Did You Read The Morning Papers?
(nickolas ashford/valerie simpson/r. monica)
Did you read the morning paper
Did you see the front headline
Did you read the morning paper
Baby let me lend you mine
There on the front page was a picture
Of a crowd as they watched a parade passing by
And through the haze of last nights sleep
Something familiar caught my eye
There was a couple looking so much in love, yes
They had a front line view
And as I pulled the paper closer
I realized standing next to her it was you
Did you read the morning paper
Did you see the front headline
Did you read the morning paper
Baby let me lend you mine
Now I know why youve been working late each night
And no longer have desire to ever hold me tight
And your busy, busy schedule was all a lie
Oh, even the dream with a bonus, oh just another alibi
Did you read the morning paper
Did you see the front headline
Did you read the morning paper
Baby let me lend you mine
Did you get the news today
Did you read the morning paper
Isnt the picture very clear
Where do we go from here
Did you read the morning paper
Did you see the front headlines
Did you read the morning paper
Baby let me lend you mine
Oh, what now
Did you read the morning paper
Did you get the news today
song performed by Diana Ross
Added by Lucian Velea
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Related quotes
Did You Read The Morning Paper
(Nickolas Ashford/Valerie Simpson/R. Monica)
Did you read the morning paper
Did you see the front headline
Did you read the morning paper
Baby let me lend you mine
There on the front page was a picture
Of a crowd as they watched a parade passing by
And through the haze of last nights sleep
Something familiar caught my eye
There was a couple looking so much in love, yes
They had a front line view
And as I pulled the paper closer
I realized standing next to her it was you
Did you read the morning paper
Did you see the front headline
Did you read the morning paper
Baby let me lend you mine
Now I know why you've been working late each night
And no longer have desire to ever hold me tight
And your busy, busy schedule was all a lie
Oh, even the dream with a bonus, oh just another alibi
Did you read the morning paper
Did you see the front headline
Did you read the morning paper
Baby let me lend you mine
Did you get the news today
Did you read the morning paper
Isn't the picture very clear
Where do we go from here
Did you read the morning paper
Did you see the front headlines
Did you read the morning paper
Baby let me lend you mine
Oh, what now
Did you read the morning paper
Did you get the news today
song performed by Diana Ross
Added by Lucian Velea
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Picture Picture by Tanya Markova
Picture picture ohh...
Picture picture ohh...
Picture picture ohh...
Picture picture ohh...
Picture picture ohh...
Picture picture
Picture picture ohh...
Picture picture ohh...
Picture picture
Picture picture ohh...
Nang gabing masilayan ka...
Dala-dala ko pa
Ang aking lumang camera
Picture picture ohh...
Picture picture
Picture picture ohh...
Picture picture ohh...
Picture picture
Picture picture ohh...
Campus gig noon at nag-aya ang tropa
Maraming bebot ang nagsasayaw
Nang biglang mapansin kita
What a beautiful face
At kinunan kita
What a beautiful face
Angat ka sa iba
Picture picture ohh...
Picture picture
Picture picture ohh...
Picture picture
What a beautiful
What a beautiful face
I saw her face
Mukha syang taga-a a outerspace
Si Mang Roger ako'y kinalabit
Ang sabi
Halika na balot muna
[...] Read more
poem by Shi Yelami
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Class Reunion
[Monica]
It's a class reunion, you come home from the ATM (oh yeah)
[Wyclef (Monica)]
Monica you ready, oh yeah
Man she look so good
Rolling through the hood
God bless the dead (bless the dead)
Jerry Wonder knock on wood
She was a ghetto queen, yeah
Turned into a fiend, yeah
Night I heard her scream
? to a nightmare dream, oh yeah (oh)
[Wyclef]
She was mine, she was pop
She was hip, she was hot
She was too fly, butterfly
It was her time, her time
It was her time, her time
So much dope on the streets
That I'm praying for peace
But the poor gotta eat
Talking bout my time
Everybody say it's my time, oh yeah
[Wyclef (Monica)]
Baby girl, the world is yours, just look through
That open door, I'll be there for you
If you ever feeling blue (oh), it's a beautiful world
[Monica]
Baby boy, the world is yours, when you're sad
I'll be your joy, I'm still your friend
And I'm a love you till the end
[Monica]
Said he looks so real
When he was running on the football field
I love the cheerleader scream his name
Even in ? he had game
But didn't show up at the class reunion
And when I asked one of my girls what happened
That's when they told me he got life in prison
Caught up in the system
Trying to be a kingpin
The story never ever ends
[Monica (Wyclef)]
He was mine, he was fine
He was hip, he was hot
He was too fly, butterfly
It was his time, it was his time (oh why, oh why, oh why)
So much dope on the streets
And I'm praying for peace
But the poor gotta eat
[...] Read more
song performed by Wyclef Jean
Added by Lucian Velea
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Monica
Under a lamp light
Monica stands at midnight,
And every guy think he can buy her love,
But money cant buy sweet lovin from monica.
