaday, oh,
"I shall die of starvation," thought Billy Barlow.
At last I got loose, and I walked on my way;
A constable came up, and to me did say,
"Are you free?" Says I, "Yes, to be sure; don't you know?"
And I handed my card, "Mr. William Barlow."
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He said, "That's all gammon," to Billy Barlow.
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When I said I was free, why the J.P. replied,
"I must send you down to be i—dentified."
Oh dear, lackaday, oh,
So to Sydney once more went poor Billy Barlow.
They at last let me go, and I then did repair
For my station once more, and at length I got there;
But a few days before, the blacks, you must know,
Had spear'd all the cattle of Billy Barlow.
Oh dear, lackaday, oh,
"It's a beautiful country," said Billy Barlow.
And for nine months before no rain there had been,
So the devil a blade of grass could be seen;
And one-third of my wethers the scab they had got,
And the other two-thirds had just died of the rot.
Oh dear, lackaday, oh,
"I shall soon be a settler," said Billy Barlow.
[...] Read more
poem by Andrew Barton Paterson
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Thurso’s Landing
I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
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Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
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Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.
II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
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Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,
[...] Read more
poem by Robinson Jeffers
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Carrolling II-Parody Lewis CARROLL–The Mad Gardener’s Song
Carolling II
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“cards are cut by Time’s knife.”
He looked once more with rage and rant
and swore like a fishwife
[...] Read more
poem by Jonathan Robin
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poem by Rwetewrt Erwtwer
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Schwinn Twenty-four
(kinky friedman, shawn siegal)
Yeah! yeah! yeah!
Ra-da-da-da-da-da-da-da-da-da-da
Ra-da-da-da-da-da-da-da-da-da-da
Ra-da-da-da-da-da-da-da-da-da-da
Ra-da-da-da-da-da-da-da-da-da-da
Me and my fellows gonna take a hike
I climbed on in my brand new bike
Its a twenty-four inch with a groovy red seat
All of the fellows think its really neat
As I pedal pedal pedal pedal pedal pedal pedal
Pedal pedal pedal pedal pedal pedal pedal up, pedal down
Pedal all around town on my schwinn twenty-four
Schwinn twenty-four
Bam bam bam bam
Schwinn twenty-four.
Ra-da-da-da-da-da-da-da-da-da-da
Ra-da-da-da-da-da-da-da-da-da-da
Ra-da-da-da-da-da-da-da-da-da-da
Ra-da-da-da-da-da-da-da-da-da-da.
Late last night was a-cruisin round town,
Skateboard pulled up and I shoved you down
When all the lights turned green people on line
Skateboard giving me a real rough time.
As I pedal pedal pedal pedal pedal pedal pedal
Pedal pedal pedal pedal pedal pedal pedal up, pedal down
Pedal all around town on my schwinn twenty-four,
Schwinn twenty-four,
Bam bam bam bam
Schwinn twenty-four.
Watch me go!
Ra-da-da-da-da-da-da-da-da-da-da
Ra-da-da-da-da-da-da-da-da-da-da
Well, I made my thing stop and they started to inspect her
Found I was missing one red reflector
They put it on with go go speed
Now I got all the tail action I need
As I pedal pedal pedal pedal pedal pedal pedal
Pedal pedal pedal pedal pedal pedal pedal up, pedal down
Pedal all around town on my schwinn twenty-four
Schwinn twenty-four
Bam bam bam bam
Schwinn twenty-four
Bought it at the store
Ride it on the shore
Two and two makes four
I love leslie gore
Ra-da-da-da-da-da-da-da-da-da-da
Ra-da-da-da-da-da-da-da-da-da-da
Ra-da-da-da-da-da-da-da-da-da-da
[...] Read more
song performed by Kinky Friedman
Added by Lucian Velea
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Dont Lose My Number
They came at night leaving fear behind
Shadows were on the ground
Nobody knew where to find him
No evidence was found
Im never coming back
They heard him cry
And I believe him
Well he never meant to do anything wrong
Its gonna get worse if he waits too long
Billy, billy dont you lose my number
Cos youre not anywhere
That I can find you
Oh now billy, billy dont you lose my number
Cos youre not anywhere that I can find you, oh no
Searching through the day and into the night
They wouldnt stop till they found him
They didnt know him and they didnt understand
They never asked him why
Get out of my way
They heard him shout
Then a blinding light
Ooh all I could see was him running down the street
Out of the shadows and into the night
Now billy, billy dont you lose my number
Cos youre not anywhere
That I can find you, oh
Now billy, billy dont you lose my number
Cos youre not anywhere that I can find you, oh
Dont give up
Keep running, keep hiding
Dont give up
Billy, if you know youre right
Dont give up
You know that I am on your side
