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Tommy The Cat

I remember as it were a meal ago
Said tommy the cat as he reeled back to clear whatever foreign matter
May have nestled its way into his mighty throat. many a fat alley rat
Had met its demise while staring point blank down the cavernous barrel
Of this awesome prowling machine. truly a wonder of nature this urban
Predator. tommy the cat had many a story to tell, but it was a rare
Occasion such as this that he did.
She came slidin down the alleyway like butter drippin off a hot
Biscuit. the aroma, the mean scent, was enough to arouse suspicion in
Even the oldest of tigers that hung around the hot spot in those
Days. the sight was beyond belief. many a head snapped for double,
Even triple, takes as this vivacious feline made her her way into the
Delta of the alleyway where the most virile of the young tabbys were
Known to hang out. they hung in droves. such a multitude of
Masculinity could only be found in one place... and that was
Omalleys alley. the air was thick with cat calls (no pun intended)
But not even a muscle in her neck did twitch as she sauntered up into
The heart of the alley. she knew what she wanted. she was lookin
For that stud bull, the he cat. and that was me. tommy the cat is my
Name and I say unto thee...
Say baby do you wanna lay down by me

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Fat

Your butt is wide, well mine is too
Just watch your mouth or Ill sit on you
The word is out, better treat me right
cause Im the king of cellulite
Ham on, ham on, ham on whole wheat, all right
My zippers bust, my buckles break
Im too much man for you to take
The pavement cracks when I fall down
Ive got more chins than chinatown
Well, Ive never used a phone booth
And Ive never seen my toes
When Im goin to the movies
I take up seven rows
Because Im fat, Im fat, come on
(fat, fat, really really fat)
You know Im fat, Im fat, you know it
(fat, fat, really really fat)
You know Im fat, Im fat, come on you know
(fat, fat, really really fat)
Dontcha call me pudgy, portly or stout
Just now tell me once again whos fat
When I walk out to get my mail
It measures on the richter scale
Down at the beach Im a lucky man
Im the only one who gets a tan
If I have one more pie a la mode
Im gonna need my own zip code
When youre only having seconds
Im having twenty-thirds
When I go to get my shoes shined
I gotta take their word
Because Im fat, Im fat, sha mone
(fat, fat, really really fat)
You know Im fat, Im fat, you know it
(fat, fat, really really fat)
You know Im fat, Im fat, you know it you know
(fat, fat, really really fat)
And my shadow weighs forty-two pounds
Lemme tell you once again whos fat
If you see me comin your way
Better give me plenty space
If I tell you that Im hungry
Then wont you feed my face
Because Im fat, Im fat, come on
(fat, fat, really really fat)
You know Im fat, Im fat, you know it
(fat, fat, really really fat)
You know Im fat, Im fat, you know it, you know
(fat, fat, really really fat)
Woo woo woo, when I sit around the house

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Urban Time vs. Rural Time

3 am:
Urban time: Alarm clocks, hoots and toots
Rural time: Cocks crow, cows moo and weavers beaker

4 am:
Urban time: Whoever snoozed the alarm? Dress up… very scarcely
Rural time: Dust the mat; grab yesterday’s very hard ugali and into overall

5 am:
Urban time: Marikiti and Gikomba beat traffic – rush hour
Rural time: Milking and feeding; early bird catches the worm

6 am:
Urban time: Office not open, tarts hover at Koinange zonked with sleep
Rural time: Coffee farm supervisor calls out names – mine missing

7 am:
Urban time: Offspring sings national anthem in academy playfully
Rural time: Sibling barefoot sings “Yesu anipenda” without blasphemy

8 am:
Urban time: Yaaaawn! Hate work before it even begins – so monotonous
Rural time: Tea baskets at back, yard stick in hand, water jar on head

9 am:
Urban time: What took company tea so long? Was tea boy fired or what?
Rural time: Sing Mary oh, sing Mary oh… Market women return with empty baskets

10 am:
Urban time: Finally the tea is here… (Chit chat) I love this job!
Rural time: The sun’s scorching – take a breath beneath shade

11 am:
Urban time: Silence and whispered gossip, functional smiles and fake hugs
Rural time: Shout greeting from ridge to ridge and insults from bush to bush

12 pm:
Urban time: Yaaaaaawn! Bad date - fear the approach of the next hour
Rural time: Any one with a watch? The sun has hid beneath the cloud

1 pm:
Urban time: Extraordinary times call for extraordinary measures – am dieting…
Rural time: Carry produce to factory, take a nap in the wilderness, and water the livestock

2 pm:
Urban time: Oh how I hate this! Parliament session on, but ethics dictate TV without volume
Rural time: Women plot today’s chama as men discuss the local barmaid’s “possessions”

3 pm:
Urban time: Who tampered with the office clock? I can see some hawkers outside…

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Cameron

Cameron the cat would never miss a trick –
Often in the garden on patrol.
Otherwise sleeping, though frequently meeting
His one and only love – that earthen bowl!

