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Chinese Torture

Instrumental)
PRODUCED BY QUEEN AND DAVID RICHARDS
Digitally remastered by Eddy Schreyer at Future Disc Systems, Hollywood.
All tracks performed exclusively by Queen
All songs written by: Freddie Mercury - Brian May - John Deacon - Roger Taylor
Management: Jim Beach
Album engineered by David Richards
Assistant engineers: Andrew Bradfield, John Brough, Angelique Cooper,
Claude Frider, Andy Mason, Justin Shirley-Smith
Album recorded at Olympic Studios and The Townhouse Studios, London, England
and Mountain Studios. Montreux, Switzerland. Mastered at The Townhouse Studios
by Kevin Metcalf and Gordon Vickary
Computer programming: Brian Zellis
Studio equipment co-ordination: Martin P. Groves and Brian Zellis
Computer keyboards: Passport Master Tracks Software
Tannoy speakers by Tannoy Ltd.
Album sleeve design: Richard Gray - based on an idea by Queen
Quantel graphic paintbox operator: Richard Baker
Original photography: Simon Fowler
Make-up: Paul Kennington
World publicity:Roxy Meade, Lipsey Meade PR, 95, Mortimer Street, London W1N7TA
Special thanks to:
Gerry Stickells, Julie Nash, Claude Nobs, Misa Watanabe, Gilbert Marouani, Peter
Freestone, Joe Fannelli, Terry Giddings, Jacky Gunn, Nicola Froude, Anita
Dobson, David Mallet, Jacqui Byford, Melanie Martin, Vicky Soder, Andre Gauchat,
Peter Chant, Bryan Lask, Mike Silverstone, Coutts & Co, Robert Lee, Penny
Robinson, Marjie Winter, Gwen, Sarah, Elena, all at EMI-Capital Records and EMI
Music.
Official International Queen Fan Club

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

[...] Read more

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Hollywood

Performed by george clinton
Composed by tracey lewis and dallas austin
San diego freeway northbound around
Culver city westwood into beverly hills
Uve gone hollywood
Im gonna look, I wont touch
Oh its live but then, thanks very much
Where the happening be at 2 night its hollywood
As I stepped out on my front porch
4 miles around I see
Hollywood the way she once was
Hollywood the way she be
As I step back upon my back terrace
Amongst the pretty leaves on my lemon tree
San fernando valley way below
Im struttin 2 the east side of hollywood
Im stompin on the west side of hollywood
Im steppin 2 the north side of hollywood
Im struttin 2 the south side of hollywood
Chorus:
Holly wants 2 go 2 california (livin in hollywood)
Holly would if holly could (livin in hollywood)
Holly she belongs in california (livin in hollywood)
Holly would if holly could (livin in hollywood)
Say u want 2 be in the moviestars
Bourgeois, intercontinental never know where u are
Uve gone hollywood
I was caught out on the beat
Without even a single piece of id
And the man said 2 me its who u know in hollywood
Hollywood
Im funkin on the north side of hollywood
Im kickin on the east side of hollywood
Im steppin 2 the west side of hollywood
Chorus
Holly wants 2 go
San diego freeway northbound around
Culver city westwood into beverly hills
Uve gone hollywood
Im gonna look, I wont touch
Oh its live but then, thanks very much
Where the happening be at 2 night its hollywood
Holly wants 2 go 2 california (california) (livin in hollywood)
Holly would if holly could (livin in hollywood)
Holly needs 2 be in california (livin in hollywood)
And she wants 2 shine (livin in hollywood)
Like the hollywood sign (livin in hollywood)
Oh, sure 7 fine (california) (livin in hollywood)
Hollys going 2 california (livin in hollywood)
Holly would, holly would if holly could (livin in hollywood)

