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Morning Rain

Written by christine mcvie.
Clear as the morning rain
Seeing it very plain
Weve got to start again
Whats that you do
Whats that you say
Theres no use complaining
Its the only way
Theres no use feeling dissatisfied
Cause how can you know until youve tried
Clear as the morning rain
Seeing it very plain
Weve got to start again
Everthings going around in my head
The futures new and the past is dead
Pull out the stops, turn on the light
Cause away from the darkness everything seems bright
Clear as the morning rain
Seeing it very plain
Weve got to start again
Do do do do do
Do do do do do do do
Do do do do do
Do do do do do do do
Do do do do do
Do do do do do do do
Do do do do do
Do do do do do do do...

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Christeen Sixteen

She's got me dizzy, she sees me through to the end
She's got me in her hands and there's no use in pretending
Christine sixteen, Christine sixteen
She drives me crazy, I want to give her all I've got
And she's hot every day and night, there is no doubt about it
Christine sixteen, Christine sixteen
"I don't usually say things like this to girls your age, but when I saw you
coming out of the school that day, that day I knew, I knew, I've got to have
you, I've got to have you."
She's' been around, but she's young and clean
I've got to have her, can't live without her, whoo no
Christine sixteen, Christine sixteen
Christine, Christine, sixteen, sixteen
Christine, yeah, yeah
So clean, Christine, sixteen, sixteen
Christine, yeah, Christine, yeah, yeah
Christine, Christine, sixteen, sixteen
Christine, yeah, Christine, yeah, yeah
Christine, Christine, sixteen, sixteen
Christine, yeah, yeah, yeah, yeah
Christine, Christine, sixteen, sixteen
Christine, yeah, yeah, yeah
Christine, Christine, sixteen, sixteen
Christine, yeah, yeah, yeah
Christine, Christine, sixteen, sixteen, Christine, yeah, yeah
Christine, Christine, sixteen, sixteen
Christine, yeah, yeah, yeah

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Christine Sixteen

Shes got me dizzy, she sees me through to the end
Shes got me in her hands and theres no use in pretending
Christine sixteen, christine sixteen
She drives me crazy, I want to give her all Ive got
And shes hot every day and night, there is no doubt about it
Christine sixteen, christine sixteen
I dont usually say things like this to girls your age, but when I saw you
Coming out of the school that day, that day I knew, I knew, Ive got to have
You, Ive got to have you.
Shes been around, but shes young and clean
Ive got to have her, cant live without her, whoo no
Christine sixteen, christine sixteen
Christine, christine, sixteen, sixteen
Christine, yeah, yeah
So clean, christine, sixteen, sixteen
Christine, yeah, christine, yeah, yeah
Christine, christine, sixteen, sixteen
Christine, yeah, christine, yeah, yeah
Christine, christine, sixteen, sixteen
Christine, yeah, yeah, yeah, yeah
Christine, christine, sixteen, sixteen
Christine, yeah, yeah, yeah
Christine, christine, sixteen, sixteen
Christine, yeah, yeah, yeah
Christine, christine, sixteen, sixteen, christine, yeah, yeah
Christine, christine, sixteen, sixteen
Christine, yeah, yeah, yeah

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Amy Lowell

The Great Adventure Of Max Breuck

1

A yellow band of light upon the street
Pours from an open door, and makes a wide
Pathway of bright gold across a sheet
Of calm and liquid moonshine. From inside
Come shouts and streams of laughter, and a snatch
Of song, soon drowned and lost again in mirth,
The clip of tankards on a table top,
And stir of booted heels. Against the patch
Of candle-light a shadow falls, its girth
Proclaims the host himself, and master of his shop.


2

This is the tavern of one Hilverdink,
Jan Hilverdink, whose wines are much esteemed.
Within his cellar men can have to drink
The rarest cordials old monks ever schemed
To coax from pulpy grapes, and with nice art
Improve and spice their virgin juiciness.
Here froths the amber beer of many a brew,
Crowning each pewter tankard with as smart
A cap as ever in his wantonness
Winter set glittering on top of an old yew.