Cameron the cat took everything for granted -
Sure, the street lay under his control.
Contentedly snoozing – perhaps he 'd been boozing –
And toasting all that counts: his dearest bowl!

Cameron the cat would seek to take advantage –
His gullible owners often on parole.
Purring pathetically, and almost poetically,
He'd meow them into stacking up his bowl!

Cameron the cat was nonetheless a gem –
His owners saw him as their heart and soul,
But having to accept that he was so adept
At persuading them to fill his flipping bowl!

Copyright © Mark R Slaughter 2009


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Alley Oop

Hey hey hey
Da da da
Thats what I say
Da da da
Theres a man in the funny papers we all know
Alley oop oop, oop oop oop
He lived way back a long time ago
Alley oop oop, oop oop oop
Well he dont eat nothin but bearcat stew
Alley oop oop, oop oop oop
Oh well this cats name is a-alley oop
Alley oop oop, oop oop oop
Hes the toughest man there is alive
Alley oop
Wears clothes from a wildcats hide
Alley oop
Hes the king of the jungle jive
Look at that caveman go!
Hes got a chauffeur thats a genuine dinosaur
Alley oop oop, oop oop oop
And he can knuckle your head before you count to four
Alley oop oop, oop oop oop
Hes got a big ugly club and a headful of hair
Alley oop oop, oop oop oop
Hes oohhhh eatin grizzly bear
(*laughter*)
Alley oop oop, oop oop oop
Forgot the words!
Hes the toughest man there is alive
Alley oop
Wears clothes from a wildcats hide
Alley oop
Hes the king of the jungle jive
Look at that caveman go!
(*scream*)
He rides through the jungle tearin limbs offa trees
(*scream*)
Alley oop oop, oop oop oop
And knocking great big monsters dead on their knees
Alley oop oop, oop oop oop
Other cats dont bug him cos they know better
Alley oop oop, oop oop oop
cos hes a mean motor scooter and a bad go-getter
Alley oop oop, oop oop oop
Well, uh, hes the toughest man there is alive
Alley oop
Wears clothes from a wildcats hide
Alley oop
Hes a hully gully king of jive
(*laugh*)

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Fat Lenny

Fat lennys gonna walk right into myself
Fat lennys gonna see myself (reflect it back on myself)
Fat lennys gonna lick the shellack off the window sill
And I say fat lennys gonna lick my head off
Stop by my friend fat lenny, I like him a lot (tell him about my buddy)
Hes fat lenny - what
Fat lennys gonna lick the shellack off the window sill
And I said now fat lennys gonna jump up and down (run back down the hill)
And I said now fat lenny knows what he is (to be fat lenny) cause he is fat lenny (hes my buddy)
Hes fat lenny (I know what he is to be fat lenny) cause hes my friend fat lenny
I like fat lenny, I like cause hes my friend fat lenny - fat lenny
What - you know - hes fat lenny - you know
You know hes fat lenny
Fat lennys gonna lick my brain today
Fat lenny doesnt like me anyway
Fat lenny said (my friend) today
Fat lenny
Fat lenny, fat lenny,
Fat lenny, fat lenny, fat fat fat lenny
Fat lenny, fat lenny
Fat lenny, fat lenny, fat fat fat lenny

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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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I remember, I remember - Past and Present after Thomas Hood and William Wordsworth - Lucy

I remember, I remember
the house where I was born
before foreclosure took away
the homestead I had sworn
in good faith, all attest 'tis true,
to leave grandchildren three: -
times change, leave little rest, I rue
that difference to me!

It seems so very long ago
the liberating Yanks
found welcome everywhere they'd go -
though some were pita swanks,
but since the Shah announced 'I ran'
our bearings all at sea
became - time reeled again would ban
all difference for me!

I remember, I remember
the sun porch, now in pawn,
proud flag a flying red, white, blue,
which now hangs so forlorn
Sun, moon spun round each priceless day,
or so I seemed to see,
four bucks a gallon gas I pay -
what difference to me!

My mind thought then nostalgic ease
eternally could last,
all my desires, priorities
seemed sated very fast,
The fever on my brow shoots higher
now Sheiks of Araby,
up ante for crude imports, tire -
what difference to me!

