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Sitting In The Midday Sun

(sung by the tramp)
Im sitting by the side of a river
Underneath the pale blue sky
Ive got no need to worry, Im in no hurry
Im looking at the world go by.
Just sitting in the midday sun,
Just soaking up that currant bun,
With no particular purpose or reason
Sitting in the midday sun.
Everybody say Im lazy
They all tell me get a job you slob,
Id rather be a hobo walking round with nothing
Than a rich man scared of losing all hes got.
So Im just sitting in the midday sun
Just soaking up that currant bun,
Why should I have to give my reasons
For sitting in the midday sun
Oh look at all the ladies
Looking their best in their summer dresses,
Oh sitting in the sun.
Ive got no home,
Ive got no money
But who needs a job when its sunny. wah wah.
I havent got a steady occupation
And I cant afford a telephone.
I havent got a stereo, radio or video
A mortgage, overdraft, a bank loan.
The only way that I can get my fun
Is by sitting in the midday sun
With no particular purpose or reason
Sitting in the midday sun.
Oh listen to the people,
Say Im a failure and Ive got nothing,
Ah but if they would only see
Ive got my pride,
Ive got no money,
But who needs a job when its sunny. wah wah.
Everybody thinks Im crazy,
And everybody says Im dumb,
But when I see the people shouting at each other
Id rather be an out of work bum.
So Im just sitting in the midday sun
Just soaking up that currant bun,
With no particular purpose or reason
Sitting in the midday sun.

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The blue sky in my home

The blue sky in my home

Good morning, bird
Good morning, sun

The blue sky in my home
I miss in my every day
For my clothes wet
To be dry

Good morning, bird
Good morning, sun

I miss you singing in the morning
When the sun rising
I miss you singing in the morning
When my mom cooking

The blue sky the singing bird the sun rising
Before I leaving
Praying to raise up my dreaming


Kadilangu, feb/03/2oo8

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Morning blue sky

Morning blue sky
~
Looking upon a pale blue sky
A plane cuts across my sight
That sharp white line climbs
Into a journey to begin the day
Off into a wandering fantasy
A stirring of birds fill the view
Like a thousand thoughts
All the world slowly waking
Still not a cloud to be seen
Last nights sleep rubbed from eyes
While watching the plane disappear
The fading white trail ebbs away
A journey somewhere beginning
Or perhaps another’s ending
The fantasy of a journey
Looking into a morning blue sky
Stirs the waking mind

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Pale Blue Eyes (feat. Counting Crows)

originally by Lou Reed, Velvet Underground
Sometimes I feel so happy
Sometimes I feel so sad
Sometimes I feel so happy
But mostly you just make me mad
Baby, you just make me mad
Linger on, your pale blue eyes
Linger on, your pale blue eyes
Thought of you as my mountain top
Thought of you as my peak
Thought of you as everything
I've had but couldn't keep
I've had but couldn't keep
Linger on, your pale blue eyes
Linger on, your pale blue eyes
If I could make the world as pure and strange as what I see
I'd put you in the mirror
I put in front of me
I put in front of me Linger on, your pale blue eyes
Linger on, your pale blue eyes
Skip a life completely
Stuff it in a cup
She said, "Money is like us in time
It lies, but can't stand up
Down for you is up"
Linger on, your pale blue eyes
Linger on, your pale blue eyes
It was good what we did yesterday
And I'd do it once again
The fact that you are married
Only proves, you're my best friend
But it's truly, truly a sin
Linger on, your pale blue eyes
Linger on, your pale blue eyes

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Pale Blue Eyes

Sometimes I feel so happy
Sometimes I feel so sad
Sometimes I feel so happy
But mostly you just make me mad
Baby, you just make me mad
Linger on your pale blue eyes
Linger on your pale blue eyes
Thought of you as my mountain top
Thought of you as my peak
A thought of you as everything
Ive had, but couldnt keep
Ive had, but couldnt keep
Linger on your pale blue eyes
Linger on your pale blue eyes
Skip a life completely
Stuff it in a cup
They said, money is like us in time
It lies, but cant stand up
Down for you is up
Linger on your pale blue eyes
Linger on your pale blue eyes
It was good what we did yesterday
And Id do it once again
The fact that you are married
Only proves youre my best friend
But its truly, truly a sin
Linger on your pale blue eyes
Linger on your pale blue eyes
If I could make the world as pure
And strange as what I see
Id put you in a mirror
Id put in front of me
Id put in front of me
Linger on your pale blue eyes
Linger on your pale blue eyes
Linger on your pale blue eyes
Linger on your pale blue eyes
Linger on your pale blue eyes
Linger on your pale blue eyes
Linger on your pale blue eyes
Linger on your pale blue eyes
Linger on your pale blue eyes
Linger on your pale blue eyes
Linger on your pale blue eyes
Linger on your pale blue eyes
Linger on your pale blue eyes
Linger on your pale blue eyes

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Like A River In The Sky

today at its wit's end
can be a chair
under an umbrella
beside a huge tree
in the house

today can be an orderly
thought
sitting down
troubles
letting things once
turbulent simmer
slowly
seeping under your
skin

i put my feet on the
center table
my hands on my navel
i gaze
to all that my eyes
can hold
around me

nothing in particular
i just flow to the air
like a river
in the sky

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Bullet The Blue Sky

In the howling wind comes a stinging rain
See it driving nails
Into the souls on the tree of pain
From the firefly, a red orange glow
See the face of fear running scared in the valley below
Bullet the blue sky
Bullet the blue sky
Bullet the blue
Bullet the blue
In the locust wind comes a rattle and hum
Jacob wrestled the angel and the angel was overcome
You plant a demon seed; you raise a flower of fire
You see them burning crosses
You see the flames higher and higher
Bullet the blue sky
Bullet the blue sky
Bullet the blue
Bullet the blue
This guy comes up to me
His face red like a rose on a thorn bush
Like all the colors of a royal flush
And hes peeling off those dollar bills
Slapping them down
One hundred, two hundred
And I can see those fighter planes
And I can see those fighter planes
Across the mud huts where the children sleep
Through the alleys of a quiet city street
You take the staircase to the first floor
Turn the key and slowly unlock the door
As a man breathes into a saxophone
And through the walls you hear the city groan
Outside is america
Outside is america
Across the field you see the sky ripped open
See the rain through a gaping wound
Pounding on the women and children
Who run
Into the arms
Of america

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In an Almshouse

Oh the dear summer evening! How the air
is mellow with the delicate breath of flowers
and wafts of hay scent from the sunburnt swathes:
how the glad song of life comes everywhence,
from thousand harmless voices, from blithe birds
that twitter on incessant sweet good-nights,
from homeward bees that, through the clover tufts,
stray booming, pilfering treasures to the last,
from sleepless crickets clamouring in the grass.
to tell the world they're happy day and night,
from the persistent rooks in their high town,
from sheep in far off meadows: life, life, life,
it is the song they sing, and to my mind
the song is very happy, very good.
My God, I thank thee I have known this life,
although, I doubt not, dying I shall learn
how greater and how happier is death.

Oh beautiful and various earth of ours,
how good God made thee. Ah, I have lost much,
mine is a very grey and dim earth now,
but I can feel and hear and take in so
the joy of present beauty to my soul,
and then I see it there. O strange blurred mists,
that mean the sky to me, my twilight eyes
discern no more than you, but I see more;
I see this gold and glowing sunset spread,
and break the pale blue sky with flashing clouds,
I see the shadows soften on the hills,
and the green summits brighten one by one
and purple in the nightfall one by one.
Oh, seeing can be done without the eyes.

Are those St Mary's church-bells in the town?
How far sound spreads to-night! St Mary's bells,
chiming for evensong. I would the way
were not so over long for feeble limbs,
and that the pathway and the still canal
had not so like a glimmer in the dusk;
for I could gladly feel the peace of prayer
among the others in the quiet church,
with silent graves seen through the open door,
and rustling heard of slowly stirring leaves.
And then 'tis pleasant too to hear the rhythm
of scholars' English and of words in books:
'tis like the voice of some rare foreign tongue
familiar once and loved, that, howso heard,
takes the glad ear with sweetness of old wont.
Oh, there's no sermon now so trite and crude
but makes for me a sort of literature:
'tis my one echo now from that far world
where books are read and written, my world once;
I listen as one listens, note by note,
to some great symphony one knows by heart,
played powerlessly, uncertainly, with change
and thinner chords to suit a learner's hand,
listening with pleasure part for what there is
and more for what there should be and what was
when long ago one used to hear the strain:
I seem to love words now because they are words.