3

Tall candles stand upon the table, where
Are twisted glasses, ruby-sparked with wine,
Clarets and ports. Those topaz bumpers were
Drained from slim, long-necked bottles of the Rhine.
The centre of the board is piled with pipes,
Slender and clean, the still unbaptized clay
Awaits its burning fate. Behind, the vault
Stretches from dim to dark, a groping way
Bordered by casks and puncheons, whose brass stripes
And bands gleam dully still, beyond the gay tumult.


4

'For good old Master Hilverdink, a toast!'
Clamoured a youth with tassels on his boots.
'Bring out your oldest brandy for a boast,
From that small barrel in the very roots
Of your deep cellar, man. Why here is Max!
Ho! Welcome, Max, you're scarcely here in time.

[...] Read more

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Dissatisfied

Written by christine mcvie.
Why baby why are you still so sad
When you know how much I need you
I hate to see you feel so bad
When I try so hard to please you
You know Id do anything
Just to see you smile againg
Theres nothing I wouldnt do
Just to take away a little pain
You make me feel, ooooh ooh ooh oooooh
Dissatisfied (dissatisfied)
You make me feel, ooooh ooh ooh oooooh
Dissatisfied (dissatisfied)
My home is yours and I want you to know
That I need you to depend on
Any everything you feel Im feeling too
And I just hope you havent forgotten
How can I make the sunshine through
So we can be happy again
Oh baby theres got to be a way
Just to take away a little pain
You make me feel, ooooh ooh ooh oooooh
Dissatisfied (dissatisfied)
You make me feel, ooooh ooh ooh oooooh
Dissatisfied (dissatisfied)
Please dont say you dont love me anymore
Cause I couldnt ease up on you
Youre the only reason for all my joy
And without you what would I do
Cause Id do anything
Just to see you smile againg
Theres nothing I wouldnt do
Just to take away a little pain
You make me feel, ooooh ooh ooh oooooh
Dissatisfied (dissatisfied)
You make me feel, ooooh ooh ooh oooooh
Dissatisfied (dissatisfied)
You make me feel, ooooh ooh ooh oooooh
Dissatisfied (dissatisfied)
You make me feel, ooooh ooh ooh oooooh
Dissatisfied (dissatisfied)
You make me feel, ooooh ooh ooh oooooh
Dissatisfied (dissatisfied)...

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Roan Stallion

The dog barked; then the woman stood in the doorway, and hearing
iron strike stone down the steep road
Covered her head with a black shawl and entered the light rain;
she stood at the turn of the road.
A nobly formed woman; erect and strong as a new tower; the
features stolid and dark
But sculptured into a strong grace; straight nose with a high bridge,
firm and wide eyes, full chin,
Red lips; she was only a fourth part Indian; a Scottish sailor had
planted her in young native earth,
Spanish and Indian, twenty-one years before. He had named her
California when she was born;
That was her name; and had gone north.
She heard the hooves and
wheels come nearer, up the steep road.
The buckskin mare, leaning against the breastpiece, plodded into
sight round the wet bank.
The pale face of the driver followed; the burnt-out eyes; they had
fortune in them. He sat twisted
On the seat of the old buggy, leading a second horse by a long
halter, a roan, a big one,
That stepped daintily; by the swell of the neck, a stallion. 'What
have you got, Johnny?' 'Maskerel's stallion.
Mine now. I won him last night, I had very good luck.' He was
quite drunk, 'They bring their mares up here now.
I keep this fellow. I got money besides, but I'll not show you.'
'Did you buy something, Johnny,
For our Christine? Christmas comes in two days, Johnny.' 'By
God, forgot,' he answered laughing.
'Don't tell Christine it's Christmas; after while I get her something,
maybe.' But California:
'I shared your luck when you lost: you lost me once, Johnny, remember?
Tom Dell had me two nights
Here in the house: other times we've gone hungry: now that
you've won, Christine will have her Christmas.
We share your luck, Johnny. You give me money, I go down to
Monterey to-morrow,
Buy presents for Christine, come back in the evening. Next day
Christmas.' 'You have wet ride,' he answered
Giggling. 'Here money. Five dollar; ten; twelve dollar. You
buy two bottles of rye whiskey for Johnny.'
A11 right. I go to-morrow.'
He was an outcast Hollander; not
old, but shriveled with bad living.
The child Christine inherited from his race blue eyes, from his
life a wizened forehead; she watched
From the house-door her father lurch out of the buggy and lead
with due respect the stallion
To the new corral, the strong one; leaving the wearily breathing
buckskin mare to his wife to unharness.

