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The Ying & Yang Of Her Hair

One day I tell her
I love her hair

up.

Another day I tell her
I like her hair

down.

“Which is it? ”
She frowns

“Up
or
down! ”

“Ah...”
I say

“Either
or neither! ”

“I love your hair
up
in that it can
come down

splash all over me.”

“And I love your hair down
in that it can be
put up
in a cathedral of curls! ”

“I love the one
becoming the other

…the process of
becoming! ”

You leave the room
only to return

with one side up
& one side down.

I laugh.

“Not quite what

[...] Read more

poem by Dónall Dempsey
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Splash

[intro]
Welcome into ecstasy baby
Oh yes, I got to know, can i
Splash, splash, splash
Baby I wanna jump and dive and splash in your love, yes
Can I splash in your love baby?
I used to be afraid of water till I got a lifejacket
Now I always seem to find myself
Laughing and splashing, oh yeah
Theres no waters that fall quite like yours
How I love to swim your sticky shores
Can I splash?
Can I take a dip, can I take a dip
Inside your love, I just wanna swim, baby let me swim
Let me come, I just wanna splash in your lake of love
Can I take a dip, can I take a dip
Inside your love, I just wanna swim, baby let me swim
Let me come, I just wanna splash in your lake of love
Can I splash?
As I used to play across you chocolate beaches
I would always vision your love canal
Dreaming I could reach it, oh yeah yeah
And as I wade in your waters of passionate cream
I realized, its not a dream
I can finally splash, I dont have ask, no
Can I take a dip, can I take a dip
Inside your love, I just wanna swim, baby let me swim
Let me come, I just wanna splash in your lake of love
Can I take a dip, can I take a dip
Inside your love, I just wanna swim, baby let me swim
Let me come, I just wanna splash in your lake of love
Ooh, let me dive inside your love
Can I splash inside just once
Let me go Ill make you come
Oh, let me just feel it
S is for sexual
P is for pleasure
L is for love me, cause baby you better
A is for anytime
S is for special
H is for happiness
Whenever were together
I splash, well baby give me the chance
To get in your pants
To make sure that you feel good
I wanna know, can I feel your love?
Splash, thinking I wanna sneak
That Im a sexual freak, you gotta meet
Come and see me baby
If you let me toss youll get it proper I know

[...] Read more

song performed by Next
Added by Lucian Velea
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Splash

I called you on the phone
You knew it was me all along
You didn't even say hello
Cause you don't need words to let me know
All the things that you do to me
You fulfill my every fantasy
Splash - I'm under your power
Splash - I could go for hours
Splash - You could devour me
And I'd only want you more
Oh, when you make love to me
There's things I never thought I'd see
I cherish [...]
[...] in every sea
Oh, I love when you play with me
Ask your mom if you could stay with me
Splash - I'm under your power
Splash - I could go for hours
Splash - You could devour me
And I'd only want you more
Our love is a rhythm
Together we'll have so much fun
You go from room to room
Leaving traces of your sweet perfume
If I could I'd bottle it
Everybody should know the feelin' I get
When I'm in your cool embrace
Your lips, your arms, your legs, your face
Splash - I'm under your power
Splash - I could go for hours
Splash - You could devour me
And I'd only want you more
I want you more and more and more
Splash
Splash
Splash
Splash
Splash
Splash.

song performed by Prince
Added by Lucian Velea
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Cathedral Spires

They have blown away the daylight hours we had
Left a leagcy, a deadly aftermath
We cannot exist in godforsaken lands
As we spiral down into oblivion
Breathing the fumes of fires that they ignite
Losing ground and we are all just losing sight
We shall never see another setting sun
Time to rise up and ascend, the end has come
No more willpower
Choked by hell fire
Darkness above
Blackening out the sun
Gripped by steel claws
Corrosion eating us
So before were all devoured
Time to rise up and retire
In cathedral spires
Watching as the world expires
From up amongst the clouds
In cathedral spires
No names
No graves
No prayers
Can save us
Ashes to dust
Doomsdays upon us now
It cannot be stopped
Genocide all is lost
Oh! were so tired
Time to rise up and conspire
In cathedral spires
Watching as our world expires
From up above the clouds
In cathedral spires
Jaws of corruption
Swallow us as one
Consuming every nation
Evoke resistance getting none
Complete disintegration
No good to defend
There can be but one outcome
We are no more - ascend
Vaporized fury
Offers no sanctuary
Oh! were so tired
Time to rise up and retire
In cathedral spires
Watching as the world expires
From up amongst the clouds
In cathedral