Morning to moonshine,
Monica knows every line.
Dont ever propose cause monica knows, you know.
Shell turn up her nose and say what a fool you are.
I, I shall die,
I, I shall die if I should lose monica.
(oh monica my love.)
People can try,
People can try, but they cant buy monica, my love.
You take the sunshine,
Ill take the nightly shadows.
cause everyone knows that monica glows at night.
Shell do something wrong and prove to you she is right.
I, I shall die,
I, I shall die if I should lose monica.
(oh monica my love.)
People may try,
People may try, but they cant buy monica, my love.
Morning to moonshine,
Monica knows every line.
Dont ever propose cause monica knows, you know.
Shell turn up her nose and say what a fool you are.
Monica.
song performed by Kinks
Added by Lucian Velea
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Soul Survivor
(Intro)
Come on, yo come on (survivor, survivor)
Come on, come on, come on, come on (survivor, survivor)
Come on, come on (soul survivor)
Come on, come on, come on, come on
(LL Cool J)
They said I wasn't rough, too much dough, he got an old flow
Everytime you open your mouth you feel your elbow
I'll catch a felony on top of a melody
brought a family, and dough woulda been so happily
I'll beat the Laker off of a clown and chop him down to size
Sick of all these wanna-be bad guys
Made loot, many g's, bought a crib where I live
told my kids - "yo, damn, that I'm a fugitive"
Runnin' from the streets and our beats - the sad sheets, uh
A sunny beach, video hoes within reach
Farmers Boulevard - liberty and forty is gone
And E ain't put nobody on
When I came back to smack and give 'em a welt
like belts makin' them strip and all of that
Punks better run for they guns
I'm not the one and can't nobody rule until L's done
(Chorus)
It's the L baby, baby, the L baby, baby
It's the L baby, baby, the heart (soul survivor)
It's the L baby, baby, the L baby, baby
It's the L baby, baby, the heart (soul survivor)
It's the L baby, baby, the L baby, baby
It's the L baby, baby, the heart (soul survivor)
It's the L baby, baby, the L baby, baby
It's the L baby, baby, the heart (soul survivor)
(LL Cool J)
I worked the Murphy on the mix
What's wrong with these stupid lunatics playin' "Joint" for a drag-bit?
I'm harder than-?find in a jar?
People wasn't rippin' these records, all of y'all would get robbed
I'm comin' straight out the barrel with your name on my arm
blowin' the hoody of your head like a home-made bomb (BOOM!!)
I'm big and so you figured I would relax (nah!)
Don't ever sleep I'll wake ya up with an axe
The Boulevard ain't safe for my beats - drop the herb
Twenty times harder without a curse
Makin' rats flee, hardcore - and that's me!!
The baddest soloist in hip-hop history
L-L-C-to-the-O-to-the-O-L-J, so what'cha wanna know?
Throw ya in the MVP on your knees G
A crowbar in your mouth - now ask me...
(Chorus)
It's the L baby, baby, the L baby, baby
It's the L baby, baby, the heart (soul survivor)
[...] Read more
song performed by LL Cool J
Added by Lucian Velea
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Lara. A Tale
The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.
II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.
III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.
IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;
[...] Read more
Lara
LARA. [1]
CANTO THE FIRST.
I.
The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.
II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.
III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.
[...] Read more
Valerie
Valerie, ooh yeah
We were laughing, and hangin round some hotel bar
And we were so young, and now I wonder where you are
cause that was years ago, but how was I to know wed part
Dont wanna hear you say, you dont know me, valerie
There is somethin, somethin that you gotta know
And valerie you were the first, though I never told you so
You were the main event, you didnt need to steal the show
Im telling you, you dont know me
Valerie - do you remember me, when we were wild and free
Valerie - do you remember me - do you remember
Im recalling all the crazy things weve done
Hey but when your folks found out, they said that we were way too young
That was way back when, maybe it will be again
Dont wanna hear you say, you dont know me
Valerie - do you remember me, when we were wild and free
Valerie - do you remember me - do you remember, yeah
(solo)
Do you remember me - ooh yeah - when we were wild and free
Valerie - do you remember me - just tell me how you feel
Valerie - do you remember me, when we were wild and free
Yeah, valerie - do you remember me - just tell me how you feel
Do you remember me - oh valerie - when we were wild and free
Valerie - do you remember me, just tell me how you feel...
song performed by Bad Company
Added by Lucian Velea
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus
Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—
Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Saint Monica
AMONG deep woods is the dismantled scite
Of an old Abbey, where the chaunted rite,
By twice ten brethren of the monkish cowl,
Was duly sung; and requiems for the soul
Of the first founder: For the lordly chief,
Who flourish'd paramount of many a fief,
Left here a stipend yearly paid, that they,
The pious monks, for his repose might say
Mass and orisons to Saint Monica.
