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Think For Yourself

You think you know just what it means
To be alone
You think youve suffered for your cause
Youre wrong
I dont really need to know what makes you tick
Or what you think is right
I dont want to know the reason you believe
Right now youre like the others
Your thoughts are not your own
Try thinking for yourself and act on what you know
Still you try to defend these things
You were taught
Youve got to try to change the way
You learn
Sometimes it feels just like Ive burned
Every single bridge
That I have ever crossed
I always try to learn
From all of these mistakes
Mistakes that I have made
But pride is a worthy adversary
In the struggle for yourself

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Clockwork Creep

Im a clockwork creep
And I cant get to sleep
They wind me up and let me go
And I cant unwind
Going out of my mind
My time is coming soon you know
Tick a tick a time bomb
Tick a tick a time bomb
Tick a tick a time bomb
Im a jumbo jet
With a brand new set
Of passengers and bags and crew
Ill spread my wings -
Do a thousand things
To prove how good I am to you
Tick a tick a time bomb
Tick a tick a time bomb
Tick a tick a time bomb
Tick a tick a time bomb
Tick a tick a time bomb
Tick a tick a time bomb
Meanwhile in the cargo of escargot
The temperature is rising
Advertising that our time is running
Down, down, down, down, down
Oh with just one minute to live
Oh, no youll never get me up in one of these again
'cos what goes up must come
Down, down, down, down, down
Down, down, down, down, down
Oh, the gravity of the situation
Its only my willpower
That keeps this thing in operation
But were gonna crash thats for certain
The pilot is too busy flirtin
And he aint aware
That theres a bomb down there
And if he dont do something its curtains
Now just hold on,
Said the little bomb,
If you were just to hold my hands
Then time would stop
The plot would flop
And jumbo would be safe to land
Tick a tick a time bomb
Tick a tick a time bomb
Tick a tick a time bomb
My landings are the envy
Of sabena and pan am
From chattanooga to japan

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Sequel to Grandfather's Clock

Once again have I roamed thro' the old-fashioned house,
Where my grandfather spent his ninety years.
There are strangers in charge, and the change they have wrought--
Oh! it saddens me, even to tears.
Dear old clock! when they found you were speechless from grief,
Then they went and swapped you off, case and all.
For that vain, stuck-up thing
(tick, tick, tick, tick, tick, tick, tick, tick),
For that vain, stuck-up thing on the wall.

Grandfather sleeps in his grave;
Strange steps resound in the hall!
And there's that vain, stuck-up thing
(tick, tick, tick, tick, tick, tick, tick, tick),
There's that vain, stuck-up thing on the wall.

While we talked of the old clock they all ran it down.
Tho' they claimed that it couldn't be made to run.
It was useless they said-- it was quite out of style;
Built, no doubt, just about the year One.
And the words echoed round, with a faint, mocking sound,
As if some one gave assent to it all;
'Twas that vain, stuck-up thing
(tick, tick, tick, tick, tick, tick, tick, tick),
'Twas that vain, stuck-up thing on the wall.

From the clock-peddler's cart in the junk-shop it went,
Where its cog-wheels were sundered one be one;
And the brass-founder joked as they writhed in the flames--
"Melt'em up," says he; "then they will run."
There is grief in my heart, there are tears in my eyes.
Yet indignantly the sight I recall
Of that vain, stuck-up thing
(tick, tick, tick, tick, tick, tick, tick, tick),
For that vain, stuck-up thing on the wall.

"An extremely hard case!" said the junk-dealer's wife,
As she carried it for kindling wood and sighed--
That mahogany case, with its quaint, figured face,
Which so long was my grandfather's pride.
"There is hope for the small; there's a change for us all;
For the mighty ones of Time, they must fall!"
Says that vain, stuck-up thing
(tick, tick, tick, tick, tick, tick, tick, tick),
Says that vain, stuck-up thing on the wall.

