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Cinderella Search

(derek dick, mark kelly, steve rothery, peter trewavas, ian mosley)
On the rebound, fumbling all the lines
The light at the end of the bottle - alcoholicalphabet
Through the looking glass
The proof in my own reflection
Five senses down and reeling on the cinderella search
On the rebound, fumbling all the lines
Decay on the vertical hold with a horizontal aim
Conversation needs translation
Three dimensions down dissolving on the cinderella search
Cinderella search
On the rebound, fumbling all the lines
Dreaming bartenders, bourbon and saxophone
Out of luck, out of charm, out the game of rejections in a cigarette city
Only courting the homing of direction on the cinderella search
Cinderella search
But the samaritan of the heartbroken, heartbroken
Swam through the nicotine seize, and we exchanged the kiss of life
Resurrection in a trance, the model, the grail, in a marquee of promises I touched the dream
I hold the dream, I have the dream
To end the cinderella search
Cinderella search, oh no more, no more!
Exposing bedside manners on a work extension
Awaiting development with paranoid polaroid eyes
Polaroid eyes
The footman memorised the number
But the prince still holds both the slippers
And would you leave a palace for a bedsit
And canterbury tales
Canterbury tales?
Maybe it was infatuation or the thrill of the chase
Maybe you were always beyond my reach and my heart was playing safe
But was that love in your eye I saw or the reflection of mine?
Give me time, wont you give me that time!
Welcome back to the circus
Welcome back to the circus
Welcome back to the circus
I always use the cue sheets but never the nets
Always the cue sheets but never the nets
Never the nets, never the nets, nevertheless, nevertheless, nevertheless, nevertheless, nevertheless
Welcome back to the circus!

song performed by Marillion
Added by Lucian Velea
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Peter Bell, A Tale

PROLOGUE

There's something in a flying horse,
There's something in a huge balloon;
But through the clouds I'll never float
Until I have a little Boat,
Shaped like the crescent-moon.

And now I 'have' a little Boat,
In shape a very crescent-moon
Fast through the clouds my boat can sail;
But if perchance your faith should fail,
Look up--and you shall see me soon!

The woods, my Friends, are round you roaring,
Rocking and roaring like a sea;
The noise of danger's in your ears,
And ye have all a thousand fears
Both for my little Boat and me!

Meanwhile untroubled I admire
The pointed horns of my canoe;
And, did not pity touch my breast,
To see how ye are all distrest,
Till my ribs ached, I'd laugh at you!

Away we go, my Boat and I--
Frail man ne'er sate in such another;
Whether among the winds we strive,
Or deep into the clouds we dive,
Each is contented with the other.

Away we go--and what care we
For treasons, tumults, and for wars?
We are as calm in our delight
As is the crescent-moon so bright
Among the scattered stars.

Up goes my Boat among the stars
Through many a breathless field of light,
Through many a long blue field of ether,
Leaving ten thousand stars beneath her:
Up goes my little Boat so bright!

The Crab, the Scorpion, and the Bull--
We pry among them all; have shot
High o'er the red-haired race of Mars,
Covered from top to toe with scars;
Such company I like it not!

[...] Read more

poem by William Wordsworth
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Rebound

And they dont come any closer. and they dont come
Anyway.
On the rebound on the rebound on the rebound on the
Rebound on the rebound on the rebound on the rebound
On the rebound on the rebound on the rebound on the
Rebound on the rebound on the rebound on the rebound on
The rebound on the rebound
The chronicle hasnt changed for fifteen years. the
Apathetic outnumber volunteers. the grime on buildings is
Just a memory. a shining face on the old academy.
Have a lovely day. aftermath okay. have a lovely day. wipe
Your tears away.
The gaze of laughter, an echo or a scream. the
Reinforcement of someone elses theme. turn and walk
Without ever saying no. light and dark in an even ratio.
Have a lovely day. aftermath okay. have a lovely day. wipe
Your tears away.
On the rebound on the rebound on the rebound on the
Rebound on the rebound on the rebound on the rebound
On the rebound
And they dont come any closer. and they dont come
Anyway.
On the rebound on the rebound on the rebound on the
Rebound on the rebound on the rebound on the rebound
On the rebound on the rebound on the rebound on the
Rebound on the rebound on the rebound on the rebound on
The rebound on the rebound
On the rebound on the rebound on the rebound on the
Rebound on the rebound on the rebound on the rebound
On the rebound on the rebound on the rebound on the
Rebound on the rebound on the rebound on the rebound on
The rebound on the rebound

song performed by Human League
Added by Lucian Velea
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Peter Bell The Third

BY MICHING MALLECHO, Esq.

