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I've Been Waiting For You

I've been looking
For a woman
To save my life
Not to beg, or to borrow
A woman
With the feeling
Of losing once or twice
Who knows how it could be tomorrow?
I've been waiting for you
And you've been coming for me
For such a long time now
Such a long time now
A woman
With the feeling
Of losing once or twice
Who knows how it could be tomorrow?
I've been waiting for you
And you've been coming for me
For such a long time now
Such a long time now

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Save Your Love

You were my woman and I was your man
You were good lookin
You know I was your biggest fan
You tried to teach me things I already knew
When you couldnt reach me
Girl, I think you knew that we were through
Baby, its over
Save your love, save it, save it
Save your love, save it, save it
Save your love, I dont want it (save your love)
Save it for someone else (save it, save it)
Save your love, I dont need it (save your love)
Put it back on the shelf
For somebody else
You said you love me, you may have been right
But hangin above me, girl,
You know that we would fight
You tried to change me and mess up my mind
Now, dont rearrange me
And girl, you know thats why youre left behind
Its over now
Save your love, save it, save it
Save your love, save it, save it
Save your love, I dont want it (save your love)
Save it for someone else (save it, save it)
Save your love, I dont need it (save your love)
Put it back on the shelf
For somebody else
Girl, you know its over
We had some good times
But now theyre gone, so long
Save your love, save it, save it
Save your love, save it, save it
Save your love, I dont want it (save your love)
Save it for someone else (save it, save it)
Save your love, I dont need it (save your love)
Put it back on the shelf
For somebody else
Save your love, I dont want it (save your love)
Save it for someone else (save it, save it)
Save your love, I dont need it (save your love)
Girl, I dont want it, save your love
Save your love, I dont want it (save your love)
Save it for someone else (save it, save it)
Save your love, I dont need it (save your love)
Girl, I dont want it, save your love
Save your love, I dont want it (save your love)
Save it for someone else (save it, save it)
Save your love, I dont need it (save your love)
Girl, I dont want it, save your love

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Don't Beg Me To Keep On It

Don't beg me to keep on it.
Don't you beg me to keep on it,
No, don't beg me to keep on it.
Please don't beg me to keep on it!

Don't you follow me or try to spy.
To see if I keep on it.
Or...
Try to catch me in a lie.
To see if I keep on it.

Don't beg me to keep on it.
Don't you beg me to keep on it,
No, don't beg me to keep on it.
Please don't beg me to keep on it!

Don't you follow me or try to spy.
To see if I keep on it.
Or...
Try to catch me in a lie.
To see if I keep on it,
Until I get back in bed.
To finish what I said I would do.

In those days we were those newlyweds,
You begged me to keep on it.
In those days we were unseparable...
You begged me to keep on it.
Yes you begged me to keep on it.
But today we are not new at this at all.
And to roleplay is your dream.
To see,
If I remember.
But...
Don't beg me to keep on it.
Don't you beg me to keep on it,
No, don't beg me to keep on it.
Please don't beg me to keep on it!
No!
Don't beg me to keep on it.
Don't you beg me to keep on it,
No, don't beg me to keep on it.
Please don't beg me to keep on it!
No!

Why do I feel...
You want more from me than I can leave?

No!
Don't beg me to keep on it.

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David Bowie

Looking for Water

Still the leaves are spinning 'round
Take my hand as we go down, and down, and down
Looking for water
Well, our light's gone in a New York minute
Don't know about you, but my heart's not in it
(Looking, looking, looking)
I'm looking for water
I'm looking for water
(Looking, looking, looking)
I can't breathe the air, can't raise a fact
'Cause all we've got left is a beat in the night, and I'm
(Looking for water)
Looking for water
(Looking for water)
(Looking, looking)
Take my hand as we go down, and down
Leave it all behind, nothing could be found
(I'm, looking for water)
I'm looking for water
(Looking for water)
(Looking, looking)
(I, looking for water)
Looking everywhere
(Looking for water)
Looking here and there
(I'm looking for water)
I'm looking for water
(Looking for water)
(Looking, looking)
I can't live in this cage, I can't eat this candy
The edge of the earth to the spin in my head
The look in your eyes and never means never
The dawn's early light, baby, dark is forever
(Looking, looking)
(Looking, looking)
(Looking for water)
(Looking, looking)
I
(Looking for water)
(Looking for water)
(Looking, looking)
I
(Looking for water)
(Looking for water)
(Looking, looking)
I
(Looking for water)
(Looking for watter)
Looking, looking)
I