Beneath the falling archway overgrown
With briars, a bench remains, a single stone,
Where sat the indigent, to wait the dole
Given at the buttery; that the baron's soul
The poor might intercede for; there would rest,
Known by his hat of straw with cockles drest,
And staff and humble weed of watchet gray,
The wandering pilgrim; who came there to pray
The intercession of Saint Monica.
Stern Reformation and the lapse of years
Have reft the windows, and no more appears
Abbot or martyr on the glass anneal'd;
And half the falling cloisters are conceal'd
By ash and elder: the refectory wall
Oft in the storm of night is heard to fall,
When, wearied by the labours of the day,
The half awaken'd cotters, starting say,
'It is the ruins of Saint Monica.'
Now with approaching rain is heard the rill,
Just trickling thro' a deep and hollow gill
By osiers, and the alder's crowding bush,
Reeds, and dwarf elder, and the pithy rush,
Choak'd and impeded: to the lower ground
Slowly it creeps; there traces still are found
Of hollow squares, embank'd with beaten clay,
Where brightly glitter'd in the eye of day
The peopled waters of Saint Monica.
The chapel pavement, where the name and date,
Or monkish rhyme, had mark'd the graven plate,
With docks and nettles now is overgrown;
And brambles trail above the dead unknown.
Impatient of the heat, the straggling ewe
Tinkles her drowsy bell, as nibbling slow
She picks the grass among the thistles gray,
Whose feather'd seed the light air bears away,
O'er the pale relicks of Saint Monica.
Reecho'd by the walls, the owl obscene
Hoots to the night; as thro' the ivy green
[...] Read more
poem by Charlotte Smith
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
[...] Read more
poem by Conrad Potter Aiken
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Monica
Look at monica walking in her sleep
Look at monica running through the fields
In her dream, so serene
Monica, monica
Hush, dont you say a word
Did you see the smile she made today?
Look at monica
Look at monica
Mornings coming ever so fast
Shadows realitys cast
More like a dream that just wont last
Look at monica walking in her sleep
Look at monica running through the fields
In her dream, so serene
Monica, monica
Please keep quiet, let her sleep
Cant you see the smile she made today?
song performed by Extreme
Added by Lucian Velea
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The Door Of Humility
ENGLAND
We lead the blind by voice and hand,
And not by light they cannot see;
We are not framed to understand
The How and Why of such as He;
But natured only to rejoice
At every sound or sign of hope,
And, guided by the still small voice,
In patience through the darkness grope;
Until our finer sense expands,
And we exchange for holier sight
The earthly help of voice and hands,
And in His light behold the Light.
I
Let there be Light! The self-same Power
That out of formless dark and void
Endued with life's mysterious dower
Planet, and star, and asteroid;
That moved upon the waters' face,
And, breathing on them His intent,
Divided, and assigned their place
To, ocean, air, and firmament;
That bade the land appear, and bring
Forth herb and leaf, both fruit and flower,
Cattle that graze, and birds that sing,
Ordained the sunshine and the shower;
That, moulding man and woman, breathed
In them an active soul at birth
In His own image, and bequeathed
To them dominion over Earth;
That, by whatever is, decreed
His Will and Word shall be obeyed,
From loftiest star to lowliest seed;-
The worm and me He also made.
And when, for nuptials of the Spring
With Summer, on the vestal thorn
The bridal veil hung flowering,
A cry was heard, and I was born.
II
[...] Read more
poem by Alfred Austin
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The Dream
'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!
So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.
Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,
To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,
[...] Read more
poem by Caroline Elizabeth Sarah Norton
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The Giaour
No breath of air to break the wave
That rolls below the Athenian's grave,
That tomb which, gleaming o'er the cliff
First greets the homeward-veering skiff
High o'er the land he saved in vain;
When shall such Hero live again?
Fair clime! where every season smiles
Benignant o'er those blesséd isles,
Which, seen from far Colonna's height,
Make glad the heart that hails the sight,
And lend to lonliness delight.
There mildly dimpling, Ocean's cheek
Reflects the tints of many a peak
Caught by the laughing tides that lave
These Edens of the Eastern wave:
And if at times a transient breeze
Break the blue crystal of the seas,
Or sweep one blossom from the trees,
How welcome is each gentle air
That waves and wafts the odours there!
For there the Rose, o'er crag or vale,
Sultana of the Nightingale,
The maid for whom his melody,
His thousand songs are heard on high,
Blooms blushing to her lover's tale:
His queen, the garden queen, his Rose,
Unbent by winds, unchilled by snows,
Far from winters of the west,
By every breeze and season blest,
Returns the sweets by Nature given
In soft incense back to Heaven;
And gratefu yields that smiling sky
Her fairest hue and fragrant sigh.
