Wallace Stevens: The Click of Marbled Orbs
(Sonnet as Keynote to WS)
The stout man puffs on his Havana cigar
And picks canary chords on his blue guitar,
Fashions flawed words and spindrift sounds
Into day-glow verbs and glass-blown nouns.
How much the notion of a supreme fiction
Derives from bric-a-brac and spiffy diction
None knows. Say his thickest absolutes
Derive from blue rotundities of fruits:
His crispest jugglery performs the feat
Of hardening stealthy points into concrete
Trombones, sausage-makers, cattle skulls,
And pettifogging buds. His monocle's
Univocal, a prop that lets him see
Glories in pewter, and mere poetry.
(Published in The Wallace Stevens Journal, Fall 2005. Vol.29. No.2 p.304)
poem by William F Dougherty
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Related quotes
Wife to Be (Petrarchan Sonnet)
I stroll along a fragrant country lane
With honeysuckle perfume on the air -
And feathered crooner's warble to revere -
Then cross a golden sea of flowing grain
In empathy - it seems to sense my pain
Of knowing all was done with my affair -
Her empty meaning now the solitaire
She cast away - betrothment all in vain.
But oceans team with many fish to catch
So I must up and hoist another sail
And seek the one that really waits for me,
For soon auspicious breezes will prevail
In guiding forth to find a truer match:
The one to take my hand as wife to be.
Copyright © Mark R Slaughter 2010
[...] Read more
poem by Mark R Slaughter
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Sonnet Cycle to M C after W S Sonnets CXXXI - CXXXIX
Sonnet Cycle to M C after William Shakespeare Sonnets CXXXI - CLIV
[c] Jonathan Robin
CARE IS OUR DREAM
Sonnet Cycle after William Shakespeare: Part II
Sonnets CXXXI - CLIV
Shakespeare Sonnet CXXXI
Thou art so tyrannous, so as thou art,
As those whose beauties proudly make them cruel;
For well thou know'st to my dear doting heart
Thou art the fairest and most precious jewel.
Yet, in good faith, some say that thee behold,
Thy face hath not the power to make love groan;
To say they err I dare not be so bold,
Although I swear it to myself alone.
And to be sure that is not false, I swear,
A thousand groans, but thinking on thy face,
One on another's neck, do witness bear
Thy black is fairest in my judgement's place.
In nothing art thou black save in thy deeds,
And thence this slander, as I think, proceeds.
Sonnet CXXXI
Swift in succession fleet speed thoughts when I
Allow time to rhyme contemplating smile.
Nefertiti resignèdly would cry
Grieving 'Quits' obliged to reconcile
To defeat, a feat none else dare try.
Outer skin and inner heart worthwhile
Most naturally ally I testify,
Adopt love’s truth to heart, scorn art and style.
Millions shudder – to your rank unworthy -
Aware all their priorities weigh zilch,
Understatements glib by small minds scurvy,
Deprived of value still your fame they’d filch.
Enshadowed, dark, stark dead their teeming dreams
Compelled to spell fell shutters, failing themes.
Shakespeare Sonnet CXXXII
Thine eyes I love, and they, as pitying me,
Knowing thy heart torments me with disdain,
Have put on black and ivory mourner she,
Looking with pretty ruth upon my pain.
