Bishops Robes
Dressed in bishops robes
Terrifies me still
In bishops robes
Bastard headmaster
I am not going back
I am not going back
I am not going back
Children taught to kill, to tear themselves to bits
On playing fields
Dressed in bishops robes
I am not going back
I am not going back
I am not going back
song performed by Radiohead
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Related quotes
Movement Ii - School
Boys
Were here in school today to get a perfect education,
Yes, were going up.
Were keen to learn the rules and laws that civilization taught us
Yes, were growing up.
Not for ourselves, b
But for the whole world were we born.
And we were born in liverpool.
Our teachers say that ignorance will always drag us down,
Its like a nagging cough.
Shanty (thrown away)
But I can say that looking back,
The most important thing I found was sagging off!
Not for the whole world.
But for yourself were you born.
And you were...
Shanty and boys
Born in liverpool.
Boys
Not birmingham
Nor edinburgh.
Not manchester
Or sunderland.
Shanty
Being born where you were born
Carries with it certain responsibilities.
Boys
This school is good for us.
Shanty
This school is only good for those
Who want to learn from books.
Youll lose your sense of purpose...
Boys
But we dare not answer back,
Were scared of teachers looks.
Not for ourselves,
But for the whole world were we born.
And we were born in liverpool.
Shanty
Not coventry
Headmaster
Or solihull.
Boys
Not scarborough
Shanty
Nor inverness.
Being born where you were born
Carries with it certain responsibilities.
Headmaster
Walk in single file out of the classroom,
[...] Read more
song performed by Paul McCartney
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Bastard
(ian hunter)
Vestal virginia - aint got a bad thought in ya - youre a bastard
Mean as a killer - instinct thats within ya - youre a bastard.
Laughs like a drain and it messes up my brain
Cos you know I like the pain of never knowing
Space cow Ill chew the bad blood running through ya
Kiss you as you hit the floor cos you dont even know that youre a bastard
Theres a crisis in the kitchen
But that dont stop you bitchin - youre a bastard
You got that yellowjacket touch,
With the stings that hurt so much - youre such a bastard
Flirting in the shadows, aiming all those little arrows,
Youre as shallow as the gallows you got me in to. (yeah)
Voodoo dolls gonna line the room, handcuffs glinting in the gloom,
One day youll find that hidden door, inside everyone screams that youre a bastard.
(youre such a)
You twist me til Im lame, then you spin the coin again - youre such a bastard
Youre so naturally perverse, you aint even gotta rehearse -youre such a bastard
Fly like a witch, without running in some pitch
Why dont you break the switch that takes me over
My prison is your brain, your prisoners insane
Forgot all the keys, you can break the chains
But you dont even take the blame you bastard.
(bastard, bastard) Im enjoying that lately, you know just the beginnings
(bastard)
The agony and the ecstacy meeting at the middle of my mouth
The agony and the ecstacy cant spit it out.
Sometimes on a rainy day I draw you.
Hope for....love.
song performed by Ian Hunter
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The Georgics
GEORGIC I
What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,
[...] Read more

Let The Children Speak
Time - way out of line
A whole nation waits outside
The rhythm of tomorrow
They can dance away their sorrows tonight
Lost - broken and scarred
Prisoner waits outside with his lone heart beating
Let the children, let the children
Let the children, let the children speak
Let the children - let the children speak
Aims - dangerous games
Their mother says one false move and we all get hurt
I feel this sense of power I feel it every hour tonight
Lets not get lazy tonight
Things could get crazy cos
One more kick and the door cracks open
Let the children, let the children
Let the children, let the children speak
Let the children, let the children
Let the children, let the children
Power to the powerless strength unto the weak
Let the children, let the children
Let the children, let the children speak
Im begging you now let the children, let the children
Let the children, let the children
Power to the powerless, strength unto the weak
Let the children, let the children
Let the children, let the children speak
Lets not get lazy tonight
Things could get crazy cos
One last kick and the door cracks open
Let the children, let the children
Let the children, let the children speak
Power to the powerless, strength unto the weak
Let the children, let the children
Let the children, let the children speak
Things could get crazy tonight
Lets not get lazy cos
One last kick and the door cracks open
Let the children, let the children
Let the children, let the children speak
Im begging you now
Let the children, let the children
Let the children, let the children
Power to the powerless, strength unto the weak
Let the children, let the children
Let the children, let the children speak
The language of this world
Lets not get lazy cos
One false move and we all get hurt
Let the children, let the children
[...] Read more
song performed by Simple Minds
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Headmaster
Headmaster, this is my confession.