[...] Read more

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Everythings Okay

Recorded by hank williams, sr.
Words and music by hank williams, sr.
I [g] went to the country - just [c] the other day
To see [d7] my uncle bill and sorta [g] pass the time away
I asked him how hed been - since [c] last, Id passed his way
He rubbed his [d7] chin - heres what he had [g] to say.
My wifes been sick - the [c] youngns, too
And Im [d7] durn near - down [g] with the flu
The cows gone dry - and them [c] hens wont lay
But - [d7] were still a-livin - so ever-[g] things okay.
The hogs took the cholera and theyve all done died
The bees got mad - and they left the hive
The weevils got the corn and the rain rotted the hay
But - were still a-livin - so everthings okay.
The porch rotted down - thats more expense
The durned old mule - he tore down the fence
The mortgage is due and - I cant pay
But - were still a-livin - so everthings okay.
The cow broke in the field and eat up the beans
The durn rabbits - they got the turnip greens
And my ma-in-law just moved in to stay
But - were still a-livin - so everthings okay.
My lands so poor - so hard and yeller
You have to set on a sack of fetilizer to raise an umbreller
And it rains out here - nearly ever day
But - were still a-livin - so everthings okay.
The wells gone dry and I have to tote the water
Up from the spring - about a mile and a quarter
My helper, he quit - for the lack of pay
But - were still a-livin - so everthings okay.
The house it leaks - it needs a new top
When it rains - it wets everthing we got
The chimney fell down - just yesterday
But - were still a-livin - so everthings okay.
The corn meals gone and the meats run out
Got nothin to kill to put in the smokehouse
The preachers comin sunday - to spend the day
But - were still a-livin - so everthings okay.
The canned stuffs spoiled - else the jars got broke
And all we got left is one old billy goat
Were gonna have a new baby about the first of may
But - were still a-livin - so everthings okay.
My crop it rotted - in the ground
I asked for another loan but the banker turned me down
But - were still a-livin and were prayin for better days
So - after all, everthings in purty good shape.

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Christine Irene

(robin wilson, jesse valenzuela)
Well Im a little too ripe to be actin like this
Like some young guy barely got his first kiss
From my first baby steps to my last cigarette
Every single little thing was leading to this
Christine irene
Pretty as a girl on a magazine
Christine irene
My christine irene
Youve been around too long to react so coy
Like Im something that youd best avoid
Like a first date kiss from an anxious guy
Knowing that hes got a little more in mind
Christine irene
Pretty as a girl on a magazine
Christine irene
My christine irene
We can last til dawn if the moon stays bright
And hang our secret on its last light
From a first date kiss that could not hide
We both wanted something more tonight
Christine irene
Pretty as a girl on a magazine
Christine irene
My christine irene
Christine irene
Prettiest girl as Ive ever seen
Christine irene
My christine irene

