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The eyes of impressionism

Saints.
Like swans, gliding untroubled so it seems
to us, lazing on the river bank
of a Seurat summer Sunday afternoon,
gliding over the surface of the waters
as love perhaps, on that first day;
they as floating symbols
of the beauty beyond beauty;
their work, invisible to us who watch

Painters.
Like waterlilies, resting in perfection
on the surface of the waters
as love rests, sure of their own beauty;
painting just the sunlight
falling on things, moving on
more slowly than we see;
the depth of the waters
in the painter’s mind and heart;
his work invisible to us who watch
his dabbing at the canvas
as a dabchick bobs in the water, his mind
moving as time moves;
for him, sitting at the canvas,
always time present,
in the water-garden already on his palette

Cataracts.
How far a word from
the stillness around him as he sits,
his beard a little yellow from the nicotine,
seeing the waterlilies as if for the first time,
but each year the water seems to tell
more about time itself… like Proust;
where is time going in this painting?

Eyes.
Cataracts, yes; but perhaps over time
they too have sought to serve him,
become themselves, impressionists,
presenting him with images
prepared like canvasses are prepared;
gently watering inner gardens
between the eyes and mind

yes, that’s Monsieur Monet over there;
don’t disturb him; but if you stand
a little way behind him, you just may
enter the stillness around him,
enter the stillness of his mind,

[...] Read more

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