This time you wont be overjoyed,
I have destroyed what little faith you had in me,
Ive been such a naughty boy.
Headmaster I am at your mercy,
Ive been such a little fool.
Ive dishonored one who trusted me,
I have broken all the rules.
Ive been with those naughty little girls again,
Now those naughty little girls are going to put me to shame.
I wish that Id been born with a little more sense,
This time its a serious offense.
I feel like an innocent victim,
I feel that I just cant win.
Headmaster please give me one chance,
Please help me to act like a man.
Ive let down the school,
Ive broken all the rules,
Ive let down the side,
Ive committed a crime.
Headmaster, this is my confession,
Ive been such a little fool.
Ive dishonored one who trusted me,
I have broken all the rules.
Ive been such a little fool.
Dont tell all my friends I bent over,
Dont tell them you made me cry.
Dont tell them Ive been sacrificed,
Dont tell all my friends or Ill die.
Headmaster dont beat me I beg you,
I know that Ive let you down.
Headmaster please spare me I beg you,
Dont make me take my trousers down.
song performed by Kinks
Added by Lucian Velea
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Cry a tear
Cry a tear for the women of abuse
Cry a tear for those who abuse
Cry a tear those in broken marraiges
Cry a tear for everyone who feels used
Cry a tear for the teens of prostitution
Cry a tear for the teens on drugs
Cry a tear for teens under pressure
Cry a tear for teens without love
Cry a tear for the child of slave labour
Cry a tear for the child of rape
Cry a tear for the people who did this to them
Cry a tear for all those who hate
Cry a tear for HIV/AIDS
Cry a tear for destroyed homes
Cry a tear for the wickedness of suicide
Cry a tear for everyone who feels alone
Cry a tear for people in jail
Cry a tear for those who sin
Cry a tear for people who have lost someone
Cry a tear for those who cheat to win
Cry a tear for alcoholics
Cry a tear for people on the streets
Cry a tear for youngsters involved in crime
Cry a tear for everyone you meet
Cry a tear for abandoned babies
Cry a tear for poverty
Cry a tear for all the racism
Cry a tear for you and me
poem by Natasha Potter
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This Moody Bastard
Little friend of mine
Can you still recall
Our salad days
Between the ivy walls?
Beneath the autumn sun?
When all is said and done
We were a good combination
We were good clean fun
Still my thoughts roll back
Every now and then
Think about you
Remembering
I start in smiling and
I just cant stop
You on the bottom
Me on top
These days its like a tomb
Amid in the stacks of gloom
Looking out the window
In the downstairs room
And the time goes by
And the time goes by
Sometimes it goes so slowly
You know a man could cry
Till the day goes down
In deep disgrace
With empty pockets
And a dirty face
And then the day boils over
And theres nothing there
But a roomful of smoke and a lot of hot air
This moody bastard remembers
You were some kind of friend even then
Once in a great while
He needs one...
This moody bastard
This moody bastard
He needs one
He needs some kind of friend now and again
Once in blue moon
Could use one
This moody bastard
Little friend of mine
You dont even know
When the wind starts blowing
How far a man could go
Little friend of mine
Are you even there
Did you disappear
Back into thin air
[...] Read more
song performed by Steely Dan
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The Tower Beyond Tragedy
I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.
[...] Read more
poem by Robinson Jeffers
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Bastard Born
Why do you clothe me with scarlet of shame?
Why do you point with your finger of scorn?
What is the crime that you hissingly name
When you sneer in my ears, "Thou bastard born?"
Am I not as the rest of you,
With a hope to reach, and a dream to live?
With a soul to suffer, a heart to know
The pangs that the thrusts of the heartless give?"
I am no monster! Look at me --
Straight in my eyes, that they do not shrink!
Is there aught in them you can see
To merit this hemlock you make me drink?
This poison that scorches my soul like fire,
That burns and burns until love is dry,
And I shrivel with hate, as hot as a pyre,
A corpse, while its smoke curls up to the sky?
Will you touch my hand? It is flesh like yours;
Perhaps a little more brown and grimed,
For it could not be white while the drawers' and hewers',
My brothers, were calloused and darkened and slimed.
Yet touch it! It is no criminal's hand!
No children are toiling to keep it fair!
It is free from the curse of the stolen land,
It is clean of the theft of the sea and air!
