Waiter has no teeth
Works incredible long hours
For new dentures
senryu by Oskar Hansen
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The Minds of Those Like These
The escalation of a hatred,
By those accustomed to doing it...
Produces for them great sorrow.
And on borrowed time,
They proceed to show themselves...
Out of their minds with a choice to grieve.
Incredible.
Incredible...
Wh at people know.
What people know..
And find it,
Hard to believe.
And,
Incredible.
Incredible...
What people know.
What people know...
And find it,
Hard to conceive.
Self seekers enforcing to impose their will,
For the purpose to fulfill...
The prophesy of their demise.
So unwise are they who do not pay attention.
So unwise are they who do not listen!
As they forge ahead,
In disbelief of what has been 'envisioned'.
Or comprehend words to them said.
As they forge ahead,
Strickened by positions...
That restrict their minds to limited conditions.
Incredible.
Incredible...What people know.
What people know..
And find it,
Hard to believe.
And,
Incredible.
Incredible...
What people know.
What people know...
And find it,
Hard to conceive.
The escalation of a hatred,
By those accustomed to doing it...
Produces for them great sorrow.
[...] Read more
poem by Lawrence S. Pertillar
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Waiter! Bring Me Water!
He took me to--our favorite spot
A place we go to hang a lot
Something seemed to catch his eye
Oh--oo--oh over my shoulder
Oh--oo--oh over my shoulder
I turned around--to see whats up
A pretty young thing sure enough
She was new--he wanted to
Kno--oo--oh--oh--oo--ow her
Kno--oo--oh--oh--oo--ow her
Oh--yeah--
Then she flicked her hair (yeah!)
Oh--yeah--he began to stare
[chorus:]
Waiter! (waiter) bring me water!
I gotta make him keep his cool
(waiter) bring me water!
Hes acting like a fool
(waiter) bring me water!
Uh, oh, I did my best--to block his view
But it was like he could see through me
I just knew--he wanted to
Ho--oo--oh--oh--oo--oh--old her
Ho--oo--oh--oh--oo--oh--old her
Oh--yeah--i aint gettin nowhere (yeah!)
Oh--yeah--shes still standing there
[repeat chorus]
Theres gotta be a way to cool this clown--
Hes starting to embarrass me
I may even have to hose him down--
Bring me water
I dont know what he finds so distracting--
Whats so hot about her
I really dont like the way hes acting
Bring me water!
Uh, bring it on!
Uhhhh
Oh
Whats so hot about her
Uh, uh, uh,
Yeah, yeah, yeah, yeah
(waiter, bring me water)
Gotta make him keep his cool
(waiter, bring me water)
Send him back to school
(waiter, bring me water)
Hes acting like a fool
(waiter, bring me water)
Waiter, bring me water
song performed by Shania Twain
Added by Lucian Velea
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All I Want For Christmas (Is My Two Front Teeth)
(Donald Yetter Gardner)
All I want for Christmas is my two front teeth
My two front teeth, My two front teeth
Gee, if I could only have my two front teeth
Then I could wish you, "Merry Christmas"
It seems so long since I could say
"Sister, Susie sitting on a thistle!"
Gosh, oh gee, how happy Id be, if I could only whistle
All I want for Christmas is my two front teeth
My two front teeth, My two front teeth
Gee, if I could only have my two front teeth
Then I could wish you, "Merry Christmas"
All I want for Christmas is my two front teeth
My two front teeth, My two front teeth
Gee, if I could only have my two front teeth
Then I could wish you, "Merry Christmas"
It seems so long since I could say
"Sister, Susie sitting on a thistle!"
Gosh, oh gee, how happy Id be, if I could only whistle
(All I want for Christmas is my two front teeth)
(Two front teeth), (two front teeth)
Gee, if I could only have my two front teeth
Then I could wish you, "Merry Christmas"
--- Instrumental ---
It seems so long since I could say
"Sister, Susie sitting on a thistle!"
Gosh, oh gee, how happy Id be, if I could only whistle
All I want for Christmas is my two front teeth
Two front teeth, My two front teeth
Gee, if I could only have my two front teeth
Then I could wish you, "Merry Christmas"...
song performed by George Strait
Added by Lucian Velea
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The Wail of the Waiter
All day long, at Scott's or Menzies', I await the gorging crowd,
Panting, penned within a pantry, with the blowflies humming loud,
There at seven in the morning do I count my daily cash,
While the home-returning reveller calls for 'soda and a dash'.
And the weary hansom-cabbies set the blinking sqautters down,
Who, all night, in savage freedom, have been 'knocking round the town'.
