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Ode to Salvador Dali

A rose in the high garden you desire.
A wheel in the pure syntax of steel.
The mountain stripped bare of Impressionist fog,
The grays watching over the last balustrades.

The modern painters in their white ateliers
clip the square root's sterilized flower.
In the waters of the Seine a marble iceberg
chills the windows and scatters the ivy.

Man treads firmly on the cobbled streets.
Crystals hide from the magic of reflections.
The Government has closed the perfume stores.
The machine perpetuates its binary beat.

An absence of forests and screens and brows
roams across the roofs of the old houses.
The air polishes its prism on the sea
and the horizon rises like a great aqueduct.

Soldiers who know no wine and no penumbra
behead the sirens on the seas of lead.
Night, black statue of prudence, holds
the moon's round mirror in her hand.

A desire for forms and limits overwhelms us.
Here comes the man who sees with a yellow ruler.
Venus is a white still life
and the butterfly collectors run away.


*

Cadaqués, at the fulcrum of water and hill,
lifts flights of stairs and hides seashells.
Wooden flutes pacify the air.
An ancient woodland god gives the children fruit.

Her fishermen sleep dreamless on the sand.
On the high sea a rose is their compass.
The horizon, virgin of wounded handkerchiefs,
links the great crystals of fish and moon.

A hard diadem of white brigantines
encircles bitter foreheads and hair of sand.
The sirens convince, but they don't beguile,
and they come if we show a glass of fresh water.


*

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