And truly not the morning sun of heaven
Better becomes the grey cheeks of the east,
[...] Read more
poem by Jonathan Robin
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
[...] Read more
poem by Conrad Potter Aiken
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Guitar & Pen
Youre alone above the street somewhere
Youre alone above the street somewhere
Wondering how youll ever count out there
Wondering how youll ever count out there
You can walk, you can talk, you can fight
You can walk, you can talk, you can fight
But inside youve got something to write
But inside youve got something to write
In your hand you hold your only friend
In your hand you hold your only friend
Never spend your guitar or your pen
Never spend your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
When you take up a pencil and sharpen it up
When you take up a pencil and sharpen it up
When youre kicking the fence and still nothing will budge
When youre kicking the fence and still nothing will budge
When the words are immobile until you sit down
When the words are immobile until you sit down
Never feel theyre worth keeping, theyre not easily found
Never feel theyre worth keeping, theyre not easily found
Then you know in some strange, unexplainable way
Then you know in some strange, unexplainable way
You must really have something
You must really have something
Jumping, thumping, fighting, hiding away
Jumping, thumping, fighting, hiding away
Important to say
Important to say
When you sing through the verse and you end in a scream
When you sing through the verse and you end in a scream
And you swear and you curse cause the rhyming aint clean
And you swear and you curse cause the rhyming aint clean
But it suddenly comes after years of delay
But it suddenly comes after years of delay
You pick up your guitar, you can suddenly play
You pick up your guitar, you can suddenly play
When your fingers are bleeding and the knuckles are white
When your fingers are bleeding and the knuckles are white
Then you can be sure, you can open the door
Then you can be sure, you can open the door
Get off of the floor tonight
Get off of the floor tonight
[...] Read more
song performed by Who
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Canary Yellow Canoe
In my canary yellow canoe - my yellow canoe
I want to go tripping in my canary yellow canoe
The eastmain, coppermine, back river too
In my canary yellow canoe
In my canary yellow canoe - yellow canoe
I want to run rivers in my canary yellow canoe
The desmoines river, rupert river, george river too
In my canary yellow canoe
In my canary yellow canoe - mellow yellow canoe
I want to go tripping in my canary yellow canoe
Chebugema, peace river, resolute too
In my canary yellow canoe
In my canary yellow canoe - my elephant too
I want to go tripping in my canary yellow canoe
Churchill, yellowknife, ross river too
In my canary yellow canoe
song performed by Gordon Lightfoot
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Verbs v. nouns
Nouns…
they’re dead things; names
you give to things to render them
immobile; to make them yours, your very own; fit for nothing
except scrapheaps, museums, dictionaries, armchairs;
but they make you feel good;
you have control over their world;
you don’t have to think about them any more;
they’re all locked up safe in your collecting-box,
the noun for which is head:
you can sound important with nouns:
this government’s raft of measures
for fiscal stimulation of the economy
but verbs… ah, verbs!
you can’t own them, push them about,
collect them, be important about them;
they own themselves;
they’re outdoor words: going about their
lawful business, doing what they're best at,
measuring their own life as they work;
adapting themselves to what needs to be done
which nouns can’t do without a committee
and then it’s too late; happy
to be themselves, being; even
being while they’re doing.. don't you wish
you were a verb?
Nature – (that’s a verb, by the way,
not a noun) – is all verbs; evolution
is a verb (not a theory):
DNA’s a verb – you can’t own it
like a noun…it doesn’t even
want to own you…
so, be a child – put your boots on,
run, splash, shout look at all those verbs;
how bright the world, what fun,
nothing to put in your pocket to take home
(or if you do, it’ll change to a noun, your noun,
in your pocket, in your drawer, gathering dust:
verbs don’t have the time to gather dust…)
verbs are for observing; verbs are for
seeing for the first time; wow! Verbs are for
inventors, explorers, tree-climbing,
[...] Read more
poem by Michael Shepherd
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
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A Fable For Critics
Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'
Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.
Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,
[...] Read more
poem by James Russell Lowell
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Stripped, Clawed and Flawed
Too many rather skip to a bar and nip.
Until they feel an alcoholic 'trip'.
And sit refusing to admit...
They're drowning denials that cause them fits.
Too many feel henpecked and nitpicked.
By spouses ripping them to bits.
And they choose then to bemoan their whims.
With others near,
Befriending them!
Spending every dime and feeling sick.
Leaving drunk with no left tip!
Stripped, clawed and flawed,
From a baring of emotions felt so raw!
Spending every dime and feeling sick.
Leaving drunk with no left tip!
Stripped, clawed and flawed.
And wishing they had not flapped,
Or dropped jaws.
Stripped, clawed and flawed,
From a baring of emotions felt so raw!
Around strangers who now know all!
And wishing they had not dropped jaws.
Stripped,
Clawed and flawed.
From a baring of emotions felt so raw!
Around strangers who now know all!
And wishing they had not dropped jaws!
Stripped,
Clawed and flawed.
'You left me not tip? '
Flawed and clawed.
