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Rio

Patrick simmons / jeffrey baxter
When things get stale
You get on a boat and sail to rio
The beaches and the sea
Thats where I long to be
In rio
But Im workin for the man every day up in the city
Got to get away on a boat around the corner
And its waiting there for you and me
In rio
Dark eyed lady
Drive mercedes everywhere
In rio
She said, do you wanna take a ride?
So I jumped right in beside her
In rio
But Im workin for the man every day up in the city
Got to get away on a boat around the corner
And its waiting there for you and me
In rio
When things get stale
You get on a boat and sail to rio
The beaches and the sea
Thats where I long to be
In rio
But Im workin for the man every day up in the city
Got to get away on a boat around the corner
And its waiting there for you and me
In rio

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Working Day & Night

Written and composed by michael jackson, 1979.
1st verse
Ooh my honey
You got me workin day and night
Ooh my sugar
You got me workin day and night
2nd verse
Scratch my shoulder
Its aching, make it feel alright
When this is over
Lovin you will be so right
3rd verse
I often wonder if lovin you
Will be tonight
But what is love girl
If Im always out of sight (ooh)
Refrain
(thats why)
You got me workin day and night
And Ill be workin
From sun up to midnight
Chorus
You got me workin workin day and night
You got me workin workin day and night
You got me workin workin day and night
You got me workin workin day and night
4th verse
You say that workin
Is what a mans supposed to do
But I say it aint right
If I cant give sweet love to you
(ah)
5th verse
Im tired of thinkin
Of what my lifes supposed to be (well)
Soon enough darlin
This love will be reality (ah ah)
6th verse
How can you live girl
cause love for us was meant to be (well)
Then you must be seein
Some other guy instead of me (ooh)
Refrain
(thats why)
You got me workin day and night
And Ill be workin
From sun up to midnight
Chorus
You got me workin workin day and night
(hold on)

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William Butler Yeats

Narrative And Dramatic The Wanderings Of Oisin

BOOK I

S. Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft bosom rose and fell.

S. Patrick. You are still wrecked among heathen dreams.

Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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Orinoco Flows

Verse 1:
Let me sail, let me sail, let the orinoco flow,
Let me reach, let me beach on the shores of tripoli.
Let me sail, let me sail, let me crash upon your shore,
Let me reach, let me beach far beyond the yellow sea.
Sail away, sail away, sail away. (x3)
Verse 2:
From bissau to palau - in the shade of avalon,
From fiji to tiree and the isles of ebony,
From peru to cebu hear the power of babylon,
From bali to cali - far beneath the coral sea.
Turning up, turning up, turning up, up I do. ohh. (x3)
Sail away, sail away, sail away. (x3)
Verse 3:
From the north to the south, ebudae into khartoum,
From the deep sea of clouds to the island of the moon,
Carry me on the waves to the land Ive never been,
Carry me on the waves to the lands Ive never seen.
We can sail, we can sail... with the orinoco flow
We can sail, we can sail...
Sail away, sail away, sail away.
We can steer, we can near with rob dickins at the wheel,
We can sigh, say goodbye ross and his dependencies
We can sail, we can sail
Sail away , sail away, sail away
We can reach, we can beach on the shores of tripoli.
We can sail, we can sail
Sail away , sail away, sail away
From bali to cali - far beneath the coral sea.
We can sail, we can sail
Sail away , sail away, sail away
From bissau to palau - in the shade of avalon,
We can sail, we can sail
Sail away , sail away, sail away
We can reach, we can beach far beyond the yellow sea.
We can sail, we can sail
Sail away , sail away, sail away
From peru to cebu hear the power of babylon,
We can sail, we can sail
Sail away , sail away, sail away
We can sail, we can sail
Sail away , sail away, sail away (x5)
Ahhah, aahha, ah.