Is it a party in a parlour,
Crammed just as they on earth were crammed,
Some sipping punch-some sipping tea;
But, as you by their faces see,
All silent, and all-damned!

Peter Bell, by W. Wordsworth.

Ophelia.-What means this, my lord?
Hamlet.-Marry, this is Miching Mallecho; it means mischief.
~Shakespeare.

PROLOGUE
Pet er Bells, one, two and three,
O'er the wide world wandering be.-
First, the antenatal Peter,
Wrapped in weeds of the same metre,
The so-long-predestined raiment
Clothed in which to walk his way meant
The second Peter; whose ambition
Is to link the proposition,
As the mean of two extremes-
(This was learned from Aldric's themes)
Shielding from the guilt of schism
The orthodoxal syllogism;
The First Peter-he who was
Like the shadow in the glass
Of the second, yet unripe,
His substantial antitype.-
Then came Peter Bell the Second,
Who henceforward must be reckoned
The body of a double soul,
And that portion of the whole
Without which the rest would seem
Ends of a disjointed dream.-
And the Third is he who has
O'er the grave been forced to pass
To the other side, which is,-
Go and try else,-just like this.
Peter Bell the First was Peter
Smugger, milder, softer, neater,
Like the soul before it is
Born from that world into this.
The next Peter Bell was he,
Predevote, like you and me,
To good or evil as may come;
His was the severer doom,-

[...] Read more

poem by Percy Bysshe Shelley
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The peter-bird

Out of the woods by the creek cometh a calling for Peter,
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that strange crying for Peter,
Over the meadows that call is aye and forever repeated.
So let me tell you the tale, when, where, and how it all happened,
And, when the story is told, let us pay heed to the lesson.

Once on a time, long ago, lived in the State of Kentucky
One that was reckoned a witch--full of strange spells and devices;
Nightly she wandered the woods, searching for charms voodooistic--
Scorpions, lizards, and herbs, dormice, chameleons, and plantains!
Serpents and caw-caws and bats, screech-owls and crickets and adders--
These were the guides of that witch through the dank deeps of the forest.
Then, with her roots and her herbs, back to her cave in the morning
Ambled that hussy to brew spells of unspeakable evil;
And, when the people awoke, seeing that hillside and valley
Sweltered in swathes as of mist--"Look!" they would whisper in terror--
"Look! the old witch is at work brewing her spells of great evil!"
Then would they pray till the sun, darting his rays through the vapor,
Lifted the smoke from the earth and baffled the witch's intentions.

One of the boys at that time was a certain young person named Peter,
Given too little to work, given too largely to dreaming;
Fonder of books than of chores, you can imagine that Peter
Led a sad life on the farm, causing his parents much trouble.
"Peter!" his mother would call, "the cream is a'ready for churning!"
"Peter!" his father would cry, "go grub at the weeds in the garden!"
So it was "Peter!" all day--calling, reminding, and chiding--
Peter neglected his work; therefore that nagging at Peter!

Peter got hold of some books--how, I'm unable to tell you;
Some have suspected the witch--this is no place for suspicions!
It is sufficient to stick close to the thread of the legend.
Nor is it stated or guessed what was the trend of those volumes;
What thing soever it was--done with a pen and a pencil,
Wrought with a brain, not a hoe--surely 't was hostile to farming!

"Fudge on all readin'!" they quoth; or "that's what's the ruin of
Peter!"

So, when the mornings were hot, under the beech or the maple,
Cushioned in grass that was blue, breathing the breath of the blossoms,
Lulled by the hum of the bees, the coo of the ring-doves a-mating,
Peter would frivol his time at reading, or lazing, or dreaming.
"Peter!" his mother would call, "the cream is a'ready for churning!"
"Peter!" his father would cry, "go grub at the weeds in the garden!"
"Peter!" and "Peter!" all day--calling, reminding, and chiding--
Peter neglected his chores; therefore that outcry for Peter;
Therefore the neighbors allowed evil would surely befall him--
Yes, on account of these things, ruin would come upon Peter!

