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The sky descended to us and opened its windows to immortality.

quote by Marius Alexandru (12 June 2021)
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Nestling

When to summon the sky
Little nestling?
When to summon the sky?

And suffer the risk - abscond in dread -
The knowledge of sort that you'll be dead
Upon a calamitous fall;

Or taken in flight - a hawkish pounce -
Demolished as prey; your fate pronounce
You gone, and to never recall.

O when to summon the sky
Little nestling?
When to summon the sky?

Aborting a den with
Feathered bed,
Unwavering mother who
Saw you fed -
Surrendering all so
You may spread
Your reach of tentative wings!

‘Tis only instinct -
E'er the reason -
Forging life:
The Nesting Season
And the trials it brings.

So up and summon the sky
Little nestling,
Up! and summon the sky!

Copyright © Mark R Slaughter 2011

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poem by Mark R Slaughter
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.

PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors

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poem by Henry Wadsworth Longfellow
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Pandoras Box

If I had known of what would come
I might have walked outta here a lot less harmed
But Im no lady of the glass
And I cant foretell what will pass
And I went with my defenses down
As your love sent me spinning spinning round
Oh you took me to the very top
And then I took a bad (and) long long drop
Oh promises are made to be broken
Thats all I ever learned from loving you
And oh when you opened up your love to me
You opened up pandoras box
Oh promises are made to bend and stretch oh
And end up being really worthless
And oh when I opened up the door to you
I opened up pandoras box
Just one look and I knew you knew
I was all hung up hung up on loving you
I just put all my trust in love
And I placed a big old bet on lady love
I was sentenced to loving you
And Im serving time in solitude
Yeah I gave ya everything that I got
And you took it all and walked right off
Oh promises are made to be broken
Thats all I ever learned from loving you
And oh when you opened up your love to me
You opened up pandoras box
Oh promises are made to bend and stretch oh
And end up being really worthless
And oh when I opened up the door to you
I opened up pandoras box
Just one look and I knew you knew
I was all hung up hung up on loving you
I just put all my trust in love
And I placed a big old bet on lady love
Oh promises are made to be broken
Thats all I ever learned from loving you
And oh when you opened up your love to me
You opened up pandoras box
Oh promises are made to bend and stretch oh
And end up being really worthless
And oh when I opened up the door to you
I opened up pandoras box
Oh promises are made to be broken
Thats all I ever learned from loving you
And oh when you opened up your love to me
You opened up pandoras box
Oh promises are made to bend and stretch oh
And en up being really worthless

song performed by Donna Summer
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Wistfully Watching

They explore the world
through windows,
church windows,
school windows,
two up, two down windows,
castle windows,
large windows,
small windows.

They see it all,
from blameless to guilty,
from noble to treacherous,
through windows.
From skyscraper windows,
to basement flat windows,
from paupers windows,
and palace windows

they watch, absorb, suck it in.

Later when they have grown
they will remember,
try to empathise,
rationalise
decipher the coded metaphors,
but some day
they will be demoralised
by the windows of life.

There they sit __ wistfully watching __
the children

of our times.

poem by Ruth Walters
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Life of a Cloud

Warming thermals whisper as they rise,
To tell us they are soon to bring to view
In cooler air aloft before your eyes:
A gentle wisp to counterpoint the blue.

Powder puffs emerge to grant her grace
That further bloom as would for stately tree, and
Yield a sight that calls for our embrace:
Another cloud anew above the lea.

Cruising forth, she yearns for ageless life.
O how her hopes will soon be dashed in vain,
For up there in the cold she courts her strife,
To fade away as drops of closing rain.

Scant and lacy speak her living span,
And fair among us could be brought to mourn,
But she was there to populate her clan:
From fallen tears, new daughters will be born.

Copyright © Mark R slaughter 2010

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poem by Mark R Slaughter
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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

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poem by Mahendra Bhatnagar
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Windows

Windows open vistas for us
Windows - of hearts, of minds or of eyes
Windows - which might open outward
Or inward
They bring the light on the other end to this end.

