Folly Thought
Somewhere it went away,
What's that I tried,
There flashed 'cross the way,
I found it was folly
Nothing was somewhere.
poem by M.B.J. Pancras
Added by M.B.J. Pancras
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Related quotes
The Line
Can U talk 2 me with your body, baby?
Can U tell me what I wanna hear?
Can U lay on me a good enough reason 2 cross the line?
Yeah, ho! {x2}
Can U be my lover and still be my friend? (Can U be my friend?)
Can U stick with me till the bitter end? (The bitter end)
Can U lay on me a good enough reason 2 cross the line?
Yeah, ho! (Cross the line)
CHORUS:
The line, line - it's a happy step 2 make
It takes time, time - all is what it takes
The line, line - and soon your life is so much better
The water's so much better on the other side (Cross the line)
Can U tolerate? Why am I not so free?
How I did the plan
Can U understand I'm a free man?
But will I stop the dam if I don't cross the line?
Yeah, ho! {x2}
Ow!
Hey
Cross the line sugar, cross the line {x2}
Cross the line
CHORUS
(Cross the line)
Cross the line sugar, cross the line {x3}
I want U 2 cross the line, hey! {sample used in "Acknowledge Me"}
Talk 2 me, say the things I wanna hear, oh!
Cross the line
Cross the line
Cross the line
Baby, baby, baby, can U make me cross the line?
Cross the line, sugar, cross the line
U know U got 2 cross the line!
(New dance) {repeat in BG}
People, people, I got a brand new dance {x2}
Ain't talkin' 'bout Housequake! No!
Ain't talkin' 'bout Shake 'N' Bake! No!
Ain't talkin' 'bout Rice-O-Roni! No!
I'm talkin' 'bout Macaroni? No!
Lord have mercy
Boni? (What?)
On the 2 (Yeah!)
What we gonna do? (Kangaroo!)
Say it! (Kangaroo!)
Come on
Boni? (What?)
On the 2 (Yeah!)
What U wanna do? (Kangaroo!)
Do the do (Do the do!)
Cross the line {repeat}
[...] Read more
song performed by Prince
Added by Lucian Velea
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Extracts From An Opera
O! were I one of the Olympian twelve,
Their godships should pass this into law,--
That when a man doth set himself in toil
After some beauty veiled far away,
Each step he took should make his lady's hand
More soft, more white, and her fair cheek more fair;
And for each briar-berry he might eat,
A kiss should bud upon the tree of love,
And pulp and ripen richer every hour,
To melt away upon the traveller's lips.
* * * * * * * * * * * * * * * * * * * * * *
1.
The sun, with his great eye,
Sees not so much as I;
And the moon, all silve-proud,
Might as well be in a cloud.
2.
And O the spring -- the spring!
I lead the life of a king!
Couch'd in the teeming grass,
I spy each pretty lass.
3.
I look where no one dares,
And I stare where no one stares,
And when the night is nigh,
Lambs bleat my lullaby.
* * * * * * * * * * * * * * * *
Folly's Song.
When wedding fiddles are a-playing,
Huzza for folly O!
And when maidens go a-Maying,
Huzza for folly O!
When a milk-pail is upset,
Huzza for folly O!
And the clothes left in the wet,
Huzza for folly O!
When the barrel's set abroach,
Huzza for folly O!
When Kate Eyebrow keeps a coach,
Huzza for folly O!
When the pig is over-roasted,
Huzza for folly O!
And the cheese is over-toasted,
[...] Read more
poem by John Keats
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The Chant Of The Cross-Bearing Child
I bear dis cross dis many a mile.
O de cross-bearin' chile--
De cross-bearin' chile!
I bear dis cross 'long many a road
Wha' de pink ain't bloom' an' de grass done mowed.
O de cross-bearin' chile--
De cross-bearin' chile!
Hits on my conscience all dese days
Fo' ter bear de cross ut de good Lord lays
On my po' soul, an' ter lif my praise.
O de cross-bearin' chile--
De cross-bearin' chile!
I 's nigh-'bout weak ez I mos' kin be,
Yit de Marstah call an' He say,--'You 's free
Fo' ter 'cept dis cross, an' ter cringe yo' knee
To no n'er man in de worl' but me!'