[...] Read more

poem by Eugene Field
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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.

Sir Peter

So-
What are their names?

John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-

Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?

John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?

Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.

John Curzon

going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

[...] Read more

poem by William Morris
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Now I'm Following You, Part 2

Let's dance, you can do a little two-step
I'll go anywhere that you step to, 'cause I'm following you.
My feet might be falling out of rhythm,
Don't know what I'm doing with them, but I know I'm following you.
Unlikely as it is to me, on the floor with two left feet
Let's boogie woogie till our hearts skip a beat, but who's counting?
Encore, once again around the dance floor
Romance is in the picture too, now I'm following you.
(Spoken:) Take it away, boys.
On the run.
Be the one.
On the run.
Spoken:
Yeah.
[Calling Dick Tracy, calling Dick Tracy]
[Come here Tracy, this is Sam, what are you doing up there?]
I'll tell ya.
[Calling Dick Tracy, calling Dick Tracy]
[Do you read me, Tracy?]
[To tell you the truth Tracy, I don't know.]
Find out.
An unexamined life is not worth living.
(Spoken:) Come over here!
Let's dance, you can do a little two-step
I'll go anywhere that you step to, 'cause I'm following you.
Encore, once again around the dance floor
Romance is in the picture too, now I'm following you.
But who's counting?
Spoken:
[Ten million, twenty million, thirty million]
What about Dick Tracy?
[Forty million]
Dick, that's an interesting name.
[Fifty million]
Dick Dick [Sixty million] Dick
Dick Dick Dick Dick Dick Dick Dick, [Seventy million], Dick,
Dick Dick Dick Dick Dick Dick [Eighty million], Dick Dick Dick
Dick Dick Dick Dick Dick Dick Dick
[Ninety million.]
Dick.
(Spoken:) My bottom hurts just thinking about it.
Unlikely as it is to me, on the floor with two left feet
Let's boogie woogie till our hearts skip a beat, but who's counting?
Encore, once again around the dance floor
Romance is in the picture too, now I'm following you.
(Spoken:) Would you knock it off please? Thank you

song performed by Madonna
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Wonderful (Remix) (Feat. Ja Rule & R

Wonderful (Remix)?
(Featuring R. Kelly and Ja Rule)
(Intro- Harmony: R. Kelly)
Huuuummmha, ha, ha, huuummm.
Oh, oh, oh, oh, ohhhh!
Oh, oh, oh, oh!
Oh, oh, oh, oh, ohhhh!
Oh, oh, oh, oh!
(Chorus: R. Kelly and Ashanti)
(R. Kelly:) If it wasnt for the money, cars and movies stars and jewels
And all these things I got, I wonder, hey.
Would you still want me (Ashanti: Want you)?
Would you still be calling me (Ashanti: Still calling you)?
You be loving me (Ashanti: Ill be loving you, uhhh-uhhh-uhhh-uhhh)?
(Rap: Ja Rule: Verse 1)
Wanna keep you flawed with no dough?
Pimpin aint easy. Trust me I know.
When gangstas and hos,
Go, go, go, go, go, go together like chinchilla and bad weather,
Im good but been better.
All my bros, chedda and glamorous things, copped a few cars.
A crib with a east and west wing.
Cause this is how Im livin and yall women know the secrets of how to get it and keep it, how to prey on my weakness,
Cause I want the P-U-S-S-Y.
Got a lotta niggaz wonderin it aint just I,
Gotta keep ya cash comin and that's on my life.
If it wasnt for the money and the things I got,
Shit, she probably wouldnt like me.
But I keep her and Irv and Jeffrey quite icy
Sip seraphin.
Who doesnt like me and the Murderous I-N-C?
(Chorus: R. Kelly and Ashanti)
(R. Kelly:) If it wasnt for the money, cars and movies stars and jewels
And all these things I got, I wonder, hey.
Would you still want me (Ashanti: Want you)?
Would you still be calling me (Ashanti: Still calling you)?
You be loving me (Ashanti: Ill be loving you, uhhh-uhhh-uhhh-uhhh)?
(Rap: Ja Rule [and R. Kelly]: Verse 2)
I wonder why love is about money
and why you wanna take it all from me?
Honey,
My life is dark but its lovely.
Crimes, cars, cribs.
Aint that right Kelly
(R. Kelly: Oh, oh, oh, oh, oh, ohhhh!)?
Yall bitches dont know,
Money aint a thang.
Mami need a lil change,
Girl, Im pitchin quarters.
Closest to the arches but live in a fortress.