[...] Read more

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Freddie Said

Freddie's got the dirt on
Everybody on the street
Don't know how he does it
But it isn't too discreet
Everybody says
It always winds up being true
He's got somethin' on everyone
Maybe even you!
Freddie know-oh yeah
Freddie goes-"Oh yeah,
I got the 411 in my head!"
That's what Freddie said
One night Freddie's goin' home
He's had a long, long day
When he see big Eddie
Runnin' out the alleyway
Freddie looks at the shadow
Of a body with a shrug
There's Slapsie layin' deader
Then an ugly fire plug
Freddie know-oh yeah
Freddie goes-"Oh yeah!"
I'll get the 411 to the feds!"
That's what Freddie said
[Talk:]
Personally i don't think that
Was such a wise move on freddie's part
If you see what i'm sayin'
Freddie now has the biggest news
He's ever had
But Eddie knows that Freddie knows
And man, you knows, thats's bad!
'cause next night
Freddie's walking home
Just like he did before
Badda-boom! badda-bang!
Badda-bing!
He won't be blabbin' anymore!
See Eddie said-"oh yeah!
Freddie's dead!-oh yeah
No more the 411 in his head
That's 'cause Freddie's dead
Now you know the skinny
All about the scuttlebutt
And the moral of this story is
To keep your big mouth shutt!
Cause Freddie said-"oh yeah!"
Now Freddie's dead!-oh yeah
I'll keep the 411 in my head!"
That's what Freddie should'a said

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Mercury Blues

If I had money
Tell you what I'd do
I'd go downtown
Buy a Mercury or two
I'm crazy 'bout a Mercury
Ohh I'm crazy 'bout a Mercury
I'm gonna buy me a Mercury
Cruise it up and down the road
Well, I had me a girl
Stole her from a friend
Friend got lucky
Stole her back again
Cause she thought he had a Mercury
Ohh she thought he had a Mercury
I'm gonna buy me a Mercury
Cruise it up and down the road
CMON!!
[instrumental break - 6 measures]
Well, hey now mama
Lookin' so fine
Cruisin' round
In your Mercury 69
I'm crazy 'bout a Mercury
Ooo, I'm crazy 'bout a Mercury
I'm gonna buy me a Mercury
Cruise it up and down the road
My girl went out
Didn't stay long
Bought herself a Mercury
And Cruised it on home
Cause she know I have a Mercury
Ohh she know I have a Mercury
I'm gonna buy me a Mercury
Cruise it up and down the road
[instrumental break - 12 measures]
Well, hey now mama
Lookin' so fine
Cruisin' round
In your Mercury 69
I'm crazy 'bout a Mercury
Ooo, I'm crazy 'bout a Mercury
I'm gonna buy me a Mercury
Cruise it up and down the road
I'm gonna buy me a Mercury
Cruise it up and down the road
I'm gonna buy me a Mercury
Cruise it up and down
I'm going out
I'm gonna get me a real job
And I'm gonna buy me some

[...] Read more

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Hollywood Swinging

Ahh now party people!
Now party people getting down!
Now you've got to put your hands together!
Just
Get on down and get on down and
Get on down!!
Alright!
Hey Hey Hey!
Come on now! Gotta sing it now...
What you got to say?
Oh, what you got to say now?
Hey Hey Hey!
Come On Now! Gotta sing it now...
What you got to say?
Oh what you got to say now?
Hollywood
Hollywood Swingin'
We got that, we got that, we got that
Hollywood Swingin'
Hollywood! (Hollywood now)
Hollywood Swingin'!
Oh! Now I got that swingin' Aheheh!
I remember
Not too long ago
I went to the theatre
And I saw the Kool & The Gang show
I always wanted (oh yes I did)
To fit into a band
I got to, I got to:
Sing my songs, sing my songs, sing my songs
And become a big piano playing man
So here I am, here I am, here I am...
Oh, in this Hollywood city
Yeah.. City of stars, movies, women and cars
Well I guess.. I guess I have to stay! Alright!
Hey Hey Hey! (Come On Sing It!)
What you got to say? What you got to say now yeah?
Hey Hey Hey! (Sing It Now!)
What you got to say? What you got to say now yeah?
Hollywood! (Hollywood Yeah)
Hollywood Swingin'!
Yo swing it like that!
Hollywood! (Hollywood now)
The Hollywood swingin'!
Oh.. Hollywood Hollywood Hollywood Hollywood now!
Hollywood Swingin' Oh a hey yeah!
Hollywood Hollywood Hollywood!
Now Hollywood Hollywood
Now they're all swinging in Hollywood!
Hollywood Swingin'