Dont give up
Oh billy, you better, you better, you better run for your life
Now billy, billy dont you lose my number
Cos youre not anywhere
That I can find you, oh
Now billy, billy dont you lose my number
Cos youre not anywhere that I can find you, oh
They came at night leaving fear behind
Shadows were on the ground
Nobody knew where to find him
No evidence was found
Im never coming back
They heard him cry
And I believe him
He never meant to do anything wrong
Its gonna get worse if he waits too long
[...] Read more
song performed by Phil Collins
Added by Lucian Velea
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Dont Lose My Number
They came at night leaving fear behind
Shadows were on the ground
Nobody knew where to find him
No evidence was found
Im never coming back
They heard him cry
And I believe him
Well he never meant to do anything wrong
Its gonna get worse if he waits too long
Billy, billy dont you lose my number
Cos youre not anywhere
That I can find you
Oh now billy, billy dont you lose my number
Cos youre not anywhere that I can find you, oh no
Searching through the day and into the night
They wouldnt stop till they found him
They didnt know him and they didnt understand
They never asked him why
Get out of my way
They heard him shout
Then a blinding light
Ooh all I could see was him running down the street
Out of the shadows and into the night
Now billy, billy dont you lose my number
Cos youre not anywhere
That I can find you, oh
Now billy, billy dont you lose my number
Cos youre not anywhere that I can find you, oh
Dont give up
Keep running, keep hiding
Dont give up
Billy, if you know youre right
Dont give up
You know that I am on your side
Dont give up
Oh billy, you better, you better, you better run for your life
Now billy, billy dont you lose my number
Cos youre not anywhere
That I can find you, oh
Now billy, billy dont you lose my number
Cos youre not anywhere that I can find you, oh
They came at night leaving fear behind
Shadows were on the ground
Nobody knew where to find him
No evidence was found
Im never coming back
They heard him cry
And I believe him
He never meant to do anything wrong
Its gonna get worse if he waits too long
[...] Read more
song performed by Phil Collins
Added by Lucian Velea
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Don't Loose My Number
They came at night leaving fear behind
Shadows were on the ground
Nobody knew where to find him
No evidence was found
"I'm never coming back"
They heard him cry
And I believe him
Well he never meant to do anything wrong
It's gonna get worse if he waits too long
Billy, Billy don't you lose my number
Cos you're not anywhere
That I can find you
Oh now Billy, Billy don't you lose my number
Cos you're not anywhere that I can find you, oh no
Searching through the day and into the night
They wouldn't stop till they found him
They didn't know him and they didn't understand
They never asked him why
"Get out of my way"
They heard him shout
Then a blinding light
Ooh all I could see was him running down the street
Out of the shadows and into the night
Now Billy, Billy don't you lose my number
Cos you're not anywhere
That I can find you, oh
Now Billy, Billy don't you lose my number
Cos you're not anywhere that I can find you, oh
Don't give up
Keep running, keep hiding
Don't give up
Billy, if you know you're right
Don't give up
You know that I am on your side
Don't give up
Oh Billy, you better, you better, you better run for your life
Now Billy, Billy don't you lose my number
Cos you're not anywhere
That I can find you, oh
Now Billy, Billy don't you lose my number
Cos you're not anywhere that I can find you, oh
They came at night leaving fear behind
Shadows were on the ground
Nobody knew where to find him
No evidence was found
"I'm never coming back"
They heard him cry
And I believe him
He never meant to do anything wrong
It's gonna get worse if he waits too long
[...] Read more
song performed by Phil Collins
Added by Lucian Velea
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VII. Pompilia
I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.
All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.
Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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My Elusive Dreams
You followed me to Texas.
You followed me to Utah.
We didn't find it there,
So we moved on.
You went with me to Alabam,
And things looked good in Birmingham.
We didn't find it there,
So, we moved on.
I know you're tired of following
My elusive dreams and schemes!
For they're only fleeting things'
My elusive dreams.
You had my child in Memphis.
Then I heard of work in Nashville.
But we didn't find it there,
So we moved on'
To a small farm in Nebraska'
To a gold mine in Alaska'
We didn't find it there,
So we moved on.
Now we've left Alaska,
'cause there was no gold there.
But this time,
Only two of us moved on.
Now all we have is each other,
And a little memory to cling to.
Still, you won't let me go'
Go on alone.