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Cuckoo Clock

We knew it must have been late
(tick-tock, tick-tock)
We had no time to wait
(tick-tock, tick-tock)
I went to light the fireplace
(tick-tock, tick-tock)
I planned it all this way, and
(tick-tock, tick-tock)
I snuggled close to her
(tick-tock, tick-tock)
Her heart began to purr
(tick-tock, tick-tock)
I held my breath inside, and then
(tick-tock, tick-tock)
I put my arms around her
(tick-tock)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo
I put that birdie away
(tick-tock, tick-tock)
His cuckoo was gone to stay
(tick-tock, tick-tock)
We both apologized for why
(tick-tock, tick-tock)
Forgave that doggone cuckoo
I went back to her side
(tick-tock, tick-tock)
I had to swallow my pride
(tick-tock, tick-tock)
The fire had almost died away
(tick-tock, tick-tock)
We just got situated
(tick-tock)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo
I took that clock apart
(tick-tock, tick-tock)
I broke the cuckoos heart
(tick-tock, tick-tock)
Hell never bother us again
(tick-tock, tick-tock)
We just forgot about him
(tick-tock)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo (go away silly bird)
Cuckoo, cuckoo (go away silly bird)

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Grand-Father's Clock

My grand-father's clock was too large for the shelf,
So it stood ninety years on the floor;
It was taller by half than the old man himself,
Though it weighed not a penny weight more.
It was bought on the morn of the day that he was born,
And was always his treasure and pride;
But it stopp'd short never to go again
When the old man died.

Ninety years, without slumbering (tick, tick, tick, tick)
His life seconds numbering (tick, tick, tick, tick)
It stopp'd short never to go again
When the old man died.

In watching its pendulum swing to and fro,
Many hours had he spent while a boy;
And in childhood and manhood the clock seemed to know
And to share both his grief and his joy.
For it struck twenty-four when he entered at the door,
With a blooming and beautiful bride;
But it stopp'd short never to go again
When the old man died.

Ninety years, without slumbering (tick, tick, tick, tick)
His life seconds numbering (tick, tick, tick, tick)
It stopp'd short never to go again
When the old man died.

My grandfather said that of those he could hire,
Not a servant so faithful he found;
For it wasted no time, and had but one desire --
At the close of each week to be wound.
And it kept in its place -- not a frown upon its face,
And its hands never hung by its side;
But it stopp'd short never to go again
When the old man died.

Ninety years, without slumbering (tick, tick, tick, tick)
His life seconds numbering (tick, tick, tick, tick)
It stopp'd short never to go again
When the old man died.

It rang an alarm in the dead of the night --
An alarm that for years had been dumb;
And we knew that his spirit was pluming for flight --
That his hour of departure had come.
Still the clock kept the time, with a soft and muffled chime,
As we silently stood by his side;
But it stopp'd short never to go again
When the old man died.

[...] Read more

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Pleading For More Time

I fear...
The ticking of a clock heard.
Tick-tock-a-tick-tick-tick tock,
a-tick tock.
I fear...
The ticking of a clock heard.
Tick-tock-a-tick-tick-tick tock,
a-tick tock.
I fear...
The ticking of a clock heard.
Tick-tock-a-tick-tick-tick tock,
a-tick tock.
And I don't want to be the one,
Pleading for more time.
And I don't want to be the one,
With a trying of time to find...
When it's gone!

I fear...
The ticking of a clock heard.
Tick-tock-a-tick-tick-tick tock,
a-tick tock.
I fear...
The ticking of a clock heard.
Tick-tock-a-tick-tick-tick tock,
a-tick tock.
I fear...
The ticking of a clock heard.
Tick-tock-a-tick-tick-tick tock,
a-tick tock.
And I don't want to be the one,
Pleading for more time.
And I don't want to be the one,
With a trying of time to find...
When it's gone!