[...] Read more

song performed by Ashanti
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I Saw It Myself (Short Verse Drama)

Dramatis Personae: Adrian, his wife Ester, his sisters Rebecca and Johanna, his mother Elizabeth, the high priest Chiapas, the disciple Simon Peter, the disciple John, Mary Magdalene, worshipers, priests, two angels and Jesus Christ.

Act I

Scene I.- Adrian’s house in Jerusalem. Adrian has just returned home after a business journey in Galilee, in time to attend the Passover feast. He sits at the table with his wife Ester and his sisters, Rebecca and Johanna. It’s just before sunset on the Friday afternoon.

Adrian. (Somewhat puzzled) Strange things are happening,
some say demons dwell upon the earth,
others angelic beings, miracles take place
and all of this when they had put a man to death,
had crucified a criminal. Everybody knows
the cross is used for degenerates only!

Rebecca. (With a pleasant voice) Such harsh words used,
for a good, a great man brother?
They say that without charge
he healed the sick, brought back sight,
cured leprosy, even made some more food,
from a few fishes and loafs of bread…

Adrian. (Somewhat harsh) They say many things!
That he rode into Jerusalem
to be crowned as the new king,
was a rebel against the state,
even claimed to be
the very Son of God,
now that is blasphemy
if there is no truth to it!

Johanna. I met him once.
He’s not the man
that you make him, brother.
There was a strange tranquilly to Him.
Some would say a divine presence,
while He spoke of love that is selfless,
visited the sick, the poor
and even the destitute, even harlots.

Adrian. (Looks up) There you have it!
Harlots! Tax collecting thieves!
A man is know by his friends,
or so they say and probably
there is some truth to it.

Ester. Husband, do not be so quick to judge.
I have seen Him myself, have seen
Roman soldiers marching Him to the hill
to take His life, with a angry crowd
following and mocking Him.

[...] Read more

poem by Gert Strydom
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The Borough. Letter XXII: Peter Grimes

Old Peter Grimes made fishing his employ,
His wife he cabin'd with him and his boy,
And seem'd that life laborious to enjoy:
To town came quiet Peter with his fish,
And had of all a civil word and wish.
He left his trade upon the sabbath-day,
And took young Peter in his hand to pray:
But soon the stubborn boy from care broke loose,
At first refused, then added his abuse:
His father's love he scorn'd, his power defied,
But being drunk, wept sorely when he died.

Yes! then he wept, and to his mind there came
Much of his conduct, and he felt the shame,--
How he had oft the good old man reviled,
And never paid the duty of a child;
How, when the father in his Bible read,
He in contempt and anger left the shed:
"It is the word of life," the parent cried;
--"This is the life itself," the boy replied;
And while old Peter in amazement stood,
Gave the hot spirit to his boiling blood:--
How he, with oath and furious speech, began
To prove his freedom and assert the man;
And when the parent check'd his impious rage,
How he had cursed the tyranny of age,--
Nay, once had dealt the sacrilegious blow
On his bare head, and laid his parent low;
The father groan'd--"If thou art old," said he,
"And hast a son--thou wilt remember me:
Thy mother left me in a happy time,
Thou kill'dst not her--Heav'n spares the double-crime."

On an inn-settle, in his maudlin grief,
This he revolved, and drank for his relief.

Now lived the youth in freedom, but debarr'd
From constant pleasure, and he thought it hard;
Hard that he could not every wish obey,
But must awhile relinquish ale and play;
Hard! that he could not to his cards attend,
But must acquire the money he would spend.