I know you're tired of following
My elusive dreams and schemes!
For they're only fleeting things'
My elusive dreams
song performed by Charlie Rich, lyrics by Billy Sherrill & Curly Putman from The Silver Fox (July 1974)
Added by Varmint Tracks
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Little Billy
Little billy was the fattest kid in his class
Little billy was the fattest kid in his class
Always the last in line
Always the last in line
All the other little kids would laugh at him
All the other little kids would laugh at him
Said hed die before his time
Said hed die before his time
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Little billy didnt mind
Little billy didnt mind
Most of the kids smoked cigarettes
Most of the kids smoked cigarettes
Just to prove that they were cool
Just to prove that they were cool
The teacher didnt know about the childrens games
The teacher didnt know about the childrens games
And billy always followed the rules
And billy always followed the rules
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Little billy didnt mind
Little billy didnt mind
Billy was big on the outside
Billy was big on the outside
But theres an even bigger man inside
But theres an even bigger man inside
Ten million cigarettes burning every day
Ten million cigarettes burning every day
And billys still doing fine
And billys still doing fine
Now billy and his classmates are middle-aged
Now billy and his classmates are middle-aged
With children of their own
With children of their own
Their smoking games are reality now
Their smoking games are reality now
And cancers seed is sown
And cancers seed is sown
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Little billys didnt mind
Little billys didnt mind
[...] Read more
song performed by Who
Added by Lucian Velea
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Where's My Billy Goat Gone To?
'Twas a birthday gift Miss Posie had
When she was nine, and twenty:
Not of gold -- Oh, no! -- nor gem, nor pearl,
Tho' he who gave had plenty.
'Twas a gift she took so much to heart,
Her neighbors thought her silly;
'Twas a B-A-B-Y (Baby) Goat,
A snow-white Baby Billy!
Pretty little Billy, Billy -- Oh!
Where's my Billy Goat gone to?
Take my home! Take my farm!
Yes, me too (if you want to);
But tell me! tell me!
Where's my Billy Goat gone to?
Pretty little Billy, Billy -- Oh!
Where's my Billy Goat gone to?
When she tried to teach him how to read,
Twas only "baa" he'd utter;
As she coaxed him then with cake and cream,
He'd slyly turn to butt her.
Yet he taught himself a thousand tricks,
And many a curious caper;
He would clamber to her chimney top,
And dine there on brown paper.
When the winter came she bought him shoes,
And flannel red she ordered
For a Sunday suit, with trousers cut
Four-legged and embroidered
On the steeple soon in tatters hung,
They set the parson snarling;
And he called that goat Be-el-ze-bub --
The one that she called Darling.
Pretty little Billy, Billy -- Oh!
Where's my Billy Goat gone to?
He was fond of roaming on the rocks,
With workmen in the quarry;
And if there he found their luncheon pails,
Not he but they were sorry.
For he raised aloft his iron brow,
Despite the foreman's clamor;
And the pails, he crushed them one by one,
As with a blacksmith's hammer.
Pretty little Billy, Billy -- Oh!
Where's my Billy Goat gone to?
Then for pails replaced and pails concealed
[...] Read more
poem by Henry Clay Work
Added by Poetry Lover
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Soccer Rollback
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[...] Read more
poem by Rwetewrt Erwtwer
Added by Poetry Lover
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The Yellow Rose Of Texas
Oh the yellow rose of Texas is the only girl I love
Her eyes are even bluer than Texas skies above
Her heart's as big as Texas and wherever I may go
I'll remember her forever because I love her so
There are so many roses that bloom along the way
But my heart's in Amarillo and that's where it will stay
With the yellow rose of Texas so I'd better get there fast
'Cause I know I was her first love and I want to be her last
Oh the yellow rose of Texas is the only girl I love
Her eyes are even bluer than Texas skies above
Her heart's as big as Texas and wherever I may go
I'll remember her forever because I love her so
The eyes of Texas are upon you all the live long day
The eyes of Texas are upon you, you cannot get away
Do not think you can escape them at night or early in the morn
The eyes of Texas are upon you 'till Gabriel blows his horn
The eyes of Texas are upon you all the live long day
The eyes of Texas are upon you, you cannot get away
Do not think you can escape them at night or early in the morn
The eyes of Texas are upon you 'till Gabriel blows his horn
The eyes of Texas are upon you all the live long day
The eyes of Texas are upon you, you cannot get away
Do not think you can escape them at night or early in the morn
The eyes of Texas are upon you 'till Gabriel blows his horn
song performed by Elvis Presley
Added by Lucian Velea
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