I remember, I remember
before Alaskan oil
had spilled upon once pristine shore,
polluting fauna, soil.
With climate change I'm feeling sore,
note each commodity
continues rising more and more -
what difference to me!

Back then I'd travel aimlessly,
cared not I ran Iraq,
from dawn till dark, from sea to sea
could, rising with the lark,
ignore the cost of gasoline

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Sally Simpson

Outside the house mr. simpson announced
Outside the house mr. simpson announced
That sally couldnt go to the meeting.
That sally couldnt go to the meeting.
He went on cleaning his blue rolls royce
He went on cleaning his blue rolls royce
And she ran inside weeping.
And she ran inside weeping.
She got to her room and tears splashed the picture
She got to her room and tears splashed the picture
Of the new messiah.
Of the new messiah.
She picked up a book of her fathers life
She picked up a book of her fathers life
And threw it on the fire!
And threw it on the fire!
She knew from the start
She knew from the start
Deep down in her heart
Deep down in her heart
That she and tommy were worlds apart,
That she and tommy were worlds apart,
But her mother said never mind your part...
But her mother said never mind your part...
Is to be what youll be.
Is to be what youll be.
The theme of the sermon was come unto me,
The theme of the sermon was come unto me,
Love will find a way,
Love will find a way,
So sally decided to ignore her dad,
So sally decided to ignore her dad,
And sneak out anyway!
And sneak out anyway!
She spent all afternoon getting ready,
She spent all afternoon getting ready,
And decided shed try to touch him,
And decided shed try to touch him,
Maybe hed see that she was free
Maybe hed see that she was free
And talk to her this sunday.
And talk to her this sunday.
She knew from the start
She knew from the start
Deep down in her heart
Deep down in her heart
That she and tommy were worlds apart,
That she and tommy were worlds apart,
But her mother said never mind your part...
But her mother said never mind your part...

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Rat Poison

I got the I got the I got the I got the I got the I got the
(boom boom, boom bah!)
I got the I got the I got the I got the I got the I got the
I got the poison
Rat rat rat rat rat poison
Rat rat rat rat rat rat rat poison
(boom boom, boom bah!)
I got I got I got the poison
I got I got I got the remedy
Rat rat rat rat rat poison
Rat rat rat rat rat rat rat poison
(boom boom, boom bah!)
I got the poison!
(boom boom, boom bah!)
I got the I got the I got the I got the I got the I got the
I got the poison
(boom boom, boom bah!)

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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

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My God Is An Awesome God

My God is an awesome God
My God is an awesome God
My God is an awesome God
My God is an awesome God
And I have my eyes fixed on him today
While I am walking to school
Because God is coming towards me
To greet me
And there is something going on with my mind
But I don't know what my mind is trying to tell me
Or if God is coming to give me a message
Or to walk with me to school
And to make sure that I am safe while I walk to school
My God is an awesome God
My God is an awesome God
My God is an awesome God
My God is an awesome God
He forgives everyone that sins here at home
My God is an awesome God
My God is an awesome God
My God is an awesome God
My God is an awesome God
He lives inside of my heart everyday
Because I made room for God inside of my heart
My God is an awesome God
My God is an awesome God
My God is an awesome God
My God is an awesome God
He will let the sun shine here at home every single day
And I look forward to the sun every single day
My God is an awesome God
My God is an awesome God
My God is an awesome God
My God is an awesome God
Because he is the maker of heaven and earth

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Point Blank

Do you still say your prayers little darlin do you go to bed at night
Prayin that tomorrow, everything will be alright
But tommorows fall in number in number one by one
You wake up and youre dying you dont even know what from
Well they shot you point blank you been shot in the back
Baby point blank you been fooled this time little girl thats a fact
Right between the eyes baby, point blank right between the pretty lies that
They tell
Little girl you fell
You grew up where young girls they grow up fast
You took what you were handed and left behind what was asked
But what they asked baby wasnt right you didnt have to live that life,
I was gonna be your romeo you were gonna be my juliet
These days you dont wait on romeos you wait on that welfare check and on all the pretty things that you cant ever have and on all the promises
That always end up point blank, shot between the eyes
Point blank like little white lies you tell to ease the pain
Youre walkin in the sights, girl of point blank
And its one false move and baby the lights go out
Once I dreamed we were together again baby you and me
Back home in those old clubs the way we used to be
We were standin at the bar it was hard to hear
The band was playin loud and you were shoutin somethin in my ear
You pulled my jacket off and as the drummer counted four
You grabbed my hand and pulled me out on the floor
You just stood there and held me, then you started dancin slow
And as I pulled you tighter I swore Id never let you go
Well I saw you last night down on the avenue
Your face was in the shadows but I knew that it was you
You were standin in the doorway out of the rain
You didnt answer when I called out your name
You just turned, and then you looked away like just another stranger waitin to get blown away
Point blank, right between the eyes
Point blank, right between the pretty lies you fell
Point blank, shot right through the heart
Yea point blank, youve been twisted up till youve become just another part of it
Point blank, youre walkin in the sights
Point blank, livin one false move just one false move away
Point blank, they caught you in their sights
Point blank, did you forget how to love, girl, did you forget how to fight.
Point blank they must have shot you in the head
Cause point blank, bang bang baby youre dead.