With greedy eye he look'd on all he saw,
He knew not justice, and he laugh'd at law;
On all he mark'd he stretch'd his ready hand;
He fish'd by water, and he filch'd by land:
Oft in the night has Peter dropp'd his oar,
Fled from his boat and sought for prey on shore;
Oft up the hedge-row glided, on his back

[...] Read more

poem by George Crabbe
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Cinderella

Written by j. kimball and d. vidal, 1984
Found on perspective.
I was out last night having a ball
And comin home, I wasnt thinkin nothin at all
And there on the sidewalk what did I see
A little glass slipper starin back at me
Cinderella (cinderella)
Well Im not superstitious but Im smarter than I seem
And I knew it was love, if you know what I mean
When I saw that slipper it occurred to me
The shoe fit her and she fit me
Cinderella (cinderella)
Cinderella (cinderella)
When I find her it will be
A fairy tale for her and me
I will never let her go
Cinderella
Now the other girls hold no fascination for me
I just think of her wherever she may be
I will search my whole life through
cause no one else will ever do
Cinderella (cinderella)
Cinderella (cinderella)
When I find her it will be
A fairy tale for her and me
I will never let her go
She will give my heart a home
Until that day Ill be alone
With just a slipper and a dream
Cinderella (cinderella)
Cinderella (cinderella)
Oo (cinderella)
Cinderella (cinderella)

song performed by America
Added by Lucian Velea
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69

Dick meets jane and a fire starts
Jane leaves dick and it breaks his heart
Dick asked jane, whyd you leave me?
Cause youre not dangerous, rough or sleazy
Now dicks dangerous
Now dicks rough
Now dicks sleazy
Nice guy dick dont live here anymore
Dick bought a swanky love pad down by the shore
Chorus
Hes going prime time
Online
69
All the girls come around to get dick
They all adore him now cause he acts like a prick
Each one tries to tie dick down
Dick never falls in love, on the girls start coming round
Dick dont fall for their sweetness
He knows their weakness
Dick knows a secret
Secret is dick leased himself a nice car
Girls like car
Girls like dick
Dick scores
Chorus
Solo
Suddenly jane wants back in dicks life
cause jane hears dicks a popular guy
Jane looks good, dick takes her home
Dick kicks hers out after he gets his bone
Now jane wants him
Now jane needs him
Now jane loves him
Jane loves dick now that she got the heave ho
Jane got what she wanted
Dick aint a nice guy no more
Chorus
Spoken by woman: but I want dick!
Solo

song performed by Poison
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Kelly's Conversion

KELLY the Ranger half opened an eye
To wink at the Army passing by,
While his hot breath, thick with the taint of beer,
Came forth from his lips in a drunken jeer.
Brown and bearded and long of limb
He lay, as the Army confronted him
And, clad in grey, one and all did pray
That his deadly sins might be washed away—
But Kelly stubbornly answered ‘Nay.'
Then the captain left him in mild despair,
But before the music took up its blare
A pale-faced lassie stepped out and spoke—
A little sad girl in a sad grey cloak—
‘Rise up, Kelly! your work's to do:
Kelly, the Saviour's a-calling you!'
He strove to look wise; rubbed at his eyes;
Looked down at the ground, looked up at the skies;
And something that p'r'aps was his conscience stirred:
He seemed perplexed as again he heard
The girl with the garments of saddest hue
Say, ‘Kelly, the Saviour's a-calling you!'
He got on his knees and thence to his feet,
And stumbled away down the dusty street;
Contrived to cadge at the pub a drink,
But still in his ear the glasses chink
And jingle only the one refrain,
Clear as the lassie's voice again:
‘Kelly, Kelly, come here to me!
Kelly the Rager, I've work for thee!'
He trembled, and dropped the tumbler, and slopped
The beer on the counter: the barman stopped,
With a curious eye on his haggard face.
‘Kelly, old fellow! you're going the pace.
Don't you fancy it's time to take
A pull on yourself—put your foot on the brake?
You'll have the horrors, without a doubt,
This time next week, if you don't look out.'
But he didn't—he sobered himself that night:
‘That time next week' he was nearly right:
Yet still at the mill, though he'd stopped the grog,
As the saw bit into the green pine log,
The wood shrieked out to him in its pain
A fragment caught of the same refrain,
As the swift teeth cut and the sawdust flew—
‘Kelly, Kelly, I've work for you!'