Windows converse
They open the alphabetical locks of our lips
When night weaves nets of darkness on windows
Life-spans speak out in whispers from abysses of pain
Windows then perforce remain silent
Suffer days of tongue-tied laws
Nights of oppression
And epochs of tyranny

Windows are self same stories of dreams
Of centuries
Mute testimony of chasms
Court yards and ruined houses
Evidence of rusted eons rattling with exhaustion
in tyrant time's primordium continuity

Windows have the heart of a woman
They open their body's wings of each clime
With a little waft of wind
With fragrance, sunlight, rain or moon beams.
They blow away paper-light images
And waste away life in uncharted desires.

When butterflies fly in front of windows
Eyes glued to window panes become tearful
With noontide memories.
Evenings look forward to a wayfarer passing by
When they're covered with climbers
holding forth red and white flowers
They fill closed fists with the touch of fire-flies.

Windows often insist on being kept open
They're surprised to watch cloud, birds
And the blue sky's expanse
If they're kept shut
They're afraid of the life breath of
Walls and rooms getting strangulated.
They're afraid of dwellers forsaking their houses
They also feel life's desertion
They also feel despondent
Windows are human beings!

Poem by: Naseer Ahmed Nasir
Translated from the original Urdu into English by Satyapal Anand.

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poem by Naseer Ahmed Nasir
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World Falls

Im coming home with a stone
Strapped onto my back
Im coming home with a burning hope
Turning all my blues to black
Im looking for a sacred hand
To carve into my stone
A ghost of comfort
Angels breath
To keep this life inside my chest
This world falls on me
Hopes of immortality
Everywhere I turn
All the beauty just keeps shaking me
Now I woke up in the middle of a dream
Scared the world was too much for me
Sejarez said, dont let go
Just plant the seeds and watch them grow
Ive slept in rainy canyon lands
Cold drenched to my skin
I always wake to find a face
To calm these troubled lands
Ah this world falls on me
With dreams of immortality
Everywhere I turn
All the beauty just keeps shaking me
Now Im running
To the end of the earth
And Im swimming
To the edge of the sea
And Im laughing
Im under a starry sky
This world was meant for me
Dont bury me
Carry me
I wish I was a nomad
An indian or a saint
The edge of death would disappear
Leave me nothing left to taint
I wish I was a nomad
An indian or a saint
Give me walking shoes
Feathered arms
And a key to heavens gate
Ah this world falls on me
Dreams of immortality
Everywhere I turn
All the beauty just keeps shaking me
Im running
(this world falls on me)
To the end of the earth

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song performed by Indigo Girls
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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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poem by Gilbert Keith Chesterton
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The Columbiad: Book III

The Argument

Actions of the Inca Capac. A general invasion of his dominions threatened by the mountain savages. Rocha, the Inca's son, sent with a few companions to offer terms of peace. His embassy. His adventure with the worshippers of the volcano. With those of the storm, on the Andes. Falls in with the savage armies. Character and speech of Zamor, their chief. Capture of Rocha and his companions. Sacrifice of the latter. Death song of Azonto. War dance. March of the savage armies down the mountains to Peru. Incan army meets them. Battle joins. Peruvians terrified by an eclipse of the sun, and routed. They fly to Cusco. Grief of Oella, supposing the darkness to be occasioned by the death of Rocha. Sun appears. Peruvians from the city wall discover Roch an altar in the savage camp. They march in haste out of the city and engage the savages. Exploits of Capac. Death of Zamor. Recovery of Rocha, and submission of the enemy.

Now twenty years these children of the skies
Beheld their gradual growing empire rise.
They ruled with rigid but with generous care,
Diffused their arts and sooth'd the rage of war,
Bade yon tall temple grace their favorite isle,
The mines unfold, the cultured valleys smile,
Those broad foundations bend their arches high,
And rear imperial Cusco to the sky;
Wealth, wisdom, force consolidate the reign
From the rude Andes to the western main.

But frequent inroads from the savage bands
Lead fire and slaughter o'er the labor'd lands;
They sack the temples, the gay fields deface,
And vow destruction to the Incan race.
The king, undaunted in defensive war,
Repels their hordes, and speeds their flight afar;
Stung with defeat, they range a wider wood,
And rouse fresh tribes for future fields of blood.