O de cross-bearin' chile--
De cross-bearin' chile!
Says you guess wrong, ef I let you guess--
Says you 'spec' mo', an'-a you git less:--
Says you go eas', says you go wes',
An' whense you fine de road ut you like bes'
You betteh take ch'ice er any er de res'!
O de cross-bearin' chile--
De cross-bearin' chile!
He build my feet, an' He fix de signs
Dat de shoe hit pinch an' de shoe hit bines
Ef I on'y w'ah eights an-a wanter w'ah nines;
I hone fo' de rain, an' de sun hit shines,
An' whilse I hunt de sun, hits de rain I fines.--
O-a trim my lamp, an-a gyrd my lines!
O de cross-bearin' chile--
De cross-bearin' chile!
I wade de wet, an' I walk de dry:
I done tromp long, an' I done clim high;
An' I pilgrim on ter de jasper sky,
An' I taken de resk fo' ter cas' my eye
Wha' de Gate swing wide an' de Lord draw nigh,
An' de Trump hit blow, an' I hear de cry,--
'You lay dat cross down by an' by!--
O de Cross-bearin' Chile--
Do Cross-bearin' Chile!'
poem by James Whitcomb Riley
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Tannhauser
The Landgrave Hermann held a gathering
Of minstrels, minnesingers, troubadours,
At Wartburg in his palace, and the knight,
Sir Tannhauser of France, the greatest bard,
Inspired with heavenly visions, and endowed
With apprehension and rare utterance
Of noble music, fared in thoughtful wise
Across the Horsel meadows. Full of light,
And large repose, the peaceful valley lay,
In the late splendor of the afternoon,
And level sunbeams lit the serious face
Of the young knight, who journeyed to the west,
Towards the precipitous and rugged cliffs,
Scarred, grim, and torn with savage rifts and chasms,
That in the distance loomed as soft and fair
And purple as their shadows on the grass.
The tinkling chimes ran out athwart the air,
Proclaiming sunset, ushering evening in,
Although the sky yet glowed with yellow light.
The ploughboy, ere he led his cattle home,
In the near meadow, reverently knelt,
And doffed his cap, and duly crossed his breast,
Whispering his 'Ave Mary,' as he heard
The pealing vesper-bell. But still the knight,
Unmindful of the sacred hour announced,
Disdainful or unconscious, held his course.
'Would that I also, like yon stupid wight,
Could kneel and hail the Virgin and believe!'
He murmured bitterly beneath his breath.
'Were I a pagan, riding to contend
For the Olympic wreath, O with what zeal,
What fire of inspiration, would I sing
The praises of the gods! How may my lyre
Glorify these whose very life I doubt?
The world is governed by one cruel God,
Who brings a sword, not peace. A pallid Christ,
Unnatural, perfect, and a virgin cold,
They give us for a heaven of living gods,
Beautiful, loving, whose mere names were song;
A creed of suffering and despair, walled in
On every side by brazen boundaries,
That limit the soul's vision and her hope
To a red hell or and unpeopled heaven.
Yea, I am lost already,-even now
Am doomed to flaming torture for my thoughts.
O gods! O gods! where shall my soul find peace?'
He raised his wan face to the faded skies,
Now shadowing into twilight; no response
Came from their sunless heights; no miracle,
As in the ancient days of answering gods.
[...] Read more
poem by Emma Lazarus
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The Cross
Two fallen twigs when kept across
Can form a cross;
Two blades of grass just put cris-cross
Becomes a cross.
Two fingers placed atop the next
Looks like a cross;
A wire-mesh has umpteen crosses,
Like stars the sky across.
The cross is symbol of Christians;
The cross is pride of all baptized;
The cross instills love of Jesus;
The cross is feared by all devils!
The cross is sign of faith in God;
The cross means sacrifice like Christ;
The cross reminds of victory over death;
Carry your cross and follow Christ.
The cross can save the worst sinner;
The cross is sign of after-life;
The cross means Christ is Son of God!
The cross leads always to heaven.
Copyright by Dr John Celes 10-30-2009
poem by John Celes
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Gareth And Lynette
The last tall son of Lot and Bellicent,
And tallest, Gareth, in a showerful spring
Stared at the spate. A slender-shafted Pine
Lost footing, fell, and so was whirled away.