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song performed by David Bowie, music by David Bowie, lyrics by from RealityReport problemRelated quotes
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

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Save Me

(with dave mason)
Save me...
Save me...
Shes not a star
But shell go far
So shes telling all her friends
Shes only young and just begun
To see clearly
In her eyes
Nothing turned out like she thought it would
(thought it would)
And I was waiting right there where she stood
She said: save me
From this wicked world Im livin in
She said: save me
I dont wanna lose, I wanna win
I cant run and I cant hide
(cant run, cant hide away)
I cant run and I cant hide
(cant run, cant hide away)
She said: save me
(save me, girl)
She said save me...
Ooh!
All on her own
Shes on the phone
So sincerely...
Ooh... makin a joke
Theres no reply
She wonders why
And pays the rent one more time
Everybodys out there on the take
(on the take)
And I was there when she began to brake
(she began to brake)
She said: save me
From this wicked world Im livin in
(save me, baby)
She said: save me
I dont wanna lose, I wanna win
I cant run and I cant hide
(cant run, cant hide away)
I cant run and I cant hide
(cant run, cant hide away)
She said: save me
(save me, girl)
She said save me...
Ooh!
Everybodys out there on the take
(on the take)

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Beg For Your Love

Written by: eddie schwartz
You know I want your love so bad
I dont know how to show it
Before I tear myself apart
Let me suggest a place to start
Ill beg for your love
Ill beg for your love
Ill get down on my knees
You know I need your love
Ill beg for your love
Ill just say pretty please
I say I want your love so bad
Ill beg steal or borrow
Well talk is easy; cause talk is cheap
The price for your loves a little steep
Ill beg for your love
Ill beg for your love
Ill get down on my knees
You know I need your love
Ill beg for your love
Ill just say pretty please
You know I want your love so bad
That I can almost taste it
But gimmie gimmie never gets
And I aint got what I want yet
Ill beg for your love
Ill beg for your love
Ill get down on my knees
You know I need your love
Ill beg for your love
Ill just say pretty please
Ill beg for your love
Ill beg for your love
Ill get down on my knees
You know I need your love
Ill beg for your love
Ill just say pretty please
Ill beg for your love
Ill beg for your love
Ill get down on my knees
You know I need your love
Ill beg for your love
Ill just say pretty please

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken itI never saw the like:

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Slipping Away

i keep slipping away
i keep slipping away
i keep slipping
i keep slipping
i keep slipping away
myself keeps slipping away
myself keeps slipping away
myself keeps slipping away
myself keeps slipping away
myself keeps slipping away
myself keeps slipping away
myself keeps slipping away
myself keeps slipping away
myself keeps slipping away
myself keeps slipping away
myself keeps slipping away
myself keeps slipping away
myself keeps slipping away
tried to save myself
tried to save myself
tried to save myself
tried to save myself
tried to save myself
tried to save myself
tried to save myself
tried to save myself
tried to save myself
tried to save myself
tried to save myself
tried to save myself
tried to save myself
tried to save myself
tried to save myself
tried to save
tried to save myself
tried to save myself
tried to save myself
tried to save myself
tried to save
tried to save
tried to save myself
tried to save myself
tried to save myself
tried to save myself
tried to save
save
save
keep slipping
save
keep slipping