Where yon blue ridges hang their cliffs on high,
And suns infulminate the stormful sky,
The nations, temper'd to the turbid air,
Breathe deadly strife, and sigh for battle's blare;
Tis here they meditate, with one vast blow,
To crush the race that rules the plains below.
Capac with caution views the dark design,
Learns from all points what hostile myriads join.
And seeks in time by proffer'd leagues to gain
A bloodless victory, and enlarge his reign.

His eldest hope, young Rocha, at his call,
Resigns his charge within the temple wall;
In whom began, with reverend forms of awe,
The functions grave of priesthood and of law,

In early youth, ere yet the ripening sun
Had three short lustres o'er his childhood run,
The prince had learnt, beneath his father's hand,
The well-framed code that sway'd the sacred land;
With rites mysterious served the Power divine,
Prepared the altar and adorn'd the shrine,
Responsive hail'd, with still returning praise,
Each circling season that the God displays,

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poem by Joel Barlow
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Steamy Windows

(tony joe white)
Well I was thinkin bout parking the other night
We was out on a back road
Me and my lady was just gettin right
All systems on overload
Radio blasting in the front seat
Turnin out the music fine
We were snuggled up in the back seat
Makin up for lost time
Steamy windows
Zero visiblity
Steamy windows
Comin from the body heat
You can wine and dine a lady all night
With good intent
But theres something about a rendezvous on a back road
That gets mighty intense
Steamy windows
Aint nobody can see
Steamy windows
Comin from the body heat
Theres a sound outside the front door
And I know its just the wind
But it makes us wanna snuggle just a little bit closer
And it starts all over again
Steamy windows
Zero visiblity
Steamy windows
Comin from the body heat
Steamy windows
Zero visiblity
Steamy windows
Comin from the body heat
Steamy windows...
Steamy windows
Comin from the body heat
Aint nobody can see...

song performed by Kenny Chesney
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Spleen (II)

J'ai plus de souvenirs que si j'avais mille ans.

Un gros meuble à tiroirs encombré de bilans,
De vers, de billets doux, de procès, de romances,
Avec de lourds cheveux roulés dans des quittances,
Cache moins de secrets que mon triste cerveau.
C'est une pyramide, un immense caveau,
Qui contient plus de morts que la fosse commune.
— Je suis un cimetière abhorré de la lune,
Où comme des remords se traînent de longs vers
Qui s'acharnent toujours sur mes morts les plus chers.
Je suis un vieux boudoir plein de roses fanées,
Où gît tout un fouillis de modes surannées,
Où les pastels plaintifs et les pâles Boucher
Seuls, respirent l'odeur d'un flacon débouché.

Rien n'égale en longueur les boiteuses journées,
Quand sous les lourds flocons des neigeuses années
L'ennui, fruit de la morne incuriosité,
Prend les proportions de l'immortalité.
— Désormais tu n'es plus, ô matière vivante!
Qu'un granit entouré d'une vague épouvante,
Assoupi dans le fond d'un Sahara brumeux;
Un vieux sphinx ignoré du monde insoucieux,
Oublié sur la carte, et dont l'humeur farouche
Ne chante qu'aux rayons du soleil qui se couche.

---------------------------------- -------------------------------------------------

Spleen

I have more memories than if I'd lived a thousand years.

A heavy chest of drawers cluttered with balance-sheets,
Processes, love-letters, verses, ballads,
And heavy locks of hair enveloped in receipts,
Hides fewer secrets than my gloomy brain.
It is a pyramid, a vast burial vault
Which contains more corpses than potter's field.
— I am a cemetery abhorred by the moon,
In which long worms crawl like remorse
And constantly harass my dearest dead.
I am an old boudoir full of withered roses,
Where lies a whole litter of old-fashioned dresses,
Where the plaintive pastels and the pale Bouchers,
Alone, breathe in the fragrance from an opened phial.

