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Somethins Wrong With The Beaver

(kinky friedman & panama red)
She climbed the stairs that mornin
Found him rather pale
His eyes they were the color
Of half-drunk ginger ale.
Faithful as a magnavox
Hung-up on a song
She cried down to the breakfast nook,
ward, theres something wrong.
Somethins wrong with the beaver
Somethins wrong with the beaver
Somethins wrong with the beaver
The beaver I believe-uh is gone.
Beaver was a dreamer,
Never got it right.
Died in livin color,
Lived in black an white.
Faithful as a magnavox
Hung-up on a song
She cries down to the breakfast nook,
ward, theres something wrong.
Somethins wrong with the beaver
Somethins wrong with the beaver
Ward!
Somethins wrong with the beaver
The beaver I believe-uh is gone.
Somethins wrong with the beaver
Ward!
Somethins wrong with the beaver
Lord!
Somethins wrong with the beaver
Ooh!
Somethins wrong with the beaver
Ha!
Somethins wrong with the beaver
Beaver, huh!
Somethins wrong with the beaver.

song performed by Kinky FriedmanReport problemRelated quotes
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Related quotes

La Copa De La Vida/the Cup Of Life

Do you really want it? (yeah!)
Do you really want it? (yeah!)
Do you really want it? (yeah!)
Go, go, go (go, go, go)
Ale, ale, ale (ale, ale, ale)
Go (go)
Go (go)
Go (go)
Go (go)
Here we go!
The cup of life,
This is the one.
Now is the time,
Don't ever stop.
Push it along,
Gotta be strong,
Push it along,
Right to the top.
Como cain y abel
Es un partido cruel
Tienes que pelear por una estrella
Consigue con honor
La copa del amor
Para sobrevivir y luchar por ella
Luchar por ella (yeah!)
Do you really want it? (yeah!)
Here we go!! ale, ale, ale
Go, go, goal!! ale, ale, ale
Arriba va!! el mundo esta de pie
Go, go, gol!! ale, ale, ale
La vida es
Competicion
Hay que soar
Ser campeon
La copa es
La bendicion
La ganaras
Go go go
And when you feel the heat,
The world is at your feet.
No one can hold you down
If you really want it!
Just steal your destiny
Right from the hands of fate.
Reach for the cup of life
'cause your name is on it!
Do you really want it? (yeah!)
Do you really want it? (yeah!)
Tu y yo, ale, ale, ale!
Go, go, gol! ale, ale, ale!

[...] Read more

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Kinky Reggae (feat. The Marley Brothers & The Ghetto Youths Crew)

[Bob Marley]
Uh, ah-oh-oh! I went downtown, (I went downtown)
I saw Miss Brown; (said, I saw Miss Brown)
She had brown sugar (had brown sugar)
All over her booga-wooga. (over her booga-wooga)
I think I might join the fun, (I might join the fun)
But I had to hit and run. (had to hit and run)
See I just can't settle down (just can't settle down)
In a kinky part of town.
Ride on;
Don't you know I've got to (ride on), oh baby,
Ride on; see I just can't settle down. (ride on)
Oh, I'm a leavin' town. (kinky reggae)
Kinky reggae, take me away! (kinky reggae, now) Kinky reggae, now!
Oh, kinky reggae; all I've got to say, kinky reggae, now!
Kinky reggae, oh baby! Kinky reggae, now!
It's gonna be kinky reggae (keep it up). Kinky reggae, now!
An' I would say: ride on, ride on, ride on (ride on)!
Oh, ride on, baby!
Ride on, come on, woo-o-o! (ride on) Wo-now! Eh!
I went down to Piccadilly Circus; (ooh-ooh-ooh)
Down there I saw Marcus: (oo-oo-oo-ooh)
He had a candy tar (ooh-ooh-ooh)
All over his chocolate bar. (oo-oo-oo-ooh)
I think I might join the fun, (I might join the fun)
But I had to hit and run. (had to hit and run)
See I just can't settle down (just can't settle down)
In a kinky, kinky part of town.
Nice one; that's what they say, (nice one)
But I'm leavin' you today. (nice one)
Oh, darlin', please don't pay: (nice one)
Mama say - mama say.
Kinky reggae - kinky reggae, uh! Kinky reggae, now!
Take it or leave it!
Kinky reggae, believe it! Kinky reggae, now!
Kinky reggae - it's gonna be: kinky reggae!
Kinky reggae, now! Cuka-yeah, now!
Kinky reggae - sca-ba-dool-ya-bung, baby!
Kinky reggae, now, oh-oh-ooh!
(Ride on!) Ride on! Come on, yeah! (Ride on)
Riding on - riding on!
Ride on, kinky reggae. Come on, ride on! Eh! Eh!
Kinky, kinky, kinky as kinky (kinky reggae) can be ! Reggae! Eh!
Kinky reggae! Let me hear ya say, now: kinky reggae, now. Oh!
Kinky reggae! Kinky reggae, now! Kick it away!
Kinky reggae - kick it away, now! Kinky reggae, now, oh!
Ride on! /fadeout/