[...] Read more

song performed by Judas Priest
Added by Lucian Velea
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Outlets

Splatter
Splash

A single droplet
Glistens

Splatter
Splash

It slowly runs
Down

Splatter
Splash

The gentle kiss of
Cool metal

Splatter
Splash

Nipping at the
Skin

Splatter
Splash

A network of
Webs

Splatter
Splash

A beautiful pattern
Turning red

Splatter
Splash

Hidden in the
Fabric

Splatter
Splash

Reinf orced
By the grin

Splatter
Splash

[...] Read more

poem by Autumn Winds
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The Sacrilege: (A Ballad-Tragedy)

PART I

'I have a Love I love too well
Where Dunkery frowns on Exon Moor;
I have a Love I love too well,
To whom, ere she was mine,
'Such is my love for you,' I said,
'That you shall have to hood your head
A silken kerchief crimson-red,
Wove finest of the fine.'

'And since this Love, for one mad moon,
On Exon Wild by Dunkery Tor,
Since this my Love for one mad moon
Did clasp me as her king,
I snatched a silk-piece red and rare
From off a stall at Priddy Fair,
For handkerchief to hood her hair
When we went gallanting.

'Full soon the four weeks neared their end
Where Dunkery frowns on Exon Moor;
And when the four weeks neared their end,
And their swift sweets outwore,
I said, 'What shall I do to own
Those beauties bright as tulips blown,
And keep you here with me alone
As mine for evermore?'

'And as she drowsed within my van
On Exon Wild by Dunkery Tor -
And as she drowsed within my van,
And dawning turned to day,
She heavily raised her sloe-black eyes
And murmured back in softest wise,
'One more thing. and the charms you prize
Are yours henceforth for aye.

''And swear I will I'll never go
While Dunkery frowns on Exon Moor
To meet the Cornish Wrestler Joe
For dance and dallyings.
If you'll to yon cathedral shrine,
And finger from the chest divine
Treasure to buy me ear-drops fine,
And richly jewelled rings.'

'I said: 'I am one who has gathered gear
From Marlbury Downs to Dunkery Tor,
Who has gathered gear for many a year

[...] Read more

poem by Thomas Hardy
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La Chevelure (Her Hair)

Ô toison, moutonnant jusque sur l'encolure!
Ô boucles! Ô parfum chargé de nonchaloir!
Extase! Pour peupler ce soir l'alcôve obscure
Des souvenirs dormant dans cette chevelure,
Je la veux agiter dans l'air comme un mouchoir!

La langoureuse Asie et la brûlante Afrique,
Tout un monde lointain, absent, presque défunt,
Vit dans tes profondeurs, forêt aromatique!
Comme d'autres esprits voguent sur la musique,
Le mien, ô mon amour! nage sur ton parfum.

J'irai là-bas où l'arbre et l'homme, pleins de sève,
Se pâment longuement sous l'ardeur des climats;
Fortes tresses, soyez la houle qui m'enlève!
Tu contiens, mer d'ébène, un éblouissant rêve
De voiles, de rameurs, de flammes et de mâts:

Un port retentissant où mon âme peut boire
À grands flots le parfum, le son et la couleur
Où les vaisseaux, glissant dans l'or et dans la moire
Ouvrent leurs vastes bras pour embrasser la gloire
D'un ciel pur où frémit l'éternelle chaleur.

Je plongerai ma tête amoureuse d'ivresse
Dans ce noir océan où l'autre est enfermé;
Et mon esprit subtil que le roulis caresse
Saura vous retrouver, ô féconde paresse,
Infinis bercements du loisir embaumé!