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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

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Narrative [ My Perspective ]

Patrick Jonathan Derilus
Mr. Filie
Period 6/7
Poetry

My Perspective

Patrick Jonathan Derilus is a young boy trying to turn his life around by defeating the demons that continue to destroy him….His life is somewhat different from how society sees everything else….
Feeling as if he is a cursed child …Cursed as if he is forever trapped in a cold cell…”Understanding” reality and how things happen is one of the things that attempts to get the best out of him and ironically it is succeeding…
But Patrick tries to look on the bright side of things and persists to becoming the best of the best…but there are spawns in which the devil created that prevents the young warrior from doing so
“Depression”, “Doubt” and “Self Confidence” are some of the demons capable of easily annihilating Patrick…addressing these entity’s…Patrick is half way through this mile run..
But not aware of what goes on in his Penetrable temple, Destruction carries on to running amuck..
Patrick can hardly make it through the day when these Demons try to pursue him…Blood is spilled, but the low class warrior is still persistently consistent…
The only things that keep him alive are “Hope”, “Faith”, and the little confidence he has left…Inside the doors of the devil, as a New Jack; Patrick was clueless on how and why he reacts to things a certain way…Also to the way he is to this very day…Feeling like he was being controlled by a puppet master, he foolishly is put into one of Satan’s traps..As years went by, Patrick slowly began to picking up things in his mind and how it worked…
He learned on how to adapt and respond to these subliminal messages… but in time, Satan is able to quickly counteract on anything Patrick optimistically attempted to do. Leaving him with loopholes that would destroy Patrick from the inside…”WHY DOES MY MOOD AND PERSONALITY CONTINUE TO FLUCTUATE…? ” Patrick asks himself. So many questions asked but none of them answered… Satan has Patrick right where he wants him. “If I can’t rid of Patrick any other way, I can only destroy him mentally in which Patrick is easily fooled” Satan says.
Once internally defeated, pessimistic venoms leak into the sanctum of Patrick’s temple and slowly it is melting...”WHY ME? ! ” Patrick asks. Having the ability to even think for himself, Patrick wonders if he shall continue to fight off these Demons or become feasted upon…”Words coming from another voice will not be able to help mePatrick says. Solutions being formed in his mind are to making the evil Entity’s disappear for good by finding an antidote to purifying Patrick’s mind…
But believing they are “antidotes” is too good to be true…Satan has created a loophole for everything in order to rid of Patrick anyway he can… Then realizing Patrick is seemingly hopeless on what to do for himself to Destroy Satan, He comes to the conclusion that Satan cannot destroy what does not exist… “WHEN MY SHACKLES OF DEPRESSION ARE BROKEN, I SHALL FIND TRUE HAPPINESS” Patrick sadly says. But he does not believe he shall rid of himself… He believes he shall continue to fight this everlasting war with Satan until these Demons are extinguished from the inside...Until he is Mentally Strong and is at peace with his mind…Patrick has vowed to attempting to destroy “Depression”, “Doubt” and “Negativity” in order to becoming the Man that he intends to be…Trying to recover from his internal scars.

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Workin'

Up every mornin' before the sun
Takin' my lovin' on the run
Breakin' my back till the day is done
I'm gonna punch that time clock and have some fun
Ain't no easy way to get myself out
So-i keep on workin'
like a workin' man do
I gotta buy my baby shoes
I keep on workin'
It's the only thing to do
I make my livin by the sweat of my brow
Oh-workin' just like you-uh
I was raised on the poor side of town
I made my livin' movin' around
I never let no one dog me down
Oh i was taught to stand my ground
Life was always changin'
That's just the way it is
So-i keep on workin'
like a workin' man do
I got to buy my baby shoes
I keep on workin'
It's the only thing to do
I make my livin by the sweat of my brow
Oh-workin' just like you-uh
Oh oh oh oh-i keep on workin'
Ooh-i keep on workin'
like a workin' man do
I got to buy my baby shoes
I keep on workin'
It's the only thing to do
I make my livin by the sweat of my brow
Oh-i keep on workin'
like a workin' man do
I need to buy my baby shoes
I keep on workin'
It's the only thing to do
I make my livin by the sweat of my brow
Oh workin' just like you
Aaah ah ah ah aaah ah ah ah
I keep on workin'-workin'
I keep on workin'-workin'
I keep on workin'-workin'
I keep on workin'-workin'
Uh oh oh oh