Soon the breakfast gong resounding bids the festive meal begin,
And, with appetites like demons, come the gentle public in.
'Toast and butter!' 'Eggs and coffee!' 'Waiter, mutton cops for four!'
'Flatheads!' 'Ham!' 'Beef!' 'Where's the mustard?' 'Steak and onions!' 'Shut the door!'
Here sits bandicoot, the broker, eating in a desparate hurry,
Scowling at his left-hand neighbour, Cornstalk from the Upper Murray,
Who with brandy-nose enpurpled, and with blue lips cracked and dry,
In incipient delirium shoves the eggspoon in his eye.
'Bloater paste!' 'Some tender steak, sir?' 'Here, confound you, where's my chop?'
'Waiter!' 'Yessir!' 'Waiter!' 'Yessir!!' - running till I'm fit to drop.
Then at lunch time - fearful crisis! In by shoals the gorgers pour,
Gobbling, crunching, swilling, munching - ten times hungrier than before.
'Glass of porter!' 'Ale for me, John!' 'Where's my stick?' 'And where's my hat!'
'Oxtal soup!' 'I asked for curry!' 'Cold boiled beef, and cut it fat!'
'Irish stew!' 'Some pickled cabbage!' 'What, no beans?' 'Bring me some pork!'
'Soup, sir?' 'Yes. You grinning idiot, can I eat it with a FORK?'
'Take care, waiter!' 'Beg your pardon.' 'Curse you, have you two left legs?'
'I asked for bread an hour ago, sir!' 'Now then, have you laid those eggs?'
'Sherry!' 'No, I called for beer - of all the fools I ever saw!'
'Waiter!' 'Yessir!' 'WAITER!!' 'Here, sir!' 'Damme, sir, this steak is RAW!'
Thus amid this hideous Babel do I live the livelong day,
While my memory is going, and my hair is turing grey.
All my soul is slowly melting, all my brain is softening fast,
And I know that I'll be taken to the Yarr bend at last.
For at night from fitful slumbers I awaken with a start,
Murmuring of steak and onions, babbling of apple-tart.
While to me the Poet's cloudland a gigantic kitchen seems,
And those mislaid table-napkins haunt me even in my dreams
Is this right? - Ye sages tell me! - Does a man live but to eat?
Is there nothing worth enjoying but one's miserable meat?
Is the mightiest task of genius but to swallow buttered beans,
And has man but been created to demolish pork and greens?
Is there no unfed Hereafter, where the round of chewing stops?
Is the atmosphere of heaven clammy with perpetual chops?
Do the friends of Mr Naylor sup on spirit-reared cow-heel?
Can the great Alexis Soyer really say 'Soyez tranquille?'
Or must I bring spirit beefsteak grilled in spirit regions hotter
For the spirit delectation of some spiritual squatter?
Shall I in a spirit kitchen hear the spirit blowflies humming,
Calming spiritual stomachs with a spiritual 'Coming!'?
Shall - but this is idle chatter, I have got my work to do.
'WAITER!!' 'Yessir.' 'Wake up, stupid! Boiled calves' feet for Number Two!'
poem by Marcus Clarke
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She Works Hard For The Money
She works hard for the money
so hard for it honey
she works hard for the money
so you better treat her right
She works hard for the money
so hard for it honey
she works hard for the money
so you better treat her right
Onetta there in the corner stand
and wonders where she is and
it's strange to her
some people seem to have everything
Nine a.m. on the hour hand
and she's waiting for the bell
and she's looking real pretty
just wait for her clientele
She works hard for the money
so hard for it honey
she works hard for the money
so you better treat her right
She works hard for the money
so hard for it honey
she works hard for the money
so you better treat her right
Twenty five years have
come and gone
and she' seen a lot of tears
of the ones who come in
they really seem to need her there
It's a sacrifice working day to day
for little money just tips for pay
But it's worth it all
just to hear them say that they care
She works hard for the money
so hard for it honey
she works hard for the money
so you better treat her right
She already knows
she's seen her bad times
she already knows
these are the good times
[...] Read more
song performed by Donna Summer from The Donna Summer Anthology
Added by Lucian Velea
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Orthodigital Todays Lunacy
My new dentures are digital
because I have the wherewithal
to buy the latest gadgetry.
I love modern technology.
They play pop music as I eat.
No other dentures can compete,
can receive the latest news
from any channel which I choose.
I need not change the batteries
they can recharge themselves with ease.
The movement of my lower jaw
creates the current which they store.
I think that I can claim to be.
The first to have such dentistry.
They are my only claim to fame
have become a household name.