Not that I'll call our Vicar's sermon words:
no, no; he loves his God and loves his poor;
he makes his life one task of doing good;
can such a man speak idly? What he does
is proof to what he urges, his week's life
soul to his Sunday preachings, his shown faith
the key to his expoundings; one may learn
from such a man more things than he can teach:

Alas, the busy patience of his life,
eager and resolute for little things,
strenuous on petty labours, which no voice
shall ever herald past the parish bounds,
which maybe those who see them do not see,
and those whose gain they are know not for gain,
does it not twit me with my languid years
drifted along expectant of a day
when all my world should thank me I had waked?
My world--ah, after all, a lesser one
than I discerned when I was of it still,
my world of men who learn and teach and learn,
and then have only learned and taught and learned--
my world that has forgotten me, a waif
floated away from it on too rough tides,
left spoiled and stranded to drop piece by piece.

Ah me, the difference: I have not known
what envy means unless I know it now
when, in my helplessness, sick, blind, and poor,
past all fulfilling now, with nought fulfilled,
I see our Vicar, with his cheery look,
hurried and overladen with small cares,
glad in his work because it is his work.
And he'll not envy me my garnered lore,
stored up for moth and mildew; what to him
is any wisdom but to work and pray?
the denizens of our rustic market town,
which ignorant strangers take, and break our hearts,
or just a village, know no Tübingen,
have never heard of varying codices,
love, or love not, the Christ of Luke and John,
and have no guess of Renan's; to their minds
belief and unbelief are simplest things,
mere Yes and No, and God must side with Yes,
as kings must with the loyal. But the love
that comes of faith and faith that comes of love;
they can learn those of him and he can teach,
that plain man, ignorant of philosophies
but wise enough to do good all the day.
Ah, why was I too weak for such a life,
which once I might have chosen? A high life,
full of most blessed service.

But I thought
it was not my life meant for me by God:
and now I know not what I should have done,
only I mourn that I have lived in vain,
still daily dreaming some completed task
that never was begun, still waiting force
of impulse more than mine to waken mine,
still dimly pondering "Shall I? Can I? How?"
and waiting to be ready to begin.

Ah tardy useless labourer in the fields,
who waits to think what weed he shall rout first;
ah laggard sailor, who will not put out
till the direct fair wind sets for his port.
And time will never linger, and the world
can wait for no man, must have its wants fed
at the want's birth-cry--soldiers to the gap
on the hot instant, else no need of you,
no space for you to stand in. Long long since
I thought to have been somewhat, to perhaps
set some regardful honour round my name,
but surely to receive a destined place,
a part among the workers: for it seemed
to have so far uptrodden, half alone,
from peasant lowliness should prelude me
a future as of one of whom they say
"so low he was" to show how high he is.
Dreams, dreams! I never had the pith, the sap,
the strong aspiring pulses; I was one
to think, and shiver, by the study fire
"outside is the cold boisterous sea of life
where I will plunge to-morrow and snatch pearls,"
to wait like a late sleeper in the morn,
that with a drowsy logic lulls himself,
and chides his tardiness on their delay
who will not come to tell him it is time.

And yet I did not sleep; no, to my thought
I always was at school for work to come:
but these days leave us little schooling time.
Long since, and when the wisdom of the wise
was to accept to live one with to learn,
and men might find their work for half a life
in thinking silent, and the other half
in thinking out aloud, those were my days
I should have lived in: I came out of date:
like a reprinted tome of theories
made reasonably ere the science shaped,
which, all uncut, stands on the library shelf
amid new essays on the daily art
born long since of the science, and men say
"'Tis learned, curious, looks well on the shelf"
and take its slighter useful neighbour down,
so I showed wise and useless to the world.

Wise with the oldworld wisdom grown unapt
to this changed morrow, for the lesson now
is to accept to live one with to do--
the wisest wisdom plainly in this stir,
this over crowding, this hot hurrying on,
that make a tempest of our modern days.
This anxious age is driven half mad with work,
it bids us all work, world no need, no room,
for contemplating sages counting life
a time allowed for solving problems in
and its own self a problem to be solved;
on in the rush, or be swept out of sight,
on in the rush, and find your place, and work.

'Tis right, 'tis very right; not only ours
to fit what state God gives us but what times;
and he who is thrown out in a fierce race
can hardly chide, "the others ran too fast."
And, as for me, if I grow old alone,
hid out of memory of springtime peers,
and have my roof and food by dead men's alms,
it is that I have been an alien son,
a dronish servant careful of his ease,
to the master-Present, the strong century
that gave our lives and will have use of them.
I knew it always, but still while I thought.
"To-morrow I go forth," the sudden Now
had gone before I judged it had been there:
I knew it always, but the stealthy years
slid on while I was busy at my books,
and when I, startled, waked and saw it time,
lo the "Too late" which God has spoken me
in blindness and in sickness.

A strange life;
fair bud, fair blossom, never perfect fruit;
the river that seemed destined to push on
long eager miles among its busy mills,
among its teeming meadows and its towns,
hemmed stagnant by some little feeble dykes,
some trivial sand-mounds barred against its way,
and rounding to an issueless dull pool.

And yet, but for that wondering vague remorse
not to have been one stronger than myself,
I look back very kindly on my life
so changeful yet so still, not sorrowless
and yet not sad; I love to think of it
and tell it to myself like an old tale
dear for its homely long-familiar turns.
Oh, often I, the grey-haired palsied man,
am yet again the child beneath the hedge,
the village urchin, truant to his task,
of scaring crows, to con a dog's-eared book,
stealing his indolent scholar's luxury
by naughty half-hours through the lonely day.
Oh happy child, I never saw my guilt
nor dreamed of trust betrayed and pence ill-earned,
and it was such a joy to learn and pore
and read great words and wonder what they meant,
and sometimes see, as if a faint new star
dawned on one through a dusky gap at night,
a sudden meaning breaking on the doubt:
poor as I was, ill cared for, with no kin
but the sharp stepmother who, good at heart,
for widow's duty called me hers, not love,
and little Grace, the toddling sister thing
she'd not let love me and not let me touch,
who learned to scold me in her sweet babe's lisp
and would not kiss me even when we played,
no friends, no playmates, every way alone,
yet 'twas a happy boyhood; not forlorn
with the thumbed book for gossip, not forlorn
with all the outdoor world for company.
Oh, many and many a balmy eve like this,
beside my pollard willows by the brook,
I sat and watched the greyness creeping on,
thinking 'twas pity days must end in nights
and one must sleep away so many hours,
losing such sweetness of the summer time.

Dulled wistful eyes, you cannot show me now
the brown-ribbed hill behind whose rounded slope
my village stands among its fields of flax;
last year I still could find it, where to me
it seemed a smooth dusk cloud against the sky,
could say "there lies my home," and fancy out
the well known landmarks, and go step by step
mind-pilgrimage among the dear old haunts;
but now the hill and sky are both one haze,
the dusk cloud's place is lost in larger dusk.
Well, well, 'tis present to me none the less,
and I am glad to feel it near in sight
with its white winding road that, from the top,
looks on my home, and sudden slants to it.

My home! and now 'tis twenty years and odd
since I have journeyed down the slanting road
and seen our envied boasts, the bridge and spire;
yes, twenty years and odd since the last time,
and then they called me stranger; yet I feel
my true home there. Not in my happy town,
my placid scholar's town of colleges,
where the smooth river, lagging by its elms,
bears on its painted breast oriels and towers
and grey monastic courts made reverend
with elder learning and historic lives;
not in my Cornish schoolhouse near the rocks,
where from the granite headland, with its crown
of glossy sward and wee white heather bloom
and rare and southern wildflowers of the moors,
one looked on the illimitable plain,
the vague mysterious ocean stretching forth
into the space and silence of the sky;
not in the city of the million homes,
the throbbing heart of England--No, not there,
how could I find home there? those pent black streets,
that skyless prison room, where day by day
my heart and head grew number, day by day
I and my schoolboys seemed to grow less apt,
that whirr and whirl of traffic, ceaseless change
of unknown faces thronging to and fro!
my life went shrivelling there as if one brought
some thirsty field plant maimed of half its root
amid a ball-night glare of flashing lamps.
And if I, even in this haven nook,
sheltered out of the cold winds of the world,
if here on the free hill-side, with the sounds
of woodland quiet soothing in my ears,
here where the dear home breezes blow to me
over the well known meadows, yet have longed,
like a sick schoolboy for his mother's face,
to look on my remembered trees and fields,
to touch them, to feel kin with them again,
how else could it be with me in the din
the blackness and the crowding?