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

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Pull Away

Ohhhh
Pull
Pull away
Away from everyone
Is there some way out?
Somewhere you can go?
Oh no no no
We dont have the answers, sailed a thousand years, thats on your own
Is there one thin resolution?
Are you cold?
Is there everything
I said, is everything they push upon you?
Still I watch you pull away
Away
Away
Away from everything, you pull away
Wont you come on, pull
Pull away
Away from everyone
Is there no way out?
No where left to roam?
Oh no no no
We dont have your answers
Youre a thousand years, still on your own
But theres one thin resolution
Are you cold?
Is there everything?
I said, is everything they push upon you?
Still I watch you pull away
You pull away
You pull away
Away from everyone
You pull
Pull away
You pull away
Oh wont you heal my broken hands, they lay upon you
Wrap my soul around
Still I watch you pull away
Heal my broken hands, they lay upon you
Wrap my soul around you
Still I watch you pull away
Drain your tears
Oh no, drain your tears
But you pull, pull away
Away from everyone
Pull, pull away
Away from everyone
Is there somewhere, somewhere you can go?
No, theres no nowhere
Nowhere left to run

[...] Read more

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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Full Circle

Youve seen me naked in more ways than one
Youve seen me done up, seen me come undone
Weve cried in the darkness, weve laughed in the sun
Weve been forever, yet weve just begun
Chorus:
Weve come full circle, all the way round
Through the good times, the bad times, through lifes ups and downs
Still weve stayed together throught thick and through thin
Yes, weve come full circle
Thank god, were still friends
You know the soft spots under my skin
Deep down inside me, where no one has been
And weve sailed troubled waters, weve soared on the wind
But times only sweetened this love that were in
Chorus:
And weve come full circle, all the way round
Throught the good times and bad times, through lifes ups and downs
Still weve stayed together through thick and through thin
Yes, weve come full circle
Thank god, were still friends
Tag chorus:
Weve cried in the darkness, laughed in the sun
Weve come full circle and weve just begun
Weve come full circle, weve been all the way round
Weve come full circle, weve been all the way round
You know weve cried in the darkness, and weve laughed in the sun
Weve stayed together, and weve just begun
Fade:
Weve come full circle, weve been all the way round
Im so glad youre still my friend
Weve come full circle, and Id do it all again

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Live Together

Spoken:
This is all we need, to be free,
To understand, and find the answer
So lets do it now, lets do it right now...
Weve got to live together if were gonna be free
Weve got to find the answer right now
Weve got to live together
Weve got to see each other for whatever we are
Weve got to solve the problem
Together
Weve got to live together
Look at me, Im the honest kind
When I say it, I mean it
I swear I need you all my life
All we need is sympathy, if we want to change our minds
This is no second thought, this is for all times
All my life
This has got to be forever
Whatever
Whatevers come, whatevers been,
Its livin life for what we see
Promise not to lose our hope
We
Weve got to live together if were gonna be free
Weve got to find the answer right now
Weve got to live together
Weve got to see each other for whatever we are
Weve got to solve the problem, right now
Weve got to live together
Live together
Were gonna give it all that we got
Well believe it whether or not
Lovin ourself and loving our hearts
Love is seein all that we are
Were gonna do it, do it right now
Love is there, its showin us how
We can do it, we can live together
You dont need no reason to hold your head up high
A little pride so you can justify your whole life
This has got to be forever
Whatever
Whatevers come, whatevers been,
Livin life for what we see
Promise not to lose our hope
We
Weve got to live together if were gonna be free
Weve got to find the answer right now
Weve got to live together
Weve got to see each other for whatever we are
Weve got to solve the problem

[...] Read more

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Byron

Canto the Fourth

I.

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!

II.

She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.

III.

In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.

V.

[...] Read more

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The Columbiad: Book III

The Argument


Actions of the Inca Capac. A general invasion of his dominions threatened by the mountain savages. Rocha, the Inca's son, sent with a few companions to offer terms of peace. His embassy. His adventure with the worshippers of the volcano. With those of the storm, on the Andes. Falls in with the savage armies. Character and speech of Zamor, their chief. Capture of Rocha and his companions. Sacrifice of the latter. Death song of Azonto. War dance. March of the savage armies down the mountains to Peru. Incan army meets them. Battle joins. Peruvians terrified by an eclipse of the sun, and routed. They fly to Cusco. Grief of Oella, supposing the darkness to be occasioned by the death of Rocha. Sun appears. Peruvians from the city wall discover Roch an altar in the savage camp. They march in haste out of the city and engage the savages. Exploits of Capac. Death of Zamor. Recovery of Rocha, and submission of the enemy.