The only man whose dentures do
a great deal more than simply chew.
It seems my dentures have made me
into a real celebrity.
16-Jan-08
poem by Ivor Or Ivor.e Hogg
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
[...] Read more
poem by Conrad Potter Aiken
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The Dream
'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!
So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.
Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,
To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,
[...] Read more
poem by Caroline Elizabeth Sarah Norton
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Set On Auto-Pilot
Not only have they been,
Floating along powered by denial.
Their minds have been set on auto-pilot,
For as long as the supplies held out.
Now no one can convince them,
They must swim to shore...
Aided by their own initiative.
For them what had existed,
Is no more!
Many have chosen to ignore this warning.
With a demand for a new menu.
And a replacement of a chef...
That has never existed to prepare a new dish.
They laugh and perceive this to be an absurdity.
'Excuse me? '
And the tides are rushing ever so close,
To toss them all over a cliff.
And this...
They protest with the loudest of voices.
And wish all of this nonsense,
Be stopped by the shutting of lips.
Excuse me?
Waiter?
Waiter?
Did you see him pass us?
As if he did not hear me.
WAITER?
That's it.
He gets from me no tip! '
That is why they pass petitions.
To avoid this 'foolishness'.
'Waiter?
And he's parading around here,
With a lifejacket on.
Waiter?
I'm demanding your presence immediately.
Oh no he didn't! !
Did you see him sush me? '
poem by Lawrence S. Pertillar
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Constantinople Line
Hey waiter
Im first class
Hey waiter
Where are we now?
Am I last
Am I last
Hey waiter
Dont talk back
These tenants speak
A travellers language
Caucasian talk
Theyre saying nothing
I see a land
As we crawl by night
I see a face
In the window in front
These stations are useful
These stations we love them
Newspaper
Encounter
Confusion
Hey waiter
Im first class
Hey waiter
What state is this?
These reptiles scream
A violent party
All art and jazz
And league of nations
I see a land
As we crawl by night
I see a face
In the window in front
The east is calling
Im feeling nervous
I love the western
Style and change
These stations are useful
These stations we love them
These stations are useful
These stations we love them
Newspaper
Encounter
Confusion
Constantinople
Red
Red star
Red
Constantinople
Red
[...] Read more
song performed by Simple Minds
Added by Lucian Velea
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Narrative And Dramatic The Wanderings Of Oisin
BOOK I
S. Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.
Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.
Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,
But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft bosom rose and fell.
S. Patrick. You are still wrecked among heathen dreams.
Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'
'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain
[...] Read more
poem by William Butler Yeats
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With Teeth
But she will not let you go
But this time Im not coming back
She will not let you go
But this time Im not coming back
Keeps holding on
She will not let you go
Keeps holding on and on
She will not let you go
No, no, no, no, no!
With teeth
With teeth
With teeth
With teeth
I cannot go through this again /x8
No, no, no, no, no!
With teeth
With teeth
With teeth
With teeth
Youve finally found the place where you belong
It comes on strong
She makes you hard
The rules have changed, the line begins to blur
To what you were
Wave goodbye
With teeth
With teeth
With teeth
With teeth
And it runs deeper than you dare to dream it could be
The black seal
She makes you better than anything youve tried
Its in her kiss
She comes along
She gets inside
song performed by Nine Inch Nails
Added by Lucian Velea
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Paradise Lost: Book 03
Hail, holy Light, offspring of Heaven firstborn,
Or of the Eternal coeternal beam
May I express thee unblam'd? since God is light,
And never but in unapproached light
Dwelt from eternity, dwelt then in thee
Bright effluence of bright essence increate.
Or hear"st thou rather pure ethereal stream,
Whose fountain who shall tell? before the sun,
Before the Heavens thou wert, and at the voice
Of God, as with a mantle, didst invest ***
The rising world of waters dark and deep,
Won from the void and formless infinite.