Nothing is so long as those limping days,
When under the heavy flakes of snowy years
Ennui, the fruit of dismal apathy,

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poem by Charles Baudelaire
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Tannhauser

The Landgrave Hermann held a gathering
Of minstrels, minnesingers, troubadours,
At Wartburg in his palace, and the knight,
Sir Tannhauser of France, the greatest bard,
Inspired with heavenly visions, and endowed
With apprehension and rare utterance
Of noble music, fared in thoughtful wise
Across the Horsel meadows. Full of light,
And large repose, the peaceful valley lay,
In the late splendor of the afternoon,
And level sunbeams lit the serious face
Of the young knight, who journeyed to the west,
Towards the precipitous and rugged cliffs,
Scarred, grim, and torn with savage rifts and chasms,
That in the distance loomed as soft and fair
And purple as their shadows on the grass.
The tinkling chimes ran out athwart the air,
Proclaiming sunset, ushering evening in,
Although the sky yet glowed with yellow light.
The ploughboy, ere he led his cattle home,
In the near meadow, reverently knelt,
And doffed his cap, and duly crossed his breast,
Whispering his 'Ave Mary,' as he heard
The pealing vesper-bell. But still the knight,
Unmindful of the sacred hour announced,
Disdainful or unconscious, held his course.
'Would that I also, like yon stupid wight,
Could kneel and hail the Virgin and believe!'
He murmured bitterly beneath his breath.
'Were I a pagan, riding to contend
For the Olympic wreath, O with what zeal,
What fire of inspiration, would I sing
The praises of the gods! How may my lyre
Glorify these whose very life I doubt?
The world is governed by one cruel God,
Who brings a sword, not peace. A pallid Christ,
Unnatural, perfect, and a virgin cold,
They give us for a heaven of living gods,
Beautiful, loving, whose mere names were song;
A creed of suffering and despair, walled in
On every side by brazen boundaries,
That limit the soul's vision and her hope
To a red hell or and unpeopled heaven.
Yea, I am lost already,-even now
Am doomed to flaming torture for my thoughts.
O gods! O gods! where shall my soul find peace?'
He raised his wan face to the faded skies,
Now shadowing into twilight; no response
Came from their sunless heights; no miracle,
As in the ancient days of answering gods.

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poem by Emma Lazarus
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Temora - Book III

ARGUMENT.

Morning coming on, Fingal, after a speech to his people, devolved the command on Gaul, the son of Morni; it being the custom of the times, that the king should not engage, till the necessity of affairs required his superior valor and conduct. The king and Ossian retire to the hill of Cormul, which overlooked the field of battle. The bards sing the war-song. The general conflict is described. Gaul, the son of Morni, distinguishes himself; kills Tur-lathon, chief of Moruth, and other chiefs of lesser name. On the other hand, Foldath, who commanded the Irish army (for Cathmor, after the example of Fingal, kept himself from battle,) fights gallantly; kills Connal, chief of Dun-lora, and advances to engage Gaul himself. Gaul, in the mean time, being wounded in the hand, by a random arrow, is covered by Fillan the son of Fingal, who performs prodigies of valor. Night comes on. The horn of Fingal recalls his army. The bards meet them with a congratulatory song, in which the praises of Gaul and Fillan are particularly celebrated. The chiefs sit down at a feast; Fingal misses Connal. The episode of Connal and Duth-caron is introduced; which throws further light on the ancient history of Ireland. Carril is despatched to raise the tomb of Connal. The action of this book takes up the second day from the opening of the poem.

"Who is that at blue-streaming Lubar? Who, by the bending hill of roes? Tall he leans on an oak torn from high, by nightly winds. Who but Comhal's son, brightening in the last of his fields? His gray hair is on the breeze. He half unsheathes the sword of Luno. His eyes are turned to Moi-lena, to the dark moving of foes. Dost thou hear the voice of the king? it is like the bursting of a stream in the desert, when it comes, between its echoing rocks, to the blasted field of the sun!

Wide-skirted comes down the foe! Sons of woody Selma, arise! Be ye like the rocks of our land, in whose brown sides are the rolling of streams. A beam of joy comes on my soul. I see the foe mighty before me. It is when he is feeble, that the sighs of Fingal are heard: lest death should come without renown, and darkness dwell on his tomb. Who shall lead the war, against the host of Alnecma? It is only when danger grows, that my sword shalt shine. Such was the custom, heretofore, of Trenmor the ruler of winds! and thus descended to battle the blue-shielded Trathal!"

