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Old Man On The Farm

Hes waitin for come rain to fall
Hes waitin for some mail to come
Hes waitin for the dawn again
Old man on the farm
Milk the cow - slop the pigs
Sweeping out the chicken-house
Drinking whiskey in the barn
Goodnight ladies
Sorry if I stayed too long
So long its been good to know you
I love the way I sing that song

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Drawing a Purple Blank Verse after Gelett BURGESS Purple Cow

DRAWING A PURPLE BLANK VERSE
Kindly refer to notes

I've never cowed to purple prose
know now I'll never write it,
for anyhow true writer knows
hand stretched finds critics bite it.

I've never wowed, and goodness knows
hacks lack the knack of versing,
won't bow, kowtow to backhand blows,
preferring role reverse_sing.

Ah, yes, I wrote on purple prose,
yet can't regret I penned it,
one far prefers rhyme's timeless flows,
no blush need rush defend it.


10 February 2009
robi03_1856_burg01_0001 PWX_IXX

Parody Gelett BURGESS The Purple Cow

Author notes

For original and variations on a theme see bekiw
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIII
THE PURPLE COW

I never saw a Purple Cow,
I never hope to see one,
But I can tell you anyhow,
I’d rather see than be one.


Gelett BURGESS 1866_1951
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIII
CONFESSION

Ah, yes! I wrote the « Purple Cow » -
I’m Sorry, now, I Wrote it,
But I can Tell you Anyhow
I’ll Kill you if you Quote it.

Gelett BURGESS 1866_1951
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIII
A Perfect Woman

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Slop They Dropped

Move from a tainting of a game maintained,
To have people painted to sustain a gain.
With a mopping up slop that's enjoyed alot.
But the cleaning of it up,
Will be theirs nonstop.

To mop up slop that's enjoyed alot.
But the cleaning of it up,
Will be theirs nonstop.

Move from a tainting of a game maintained,
To have people painted to sustain a gain.
With a mopping up slop that's enjoyed alot.
But the cleaning of it up,
Will be theirs nonstop.

Sticky fingerprints all over the place.
With a hoping that in time they will be erased.
And unhappiness appearing on faces now chased.
Those who mopped up slop they enjoyed alot.
But the cleaning of it up,
Is now theirs nonstop.

Those who mopped up slop they enjoyed alot.
But the cleaning of it up,
Is now theirs nonstop.

Those who mopped up slop they enjoyed alot.
But the cleaning of it up,
Is now theirs nonstop.

Sticky fingerprints all over the place.
With a hoping that in time they will be erased.
But the cleaning of it up,
Is now theirs nonstop.

It's too late to move from a tainting game,
To have people painted to sustain a gain.
'Cause the cleaning of it up,
Is now theirs nonstop.

It's too late to move from a tainting game
To have people painted to sustain a gain.
'Cause the cleaning of it up,
Is now theirs nonstop.

Tainting people's names to sustain a gain,
Has other people mopping up the slop they dropped.
Tainting people's names to sustain a gain,
Has other people mopping up the slop they dropped.

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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The Great Pig Story of the Tweed

“Hands off, old man!” the young man cried—
They stood beside the Tweed,
Where still the name of Murder Creek
Records some bloody deed.

The old man seized the hapless youth,
With frantic grasp and rough,
By what is popularly called
(But vulgarly) the scruff;

And shouted as he twirled him round,
And shook him to and fro,
“Was them consignments pigs? . . Great Scott!
Was them things pigs or no?”

Wild-eyed and gaunt, and grim he stood,
Beneath the scorching noon,—
Cantharides P. Roebuck, late
Of the steamboat Arakoon.

He was an ancient mariner,
A Yankee skipper he,
Whom winds of adverse destiny
Had blown across the sea;—

Whom hither still had Fate pursued,
And served with many a trick,
Till now he roamed the Tweed a one-
Idea'd lunatic;—

Whom all men shunned, for whosoe'er
Upon his beat might chance,
Was bound to hear his tale in each
Minutest circumstance.

A tale that haunted such as heard,
Nor left them night or day;
A torturing enigma, too,
That turned their wits astray;—
For ofttimes they, like him who told,
Would vaguely wandering go,
And cry, “Was them consignments pigs?
Was them things pigs or no?”