'How he went down,' said Gareth, 'as a false knight
Or evil king before my lance if lance
Were mine to use--O senseless cataract,
Bearing all down in thy precipitancy--
And yet thou art but swollen with cold snows
And mine is living blood: thou dost His will,
The Maker's, and not knowest, and I that know,
Have strength and wit, in my good mother's hall
Linger with vacillating obedience,
Prisoned, and kept and coaxed and whistled to--
Since the good mother holds me still a child!
Good mother is bad mother unto me!
A worse were better; yet no worse would I.
Heaven yield her for it, but in me put force
To weary her ears with one continuous prayer,
Until she let me fly discaged to sweep
In ever-highering eagle-circles up
To the great Sun of Glory, and thence swoop
Down upon all things base, and dash them dead,
A knight of Arthur, working out his will,
To cleanse the world. Why, Gawain, when he came
With Modred hither in the summertime,
Asked me to tilt with him, the proven knight.
Modred for want of worthier was the judge.
Then I so shook him in the saddle, he said,
"Thou hast half prevailed against me," said so--he--
Though Modred biting his thin lips was mute,
For he is alway sullen: what care I?'
And Gareth went, and hovering round her chair
Asked, 'Mother, though ye count me still the child,
Sweet mother, do ye love the child?' She laughed,
'Thou art but a wild-goose to question it.'
'Then, mother, an ye love the child,' he said,
'Being a goose and rather tame than wild,
Hear the child's story.' 'Yea, my well-beloved,
An 'twere but of the goose and golden eggs.'
And Gareth answered her with kindling eyes,
'Nay, nay, good mother, but this egg of mine
Was finer gold than any goose can lay;
For this an Eagle, a royal Eagle, laid
Almost beyond eye-reach, on such a palm
As glitters gilded in thy Book of Hours.
And there was ever haunting round the palm
A lusty youth, but poor, who often saw
[...] Read more
poem by Alfred Lord Tennyson
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I Saw It Myself (Short Verse Drama)
Dramatis Personae: Adrian, his wife Ester, his sisters Rebecca and Johanna, his mother Elizabeth, the high priest Chiapas, the disciple Simon Peter, the disciple John, Mary Magdalene, worshipers, priests, two angels and Jesus Christ.
Act I
Scene I.- Adrian’s house in Jerusalem. Adrian has just returned home after a business journey in Galilee, in time to attend the Passover feast. He sits at the table with his wife Ester and his sisters, Rebecca and Johanna. It’s just before sunset on the Friday afternoon.
Adrian. (Somewhat puzzled) Strange things are happening,
some say demons dwell upon the earth,
others angelic beings, miracles take place
and all of this when they had put a man to death,
had crucified a criminal. Everybody knows
the cross is used for degenerates only!
Rebecca. (With a pleasant voice) Such harsh words used,
for a good, a great man brother?
They say that without charge
he healed the sick, brought back sight,
cured leprosy, even made some more food,
from a few fishes and loafs of bread…
Adrian. (Somewhat harsh) They say many things!
That he rode into Jerusalem
to be crowned as the new king,
was a rebel against the state,
even claimed to be
the very Son of God,
now that is blasphemy
if there is no truth to it!
Johanna. I met him once.
He’s not the man
that you make him, brother.
There was a strange tranquilly to Him.
Some would say a divine presence,
while He spoke of love that is selfless,
visited the sick, the poor
and even the destitute, even harlots.
Adrian. (Looks up) There you have it!
Harlots! Tax collecting thieves!
A man is know by his friends,
or so they say and probably
there is some truth to it.
Ester. Husband, do not be so quick to judge.
I have seen Him myself, have seen
Roman soldiers marching Him to the hill
to take His life, with a angry crowd
following and mocking Him.
[...] Read more
poem by Gert Strydom
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The Candidate
This poem was written in , on occasion of the contest between the
Earls of Hardwicke and Sandwich for the High-stewardship of the
University of Cambridge, vacant by the death of the Lord Chancellor
Hardwicke. The spirit of party ran high in the University, and no
means were left untried by either candidate to obtain a majority. The
election was fixed for the th of March, when, after much
altercation, the votes appearing equal, a scrutiny was demanded;
whereupon the Vice-Chancellor adjourned the senate _sine die_. On
appeal to the Lord High-Chancellor, he determined in favour of the
Earl of Hardwicke, and a mandamus issued accordingly.