Cheveux bleus, pavillon de ténèbres tendues
Vous me rendez l'azur du ciel immense et rond;
Sur les bords duvetés de vos mèches tordues
Je m'enivre ardemment des senteurs confondues
De l'huile de coco, du musc et du goudron.

Longtemps! toujours! ma main dans ta crinière lourde
Sèmera le rubis, la perle et le saphir,
Afin qu'à mon désir tu ne sois jamais sourde!
N'es-tu pas l'oasis où je rêve, et la gourde
Où je hume à longs traits le vin du souvenir?

Head of Hair

O fleecy hair, falling in curls to the shoulders!
O black locks! O perfume laden with nonchalance!
Ecstasy! To people the dark alcove tonight
With memories sleeping in that thick head of hair.
I would like to shake it in the air like a scarf!

[...] Read more

poem by Charles Baudelaire
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Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

[...] Read more

poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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The Cremona Violin

Part First

Frau Concert-Meister Altgelt shut the door.
A storm was rising, heavy gusts of wind
Swirled through the trees, and scattered leaves before
Her on the clean, flagged path. The sky behind
The distant town was black, and sharp defined
Against it shone the lines of roofs and towers,
Superimposed and flat like cardboard flowers.

A pasted city on a purple ground,
Picked out with luminous paint, it seemed. The cloud
Split on an edge of lightning, and a sound
Of rivers full and rushing boomed through bowed,
Tossed, hissing branches. Thunder rumbled loud
Beyond the town fast swallowing into gloom.
Frau Altgelt closed the windows of each room.

She bustled round to shake by constant moving
The strange, weird atmosphere. She stirred the fire,
She twitched the supper-cloth as though improving
Its careful setting, then her own attire
Came in for notice, tiptoeing higher and higher
She peered into the wall-glass, now adjusting
A straying lock, or else a ribbon thrusting

This way or that to suit her. At last sitting,
Or rather plumping down upon a chair,
She took her work, the stocking she was knitting,
And watched the rain upon the window glare
In white, bright drops. Through the black glass a flare
Of lightning squirmed about her needles. 'Oh!'
She cried. 'What can be keeping Theodore so!'

A roll of thunder set the casements clapping.
Frau Altgelt flung her work aside and ran,
Pulled open the house door, with kerchief flapping
She stood and gazed along the street. A man
Flung back the garden-gate and nearly ran
Her down as she stood in the door. 'Why, Dear,
What in the name of patience brings you here?

Quick, Lotta, shut the door, my violin
I fear is wetted. Now, Dear, bring a light.
This clasp is very much too worn and thin.
I'll take the other fiddle out to-night
If it still rains. Tut! Tut! my child, you're quite
Clumsy. Here, help me, hold the case while I -
Give me the candle. No, the inside's dry.

[...] Read more

poem by Amy Lowell
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Hairy Woes

(This not a poem. One day I thought whether I could write about hair problems and this is what I could come up with. Have a good hair day.)

Oh all the balding men of the world! Neither split your hair nor let your hair down; instead, get up to fight against hair experts and hair industries because, you have nothing to loss except hairs, which you are already losing anyway.

The scientific study published in, 'International Journal of Fake Studies', has proven beyond doubt that, all kinds of hairs and particularly black hairs, absorb sun light and thus indirectly contribute to the global warming whereas, shining bald pates reflect sun light back into the atmosphere, thus help to make earth’s climate cool. So taking these facts in account, bald persons should be given the tax rebate in form of carbon credits whereas, high taxation should be levied on persons with hair for leaving carbon footprints behind.

It is true my friend, that you are paying the tax as well as losing your hair, but try to imagine a plight of less fortunate ones, who neither earn enough money to pay the tax nor have enough hair to loss.

'Son! Why do you worry about your hair problems; get me mustards seeds from the home, that doesn't have hair problems', thus spake enlightened sage, hearing which young man became calm.

The biggest cause of hair fall, dandruff and other hair related problems is existence of hair.

No person with hair on his head, can solve all your hair problems, neither can the person without hair.

As, not all the armies of the world, can stop the idea whose time has come so, not all the hair experts can stem the progress of baldness, whose time has come.

Only two things are universal, hair problems and human stupidity, but I have doubt about former, thus spake Einstein of hair science.