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Tick, Tick, Bang

Ooh, I cant hold it
Ow! bang, b-b-bang, bang
Bang.
U, yeah.
Ure such a big tease, u get me all excited,
All excited then u go home.
Ure like ice cream,
Knew I got 2 getcha, got 2 getcha, before ure all gone.
Ure such a bombshell,
And if I ever get ya, ever get ya, ever get ya,
Theres no telling how long Id last
Before I tick, tick bang all over u
Tick, tick-a-tick, bang, bang all over u
Tick, tick-a-tick, bang, bang, bang, tick, bang, bang
U aint no cheap thrill,
Every time u tick Id rather u bang,
But u leave me in a fire sweat (leave me in a fire sweat)
Ure like a good pill
All I need is 2, and Im so into u, ure the best stuff that I could get.
Ure such a bombshell
If I ever get ya, ever get ya, ever get ya,
Theres no telling how long Id last.
Before I tick, tick, bang, all over u
All over u, tick, all over u, tick, bang, bang, bang, bang, bang, bang
Ooh, I cant hold it. ooh, its getting all over me.
Ooh, I cant hold it. ooh, its getting all over me.
Ure such a queen bee
Let me taste your honey, taste your honey, taste your honey, 4 it go bad
Youre so slippery
Like this chain around my hip, I want a 24k relationship.
So baby dont spit me out, tick, tick, bang, all over u.
Tick, tick-a-tick, bang
Ooh, I cant hold it. ooh, its getting all over me.
Ure such a bombshell
If I ever get ya, ever get ya, ever get ya,
Theres no telling how long Id last.
Before I tick, tick-a-tick, bang, bang, bang, bang, all over u
All over u, bang, all over u, tick, tick, bang, all over u
Tick, tick, bang, all over u. tick, tick, bang, all over u
All over, bang, all over, bang, all over, tick, bang

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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from justyour lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Frantic

If i could have my wasted days back
Would i use them to get back on track?
Stop to warm at karmas burning
Or look ahead, but keep on turning
Do I have the strength
To know how i'll go?
Can i find it inside
To deal with what a shouldn't know?
Could i have my wasted days back
Would i use them to get back on track?
You live it or lie it!(You live it or lie it)
My lifestile Determines my deathsstile
(My lifestile determines my deathstile)
Keep searching, keep on shearching
This serch gose on, this serch gose on
Frantic tick tick tick tick tick tick tock
Frantic tick tick tick tick tick tick tock
I've worn out always being afraid
An endless stream of fear that I've made
You live it or lie it!(you live it or lie it!)
My lifestile determines my deathstile
(my lifestile determines my deathstile)
Keep serching, keep on serching
This serch gose on, this serch gose on, on and on
Frantic tick tick tick tick tick tick tock
Frantic tick tick tick tick tick tick tock
My life style (Birth is pain)
Determines my deathstile (Life is pain)
A rising tide (death is pain)
that pushes to the other side (Its all the same)