Now twenty years these children of the skies
Beheld their gradual growing empire rise.
They ruled with rigid but with generous care,
Diffused their arts and sooth'd the rage of war,
Bade yon tall temple grace their favorite isle,
The mines unfold, the cultured valleys smile,
Those broad foundations bend their arches high,
And rear imperial Cusco to the sky;
Wealth, wisdom, force consolidate the reign
From the rude Andes to the western main.

But frequent inroads from the savage bands
Lead fire and slaughter o'er the labor'd lands;
They sack the temples, the gay fields deface,
And vow destruction to the Incan race.
The king, undaunted in defensive war,
Repels their hordes, and speeds their flight afar;
Stung with defeat, they range a wider wood,
And rouse fresh tribes for future fields of blood.

Where yon blue ridges hang their cliffs on high,
And suns infulminate the stormful sky,
The nations, temper'd to the turbid air,
Breathe deadly strife, and sigh for battle's blare;
Tis here they meditate, with one vast blow,
To crush the race that rules the plains below.
Capac with caution views the dark design,
Learns from all points what hostile myriads join.
And seeks in time by proffer'd leagues to gain
A bloodless victory, and enlarge his reign.

His eldest hope, young Rocha, at his call,
Resigns his charge within the temple wall;
In whom began, with reverend forms of awe,
The functions grave of priesthood and of law,

In early youth, ere yet the ripening sun
Had three short lustres o'er his childhood run,
The prince had learnt, beneath his father's hand,
The well-framed code that sway'd the sacred land;
With rites mysterious served the Power divine,
Prepared the altar and adorn'd the shrine,
Responsive hail'd, with still returning praise,
Each circling season that the God displays,

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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

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Youre Gonna Get Whats Coming

(robert palmer)
You came up on me like a landslide
Once in awhile I get taken like that
And I like it
Ive got a thunderbird parked right outside
Give me a minute to finish this thing
And well light it.
In all this heat its a job keeping cool
Oh yeah
And I could fry an egg on you
You came up on me like a landslide
Once in awhile I get taken like that
And I like it
Youre gonna get whats coming
Youve been asking for it two days running
Youre gonna get whats coming
Youre gonna get whats coming to you
I hope that youre half as intrepid
As you make out
More often than not, Ill bet
You never got what you asked for
Keep on pouring until you hear me shout
And turn up the sound
If you want me to drive any faster
Caution went out when you walked in the room
If it never came back it would be too soon
Youre gonna get whats coming
Youve been asking for it two days running
Youre gonna get whats coming
Youre gonna get whats coming to you
Youre gonna get whats coming
Youve been asking for it two days running
Youre gonna get whats coming
Youre gonna get whats coming to you
You came up on me like a landslide
Once in awhile I get taken like that
And I like it
Youre gonna get whats coming
Youve been asking for it two days running
Youre gonna get whats coming
Youre gonna get whats coming to you
Youre gonna get whats coming
Youve been asking for it two days running
Youre gonna get whats coming
Youre gonna get whats coming to you
Youre gonna get whats coming
Youve been asking for it two days running
Youre gonna get whats coming
Youre gonna get whats coming to you
Youre gonna get whats coming

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The Aeneid of Virgil: Book 11

