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Daily Reminder

Day in. day out. (out)
Day in. day out. (out)
Day in. day out. (out)
Day in. day out. (out)
Verse 1:dinco d
They got my brother locked down in connecticut.
Confederate d we can better it.
But yo, Im illiterate to the little bits.
Until the fat pigs billys bent philly.
Scent when way I went rent make
Me think dip dy dip to the socialize
Of americal not america mer
Medler rich peddler hold up
Which ways up whatever high
Heather by bush push push push in
The bush mop drop the pains.
In ink a document approximate
Its a quarter to cut throat headless
Hole bedless tall I figure factor.
Crack the smack police man better be
Strap step step yep its a hit hit.
Run run, ha hon its another fathers
Saw son from behind caught up in time. but my mind and his mind make all
Mind equal, but its a daily reminder.
Verse 2: busta rhymes
Escape from the killer tree, yes.
Everybody run and come follow me.
Sit back as I reach, and I come and attack.
Other forces trying to reveal my other
Sources, following my courses.
Fiding on the back of horse.
Trilly, trally, I dilly, dally my way.
Through the alley.
Remember that we will wreck from the east
All the way to cali.
To those that are hungry, come get a
Taste of this sound,
Hey people you know that were
Gonna get on down.
This is your daily reminder, so
Remember as we move right to the center,
You know we gonna be your number one
Contender.
As I capture through the rapture.
Subliminally undercover, yes my dome is
Chrome on the front of my album cover.
As I mention, people follow the ways of imperfection,
Float like suspension, oozing out of a pimple like infection.!
Hip-hop resurrection, at the drop of a quarter,
Drop another rhyme with a new order.

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Fat

Your butt is wide, well mine is too
Just watch your mouth or Ill sit on you
The word is out, better treat me right
cause Im the king of cellulite
Ham on, ham on, ham on whole wheat, all right
My zippers bust, my buckles break
Im too much man for you to take
The pavement cracks when I fall down
Ive got more chins than chinatown
Well, Ive never used a phone booth
And Ive never seen my toes
When Im goin to the movies
I take up seven rows
Because Im fat, Im fat, come on
(fat, fat, really really fat)
You know Im fat, Im fat, you know it
(fat, fat, really really fat)
You know Im fat, Im fat, come on you know
(fat, fat, really really fat)
Dontcha call me pudgy, portly or stout
Just now tell me once again whos fat
When I walk out to get my mail
It measures on the richter scale
Down at the beach Im a lucky man
Im the only one who gets a tan
If I have one more pie a la mode
Im gonna need my own zip code
When youre only having seconds
Im having twenty-thirds
When I go to get my shoes shined
I gotta take their word
Because Im fat, Im fat, sha mone
(fat, fat, really really fat)
You know Im fat, Im fat, you know it
(fat, fat, really really fat)
You know Im fat, Im fat, you know it you know
(fat, fat, really really fat)
And my shadow weighs forty-two pounds
Lemme tell you once again whos fat
If you see me comin your way
Better give me plenty space
If I tell you that Im hungry
Then wont you feed my face
Because Im fat, Im fat, come on
(fat, fat, really really fat)
You know Im fat, Im fat, you know it
(fat, fat, really really fat)
You know Im fat, Im fat, you know it, you know
(fat, fat, really really fat)
Woo woo woo, when I sit around the house

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Thespis: Act II

DRAMATIS PERSONAE

GODS

Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury

THESPIANS

Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon

ACT II - The same Scene, with the Ruins Restored


SCENE-the same scene as in Act I with the exception that in place
of the ruins that filled the foreground of the stage, the
interior of a magnificent temple is seen showing the background
of the scene of Act I, through the columns of the portico at the
back. High throne. L.U.E. Low seats below it. All the substitute
gods and goddesses [that is to say, Thespians] are discovered
grouped in picturesque attitudes about the stage, eating and
drinking, and smoking and singing the following verses.

CHO. Of all symposia
The best by half
Upon Olympus, here await us.
We eat ambrosia.
And nectar quaff,
It cheers but don't inebriate us.
We know the fallacies,
Of human food
So please to pass Olympian rosy,
We built up palaces,
Where ruins stood,
And find them much more snug and cosy.