It has set no seals to a murderous law,
To sign a bitter, black league with death!
No covenants false do these fingers draw
In the name of "The State" to barter Faith!
It bears no stain of the yellow gold
That Earth's wrethches give as the cost of heaven!
No priestly garment of silken fold
I wear as the price of their "sins forgiven!"
Still do you shrink! Still I hear the hiss
Between your teeth, and I feel the scorn
That flames in your gaze! Well, what is this,
This crime I commit, being "bastard born?"
What! You whisper my "eyes are gray,"
The "color of hers," up there on the hill,
Where the white stone gleams, and the willow spray
Falls over her grave in the starlight still!
[...] Read more
poem by Voltairine de Cleyre (1891)
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Bishop's Robes
Dressed in Bishop's robes
Terrifies me still
In Bishop's robes
Bastard headmaster
I'm not going back
I'm not going back
I'm not going back
Children taught to kill
To tear themselves to bits
On playing fields
Dressed in Bishop's robes
I'm not going back
I'm not going back
I'm not going back
song performed by Radiohead
Added by Lucian Velea
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Through the eyes of a Field Coronet (Epic)
Introduction
In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.
Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.
Prologue
The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain
mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact
that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals
becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,
who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight
in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.
Let them then also be patriotic
into their souls,
believe in and read
out of the word of God
[...] Read more
poem by Gert Strydom
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Gunface
Gonna go downtown
Gonna get my gun
Gonna dress real sharp
Gonna beat my drum
I ain't gonna lie
Gonna walk so slow
Gonna talk just right
And my diamond ring
Gonna shine so bright
I ain't gonna lie
I've got a debt to repay
I ain't gonna cry
I put a gun in your face
You'll pay with your life
And I got my ears
And I got my eyes
And I got my narks
And my alibis
I won't waste your time
You made one false move
You made one mistake
When the juice is squeezed
That's the way it breaks
You'll pay for your crime
Your tongue lickin' way out of place
I'll rip it out
I'll stick a gun in your face
You'll pay with your life
I taught her everything I taught her how to dream
I taught her everything
I'm gonna teach her how to scream
I taught her all she knows
I taught her how to lie
I taught her everything
I'm gonna teach her how to cry
And you cause me hurt
And you cause me pain
And you turned the tap
On my burning rage
And I can't put it out
Gonna leave no sign
Gonna leave no trace
[...] Read more
song performed by Rolling Stones from Bridges To Babylon
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The Columbiad: Book II
The Argument
Natives of America appear in vision. Their manners and characters. Columbus demands the cause of the dissimilarity of men in different countries, Hesper replies, That the human body is composed of a due proportion of the elements suited to the place of its first formation; that these elements, differently proportioned, produce all the changes of health, sickness, growth and decay; and may likewise produce any other changes which occasion the diversity of men; that these elemental proportions are varied, not more by climate than temperature and other local circumstances; that the mind is likewise in a state of change, and will take its physical character from the body and from external objects: examples. Inquiry concerning the first peopling of America. View of Mexico. Its destruction by Cortez. View of Cusco and Quito, cities of Peru. Tradition of Capac and Oella, founders of the Peruvian empire. Columbus inquires into their real history. Hesper gives an account of their origin, and relates the stratagems they used in establishing that empire.
High o'er his world as thus Columbus gazed,
And Hesper still the changing scene emblazed,
Round all the realms increasing lustre flew,
And raised new wonders to the Patriarch's view.
He saw at once, as far as eye could rove,
Like scattering herds, the swarthy people move
In tribes innumerable; all the waste,
Wide as their walks, a varying shadow cast.
As airy shapes, beneath the moon's pale eye,
People the clouds that sail the midnight sky,
Dance thro the grove and flit along the glade,
And cast their grisly phantoms on the shade;
So move the hordes, in thickets half conceal'd,
Or vagrant stalking thro the fenceless field,
Here tribes untamed, who scorn to fix their home,
O'er shadowy streams and trackless deserts roam;
While others there in settled hamlets rest,
And corn-clad vales a happier state attest.
The painted chiefs, in guise terrific drest,
Rise fierce to war, and beat their savage breast;
Dark round their steps collecting warriors pour,
Some fell revenge begins the hideous roar;
From hill to hill the startling war-song flies,
And tribes on tribes in dread disorder rise,
Track the mute foe and scour the howling wood,
Loud as a storm, ungovern'd as a flood;
Or deep in groves the silent ambush lay,
Lead the false flight, decoy and seize their prey,
Their captives torture, butcher and devour,
Drink the warm blood and paint their cheeks with gore.