“Hands off!” again the young man cried.
“It's this way, boss, you see,

We've come a stretch of thirty mile,
Her uncle, her, an' me.

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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Homer

The Odyssey: Book 14

Ulysses now left the haven, and took the rough track up through
the wooded country and over the crest of the mountain till he
reached the place where Minerva had said that he would find the
swineherd, who was the most thrifty servant he had. He found him
sitting in front of his hut, which was by the yards that he had
built on a site which could be seen from far. He had made them
spacious and fair to see, with a free ran for the pigs all round them;
he had built them during his master's absence, of stones which he
had gathered out of the ground, without saying anything to Penelope or
Laertes, and he had fenced them on top with thorn bushes. Outside
the yard he had run a strong fence of oaken posts, split, and set
pretty close together, while inside lie had built twelve sties near
one another for the sows to lie in. There were fifty pigs wallowing in
each sty, all of them breeding sows; but the boars slept outside and
were much fewer in number, for the suitors kept on eating them, and
die swineherd had to send them the best he had continually. There were
three hundred and sixty boar pigs, and the herdsman's four hounds,
which were as fierce as wolves, slept always with them. The
swineherd was at that moment cutting out a pair of sandals from a good
stout ox hide. Three of his men were out herding the pigs in one place
or another, and he had sent the fourth to town with a boar that he had
been forced to send the suitors that they might sacrifice it and
have their fill of meat.
When the hounds saw Ulysses they set up a furious barking and flew
at him, but Ulysses was cunning enough to sit down and loose his
hold of the stick that he had in his hand: still, he would have been
torn by them in his own homestead had not the swineherd dropped his ox
hide, rushed full speed through the gate of the yard and driven the
dogs off by shouting and throwing stones at them. Then he said to
Ulysses, "Old man, the dogs were likely to have made short work of
you, and then you would have got me into trouble. The gods have
given me quite enough worries without that, for I have lost the best
of masters, and am in continual grief on his account. I have to attend
swine for other people to eat, while he, if he yet lives to see the
light of day, is starving in some distant land. But come inside, and
when you have had your fill of bread and wine, tell me where you
come from, and all about your misfortunes."
On this the swineherd led the way into the hut and bade him sit
down. He strewed a good thick bed of rushes upon the floor, and on the
top of this he threw the shaggy chamois skin- a great thick one- on
which he used to sleep by night. Ulysses was pleased at being made
thus welcome, and said "May Jove, sir, and the rest of the gods
grant you your heart's desire in return for the kind way in which
you have received me."
To this you answered, O swineherd Eumaeus, "Stranger, though a still
poorer man should come here, it would not be right for me to insult
him, for all strangers and beggars are from Jove. You must take what
you can get and be thankful, for servants live in fear when they
have young lords for their masters; and this is my misfortune now, for
heaven has hindered the return of him who would have been always

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The Purple Cow Parodies

Gelett Burgess' original poem…

A Purple Cow

I never saw a Purple Cow,
I never hope to see one;
But I can tell you, anyhow,
I'd rather see than be one.


Poem parodied in the
style of…


John Milton


Hence, vain, deluding cows.
The herd of folly, without colour bright,
How little you delight,
Or fill the Poet's mind, or songs arouse!
But, hail! thou goddess gay of feature!
Hail divinest purple creature!
Oh, Cow, thy visage is too bright
To hit the sense of human sight.
And though I'd like, just once, to see thee
I never, never, never'd be thee!


Percy Bysshe Shelley


Hail to thee, blithe spirit!
Cow thou never wert;
But in life to cheer it
Playest thy full part
In purple lines of unpremeditated art.

The pale purple colour
Melts around thy sight
Like a star, but duller,
In the broad daylight.
I'd see thee, but I would not be thee if I might.

We look before and after
At the cattle as they browse;
Our most hearty laughter
Something sad must rouse.
Our sweetest songs are those that tell of Purple Cows.