Then the seasons fell and the floods came down
And laid the dust in the frightened town.
No more the beat of hoofs and feet
Was heard the length of the crooked street;

[...] Read more

poem by Barcroft Henry Thomas Boake
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Kelly Watch The Stars

Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
The stars
The stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
The stars
The stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
Kelly watch the stars
The stars
The stars.

song performed by Air
Added by Lucian Velea
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Soul Of A Woman

Kelly price feat/shawn smith
I need healing....
1 - I need a healing for my soul
So give me a healing for my soul
Repeat 1
I need healing
[kelly] hello?
[shawn] kelly?
Just for my soul
I need healing
Yeah, yeah
[kelly] hello
[shawn] kelly, please dont hang up
[kelly] look, I dont have time for this, alright?
[shawn] listen, Ive heard everythign you said today
I dont understand what it is you need from me
Just, please....
Let me come by so we can talk?
[kelly] whatever
Just for my soul
Repeat 1 while:
[kelly] I must be crazy
What was I thinkin?
I should have just told him he couldnt come
I wont open the door when he gets here
Thats all
I just wont open the door
He knows Im here though
Oh god
Im just so tired of this
[kelly] alright, alright, alright
[shawn] damn, I thought you wasnt gonna let me in, sweetheart
[kelly] you almost thought right
Howd you get here so fast anyway?
Whatd you do, fly?
[shawn] why you always gotta be so sarcastic towards me, sweetheart?
Listen, I didnt come here to argue
I didnt come here to fuss or fight
I came here to make things right
I want you to know that I understand what I did
And I wanna make things better between me and you
[kelly] how you figure you can do that?
[shawn] well, I can start by saying that I love you
I mean, ah......
[kelly] Ive heard that before
[shawn] I dont know what to say, um, this is....
I know I did so many things wrong, but..
[kelly] I dont believe you
[shawn] i, I love you, I really do
Can you take me back, please?

[...] Read more

song performed by Kelly Price
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Soul Of A Woman[Interlude]

Kelly price feat/shawn smith
I need healing....
1 - I need a healing for my soul
So give me a healing for my soul
Repeat 1
I need healing
[kelly] hello?
[shawn] kelly?
Just for my soul
I need healing
Yeah, yeah
[kelly] hello
[shawn] kelly, please dont hang up
[kelly] look, I dont have time for this, alright?
[shawn] listen, Ive heard everythign you said today
I dont understand what it is you need from me
Just, please....
Let me come by so we can talk?
[kelly] whatever
Just for my soul
Repeat 1 while:
[kelly] I must be crazy
What was I thinkin?
I should have just told him he couldnt come
I wont open the door when he gets here
Thats all
I just wont open the door
He knows Im here though
Oh god
Im just so tired of this
[kelly] alright, alright, alright
[shawn] damn, I thought you wasnt gonna let me in, sweetheart
[kelly] you almost thought right
Howd you get here so fast anyway?
Whatd you do, fly?
[shawn] why you always gotta be so sarcastic towards me, sweetheart?
Listen, I didnt come here to argue
I didnt come here to fuss or fight
I came here to make things right
I want you to know that I understand what I did
And I wanna make things better between me and you
[kelly] how you figure you can do that?
[shawn] well, I can start by saying that I love you
I mean, ah......
[kelly] Ive heard that before
[shawn] I dont know what to say, um, this is....
I know I did so many things wrong, but..
[kelly] I dont believe you
[shawn] i, I love you, I really do
Can you take me back, please?