Enough of Actors--let them play the player,
And, free from censure, fret, sweat, strut, and stare;
Garrick abroad, what motives can engage
To waste one couplet on a barren stage?
Ungrateful Garrick! when these tasty days,
In justice to themselves, allow'd thee praise;
When, at thy bidding, Sense, for twenty years,
Indulged in laughter, or dissolved in tears;
When in return for labour, time, and health,
The town had given some little share of wealth,
Couldst thou repine at being still a slave?
Darest thou presume to enjoy that wealth she gave?
Couldst thou repine at laws ordain'd by those
Whom nothing but thy merit made thy foes?
Whom, too refined for honesty and trade,
By need made tradesmen, Pride had bankrupts made;
Whom Fear made drunkards, and, by modern rules,
Whom Drink made wits, though Nature made them fools;
With such, beyond all pardon is thy crime,
In such a manner, and at such a time,
To quit the stage; but men of real sense,
Who neither lightly give, nor take offence,
Shall own thee clear, or pass an act of grace,
Since thou hast left a Powell in thy place.
Enough of Authors--why, when scribblers fail,
Must other scribblers spread the hateful tale?
Why must they pity, why contempt express,
And why insult a brother in distress?
Let those, who boast the uncommon gift of brains
The laurel pluck, and wear it for their pains;
Fresh on their brows for ages let it bloom,
And, ages past, still flourish round their tomb.
Let those who without genius write, and write,
Versemen or prosemen, all in Nature's spite,
The pen laid down, their course of folly run
In peace, unread, unmention'd, be undone.
Why should I tell, to cross the will of Fate,
That Francis once endeavour'd to translate?
Why, sweet oblivion winding round his head,
[...] Read more
poem by Charles Churchill
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The Pleasures of Imagination: Book The Third
What wonder therefore, since the indearing ties
Of passion link the universal kind
Of man so close, what wonder if to search
This common nature through the various change
Of sex, and age, and fortune, and the frame
Of each peculiar, draw the busy mind
With unresisted charms? The spacious west,
And all the teeming regions of the south
Hold not a quarry, to the curious flight
Of knowledge, half so tempting or so fair,
As man to man. Nor only where the smiles
Of love invite; nor only where the applause
Of cordial honour turns the attentive eye
On virtue's graceful deeds. For since the course
Of things external acts in different ways
On human apprehensions, as the hand
Of nature temper'd to a different frame.
Peculiar minds; so haply where the powers
Of fancy neither lessen nor enlarge
The images of things, but paint in all
Their genuine hues, the features which they wore
In nature; there opinion will be true,
And action right. For action treads the path
In which opinion says he follows good,
Or flies from evil; and opinion gives
Report of good or evil, as the scene
Was drawn by fancy, lovely or deform'd:
Thus her report can never there be true
Where fancy cheats the intellectual eye,
With glaring colours and distorted lines.
Is there a man, who at the sound of death
Sees ghastly shapes of terror conjur'd up,
And black before him; nought but death-bed groans
And fearful prayers, and plunging from the brink
Of light and being, down the gloomy air,
An unknown depth? Alas! in such a mind,
If no bright forms of excellence attend
The image of his country; nor the pomp
Of sacred senates, nor the guardian voice
Of justice on her throne, nor aught that wakes
The conscious bosom with a patriot's flame;
Will not opinion tell him, that to die,
Or stand the hazard, is a greater ill
Than to betray his country? And in act
Will he not chuse to be a wretch and live?
Here vice begins then. From the inchanting cup
Which fancy holds to all, the unwary thirst
Of youth oft swallows a Circæan draught,
That sheds a baleful tincture o'er the eye
Of reason, till no longer he discerns,
[...] Read more
poem by Mark Akenside
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The Rosciad
Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.
Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,
[...] Read more
poem by Charles Churchill
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English Bards and Scotch Reviewers: A Satire
'I had rather be a kitten, and cry mew!
Than one of these same metre ballad-mongers'~Shakespeare
'Such shameless bards we have; and yet 'tis true,
There are as mad, abandon'd critics too,'~Pope.