SILL. To work and think, my dear,
Up here would be,

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Elegiac Feelings American

1
How inseparable you and the America you saw yet was never
there to see; you and America, like the tree and the
ground, are one the same; yet how like a palm tree
in the state of Oregon. . . dead ere it blossomed,
like a snow polar loping the
Miami—
How so that which you were or hoped to be, and the
America not, the America you saw yet could
not see
So like yet unlike the ground from which you stemmed;
you stood upon America like a rootless
Hat-bottomed tree; to the squirrel there was no
divorcement in its hop of ground to its climb of
tree. . . until it saw no acorn fall, then it knew
there was no marriage between the two; how
fruitless, how useless, the sad unnaturalness
of nature; no wonder the dawn ceased being
a joy. . . for what good the earth and sun when
the tree in between is good for nothing. . . the
inseparable trinity, once dissevered, becomes a
cold fruitless meaningless thrice-marked
deathlie in its awful amputation. . . O butcher
the pork-chop is not the pig—The American
alien in America is a bitter truncation; and even
this elegy, dear Jack, shall have a butchered
tree, a tree beaten to a pulp, upon which it'll be
contained—no wonder no good news can be
written on such bad news—
How alien the natural home, aye, aye, how dies the tree when
the ground is foreign, cold, unfree—The winds
know not to blow the seed of the Redwood where
none before stood; no palm is blown to Oregon,
how wise the wind—Wise
too the senders of the prophet. . . knowing the
fertility of the designated spot where suchmeant
prophecy be announced and answerable—the
sower of wheat does not sow in the fields of cane;
for the sender of the voice did also send the ear.
And were little Liechtenstein, and not America, the
designation. . . surely then we'd the tongues of
Liechtenstein—
Was not so much our finding America as it was America finding
its voice in us; many spoke to America as though
America by land-right was theirs by law-right
legislatively acquired by materialistic coups of
wealth and inheritance; like the citizen of society
believes himself the owner of society, and what he
makes of himself he makes of America and thus when
he speaks of America he speaks of himself, and quite

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The Tale of Gamelyn

Fitt 1

Lithes and listneth and harkeneth aright,
And ye shul here of a doughty knyght;
Sire John of Boundes was his name,
He coude of norture and of mochel game.
Thre sones the knyght had and with his body he wan,
The eldest was a moche schrewe and sone bygan.
His brether loved wel her fader and of hym were agast,
The eldest deserved his faders curs and had it atte last.
The good knight his fadere lyved so yore,
That deth was comen hym to and handled hym ful sore.
The good knyght cared sore sik ther he lay,
How his children shuld lyven after his day.
He had bene wide where but non husbonde he was,
Al the londe that he had it was purchas.
Fayn he wold it were dressed amonge hem alle,
That eche of hem had his parte as it myght falle.
Thoo sente he in to contrey after wise knyghtes
To helpen delen his londes and dressen hem to-rightes.
He sent hem word by letters thei shul hie blyve,
If thei wolle speke with hym whilst he was alyve.

Whan the knyghtes harden sik that he lay,
Had thei no rest neither nyght ne day,
Til thei come to hym ther he lay stille
On his dethes bedde to abide goddys wille.
Than seide the good knyght seke ther he lay,
'Lordes, I you warne for soth, without nay,
I may no lenger lyven here in this stounde;
For thorgh goddis wille deth droueth me to grounde.'
Ther nas noon of hem alle that herd hym aright,
That thei ne had routh of that ilk knyght,
And seide, 'Sir, for goddes love dismay you nought;
God may don boote of bale that is now ywrought.'
Than speke the good knyght sik ther he lay,
'Boote of bale God may sende I wote it is no nay;
But I beseche you knyghtes for the love of me,
Goth and dresseth my londes amonge my sones thre.
And for the love of God deleth not amyss,
And forgeteth not Gamelyne my yonge sone that is.
Taketh hede to that oon as wel as to that other;
Seelde ye seen eny hier helpen his brother.'