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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Homer

The Odyssey: Book 10

Thence we went on to the Aeoli island where lives Aeolus son of
Hippotas, dear to the immortal gods. It is an island that floats (as
it were) upon the sea, iron bound with a wall that girds it. Now,
Aeolus has six daughters and six lusty sons, so he made the sons marry
the daughters, and they all live with their dear father and mother,
feasting and enjoying every conceivable kind of luxury. All day long
the atmosphere of the house is loaded with the savour of roasting
meats till it groans again, yard and all; but by night they sleep on
their well-made bedsteads, each with his own wife between the
blankets. These were the people among whom we had now come.
"Aeolus entertained me for a whole month asking me questions all the
time about Troy, the Argive fleet, and the return of the Achaeans. I
told him exactly how everything had happened, and when I said I must
go, and asked him to further me on my way, he made no sort of
difficulty, but set about doing so at once. Moreover, he flayed me a
prime ox-hide to hold the ways of the roaring winds, which he shut
up in the hide as in a sack- for Jove had made him captain over the
winds, and he could stir or still each one of them according to his
own pleasure. He put the sack in the ship and bound the mouth so
tightly with a silver thread that not even a breath of a side-wind
could blow from any quarter. The West wind which was fair for us did
he alone let blow as it chose; but it all came to nothing, for we were
lost through our own folly.
"Nine days and nine nights did we sail, and on the tenth day our
native land showed on the horizon. We got so close in that we could
see the stubble fires burning, and I, being then dead beat, fell
into a light sleep, for I had never let the rudder out of my own
hands, that we might get home the faster. On this the men fell to
talking among themselves, and said I was bringing back gold and silver
in the sack that Aeolus had given me. 'Bless my heart,' would one turn
to his neighbour, saying, 'how this man gets honoured and makes
friends to whatever city or country he may go. See what fine prizes he
is taking home from Troy, while we, who have travelled just as far
as he has, come back with hands as empty as we set out with- and now
Aeolus has given him ever so much more. Quick- let us see what it
all is, and how much gold and silver there is in the sack he gave
him.'
"Thus they talked and evil counsels prevailed. They loosed the sack,
whereupon the wind flew howling forth and raised a storm that
carried us weeping out to sea and away from our own country. Then I
awoke, and knew not whether to throw myself into the sea or to live on
and make the best of it; but I bore it, covered myself up, and lay
down in the ship, while the men lamented bitterly as the fierce
winds bore our fleet back to the Aeolian island.
"When we reached it we went ashore to take in water, and dined
hard by the ships. Immediately after dinner I took a herald and one of
my men and went straight to the house of Aeolus, where I found him
feasting with his wife and family; so we sat down as suppliants on the
threshold. They were astounded when they saw us and said, 'Ulysses,
what brings you here? What god has been ill-treating you? We took

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Satan Absolved

(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.

[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.

Satan. Ye have in truth good cause.

Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.

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Henry Wadsworth Longfellow

Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.

PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors

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Synergy of Love

'Were you honed from poetry? '
I asked your saddened smile.
For it seems to tell a longing tale -
One of words in oratory
That speaks in languid metaphors
From lips of mind in deep despair
And solitude from inner wars
That over time has rendered life so frail.

'Were you carved from doleful prose? '
I sought to ask your gaze,
For a pain lies deep within your eyes -
One of barren territory
Where no fair heart could ever drift
And hope to venture back content
With grateful memories in a gift -
A land of your affectional demise.

'Do I hear a mournful hum? '
I wondered of your cry,
For it sings a song of deep lament -
One of quiet soliloquy
Recited on deserted strands
To waves that have no sense of song
And only wish to fight the sands -
A chant that cites emotional descent.

Do you know your face portrays
The colours of your soul?
It tells me at a single glance
Of how you burned your furnace whole
To stay the fire in our romance.

And see the prismic hues they bore!
I cherished all I ever saw:
Mauve of mystic; browns of rustic;
Reddened tones to match your blush;
Marine of passion, spending out your being,
Leaving you for ashen embers, fleeing
The dying light in hush of night.
And how you lay there empty.

So let me help re-grow the flowers
Once erect in fiery showers!
For now I've seen what love can do
When torn asunder - oh my catastrophic blunder!