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song performed by Kelly Price
Added by Lucian Velea
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Book IV - Part 03 - The Senses And Mental Pictures

Bodies that strike the eyes, awaking sight.
From certain things flow odours evermore,
As cold from rivers, heat from sun, and spray
From waves of ocean, eater-out of walls
Around the coasts. Nor ever cease to flit
The varied voices, sounds athrough the air.
Then too there comes into the mouth at times
The wet of a salt taste, when by the sea
We roam about; and so, whene'er we watch
The wormword being mixed, its bitter stings.
To such degree from all things is each thing
Borne streamingly along, and sent about
To every region round; and Nature grants
Nor rest nor respite of the onward flow,
Since 'tis incessantly we feeling have,
And all the time are suffered to descry
And smell all things at hand, and hear them sound.
Besides, since shape examined by our hands
Within the dark is known to be the same
As that by eyes perceived within the light
And lustrous day, both touch and sight must be
By one like cause aroused. So, if we test
A square and get its stimulus on us
Within the dark, within the light what square
Can fall upon our sight, except a square
That images the things? Wherefore it seems
The source of seeing is in images,
Nor without these can anything be viewed.

Now these same films I name are borne about
And tossed and scattered into regions all.
But since we do perceive alone through eyes,
It follows hence that whitherso we turn
Our sight, all things do strike against it there
With form and hue. And just how far from us
Each thing may be away, the image yields
To us the power to see and chance to tell:
For when 'tis sent, at once it shoves ahead
And drives along the air that's in the space
Betwixt it and our eyes. And thus this air
All glides athrough our eyeballs, and, as 'twere,
Brushes athrough our pupils and thuswise
Passes across. Therefore it comes we see
How far from us each thing may be away,
And the more air there be that's driven before,
And too the longer be the brushing breeze
Against our eyes, the farther off removed
Each thing is seen to be: forsooth, this work
With mightily swift order all goes on,
So that upon one instant we may see

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poem by Lucretius
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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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poem by Robinson Jeffers
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Nonsuited

“Dear Richard, come at once;”—so ran her letter;
The letter of a married female friend:
“She likes you both, and really knows no better
Than I myself do, how her choice will end.
Be sure of this, the first who pops will get her.
He's here for Chris——” Whatever else was penned
Dick never knew: nor knows he to this day
How he got drest, and mounted—and away!

Like arrow from the bow, like lightning-streak,
Including thunder following fierce and quick,
By ridge and flat, through scrub and foaming creek
Dick galloped like a very lunatic;
Whipped, jerked, and spurred, but never word did speak,
Although his thoughts rushed furious and thick,
Headed by one he strove in vain to wipe out,
The fear that this same “he” might put his pipe out.

And faster yet, and ever faster grew
The maddening music of the pace, until
The station-roofs gleamed suddenly in view,
Quivering in noon-heat on the vine-clad hill:
When all at once his bridle-rein he drew,
But not from craven fear or flagging will,—
Though, truth to tell, his heart a moment sank
To see the river nearly “bank and bank.”

For Bowstring was the choice of all his stud,
And he at least had no fair bride to win;
And wherefore should he risk him in the flood?—
A question Bowstring also asked within:
For though he was a squatter's horse by blood,
And held the grazing interest more than kin,
He eyed the huge logs wheeling, bobbing, bowling,
As if his soul objected to “log-rolling.”
And by that curious telegraphic force,
Outspeaking half-a-dozen formal speeches,
That works its quick inexplicable course
Through saddle-cloth, pigskin, and buckskin breeches,
Until the dumb opinion of a horse
Its sympathetic rider's spirit reaches—
Dick, feeling under him the strong flanks quiver,
Knew that his thoroughbred would funk the river

A moment more, Dick from his seat had leapt,
Ungirthed, uncurbed, unreined his trembling steed;
Who straightway vanished from his sight, nor kept
The high tradition of a loyal breed,
But quickened by no stimulus except
His own unbridled (and unsaddled) greed,

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poem by James Brunton Stephens
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Box Car Harry

The railroad dick looked straight at him, eyes unwavering, beady-eyed, menacing, and Harry counted his change to see if there was enough for a bribe; searched his thoughts for an escape route, but he was not as young as he used to be and the dick was young, legs like a deer.

He tussled Barney’s hair and said:

“Go there in that thar car and wait for me, got to dump the dick. Wait for my whistle.”
Barney looked up him hesitantly and Harry stammered hoarsely

“Go! ”

Barney scrambled on all fours the way Harry had taught him and quickly disappeared under cover of the dark Chicago night.