Not all the trichologists, dermatologists and hair experts together, armed with shampoos, hair oils, hair dyes and herbal ointments can cure all the hair ailments, as long as hairs are there.

As long as hairs are there, there are going to be hair problems, similarly as long as shrinks are there, there are going to be mental problems.

The hair industry expands their business by perpetuating the two myths, first is there are more hair at unwanted place and other is, there are less hair at desired place.

Hair here, hair there, hair everywhere similarly: problem here, problem there, problem everywhere.

He fell in love with her hair and married the whole girl, soon he was without hair.

In early part of his life man losses his hair to earn money then he uses same money to gain hair back.

Don't bask in a glory of the hair, you used to have in past, instead tell me, do you have gorgeous hair now?

There is some truth in a myth that the bald men are fortunate; to begin with, they don't have to spend their fortune on comb, hair products, hair cuts and last but not least girls.

There are more blondes on streets of India than women of the rest of the world put together; thanks to Garnier. Take Care.

White hair is nothing but a flag hoisted by a tired life, signaling armistice with hostile time, which eventually leads to surrender to the death.

Blessed are the monks who shave their hair themselves, a symbol of a vanity of the world, because nature is going to destroy that vanity eventually anyhow.

Oh Sinner! Vain is your attempt to hide your sins, for sins will shine in your life as bald pate shines through the sparse tufts of hair.

It is irony that the monks who do not care for their hair often have beautiful and luxuriant hair.

Trees are nothing but hair of Gaia, the earth; if you destroy, them then earth too would take her revenge by creating conditions, that won't allow the hair to stay on your crown.

More often than not, one owns heir are responsible for one owns hair fall.

If you cannot prevent hair fall, enjoy it.

[...] Read more

poem by Hitesh Sheth
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Sixth Book

THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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William and Helen

I.
From heavy dreams fair Helen rose,
And eyed the dawning red:
'Alas, my love, thou tarriest long!
O art thou false or dead?'-

II.
With gallant Fred'rick's princely power
He sought the bold Crusade;
But not a word from Judah's wars
Told Helen how he sped.

III.
With Paynim and with Saracen
At length a truce was made,
And every knight return'd to dry
The tears his love had shed.

IV.
Our gallant host was homeward bound
With many a song of joy;
Green waved the laurel in each plume,
The badge of victory.

V.
And old and young, and sire and son,
To meet them crowd the way,
With shouts, and mirth, and melody,
The debt of love to pay.

VI.
Full many a maid her true-love met,
And sobb'd in his embrace,
And flutt'ring joy in tears and smiles
Array'd full many a face.

VII.
Nor joy nor smile for Helen sad
She sought the host in vain;
For none could tell her William's fate,
In faithless, or if slain.

VIII.
The martial band is past and gone;
She rends her raven hair,
And in distraction's bitter mood
She weeps with wild despair.

IX.
'O rise, my child,' her mother said,

[...] Read more

poem by Sir Walter Scott
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Tannhauser

The Landgrave Hermann held a gathering
Of minstrels, minnesingers, troubadours,
At Wartburg in his palace, and the knight,
Sir Tannhauser of France, the greatest bard,
Inspired with heavenly visions, and endowed
With apprehension and rare utterance
Of noble music, fared in thoughtful wise
Across the Horsel meadows. Full of light,
And large repose, the peaceful valley lay,
In the late splendor of the afternoon,
And level sunbeams lit the serious face
Of the young knight, who journeyed to the west,
Towards the precipitous and rugged cliffs,
Scarred, grim, and torn with savage rifts and chasms,
That in the distance loomed as soft and fair
And purple as their shadows on the grass.
The tinkling chimes ran out athwart the air,
Proclaiming sunset, ushering evening in,
Although the sky yet glowed with yellow light.
The ploughboy, ere he led his cattle home,
In the near meadow, reverently knelt,
And doffed his cap, and duly crossed his breast,
Whispering his 'Ave Mary,' as he heard
The pealing vesper-bell. But still the knight,
Unmindful of the sacred hour announced,
Disdainful or unconscious, held his course.
'Would that I also, like yon stupid wight,
Could kneel and hail the Virgin and believe!'
He murmured bitterly beneath his breath.
'Were I a pagan, riding to contend
For the Olympic wreath, O with what zeal,
What fire of inspiration, would I sing
The praises of the gods! How may my lyre
Glorify these whose very life I doubt?
The world is governed by one cruel God,
Who brings a sword, not peace. A pallid Christ,
Unnatural, perfect, and a virgin cold,
They give us for a heaven of living gods,
Beautiful, loving, whose mere names were song;
A creed of suffering and despair, walled in
On every side by brazen boundaries,
That limit the soul's vision and her hope
To a red hell or and unpeopled heaven.
Yea, I am lost already,-even now
Am doomed to flaming torture for my thoughts.
O gods! O gods! where shall my soul find peace?'
He raised his wan face to the faded skies,
Now shadowing into twilight; no response
Came from their sunless heights; no miracle,
As in the ancient days of answering gods.