SCARCE had the rosy Morning rais’d her head
Above the waves, and left her wat’ry bed;
The pious chief, whom double cares attend
For his unburied soldiers and his friend,
Yet first to Heav’n perform’d a victor’s vows: 5
He bar’d an ancient oak of all her boughs;
Then on a rising ground the trunk he plac’d,
Which with the spoils of his dead foe he grac’d.
The coat of arms by proud Mezentius worn,
Now on a naked snag in triumph borne, 10
Was hung on high, and glitter’d from afar,
A trophy sacred to the God of War.
Above his arms, fix’d on the leafless wood,
Appear’d his plumy crest, besmear’d with blood:
His brazen buckler on the left was seen; 15
Truncheons of shiver’d lances hung between;
And on the right was placed his corslet, bor’d;
And to the neck was tied his unavailing sword.
A crowd of chiefs inclose the godlike man,
Who thus, conspicuous in the midst, began: 20
“Our toils, my friends, are crown’d with sure success;
The greater part perform’d, achieve the less.
Now follow cheerful to the trembling town;
Press but an entrance, and presume it won.
Fear is no more, for fierce Mezentius lies, 25
As the first fruits of war, a sacrifice.
Turnus shall fall extended on the plain,
And, in this omen, is already slain.
Prepar’d in arms, pursue your happy chance;
That none unwarn’d may plead his ignorance, 30
And I, at Heav’n’s appointed hour, may find
Your warlike ensigns waving in the wind.
Meantime the rites and fun’ral pomps prepare,
Due to your dead companions of the war:
The last respect the living can bestow, 35
To shield their shadows from contempt below.
That conquer’d earth be theirs, for which they fought,
And which for us with their own blood they bought;
But first the corpse of our unhappy friend
To the sad city of Evander send, 40
Who, not inglorious, in his age’s bloom,
Was hurried hence by too severe a doom.”
Thus, weeping while he spoke, he took his way,
Where, new in death, lamented Pallas lay.
Acoetes watch’d the corpse; whose youth deserv’d 45
The father’s trust; and now the son he serv’d
With equal faith, but less auspicious care.
Th’ attendants of the slain his sorrow share.
A troop of Trojans mix’d with these appear,
And mourning matrons with dishevel’d hair. 50

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Dissatisfied

Another reckless holiday
Another brain cell floats away
I've had enough, please wake me up ---if I'm dreaming
Half these friends, fading fast, burning out, into ash
Where you wanna go cuz I will follow?
What you can't stomach, I will swallow.
Dissatisfied, dissatisfied, dissatisfied
Its alright, alright
Don't worry everything's gonna be alright
Its alright
Don't worry everything's gonna be alright, alright, alright
Dissatisfied
If the best of times only last
In a second come io pass
Where you wanna go cuz I will follow?
What you can't stomach, I will swallow.
Dissatisfied, dissatisfied, dissatisfied. Its alright, alright
Don't worry everything's gonna be alright
Its alright
Don't worry everything's gonna be alright, alright, alright Dissatisfied
Another reckless holiday
Another brain cell floats away
I've had enough, please wake me up ---if I'm dreaming
Another never-ending night
Another long and sleepless life
I've had enough, please wake me up -if I'm dreaming
Twenty more days since we've been gone, and I'm so sick of Twenty more nights I've spent alone, and I'm so sick of Twenty more days 'till I get home, and I'm so sick of being here

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February Rain

To be the mud, the bog, the mire;
To soak the bones in February –
Eons from the autumn shower–
Even from a summer berry!

Sparrows chirp a desperate call,
Darting questions at the cows –
Oblivious to the dousing squall, they
Churn the sludge with pastern ploughs.

The crying air was lost in rhythm:
Drums incessant in the drops;
Not a chance for rainbow prism –
Even if the hammering stops!

Metallic chills entrap machines –
Tractors hushed within the shed.
Inside the house, a full cuisine
To bless with mead – and little said!

But out across the tiring field,
A sodden fox is hunting down
His prey of sorts – but nil of yield;
Perhaps he’ll starve; perhaps he’ll drown.

Still the clouds are hammering,
Hammering home their dreary aim –
A chatterbox in constant yammering,
Drenching all to make a claim.

Copyright © Mark R Slaughter 2010


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