But we must realise -
Our flaming want is meant to be!
We are the ocean and the sea;

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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Forsaking My Love

I hate you
I wish to tear you away from me
This tumor that clings to my chest
The thing that makes me ache
That haunts my dreams
And tears at my desires
You have brought me only pain
My untamed heart
That beast that gnaws at my soul
That pitifully whines
Bringing my mind into unwanted pain
Yet how can I blame you
How can I chastise you when I listen intently to your pleas
Why should I punish you for what my eyes feed upon
How can I blame my eyes for falling upon her
She who brings light to the eternal darkness of my soul
She whose eyes bring me to subjection
Whose smile leaves me in awe
How can I blame you when my ears are met with her laughter
How they submerge into her song
How they quiver at her voice
Why should I punish you for inclining my soul
Tempting it with the one sense that has been forsaken by her
How could I look over the thought of the brushing of lips
The touching of hands
The binding of the soul, mind, and body
O you wretched heart
What am I to do with this constant companion
How could I tear you away
When she is the cause of my agony
Or rather
It is the lack of her which brings me sorrow
It is the need for her that leaves my heart in pain
Yet she is not mine
She was never mine
She will never be mine
O my poor heart
How can I make you see reason
When all you do is show me the truth

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Elizabeth Barrett Browning

Fourth Book

THEY met still sooner. 'Twas a year from thence
When Lucy Gresham, the sick semptress girl,
Who sewed by Marian's chair so still and quick,
And leant her head upon the back to cough
More freely when, the mistress turning round,
The others took occasion to laugh out,–
Gave up a last. Among the workers, spoke
A bold girl with black eyebrows and red lips,–
'You know the news? Who's dying, do you think?
Our Lucy Gresham. I expected it
As little as Nell Hart's wedding. Blush not, Nell,
Thy curls be red enough without thy cheeks;
And, some day, there'll be found a man to dote
On red curls.–Lucy Gresham swooned last night,
Dropped sudden in the street while going home;
And now the baker says, who took her up
And laid her by her grandmother in bed,
He'll give her a week to die in. Pass the silk.
Let's hope he gave her a loaf too, within reach,
For otherwise they'll starve before they die,
That funny pair of bedfellows! Miss Bell,
I'll thank you for the scissors. The old crone
Is paralytic–that's the reason why
Our Lucy's thread went faster than her breath,
Which went too quick, we all know. Marian Erle!
Why, Marian Erle, you're not the fool to cry?
Your tears spoil Lady Waldemar's new dress,
You piece of pity!'
Marian rose up straight,
And, breaking through the talk and through the work,
Went outward, in the face of their surprise,
To Lucy's home, to nurse her back to life
Or down to death. She knew by such an act,
All place and grace were forfeit in the house,
Whose mistress would supply the missing hand
With necessary, not inhuman haste,
And take no blame. But pity, too, had dues:
She could not leave a solitary soul
To founder in the dark, while she sate still
And lavished stitches on a lady's hem
As if no other work were paramount.
'Why, God,' thought Marian, 'has a missing hand
This moment; Lucy wants a drink, perhaps.
Let others miss me! never miss me, God!'

So Marian sat by Lucy's bed, content
With duty, and was strong, for recompense,
To hold the lamp of human love arm-high
To catch the death-strained eyes and comfort them,
Until the angels, on the luminous side

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February Rain

To be the mud, the bog, the mire;
To soak the bones in February –
Eons from the autumn shower–
Even from a summer berry!

Sparrows chirp a desperate call,
Darting questions at the cows –
Oblivious to the dousing squall, they
Churn the sludge with pastern ploughs.

The crying air was lost in rhythm:
Drums incessant in the drops;
Not a chance for rainbow prism –
Even if the hammering stops!

Metallic chills entrap machines –
Tractors hushed within the shed.
Inside the house, a full cuisine
To bless with mead – and little said!

But out across the tiring field,
A sodden fox is hunting down
His prey of sorts – but nil of yield;
Perhaps he’ll starve; perhaps he’ll drown.

Still the clouds are hammering,
Hammering home their dreary aim –
A chatterbox in constant yammering,
Drenching all to make a claim.

Copyright © Mark R Slaughter 2010


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