'You left me not tip? '
Clawed and flawed
'You left me not tip? '
Flawed and clawed.
Stripped,
Clawed and flawed.
[...] Read more
poem by Lawrence S. Pertillar
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The Grammarians Funeral
Eight Parts of Speech this Day wear Mourning Gowns
Declin'd Verbs, Pronouns, Participles, Nouns.
And not declined, Adverbs and Conjunctions,
In Lillies Porch they stand to do their functions.
With Preposition; but the most affection
Was still observed in the Interjection.
The Substantive seeming the limbed best,
Would set an hand to bear him to his Rest.
The Adjective with very grief did say,
Hold me by strength, or I shall faint away.
The Clouds of Tears did over-cast their faces,
Yea all were in most lamentable Cases.
The five Declensions did the Work decline,
And Told the Pronoun Tu, The work is thine:
But in this case those have no call to go
That want the Vocative, and can't say O!
The Pronouns said that if the Nouns were there,
There was no need of them, they might them spare:
But for the sake of Emphasis they would,
In their Discretion do what ere they could.
Great honour was confer'd on Conjugations,
They were to follow next to the Relations.
Amo did love him best, and Doceo might
Alledge he was his Glory and Delight.
But Lego said by me he got his skill,
And therefore next the Herse I follow will.
Audio said little, hearing them so hot,
Yet knew by him much Learning he had got.
O Verbs the Active were, Or Passive sure,
Sum to be Neuter could not well endure.
But this was common to them all to Moan
Their load of grief they could not soon Depone.
A doleful Day for Verbs, they look so moody,
They drove Spectators to a Mournful Study.
The Verbs irregular, 'twas thought by some,
Would break no rule, if they were pleas'd to come.
Gaudeo could not be found; fearing disgrace
He had with-drawn, sent Maereo in his Place.
Possum did to the utmost he was able,
And bore as Stout as if he'd been A Table.
Volo was willing, Nolo some-what stout,
But Malo rather chose, not to stand out.
Possum and Volo wish'd all might afford
Their help, but had not an Imperative Word.
Edo from Service would by no means Swerve,
Rather than fail, he thought the Cakes to Serve.
Fio was taken in a fit, and said,
By him a Mournful POEM should be made.
Fero was willing for to bear a part,
Altho' he did it with an aking heart.
[...] Read more
poem by Benjamin Tompson
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Hudibras: Part 1 - Canto III
THE ARGUMENT
The scatter'd rout return and rally,
Surround the place; the Knight does sally,
And is made pris'ner: Then they seize
Th' inchanted fort by storm; release
Crowdero, and put the Squire in's place;
I should have first said Hudibras.
Ah me! what perils do environ
The man that meddles with cold iron!
What plaguy mischiefs and mishaps
Do dog him still with after-claps!
For though dame Fortune seem to smile
And leer upon him for a while,
She'll after shew him, in the nick
Of all his glories, a dog-trick.
This any man may sing or say,
I' th' ditty call'd, What if a Day?
For HUDIBRAS, who thought h' had won
The field, as certain as a gun;
And having routed the whole troop,
With victory was cock a-hoop;
Thinking h' had done enough to purchase
Thanksgiving-day among the Churches,
Wherein his mettle, and brave worth,
Might be explain'd by Holder-forth,
And register'd, by fame eternal,
In deathless pages of diurnal;
Found in few minutes, to his cost,
He did but count without his host;
And that a turn-stile is more certain
Than, in events of war, dame Fortune.
For now the late faint-hearted rout,
O'erthrown, and scatter'd round about,
Chas'd by the horror of their fear
From bloody fray of Knight and Bear,
(All but the dogs, who, in pursuit
Of the Knight's victory, stood to't,
And most ignobly fought to get
The honour of his blood and sweat,)
Seeing the coast was free and clear
O' th' conquer'd and the conqueror,
Took heart again, and fac'd about,
As if they meant to stand it out:
For by this time the routed Bear,
Attack'd by th' enemy i' th' rear,
Finding their number grew too great
For him to make a safe retreat,
[...] Read more
poem by Samuel Butler
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Havana Gang Brawl
Well the cops are at the door
And you know that they want more
They've got spears, made for arms
Tried to lure you with their charms
You can hear the guns outside
Watching riots with their eyes
As you move from wall to wall
Hear the siren from the gang brawl
Line the locals one by one
Filling bullets with their guns
Are you red, or if you're blue
Cause tonight their gonna find the truth
Take no prisoners today
For the future will be laid
One big city, one big town
Everyone with the same crown
Havana Gang Brawl
Havana Gang Brawl
Havana Gang Brawl
Oh where will you sleep tonight?