Thoo lete thei the knyght lyen that was not in hele,
And wenten into counselle his londes for to dele;
For to delen hem alle to on that was her thought.
And for Gamelyn was yongest he shuld have nought.
All the londe that ther was thei dalten it in two,
And lete Gamelyne the yonge without londe goo,

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My version of Ginsberg's America.

Against the filthy politics found in America and against the actions of it's dispicable governments.


America tell Coloumbus to fook off, take his smallpox and Capitalism with him.
America, you've swallowed your national mythology like pancakes and syrup.
America, Land where eugenics was tried

America, Land where the native americans cried
America, Land where warmongering thrives
America, you think you're the world police.
America, you were duped by a Christian to believe he's the prince of peace and now a black man convinces you the same.
America, your obsession with religion is insane.


America, I hope your guilt drives you to suicide, having to stare into the eyes of the children of Hiroshima and Nagasaki.
America, I hope the masterminds of the Manhattan Project are suffering like they should.
America, your dream is as fake as Hollywood.
America, what the hell happened in Zuccotti Park?
America, you actually have a exhibition dedicated to Noah's ark?
America, where is this democracy you're trying to spread?
America, why won't you let the poor be fed?
America, you lead the west in destroying the world and waging war.

America land of MKULTRA and CO-INTELPRO
America land of Glenn beck, Neo-cons, where gay marriage is a 'no no'.
America, you're no city on the hill.
America, you're the home of the corporate shill.
America, you're oil addiction has make the globe ill.
America, your tv channels still project cold war closed minds.
America, how is it that slaves built the white house?
America, what exactly did you mean by 'All men are born free and equal'? Terms and conditions apply?
America, what are you doing to right past wrongs?

America, where's your concern for the Navajo?
America, I would've fought with Geronimo.
America, I think you've forgotten the Treaty of Fort Laramie.
America, Pay back in blood those killed at Wounded Knee.
America, you lied about Pine Ridge and the FBI really killed Annie Mae.
America, massacring to the tune of a million dollars to catch a single man.
America, which small country will you invade next? America, I can see your eyeing up Iran.
America, You wouldn't want what happened in Diego Garcia to happen to you.
America you know a thing or two about Coup

America Bikini Atoll is still ailing.
America, Love Canal is ruined.
America, I love the Wobblies.
America, The city of Chicago can built statues but it really just needs to apologize.
America, you've poisioned us all.
America, Land of Bush, of agent orange and Monsanto
America, Trainers of the Taliban, guards of Guantanamo

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The Great Pig Story of the Tweed

“Hands off, old man!” the young man cried—
They stood beside the Tweed,
Where still the name of Murder Creek
Records some bloody deed.

The old man seized the hapless youth,
With frantic grasp and rough,
By what is popularly called
(But vulgarly) the scruff;

And shouted as he twirled him round,
And shook him to and fro,
“Was them consignments pigs? . . Great Scott!
Was them things pigs or no?”

Wild-eyed and gaunt, and grim he stood,
Beneath the scorching noon,—
Cantharides P. Roebuck, late
Of the steamboat Arakoon.

He was an ancient mariner,
A Yankee skipper he,
Whom winds of adverse destiny
Had blown across the sea;—

Whom hither still had Fate pursued,
And served with many a trick,
Till now he roamed the Tweed a one-
Idea'd lunatic;—

Whom all men shunned, for whosoe'er
Upon his beat might chance,
Was bound to hear his tale in each
Minutest circumstance.

A tale that haunted such as heard,
Nor left them night or day;
A torturing enigma, too,
That turned their wits astray;—
For ofttimes they, like him who told,
Would vaguely wandering go,
And cry, “Was them consignments pigs?
Was them things pigs or no?”

“Hands off!” again the young man cried.
It's this way, boss, you see,

We've come a stretch of thirty mile,
Her uncle, her, an' me.