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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

[...] Read more

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the D Am song

dam
beaver dam
a beaver dam
has a beaver dam
beaver has a beaver dam
the beaver has a beaver dam
friend the beaver has a beaver dam
my friend the beaver has a beaver dam
because my friend the beaver has a beaver dam
dams because my friend the beaver has a beaver dam
beaver dams because my friend the beaver has a beaver dam
like beaver dams because my friend the beaver has a beaver dam
i like beaver dams because my friend the beaver has a beaver dam

-to be played on a guitar and sung, only playing the chords D and Am(a minor)

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

[...] Read more

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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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Lewis Carroll

The Hunting of the Snark: An Agony in Eight Fits

Fit the First.
THE LANDING

"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide

By a finger entwined in his hair.
"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:

What I tell you three times is true."
The crew was complete: it included a Boots—
A maker of Bonnets and Hoods—
A Barrister, brought to arrange their disputes—

And a Broker, to value their goods.
A Billiard-marker, whose skill was immense,
Might perhaps have won more than his share—
But a Banker, engaged at enormous expense,

Had the whole of their cash in his care.
There was also a Beaver, that paced on the deck,
Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck,

Though none of the sailors knew how.
There was one who was famed for the number of things
He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,

And the clothes he had bought for the trip.
He had forty-two boxes, all carefully packed,
With his name painted clearly on each:
But, since he omitted to mention the fact,
They were all left behind on the beach.

The loss of his clothes hardly mattered, because
He had seven coats on when he came,
With three pairs of boots—but the worst of it was,
He had wholly forgotten his name.

He would answer to "Hi!" or to any loud cry,
Such as "Fry me!" or "Fritter my wig!"
To "What-you-may-call-um!" or "What-was-his-name!"
But especially "Thing-um-a-jig!"

While, for those who preferred a more forcible word,
He had different names from these:

[...] Read more

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Lewis Carroll

The Hunting of the Snark

Fit the First
THE LANDING

'Just the place for a Snark!' the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.

'Just the place for a Snark! I have said it twice:
That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
What i tell you three times is true.'

The crew was complete: it included a Boots--
A maker of Bonnets and Hoods--
A Barrister, brought to arrange their disputes--
And a Broker, to value their goods.

A Billiard-maker, whose skill was immense,
Might perhaps have won more than his share--
But a Banker, engaged at enormous expense,
Had the whole of their cash in his care.

There was also a Beaver, that paced on the deck,
Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck,
Though none of the sailors knew how.

There was one who was famed for the number of things
He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
And the clothes he had bought for the trip.

He had forty-two boxes, all carefully packed,
With his name painted clearly on each:
But, since he omitted to mention the fact,
They were all left behind on the beach.

The loss of his clothes hardly mattered, because
He had seven coats on when he came,
With three pairs of boots--but the worst of it was,
He had wholly forgotten his name.

He would answer to 'Hi!' or to any loud cry,
Such as 'Fry me!' or 'Fritter my wig!'
To 'What-you-may-call-um!' or 'What-was-his-name!'
But especially 'Thing-um-a-jig!'