Oh where will you sleep tonight?
A doomed old day for engagements
They have torn up your arrangements
All the mothers, buying razors
For the future will be dangerous
You try desperately to leave
But all the trains are dry for steam
All the taxis on their sides
All the planes are burning bright
Havana Gang Brawl
Havana Gang Brawl
Havana Gang Brawl
Oh where will you sleep tonight?
Oh where will you sleep tonight?
Only one option left
To survive or you'll be dead
Do you hide now from the sin
Or do your blazing guns begin?
All the shops are up for sale
You might make it out on bail
All the fathers shine today
Making sure that son's ok
Havana Gang Brawl
Havana Gang Brawl
Havana Gang Brawl
Oh where will you sleep tonight?
Oh where will you sleep tonight?
Oh where will you sleep tonight?
Oh where will you sleep tonight?
song performed by Zutons
Added by Lucian Velea
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Havana Moon
Chant...
Me all alone
Jug of rum
Me stand and wait for the boat to come
Is lonely night is quiet the dark
The boat she late its 12 o clock
Me watches the tide easin in
Is low the moon and high the wind
Havana moon
Havana moon
Me all alone
Me open the rum
Is long the wait for the boat to come
American girl come back to me
Sail way across the sea
We dock in new york the buildings high
We find a home up in the sky
Havana moon...
Havana moon...
Me still alone me drinkin the rum
Begin to think that the boat no come
American girl she tell a lie
She say till then, but she mean goodbye
Havana moon...
Havana moon...
Me lay down alone, no good the rum
Me fall asleep and the boat she come
The girl she look till come the dawn
She weep and she cry
Return for home
The whistle blow me open my eyes
Bright the sun blue the sky
Me grab me shoes, me jump and me run
Me see the boat head for horizon
Havana moon is gone da rum
The boat she sail me love she gone
Havana moon...
Havana moon...
song performed by Santana
Added by Lucian Velea
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Birdhouse In Your Soul
Im your only friend
Im not your only friend
But Im a little glowing friend
But really Im not actually your friend
But I am
Blue canary in the outlet by the light switch
Who watches over you
Make a little birdhouse in your soul
Not to put too fine a point on it
Say Im the only bee in your bonnet
Make a little birdhouse in your soul
I have a secret to tell
From my electrical well
Its a simple message and Im leaving out the whistles and bells
So the room must listen to me
Filibuster vigilantly
My name is blue canary one note* spelled l-i-t-e
My storys infinite
Like the longines symphonette it doesnt rest
Blue canary in the outlet by the light switch
Who watches over you
Make a little birdhouse in your soul
Not to put too fine a point on it
Say Im the only bee in your bonnet
Make a little birdhouse in your soul
Im your only friend
Im not your only friend
But Im a little glowing friend
But really Im not actually your friend
But I am
Theres a picture opposite me
Of my primitive ancestry
Which stood on rocky shores and kept the beaches shipwreck free
Though I respect that a lot
Id be fired if that were my job
After killing jason off and countless screaming argonauts
Bluebird of friendliness
Like guardian angels its always near
Blue canary in the outlet by the light switch
Who watches over you
Make a little birdhouse in your soul
Not to put too fine a point on it
Say Im the only bee in your bonnet
Make a little birdhouse in your soul
(and while youre at it
Keep the nightlight on inside the
Birdhouse in your soul)
Not to put too fine a point on it
Say Im the only bee in your bonnet
Make a little birdhouse in your soul
[...] Read more
song performed by They Might Be Giants
Added by Lucian Velea
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The Cigar
Some sigh for this and that,
My wishes don't go far;
The world may wag at will,
So I have my cigar.