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Rockafeller Skank

Intro
DJ: WBCN who's this?
Brad: Hey this is Brad (this is Brad this is)
DJ: Now uh who's your favorite artist, who
do you want to hear?
Brad: Well m my favorite artist right now is
Fatboy Slim, that guy kicks ass.
DJ: How tremendous is Fatboy Slim?
Brad: The band of the 90's, if you want to call
it a band because it's a one man name.
DJ: Wow...fatboy, and you want to hear that
new fatboy song?
Brad: Absolutely.
DJ: Which one?
Brad: The um funk soul brother check it out.
DJ: Sing it, I don't know which one.
Brad: Right about now, the funk soul brother
check it out now, the funk soul brother.
Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother, Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother, Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother, Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother, Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother, Right About Now
The Funk Soul Brother, Right About Now
'bout now
'bout now
'bout now
Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother, Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother, Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother, Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother
Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother, Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother
Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother, Right About Now

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The Rockafeller Skank

Intro
Dj: wbcn whos this?
Brad: hey this is brad (this is brad this is)
Dj: now uh whos your favorite artist, who
Do you want to hear?
Brad: well m my favorite artist right now is
Fatboy slim, that guy kicks ass.
Dj: how tremendous is fatboy slim?
Brad: the band of the 90s, if you want to call
It a band because its a one man name.
Dj: wow...fatboy, and you want to hear that
New fatboy song?
Brad: absolutely.
Dj: which one?
Brad: the um funk soul brother check it out.
Dj: sing it, I dont know which one.
Brad: right about now, the funk soul brother
Check it out now, the funk soul brother.
Right about now
The funk soul brother, check it out now
The funk soul brother, right about now
The funk soul brother, check it out now
The funk soul brother, right about now
The funk soul brother, check it out now
The funk soul brother, right about now
The funk soul brother, check it out now
The funk soul brother, right about now
The funk soul brother, check it out now
The funk soul brother, right about now
The funk soul brother, right about now
bout now
bout now
bout now
Right about now
The funk soul brother, check it out now
The funk soul brother, right about now
The funk soul brother, check it out now
The funk soul brother, right about now
The funk soul brother, check it out now
The funk soul brother, right about now
The funk soul brother, check it out now
The funk soul brother
Right about now
The funk soul brother, check it out now
The funk soul brother, right about now
The funk soul brother, check it out now
The funk soul brother
Right about now
The funk soul brother, check it out now
The funk soul brother, right about now

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Thespis: Act I

DRAMATIS PERSONAE

GODS

Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury

THESPIANS

Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon

ACT I - Ruined Temple on the Summit of Mount Olympus


[Scene--The ruins of the The Temple of the Gods, on summit of
Mount Olympus. Picturesque shattered columns, overgrown with
ivy, etc. R. and L. with entrances to temple (ruined) R. Fallen
columns on the stage. Three broken pillars 2 R.E. At the back of
stage is the approach from the summit of the mountain. This
should be "practicable" to enable large numbers of people to
ascend and descend. In the distance are the summits of adjacent
mountains. At first all this is concealed by a thick fog, which
clears presently. Enter (through fog) Chorus of Stars coming off
duty as fatigued with their night's work]

CHO. Through the night, the constellations,
Have given light from various stations.
When midnight gloom falls on all nations,
We will resume our occupations.

SOLO. Our light, it's true, is not worth mention;
What can we do to gain attention.
When night and noon with vulgar glaring
A great big moon is always flaring.

[During chorus, enter Diana, an elderly goddess. She is carefully
wrapped up in cloaks, shawls, etc. A hood is over her head, a
respirator in her mouth, and galoshes on her feet. During the

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Surfin'

Surfin' is the only life
The only way for me.
Now surf, surf (surfin') with me
Bom bom dit di dit dip (surfin')
Bom bom dit di dit dip (surfin')
Bom bom dit di dit dip (surfin')
Bom bom dit di dit dip (surfin')
Bom bom dit di dit dip (surfin')
Bom bom dit di dit dip (surfin')
Bom bom dit di dit dip (surfin')
Bom bom dit di dit dip (surfin')
Surfin' is the only life
The only way for me.
Now surf, surf (surfin')
Bom bom dit di dit dip
Bom bom dit di dit dip
Bom bom dit di dit dip
Bom bom dit di dit dip
I got up this mornin' turned on my radio
I was checkin' on the surfin' scene
To see if i would go
And when the dj tells me that the surfin' is fine
That's when i know my baby and i will have a good time
Surfin' is the only life
The only way for me.
Now surf, surf (surfin') with me
From the early morning to the middle of the night
Any time the surf is up the time is right
And when the surf is down and things get lazy
We'll do the surfer's stomp that's when the surfers go crazy
Surfin' is the only life
The only way for me.
Now surf, surf (surfin') with me
Now the dawn is breaking and we really gotta go
But we'll be back here very soon that you better know
You know my surfer knots are rising and my board is losing wax
(yeah yeah hey now)
But that won't stop me baby cause you know i'm coming back
Surfin' is the only life
The only way for me.
Now surf, surf (surfin') with me
Bom bom dit di dit dip (surfin')
Bom bom dit di dit dip (surfin')
Bom bom dit di dit dip (surfin')
Bom bom dit di dit dip (surfin')
Bom bom dit di dit dip (surfin')
Bom bom dit di dit dip (surfin')
Bom bom dit di dit dip (surfin')
Bom bom dit di dit dip (surfin')
Bom bom dit di dit dip (surfin')