The chiefs bend towards the king. Each darkly seems to claim the war. They tell, by halves, their mighty deeds. They turn their eyes on Erin. But far before the rest the son of Morni stands. Silent he stands, for who had not heard of the battles of Gaul They rose within his soul. His hand, in secret, seized the sword. The sword which he brought from Strumon, when the strength of Morni failed. On his spear leans Fillan of Selma, in the wandering of his locks. Thrice he raises his eyes to Fingal: his voice thrice fails him as he speaks. My brother could not boast of battles: at once he strides away. Bent over a distant stream he stands: the tear hangs in his eye. He strikes, at times, the thistle's head, with his inverted spear. Nor is he unseen of Fingal. Sidelong he beholds his son. He beholds him with bursting joy; and turns, amid his crowded soul. In silence turns the king towards Mora of woods. He hides the big tear with his locks. At length his voice is heard.

"First of the sons of Morni! Thou rock that defiest the storm! Lead thou my battle for the race of low-laid Cormac. No boy's staff is thy spear: no harmless beam of light thy sword. Son of Morni of steeds, behold the foe! Destroy! Fillan, observe the chief! He is not calm in strife: nor burns he, heedless in battle. My son, observe the chief! He is strong as Lubar's stream, but never foams and roars. High on cloudy Mora, Fingal shall behold the war. Stand, Ossian, near thy father, by the falling stream. Raise the voice, O bards! Selma, move beneath the sound. It is my latter field. Clothe it over with light."

As the sudden rising of winds; or distant rolling of troubled seas, when some dark ghost in wrath heaves the billows over an isle: an isle the seat of mist on the deep, for many dark-brown years! So terrible is the sound of the host, wide moving over the field. Gaul is tall before them. The streams glitter within his strides. The bards raise the song by his side. He strikes his shield between. On the skirts of the blast the tuneful voices rise.

"On Crona," said the bards, "there bursts a stream by night. It swells in its own dark course, till morning's early beam. Then comes it white from the hill, with the rocks and their hundred groves. Far be my steps from Crona. Death is tumbling there. Be ye a stream from Mora, sons of cloudy Morven!

"Who rises, from his car, on Clutha? The hills are troubled before the king! The dark woods echo round, and lighten at his steel. See him amidst the foe, like Colgach's sportful ghost: when he scatters the clouds and rides the eddying winds! It is Morni of bounding steeds! Be like thy father, O Gaul!

"Selma is opened wide. Bards take the trembling harps. Ten youths bear the oak of the feast. A distant sunbeam marks the hill. The dusky waves of the blast fly over the fields of grass. Why art thou silent, O Selma? The king returns with all his fame. Did not the battle roar? yet peaceful is his brow! It roared, and Fingal overcame. Be like thy father, O Fillan!"

They move beneath the song. High wave their arms, as rushy fields beneath autumnal winds. On Mora stands the king in arms. Mist flies round his buckler abroad; as aloft it hung on a bough, on Cormul's mossy rock. In silence I stood by Fingal, and turned my eyes on Cromla's wood: lest I should behold the host, and rush amid my swelling soul. My foot is forward on the heath. I glittered, tall in steel: like the falling stream of Tromo, which nightly winds bind over with ice. The boy sees it on high gleaming to the early beam: towards it he turns his ear, wonders why it is so silent.

Nor bent over a stream is Cathmor, like a youth in a peaceful field. Wide he drew forward the war, a dark and troubled wave. But when he beheld Fingal on Mora, his generous pride arose. "Shall the chief of Atha fight, and no king in the field? Foldath, lead my people forth, thou art a beam of fire."

Forth issues Foldath of Moma, like a cloud, the robe of ghosts. He drew his sword, a flame from his side. He bade the battle move. The tribes, like ridgy waves, dark pour their strength around. Haughty is his stride before them. His red eye rolls in wrath. He calls Cormul, chief of Dun-ratho; and his words were heard.

"Cormul, thou beholdest that path. It winds green behind the foe. Place thy people there; lest Selma should escape from my sword. Bards of green-valleyed Erin, let no voice of yours arise. The sons of Morven must fall without song. They are the foes of Cairbar. Hereafter shall the traveller meet their dark, thick mist, on Lena, where it wanders with their ghosts, beside the reedy lake. Never shall they rise, without song, to the dwelling of winds."