Still must I hear? -- shall hoarse Fitzgerald bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch reviews
Should dub me scribbler, and denounce my muse?
Prepare for rhyme -- I'll publish, right or wrong:
Fools are my theme, let satire be my song.
O nature's noblest gift -- my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoom'd to aid the mental throes
Of brains that labour, big with verse or prose,
Though nymphs forsake, and critics may deride,
The lover's solace, and the author's pride.
What wits, what poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemn'd at length to be forgotten quite,
With all the pages which 'twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet's shall be free;
Though spurn'd by others, yet beloved by me:
Then let us soar today, no common theme,
No eastern vision, no distemper'd dream
Inspires -- our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.
When Vice triumphant holds her sov'reign sway,
Obey'd by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every clime;
When knaves and fools combined o'er all prevail,
And weigh their justice in a golden scale;
E'en then the boldest start from public sneers,
Afraid of shame, unknown to other fears,
More darkly sin, by satire kept in awe,
And shrink from ridicule, though not from law.
Such is the force of wit! but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.
[...] Read more
Poem: Song to the Holy Cross
The cross of love:
The cross I love:
The cross I'd loved all life;
The wooden cross:
The holy cross:
The cross that bore man's strife.
The oaken cross:
The heavy cross:
The cross Jesus carried;
The cross on which
Christ Lord was nailed:
And bore man's sins indeed.
The cross of death:
The blood-stained cross:
The Savior, man, redeemed;
The cross of life's
Victory o'er death:
That souls on earth must heed.
poem by John Celes
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Headless Cross
Look through the people, and on through the mist
To the hill of the headless cross
Where all witches meet, on a night such as this
And the power of darkness is host
They come face to face, eye to eye, soul to soul
With and angel that fell from the sky
Borne on the air, the screams and the wails
Of the masses appointed to die
Listen for the feet as they pound the land to a tune of thunder
Watch as the legions ride again to a fate of death or torture
At the headless cross, at the headless cross
From the first evil night, when a black flash of light
Cut the crucifix half to the ground
Theres been no escape from the power of satan
On a nation so brave and so proud
Listen for the feet as they pound the land to a tune of thunder
Watch as the legions ride again to a fate of death or torture
At the headless cross, at the headless cross
How do you feel, when the locks refuse the key
And the master is calling your name
Does the luck of the charm, really keep you from harm?
Does the talisman protect you from pain?
Listen for the feet as they pound the land to a tune of thunder
Watch as the legions ride again to a fate of death or torture
At the headless cross, at the headless cross
From the first evil night, when a black flash of light
Cut the crucifix half to the ground
Theres no escaping the power of satan
On a nation so brave and so proud
Listen for the feet as they pound the land to a tune of thunder
Watch as the legions ride again to a fate of death or torture, oh no, oh
At the headless cross, at the headless cross
At the headless cross, oh, at the headless cross
Where will you run to?
At the headless cross
Look, to the headless cross
song performed by Black Sabbath
Added by Lucian Velea
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The Ghost - Book IV
Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;
[...] Read more
poem by Charles Churchill
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Chanson d’Amour
I thought to live without true love
All my life through to be at peace,
But this heart, once again, would prove
Its folly from which I had won free.
Greater the folly is in me
Than child crying foolishly
To possess the lovely star
He sees shining clear and far.
However much I may despair
Love has well rewarded me
For serving him with all the care
I possess, without treachery,
Making Folly’s King of me.
Let all beware his deceit
Who grants such a gift, we see,
To those who serve loyally.
If I show anger it’s no wonder
To one who wounds me so sore
God! If I had him in my power
For just one day and no more:
Then he’d pay for his folly
As God my witness be!
He’d pay with his death, unless
He vanquished my lady blessed.
Ay! Noble heart, that is so wise,
Don’t scorn all my foolishness.
I know I’ve not the slightest right
To love you, just a lover’s right:
But folly drives us recklessly
Like a storm-tossed ship at sea,
That’s blown where the wind will blow,
Until all’s wrecked and brought low.
My lady who lacks never a grace,
Generous, kind, show me mercy:
Since there’s no evil in that face
But all good shines there clearly,
You know from whence this folly
That takes my life comes to me.
To whom can I cry again,
Except to you, in pain?