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Fat Lenny

Fat lennys gonna walk right into myself
Fat lennys gonna see myself (reflect it back on myself)
Fat lennys gonna lick the shellack off the window sill
And I say fat lennys gonna lick my head off
Stop by my friend fat lenny, I like him a lot (tell him about my buddy)
Hes fat lenny - what
Fat lennys gonna lick the shellack off the window sill
And I said now fat lennys gonna jump up and down (run back down the hill)
And I said now fat lenny knows what he is (to be fat lenny) cause he is fat lenny (hes my buddy)
Hes fat lenny (I know what he is to be fat lenny) cause hes my friend fat lenny
I like fat lenny, I like cause hes my friend fat lenny - fat lenny
What - you know - hes fat lenny - you know
You know hes fat lenny
Fat lennys gonna lick my brain today
Fat lenny doesnt like me anyway
Fat lenny said (my friend) today
Fat lenny
Fat lenny, fat lenny,
Fat lenny, fat lenny, fat fat fat lenny
Fat lenny, fat lenny
Fat lenny, fat lenny, fat fat fat lenny

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Sister Helen

"Why did you melt your waxen man
Sister Helen?
To-day is the third since you began."
"The time was long, yet the time ran,
Little brother."
(O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)

"But if you have done your work aright,
Sister Helen,
You'll let me play, for you said I might."
"Be very still in your play to-night,
Little brother."
(O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)

"You said it must melt ere vesper-bell,
Sister Helen;
If now it be molten, all is well."
"Even so,--nay, peace! you cannot tell,
Little brother."
(O Mother, Mary Mother,
O what is this, between Hell and Heaven?)

"Oh the waxen knave was plump to-day,
Sister Helen;
How like dead folk he has dropp'd away!"
"Nay now, of the dead what can you say,
Little brother?"
(O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)

"See, see, the sunken pile of wood,
Sister Helen,
Shines through the thinn'd wax red as blood!"
"Nay now, when look'd you yet on blood,
Little brother?"
(O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)

"Now close your eyes, for they're sick and sore,
Sister Helen,
And I'll play without the gallery door."
"Aye, let me rest,--I'll lie on the floor,
Little brother."
(O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)

"Here high up in the balcony,
Sister Helen,

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Little Billy

Little billy was the fattest kid in his class
Little billy was the fattest kid in his class
Always the last in line
Always the last in line
All the other little kids would laugh at him
All the other little kids would laugh at him
Said hed die before his time
Said hed die before his time
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Little billy didnt mind
Little billy didnt mind
Most of the kids smoked cigarettes
Most of the kids smoked cigarettes
Just to prove that they were cool
Just to prove that they were cool
The teacher didnt know about the childrens games
The teacher didnt know about the childrens games
And billy always followed the rules
And billy always followed the rules
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Little billy didnt mind
Little billy didnt mind
Billy was big on the outside
Billy was big on the outside
But theres an even bigger man inside
But theres an even bigger man inside
Ten million cigarettes burning every day
Ten million cigarettes burning every day
And billys still doing fine
And billys still doing fine
Now billy and his classmates are middle-aged
Now billy and his classmates are middle-aged
With children of their own
With children of their own
Their smoking games are reality now
Their smoking games are reality now
And cancers seed is sown
And cancers seed is sown
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Little billys didnt mind
Little billys didnt mind

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Tale XX

THE BROTHERS.