[...] Read more

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Robin Hood and the Monk

In somer, when the shawes be sheyne,
And leves be large and long,
Hit is full mery in feyre foreste
To here the foulys song,

To se the dere draw to the dale,
And leve the hilles hee,
And shadow hem in the leves grene,
Under the grene wode tre.

Hit befel on Whitson
Erly in a May mornyng,
The son up feyre can shyne,
And the briddis mery can syng.

'This is a mery mornyng,' seid Litull John,
'Be Hym that dyed on tre;
A more mery man then I am one
Lyves not in Cristianté.

'Pluk up thi hert, my dere mayster,'
Litull John can sey,
'And thynk hit is a full fayre tyme
In a mornyng of May.'

'Ye, on thyng greves me,' seid Robyn,
'And does my hert mych woo:
That I may not no solem day
To mas nor matyns goo.

'Hit is a fourtnet and more,' seid he,
'Syn I my Savyour see;
To day wil I to Notyngham,' seid Robyn,
'With the myght of mylde Marye.'

Than spake Moche, the mylner sun,
Ever more wel hym betyde!
'Take twelve of thi wyght yemen,
Well weppynd, be thi side.
Such on wolde thi selfe slon,
That twelve dar not abyde.'

'Of all my mery men,' seid Robyn,
'Be my feith I wil non have,
But Litull John shall beyre my bow,
Til that me list to drawe.'

'Thou shall beyre thin own,' seid Litull Jon,
'Maister, and I wyl beyre myne,
And we well shete a peny,' seid Litull Jon,

[...] Read more

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Big Jilm

Rollin and wheelin, stealin and dealin - big jim
Bol weevil, its a pleasel, its a pleasel, my weasel - big jim
Dreamin and schemin, screamin and bleedin - big jim
Froggy in the meadow under the log - big jim
Rollin and wheelin, stealin and dealin - big jim
Bol weevil, its a pleasel, its a pleasel, my weasel - big jim
Big jim
Whats the biggest thing you ever did done see?
Big jim
I mean, whats the biggest, biggest thing you ever did done see?
Big jim
Rollin and wheelin, stealin and dealin - big jim (big jim! big jim!)
(doo doo doo, doo doo doo doo doo)
Bol weevil, its a pleasel, its a pleasel, my weasel - big jim (big jim!)
Dreamin and schemin, screamin and bleedin - big jim (big jim! big jim!)
Froggy in the meadow under the log - big jim (big jim!)
Big jim
I mean, biggest thing you ever did done see?
Big jim (big jim)
Biggest thing you ever did done see - big jim (big jim! big jim!)
Doo doo doo, doo doo doo doo doo (big jim)
Doo doo doo