Thee I re-visit now with bolder wing,
Escap'd the Stygian pool, though long detain'd
In that obscure sojourn, while in my flight
Through utter and through middle darkness borne,
With other notes than to the Orphean lyre
I sung of Chaos and eternal Night;
Taught by the heavenly Muse to venture down
The dark descent, and up to re-ascend,
Though hard and rare: Thee I revisit safe,
And feel thy sovran vital lamp; but thou
Revisit'st not these eyes, that roll in vain
To find thy piercing ray, and find no dawn;
So thick a drop serene hath quench'd their orbs,
Or dim suffusion veil'd. Yet not the more
Cease I to wander, where the Muses haunt,
Clear spring, or shady grove, or sunny hill,
Smit with the love of sacred song; but chief
Thee, Sion, and the flowery brooks beneath,
That wash thy hallow'd feet, and warbling flow,
Nightly I visit: nor sometimes forget
So were I equall'd with them in renown,
Thy sovran command, that Man should find grace;
Blind Thamyris, and blind Maeonides,
And Tiresias, and Phineus, prophets old:
Then feed on thoughts, that voluntary move
Harmonious numbers; as the wakeful bird
Sings darkling, and in shadiest covert hid
Tunes her nocturnal note. Thus with the year
Seasons return; but not to me returns
Day, or the sweet approach of even or morn,
Or sight of vernal bloom, or summer's rose,
Or flocks, or herds, or human face divine;
But cloud instead, and ever-during dark
Surrounds me, from the cheerful ways of men
Cut off, and for the book of knowledge fair
Presented with a universal blank
Of nature's works to me expung'd and ras'd,
And wisdom at one entrance quite shut out.
[...] Read more
poem by John Milton
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Tale XXI
The Learned Boy
An honest man was Farmer Jones, and true;
He did by all as all by him should do;
Grave, cautious, careful, fond of gain was he,
Yet famed for rustic hospitality:
Left with his children in a widow'd state,
The quiet man submitted to his fate;
Though prudent matrons waited for his call,
With cool forbearance he avoided all;
Though each profess'd a pure maternal joy,
By kind attention to his feeble boy;
And though a friendly Widow knew no rest,
Whilst neighbour Jones was lonely and distress'd;
Nay, though the maidens spoke in tender tone
Their hearts' concern to see him left alone,
Jones still persisted in that cheerless life,
As if 'twere sin to take a second wife.
Oh! 'tis a precious thing, when wives are dead,
To find such numbers who will serve instead;
And in whatever state a man be thrown,
'Tis that precisely they would wish their own;
Left the departed infants--then their joy
Is to sustain each lovely girl and boy:
Whatever calling his, whatever trade,
To that their chief attention has been paid;
His happy taste in all things they approve,
His friends they honour, and his food they love;
His wish for order, prudence in affairs,
An equal temper (thank their stars!), are theirs;
In fact, it seem'd to be a thing decreed,
And fix'd as fate, that marriage must succeed:
Yet some, like Jones, with stubborn hearts and
hard,
Can hear such claims and show them no regard.
Soon as our Farmer, like a general, found
By what strong foes he was encompass'd round,
Engage he dared not, and he could not fly,
But saw his hope in gentle parley lie;
With looks of kindness then, and trembling heart,
He met the foe, and art opposed to art.
Now spoke that foe insidious--gentle tones,
And gentle looks, assumed for Farmer Jones:
'Three girls,' the Widow cried, 'a lively three
To govern well--indeed it cannot be.'
'Yes,' he replied, 'it calls for pains and care:
But I must bear it.'--'Sir, you cannot bear;
Your son is weak, and asks a mother's eye:'
'That, my kind friend, a father's may supply.'
[...] Read more
poem by George Crabbe
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Retirement
Hackney'd in business, wearied at that oar,
Which thousands, once fast chain'd to, quit no more,
But which, when life at ebb runs weak and low,
All wish, or seem to wish, they could forego;
The statesman, lawyer, merchant, man of trade,
Pants for the refuge of some rural shade,
Where, all his long anxieties forgot
Amid the charms of a sequester'd spot,
Or recollected only to gild o'er
And add a smile to what was sweet before,
He may possess the joys he thinks he sees,
Lay his old age upon the lap of ease,
Improve the remnant of his wasted span,
And, having lived a trifler, die a man.
Thus conscience pleads her cause within the breast,
Though long rebell'd against, not yet suppress'd,
And calls a creature form'd for God alone,
For Heaven's high purposes, and not his own,
Calls him away from selfish ends and aims,
From what debilitates and what inflames,
From cities humming with a restless crowd,
Sordid as active, ignorant as loud,
Whose highest praise is that they live in vain,
The dupes of pleasure, or the slaves of gain,
Where works of man are cluster'd close around,
And works of God are hardly to be found,
To regions where, in spite of sin and woe,
Traces of Eden are still seen below,
Where mountain, river, forest, field, and grove,
Remind him of his Maker’s power and love.
'Tis well, if look’d for at so late a day,
In the last scene of such a senseless play,
True wisdom will attend his feeble call,
And grace his action ere the curtain fall.
Souls, that have long despised their heavenly birth,
Their wishes all impregnated with earth,
For threescore years employ’d with ceaseless care,
In catching smoke, and feeding upon air,
Conversant only with the ways of men,
Rarely redeem the short remaining ten.