Oh my heart,
how faint it grew long ere I grew all faint;
long ere there came this swift decrepitude
of too usurping age forestalling time;
how desolate I felt, like a man wrecked
on some far island in a burning clime
where every voice clangs strangely, and all thoughts
come to him yet more foreign than the words,
and very kindness wears unhomeliness;
how in my weariness I grew to loathe
those prison bars of roofs across the sky.
Well, when He pleased, God gave me the release,
gave His good way not mine, I thank Him for it.
Yes, it is well with me: life grows mere rest--
I sit apart and am done with the world,
no hopes, no fears, no changes; I have lost
all part in aims and duties, like a tool
blunted with little use I am laid by
never to serve again; I sit apart
useless, forgotten, a lone purblind man
hid in an almshouse--but the rest is good,
is very peaceful, and I feel God near,
near as I never knew Him in old days
when yet I thought I loved Him.

Did I not?
Was it because I did not love Him then
I could not choose His service? It seems strange:
they all said I was fit, they urged me to it:
and there on one hand was my worldly ease
and (if I were fit) service to my God,
on the other, chance and my poor single strength
to wrest a pittance from the world's clenched hand:
yes one might say it had been granted me
to choose both God and Mammon virtuously:
and yet I could not--never might my lips
have spoken the great answers "Christ has called,"
"The Holy Ghost has moved me." Day by day
I urged myself, I prayed to hear the call,
and the call came not. Was it want of love?
and would my warmer heart have been more brave,
and known a summons where I did not know?

Ah no, there was no need for such as I,
who have no ministering gift, no rule on minds.
Oh, the poor souls had perished which must lean
on such a pastor; I, who never found
the teacher's common secret how to write
the accurate human lore on willing minds,
how could I teach God's mysteries of love?
how could I force rebellious hearts to know?
I, who must reason with myself an hour
to cross a room and give a friend good-day,
where were my ready words to greet the poor,
my instant tact, my sympathy, command?
Oh, rather was I one to be content,
to be most happy, cloistered in the peace
of some grey convent where the even hours
go measured out by prayers and each still day
melts stealthily to night and has but seen
change between chapel and the studious cell.
Had such a life been granted by my creed
I could have snatched at it ...... yes, even then
before the silent too delusive hope
died at her careless bidding.

Susan Lee,
you never guessed, I but half knew myself,
how close a part you had of all my life
from the first time my schoolboy heart grew proud
to feel itself beat quicker at a smile.
I loved you patiently, content to dream
what happy fireside future should be ours
if you should ever love me; afterwards
I sorrowed patiently; and in both whiles
lived in my peace as if you had not been:
but yet you always have been part of me,
I cannot think upon my earlier self
and not remember you. It was but chance
that you were near me, following up the brook
for water-cresses, on that birthday morn
of my new life, when, as I basked and read,
the young squire's tutor came and saw my book,
and sat with me beneath my willow tree;
it was but chance that, for your good-girl treat,
you went a twelve miles' journey to your aunt's
and saw the prize-day splendours of our school
where I stood in my class-boy eminence
(a shamefaced hero, conscious of renown,
and bearing such a greatness bashfully),
and that your face, set in a window frame,
was still the one I saw when I looked up;
it was but chance that made your merry voice
the one to greet me first when, all elate
with budding freshman honours of first term,
I came back to our village ... where, good lack,
I found small reverence for my dignities,
and no one turned to watch me as I walked;
it was but chance that I could see you lead
a romping battle, armed with pelts of hay,
against my Gracie and her rival band
the time I got the germ and ringingest lines
of the Greek ode which gained my earliest prize;
it was but chance made Grace's letter come,
talking of only you, the selfsame day
I heard my name sound in the topmost list,
the very roll of fame as I thought then--
maybe I thought it too long afterwards,
poor lad, who fancied I had won a race
because I gained a vantage post to start;
yes, chance and only chance so mingles you
with the young promise halos, but you stand
always a star behind them, shining through,
and, though I once was sad because of you,
I have my happy memories of you now.

They said you were not pretty, owed your charm
to choice of ribbons from your father's shop,
but, as for me, I saw not if you wore
too many ribbons or too few, nor sought
what charms you had beyond that one I knew,
the kind and honest look in your grey eyes.

Well, you chose fitlier; and you prosper well,
and I can fancy you in your content,
a busy prudent farmwife all the week
and wearing silk on Sundays when you go
to church among your children, proud to take
your husband's arm ... a man who holds his own
and rents a few more acres every year.

And Grace chose wisely too, the wilful girl
I would have made a lady of--not she,
she would not stay at school, she would not learn
your monkey French, she would not chirp words small
like twittering birds, she would not crotchet lace;
and she would marry sturdy William Ford;
so found some rainy days at first, 'tis true,
but they both took them with a cheery heart,
and now she writes from their far western home
that all goes well with them, and, as for her,
she's happier than a queen the whole day through,
and all the bairns as fresh as buttercups.

'Tis far away, my Gracie, far from me:
I'd like to feel your hand in mine at last,
for I have only you, and, as I think,
you bear a kind heart to me; but that's vain,
there'll be no meeting for us in this world.
But bye and bye, my Gracie, bye and bye.

Aye, there's the answer to one's every want,
one's every doubt, that promise bye and bye;
it gives this life a beauty, as the glimpse
between near hills of the great open sea
gives to some inland nook among the woods;
it is the full completed melody
the shifting prelude hints at. Life is good,
but most because, in its best perfectness,
it comes like memory of that other life
we have not known, but shall.

What, little one,
my truant playmate, "Mother gives you leave
to come and say good night for half an hour":
well; on my knee--so. Stories must it be?
"The story about Jesus"? Yes, my child,
that is the best one ...... story of our peace;
you'll know that someday, maybe. Now begins...

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,—we who mass and crowd
From wall to wall in the darkening of a cloud.

The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.


III.

One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.

Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.

Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.


IV.

Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.

They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.

And behind them all the ghosts of thoughts went moving,
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.

And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.

And there was one who turned from clamoring streets,
And walked in lamplit gardens among black trees,
And looked at the windy sky,
And thought with terror how stones and roots would freeze
And birds in the dead boughs cry . . .

And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.

And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.


V.

The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.

The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.

One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.

Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . . We spread out swiftly;
Trees are above us, and darkness. The canyon fades . . .

And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.

We flow to the east, to the white-lined shivering sea;
We reach to the west, where the whirling sun went down;
We close our eyes to music in bright cafees.
We diverge from clamorous streets to streets that are silent.
We loaf where the wind-spilled fountain plays.

And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.


VI.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,—
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound. Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead. It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again. And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us. He yields us our desire.

'No, do not stare so—he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this. I know. It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.


VII.

Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.

'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died—you know the way. Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'

He folds his letter, steps softly down the stairs.
The doors are closed and silent. A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind. Night roars above him.
Into the night he fades.

Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and tinkle of glass . . .
Darkness whistles . . . Wild hours pass . . .

And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,—
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of flame . . .
With a smoking ghost of shame . . .

Wind, wind, wind . . . Wind in an enormous brain
Blowing dark thoughts like fallen leaves . . .
The wind shrieks, the wind grieves;
It dashes the leaves on walls, it whirls then again;
And the enormous sleeper vaguely and stupidly dreams
And desires to stir, to resist a ghost of pain.

One, whom the city imprisoned because of his cunning,
Who dreamed for years in a tower,
Seizes this hour
Of tumult and wind. He files through the rusted bar,
Leans his face to the rain, laughs up at the night,
Slides down the knotted sheet, swings over the wall,
To fall to the street with a cat-like fall,
Slinks round a quavering rim of windy light,
And at last is gone,
Leaving his empty cell for the pallor of dawn . . .