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John Dryden

Absalom and Achitophel

In pious times, e'er Priest-craft did begin,
Before Polygamy was made a sin;
When man, on many, multiply'd his kind,
E'r one to one was, cursedly, confind:
When Nature prompted, and no law deny'd
Promiscuous use of Concubine and Bride;
Then, Israel's monarch, after Heaven's own heart,
His vigorous warmth did, variously, impart
To Wives and Slaves; And, wide as his Command,
Scatter'd his Maker's Image through the Land.
Michal, of Royal blood, the Crown did wear,
A Soyl ungratefull to the Tiller's care;
Not so the rest; for several Mothers bore
To Godlike David, several Sons before.
But since like slaves his bed they did ascend,
No True Succession could their seed attend.
Of all this Numerous Progeny was none
So Beautifull, so brave as Absalon:
Whether, inspir'd by some diviner Lust,
His father got him with a greater Gust;
Or that his Conscious destiny made way
By manly beauty to Imperiall sway.
Early in Foreign fields he won Renown,
With Kings and States ally'd to Israel's Crown
In Peace the thoughts of War he could remove,
And seem'd as he were only born for love.
What e'er he did was done with so much ease,
In him alone, 'twas Natural to please.
His motions all accompanied with grace;
And Paradise was open'd in his face.
With secret Joy, indulgent David view'd
His Youthfull Image in his Son renew'd:
To all his wishes Nothing he deny'd,
And made the Charming Annabel his Bride.
What faults he had (for who from faults is free?)
His Father could not, or he would not see.
Some warm excesses, which the Law forbore,
Were constru'd Youth that purg'd by boyling o'r:
And Amnon's Murther, by a specious Name,
Was call'd a Just Revenge for injur'd Fame.
Thus Prais'd, and Lov'd, the Noble Youth remain'd,
While David, undisturb'd, in Sion raign'd.
But Life can never be sincerely blest:
Heaven punishes the bad, and proves the best.
The Jews, a Headstrong, Moody, Murmuring race,
As ever try'd th' extent and stretch of grace;
God's pamper'd people whom, debauch'd with ease,
No King could govern, nor no God could please;
(Gods they had tri'd of every shape and size
That Gods-smiths could produce, or Priests devise.)

[...] Read more

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Wat Tyler - Act III

ACT III.


SCENE—SMITHFIELD.


PIERS (meeting JOHN BALL.)

You look disturb'd, my father?


JOHN BALL.

Piers, I am so.
Jack Straw has forced the Tower: seized the Archbishop,
And beheaded him.


PIERS.

The curse of insurrection!


JOHN BALL.

Aye, Piers! our nobles level down their vassals—
Keep them at endless labour like their brutes,
Degrading every faculty by servitude:
Repressing all the energy of the mind.
We must not wonder then, that like wild beasts,
When they have burst their chains, with brutal rage
They revenge them on their tyrants.


PIERS.

This Archbishop!
He was oppressive to his humble vassals:
Proud, haughty, avaricious.—


JOHN BALL.

A true high-priest!
Preaching humility with his mitre on!
Praising up alms and Christian charity
Even whilst his unforgiving hand distress'd
His honest tenants.

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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.


Sir Peter

So-
What are their names?


John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-


Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?


John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?


Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.


John Curzon


going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

[...] Read more

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Mercury Blues

(robert l geddins/kc douglas)
Well if I had money
Tell you what Id do
Id go downtown and buy a mercury or two
Crazy bout a mercury
Lord Im crazy bout a mercury
Im gonna buy me a mercury
And cruise it up and down the road
Well the girl I love
I stole her from a friend
He got lucky, stole her back again
She heard he had a mercury
Lord shes crazy bout a mercury
Im gonna buy me a mercury
And cruise it up and down the road
Well hey now mama
You look so fine
Ridin round in your mercury 49
Crazy bout a mercury
Lord Im crazy bout a mercury
Im gonna buy me a mercury
And cruise it up and down the road
Well my baby went out
She didnt stay long
Bought herself a mercury, come a cruisin home
Shes crazy bout a mercury
Yeah shes crazy bout a mercury
And cruise it up and down the road
Well if I had money
I tell you what Id do
Id go downtown and buy me a mercury or two
Crazy bout a mercury
Im gonna buy me a mercury
And cruise it up and down the road

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James Holladay (Demo)