Inveterate habits choke the unfruitful heart,
Their fibres penetrate its tenderest part,
And, draining its nutritious power to feed
Their noxious growth, starve every better seed.
Happy, if full of days—but happier far,
If, ere we yet discern life’s evening star,
Sick of the service of a world that feeds
Its patient drudges with dry chaff and weeds,
We can escape from custom’s idiot sway,
To serve the sovereign we were born to obey.
[...] Read more
poem by William Cowper
Added by Poetry Lover
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Idea Track
Dear Hugh Miller
Ive thought it through for a while but it doesnt get any easier
And three months on in this bad design wont make it feel any easier
Your grave, its your grave
Dear Hugh Miller
Its four months now from when we started and nothing feels much easier.
I sit and stare in a cork tiled room and it doesnt get much easier.
Your grave, its your grave
Pretend it works a while, its transmitted live
Pretend it works a while (you dont try)
Pretend it works a while, its transmitted live
Pretend it works a while (dont try)
Dear Hugh Miller,
its four months now from when we started and nothing feels much easier.
I sit and stare in a cork tiled room and it doesnt get much easier.
Your grave, its your grave
Pretend it works a while, its transmitted live
Pretend it works a while (you dont try)
Pretend it works a while, its transmitted live
Pretend it works a while (dont try)
Your grave, its your grave
Pretend it works a while, its transmitted live
Pretend it works a while (you dont try)
Pretend it works a while, its transmitted live
Pretend it works a while (dont try)
I dont care if I dont have an idea track, its an idea track, its an idea
I dont care if I dont have an idea track, its an idea track, its an idea
Your grave, its your grave.
song performed by Idlewild
Added by Lucian Velea
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Poor Paddy
[the pogues version]
-----------------------------------------
In eighteen hundred and forty-one
The corduroy breeches I put on
Me corduroy breeches I put on
To work upon the railway, the railway
Im weary of the railway
Poor paddy works on the railway
In eighteen hundred and forty-two
From hartlepool I moved to crewe
Found myself a job to do
A working on the railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-three
I broke the shovel across me knee
I went to work for the company
On the leeds to selby railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-four
I landed on the liverpool shore
My belly was empty me hands were raw
With working on the railway, the railway
Im sick to my guts of the railway
Poor paddy works on the railway
In eighteen hundred and forty-five
When daniel oconnell he was alive
When daniel oconnell he was alive
And working on the railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-six
I changed my trade to carrying bricks
I changed my trade to carrying bricks
To work upon the railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-seven
Poor paddy was thinking of going to heaven
The old bugger was thinking of going to heaven
To work upon the railway, the railway
[...] Read more
song performed by Pogues
Added by Lucian Velea
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Faith And Works. A Tale.
Good Dan and Jane were man and wife,
And lived a loving kind of life.
One point, however, they disputed
And each by turns his mate confuted.
'Twas Faith and Works, this knotty question,
They found not easy of digestion.
While Dan for Faith alone contended,
Jane equally Good Works defended.
'They are not Christians, sure, but Turks,
Who build on Faith and scoff at Works,'
Quoth Jane; while eager Dan replied,
'By none but Heathens Faith's denied.
I'll tell you, wife,' one day quoth Dan,
'A story of a right good man:
A Patriarch sage, of ancient days,
A man of Faith whom all must praise;
In his own country he possess'd
Whate'er can make a wise man blest,
His was the flock, the field, the spring,
In short, a little rural king.
Yet pleas'd he quits his native land,
By Faith in the Divine command.
God bade him go; and he, content,
Went forth, not knowing where he went:
He trusted in the promise made,
And, undisputing, straight obey'd.
The heavenly word he did not doubt,
But proved his Faith by going out.'
Jane answer'd with some little pride:
'I've an example on my side;
And though my tale be somewhat longer,
I trust you'll find it vastly stronger.
I'll tell you, Daniel, of a man,
The holiest since the world began
Who now God's favour is receiving,
For prompt
obeying
, not believing.
One only son this man possess'd,
In whom his righteous age was blest;
And more to mark the grace of heaven
This son by miracle was given.
And from this child, the word Divine,
Had promised an illustrious line.
When lo! at once a voice he hears,
Which sounds like thunder in his ears!
God says, 'Go sacrifice thy son!'
'This moment, Lord, it shall be done.'
He goes, and instantly prepares,
To slay this child of many pray'rs,
[...] Read more
poem by Hannah More
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Waiter has no teeth
Works incredible long hours
For new dentures
senryu by Oskar Hansen
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