Cormul darkened as he went. Behind him rushed his tribe. They sunk beyond the rock. Gaul spoke to Fillan of Selma; as his eye pursued the course of the dark-eyed chief of Dun-ratho. "Thou beholdest the steps of Cormul! Let thine arm be strong! When he is low, son of Fingal, remember Gaul in war. Here I fall forward into baffle, amid the ridge of shields!"

The sign of death ascends: the dreadful sound of Morni's shield. Gaul pours his voice between. Fingal rises on Mora. He saw them from wing to wing, bending at once in strife. Gleaming on his own dark hill, stood Cathmor, of streamy Atha. The kings were like two spirits of heaven, standing each on his gloomy cloud: when they pour abroad the winds, and lift the roaring seas. The blue tumbling of waves is before them, marked with the paths of whales. They themselves are calm and bright. The gale lifts slowly their locks of mist.

What beam of light hangs high in air? What beam but Morni's dreadful sword? Death is strewed on thy paths, O Gaul! Thou foldest them together in thy rage. Like a young oak falls Tur-lathon, with his branches round him. His high-bosomed spouse stretches her white arms, in dreams, to the returning chief, as she sleeps by gurgling Moruth, in her disordered locks. It is his ghost, Oichoma. The chief is lowly laid. Hearken not to the winds for Tur-lathon's echoing shield. It is pierced, by his streams. Its sound is passed away.

Not peaceful is the hand of Foldath. He winds his course in blood. Connal met him in fight. They mixed their clanging steel. Why should mine eyes behold them? Connal, thy locks are gray! Thou wert the friend of strangers, at the moss-covered rock of Dun-Ion. When the skies were rolled together: then thy feast was spread. The stranger heard the winds without; and rejoiced at thy burning oak. Why, son of Duth-caron, art thou laid in blood? the blasted tree bends above thee. Thy shield lies broken near. Thy blood mixes with the stream, thou breaker of the shields!

Ossian took the spear, in his wrath. But Gaul rushed forward on Foldath. The feeble pass by his side: his rage is turned on Moma's chief. Now they had raised their deathful spears: unseen an arrow came. it pierced the hand of Gaul. His steel fell sounding to earth. Young Fillan came, with Cormul's shield! lie stretched it large before the chief. Foldath sent his shouts abroad, and kindled all the field: as a blast that lifts the wide-winged flame over Lumon's echoing groves.

"Son of blue-eyed Clatho," said Gaul, "O Fillan! thou art a beam from heaven; that, coming on the troubled deep, binds up the tempest's wing. Cormul is fallen before thee. Early art thou in the fame of thy fathers. Rush not too far, my hero. I cannot lift the spear to aid. I stand harmless in battle: but my voice shall be poured abroad. The sons of Selma shall hear, and remember my former deeds."

His terrible voice rose on the wind. The host bends forward in fight. Often had they heard him at Strumon, when he called them to the chase of the hinds. He stands tall amid the war, as an oak in the skins of a storm, which now is clothed on high, in mist: then shows its broad waving head. The musing hunter lifts his eye, from his own rushy field!

My soul pursues thee, O Fillan! through the path of thy fame. Thou rollest the foe before thee. Now Foldath, perhaps, may fly: but night comes down with its clouds. Cathmor's horn is heard on high. The sons of Selma hear the voice of Fingal, from Mora's gathered mist. The bards pour their song, like den, on the returning war.

"Who comes from Strumon," they said, "amid her wandering locks? She is mournful in her steps, and lifts her blue eyes towards Erin. Why art thou sad, Evir-choma? Who is like thy chief in renown? He descended dreadful to battle; he returns, like a light from a cloud. He raised the sword in wrath: they shrunk before blue-shielded Gaul!

"Joy, like the rustling gale, comes on the soul of the king. He remembers the battles of old; the days wherein his fathers fought. The days of old return on Fingal's mind, as he beholds the renown of his sons. As the sun rejoices, from his cloud, over the tree his beams have raised, as it shades its lonely head on the heath; so joyful is the king over Fillan!

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poem by James Macpherson
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Sun-Up

(Shadows over a cradle…
fire-light craning….
A hand
throws something in the fire
and a smaller hand
runs into the flame and out again,
singed and empty….
Shadows
settling over a cradle…
two hands
and a fire.)