[...] Read more

poem by Emma Lazarus
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The Dance At Darmstadt

In the city of Darmstadt, the Sabbath morn
Shone over the broad Cathedral Square,
And to nobly, richly, and lowly born,
The belfry carilloned call to prayer.

Then banker, and burgher, and learn'd in law,
With clean-cut forehead and firm-set jaw,
Master, and prentice, and tradesman trim,
Pikemen stalwart of port and limb,
Pledged to die for their native town,
Scholars stately in cap and gown,
Splendid and simple, halt and hale,
Rosy tapster and student pale,
Stepped from their thresholds, and gravely trod
The streets that lead to the House of God.
And, hurrying after them, maid and dame,
Wives, and daughters, and sweethearts, came,
All in their Sabbath best arrayed,
Delicate ribbon and dainty braid,
Creaseless corset and kirtle clean,
Of sombre homespun or silken sheen,
Rustling by with looks demure,
As bright as posies, and just as pure.
And tight to their kirtles their children clung,
With ambling footstep and nimble tongue,
Prattled and questioned them all the way,
Forgetting quite 'twas the Sabbath Day,
Till they came to the great Cathedral Square,
Where the organ pealed through the House of Prayer.

``Now why do you waste the summer day?''
Cried a velveted stripling with locks of gold,
And eyes like forget-me-nots in May,
When the milch-cows stream from the wintry fold.
``Week after week you troop in there,
To mutter and mumble the self-same prayer,
Through the self-same psalmody drowse and nod;
And that's what you, sooth, call praising God!
Look! the sun is shining on roof and spire,
And the wings of the swallow never tire,
The stork hovers over her callow nest,
And Spring is folded to Summer's breast.
There's a flutter of love in the lime-tree leaves,
And the starlings flute on the Rathhaus eaves.
Come away, come away where the sycamore swings
Its tassels of gold, and the blackbird sings,
Where the river swirls past a tangled ledge
Of willow-weed, meadow-sweet, thyme, and sedge,
Where the veins of the vine are flushed with juice,
And the trout in the stream past the miller's sluice

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poem by Alfred Austin
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Third Book

'TO-DAY thou girdest up thy loins thyself,
And goest where thou wouldest: presently
Others shall gird thee,' said the Lord, 'to go
Where thou would'st not.' He spoke to Peter thus,
To signify the death which he should die
When crucified head downwards.
If He spoke
To Peter then, He speaks to us the same;
The word suits many different martyrdoms,
And signifies a multiform of death,
Although we scarcely die apostles, we,
And have mislaid the keys of heaven and earth.

For tis not in mere death that men die most;
And, after our first girding of the loins
In youth's fine linen and fair broidery,
To run up hill and meet the rising sun,
We are apt to sit tired, patient as a fool,
While others gird us with the violent bands
Of social figments, feints, and formalisms,
Reversing our straight nature, lifting up
Our base needs, keeping down our lofty thoughts,
Head downward on the cross-sticks of the world.
Yet He can pluck us from the shameful cross.
God, set our feet low and our forehead high,
And show us how a man was made to walk!