The mother whose child was buried to-day
Turns her face to the window; her face is grey;
And all her body is cold with the coldness of rain.
He would have grown as easily as a tree,
He would have spread a pleasure of shade above her,
He would have been his father again . . .
His growth was ended by a freezing invisible shadow.
She lies, and does not move, and is stabbed by the rain.

Wind, wind, wind; we toss and dream;
We dream we are clouds and stars, blown in a stream:
Windows rattle above our beds;
We reach vague-gesturing hands, we lift our heads,
Hear sounds far off,—and dream, with quivering breath,
Our curious separate ways through life and death.


VIII.

The white fog creeps from the cold sea over the city,
Over the pale grey tumbled towers,—
And settles among the roofs, the pale grey walls.
Along damp sinuous streets it crawls,
Curls like a dream among the motionless trees
And seems to freeze.

The fog slips ghostlike into a thousand rooms,
Whirls over sleeping faces,
Spins in an atomy dance round misty street lamps;
And blows in cloudy waves over open spaces . . .

And one from his high window, looking down,
Peers at the cloud-white town,
And thinks its island towers are like a dream . . .
It seems an enormous sleeper, within whose brain
Laborious shadows revolve and break and gleam.

PART II.


I.

The round red sun heaves darkly out of the sea.
The walls and towers are warmed and gleam.
Sounds go drowsily up from streets and wharves.
The city stirs like one that is half in dream.

And the mist flows up by dazzling walls and windows,
Where one by one we wake and rise.
We gaze at the pale grey lustrous sea a moment,
We rub the darkness from our eyes,

And face our thousand devious secret mornings . . .
And do not see how the pale mist, slowly ascending,
Shaped by the sun, shines like a white-robed dreamer
Compassionate over our towers bending.

There, like one who gazes into a crystal,
He broods upon our city with sombre eyes;
He sees our secret fears vaguely unfolding,
Sees cloudy symbols shape to rise.

Each gleaming point of light is like a seed
Dilating swiftly to coiling fires.
Each cloud becomes a rapidly dimming face,
Each hurrying face records its strange desires.

We descend our separate stairs toward the day,
Merge in the somnolent mass that fills the street,
Lift our eyes to the soft blue space of sky,
And walk by the well-known walls with accustomed feet.


II. THE FULFILLED DREAM

More towers must yet be built—more towers destroyed—
Great rocks hoisted in air;
And he must seek his bread in high pale sunlight
With gulls about him, and clouds just over his eyes . . .
And so he did not mention his dream of falling
But drank his coffee in silence, and heard in his ears
That horrible whistle of wind, and felt his breath
Sucked out of him, and saw the tower flash by
And the small tree swell beneath him . . .
He patted his boy on the head, and kissed his wife,
Looked quickly around the room, to remember it,—
And so went out . . . For once, he forgot his pail.

Something had changed—but it was not the street—
The street was just the same—it was himself.
Puddles flashed in the sun. In the pawn-shop door
The same old black cat winked green amber eyes;
The butcher stood by his window tying his apron;
The same men walked beside him, smoking pipes,
Reading the morning paper . . .

He would not yield, he thought, and walk more slowly,
As if he knew for certain he walked to death:
But with his usual pace,—deliberate, firm,
Looking about him calmly, watching the world,
Taking his ease . . . Yet, when he thought again
Of the same dream, now dreamed three separate times,
Always the same, and heard that whistling wind,
And saw the windows flashing upward past him,—
He slowed his pace a little, and thought with horror
How monstrously that small tree thrust to meet him! . . .
He slowed his pace a little and remembered his wife.

Was forty, then, too old for work like this?
Why should it be? He'd never been afraid—
His eye was sure, his hand was steady . . .
But dreams had meanings.
He walked more slowly, and looked along the roofs,
All built by men, and saw the pale blue sky;
And suddenly he was dizzy with looking at it,
It seemed to whirl and swim,
It seemed the color of terror, of speed, of death . . .
He lowered his eyes to the stones, he walked more slowly;
His thoughts were blown and scattered like leaves;
He thought of the pail . . . Why, then, was it forgotten?
Because he would not need it?

Then, just as he was grouping his thoughts again
About that drug-store corner, under an arc-lamp,
Where first he met the girl whom he would marry,—
That blue-eyed innocent girl, in a soft blouse,—
He waved his hand for signal, and up he went
In the dusty chute that hugged the wall;
Above the tree; from girdered floor to floor;
Above the flattening roofs, until the sea
Lay wide and waved before him . . . And then he stepped
Giddily out, from that security,
To the red rib of iron against the sky,
And walked along it, feeling it sing and tremble;
And looking down one instant, saw the tree
Just as he dreamed it was; and looked away,
And up again, feeling his blood go wild.

He gave the signal; the long girder swung
Closer to him, dropped clanging into place,
Almost pushing him off. Pneumatic hammers
Began their madhouse clatter, the white-hot rivets
Were tossed from below and deftly caught in pails;
He signalled again, and wiped his mouth, and thought
A place so high in the air should be more quiet.
The tree, far down below, teased at his eyes,
Teased at the corners of them, until he looked,
And felt his body go suddenly small and light;
Felt his brain float off like a dwindling vapor;
And heard a whistle of wind, and saw a tree
Come plunging up to him, and thought to himself,
'By God—I'm done for now, the dream was right . . .'


III. INTERLUDE

The warm sun dreams in the dust, the warm sun falls
On bright red roofs and walls;
The trees in the park exhale a ghost of rain;
We go from door to door in the streets again,
Talking, laughing, dreaming, turning our faces,
Recalling other times and places . . .
We crowd, not knowing why, around a gate,
We crowd together and wait,
A stretcher is carried out, voices are stilled,
The ambulance drives away.
We watch its roof flash by, hear someone say
'A man fell off the building and was killed—
Fell right into a barrel . . .' We turn again
Among the frightened eyes of white-faced men,
And go our separate ways, each bearing with him
A thing he tries, but vainly, to forget,—
A sickened crowd, a stretcher red and wet.

A hurdy-gurdy sings in the crowded street,
The golden notes skip over the sunlit stones,
Wings are upon our feet.
The sun seems warmer, the winding street more bright,
Sparrows come whirring down in a cloud of light.
We bear our dreams among us, bear them all,
Like hurdy-gurdy music they rise and fall,
Climb to beauty and die.
The wandering lover dreams of his lover's mouth,
And smiles at the hostile sky.
The broker smokes his pipe, and sees a fortune.
The murderer hears a cry.


IV. NIGHTMARE

'Draw three cards, and I will tell your future . . .
Draw three cards, and lay them down,
Rest your palms upon them, stare at the crystal,
And think of time . . . My father was a clown,
My mother was a gypsy out of Egypt;
And she was gotten with child in a strange way;
And I was born in a cold eclipse of the moon,
With the future in my eyes as clear as day.'

I sit before the gold-embroidered curtain
And think her face is like a wrinkled desert.
The crystal burns in lamplight beneath my eyes.
A dragon slowly coils on the scaly curtain.
Upon a scarlet cloth a white skull lies.

'Your hand is on the hand that holds three lilies.
You will live long, love many times.
I see a dark girl here who once betrayed you.
I see a shadow of secret crimes.

'There was a man who came intent to kill you,
And hid behind a door and waited for you;
There was a woman who smiled at you and lied.
There was a golden girl who loved you, begged you,
Crawled after you, and died.

'There is a ghost of murder in your blood—
Coming or past, I know not which.
And here is danger—a woman with sea-green eyes,
And white-skinned as a witch . . .'

The words hiss into me, like raindrops falling
On sleepy fire . . . She smiles a meaning smile.
Suspicion eats my brain; I ask a question;
Something is creeping at me, something vile;

And suddenly on the wall behind her head
I see a monstrous shadow strike and spread,
The lamp puffs out, a great blow crashes down.
I plunge through the curtain, run through dark to the street,
And hear swift steps retreat . . .

The shades are drawn, the door is locked behind me.
Behind the door I hear a hammer sounding.
I walk in a cloud of wonder; I am glad.
I mingle among the crowds; my heart is pounding;
You do not guess the adventure I have had! . . .

Yet you, too, all have had your dark adventures,
Your sudden adventures, or strange, or sweet . . .
My peril goes out from me, is blown among you.
We loiter, dreaming together, along the street.