While, for those who preferred a more forcible word,
He had different names from these:

[...] Read more

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1 In The Morning

[LL Cool J]
It's one in the mornin - you know what time it is!
It's one in the mornin
It's one in the mornin - you gonna have come out your clothes on this one
It's one in the mornin
Yeah I'm still at it, the microphone addict
You get your dome splattered, cause homey will not have it
Your ashes get scattered across the Atlantic
For actin like you a teenage chick with her bra padded
You might laugh at it, but if you do the knowledge
It's really a tad tragic how they runnin through they cabbage
You know my track record, L battle like a savage
I think and grow rich, that gives me the advantage
Uncle LL, I got product for sale
So I can bail Al Sharpton out of jail
Somebody gotta do it, somebody in the black community
gotta get this money while y'all march for unity
So march on, I'ma get my Bentley park on
Then get my dogs a platform to bark on
The realest brother, you Nicole Kidman, one of 'The Others'
Children shiverin under the covers
The man in black, the tilted Fedora hat
I'm bringin it raw, you never want your money back
I'm focused baby, livin like a quarterback
Playin in the wishbone, L keep options black
Systematically, burn you like calories
Watch your mouth, go earn your lil' salary
I'm a classic like Nike Airs and Wallabees
You could catch it like the flu, homey follow me
[Chorus]
It's one in the mornin - flash the dough
It's one in the mornin - crack the Mo'
It's one in the mornin - get on the flo'
It's one in the mornin - who wanna go?
[LL Cool J]
That's right Sleeping Beauty, wake up see the light
That Tylenol PM got you caught for your BM
Everybody can see I'm the king of rippin coliseums
C'mon, youse a male groupie beggin for per diem
A fruitcake laid out in the masoleum
I'm the richest man in Babylon, nobody could see him
Money's my slave, it do what I say
It cry for me, like Denzel in "Glory"
But I broke the cycle, no more poverty
I wonder if you hatin on the low - probably!
But cats know I'm real, I keep 'em on they heels
Damn! Look at my body, coulda been a Navy Seal
But you lack the discipline to do what I do
Reinvention, I'm in the 11th dimension
I'm a value stock pop, get it while it's hot

[...] Read more

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William Butler Yeats

Narrative And Dramatic The Wanderings Of Oisin

BOOK I

S. Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft bosom rose and fell.

S. Patrick. You are still wrecked among heathen dreams.

Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain

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Early Morning

Early morning
Great
I was a little late last night
got a little messy
I can't be like that anymore (early morning)
uh - no
CHORUS
I was shakin my ass in the street til mornin
Just walked in an it's early mornin - uh!
Bump bump to the break of dawn
And it don't stop til the early mornin
Passed out on the couch I'm yawnin
Just walked in an it's early mornin - let's start again
Bump bump to the break of dawn
And it don't stop til the early mornin
Met a dark dude, kinda dark hair
When he walked up
Tony grabbed him
But I liked him
I told him "come here
Kinda cool
Baby, we can make plans
Where you live?
Do ya mamma live there?
We can hook up at the hotel"
He was down so I told him "let's go"
what happened - guess what, you don't wanna know
CHORUS
I was shakin my ass in the street til mornin
Just walked in n it's early mornin
Bump bump to the break of dawn
And it don't stop til the early mornin
Passed out on the couch i'm yawnin
Just walked in n it's early mornin - let's start again
Bump bump to the break of dawn
And it don't stop til the early mornin
I went out with girl Jen
And we called up gabe and his friends
He was talkin bout hittin up Show
So I said "what the hell? - let's go!"
Got up n got on the dance floor
Hooked up with a guy named Joe
When the music was fast danced slow
what happened next -guess what? you don't wanna know
CHORUS
I was shakin my ass in the street til mornin
Just walked in n it's early mornin
bump bump to the break of dawn
And it don't stop til the early mornin
Passed out on the couch i'm yawnin

[...] Read more

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Color

Performed by the steeles
Composed by prince
Color me black if u color me just like u
Color me angry if u color me less than I do
(whoa, whats your color? )
Yeah, whats your color?
(whoa, whats your color? )
Whats your color?
Color me happy if u teach me what I need 2 know
Color me gone if u dont, if u dont cuz every child needs 2 grow
This I know
(whoa, whats your color? )
Oh, whats your color, yeah?
I wanna know
(whoa, whats your color? )
Oh, whats your color?
Listen (listen)
Love is my color when Im shown love in return
But when I am not, its a bet u can guess what I have learned
Whats my color?
Hey
Color me green (color me green) if I cannot have what uve got
Color me blue (blue) until I do cuz the fire will shonuff be hot
Yes it will
(whoa, whats your color? )
Whats your color, yeah?
Hey yeah
(whoa, whats your color? )
Whats your color, yeah?
Oh, make me a promise (make me a promise)
Oh, make me a promise (that whatever u color me) that whatever u color me
U will at least color me then I can color u 2
Whats your color?
(whoa, whats your color? )
Whats your color, yeah?
Hey
Color
(whoa, whats your color? )
Whats your color?
(whoa, whats your color? )
Whats your color, yeah?
Whats your color?
Make it love
Whats your color?
Mine is love
(whoa, whats your color? ) yeah
(whoa, whats your color? )
Whats your color?
(whoa, whats your color? )