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Workin For A Livin

Chris hayes / huey lewis
Somedays wont end ever and somedays pass on by,
Ill be working here forever, at least until I die.
Dammed if you do, dammed if you dont
Im supposed to get a raise week, you know damn well I wont.
Workin for a livin (workin)
Workin for a livin (workin)
Workin for a livin, livin and workin
Im taking what they giving cause Im working for a livin.
Hey Im not complaining cause I really need the work
Hitting up my buddys got me feeling like a jerk
Hundred dollar car note, two hundred rent.
I get a check on friday, but its all ready spent.
Workin for a livin (workin)
Workin for a livin (workin)
Workin for a livin, livin and workin
Im taking what they giving cause Im working for a livin.
Ooh, workin for a livin
Ooh, taking what they giving
Ooh, workin for a livin
Ooh, ooh
Bus boy, bartender, ladies of the night
Grease monkey, ex-junky, winner of the fight
Walking on the streets its really all the same
Selling souls, rock n roll, any other day
Workin for a livin (workin)
Workin for a livin (workin)
Workin for a livin, livin and workin
Im taking what they giving cause Im working for a livin.
Workin for a livin, livin and workin
Im taking what they giving cause Im working for a livin.
Workin for a livin, livin and workin

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Goin Down To Rio

Goin down to rio, goin down to rio,
Goin down to rio, goin down to rio
Theres a place down rio town
Where everybody hangs around
And they all do the crazy thing
Dance a lot and love to sing
Goin down to rio, goin down to rio
All right
Goin down to rio, goin down to rio
Goin down to rio, goin down to rio
Take a trip down rio
Where I goin down there any day
Where the folks all have a ball
Just go down there for any all
Goin down to rio, goin down to rio
All right, thats nice, Im going to rio
Goin down to rio, goin down to rio
Goin down to rio, goin down to rio
Take a trip down rio where
Im goin down there any day
Where the folks all have a ball
Just go down knock on any door
Goin down to rio, goin down to rio
Goin down to rio, goin down to rio
Goin down to rio, goin down to rio
Goin down to rio

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Dontcha Wanna

If you had the chance I know you, surely would
And anytime I want it baby, I could
Said youd never saw it coming, did you dear
But you cant run from everything you fear
Hey, dont you wanna fall in love?
(dont you wanna, dont you wanna, dont you wanna fall in love with me? )
Ahha yeah
Oh baby you and i
(dont you wanna, dont you wanna, dont you wanna fall in love? )
Hey
Why dont you push your precious pride aside?
(dont you wanna, dont you wanna, dont you wanna fall in love with me? )
Hey yeah oh yeah
Dont you wanna
cause you cant let your whole life pass you by
Oooh
Sure that you aint had nothing like, this before
You can be the same if I give, anymore
I dont wanna waste any of your, precious time
But you wont have no choice but to be mine
Baby dont you wanna play it, on the line?
(dont you wanna, dont you wanna, dont you wanna fall in love with me? )
Yeah yeah yeah ooh
Dont you wanna, ooh
(dont you wanna, dont you wanna, dont you wanna fall in love? )
In love
Dont you wanna fall in love?
(dont you wanna, dont you wanna, dont you wanna fall in love with me? )
Hey yeah yeah yeah yeah
cause you cant let your whole life pass you by
Oooh whoo ooooh
(you cant put nothing before your pride)
I said nothing, nothing
(but baby what I give)
Whoo, you can lay your pride aside
Whoo ooooooh
(baby dont you wanna fall in love with me? )
(cause we can take it all night and Ill make you see)
Fall in love with me
(but baby let me know, dont you wanna fall? )
He haha haha
Dont you wanna?
(dont you wanna fall in love with me? )
(cause we can take it all noight and Ill make you see)
Heeey yeah hey
(but baby let me know, dont you wanna fall? )
I wanna fall in love!
(baby dont you wanna fall in love with me? )
(dont you wanna, dont you wanna, dont you wanna fall in love with me? )
(cause we can take it all night and Ill make you see)