Awhile he paused, with dubious thoughts opprest,
And thus to Hesper's ear his doubts addrest:
Say, to what class of nature's sons belong
The countless tribes of this untutor'd throng?
Where human frames and brutal souls combine,
No force can tame them, and no arts refine.
Can these be fashion'd on the social plan,
Or boast a lineage with the race of man?
When first we found them in yon hapless isle,
They seem'd to know and seem'd to fear no guile;
A timorous herd, like harmless roes, they ran,
[...] Read more
poem by Joel Barlow
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Hey, Headmaster
(tennant/lowe)
Hey, headmaster, whats the matter with you?
Whyre you always so serious, why so blue?
All the kids in the school have seen you
Being patient with the boys who fool you
When you used to hit them with your ruler
So independent too
Hey, headmaster, whats the matter with you?
Theres a crisis rumoured in the school
The boys have cut their hair short to look cool
Examination time is drawing near
Disintegration of the football team
No one seems to want to play for real
In classroom, club or pool
Hey, headmaster, whatre you gonna do?
Theres an invitation in the post
To a reading party on the coast
Pack your bags up, you old bibliophile
Get together with your friends, who will
Give you time to think and time to kill
With independent hosts
Hey, headmaster, arent you gonna go?
Hey, headmaster, arent you gonna go?
song performed by Pet Shop Boys
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The Aeneid of Virgil: Book 12
WHEN Turnus saw the Latins leave the field,
Their armies broken, and their courage quell’d,
Himself become the mark of public spite,
His honor question’d for the promis’d fight;
The more he was with vulgar hate oppress’d, 5
The more his fury boil’d within his breast:
He rous’d his vigor for the last debate,
And rais’d his haughty soul to meet his fate.
As, when the swains the Libyan lion chase,
He makes a sour retreat, nor mends his pace; 10
But, if the pointed jav’lin pierce his side,
The lordly beast returns with double pride:
He wrenches out the steel, he roars for pain;
His sides he lashes, and erects his mane:
So Turnus fares; his eyeballs flash with fire, 15
Thro’ his wide nostrils clouds of smoke expire.
Trembling with rage, around the court he ran,
At length approach’d the king, and thus began:
“No more excuses or delays: I stand
In arms prepar’d to combat, hand to hand, 20
This base deserter of his native land.
The Trojan, by his word, is bound to take
The same conditions which himself did make.
Renew the truce; the solemn rites prepare,
And to my single virtue trust the war. 25
The Latians unconcern’d shall see the fight;
This arm unaided shall assert your right:
Then, if my prostrate body press the plain,
To him the crown and beauteous bride remain.”
To whom the king sedately thus replied: 30
“Brave youth, the more your valor has been tried,
The more becomes it us, with due respect,
To weigh the chance of war, which you neglect.
You want not wealth, or a successive throne,
Or cities which your arms have made your own: 35
My towns and treasures are at your command,
And stor’d with blooming beauties is my land;
Laurentum more than one Lavinia sees,
Unmarried, fair, of noble families.
Now let me speak, and you with patience hear, 40
Things which perhaps may grate a lover’s ear,
But sound advice, proceeding from a heart
Sincerely yours, and free from fraudful art.
The gods, by signs, have manifestly shown,
No prince Italian born should heir my throne: 45
Oft have our augurs, in prediction skill’d,
And oft our priests, a foreign son reveal’d.
Yet, won by worth that cannot be withstood,
Brib’d by my kindness to my kindred blood,
Urg’d by my wife, who would not be denied, 50
[...] Read more
poem by Publius Vergilius Maro
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Vision of Columbus – Book 3
Now, twice twelve years, the children of the skies
Beheld in peace their growing empire rise;
O'er happy realms, display'd their generous care,
Diffused their arts and soothd the rage of war;
Bade yon tall temple grace the favourite isle.
The gardens bloom, the cultured valleys smile,
The aspiring hills their spacious mines unfold.
Fair structures blaze, and altars burn, in gold,
Those broad foundations bend their arches high,
And heave imperial Cusco to the sky;
From that fair stream that mark'd their northern sway,
Where Apurimac leads his lucid way,
To yon far glimmering lake, the southern bound,
The growing tribes their peaceful dwellings found;
While wealth and grandeur bless'd the extended reign,
From the bold Andes to the western main.