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A Morning Song

The thrush is in the wattle tree, an', 'O, you pretty dear!'
He's callin' to his little wife for all the bush to hear.
He's wantin' all the bush to know about his charmin' hen;
He sings it over fifty times, an' then begins again.
For it's Mornin'! Mornin'! The world is wet with dew,
With tiny drops a-twinkle where the sun comes shinin' thro'.


The thrush is in the wattle tree, red robin's underneath,
The little blue-cap's dodgin' in an' out amongst the heath;
An' they're singin', boy, they're singin' like they'd bust 'emselves to bits;
While, up above, old Laughin' Jack is having forty fits.
For it's Mornin'! Mornin'! The leaves are all ashine:
There's treasure all about the place; an' all of it is mine.


Oh, it's good to be a wealthy man, it's grand to be a king
With mornin' on the forest-land an' joy in everything.
It's fine to be a healthy man with healthy work to do
In the singin' land, the clean land, washed again with dew.
When sunlight slants across the trees, an' birds begin to sing,
Then kings may snore in palaces, but I'm awake - and king.


But the king must cook his breakfast, an' the king must sweep the floor;
Then out with axe on shoulder to his kingdom at the door,
His old dog sportin' on ahead, his troubles all behind,
An' joy mixed in the blood of him because the world is kind.
For it's Mornin'! Mornin'! Time to out an' strive!
Oh, there's not a thing I'm askin' else but just to be alive!


It's cranky moods a man will get an' funny ways of mind;
For I've a memory of one whose thoughts were all unkind:
Who sat an' brooded thro' the night beside the blazin' log,
His home a mirthless, silent house, his only pal a dog.
But it's Mornin'! Mornin'! I nurse no thought but praise,
I've more good friends than I could count, tho' I should count for days.


My friends are in the underbrush, my friends are in the trees,
An' merrily they welcome me with mornin' melodies.
Above, below, from bush an' bough each calls his tuneful part;
An' best of all, one trusty friend is callin' in my heart.
For it's Mornin'! Mornin'! When night's black troubles end.
An' never man was friendless yet who stayed his own good friend.


Ben Murray, he's no friend of mine, an' well I know the same;
But why should I be thinkin' hate, an' nursin' thoughts of blame?

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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Da'ale Da'ale

YAH YAH HABIBI WEN ISALAM?!
GULI KALAM...
DA'ALE DA'ALE, DA'ALE DA'ALE...LE
DA'ALE DA'ALE, DA'ALE DA'ALE...LE LE LE...
I have many enemies around me
How can people be so hard to me?
But You are my light,
You are my hope,
And You will save me, oh...
You are my Angel,
You are the One,
You are my Angel,
Please, don't let me down!
A'SALK YA RABBI MOTHAY TA'ANENI
A'SALK YA RABBI MOTHAY TASHIVENI
MEDO ANI LAFONACHO'
SEAM SHOLEM AL AMACHO'
YAH YAH HABIBI WEN ISALAM
YAH YAH HABIBI GULI KALAM
YAH YAH HABIBI WEN ISALAM
YAH YAH HABIBI GULI KALAM
DA'ALE DA'ALE, DA'ALE DA'ALE...LE
DA'ALE DA'ALE, DA'ALE DA'ALE...LE LE LE...
OH YAH HABIBI
OH YAH HABIBI
You are my Angel,
You are the One,
You are my Angel,
Please, don't let me down!
DA'ALE DA'ALE

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The Cup Of Life

The cup of life
This is the one
Now is the time
Don't ever stop
Push it along
Gotta be strong
Push it along
Right to the top
Como cain y abel
Es un partido cruel
Tienes que pelear
Por una estrella
Consigue con honor
La copa del amor
Para sobrevivir y luchar por ella
Luchar por ella (yeah)
Do you really want it... (yeah)
Chorus 1:
Here we go! ale, ale ale!
Go, go go! ale, ale ale!
Arriba va! el mundo esta de pie
Go, go, gol!! ale, ale, ale
La vida es
Competicion
Hay que sonar
Ser campeon
La copa es
La bendicion
La ganaras
Go, go, go!
And when you feel the heat
The world is at your feet
No one can hold you down
If you really want it
Just steal your destiny
Right from the hands of fate
Reach for the cup of life
'cause your name is on it
Do you really want it...(yeah)
Do you really want it...(yeah)
Chorus 2:
Tu y yo! ale, ale ale
Go, go ,gol! ale, ale, ale
Tonight's the night we're
Gonna celebrate
The cup of life!!! ale, ale, ale