James Holladay was a working man
He made his living on the land
But living alone was too much to stand
So Jim found a woman to understand
Two years passed living in joy
When out of the blue came a baby boy
Just to keep up the family name
Mister Holladay said we'll call him little James
So you better run, run, run, run (Jim you gotta get away)
Jim, you gotta get away
You better better run, run, run, run (Jim you gotta get away)
Jim, you gotta get away
You better better run, run, run, run (Jim you gotta get away)
Jim, you gotta get away (Jim you gotta get away)
Little James became a working man
He followed his pa right across the land
At the end of the day when his work was done
He'd sit and watch the setting southern sun
Nineteen years had come and gone
Little Jimmy had grown up big and strong
He didn't know that his time had come
When they handed him a shiny black gun
So his pa said, run, run, run, run, run, run (Jim you gotta get away)
Jim, you gotta getaway
So you better run, run, run, run, run, run, run (Jim you gotta get away)
Jim, you gotta get away
So you better run, run, run, run, run (Jim you gotta get away)
Jim, you gotta get away (Jim you gotta get away)
Run, run, run, run, run, run (Jim you gotta get away)
Jim, you gotta getaway
You better better run, run, run, run, run, run (Jim you gotta get away)
Jim, you gotta get away
You better better run, run, run, run, run, run (Jim you gotta get away)
Jim, you gotta get away
(fade)

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Stop Dead

Stop!
Stop!
Stop dead,
Stop stop stop stop stop stop
I pulled up at a west end junction (seeker of attention)
A full body kit and bass bins pumping (size up competition)
Come on red light, get into green,
I hit the brake, I must be dreaming..
Im stop! (stop), dead! (dead), in my tracks (in my tracks)
Got to fix on you.
Dont wanna loose you, from my sight
Where ya going to?
Gotta know now..
Stop! (stop), dead! (dead), in my tracks (in my tracks)
Got to fix on you.
Dont wanna loose, you from my sight
Where ya going to?
Oh-oh-oh
Ive got my eyes on the action (killer reputation)
Heat crazed in full satisfaction (become a phaser? )
Do what you do and do it to me,
Body in motion, now you see me
(chorus)
Gotta know know.. stop!
Come on now, come on now
Come on now, come on now
Wise up to remain young victim (come on, ways of attraction)
A full scale attack on the system (come on, no one visor? )
Do what you do and do it to me,
Im into red line territory
And im..
(chorus)
Stop!, dead in my tracks again,
Im stop dead in my tracks
Stop!, in my tracks (yeah)
Im stop dead in my tracks
(oh-oh) gotta know know..
Stop! (stop), dead! (dead), in my tracks (in my tracks)
Stop! (stop), dead! (dead), in my tracks (in my tracks)
Stop! (stop), dead! (dead), in my tracks (in my tracks)
Stop! (stop), dead! (dead), in my tracks (in my tracks)
Stop! (stop), dead! (dead), in my tracks (in my tracks)
Stop! (stop), dead! (dead), in my tracks (in my tracks)
Stop! (stop), dead! (dead), in my tracks (in my tracks)

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The Mylora Elopement

By the winding Wollondilly where the weeping willows weep,
And the shepherd, with his billy, half awake and half asleep,
Folds his fleecy flocks that linger homewards in the setting sun
Lived my hero, Jim the Ringer, "cocky" on Mylora Run.
Jimmy loved the super's daughter, Miss Amelia Jane McGrath.
Long and earnestly he sought her, but he feared her stern papa;
And Amelia loved him truly -- but the course of love, if true,
Never yet ran smooth or duly, as I think it ought to do.

Pondering o'er his predilection, Jimmy watched McGrath, the boss,
Riding past his lone selection, looking for a station 'oss
That was running in the ranges with a mob of outlaws wild.
Mac the time of day exchanges -- off goes Jim to see his child;

Says, "The old man's after Stager, which he'll find is no light job,
And tomorrow I will wager he will try and yard the mob.
Will you come with me tomorrow? I will let the parson know,
And for ever, joy or sorrow, he will join us here below.

"I will bring the nags so speedy, Crazy Jane and Tambourine,
One more kiss -- don't think I'm greedy -- good-bye, lass, before I'm seen --
Just one more -- God bless you, dearie! Don't forget to meet me here,
Life without you is but weary; now, once more, good-bye, my dear."