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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

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Christmas

Father:
Father:
Did you ever see the faces of children
Did you ever see the faces of children
They get so excited.
They get so excited.
Waking up on christmas morning
Waking up on christmas morning
Hours before the winter suns ignited.
Hours before the winter 1s ignited.
They believe in dreams and all they mean
They believe in dreams and all they mean
Including heavens generosity.
Including heavens generosity.
Peeping round the door
Peeping round the door
To see what parcels are for free
To see what parcels are for free
In curiosity.
In curiosity.
And tommy doesnt know what day it is.
And tommy doesnt know what day it is.
Doesnt know who jesus was or what praying is.
Doesnt know who jesus was or what praying is.
How can he be saved?
How can he be saved?
From the eternal grave.
>from the eternal grave.
Surrounded by his friends he sits so silently,
Surrounded by his friends he sits so silently,
And unaware of everything.
And unaware of everything.
Playing poxy pin ball
Playing poxy pin ball
Picks his nose and smiles and
Picks his nose and smiles and
Pokes his tongue at everything.
Pokes his tongue at everything.
I believe in love
I believe in love
But how can men whove never seen
But how can men whove never seen
Light be enlightened.
Light be enlightened.
Only if hes cured
Only if hes cured
Will his spirits future level ever heighten.
Will his spirits future level ever heighten.
And tommy doesnt know what day it is.
And tommy doesnt know what day it is.

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Rudyard Kipling

Tommy

I went into a public-'ouse to get a pint o' beer,
The publican 'e up an' sez, "We serve no red-coats here."
The girls be'ind the bar they laughed an' giggled fit to die,
I outs into the street again an' to myself sez I:
O it's Tommy this, an' Tommy that, an' "Tommy, go away";
But it's "Thank you, Mister Atkins", when the band begins to play,
The band begins to play, my boys, the band begins to play,
O it's "Thank you, Mister Atkins", when the band begins to play.

I went into a theatre as sober as could be,
They gave a drunk civilian room, but 'adn't none for me;
They sent me to the gallery or round the music-'alls,
But when it comes to fightin', Lord! they'll shove me in the stalls!
For it's Tommy this, an' Tommy that, an' "Tommy, wait outside";
But it's "Special train for Atkins" when the trooper's on the tide,
The troopship's on the tide, my boys, the troopship's on the tide,
O it's "Special train for Atkins" when the trooper's on the tide.

Yes, makin' mock o' uniforms that guard you while you sleep
Is cheaper than them uniforms, an' they're starvation cheap;
An' hustlin' drunken soldiers when they're goin' large a bit
Is five times better business than paradin' in full kit.
Then it's Tommy this, an' Tommy that, an' "Tommy, 'ow's yer soul?"
But it's "Thin red line of 'eroes" when the drums begin to roll,
The drums begin to roll, my boys, the drums begin to roll,
O it's "Thin red line of 'eroes" when the drums begin to roll.

We aren't no thin red 'eroes, nor we aren't no blackguards too,
But single men in barricks, most remarkable like you;
An' if sometimes our conduck isn't all your fancy paints,
Why, single men in barricks don't grow into plaster saints;
While it's Tommy this, an' Tommy that, an' "Tommy, fall be'ind",
But it's "Please to walk in front, sir", when there's trouble in the wind,
There's trouble in the wind, my boys, there's trouble in the wind,
O it's "Please to walk in front, sir", when there's trouble in the wind.

You talk o' better food for us, an' schools, an' fires, an' all:
We'll wait for extry rations if you treat us rational.
Don't mess about the cook-room slops, but prove it to our face
The Widow's Uniform is not the soldier-man's disgrace.
For it's Tommy this, an' Tommy that, an' "Chuck him out, the brute!"
But it's "Saviour of 'is country" when the guns begin to shoot;
An' it's Tommy this, an' Tommy that, an' anything you please;
An' Tommy ain't a bloomin' fool -- you bet that Tommy sees!