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You

You - youre wasting my time
You - youre wasting my time
Were making music were doing fine
Were making music were doing fine
Then a slap in the face takes me back to the starting line
Then a slap in the face takes me back to the starting line
You - your wasting my life
You - your wasting my life
You cant lose what youve already lost
You cant lose what youve already lost
Your arms are open but your legs are crossed
Your arms are open but your legs are crossed
Save me - save me
Save me - save me
Im going down for the third time
Im going down for the third time
Save me - save me
Save me - save me
Somebody throw me my next line
Somebody throw me my next line
Too hot for me to handle
Too hot for me to handle
So cold Im getting nowhere
So cold Im getting nowhere
Pinch me to see if Im sleeping
Pinch me to see if Im sleeping
Maybe its only a nightmare
Maybe its only a nightmare
You - why did it have to be you?
You - why did it have to be you?
Of all those girls I had to choose
Of all those girls I had to choose
You win and I lose
You win and I lose
You - you with the poisonous eyes
You - you with the poisonous eyes
One look and Im hooked
One look and Im hooked
One touch and my goose is cooked
One touch and my goose is cooked
Save me - save me
Save me - save me
Im going down for the third time
Im going down for the third time
Save me - save me
Save me - save me
Somebody throw me a life line
Somebody throw me a life line
Too late to change partners
Too late to change partners

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Looking At The Many People

Looking at the many people.
Looking at the many people,
Waiting to live a life they like.
The many people...
In a luxurized hype.

Looking at the people,
Waiting for a life they like.
The many people.
Looking at the many people.

Embittered and lamenting.
Looking at the many people.
Living venting and resenting.
Looking at the many people.

Condescending and offending.
Looking at the many people.
Expressing their sad sentiments...
And in their minds they're losing sense.

Looking at the many people.
Looking at the many people.
Waiting for a life they like.
The many people.
Looking at the many people.

Looking at the many people.
Waiting for a life they like.
The many people.
Looking at the many people.

Embittered and lamenting.
Looking at the many people.
Living venting and resenting.
Looking at the many people.

Condescending and offending.
Looking at the many people.
Expressing their sad sentiments...
And in their minds they're losing sense.

Looking at the many people.
Looking at the many people.
Expressing their sad sentiments...
And in their minds they're losing sense.

Looking at the many people.
Looking at the many people.
Expressing their sad sentiments...

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Avon's Harvest

Fear, like a living fire that only death
Might one day cool, had now in Avon’s eyes
Been witness for so long of an invasion
That made of a gay friend whom we had known
Almost a memory, wore no other name
As yet for us than fear. Another man
Than Avon might have given to us at least
A futile opportunity for words
We might regret. But Avon, since it happened,
Fed with his unrevealing reticence
The fire of death we saw that horribly
Consumed him while he crumbled and said nothing.

So many a time had I been on the edge,
And off again, of a foremeasured fall
Into the darkness and discomfiture
Of his oblique rebuff, that finally
My silence honored his, holding itself
Away from a gratuitous intrusion
That likely would have widened a new distance
Already wide enough, if not so new.
But there are seeming parallels in space
That may converge in time; and so it was
I walked with Avon, fought and pondered with him,
While he made out a case for So-and-so,
Or slaughtered What’s-his-name in his old way,
With a new difference. Nothing in Avon lately
Was, or was ever again to be for us,
Like him that we remembered; and all the while
We saw that fire at work within his eyes
And had no glimpse of what was burning there.

So for a year it went; and so it went
For half another year—when, all at once,
At someone’s tinkling afternoon at home
I saw that in the eyes of Avon’s wife
The fire that I had met the day before
In his had found another living fuel.
To look at her and then to think of him,
And thereupon to contemplate the fall
Of a dim curtain over the dark end
Of a dark play, required of me no more
Clairvoyance than a man who cannot swim
Will exercise in seeing that his friend
Off shore will drown except he save himself.
To her I could say nothing, and to him
No more than tallied with a long belief
That I should only have it back again
For my chagrin to ruminate upon,
Ingloriously, for the still time it starved;