* * * * *
The daylight shines on figures twain
That ride across Mylora Plain,
Laughing and talking -- Jim and Jane.
"Steady, darling. There's lots of time,
Didn't we slip the old man prime!
I knew he'd tackle that Bowneck mob,
I reckon he'll find it too big a job.
They've beaten us all. I had a try,
But the warrigal devils seem to fly.
That Sambo's a real good but of stuff
No doubt, but not quite good enough.
He'll have to gallop the livelong day,
To cut and come, to race and stay.
I hope he yards 'em, 'twill do him good;
To see us going I don't think would."
A turn in the road and, fair and square,
They meet the old man standing there.
"What's up?" "Why, running away, of course,"
Says Jim, emboldened. The old man turned,
His eye with wild excitement burned.
"I've raced all day through the scorching heat
After old Bowneck: and now I'm beat.
But over that range I think you'll find
The Bowneck mob all run stone-blind.

[...] Read more

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The Ballad Of The Ice-Worm Cocktail

To Dawson Town came Percy Brown from London on the Thames.
A pane of glass was in his eye, and stockings on his stems.
Upon the shoulder of his coat a leather pad he wore,
To rest his deadly rifle when it wasn't seeking gore;
The which it must have often been, for Major Percy Brown,
According to his story was a hunter of renown,
Who in the Murrumbidgee wilds had stalked the kangaroo
And killed the cassowary on the plains of Timbuctoo.
And now the Arctic fox he meant to follow to its lair,
And it was also his intent to beard the Artic hare...
Which facts concerning Major Brown I merely tell because
I fain would have you know him for the Nimrod that he was.

Now Skipper Grey and Deacon White were sitting in the shack,
And sampling of the whisky that pertained to Sheriff Black.
Said Skipper Grey: "I want to say a word about this Brown:
The piker's sticking out his chest as if he owned the town."
Said Sheriff Black: "he has no lack of frigorated cheek;
He called himself a Sourdough when he'd just been here a week."
Said Deacon White: "Methinks you're right, and so I have a plan
By which I hope to prove to-night the mettle of the man.
Just meet me where the hooch-bird sings, and though our ways be rude
We'll make a proper Sourdough of this Piccadilly dude."

Within the Malamute Saloon were gathered all the gang;
The fun was fast and furious, and the loud hooch-bird sang.
In fact the night's hilarity had almost reached its crown,
When into its storm-centre breezed the gallant Major Brown.
And at the apparation, whith its glass eye and plus-fours,
From fifty alcoholic throats responded fifty roars.
With shouts of stark amazement and with whoops of sheer delight,
They surged around the stranger, but the first was Deacon White.
"We welcome you," he cried aloud, "to this the Great White Land.
The Artic Brotherhood is proud to grip you by the hand.
Yea, sportsman of the bull-dog breed, from trails of far away,
To Yukoners this is indeed a memorable day.
Our jubilation to express, vocabularies fail...
Boys, hail the Great Cheechako!" And the boys responded: "Hail!"

"And now," continued Deacon White to blushing Major Brown,
"Behold assembled the eelight and cream of Dawson Town,
And one ambition fills their hearts and makes their bosoms glow -
They want to make you, honoured sir, a bony feed Sourdough.
The same, some say, is one who's seen the Yukon ice go out,
But most profound authorities the definition doubt,
And to the genial notion of this meeting, Major Brown,
A Sourdough is a guy who drinks ... an ice-worm cocktail down."

"By Gad!" responded Major Brown, "that's ripping, don't you know.
I've always felt I'd like to be a certified Sourdough.

[...] Read more

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David

My thought, on views of admiration hung,
Intently ravish'd and depriv'd of tongue,
Now darts a while on earth, a while in air,
Here mov'd with praise and mov'd with glory there;
The joys entrancing and the mute surprize
Half fix the blood, and dim the moist'ning eyes;
Pleasure and praise on one another break,
And Exclamation longs at heart to speak;
When thus my Genius, on the work design'd
Awaiting closely, guides the wand'ring mind.