Always, the dick against the Bos, the rich against the poor was Harry’s thought, been that way since her was born, the wanders, the lose, the lose people on the road trying to find an odd job and a meal, against the railroad fat cats trying to exterminate the railroad people, who what was just trying to get by.

Harry held his breath and told himself to concentrate and finally turned back to the dick and showed himself, full on so as the dick could get a good look at him. The dick wide-eyed and incredulous stared hard at Harry surprised by the brazenness of the tramp and stood stock still for a moment, prey in the eyes of the predator.

Harry swayed a little left and then a little right like a running back taunting the linebacker, which way boy, am I going to bolt, which way is the question. Harry feinted a dash to the right and the dick crouched right ready for the chase, Harry smiled and then feinted to the left, testing the dick’s reflexes. The dick danced to the left enjoying the thrilling moment before the chase.

Harry guessed Barney had had time to secure himself in the car and then dashed straight toward the dick, who was thoroughly surprised and steeled himself for what he thought would be a crash between the two men. But Harry at the last minute slanted right allowing the dick to remain close behind but not enough to lay hand on him.

He headed for track 13 for the Great Northern line car.
The dick was breathing behind him; Harry could hear his labored breaths, close enough but not close enough to grab, what was what Harry wanted.

He hit the Northern line yard and saw number 13 looming. The dick was laughing behind him yelping with the sheer joy of it all, feeling he had Harry cornered because the Northern lot was a closed in one, a big wall in the back, a closed station and of course cars, most closed.

But Harry was aiming toward 13 and left up into the car and waited for the dick to catch up and see him. Harry looked down at the man’s heaving chest smiling his best Harry smile.

To be Continued

poem by Lonnie Hicks
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Peter Anderson And Co.

He had offices in Sydney, not so many years ago,
And his shingle bore the legend `Peter Anderson and Co.',
But his real name was Careless, as the fellows understood --
And his relatives decided that he wasn't any good.
'Twas their gentle tongues that blasted any `character' he had --
He was fond of beer and leisure -- and the Co. was just as bad.
It was limited in number to a unit, was the Co. --
'Twas a bosom chum of Peter and his Christian name was Joe.

'Tis a class of men belonging to these soul-forsaken years:
Third-rate canvassers, collectors, journalists and auctioneers.
They are never very shabby, they are never very spruce --
Going cheerfully and carelessly and smoothly to the deuce.
Some are wanderers by profession, `turning up' and gone as soon,
Travelling second-class, or steerage (when it's cheap they go saloon);
Free from `ists' and `isms', troubled little by belief or doubt --
Lazy, purposeless, and useless -- knocking round and hanging out.
They will take what they can get, and they will give what they can give,
God alone knows how they manage -- God alone knows how they live!
They are nearly always hard-up, but are cheerful all the while --
Men whose energy and trousers wear out sooner than their smile!
They, no doubt, like us, are haunted by the boresome `if' or `might',
But their ghosts are ghosts of daylight -- they are men who live at night!

Peter met you with the comic smile of one who knows you well,
And is mighty glad to see you, and has got a joke to tell;
He could laugh when all was gloomy, he could grin when all was blue,
Sing a comic song and act it, and appreciate it, too.
Only cynical in cases where his own self was the jest,
And the humour of his good yarns made atonement for the rest.
Seldom serious -- doing business just as 'twere a friendly game --
Cards or billiards -- nothing graver. And the Co. was much the same.

They tried everything and nothing 'twixt the shovel and the press,
And were more or less successful in their ventures -- mostly less.
Once they ran a country paper till the plant was seized for debt,
And the local sinners chuckle over dingy copies yet.

They'd been through it all and knew it in the land of Bills and Jims --
Using Peter's own expression, they had been in `various swims'.
Now and then they'd take an office, as they called it, -- make a dash
Into business life as `agents' -- something not requiring cash.
(You can always furnish cheaply, when your cash or credit fails,
With a packing-case, a hammer, and a pound of two-inch nails --
And, maybe, a drop of varnish and sienna, too, for tints,
And a scrap or two of oilcloth, and a yard or two of chintz).
They would pull themselves together, pay a week's rent in advance,
But it never lasted longer than a month by any chance.

The office was their haven, for they lived there when hard-up --

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poem by Henry Lawson
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