V. RETROSPECT

Round white clouds roll slowly above the housetops,
Over the clear red roofs they flow and pass.
A flock of pigeons rises with blue wings flashing,
Rises with whistle of wings, hovers an instant,
And settles slowly again on the tarnished grass.

And one old man looks down from a dusty window
And sees the pigeons circling about the fountain
And desires once more to walk among those trees.
Lovers walk in the noontime by that fountain.
Pigeons dip their beaks to drink from the water.
And soon the pond must freeze.

The light wind blows to his ears a sound of laughter,
Young men shuffle their feet, loaf in the sunlight;
A girl's laugh rings like a silver bell.
But clearer than all these sounds is a sound he hears
More in his secret heart than in his ears,—
A hammer's steady crescendo, like a knell.
He hears the snarl of pineboards under the plane,
The rhythmic saw, and then the hammer again,—
Playing with delicate strokes that sombre scale . . .
And the fountain dwindles, the sunlight seems to pale.

Time is a dream, he thinks, a destroying dream;
It lays great cities in dust, it fills the seas;
It covers the face of beauty, and tumbles walls.
Where was the woman he loved? Where was his youth?
Where was the dream that burned his brain like fire?
Even a dream grows grey at last and falls.

He opened his book once more, beside the window,
And read the printed words upon that page.
The sunlight touched his hand; his eyes moved slowly,
The quiet words enchanted time and age.

'Death is never an ending, death is a change;
Death is beautiful, for death is strange;
Death is one dream out of another flowing;
Death is a chorded music, softly going
By sweet transition from key to richer key.
Death is a meeting place of sea and sea.'


VI. ADELE AND DAVIS

She turned her head on the pillow, and cried once more.
And drawing a shaken breath, and closing her eyes,
To shut out, if she could, this dingy room,
The wigs and costumes scattered around the floor,—
Yellows and greens in the dark,—she walked again
Those nightmare streets which she had walked so often . . .
Here, at a certain corner, under an arc-lamp,
Blown by a bitter wind, she stopped and looked
In through the brilliant windows of a drug-store,
And wondered if she dared to ask for poison:
But it was late, few customers were there,
The eyes of all the clerks would freeze upon her,
And she would wilt, and cry . . . Here, by the river,
She listened to the water slapping the wall,
And felt queer fascination in its blackness:
But it was cold, the little waves looked cruel,
The stars were keen, and a windy dash of spray
Struck her cheek, and withered her veins . . . And so
She dragged herself once more to home, and bed.

Paul hadn't guessed it yet—though twice, already,
She'd fainted—once, the first time, on the stage.
So she must tell him soon—or else—get out . . .
How could she say it? That was the hideous thing.
She'd rather die than say it! . . . and all the trouble,
Months when she couldn't earn a cent, and then,
If he refused to marry her . . . well, what?
She saw him laughing, making a foolish joke,
His grey eyes turning quickly; and the words
Fled from her tongue . . . She saw him sitting silent,
Brooding over his morning coffee, maybe,
And tried again . . . she bit her lips, and trembled,
And looked away, and said . . . 'Say Paul, boy,—listen
There's something I must tell you . . . ' There she stopped,
Wondering what he'd say . . . What would he say?
'Spring it, kid! Don't look so serious!'
'But what I've got to sayIS—serious!'
Then she could see how, suddenly, he would sober,
His eyes would darken, he'd look so terrifying—
He always did—and what could she do but cry?
Perhaps, then, he would guess—perhaps he wouldn't.
And if he didn't, but asked her 'What's the matter?'—
She knew she'd never telljust say she was sick . . .
And after that, when would she dare again?
And what would he do—even suppose she told him?

If it were Felix! If it were only Felix!—
She wouldn't mind so much. But as it was,
Bitterness choked her, she had half a mind
To pay out Felix for never having liked her,
By making people think that it was he . . .
She'd write a letter to someone, before she died,—
Just saying 'Felix did it—and wouldn't marry.'
And then she'd die . . . But that was hard on Paul . . .
Paul would never forgive her—he'd never forgive her!
Sometimes she almost thought Paul really loved her . . .
She saw him look reproachfully at her coffin.

And then she closed her eyes and walked again
Those nightmare streets that she had walked so often:
Under an arc-lamp swinging in the wind
She stood, and stared in through a drug-store window,
Watching a clerk wrap up a little pill-box.
But it was late. No customers were there,—
Pitiless eyes would freeze her secret in her!
And then—what poison would she dare to ask for?
And if they asked her why, what would she say?


VII. TWO LOVERS: OVERTONES

Two lovers, here at the corner, by the steeple,
Two lovers blow together like music blowing:
And the crowd dissolves about them like a sea.
Recurring waves of sound break vaguely about them,
They drift from wall to wall, from tree to tree.
'Well, am I late?' Upward they look and laugh,
They look at the great clock's golden hands,
They laugh and talk, not knowing what they say:
Only, their words like music seem to play;
And seeming to walk, they tread strange sarabands.

'I brought you this . . . ' the soft words float like stars
Down the smooth heaven of her memory.
She stands again by a garden wall,
The peach tree is in bloom, pink blossoms fall,
Water sings from an opened tap, the bees
Glisten and murmur among the trees.
Someone calls from the house. She does not answer.
Backward she leans her head,
And dreamily smiles at the peach-tree leaves, wherethrough
She sees an infinite May sky spread
A vault profoundly blue.
The voice from the house fades far away,
The glistening leaves more vaguely ripple and sway . .
The tap is closed, the water ceases to hiss . . .
Silence . . . blue sky . . . and then, 'I brought you this . . . '
She turns again, and smiles . . . He does not know
She smiles from long ago . . .

She turns to him and smiles . . . Sunlight above him
Roars like a vast invisible sea,
Gold is beaten before him, shrill bells of silver;
He is released of weight, his body is free,
He lifts his arms to swim,
Dark years like sinister tides coil under him . . .
The lazy sea-waves crumble along the beach
With a whirring sound like wind in bells,
He lies outstretched on the yellow wind-worn sands
Reaching his lazy hands
Among the golden grains and sea-white shells . . .

'One white rose . . . or is it pink, to-day?'
They pause and smile, not caring what they say,
If only they may talk.
The crowd flows past them like dividing waters.
Dreaming they stand, dreaming they walk.

'Pink,—to-day!'—Face turns to dream-bright face,
Green leaves rise round them, sunshine settles upon them,
Water, in drops of silver, falls from the rose.
She smiles at a face that smiles through leaves from the mirror.
She breathes the fragrance; her dark eyes close . . .

Time is dissolved, it blows like a little dust:
Time, like a flurry of rain,
Patters and passes, starring the window-pane.
Once, long ago, one night,
She saw the lightning, with long blue quiver of light,
Ripping the darkness . . . and as she turned in terror
A soft face leaned above her, leaned softly down,
Softly around her a breath of roses was blown,
She sank in waves of quiet, she seemed to float
In a sea of silence . . . and soft steps grew remote . .

'Well, let us walk in the park . . . The sun is warm,
We'll sit on a bench and talk . . .' They turn and glide,
The crowd of faces wavers and breaks and flows.
'Look how the oak-tops turn to gold in the sunlight!
Look how the tower is changed and glows!'

Two lovers move in the crowd like a link of music,
We press upon them, we hold them, and let them pass;
A chord of music strikes us and straight we tremble;
We tremble like wind-blown grass.

What was this dream we had, a dream of music,
Music that rose from the opening earth like magic
And shook its beauty upon us and died away?
The long cold streets extend once more before us.
The red sun drops, the walls grow grey.