I

CELIA

Cherry, cherry, glowing on the hearth, bright red cherry…. When you try to pick up cherry Celia's shriek sticks in you like a pin.

When God throws hailstones you cuddle in Celia's shawl and press your feet on her belly high up like a stool. When Celia makes umbrella of her hand. Rain falls through big pink spokes of her fingers. When wind blows Celia's gown up off her legs she runs under pillars of the bank— great round pillars of the bank have on white stockings too.

Celia says my father
will bring me a golden bowl.
When I think of my father
I cannot see him
for the big yellow bowl
like the moon with two handles
he carries in front of him.

Grandpa, grandpa…
(Light all about you…
ginger… pouring out of green jars…)
You don't believe he has gone away and left his great coat…
so you pretend… you see his face up in the ceiling.
When you clap your hands and cry, grandpa, grandpa, grandpa,
Celia crosses herself.

It isn't a dream…. It comes again and again…. You hear ivy crying on steeples the flames haven't caught yet and images screaming when they see red light on the lilies on the stained glass window of St. Joseph. The girl with the black eyes holds you tight, and you run… and run past the wild, wild towers… and trees in the gardens tugging at their feet and little frightened dolls shut up in the shops crying… and crying… because no one stops… you spin like a penny thrown out in the street. Then the man clutches her by the hair…. He always clutches her by the hair…. His eyes stick out like spears. You see her pulled-back face and her black, black eyes lit up by the glare…. Then everything goes out. Please God, don't let me dream any more of the girl with the black, black eyes.

Celia's shadow rocks and rocks… and mama's eyes stare out of the pillow as though she had gone away and the night had come in her place as it comes in empty rooms… you can't bear it— the night threshing about and lashing its tail on its sides as bold as a wolf that isn't afraid— and you scream at her face, that is white as a stone on a grave and pull it around to the light, till the night draws backward… the night that walks alone and goes away without end. Mama says, I am cold, Betty, and shivers. Celia tucks the quilt about her feet, but I run for my little red cloak because red is hot like fire.

I wish Celia
could see the sea climb up on the sky
and slide off again…

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poem by Lola Ridge
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The Ballad of St. Barbara

(St Barbara is the patron saint of gunners, and those in danger
of sudden death.)

When the long grey lines came flooding upon Paris in the plain,
We stood and drank of the last free air we never could taste again:
They had led us back from the lost battle, to halt we knew not where
And stilled us: and our gaping guns were dumb with our despair.
The grey tribes flowed for ever from the infinite lifeless lands
And a Norman to a Breton spoke, his chin upon his hands.

'There was an end to Ilium; and an end came to Rome;
And a man plays on a painted stage in the land that he calls home;
Arch after arch of triumph, but floor beyond falling floor,
That lead to a low door at last; and beyond that is no door.'

And the Breton to the Norman spoke, like a small child spoke he,
And his sea-blue eyes were empty as his home beside the sea:
'There are more windows in one house than there are eyes to see,
There are more doors in a man's house, but God has hid the key:
Ruin is a builder of windows; her legend witnesseth
Barbara, the saint of gunners, and a stay in sudden death.'

It seemed the wheel of the world stood still an instant in its turning,
More than the kings of the earth that turned with the turning of Valmy mill:
While trickled the idle tale and the sea-blue eyes were burning,
Still as the heart of a whirlwind the heart of the world stood still.

'Barbara the beautiful
Had praise of tongue and pen:
Her hair was like a summer night
Dark and desired of men.

Her feet like birds from far away
That linger and light in doubt;
And her face was like a window
Where a man's first love looked out.

Her sire was master of many slaves,
A hard man of his hands;
They built a tower about her
In the desolate golden lands,

Sealed as the tyrants sealed their tombs,
Planned with an ancient plan,
And set two windows in the tower
Like the two eyes of a man.'