When, fierce from eastern wilds, the savage bands
Lead war and slaughter o'er the happy lands;
Thro' fertile fields the paths of culture trace,
And vow destruction to the Incan race.
While various fortune strow'd the embattled plain,
And baffled thousands still the strife maintain,
The unconquer'd Inca wakes the lingering war,
Drives back their host and speeds their flight afar;
Till, fired with rage, they range the wonted wood,
And feast their souls on future scenes of blood.
Where yon blue summits hang their cliffs on high;
Frown o'er the plains and lengthen round the sky;
Where vales exalted thro' the breaches run;
And drink the nearer splendors of the sun,
From south to north, the tribes innumerous wind,
By hills of ice and mountain streams confined;
Rouse neighbouring hosts, and meditate the blow,
To blend their force and whelm the world below.
Capac, with caution, views the dark design,
From countless wilds what hostile myriads join;
And greatly strives to bid the discord cease,
By profferd compacts of perpetual peace.
His eldest hope, young Rocha, at his call,
Leaves the deep confines of the temple wall;
In whose fair form, in lucid garments drest,
Began the sacred function of the priest.
In early youth, ere yet the genial sun
Had twice six changes o'er his childhood run,
The blooming prince, beneath his parents' hand,
Learn'd all the laws that sway'd the sacred land;
With rites mysterious served the Power divine,
Prepared the altar and adorn'd the shrine,
Responsive hail'd, with still returning praise,
Each circling season that the God displays,
[...] Read more
poem by Joel Barlow
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The Columbiad: Book III
The Argument
Actions of the Inca Capac. A general invasion of his dominions threatened by the mountain savages. Rocha, the Inca's son, sent with a few companions to offer terms of peace. His embassy. His adventure with the worshippers of the volcano. With those of the storm, on the Andes. Falls in with the savage armies. Character and speech of Zamor, their chief. Capture of Rocha and his companions. Sacrifice of the latter. Death song of Azonto. War dance. March of the savage armies down the mountains to Peru. Incan army meets them. Battle joins. Peruvians terrified by an eclipse of the sun, and routed. They fly to Cusco. Grief of Oella, supposing the darkness to be occasioned by the death of Rocha. Sun appears. Peruvians from the city wall discover Roch an altar in the savage camp. They march in haste out of the city and engage the savages. Exploits of Capac. Death of Zamor. Recovery of Rocha, and submission of the enemy.
Now twenty years these children of the skies
Beheld their gradual growing empire rise.
They ruled with rigid but with generous care,
Diffused their arts and sooth'd the rage of war,
Bade yon tall temple grace their favorite isle,
The mines unfold, the cultured valleys smile,
Those broad foundations bend their arches high,
And rear imperial Cusco to the sky;
Wealth, wisdom, force consolidate the reign
From the rude Andes to the western main.
But frequent inroads from the savage bands
Lead fire and slaughter o'er the labor'd lands;
They sack the temples, the gay fields deface,
And vow destruction to the Incan race.
The king, undaunted in defensive war,
Repels their hordes, and speeds their flight afar;
Stung with defeat, they range a wider wood,
And rouse fresh tribes for future fields of blood.
Where yon blue ridges hang their cliffs on high,
And suns infulminate the stormful sky,
The nations, temper'd to the turbid air,
Breathe deadly strife, and sigh for battle's blare;
Tis here they meditate, with one vast blow,
To crush the race that rules the plains below.
Capac with caution views the dark design,
Learns from all points what hostile myriads join.
And seeks in time by proffer'd leagues to gain
A bloodless victory, and enlarge his reign.
His eldest hope, young Rocha, at his call,
Resigns his charge within the temple wall;
In whom began, with reverend forms of awe,
The functions grave of priesthood and of law,
In early youth, ere yet the ripening sun
Had three short lustres o'er his childhood run,
The prince had learnt, beneath his father's hand,
The well-framed code that sway'd the sacred land;
With rites mysterious served the Power divine,
Prepared the altar and adorn'd the shrine,
Responsive hail'd, with still returning praise,
Each circling season that the God displays,
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poem by Joel Barlow
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The Great Hunger
I
Clay is the word and clay is the flesh
Where the potato-gatherers like mechanised scarecrows move
Along the side-fall of the hill - Maguire and his men.