And many a summer flower is there,
And many a shade that Love might share,
And many a grotto, meant by rest,
That holds the pirate for a guest;
Whose bark in sheltering cove below
Lurks for the pasiing peaceful prow,
Till the gay mariner's guitar
Is heard, and seen the Evening Star;
Then stealing with the muffled oar,
Far shaded by the rocky shore,
Rush the night-prowlers on the prey,
And turns to groan his roudelay.
Strande—that where Nature loved to trace,
As if for Gods, a dwelling place,
[...] Read more
poem by Byron (1813)
Added by Veronica Serbanoiu
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The Giaour: A Fragment Of A Turkish Tale
No breath of air to break the wave
That rolls below the Athenian's grave,
That tomb which, gleaming o'er the cliff
First greets the homeward-veering skiff
High o'er the land he saved in vain;
When shall such Hero live again?
Fair clime! where every season smiles
Benignant o'er those blesséd isles,
Which, seen from far Colonna's height,
Make glad the heart that hails the sight,
And lend to lonliness delight.
There mildly dimpling, Ocean's cheek
Reflects the tints of many a peak
Caught by the laughing tides that lave
These Edens of the Eastern wave:
And if at times a transient breeze
Break the blue crystal of the seas,
Or sweep one blossom from the trees,
How welcome is each gentle air
That waves and wafts the odours there!
For there the Rose, o'er crag or vale,
Sultana of the Nightingale,
The maid for whom his melody,
His thousand songs are heard on high,
Blooms blushing to her lover's tale:
His queen, the garden queen, his Rose,
Unbent by winds, unchilled by snows,
Far from winters of the west,
By every breeze and season blest,
Returns the sweets by Nature given
In soft incense back to Heaven;
And gratefu yields that smiling sky
Her fairest hue and fragrant sigh.
And many a summer flower is there,
And many a shade that Love might share,
And many a grotto, meant by rest,
That holds the pirate for a guest;
Whose bark in sheltering cove below
Lurks for the pasiing peaceful prow,
Till the gay mariner's guitar
Is heard, and seen the Evening Star;
Then stealing with the muffled oar,
Far shaded by the rocky shore,
Rush the night-prowlers on the prey,
And turns to groan his roudelay.
Strande-that where Nature loved to trace,
As if for Gods, a dwelling place,
And every charm and grace hath mixed
[...] Read more
Headline Hustler
I got me a job on the local paper
Everybody there thinks Im nice
But theyd better look twice
'cos it isnt me
I wanna be
Headline hustler
Scandal maker
Headline hustler
Money taker
You keep writing me letters
But I havent got time
Im busy looking at photographs
But theyd better not be from the bbc
Youre gonna hear from me
Headline hustler
Scandal maker
Headline hustler
Money taker
Better not turn around
Ill stab you in the back
And you dont know what Im hiding
Under my plastic mac, under my plastic mac
I got a very good friend in the cia
And he says that he never takes bribes
But hes telling lies
'cos hes into me
He knows I wanna be
Headline hustler
Scandal maker
Headline hustler
Money taker
If your brothers wearing dresses
And your neighbours swapped his wife
Well, Im gonna make the headlines
With your private life
With your other wife
Headline hustler
Scandal maker
Headline hustler
Money taker
Headline hustler
Scandal maker
Headline hustler
Money taker
song performed by 10 Cc
Added by Lucian Velea
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You Watched It Close Under Microscope
You watched it close under microscope.
Closer than anything you watched most
You watched it close under microscope.
Closer than anything you watched most
And now you don't believe,
What you see.
You watched it close under microscope.
You watched it close under microscope.
You watched it close under microscope.
You watched it close...
And still you don't believe,
What's there to see.
You watched it close under microscope.
You watched it close under microscope.
You watched it close under microscope.
You watched it close...
And still you don't believe,
What's there to see.
You watched it close under microscope.
You watched it close...
And...
Not to believe.
You watched it close under microscope.
You watched it close under microscope.
You watched it close under microscope.
And still you don't believe.
You watched it close under microscope.
You watched it close under microscope.
You watched it close under microscope.
And there to plainly see.
You watched it close under microscope.
You watched it close under microscope.
You watched it close under microscope.
And still you don't believe.
What's there to see.
You watched it close under microscope.
You watched it close under microscope.
You watched it close under microscope.
And there to plainly see.
But you can't believe it masked.
You watched it close under microscope.
You watched it close under microscope.
[...] Read more
poem by Lawrence S. Pertillar
Added by Poetry Lover
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III. The Other Half-Rome
Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!
There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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