Leave the lamp, Susan, and go up to bed.
The room does very well; I have to write
Beyond the stroke of midnight. Get away;
Your steps, for ever buzzing in the room,
Tease me like gnats. Ah, letters! throw them down
At once, as I must have them, to be sure,
Whether I bid you never bring me such
At such an hour, or bid you. No excuse.
You choose to bring them, as I choose perhaps
To throw them in the fire. Now, get to bed,
And dream, if possible, I am not cross.

Why what a pettish, petty thing I grow,–
A mere, mere woman,–a mere flaccid nerve,-
A kerchief left out all night in the rain,
Turned soft so,–overtasked and overstrained
And overlived in this close London life!
And yet I should be stronger.
Never burn
Your letters, poor Aurora! for they stare
With red seals from the table, saying each,
'Here's something that you know not.' Out alas,
'Tis scarcely that the world's more good and wise

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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The Golden Legend: III. A Street In Strasburg

Night.
PRINCE HENRY _wandering alone, wrapped in a cloak._

_Prince Henry._ Still is the night. The sound of feet
Has died away from the empty street,
And like an artisan, bending down
His head on his anvil, the dark town
Sleeps, with a slumber deep and sweet.
Sleepless and restless, I alone,
In the dusk and damp of these wails of stone,
Wander and weep in my remorse!

_Crier of the dead (ringing a bell)._ Wake! wake!
All ye that sleep!
Pray for the Dead!
Pray for the Dead!

_Prince Henry._ Hark! with what accents loud and hoarse
This warder on the walls of death
Sends forth the challenge of his breath!
I see the dead that sleep in the grave!
They rise up and their garments wave,
Dimly and spectral, as they rise,
With the light of another world in their eyes!

_Crier of the dead._ Wake! wake!
All ye that sleep!
Pray for the Dead!
Pray for the Dead!

_Prince Henry._ Why for the dead, who are at rest?
Pray for the living, in whose breast
The struggle between right and wrong
Is raging terrible and strong,
As when good angels war with devils!
This is the Master of the Revels,
Who, at Life's flowing feast, proposes
The health of absent friends, and pledges,
Not in bright goblets crowned with roses,
And tinkling as we touch their edges,
But with his dismal, tinkling bell,
That mocks and mimics their funeral knell!

_Crier of the dead._ Wake! wake!
All ye that sleep!
Pray for the Dead!
Pray for the Dead!

_Prince Henry._ Wake not, beloved! be thy sleep
Silent as night is, and as deep!

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poem by Henry Wadsworth Longfellow
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The Precinct. Rochester

The tall yellow hollyhocks stand,
Still and straight,
With their round blossoms spread open,
In the quiet sunshine.
And still is the old Roman wall,
Rough with jagged bits of flint,
And jutting stones,
Old and cragged,
Quite still in its antiquity.
The pear-trees press their branches against it,
And feeling it warm and kindly,
The little pears ripen to yellow and red.
They hang heavy, bursting with juice,
Against the wall.
So old, so still!

The sky is still.
The clouds make no sound
As they slide away
Beyond the Cathedral Tower,
To the river,
And the sea.
It is very quiet,
Very sunny.
The myrtle flowers stretch themselves in the sunshine,
But make no sound.
The roses push their little tendrils up,
And climb higher and higher.
In spots they have climbed over the wall.
But they are very still,
They do not seem to move.
And the old wall carries them
Without effort, and quietly
Ripens and shields the vines and blossoms.

A bird in a plane-tree
Sings a few notes,
Cadenced and perfect
They weave into the silence.
The Cathedral bell knocks,
One, two, three, and again,
And then again.
It is a quiet sound,
Calling to prayer,
Hardly scattering the stillness,
Only making it close in more densely.
The gardener picks ripe gooseberries
For the Dean's supper to-night.
It is very quiet,
Very regulated and mellow.

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poem by Amy Lowell
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Cathedral Close for Friend Ben Gieske

When night falls on Cathedral Close.
The square is thronged by quiet ghosts
Who line the square on every side
their graves left empty yawning wide.

What is it that they hope to find?
Some salve to give them peace of mind
Why do they stand in silent ranks?
and seek to clear their memory banks.