If we watch them an hour is there anything we can prove
Of life as it is broken-backed over the Book
Of Death? Here crows gabble over worms and frogs
And the gulls like old newspapers are blown clear of the hedges, luckily.
Is there some light of imagination in these wet clods?
Or why do we stand here shivering?
Which of these men
Loved the light and the queen
Too long virgin? Yesterday was summer. Who was it promised marriage to himself
Before apples were hung from the ceilings for Hallowe'en?
We will wait and watch the tragedy to the last curtain,
Till the last soul passively like a bag of wet clay
Rolls down the side of the hill, diverted by the angles
Where the plough missed or a spade stands, straitening the way.
A dog lying on a torn jacket under a heeled-up cart,
A horse nosing along the posied headland, trailing
A rusty plough. Three heads hanging between wide-apart legs.
October playing a symphony on a slack wire paling.
Maguire watches the drills flattened out
And the flints that lit a candle for him on a June altar
Flameless. The drills slipped by and the days slipped by
And he trembled his head away and ran free from the world's halter,
And thought himself wiser than any man in the townland
When he laughed over pints of porter
Of how he came free from every net spread
In the gaps of experience. He shook a knowing head
And pretended to his soul
That children are tedious in hurrying fields of April
Where men are spanning across wide furrows.
Lost in the passion that never needs a wife
The pricks that pricked were the pointed pins of harrows.
Children scream so loud that the crows could bring
The seed of an acre away with crow-rude jeers.
Patrick Maguire, he called his dog and he flung a stone in the air
And hallooed the birds away that were the birds of the years.
Turn over the weedy clods and tease out the tangled skeins.
What is he looking for there?
He thinks it is a potato, but we know better
Than his mud-gloved fingers probe in this insensitive hair.
'Move forward the basket and balance it steady
In this hollow. Pull down the shafts of that cart, Joe,
And straddle the horse,' Maguire calls.
'The wind's over Brannagan's, now that means rain.
Graip up some withered stalks and see that no potato falls
Over the tail-board going down the ruckety pass -
And that's a job we'll have to do in December,
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poem by Patrick Kavanagh
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Evangeline: A Tale of Acadie
This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.
This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.
Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.
PART THE FIRST
I
In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors
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poem by Henry Wadsworth Longfellow
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Vision of Columbus – Book 2
High o'er the changing scene, as thus he gazed,
The indulgent Power his arm sublimely raised;
When round the realms superior lustre flew,
And call'd new wonders to the hero's view.
He saw, at once, as far as eye could rove,
Like scattering herds, the swarthy people move,
In tribes innumerable; all the waste,
Beneath their steps, a varying shadow cast.
As airy shapes, beneath the moon's pale eye,
When broken clouds sail o'er the curtain'd sky,
Spread thro' the grove and flit along the glade,
And cast their grisly phantoms thro' the shade;
So move the hordes, in thickers half conceal'd,
Or vagrant stalking o'er the open field.
Here ever-restless tribes, despising home,
O'er shadowy streams and trackless deserts roam;
While others there, thro' downs and hamlets stray,
And rising domes a happier state display.
The painted chiefs, in death's grim terrors drest,
Rise fierce to war, and beat the savage breast;
Dark round their steps collecting warriors pour,
And dire revenge begins the hideous roar;
While to the realms around the signal flies,
And tribes on tribes, in dread disorder, rise,
Track the mute foe and scour the distant wood,
Wide as a storm, and dreadful as a flood;
Now deep in groves the silent ambush lay,
Or wing the flight or sweep the prize away,
Unconscious babes and reverend sires devour,
Drink the warm blood and paint their cheeks with gore.
While all their mazy movements fill the view.
Where'er they turn his eager eyes pursue;
He saw the same dire visage thro' the whole,
And mark'd the same fierce savageness of soul:
In doubt he stood, with anxious thoughts oppress'd,
And thus his wavering mind the Power address'd.
Say, from what source, O Voice of wisdom, sprung
The countless tribes of this amazing throng?
Where human frames and brutal souls combine,
No force can tame them and no arts refine.
Can these be fashion'd on the social plan?
Or boast a lineage with the race of man?
In yon fair isle, when first my wandering view
Ranged the glad coast and met the savage crew;
A timorous herd, like harmless roes, they ran,
Hail'd us as Gods from whom their race began,
Supply'd our various wants, relieved our toil,
And oped the unbounded treasures of their isle.
But when, their fears allay'd, in us they trace
The well-known image of a mortal race;
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poem by Joel Barlow
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