If while thy thanks wou'd in thy lays be wrought,
A bright astonishment involve the thought,
If yet thy temper wou'd attempt to sing,
Another's quill shall imp thy feebler wing;
Behold the name of royal David near,
Behold his musick and his measures here,
Whose harp Devotion in a rapture strung,
And left no state of pious souls unsung.

Him to the wond'ring world but newly shewn,
Celestial poetry pronounc'd her own;
A thousand hopes, on clouds adorn'd with rays,
Bent down their little beauteous forms to gaze;
Fair-blooming Innocence with tender years,
And native Sweetness for the ravish'd ears,
Prepar'd to smile within his early song,
And brought their rivers, groves, and plains along;
Majestick Honour at the palace bred,
Enrob'd in white, embroider'd o'er with red,
Reach'd forth the scepter of her royal state,
His forehead touch'd, and bid his lays be great;
Undaunted Courage deck'd with manly charms,
With waving-azure plumes, and gilded arms,
Displaid the glories, and the toils of fight,
Demanded fame, and call'd him forth to write.
To perfect these the sacred spirit came,
By mild infusion of celestial flame,
And mov'd with dove-like candour in his breast,
And breath'd his graces over all the rest.
Ah! where the daring flights of men aspire
To match his numbers with an equal fire;
In vain they strive to make proud Babel rise,
And with an earth-born labour touch the skies.
While I the glitt'ring page resolve to view,
That will the subject of my lines renew;
The Laurel wreath, my fames imagin'd shade,
Around my beating temples fears to fade;
My fainting fancy trembles on the brink,
And David's God must help or else I sink.

[...] Read more

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The Booker Washington Trilogy

I. A NEGRO SERMON:—SIMON LEGREE

(To be read in your own variety of negro dialect.)


Legree's big house was white and green.
His cotton-fields were the best to be seen.
He had strong horses and opulent cattle,
And bloodhounds bold, with chains that would rattle.
His garret was full of curious things:
Books of magic, bags of gold,
And rabbits' feet on long twine strings.
But he went down to the Devil.

Legree he sported a brass-buttoned coat,
A snake-skin necktie, a blood-red shirt.
Legree he had a beard like a goat,
And a thick hairy neck, and eyes like dirt.
His puffed-out cheeks were fish-belly white,
He had great long teeth, and an appetite.
He ate raw meat, 'most every meal,
And rolled his eyes till the cat would squeal.

His fist was an enormous size
To mash poor niggers that told him lies:
He was surely a witch-man in disguise.
But he went down to the Devil.

He wore hip-boots, and would wade all day
To capture his slaves that had fled away.
But he went down to the Devil.

He beat poor Uncle Tom to death
Who prayed for Legree with his last breath.
Then Uncle Tom to Eva flew,
To the high sanctoriums bright and new;
And Simon Legree stared up beneath,
And cracked his heels, and ground his teeth:
And went down to the Devil.

He crossed the yard in the storm and gloom;
He went into his grand front room.
He said, "I killed him, and I don't care."
He kicked a hound, he gave a swear;
He tightened his belt, he took a lamp,
Went down cellar to the webs and damp.
There in the middle of the mouldy floor
He heaved up a slab, he found a door —
And went down to the Devil.