VIII. THE BOX WITH SILVER HANDLES

Well,—it was two days after my husband died—
Two days! And the earth still raw above him.
And I was sweeping the carpet in their hall.
In number four—the room with the red wall-paper—
Some chorus girls and men were singing that song
'They'll soon be lighting candles
Round a box with silver handles'—and hearing them sing it
I started to cry. Just then he came along
And stopped on the stairs and turned and looked at me,
And took the cigar from his mouth and sort of smiled
And said, 'Say, what's the matter?' and then came down
Where I was leaning against the wall,
And touched my shoulder, and put his arm around me . . .
And I was so sad, thinking about it,—
Thinking that it was raining, and a cold night,
With Jim so unaccustomed to being dead,—
That I was happy to have him sympathize,
To feel his arm, and leaned against him and cried.
And before I knew it, he got me into a room
Where a table was set, and no one there,
And sat me down on a sofa, and held me close,
And talked to me, telling me not to cry,
That it was all right, he'd look after me,—
But not to cry, my eyes were getting red,
Which didn't make me pretty. And he was so nice,
That when he turned my face between his hands,
And looked at me, with those blue eyes of his,
And smiled, and leaned, and kissed me
Somehow I couldn't tell him not to do it,
Somehow I didn't mind, I let him kiss me,
And closed my eyes! . . . Well, that was how it started.
For when my heart was eased with crying, and grief
Had passed and left me quiet, somehow it seemed
As if it wasn't honest to change my mind,
To send him away, or say I hadn't meant it—
And, anyway, it seemed so hard to explain!
And so we sat and talked, not talking much,
But meaning as much in silence as in words,
There in that empty room with palms about us,
That private dining-room . . . And as we sat there
I felt my future changing, day by day,
With unknown streets opening left and right,
New streets with farther lights, new taller houses,
Doors swinging into hallways filled with light,
Half-opened luminous windows, with white curtains
Streaming out in the night, and sudden music,—
And thinking of this, and through it half remembering
A quick and horrible death, my husband's eyes,
The broken-plastered walls, my boy asleep,—
It seemed as if my brain would break in two.
My voice began to tremble . . . and when I stood,
And told him I must go, and said good-night—
I couldn't see the end. How would it end?
Would he return to-morrow? Or would he not?
And did I want him toor would I rather
Look for another job?—He took my shoulders
Between his hands, and looked down into my eyes,
And smiled, and said good-night. If he had kissed me,
That would have—well, I don't know; but he didn't . .
And so I went downstairs, then, half elated,
Hoping to close the door before that party
In number four should sing that song again—
'They'll soon be lighting candles round a box with silver handles'—
And sure enough, I did. I faced the darkness.
And my eyes were filled with tears. And I was happy.


IX. INTERLUDE

The days, the nights, flow one by one above us,
The hours go silently over our lifted faces,
We are like dreamers who walk beneath a sea.
Beneath high walls we flow in the sun together.
We sleep, we wake, we laugh, we pursue, we flee.

We sit at tables and sip our morning coffee,
We read the papers for tales of lust or crime.
The door swings shut behind the latest comer.
We set our watches, regard the time.

What have we done? I close my eyes, remember
The great machine whose sinister brain before me
Smote and smote with a rhythmic beat.
My hands have torn down walls, the stone and plaster.
I dropped great beams to the dusty street.

My eyes are worn with measuring cloths of purple,
And golden cloths, and wavering cloths, and pale.
I dream of a crowd of faces, white with menace.
Hands reach up to tear me. My brain will fail.

Here, where the walls go down beneath our picks,
These walls whose windows gap against the sky,
Atom by atom of flesh and brain and marble
Will build a glittering tower before we die . . .

The young boy whistles, hurrying down the street,
The young girl hums beneath her breath.
One goes out to beauty, and does not know it.
And one goes out to death.


X. SUDDEN DEATH

'Number four—the girl who died on the table—
The girl with golden hair—'
The purpling body lies on the polished marble.
We open the throat, and lay the thyroid bare . . .

One, who held the ether-cone, remembers
Her dark blue frightened eyes.
He heard the sharp breath quiver, and saw her breast
More hurriedly fall and rise.
Her hands made futile gestures, she turned her head
Fighting for breath; her cheeks were flushed to scarlet,—
And, suddenly, she lay dead.

And all the dreams that hurried along her veins
Came to the darkness of a sudden wall.
Confusion ran among them, they whirled and clamored,
They fell, they rose, they struck, they shouted,
Till at last a pallor of silence hushed them all.

What was her name? Where had she walked that morning?
Through what dark forest came her feet?
Along what sunlit walls, what peopled street?

Backward he dreamed along a chain of days,
He saw her go her strange and secret ways,
Waking and sleeping, noon and night.
She sat by a mirror, braiding her golden hair.
She read a story by candlelight.

Her shadow ran before her along the street,
She walked with rhythmic feet,
Turned a corner, descended a stair.
She bought a paper, held it to scan the headlines,
Smiled for a moment at sea-gulls high in sunlight,
And drew deep breaths of air.

Days passed, bright clouds of days. Nights passed. And music
Murmured within the walls of lighted windows.
She lifted her face to the light and danced.
The dancers wreathed and grouped in moving patterns,
Clustered, receded, streamed, advanced.

Her dress was purple, her slippers were golden,
Her eyes were blue; and a purple orchid
Opened its golden heart on her breast . . .
She leaned to the surly languor of lazy music,
Leaned on her partner's arm to rest.
The violins were weaving a weft of silver,
The horns were weaving a lustrous brede of gold,
And time was caught in a glistening pattern,
Time, too elusive to hold . . .

Shadows of leaves fell over her face,—and sunlight:
She turned her face away.
Nearer she moved to a crouching darkness
With every step and day.

Death, who at first had thought of her only an instant,
At a great distance, across the night,
Smiled from a window upon her, and followed her slowly
From purple light to light.

Once, in her dreams, he spoke out clearly, crying,
'I am the murderer, death.
I am the lover who keeps his appointment
At the doors of breath!'

She rose and stared at her own reflection,
Half dreading there to find
The dark-eyed ghost, waiting beside her,
Or reaching from behind
To lay pale hands upon her shoulders . . .
Or was this in her mind? . . .

She combed her hair. The sunlight glimmered
Along the tossing strands.
Was there a stillness in this hair,—
A quiet in these hands?

Death was a dream. It could not change these eyes,
Blow out their light, or turn this mouth to dust.
She combed her hair and sang. She would live forever.
Leaves flew past her window along a gust . . .
And graves were dug in the earth, and coffins passed,
And music ebbed with the ebbing hours.
And dreams went along her veins, and scattering clouds
Threw streaming shadows on walls and towers.


XI.

Snow falls. The sky is grey, and sullenly glares
With purple lights in the canyoned street.
The fiery sign on the dark tower wreathes and flares . . .
The trodden grass in the park is covered with white,
The streets grow silent beneath our feet . . .
The city dreams, it forgets its past to-night.

And one, from his high bright window looking down
Over the enchanted whiteness of the town,
Seeing through whirls of white the vague grey towers,
Desires like this to forget what will not pass,
The littered papers, the dust, the tarnished grass,
Grey death, stale ugliness, and sodden hours.
Deep in his heart old bells are beaten again,
Slurred bells of grief and pain,
Dull echoes of hideous times and poisonous places.
He desires to drown in a cold white peace of snow.
He desires to forget a million faces . . .

In one room breathes a woman who dies of hunger.
The clock ticks slowly and stops. And no one winds it.
In one room fade grey violets in a vase.
Snow flakes faintly hiss and melt on the window.
In one room, minute by minute, the flutist plays
The lamplit page of music, the tireless scales.
His hands are trembling, his short breath fails.

In one room, silently, lover looks upon lover,
And thinks the air is fire.
The drunkard swears and touches the harlot's heartstrings
With the sudden hand of desire.

And one goes late in the streets, and thinks of murder;
And one lies staring, and thinks of death.
And one, who has suffered, clenches her hands despairing,
And holds her breath . . .

Who are all these, who flow in the veins of the city,
Coil and revolve and dream,
Vanish or gleam?
Some mount up to the brain and flower in fire.
Some are destroyed; some die; some slowly stream.

And the new are born who desire to destroy the old;
And fires are kindled and quenched; and dreams are broken,
And walls flung down . . .
And the slow night whirls in snow over towers of dreamers,
And whiteness hushes the town.

PART III


I

As evening falls,
And the yellow lights leap one by one
Along high walls;
And along black streets that glisten as if with rain,
The muted city seems
Like one in a restless sleep, who lies and dreams
Of vague desires, and memories, and half-forgotten pain . . .
Along dark veins, like lights the quick dreams run,
Flash, are extinguished, flash again,
To mingle and glow at last in the enormous brain
And die away . . .
As evening falls,
A dream dissolves these insubstantial walls,—
A myriad secretly gliding lights lie bare . . .
The lovers rise, the harlot combs her hair,
The dead man's face grows blue in the dizzy lamplight,
The watchman climbs the stair . . .
The bank defaulter leers at a chaos of figures,
And runs among them, and is beaten down;
The sick man coughs and hears the chisels ringing;
The tired clown
Sees the enormous crowd, a million faces,
Motionless in their places,
Ready to laugh, and seize, and crush and tear . . .
The dancer smooths her hair,
Laces her golden slippers, and runs through the door
To dance once more,
Hearing swift music like an enchantment rise,
Feeling the praise of a thousand eyes.