Than old George Fletcher, on the British coast
Dwelt not a seaman who had more to boast:
Kind, simple and sincere--he seldom spoke,
But sometimes sang and chorus'd--'Hearts of Oak:'
In dangers steady, with his lot content,
His days in labour and in love were spent.
He left a Son so like him, that the old
With joy exclaim'd, ''Tis Fletcher we behold;'
But to his Brother, when the kinsmen came
And view'd his form, they grudged the father's

name.
George was a bold, intrepid, careless lad,
With just the failings that his father had;
Isaac was weak, attentive, slow, exact,
With just the virtues that his father lack'd.
George lived at sea: upon the land a guest -
He sought for recreation, not for rest;
While, far unlike, his brother's feebler form
Shrank from the cold, and shudder'd at the storm;
Still with the Seaman's to connect his trade,
The boy was bound where blocks and ropes were made.
George, strong and sturdy, had a tender mind,
And was to Isaac pitiful and kind;
A very father, till his art was gain'd,
And then a friend unwearied he remain'd;
He saw his brother was of spirit low,
His temper peevish, and his motions slow;
Not fit to bustle in a world, or make
Friends to his fortune for his merit's sake;
But the kind sailor could not boast the art
Of looking deeply in the human heart;
Else had he seen that this weak brother knew
What men to court--what objects to pursue;
That he to distant gain the way discern'd,
And none so crooked but his genius learn'd.
Isaac was poor, and this the brother felt;
He hired a house, and there the Landman dwelt,
Wrought at his trade, and had an easy home,
For there would George with cash and comforts come;
And when they parted, Isaac look'd around
Where other friends and helpers might be found.
He wish'd for some port-place, and one might

fall,
He wisely thought, if he should try for all;
He had a vote--and were it well applied,
Might have its worth--and he had views beside;

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Don't Dip Yo Pity Here To Sit

Don't dip yo pity here to sit.
No permitted pity here can visit.
Don't dip yo pity here to sit.
No permitted pity here can visit.

When you tire of your weeping...
You can call on me.
But don't dip yo pity in a pit!
To leave it here to sit.

When you tire of your weeping...
You can call on me.
But don't dip yo pity in a pit!
To leave it here to sit.

I'll call 9-1-1...
To rescue me.

Don't dip yo pity.
Don't dip yo pity here to sit!

I'll call 9-1-1...
To rescue me.

Don't dip yo pity.
Don't dip yo pity here to sit!

No tears on my pillow.
Unless they're mine to cry.

Everyday you bring me pity.
As if your pity thrives.

Don't dip yo pity.
Don't dip yo pity here to sit!
No yo...
Don't dip yo pity.
Don't dip yo pity here to sit!
No yo!

I'll call 9-1-1...
To rescue me.

Don't dip yo pity.
Don't dip yo pity here to sit!
No yo.

I'll call 9-1-1...
To rescue me.

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Vers la mer

Comme des objets frêles,
Les vaisseaux blancs semblent posés
Sur la mer éternelle.

Le vent futile et pur n'est que baisers ;
Et les écumes,
Qui doucement échouent
Contre les proues,
Ne sont que plumes ;
Il fait dimanche sur la mer !

Telles des dames
Passent, au ciel ou vers les plages,
Voilures et nuages :
Il fait dimanche sur la mer ;
Et l'on voit luire, au loin, des rames,
Barres de prismes sur la mer.
Fier de moi-même et de cette heure
Qui scintillait en grappes de joyaux
Translucides sur l'eau,
J'ai crié vêrs l'espace et sa splendeur :
' Ô mer de luxe frais et de moires fleuries,
Où le mouvant et vaste été
Marie
Sa force à la douceur et la limpidité ;
Mer de clarté et de conquête,
Où voyagent, de crête en crête,
Sur les vagues qu'elles irisent,
Les brises ;
Mer de beauté sonore et de vives merveilles,
Dont la rumeur bruit à mes oreilles
Depuis qu'enfant j'imaginais les grèves bleues
l'Ourse et le Centaure et le Lion des cieux
Venaient boire, le soir,
Là-bas, très loin, à l'autre bout du monde ;
Ô mer, qui fus ma jeunesse cabrée,
Ainsi que tes marées
Vers les dunes aux mille crêtes,
Accueille-moi, ce jour, où les eaux sont en fête !