[...] Read more

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John Daniel

(Dolly Parton)
John Daniel came to town one summer afternoon
Wearin' dirty work clothes so everyone presumed
He was just another logger from the loggin' camp nearby
And he was, but there was somethin' different in John Daniel's eyes
John Daniel was a young man, not more than twenty-four
And there was an air about him that one could not ignore
And in spite of callused hands & dirty clothes, his face was kind
And I wanted so to know what was in John Daniel's mind
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's somethin' about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
I rented him a room; he went upstairs like all the rest
It was Saturday and he'd be goin' in to town, I guessed
But he left in a robe and sandals, with a Bible in his hand;
And I thought to myself, John Daniel, I don't understand
Now I'd planned to meet some friends of mine when I got off at three,
In the park we often gather to talk of love and peace
When I got there I found that a crowd had gathered 'round;
And there I saw John Daniel a sittin' on the ground
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's somethin' about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
So, "You want to be free," he said, "Well, this is how you can."
As he read from the Bible he held in his hand
We were searchin' for the truth not knowin' where to look,
Not knowin' that the answers all were in John Daniel's book
John Daniel told us all how we could be free
John Daniel taught us all a better way for you and me
He came to us in our own way so we'd be sure to see
He had the light and essence of the man from Galilee
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's something about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
John Daniel, John Daniel, John Daniel
John Daniel do you hold the answer to a higher plan?
John Daniel came to town one summer afternoon
Wearin' dirty work clothes so everyone presumed
He was just another logger from the loggin' camp nearby
And he was, but there was somethin' different in John Daniel's eyes
Ooh, John Daniel, tell me where did you come from
Tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's something about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?

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Hollywood Liar

Liar, liar, liar, hollywood liar,
Who are you, to crash my party, with your mediocre blues,
Your powder has no power over me,
Dont talk to my friends, the way you talk to the girls from the valley,
Youre just another liar to me,
Hollywood liar,
Hollywood liar,
Hollywood liar,
Hollywood liar,
I can see right through your act, the way you lie to yourself,
About deals you know dont even exist,
Dropping all those names the way you think the game should be played,
Youre just another liar to me,
Hollywood liar,
Hollywood liar,
Hollywood liar,
Hollywood liar,
(say) too mon to mon toul le jomey le very tey,
Too par too par, cullear, reason,
Unfortunately youre my neighbour,
But certainly not for long,
Huh, Im the writer of this,
Im the printer of that,
What you gonna do next?
How you gonna top that?
Distributor of this,
Editor of that,
What you gonna do next?
How you gonna top that?
How you gonna top that?
How you gonna top that?
(? )
Hollywood liar,
Hollywood liar,
Hollywood liar,
Hollywood,
Hollywood,
Hollywood,
Hollywood liar,
Kiss me?
(? )
Hollywood liar,
Hollywood liar,
I dont buy it baby!
You just get out of my party!

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Drip Fed Fred

We want Freddie for our leader
Freddie is a man of class
We want Freddie for our leader
All stand and raise your champagne glass
Gentlemen and assassins and ladies of the night
I call upon you this evening in the hope of shedding some light
I can't go into detail or finger unfounded fools
But there are some here amongst us that are not playing to the rules
I've rounded up the low-life and local CID
Offered a free massage or else the third degree
There is no simple solution in this life we lead
So make things easy for yourself to the baronage concede
We want Freddie for our leader
Freddie is a man of class
We want Freddie for our leader
All stand and raise your champagne glass
Peace shall not prevail in Purley came the stark warning today
From his hospital bed Drip-Fed Fred vowed he was here to stay
"I'll tell you something for nothing", he claimed, "Never in all my days
Have I felt so intimidated by the cheap tactics on display"
Ahh-ah-ah-ah
Ahh-ah-ah-ah
We want Freddie for our leader
Freddie is a man of class
We want Freddie for our leader
All stand and raise your champagne glass
And approaching the pulpit, the Right Honourable Reverend Greene
"We're gathered here this evening to pay our due respects
To Drip-Fed Fred who late last night fell out of his prison bed
We know the nonce behind it, who slipped the night PD - ooh
The word is out now without doubt you will answer to me"
Gentlemen and assassins and ladies of the night
I call upon you this evening in the hope of shedding new light
There is a simple solution, one called honour amongst thieves
So we'll take pity on your souls and only cap your knees
Ahh-ah-ah-ah
Ahh-ah-ah-

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