The sins which will not let them sleep
the guilty secrets which they keep,
weigh on the conscience heavily.
and won’t be rid of easily.

When twilight falls the dead arise.
Each from the grave he occupies
and gather in Cathedral Close.
They seek forgiveness I suppose.

When morning breaks they flee in fright
they fear the coming of the light.
Cathedral close lit by the sun
is quite empty the ghosts have gone.

Back to their graves where they must wait
and in the darkness meditate.
Upon the sins they won’t confess
In agonising sleeplessness.

If only they would realise
within themselves forgiveness lies.
They do not need to stand in rows
When night falls on Cathedral Close.

Triumphantly they could take flight
and wing their way towards the light.
They should have done so long ago
. But guilt refused to let them go.

Why do they stay when they are free
to me it is a mystery
Why do they haunt Cathedral close?
They know no better I suppose.

poem by Ivor Or Ivor.e Hogg
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Transition In Building Worship Utilization

Aya Sophýa Istanbul
church built to honour our God
became prime model
for all mosques to honour Allah

Hagia Sophia Greek
Holy Wisdom
Sancta Sophia Latin
Sancta Sapientia Turkish

designed by the Greek
scientist Isidore of Miletus
who taught physics
in Alexandria Egypt
then Constantinople Bosporus

and Anthemius of Tralles
a Greek professor of Geometry
in Constantinople Byzantium
string construction of ellipse
conic sections elaborate vaulting

of Hagia Sophia incorporate theories
of famed Heron of Alexandria?
utilized to address challenges
presented by problematic building
an expansive dome over large spaces

designed by a physicist
and a mathematician
completed in 537AD rebuilt
by 563 after an earthquake

Aya Sofya an Orthodox
patriarchal basilica
from date of its dedication
in 360 until 1453

serving as cathedral
of Constantinople except
between 1204 and 1261
when it was converted

to a Roman Catholic cathedral
under powerful Latin Patriarch
of Constantinople as the Western
Crusader established Latin Empire

Aya Sofya a mosque
from 1453 until 1931

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poem by Terence George Craddock
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Cathedral in the Thrashing Rain

(O mata fukitsunoru ame kaze.)
O another deluge of wind and rain.
Collar turned up, getting drenched in this splashing rain,
and looking up at you -- it's me, ...
it's that Japanese.
This morning
about daybreak the storm suddenly went violent, terrible,
and now is blowing through Paris from one end to the other.
I have yet to know the directions of this land.
(O mata fukitsunoru ame kaze.)
I don't even know which way this storm is facing. ...
Only because even today I wanted to stand here
and look up at you, Cathedral of Notre-Dame de Paris,
I came, getting drenched,
only because I wanted to touch you,
only because I wanted to kiss your skin, the stone, unknown to anyone.
O another deluge of wind and rain.
Though it's already time for morning coffee,
a little while ago I looked from the Pont-Neuf,
the boats on the Seine were still tied up to the banks, like puppies.
The leaves of the gentle plane trees shining in their autumn colors on the banks
are like flocks of buntings chased by hawks. ...
The chestnut trees behind you,
each time their heads ... get mussed up,
starling-colored leaves dance up into the sky. ...
All the square is like a pattern,
filled with flowing silver water, and isles of golden-brown burnt-brown leaves.
Then there's the noise of the downpour resounding in my pores.
It's the noise of something roaring, grinding. ...
With golden plane tree leaves falling all over my coat,
I'm standing in it.
Storms are like this in my country, Japan, too.
Only, we don't see you soaring.
O Nootorudamu, Nootorudamu ...
O Notre-Dame, Notre-Dame,
rock-like, mountain-like, eagle-like, crouching-lion-like cathedral,
reef sunk in vast air,
square pillar of Paris,
sealed by blinding splatters of rain, ...
O soaring in front, Notre-Dame de Paris,
it's me, ...
it's that Japanese.
My heart trembles now that I see you.
Looking at your form like a tragedy,
a young man from a far distant country is moved.
...
O another deluge of wind and rain. ...
Only the gargoyles ...
raise their paws, crane their necks,
bare their teeth, blow out burning fountains of breath. ...

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poem by KotaroTakamura
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