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A-Rat-A-Tat-Tat.

'A-rat-a-tat-tat.'
You got it!
'A-rat-a-tat-tat.'
You got it!
'A-rat-a-tat-tat.'
You got it!
'A-rat-a-tat...
Tat-tat-tat.'

No more do I eat fried fat back.
Or smothered pork chops,
To put pounds on my thighs...
Butt or back!
Biscuits are my weakness,
So I ain't touching that.

Neck bones I leave alone.
And other greasy meats,
I don't eat.
I prefer to ignore that,
And them I don't condone!
Too sleazy for me.

'A-rat-a-tat-tat.'
You got it!
'A-rat-a-tat-tat.'
You got it!
'A-rat-a-tat-tat.'
You got it!
'A-rat-a-tat...
Tat-tat-tat.'

I do my best to eat fresh vegetables.
With a prepared fresh salad...
Adding fruits and nutts,
To keep my energy up!

Lots of exercise I do!
And conscious to take naps.
With meditation and deep breathing...
To keep my body sleek.
Everyday of the week!

With a diet less treated by soft drinks,
And preprocessed sweets.
I do what I can to be energized...
And my eyes kept open wide,
No aches and pains I'm going to sigh.

'A-rat-a-tat-tat.'

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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The Castle Of Indolence

The castle hight of Indolence,
And its false luxury;
Where for a little time, alas!
We lived right jollily.

O mortal man, who livest here by toil,
Do not complain of this thy hard estate;
That like an emmet thou must ever moil,
Is a sad sentence of an ancient date:
And, certes, there is for it reason great;
For, though sometimes it makes thee weep and wail,
And curse thy star, and early drudge and late;
Withouten that would come a heavier bale,
Loose life, unruly passions, and diseases pale.
In lowly dale, fast by a river's side,
With woody hill o'er hill encompass'd round,
A most enchanting wizard did abide,
Than whom a fiend more fell is no where found.
It was, I ween, a lovely spot of ground;
And there a season atween June and May,
Half prankt with spring, with summer half imbrown'd,
A listless climate made, where, sooth to say,
No living wight could work, ne cared even for play.
Was nought around but images of rest:
Sleep-soothing groves, and quiet lawns between;
And flowery beds that slumbrous influence kest,
From poppies breathed; and beds of pleasant green,
Where never yet was creeping creature seen.
Meantime, unnumber'd glittering streamlets play'd,
And hurled every where their waters sheen;
That, as they bicker'd through the sunny glade,
Though restless still themselves, a lulling murmur made.
Join'd to the prattle of the purling rills
Were heard the lowing herds along the vale,
And flocks loud bleating from the distant hills,
And vacant shepherds piping in the dale:
And, now and then, sweet Philomel would wail,
Or stock-doves plain amid the forest deep,
That drowsy rustled to the sighing gale;
And still a coil the grasshopper did keep;
Yet all these sounds yblent inclined all to sleep.
Full in the passage of the vale, above,
A sable, silent, solemn forest stood;
Where nought but shadowy forms was seen to move,
As Idless fancied in her dreaming mood:
And up the hills, on either side, a wood
Of blackening pines, aye waving to and fro,
Sent forth a sleepy horror through the blood;
And where this valley winded out, below,
The murmuring main was heard, and scarcely heard, to flow.

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Objectified

All beautiful things meet their demise
Flowers in bloom surely will die
Frozen are the wings of the dead butterfly
Because all beautiful things meet their demise

All beautiful things meet their demise
Clouds of gray spoil the light of the skies
The ocean must fall in order to rise
Because all beautiful things meet their demise

All beautiful things meet their demise
I knew I was doomed when you first said, “Hi.”
Two ships in the night, we were bound to collide
Because all beautiful things meet their demise

All beautiful things meet their demise
Four months can pass in the blink of an eye
We lose ourselves without having to try
Because all beautiful things meet their demise

All beautiful things meet their demise
The simplest words become hard to define
You can’t see the truth when you cover your eyes
Because all beautiful things meet their demise

All beautiful things meet their demise
Your pay the price to take this ride
Slowly, you find that you’re living a lie
Because all beautiful things meet their demise

All beautiful things meet their demise
Pictures of us will fade over time
We become strangers in a world so wide
Because all beautiful things meet their demise

All beautiful things meet their demise
You’ll keep on searching for what you won’t find
You’ll lose your faith while I lose my mind
Because all beautiful things meet their demise

All beautiful things meet their demise
Sometimes your morals get left behind
It will be too late when you realize
Because all beautiful things meet their demise

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