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The Court Of Love

With timerous hert and trembling hand of drede,
Of cunning naked, bare of eloquence,
Unto the flour of port in womanhede
I write, as he that non intelligence
Of metres hath, ne floures of sentence;
Sauf that me list my writing to convey,
In that I can to please her hygh nobley.


The blosmes fresshe of Tullius garden soote
Present thaim not, my mater for to borne:
Poemes of Virgil taken here no rote,
Ne crafte of Galfrid may not here sojorne:
Why nam I cunning? O well may I morne,
For lak of science that I can-not write
Unto the princes of my life a-right


No termes digne unto her excellence,
So is she sprong of noble stirpe and high:
A world of honour and of reverence
There is in her, this wil I testifie.
Calliope, thou sister wise and sly,
And thou, Minerva, guyde me with thy grace,
That langage rude my mater not deface.


Thy suger-dropes swete of Elicon
Distill in me, thou gentle Muse, I pray;
And thee, Melpomene, I calle anon,
Of ignoraunce the mist to chace away;
And give me grace so for to write and sey,
That she, my lady, of her worthinesse,
Accepte in gree this litel short tretesse,


That is entitled thus, 'The Court of Love.'
And ye that ben metriciens me excuse,
I you besech, for Venus sake above;
For what I mene in this ye need not muse:
And if so be my lady it refuse
For lak of ornat speche, I wold be wo,
That I presume to her to writen so.


But myn entent and all my besy cure
Is for to write this tretesse, as I can,
Unto my lady, stable, true, and sure,
Feithfull and kind, sith first that she began
Me to accept in service as her man:

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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Christabel

PART I

'Tis the middle of night by the castle clock
And the owls have awakened the crowing cock;
Tu-whit!- Tu-whoo!
And hark, again! the crowing cock,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff, which
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady's shroud.

Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:
'T is a month before the month of May,
And the Spring comes slowly up this way.
The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,
A furlong from the castle gate?
She had dreams all yesternight
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that's far away.

She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak,
But moss and rarest mistletoe:
She kneels beneath the huge oak tree,
And in silence prayeth she.

The lady sprang up suddenly,
The lovely lady, Christabel!
It moaned as near, as near can be,
But what it is she cannot tell.-
On the other side it seems to be,
Of the huge, broad-breasted, old oak tree.
The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air

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Byron

Don Juan: Canto the Second

XXIV


The ship, call'd the most holy "Trinidada,"
Was steering duly for the port Leghorn;
For there the Spanish family Moncada
Were settled long ere Juan's sire was born:
They were relations, and for them he had a
Letter of introduction, which the morn
Of his departure had been sent him by
His Spanish friends for those in Italy.XXV


His suite consisted of three servants and
A tutor, the licentiate Pedrillo,
Who several languages did understand,
But now lay sick and speechless on his pillow,
And, rocking in his hammock, long'd for land,
His headache being increas'd by every billow;
And the waves oozing through the port-hole made
His berth a little damp, and him afraid.XXVI


'Twas not without some reason, for the wind
Increas'd at night, until it blew a gale;
And though 'twas not much to a naval mind,
Some landsmen would have look'd a little pale,
For sailors are, in fact, a different kind:
At sunset they began to take in sail,
For the sky show'd it would come on to blow,
And carry away, perhaps, a mast or so.XXVII


At one o'clock the wind with sudden shift
Threw the ship right into the trough of the sea,
Which struck her aft, and made an awkward rift,
Started the stern-post, also shatter'd the
Whole of her stern-frame, and, ere she could lift
Herself from out her present jeopardy,
The rudder tore away: 'twas time to sound
The pumps, and there were four feet water found.XXVIII