Our guns were set towards the foe; we had no word for firing.
Grey in the gateway of St Gond the Guard of the tyrant shone;
Dark with the fate of a falling star, retiring and retiring,

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poem by Gilbert Keith Chesterton
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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;

Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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poem by Robinson Jeffers
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Book the Second

Thou hearest the Nightingale begin the Song of Spring.
The Lark sitting upon his earthly bed, just as the morn
Apears, listens silent; then springing from the waving Corn-field loud
He leads the Choir of Day! trill, thrill, thrill, trill,
Mounting upon the wings of light into the great Expanse,
Reechoing against the lovely blue & shining heavenly Shell.
His little throat labours with inspiration; every feather
On throat & breast & wings vibrates with the effluence Divine.
All Nature listens silent to him, & the awful Sun
Stands still upon the Mountain looking on this little Bird
With eyes of soft humility & wonder, love & awe.
Then loud from their green covert all the Birds begin their Song:
The Thrush, the Linnet & the Goldfinch, Robin & the Wren
Awake the Sun from his sweet reverie upon the Mountain;
The Nightingale again assays his song, & thro’ the day
And thro’ the night warbles luxuriant, every Bird of Song
Attending his loud harmony with admiration & love.
This is a Vision of the lamentation of Beulah over Ololon.

Thou perceivest the Flowers put forth their precious Odours,
And none can tell how form so small a center comes such sweets,
Forgetting that within that Center Eternity expends
Its ever during doors that Og & Anak fiercely guard.
First, e’er the morning breaks, joy opens in the flowery bosoms,
Joy even to tears, which the
Sun rising dries; first the Wild Thyme
And Meadow-sweet, downy & soft, waving among the reeds,
Light springing on the air, lead the sweet Dance: they wake
The Honeysuckle sleeping on the Oak; the flaunting beauty
Revels along upon the wind; the White-thorn, lovely May,
Opens her many lovely eyes; listening the Rose still sleeps –
None dare to wake her; soon she bursts her crimson curtain’d bed
And comes forth in the majesty of beauty; every Flower,
The Pink, the Jessamine, the Wall-flower, the Carnation,
The Jonquil, the mild Lilly opes her heavens; every Tree
And Flower & Herb soon fill the air with an innumberable Dance,
Yet all in order sweet & lovely. Men are sick with Love.
Such is a Vision of the Lamentation of Beulah over Ololon.
And Milton oft sat upon the Couch of Death, & oft conversed
In vision & dream beatific with the Seven Angels of the Presence:
‘I have turned my back upon these Heavens builded on cruelty.
My Spectre still wandering thro’ them follows my Emanation;
He hunts her footsteps thro’ the snow & the wintry hail & rain.
The idiot Reasoner laughs at the Man of Imagination,
And from laughter proceeds o murder by undervaluing calumny.’
Then Hillel, who is Lucifer, replied over the Couch of Death,
And thus the Seven angels instructed him, & thus they converse:
‘We are not Individuals but States, Combinations of Individuals.
We were Angels of the Divine Presence, & were Druids in Annandale,
Compell’d to combine into Form by Satan, the Spectre of Albion,

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poem by William Blake from Milton (1810)
Added by Veronica Serbanoiu
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A glimpse

a glimpse
the half opened door
some would say
a half closed door
it all depends on the
state of mind you are in
well half closed for pessismist
and half opened for optimist
half opened or half closed door
so long as it is open
and not close
a good exercise for the mind
of a story teller, novelist, a film maker
a glimpse at the half closed door
the mind is thrown open
like the kick you would give
a half opened door
so that you and pet cat could
glide through easily
the stories that start coming out
from a glimpse at the half opened door
agatha's murdered corpse lying behind
a stalker, a ghost in the corridor of the mind
from the glimpse of the half closed door
a million possibilities, ideas pouring forth
half closed door, half opened door
whichever way you may say
it is an opened door
a million stories, ideas, possibilities
knock at the door of my mind
a glimpse of the half closed, half opened door
my half closed half opened eyes
open themselves to my ever curious mind
boundless as the universe

inspired by

A Glimpse
A GLIMPSE, through an interstice caught,
Of a crowd of workmen and drivers in a bar-room, around the stove,
late of a winter night-And I unremark'd seated in a corner;
Of a youth who loves me, and whom I love, silently approaching, and
seating himself near, that he may hold me by the hand;
A long while, amid the noises of coming and going-of drinking and
oath and smutty jest,
There we two, content, happy in being together, speaking little,
perhaps not a word.
Walt Whitman

poem by John Tiong Chunghoo
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