Some fret themselves to death
With Whig and Tory jar;
I don't care which is in,
So I have my cigar.
Sir John requests my vote,
And so does Mr. Marr;
I don't care how it goes,
So I have my cigar.
Some want a German row,
Some wish a Russian war;
I care not. I'm at peace
So I have my cigar.
I never see the 'Post,'
I seldom read the 'Star;'
The 'Globe' I scarcely heed,
So I have my cigar.
Honors have come to men
My juniors at the Bar;
No matter - I can wait,
So I have my cigar.
Ambition frets me not;
A cab or glory's car
Are just the same to me,
So I have my cigar.
I worship no vain gods,
But serve the household Lar;
I'm sure to be at home,
So I have my cigar.
I do not seek for fame,
A general with a scar;
A private let me be,
So I have my cigar.
To have my choice among
The toys of life's bazaar,
The deuce may take them all
So I have my cigar.
[...] Read more
poem by Thomas Hood
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Sonnet LX - Variations In Imitation - after William Shakespeare
See below W S Sonnet LX for English and French variations
Sonnet LX
Like as the waves make towards the pebbled shore
So do our minutes hasten to their end;
Each changing place with that which goes before,
In sequent toil all forwards do contend.
Nativity, once in the main of light
Crawls to maturity, wherewith being crown’d,
Crooked eclipses ‘gainst his glory fight
And Time that gave doth now his gift confound.
Time doth transfix the flourish set on youth
And delves the parallels in beauty’s brow
Feeds on the rareities of Nature’s truth,
And nothing stands but for his scythe to mow;
And yet to times in hope my verse shall stand,
Praising thy worth despite his cruel hand.
William SHAKESPEARE shak1_0008_shak1_0000 PST_DZX
________________________
So nnet LX Imitation - Par Vagues
Par vagues, s’approchant à la rive pierreuse,
Nos instants précieux écument leur destin,
Chacun son précédent remplaçant en chemin,
Le tout se bousculant - avancée périlleuse.
Le Temps notre jeunesse avale et l’âme heureuse,
Avance, et, mûrissant, se voit sacrée: sa main
Dispute nos chansons, gloires d’antan, - déclin
Que le faucheur étale, éclipse malheureuse.
Le Temps reprend ses dons, de profonds sillons creuse,
Des affronts forts profonds au front jadis si saint,
En dévorant les traces de notre grâce éteinte,
Aucun ne faisant face à sa fauche rieuse!
Pourtant malgré le Temps, sa main sans pitié,
Ces lignes attendent un jour coulant de vérité.
15 December 1991 revised 2005 robi3_0508_shak1_0008 PFT_DZX see robi3_0654
Translation William SHAKESPEARE – Sonnet LX for previous version see below
__________________
Sonnet LX
Ainsi qu’aux vagues visant la rive pierreuse,
Nos instants précieux se hâtent vers leur destin,
Chacun son précedent remplaçant en chemin,
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poem by Jonathan Robin
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Le Cygne (The Swan)
À Victor Hugo
I
Andromaque, je pense à vous! Ce petit fleuve,
Pauvre et triste miroir où jadis resplendit
L'immense majesté de vos douleurs de veuve,
Ce Simoïs menteur qui par vos pleurs grandit,
A fécondé soudain ma mémoire fertile,
Comme je traversais le nouveau Carrousel.
Le vieux Paris n'est plus (la forme d'une ville
Change plus vite, hélas! que le coeur d'un mortel);
Je ne vois qu'en esprit tout ce camp de baraques,
Ces tas de chapiteaux ébauchés et de fûts,
Les herbes, les gros blocs verdis par l'eau des flaques,
Et, brillant aux carreaux, le bric-à-brac confus.
Là s'étalait jadis une ménagerie;
Là je vis, un matin, à l'heure où sous les cieux
Froids et clairs le Travail s'éveille, où la voirie
Pousse un sombre ouragan dans l'air silencieux,
Un cygne qui s'était évadé de sa cage,
Et, de ses pieds palmés frottant le pavé sec,
Sur le sol raboteux traînait son blanc plumage.