J'aurai vécu, l'âme élargie,
Sous les visages clairs, profonds, certains
Qui regardent, du haut des horizons lointains,
Surgir, vers leur splendeur, mon énergie.
J'aurai senti les flux
Unanimes des choses
Me charrier en leurs métamorphoses
Et m'emporter, dans leur reflux.
J'aurai vécu le mont, le bois, la terre ;
J'aurai versé le sang des dieux dans mes artères ;

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Le port

Toute la mer va vers la ville !

Son port est surmonté d'un million de croix :
Vergues transversales barrant de grands mâts droits.

Son port est pluvieux et suie à travers brumes,
Où le soleil comme un oeil rouge et colossal larmoie.

Son port est ameuté de steamers noirs qui fument
Et mugissent, au fond du soir, sans qu'on les voie.

Son port est fourmillant et musculeux de bras
Perdus en un fouillis dédalien d'amarres.

Son port est tourmenté de chocs et de fracas
Et de marteaux tournant dans l'air leurs tintamarres.

Toute la mer va vers la ville !

Les flots qui voyagent comme les vents,
Les flots légers, les flots vivants,
Pour que la ville en feu l'absorbe et le respire
Lui rapportent le monde en leurs navires.
Les Orients et les Midis tanguent vers elle
Et les Nords blancs et la folie universelle
Et tous les nombres dont le désir prévoit la somme.
Et tout ce qui s'invente et tout ce que les hommes
Tirent de leurs cerveaux puissants et volcaniques
Tend vers elle, cingle vers elle et vers ses luttes :
Elle est le brasier d'or des humaines disputes,
Elle est le réservoir des richesses uniques
Et les marins naïfs peignent son caducée
Sur leur peau rousse et crevassée,
A l'heure où l'ombre emplit les soirs océaniques.

Toute la mer va vers la ville !

Ô les Babels enfin réalisées !
Et cent peuples fondus dans la cité commune ;
Et les langues se dissolvant en une ;
Et la ville comme une main, les doigts ouverts,
Se refermant sur l'univers !

Dites ! les docks bondés jusques au faite
Et la montagne, et le désert, et les forêts,
Et leurs siècles captés comme en des rets ;
Dites ! leurs blocs d'éternité : marbres et bois,
Que l'on achète,
Et que l'on vend au poids ;
Et puis, dites ! les morts, les morts, les morts

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The American Way

1
I am a great American
I am almost nationalistic about it!
I love America like a madness!
But I am afraid to return to America
I'm even afraid to go into the American Express—


2
They are frankensteining Christ in America
in their Sunday campaigns
They are putting the fear of Christ in America
under their tents in their Sunday campaigns
They are driving old ladies mad with Christ in America
They are televising the gift of healing and the fear of hell
in America under their tents in their Sunday
campaigns
They are leaving their tents and are bringing their Christ
to the stadiums of America in their Sunday
campaigns
They are asking for a full house an all get out
for their Christ in the stadiums of America
They are getting them in their Sunday and Saturday
campaigns
They are asking them to come forward and fall on their
knees
because they are all guilty and they are coming
forward
in guilt and are falling on their knees weeping their
guilt
begging to be saved O Lord O Lord in their Monday
Tuesday Wednesday Thursday Friday Saturday
and Sunday campaigns

3
It is a time in which no man is extremely wondrous
It is a time in which rock stupidity
outsteps the 5th Column as the sole enemy in America
It is a time in which ignorance is a good Ameri-cun
ignorance is excused only where it is so
it is not so in America
Man is not guilty Christ is not to be feared
I am telling you the American Way is a hideous monster
eating Christ making Him into Oreos and Dr. Pepper
the sacrament of its foul mouth
I am telling you the devil is impersonating Christ in America
America's educators & preachers are the mental-dictators
of false intelligence they will not allow America
to be smart
they will only allow death to make America smart