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Tomorrow And Tonight

Paul Stanley
Ow
Everybody's high when the week is through
Livin' like they wish they could
Listenin' to the teacher, bosses like a preacher
Ain't never done nobody good
Are you happy, baby, I've been waitin'
Are you ready, it's quarter to ten
Are you comin', don't be hesitatin'
'Cause I'm headed for the city again
Tomorrow and tonight, tomorrow and tonight
We can rock all day, we can roll all night
Tomorrow and tonight, tomorrow and tonight
Oh yeah, aha, alright
Workin' like a dog, baby all day long
Tell you what I'm gonna do
Take it in the cellar, let me be your fella
I'm gonna teach you somethin' new
Are you happy, baby, I've been waitin'
Are you ready, to do it again
Are you comin', now don't be hesitatin'
'Cause you know the night is never gonna end
Tomorrow and tonight, tomorrow and tonight
We can rock all day, we can roll all night
Tomorrow and tonight, tomorrow and tonight
Oh yeah, aha, alright, whoo
I love it
Tomorrow and tonight, tomorrow and tonight
We can rock all day, we can roll all night
Mmm, tomorrow and tonight, tomorrow and tonight
Oh yeah, aha, alright
Tomorrow and tonight, tomorrow and tonight
We can rock all day, we can roll all night
Tomorrow and tonight, tomorrow and tonight
We can rock all day, we can roll all night
Tomorrow, tomorrow, whoo, tonight
We can rock all day, we can roll all night
Tomorrow, (tonight), tomorrow, tonight
We can rock all day, we can roll all night
Tomorrow, (come on), tomorrow, tonight, whoo
We can rock all day, we can roll all night
Tomorrow, (come on), tomorrow, tonight, whoo
We can rock all day, we can roll all night
Tomorrow and tonight, tomorrow and tonight
We can rock all day, we can roll all night
Tomorrow and tonight, tomorrow and tonight
We can rock all day, we can roll all night
Tomorrow, whoo, tomorrow, tonight, yeah
We can rock all day, we can roll all night
Tomorrow, tomorrow, yeah, tonight, yeah

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Tomorrow & Tonight

Ow
Everybodys high when the week is through
Every night they wish they could
Listenin to the teacher, bosses and the preachers
Aint never done nobody good
Are you happy, baby, Ive been waitin
Are you ready, its quarter to ten
Are you comin, dont be hesitatin
cause were headed for the city again
Tomorrow and tonight, tomorrow and tonight
We can rock all day, we can roll all night
Tomorrow and tonight, tomorrow and tonight
Oh yeah, aha, alright
Workin like a dog, baby all day long
Tell you what Im gonna do
Take it in the cellar, let me be your fella
Im gonna teach you somethin new
Are you happy, baby, Ive been waitin
Are you ready, to do it again
Are you comin, now dont be hesitatin
cause you know the night is never gonna end
Tomorrow and tonight, tomorrow and tonight
We can rock all day, we can roll all night
Tomorrow and tonight, tomorrow and tonight
Oh yeah, aha, alright, whoo
I love it
Tomorrow and tonight, tomorrow and tonight
We can rock all day, we can roll all night
Mmm, tomorrow and tonight, tomorrow and tonight
Oh yeah, aha, alright
Tomorrow and tonight, tomorrow and tonight
We can rock all day, we can roll all night
Tomorrow and tonight, tomorrow and tonight
We can rock all day, we can roll all night
Tomorrow, tomorrow, whoo, tonight
We can rock all day, we can roll all night
Tomorrow, (tonight), tomorrow, tonight
We can rock all day, we can roll all night
Tomorrow, (come on), tomorrow, tonight, whoo
We can rock all day, we can roll all night
Tomorrow, (come on), tomorrow, tonight, whoo
We can rock all day, we can roll all night
Tomorrow and tonight, tomorrow and tonight
We can rock all day, we can roll all night
Tomorrow and tonight, tomorrow and tonight
We can rock all day, we can roll all night
Tomorrow, whoo, tomorrow, tonight, yeah
We can rock all day, we can roll all night
Tomorrow, tomorrow, yeah, tonight, yeah
We can rock all day, we can roll all night

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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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