Près d'un ruisseau sans eau la bête ouvrant le bec
Baignait nerveusement ses ailes dans la poudre,
Et disait, le coeur plein de son beau lac natal:
«Eau, quand donc pleuvras-tu? quand tonneras-tu, foudre?»
Je vois ce malheureux, mythe étrange et fatal,
Vers le ciel quelquefois, comme l'homme d'Ovide,
Vers le ciel ironique et cruellement bleu,
Sur son cou convulsif tendant sa tête avide
Comme s'il adressait des reproches à Dieu!
II
Paris change! mais rien dans ma mélancolie
N'a bougé! palais neufs, échafaudages, blocs,
Vieux faubourgs, tout pour moi devient allégorie
Et mes chers souvenirs sont plus lourds que des rocs.
Aussi devant ce Louvre une image m'opprime:
Je pense à mon grand cygne, avec ses gestes fous,
Comme les exilés, ridicule et sublime
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poem by Charles Baudelaire
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
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poem by Robert Browning from The Ring and the Book
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I Can Play (Lyrics) :
He didn't give himself up to fear.
And his voice had a life of its own.
He didn't give himself up for broke.
Just a man who played his guitar.
He said 'I can play the guitar', 'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'.
'I can play the guitar'.'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'.
He didn't give himself up to drinking beer.
His voice still had a life of its own.
And he didn't give himself up for smoke.
Just a man who played his guitar.
He said 'I can play the guitar'.'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'.
'I can play the guitar'.'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'.
He didn't give himself up to curcumstance.
Always tried to make it alone.
He didn't give himself up to telling lies.
His honesty was already shown.
Always kept himself up to par.
Just a man who played his guitar.
He said 'I can play the guitar'.'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'.
'I can play the guitar'.'I can play it clear'.
'I can play the guitar'.'I can play'.
'I can play the songs that you want to hear'.
'I can play the guitar'.'I can play'...
Rock Lyric By Kim Robin Edwards
Copyright 1987,2009..
ALL rights reserved..
poem by Kim Robin Edwards
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I Discover The World In India
red vermillion streaked hair
a red wattled lapwing
orange, same time each day, sunrises and sunsets
yellow and black taxi colours, yellow temple flags, bright yellow confectionery shops, yellow bright fragrant perfume shops
green lush city pot plants, green lush country side
light blue warm skies, light blue cool cabs
indigo blue dupattas, turbans
navy blue trains, absence of starchy navy blue suits
sexy, pink, curved, massive majestic palaces, pink film posters
gold and glass chhum chhummy bangles
one purple TV happily watched by hundreds of labourers, purple crow sounds
gold chhum chhummy payals
white nehru jackets, pyjamas and kurtas, white cracking paint on grand old victorian buildings, white floor seating
_______
I discover
white clear eyes, white teeth behind white greetings
gold namastes
purple glee at fairs, purple glee when trying new technology and at receiving smallest of gifts
gold helping hands
many pink smiles
navy blue restful sleep on pavements, on roof terraces
indigo blue uniforms on giving railway porters
light blue singing on pavements, in big halls
limitless sincere green hospitality
endless yellow courtesy and welcomes
orange early morning school uniforms and school bags
an orange headed minla
red eyed hard working farmers and labourers
_______
the world
red rose petals in idol garlands, red rose petals at feet of idols
orange marigolds and sadhus, orange sacred cows
yellow rose petals in idol garlands, at feet of idols
a yellow eurasian golden eriole
green mango leaf awnings at entrances
light blue shiny clothes for deities, light blue ganges, light blue yamuna, light blue ceremonies
indigo blue in ancient temple and church paintings, indigo blue in contemporary art , indigo blue art and artists everywhere
navy blue backdropp in Shree Nathji's haveli
pink garlands on shiv lings, pink stained rice in flower formations on pooja tables
gold crowns for goddesses and gods
purple checks on worship lungis
gold ornaments on idols in gold temples, gold borders on worship saris
white churches, brahmins clad in white, stirring orators in white, ancient white stone sculptures and carvings
_____
in India
white barfi, white lassi, white raw and crunchy radishes
gold basundi, gold masala dosas, gold pani puris
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poem by Bhupen Thakker
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