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Homer

The Odyssey: Book 14

Ulysses now left the haven, and took the rough track up through
the wooded country and over the crest of the mountain till he
reached the place where Minerva had said that he would find the
swineherd, who was the most thrifty servant he had. He found him
sitting in front of his hut, which was by the yards that he had
built on a site which could be seen from far. He had made them
spacious and fair to see, with a free ran for the pigs all round them;
he had built them during his master's absence, of stones which he
had gathered out of the ground, without saying anything to Penelope or
Laertes, and he had fenced them on top with thorn bushes. Outside
the yard he had run a strong fence of oaken posts, split, and set
pretty close together, while inside lie had built twelve sties near
one another for the sows to lie in. There were fifty pigs wallowing in
each sty, all of them breeding sows; but the boars slept outside and
were much fewer in number, for the suitors kept on eating them, and
die swineherd had to send them the best he had continually. There were
three hundred and sixty boar pigs, and the herdsman's four hounds,
which were as fierce as wolves, slept always with them. The
swineherd was at that moment cutting out a pair of sandals from a good
stout ox hide. Three of his men were out herding the pigs in one place
or another, and he had sent the fourth to town with a boar that he had
been forced to send the suitors that they might sacrifice it and
have their fill of meat.
When the hounds saw Ulysses they set up a furious barking and flew
at him, but Ulysses was cunning enough to sit down and loose his
hold of the stick that he had in his hand: still, he would have been
torn by them in his own homestead had not the swineherd dropped his ox
hide, rushed full speed through the gate of the yard and driven the
dogs off by shouting and throwing stones at them. Then he said to
Ulysses, "Old man, the dogs were likely to have made short work of
you, and then you would have got me into trouble. The gods have
given me quite enough worries without that, for I have lost the best
of masters, and am in continual grief on his account. I have to attend
swine for other people to eat, while he, if he yet lives to see the
light of day, is starving in some distant land. But come inside, and
when you have had your fill of bread and wine, tell me where you
come from, and all about your misfortunes."
On this the swineherd led the way into the hut and bade him sit
down. He strewed a good thick bed of rushes upon the floor, and on the
top of this he threw the shaggy chamois skin- a great thick one- on
which he used to sleep by night. Ulysses was pleased at being made
thus welcome, and said "May Jove, sir, and the rest of the gods
grant you your heart's desire in return for the kind way in which
you have received me."
To this you answered, O swineherd Eumaeus, "Stranger, though a still
poorer man should come here, it would not be right for me to insult
him, for all strangers and beggars are from Jove. You must take what
you can get and be thankful, for servants live in fear when they
have young lords for their masters; and this is my misfortune now, for
heaven has hindered the return of him who would have been always

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The Best Man I Can Be

[r.l.]
Yeah this is for my brothers in the hood
And the high risers, on the mansions with the maids
We gotta come together, come on yall
Case, ginuwine, tyrese, and me r.l.
Help me sing it fellas, yeah
[case]
Im sitting here alone
Trying to face another day
Gotta stay strong, hmm
To endure this pain
[r.l.]
Im dealing with right now
It flipped my whole life upside down
I dont want your help
I dont need your sympathy, no
[all]
What can a brother do for me?
(see he can you help you up when you are down)
What can a brother do for me?
(he can be your eyes when you cant see)
What can a brother do for me?
(he can help me be the best man I can be)
(oh I can be, I can be, oh I can be, I can be)
He can help me be the best man I can be
(oh yeah, yeah, yeah)
[tyrese]
(be the best man)
I made a big mistake
And Im feeling so ashamed
And I dont want to lose my friendship over it
Ive gotta keep the faith, yes I do
[ginuwine]
Cause Im still your boy, Ive got your back
Thatll never, never, never, never gonna change
So I can just cite the truth
And keep smiling in your face
[all]
What can a brother do for me?
(he can you help you up when you are down)
What can a brother do for me?
(he can be your eyes when you cant see)
What can a brother do for me?
(he can help me be the best man I can be)
(I can be, I can be, oh I can be, I can be)
He can help me be the best man I can be
[tyrese]
I keep struggling but Im trying my best
I got some issues with my own confidence
Lord help me to forgive and forget

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