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U R Wrong

u were wrong... so wrong.. uh uh uh huh uh.
u were wrong dead wrong.. uh uh uh whoaaaaaaa
Girl U R said your wrong wrong said your wrong wrong
Girl U R said your wrong wrong said your wrong wrong
verse1: can i take you back to happy times..
oh oh oh uh oh
everyday was paradise.. dinner and candle lights
oh oh oh uh oh
i never thought you'd change i didn't expect no games
i wanted you to bare my child i wanted you to have my last name
now we was right we was wrong
i really don't care cuz i gotta move one
i'm gone be a man about it
the headache i can live without it
chorus: Girl (you act so shady) U (spend all of my paper R ( one heck of a lady) said ur wrong wrong said ur wrong wrong
Girl ( i don't codone it ) U ( and you can't erase it) R (one heck of a lady) said ur wrong wrong said your wrong wrong
Girl ( u tired to play) U (had a house and a baby) R ( one heck of a lady) said ur wrong wrong said ur wrong wrong
Girl ( u were wrong ) u( so wrong ) R (dead wrong said your wrong wrong wrong wrong wrong.
verse2: now i admit sometime i make mistakes..
oh oh oh mmmhmmmm
the responsibility of this household was your to take
"well"
i gave you the keys to the range.. broke you off a lil bit of change
ain't no need to explain.. your gonna miss a good thang
and when it's gone away i ain't got time to play
women you had a chance a chance to stay baby baby
chorus: Girl (you act so shady) U (spend all of my paper R ( one heck of a lady) said ur wrong wrong said ur wrong wrong
Girl ( i don't codone it ) U ( and you can't erase it) R (one heck of a lady) said ur wrong wrong said your wrong wrong
Girl ( u tired to play) U (had a house and a baby) R ( one heck of a lady) said ur wrong wrong said ur wrong wrong
Girl ( u were wrong ) u( so wrong ) R (dead wrong said your wrong wrong wrong wrong wrong.
i picked you up when you were down( when your luck ran out.. baby yes i did)
i took you in when theyput you out ( do you remember that cold monday morning?)
i treated you kids like they was mine( i ain't even they real damn daddynononnono )
when you were dim i made you shine( i was the diamond in your life baby)
chorus: Girl ( girl) u (u) R ( are) wrong wrong wrong wrong
Girl ( girl) u (u) R ( are) wrong wrong wrong wrong
Girl ( girl) u (u) R ( are) wrong wrong wrong wrong
Girl ( girl) u (u) R ( are) wrong wrong wrong wrong
can i break it down fora mineut baby
tell you.. why your wrong
you were wrong staying out all night
coming in sloppy drunk baby
and you were wrong for letting your friend direct your mind
and you were wrong for running up my credit card
and you were wrong for everything you've done to me.
(chorus)
ain't no explination this time.

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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poem by from The Ring and the BookReport problemRelated quotes
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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Tick

I feel a tick in my head and hes sucking on my head
In the morning Ill be dead if he doesnt leave my head
Why cant he go away why does he have to stay
Maybe he wanna play but I can only say
That Ill get you, Ill burn you, Ill crush you, Ill flush you (down, down)
The toilet where youll spiral (around-round)
Awww, tick -- mmm tick tick tick -- brr tick
I tried to get rid of my plague but I left some of his leg
And he grew back pretty quick so I stabbed the little prick
But now I cut my head -- in the morning Ill be dead
But even after still hell find someone to kill
And hell get you, Ill burn you, Ill crush you, Ill flush you (down, down)
The toilet where youll spiral (around-round)
Awww, tick -- mmm tick tick tick -- brr tick
Awww, tick -- mmm tick tick tick -- brr tick
Awww, tick -- mmm tick tick tick -- brr tick

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Monitored or Not It Just Becomes Hypnotic

People think that happiness will come and just sit.
Just sit!
Just sit!
People think that happiness will come and just sit.
Just sit!
Just sit!
Like the hands of a clock that tocks with a tick.
Tock tick.
Tock tick.
Tock tick.
Tock tick.
And the running and humming becomes toxic.
Toxic.
Toxic.
And nothing exotic will make this erotic.
Monitored or not it just becomes hypnotic.
And people who want what they want wont stop!
Like the hands of a clock that ticks with a tock!
Tick tock.
Tick tock.
Tick tock.
Tick tock.
Or the chopping heard of meat on a butcher's block!
Sssshop chop.
Sssshop chop.
Sssshop chop.
Sssshop chop!
People like their beef stewed nice and hot!

And nothing exotic will make this erotic.
Monitored or not it just becomes hypnotic.
And people who want what they want wont stop!
Like the hands of a clock that ticks with a tock!
Tick tock.
Tick tock.
Tick tock.
Tick tock.

People think that happiness will come and just sit.
Just sit!
Just sit!
People think that happiness will come and just sit.
Just sit!
Just sit!
Like the hands of a clock that tocks with a tick.
Tock tick.
Tock tick.
Tock tick.
Tock tick.
And the running and humming becomes toxic.