As darkness falls
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live tonight? Where shall we turn?
To what new light or darkness yearn?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamplit flowered walls, long balustrades,
Through half-lit halls which reach no end.


II. THE SCREEN MAIDEN

You read—what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .

. . . The poet—what was his name—? Tokkei—Tokkei—
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.

Rain in the dreams of the mind—rain forever—
Rain in the sky of the heart—rain in the willows—
But then he saw this face, this face like flame,
This quiet lady, this portrait by Hiroshigi;
And took it home with him; and with it came

What unexpected changes, subtle as weather!
The dark room, cold as rain,
Grew faintly fragrant, stirred with a stir of April,
Warmed its corners with light again,

And smoke of incense whirled about this portrait,
And the quiet lady there,
So young, so quietly smiling, with calm hands,
Seemed ready to loose her hair,

And smile, and lean from the picture, or say one word,
The word already clear,
Which seemed to rise like light between her eyelids . .
He held his breath to hear,

And smiled for shame, and drank a cup of wine,
And held a candle, and searched her face
Through all the little shadows, to see what secret
Might give so warm a grace . . .

Was it the quiet mouth, restrained a little?
The eyes, half-turned aside?
The jade ring on her wrist, still almost swinging? . . .
The secret was denied,

He chose his favorite pen and drew these verses,
And slept; and as he slept
A dream came into his heart, his lover entered,
And chided him, and wept.

And in the morning, waking, he remembered,
And thought the dream was strange.
Why did his darkened lover rise from the garden?
He turned, and felt a change,

As if a someone hidden smiled and watched him . . .
Yet there was only sunlight there.
Until he saw those young eyes, quietly smiling,
And held his breath to stare,

And could have sworn her cheek had turned—a little . . .
Had slightly turned away . . .
Sunlight dozed on the floor . . . He sat and wondered,
Nor left his room that day.

And that day, and for many days thereafter,
He sat alone, and thought
No lady had ever lived so beautiful
As Hiroshigi wrought . . .

Or if she lived, no matter in what country,
By what far river or hill or lonely sea,
He would look in every face until he found her . . .
There was no other as fair as she.

And before her quiet face he burned soft incense,
And brought her every day
Boughs of the peach, or almond, or snow-white cherry,
And somehow, she seemed to say,

That silent lady, young, and quietly smiling,
That she was happy there;
And sometimes, seeing this, he started to tremble,
And desired to touch her hair,

To lay his palm along her hand, touch faintly
With delicate finger-tips
The ghostly smile that seemed to hover and vanish
Upon her lips . . .

Until he knew he loved this quiet lady;
And night by night a dread
Leered at his dreams, for he knew that Hiroshigi
Was many centuries dead,—

And the lady, too, was dead, and all who knew her . .
Dead, and long turned to dust . . .
The thin moon waxed and waned, and left him paler,
The peach leaves flew in a gust,

And he would surely have died; but there one day
A wise man, white with age,
Stared at the portrait, and said, 'This Hiroshigi
Knew more than archimage,—

Cunningly drew the body, and called the spirit,
Till partly it entered there . . .
Sometimes, at death, it entered the portrait wholly . .
Do all I say with care,

And she you love may come to you when you call her . . . '
So then this ghost, Tokkei,
Ran in the sun, bought wine of a hundred merchants,
And alone at the end of day

Entered the darkening room, and faced the portrait,
And saw the quiet eyes
Gleaming and young in the dusk, and held the wine-cup,
And knelt, and did not rise,

And said, aloud, 'Lo-san, will you drink this wine?'
Said it three times aloud.
And at the third the faint blue smoke of incense
Rose to the walls in a cloud,

And the lips moved faintly, and the eyes, and the calm hands stirred;
And suddenly, with a sigh,
The quiet lady came slowly down from the portrait,
And stood, while worlds went by,

And lifted her young white hands and took the wine cup;
And the poet trembled, and said,
'Lo-san, will you stay forever?'—'Yes, I will stay.'—
'But what when I am dead?'

'When you are dead your spirit will find my spirit,
And then we shall die no more.'
Music came down upon them, and spring returning,
They remembered worlds before,

And years went over the earth, and over the sea,
And lovers were born and spoke and died,
But forever in sunlight went these two immortal,
Tokkei and the quiet bride . . .


III. HAUNTED CHAMBERS

The lamplit page is turned, the dream forgotten;
The music changes tone, you wake, remember
Deep worlds you lived before,—deep worlds hereafter
Of leaf on falling leaf, music on music,
Rain and sorrow and wind and dust and laughter.

Helen was late and Miriam came too soon.
Joseph was dead, his wife and children starving.
Elaine was married and soon to have a child.
You dreamed last night of fiddler-crabs with fiddles;
They played a buzzing melody, and you smiled.

To-morrow—what? And what of yesterday?
Through soundless labyrinths of dream you pass,
Through many doors to the one door of all.
Soon as it's opened we shall hear a music:
Or see a skeleton fall . . .

We walk with you. Where is it that you lead us?
We climb the muffled stairs beneath high lanterns.
We descend again. We grope through darkened cells.
You say: this darkness, here, will slowly kill me.
It creeps and weighs upon me . . . Is full of bells.

This is the thing remembered I would forget—
No matter where I go, how soft I tread,
This windy gesture menaces me with death.
Fatigue! it says, and points its finger at me;
Touches my throat and stops my breath.

My fans—my jewels—the portrait of my husband—
The torn certificate for my daughter's grave—
These are but mortal seconds in immortal time.
They brush me, fade away: like drops of water.
They signify no crime.

Let us retrace our steps: I have deceived you:
Nothing is here I could not frankly tell you:
No hint of guilt, or faithlessness, or threat.
Dreams—they are madness. Staring eyes—illusion.
Let us return, hear music, and forget . . .


IV. ILLICIT

Of what she said to me that night—no matter.
The strange thing came next day.
My brain was full of music—something she played me—;
I couldn't remember it all, but phrases of it
Wreathed and wreathed among faint memories,
Seeking for something, trying to tell me something,
Urging to restlessness: verging on grief.
I tried to play the tune, from memory,—
But memory failed: the chords and discords climbed
And found no resolution—only hung there,
And left me morbid . . . Where, then, had I heard it? . . .
What secret dusty chamber was it hinting?
'Dust', it said, 'dust . . . and dust . . . and sunlight . .
A cold clear April evening . . . snow, bedraggled,
Rain-worn snow, dappling the hideous grass . . .
And someone walking alone; and someone saying
That all must end, for the time had come to go . . . '
These were the phrases . . . but behind, beneath them
A greater shadow moved: and in this shadow
I stood and guessed . . . Was it the blue-eyed lady?
The one who always danced in golden slippers—
And had I danced with her,—upon this music?
Or was it further back—the unplumbed twilight
Of childhood?—No—much recenter than that.

You know, without my telling you, how sometimes
A word or name eludes you, and you seek it
Through running ghosts of shadow,—leaping at it,
Lying in wait for it to spring upon it,
Spreading faint snares for it of sense or sound:
Until, of a sudden, as if in a phantom forest,
You hear it, see it flash among the branches,
And scarcely knowing how, suddenly have it—
Well, it was so I followed down this music,
Glimpsing a face in darkness, hearing a cry,
Remembering days forgotten, moods exhausted,
Corners in sunlight, puddles reflecting stars—;
Until, of a sudden, and least of all suspected,
The thing resolved itself: and I remembered
An April afternoon, eight years ago—
Or was it nine?—no matter—call it nine—
A room in which the last of sunlight faded;
A vase of violets, fragrance in white curtains;
And, she who played the same thing later, playing.

She played this tune. And in the middle of it
Abruptly broke it off, letting her hands
Fall in her lap. She sat there so a moment,
With shoulders drooped, then lifted up a rose,
One great white rose, wide opened like a lotos,
And pressed it to her cheek, and closed her eyes.