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The Troubadour. Canto 2

THE first, the very first; oh! none
Can feel again as they have done;
In love, in war, in pride, in all
The planets of life's coronal,
However beautiful or bright,--
What can be like their first sweet light?

When will the youth feel as he felt,
When first at beauty's feet he knelt?

As if her least smile could confer
A kingdom on its worshipper;
Or ever care, or ever fear
Had cross'd love's morning hemisphere.
And the young bard, the first time praise
Sheds its spring sunlight o'er his lays,
Though loftier laurel, higher name,
May crown the minstrel's noontide fame,
They will not bring the deep content
Of his lure's first encouragement.
And where the glory that will yield
The flush and glow of his first field
To the young chief? Will RAYMOND ever
Feel as he now is feeling?--Never.

The sun wept down or ere they gain'd
The glen where the chief band remain'd.

It was a lone and secret shade,
As nature form'd an ambuscade
For the bird's nest and the deer's lair,
Though now less quiet guests were there.
On one side like a fortress stood
A mingled pine and chesnut wood;
Autumn was falling, but the pine
Seem'd as it mock'd all change; no sign
Of season on its leaf was seen,
The same dark gloom of changeless green.
But like the gorgeous Persian bands
'Mid the stern race of northern lands,
The chesnut boughs were bright with all
That gilds and mocks the autumn's fall.

Like stragglers from an army's rear
Gradual they grew, near and less near,
Till ample space was left to raise,
Amid the trees, the watch-fire's blaze;
And there, wrapt in their cloaks around,
The soldiers scatter'd o'er the ground.

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
Anever mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken itI never saw the like:

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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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Roan Stallion

The dog barked; then the woman stood in the doorway, and hearing
iron strike stone down the steep road
Covered her head with a black shawl and entered the light rain;
she stood at the turn of the road.
A nobly formed woman; erect and strong as a new tower; the
features stolid and dark
But sculptured into a strong grace; straight nose with a high bridge,
firm and wide eyes, full chin,
Red lips; she was only a fourth part Indian; a Scottish sailor had
planted her in young native earth,
Spanish and Indian, twenty-one years before. He had named her
California when she was born;
That was her name; and had gone north.
She heard the hooves and
wheels come nearer, up the steep road.
The buckskin mare, leaning against the breastpiece, plodded into
sight round the wet bank.
The pale face of the driver followed; the burnt-out eyes; they had
fortune in them. He sat twisted
On the seat of the old buggy, leading a second horse by a long
halter, a roan, a big one,
That stepped daintily; by the swell of the neck, a stallion. 'What
have you got, Johnny?' 'Maskerel's stallion.
Mine now. I won him last night, I had very good luck.' He was
quite drunk, 'They bring their mares up here now.
I keep this fellow. I got money besides, but I'll not show you.'
'Did you buy something, Johnny,
For our Christine? Christmas comes in two days, Johnny.' 'By
God, forgot,' he answered laughing.
'Don't tell Christine it's Christmas; after while I get her something,
maybe.' But California:
'I shared your luck when you lost: you lost me once, Johnny, remember?
Tom Dell had me two nights
Here in the house: other times we've gone hungry: now that
you've won, Christine will have her Christmas.
We share your luck, Johnny. You give me money, I go down to
Monterey to-morrow,
Buy presents for Christine, come back in the evening. Next day
Christmas.' 'You have wet ride,' he answered
Giggling. 'Here money. Five dollar; ten; twelve dollar. You
buy two bottles of rye whiskey for Johnny.'
A11 right. I go to-morrow.'
He was an outcast Hollander; not
old, but shriveled with bad living.
The child Christine inherited from his race blue eyes, from his
life a wizened forehead; she watched
From the house-door her father lurch out of the buggy and lead
with due respect the stallion
To the new corral, the strong one; leaving the wearily breathing
buckskin mare to his wife to unharness.

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