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Feels So Good

Feels good
Im stranded on a spaceship hideaway
And something makes me think Im here to stay
Im so happy where I am
Feels good
Ive journeyed to the other atmospheres
And every breath I take just makes it clear
Im holding heaven in my hands
Its automatic baby and it feels good
And it feels so good
Feels good
And it feels so good
Feels good
These extra-sensory sensations
Are causing me some complications
Electrostatic information
Feels good
Im playing with a pleasure trafficker
Arriving soon intergalactica
Im holding heaven in my hands
Its automatic baby and it feels good
Feels good
Feels good
Feels good
Feels good
And it feels so good
Feels good
And it feels so good
Feels good
And it feels so good
Feels good
And it feels so good
Feels good
Feels so good
Feels so good
Feels so good
Feels good
Feels so good
Feels so good
Feels so good
Feels good
Im stranded on a spaceship hideaway
Feels good
And it feels so good
Feels good
And it feels so good
Feels good
And it feels so good
Feels good
And it feels so good

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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John Dryden

The Hind And The Panther, A Poem In Three Parts : Part III.

Much malice, mingled with a little wit,
Perhaps may censure this mysterious writ;
Because the muse has peopled Caledon
With panthers, bears, and wolves, and beasts unknown,
As if we were not stocked with monsters of our own.
Let Æsop answer, who has set to view
Such kinds as Greece and Phrygia never knew;
And Mother Hubbard, in her homely dress,
Has sharply blamed a British lioness;
That queen, whose feast the factious rabble keep,
Exposed obscenely naked, and asleep.
Led by those great examples, may not I
The wonted organs of their words supply?
If men transact like brutes, 'tis equal then
For brutes to claim the privilege of men.
Others our Hind of folly will indite,
To entertain a dangerous guest by night.
Let those remember, that she cannot die,
Till rolling time is lost in round eternity;
Nor need she fear the Panther, though untamed,
Because the Lion's peace was now proclaimed;
The wary savage would not give offence,
To forfeit the protection of her prince;
But watched the time her vengeance to complete,
When all her furry sons in frequent senate met;
Meanwhile she quenched her fury at the flood,
And with a lenten salad cooled her blood.
Their commons, though but coarse, were nothing scant,
Nor did their minds an equal banquet want.
For now the Hind, whose noble nature strove
To express her plain simplicity of love,
Did all the honours of her house so well,
No sharp debates disturbed the friendly meal.
She turned the talk, avoiding that extreme,
To common dangers past, a sadly-pleasing theme;
Remembering every storm which tossed the state,
When both were objects of the public hate,
And dropt a tear betwixt for her own children's fate.
Nor failed she then a full review to make
Of what the Panther suffered for her sake;
Her lost esteem, her truth, her loyal care,
Her faith unshaken to an exiled heir,
Her strength to endure, her courage to defy,
Her choice of honourable infamy.
On these, prolixly thankful, she enlarged;
Then with acknowledgments herself she charged;
For friendship, of itself an holy tie,
Is made more sacred by adversity.
Now should they part, malicious tongues would say,
They met like chance companions on the way,

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Got The Time

Wake up, got another day to get through now
Got another man to see
Got to call him on the telephone
Got to find a piece of paper
Sit down, got another letter to write
Think Ill got to get the letter just right
Theres a ringing on the telephone
Oh no, got to write a little later
No such day as tomorrow, only one two three go!
Time - got the time tick-tick-tickin in my head
Time - got the time tick-tick-tickin in my head
Time - got the time tick-tick-tickin in my head
Tickin in my head, tickin in my head, tickin in my head
If I tell you what Im doing today
Will you shut up and get out of my way?
Someone asked me what the time is,
I dont know
Only know I gotta go now
No time - trying to get a watch repaired
No time - never got a thing to wear
Hear the ringin of the telephone no no
Hear a ringin in my head now
No such thing as tomorrow, only one two three go!
Time - got the time tick-tick-tickin in my head
Time - got the time tick-tick-tickin in my head
Time - got the time tick-tick-tickin in my head
Tickin in my head, tickin in my head, tickin in my head
Time - got the time tick-tick-tickin in my head
Time - got the time tick-tick-tickin in my head
Time - got the time tick-tick-tickin in my head
Tickin in my head, tickin in my head, tickin in my head

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