'You know—we've got to end this—Miriam loves you . . .
If she should ever know, or even guess it,—
What would she do?—Listen!—I'm not absurd . . .
I'm sure of it. If you had eyes, for women—
To understand them—which you've never had—
You'd know it too . . . ' So went this colloquy,
Half humorous, with undertones of pathos,
Half grave, half flippant . . . while her fingers, softly,
Felt for this tune, played it and let it fall,
Now note by singing note, now chord by chord,
Repeating phrases with a kind of pleasure . . .
Was it symbolic of the woman's weakness
That she could neither break it—nor conclude?
It paused . . . and wandered . . . paused again; while she,
Perplexed and tired, half told me I must go,—
Half asked me if I thought I ought to go . . .

Well, April passed with many other evenings,
Evenings like this, with later suns and warmer,
With violets always there, and fragrant curtains . . .
And she was right: and Miriam found it out . . .
And after that, when eight deep years had passed—
Or nine—we met once more,—by accident . . .
But was it just by accident, I wonder,
She played this tune?—Or what, then, was intended? . . .


V. MELODY IN A RESTAURANT

The cigarette-smoke loops and slides above us,
Dipping and swirling as the waiter passes;
You strike a match and stare upon the flame.
The tiny fire leaps in your eyes a moment,
And dwindles away as silently as it came.

This melody, you say, has certain voices—
They rise like nereids from a river, singing,
Lift white faces, and dive to darkness again.
Wherever you go you bear this river with you:
A leaf falls,—and it flows, and you have pain.

So says the tune to youbut what to me?
What to the waiter, as he pours your coffee,
The violinist who suavely draws his bow?
That man, who folds his paper, overhears it.
A thousand dreams revolve and fall and flow.

Some one there is who sees a virgin stepping
Down marble stairs to a deep tomb of roses:
At the last moment she lifts remembering eyes.
Green leaves blow down. The place is checked with shadows.
A long-drawn murmur of rain goes down the skies.
And oaks are stripped and bare, and smoke with lightning:
And clouds are blown and torn upon high forests,
And the great sea shakes its walls.
And then falls silence . . . And through long silence falls
This melody once more:
'Down endless stairs she goes, as once before.'

So says the tune to him—but what to me?
What are the worlds I see?
What shapes fantastic, terrible dreams? . . .
I go my secret way, down secret alleys;
My errand is not so simple as it seems.


VI. PORTRAIT OF ONE DEAD

This is the house. On one side there is darkness,
On one side there is light.
Into the darkness you may lift your lanterns—
O, any number—it will still be night.
And here are echoing stairs to lead you downward
To long sonorous halls.
And here is spring forever at these windows,
With roses on the walls.

This is her room. On one side there is music—
On one side not a sound.
At one step she could move from love to silence,
Feel myriad darkness coiling round.
And here are balconies from which she heard you,
Your steady footsteps on the stair.
And here the glass in which she saw your shadow
As she unbound her hair.

Here is the room—with ghostly walls dissolving—
The twilight room in which she called you 'lover';
And the floorless room in which she called you 'friend.'
So many times, in doubt, she ran between them!—
Through windy corridors of darkening end.

Here she could stand with one dim light above her
And hear far music, like a sea in caverns,
Murmur away at hollowed walls of stone.
And here, in a roofless room where it was raining,
She bore the patient sorrow of rain alone.

Your words were walls which suddenly froze around her.
Your words were windows,—large enough for moonlight,
Too small to let her through.
Your letters—fragrant cloisters faint with music.
The music that assuaged her there was you.

How many times she heard your step ascending
Yet never saw your face!
She heard them turn again, ring slowly fainter,
Till silence swept the place.
Why had you gone? . . . The door, perhaps, mistaken . . .
You would go elsewhere. The deep walls were shaken.

A certain rose-leaf—sent without intention—
Became, with time, a

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Blue Sky

When there is a blue sky,
you know the sun is out
and there is warmth
to surround you
in everything you do.
The world is yours
with a smile on every face
when there is a blue sky.


7 July 2011

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Blue sky thoughts

Blue sky thoughts
~
the morning sky
is a canvas of purest blue
like the clear coral sea
mesmerising and endless
a gentle breeze carries bird song
while the warmth of the sun
lays across everything
let this portrait be untouched
is is a masterpiece in itself

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Sky, Blue Sky

Sky, blue sky
so blue and shy
u only appear
when there are clouds to dissapear
then comes the sun
so worm as the love of a mum
the sky full of light
iluminated by life
sometimes blue and and grey
how he should stay?
maybe always blue
maybe always gray
who knows
someday there will be no sky
to think how he shoul stay...

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On the other side of the blue curtain

Every day
the blue curtain appears,
unless white clouds
linen it off.

At dusk
the blue curtain,
disappears when it becomes transparent.

On the other side of the blue curtain
lies lights of ruby, sapphire and emerald
which appears in the heaven
and the black becomes full of dots
that twinkles and sparkles
and disappear
when the sun rises.

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It was in a light blue sky

It was in a light blue sky
on a cloudless day,
that images with great speed.
swept out of the sun

We cheered as the war planes
passed overhead
and waved at Mirages,
but they were enemy Migs.

Missiles and bombs dropped
and a destroyed buffel apc burned
and my ears resounded,
while I rolled into a ditch and saw the planes
turning and pitching away.

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Blue Sky?

Blue sky yesterday
Grey today
Did the blue sky
Go away?

What is blue
And sunny too?
The blue sky
Hiding behind the grey.

Grey today
But with blue sky
Waiting to come out
And play.

The sun is laughing
At my blueness
Blue sky with its greyness
Never meant for sadness.

Blue sky here today
But with a greyness
Covering all the blueness
This is what I want to say.

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The boundless blue sky

The boundless blue sky,
the ever-rushing wide ocean
and everything living in nature proclaims
that they exist by His will

even the burning sun, every star
and the rising moon
functions in matchless precision
as if set by the greatest scientist of all.

How can we mere men comprehend
that His existence is without end,
the kind of love that is selfless
and that His powers are never spent?

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Blue Sky

Walk along the river, sweet lullaby, it just keeps on flowing,
It dont worry bout where its going, no, no.
Dont fly, mister blue bird, Im just walking down the road,
Early morning sunshine tell me all I need to know
Chorus
Youre my blue sky, youre my sunny day.
Lord, you know it makes me high when you turn your love my way,
Turn your love my way, yeah.
Good old sunday morning, bells are ringing everywhere.
Goin to carolina, it wont be long and Ill be there
Chorus

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Blue Sky

There is a blue sky that shudders
And turns black after exhaustion;
The fires are on, in the childhood,
Many of these days are like fountains.
Loathing the men of mathematical qualities
Is nearly making me shudder,
For the shunning of the sun is huge.
Underneath the sky of the star is a planet,
And the soil is an open field of commerce.
Let the black mountains outshine others
In their blackness, so that fire of igneous rocks
Inflames our heart and speaks mathematically high.

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An Adult and an unforgettable Summer

Gentle wind blows
And weak leaves fall
Autumn peeps overall.
He gazed at a far away kite
That idles in the Western sky.
Oh! It's like his bygone summer
Gone with the wind quicker.
The same wind comes again
And where do you want to take him now?
His grandson draws a red kite in a pale blue sky with pastels
While sitting on the threshold.
It's almost an unforgettable summer
And his faintly kite never seen forever.

* I humbly dedicate this poem to the 9/11 innocent victims and their weeping families.

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On A Hill Under The Blue Sky

On a hill under the blue sky
Your body once did bend under sin,
for long moments my glance were set tense,
did your crucifixion cling to me,

and I trusted my life anew to You,
while below Jerusalem baked in the sun.
On a hill under the blue sky
Your body once did bend under sin,

while I watched that city for moments,
and everything in the future I wanted to do with You,
in my ears was every curse and scolding
that after thousands of years still clings to the place
on a hill under the blue sky.

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Blue Sky Memories (In Answer To O Ingrid Jonker, For Daleen)

Blue sky memories continually comes to me
of a day under a bright summer sun
as if a part of you stays lingering,
when I love you even more (if I could)
while continually you are snared in my remembering.
Even when times of bad weather want to come
there is an unbreakable bond between us,
while continually I am astounded by our love.
Blue sky memories continually lingers in my thoughts
when I forget all of my previous heartaches,
when continually I am lost in you
and I always know about the depth of our love.
The sparkling sun continuously brings new hope,
when we walk days, months and years together on a road.

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