Song, pay her your respects, she
Is my sweet folly, and please
Beg her for God and honour
Never to prove a traitor.
poem by Le Châtelain de Coucy
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They Hung Him On A Cross (Demo, 1989)
They hung him of a cross
They hung him on a cross
They hung him on a cross for me
One day when I lost
They hung him on a cross
They hung him on a cross for me
They whooped him up the hill
They whooped him up the hill
They whooped him up the hill for me
One day when I lost
They hung him on a cross
They whooped him up the hill for me
He never said among them would
They never said among them would
They never said among them would for me
One day when I lost
They hung him on a cross
They hung him on a cross for me
They hurt him in the side
They bit him in the side
They bit him in the side for me
One day when I lost
They hung him on a cross
They hung him on a cross for me
They hung his head and died
They hung his head and died
He hung his head and died for me
One day when I lost
They hung him on a cross
They hung him on a cross for me
Originally by Leadbelly
song performed by Nirvana
Added by Lucian Velea
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At cross road
Never but at cross road,
Are we at cross road?
Is there any load?
Why not we meet?
Even at cross road.
Are we blood thirsty?
And care for no one,
who may come but none?
Doesn’t concern everyone?
Even at cross road.
Can we not share?
Misery and poverty,
happiness and unhappiness,
hunger and roofless human,
even at cross road.
Why do we cut?
Burn the green forest,
and big trees,
do we want disaster?
Even at cross road.
Rain is scarce,
food also less,
nature is finished,
no bloom for ever,
even at cross road.
Why do we cut throat?
Merely for greed,
does the religion preach?
Priests or heads just teach
Even at cross road.
I may not survive,
peace may not revive,
nobody will also survive,
we will soon be extinct,
even at cross road.
Time is running out,
Still human race is not out,
We may still be in,
Kindness may be over,
Even at cross road,
Life is worth to live in,
[...] Read more
poem by Hasmukh Amathalal
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The Distracted Puritan
Am I mad, O noble Festus,
When zeal and godly knowledge
Have put me in hope
To deal with the Pope
As well as the best in the college?
Boldly I preach, I hate a cross, hate a surplice,
Mitres, copes, and rochets!
Come hear me pray nine times a day,
And fill your heads with crotchets.
In the house of pure Emanuel
I had my education,
Where my friends surmise
I dazel'd my eyes
With the sight of revelation.
Boldly I preach, I hate a cross, hate a surplice,
Mitres, copes, and rochets!
Come hear me pray nine times a day,
And fill your heads with crotchets.
They hound me like a bedlam,
They lash'd my four poor quarters.
Whilst this I endure,
Faith makes me sure
To be one of Foxes martyrs.
Boldly I preach, I hate a cross, hate a surplice,
Mitres, copes, and rochets!
Come hear me pray nine times a day,
And fill your heads with crotchets.
These injuries I suffer
Through antichrist's perswasion.
Take off this chain!
Neither Rome nor Spain
Can resist my strong invasion.
Boldly I preach, I hate a cross, hate a surplice,
Mitres, copes, and rochets!
Come hear me pray nine times a day,
And fill your heads with crotchets.
Of the beast's ten horns (God bless us!)
I have knock'd off three already;
If they let me alone
I'll leave him none;
But they say I am too heady.
Boldly I preach, I hate a cross, hate a surplice,
Mitres, copes, and rochets!
Come hear me pray nine times a day,
And fill your heads with crotchets.
[...] Read more
poem by Richard Corbet
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A Palimpsest For Peace
Cross words cross across crossed wires.
Cross-purposes cross reconciliation off the list
As, crosswise, clockwise and counter-clockwise
Fight for costly cross-border dominance.
Cross voices cross between cross and crescent.
Quiescent sense lessens strength and ends
In senselessness as curses crush courtesy.
Cross-eyed viewpoints squint crossly
As cross-cultural conferences collapse.
Yet, crucially, crossed-fingers aloft,
If antagonists acquiesced in crossing over
To foster lost respect and tolerance,
We could cross off the past of bitterness,
Gross antipathy and once-crossed swords,
As cross-cooperation is consummated
As effortlessly as simply casting away
An anachronistic acrostic cryptic crossword.
poem by C. Richard Miles
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