One gang of people instantly was put
Upon the pumps, and the remainder set
To get up part of the cargo, and what not,
But they could not come at the leak as yet;
At last they did get at it really, but
Still their salvation was an even bet:
The water rush'd through in a way quite puzzling,

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Workin Overtime

(nile rodgers/c. max)
Workin overtime, dedicated to you
Gonna cross that thin line
Hope you dont disapprove
cause Im workin overtime
Got to make a new start
cause Im workin overtime
Workin hard
Boy, youve got to think
What your priorities are really all about
Its such a crazy - world
Were on the brink
Therell be no turning back once weve set out
So much left to - do
And so little time
Just read the news to say todays headlines
One idea can last forever
And heres the only way that I can prove it
Workin overtime, dedicated to you
Gonna cross that thin line
Hope you dont disapprove
cause Im workin overtime
Got to make a new start
cause Im workin overtime
Workin hard
Boy I found a way
To raise the level of my self esteem
When I was just a - girl
I learned how to say
I will be proud I see
A me that will always achieve
One idea can last forever
And heres the only way that I can prove it
Workin overtime, dedicated to you
Gonna cross that thin line
Hope you dont disapprove
cause Im workin overtime
Got to make a new start
cause Im workin overtime
Workin hard
And when you want someone
Ill be there for you
And when you need someone - Im dependable
When your world is falling apart
You can lean on me
And nothing will come between our hearts for all eternaty
One idea can last forever
And heres the only way that I can prove it
Workin overtime, dedicated to you
Gonna cross that thin line

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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Don't Stop (Doin It)

If you had the chance
I know you surely would
At any time I want it baby
I could
Said you\'d never saw it coming, did you dear
But you can run from everything you fear
Hey, don\'t you wanna fall in love?
(Don\'t you wanna, don\'t you wanna, don\'t you wanna fall in love with me)
Oh baby you and I
(Don\'t you wanna, don\'t you wanna, don\'t you wanna fall in love)
Why don\'t you push your precious pride aside
(Don\'t you wanna, don\'t you wanna, don\'t you wanna fall in love with me)
Oh yeah
Don\'t you wanna
Cause you can\'t let your whole life pass you by
Sure that you ain\'t had nothing like this before
You can be the same if I give anymore
I don\'t wanna waste none of your precious time
But you won\'t have no choice but to be mine
Baby don\'t you wanna live on a line
(Don\'t you wanna, don\'t you wanna, don\'t you wanna fall in love with me)
Don\'t you wanna
(Don\'t you wanna, don\'t you wanna, don\'t you wanna fall in love)
Yeah ohh, don\'t you wanna fall in love yeah
(Don\'t you wanna, don\'t you wanna, don\'t you wanna fall in love with me)
Yeaaaah
Cause you can\'t let your whole life pass you by oh
(You can\'t put nothing before your pride)
Oh I said nothing, nothing
But baby what I give you can lay your pride aside
(Baby don\'t you wanna fall in love with me)
(Cause you could take it all night)
(And I make you see)
Fall in love with me
(Baby let me know don\'t you wanna fall)
Don\'t you wanna
(Baby don\'t you wanna fall in love with me)
(Cause you could take it all night) Yeah yeah
(And I make you see)
(Baby let me know don\'t you wanna fall)
Don\'t you wanna fall in love
(Don\'t you wanna, don\'t you wanna, don\'t you wanna fall in love with me)
I said fall in love with me
(Don\'t you wanna, don\'t you wanna, don\'t you wanna fall in love)
Don\'t you wanna, don\'t you wanna
(Don\'t you wanna, don\'t you wanna, don\'t you wanna fall in love with me)
Fall in love with me, I wanna fall, I wanna fall
(Don\'t you wanna, don\'t you wanna, don\'t you wanna fall in love)
Oh yeah oh yeah oh yeah oh yeah oh yeah
(Don\'t you wanna, don\'t you wanna, don\'t you wanna fall in love with me)

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