At the Opera
THE CURTAIN rose—the play began—
The limelight on the gay garbs shone;
Yet carelessly I gazed upon
The painted players, maid and man,
As one with idle eyes who sees
The marble figures on a frieze.
Long lark-notes clear the first act close,
So the soprano: then a hush—
The tenor, tender as a thrush;
Then loud and high the chorus rose,
Till, with a sudden rush and strong,
It ended in a storm of song.
The curtain fell—the music died—
The lights grew bright, revealing there
The flash of jewelled fingers fair,
And wreaths of pearls on brows of pride;
Then, with a quick-flushed cheek, I turned,
And into mine her dark eyes burned.
Such eyes but once a man may see,
And, seeing once, his fancy dies
To thought of any other eyes:
So shadow-soft, they seemed to be
Twin haunted lakes, lit by the gleams
Of a mysterious moon of dreams.
Silk lashes veiled their liquid light
With such a shade as tall reeds fling
From the lake-marge at sunsetting:
Their darkness might have hid the night—
Yet whoso saw their glance would say
Night dreamt therein, and saw the day.
Long looked I at them, wondering
What tender memories were hid
Beneath each blue-veined lily-lid;
What hopes of joys the years would bring;
What griefs? In vain: I might not guess
The secret of their silentness.
What of her face? Her face, meseems,
Was such as painters see who muse
By moonlight in dim avenues,
Yet cannot paint; or as in dreams,
Young poets see, but, when they try
To limn in verse are dumb—so I.
Yet well I know that I have seen
That sweet face in the long ago
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poem by Victor James Daley
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