The Giddy Tree' by David Hart
'The Giddy Tree' by David Hart
Giddy tree, oh giddy tree
You tickle my funny bones
You see
Your branches swirl and twirl
And you look all gnarled and
Ready to unfurl
You creak and swing with
Ease
In a sweet swirling and
Affectionate breeze
Feisty tree, oh feisty tree
Butterflies dance
And fall in a frenzy
At your knees
Silly tree, oh silly tree
Ladybugs sunbath and linger
Giddy on your leaves
Limber tree, oh limber tree
You give and you live
A delight to the
Sight
and always you please
Dreamy tree, oh dreamy tree
Love birds surround you
and like adventurous ships sailing on
Sprite and dazzling seas
Charming tree, oh charming tree
Little children squeal and tickle
and swing on your arms in
the breeze oh so fickle
Mysterious tree, oh mysterious tree
The sparrows adore you
The squirrels they implore you
The owls ever asking you,
Who, who, who
The stars with certainty
Know you are no fool
You are a funny and twisty and
dreamy and mysterious and
[...] Read more
poem by David Hart
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Related quotes
409
Shes real fine my 409
Shes real fine my 409
My 409
Well I saved my pennies and I saved my dimes
(giddy up giddy up 409)
For I knew there would be a time
(giddy up giddy up 409)
When I would buy a brand new 409
(409, 409)
Giddy up giddy up giddy up 409
(giddy up giddy up 409)
Giddy up 409
(giddy up giddy up 409)
Giddy up 409
(giddy up giddy up 409)
Giddy up 40...
Nothing can catch her
Nothing can touch my 409
409 ooooo
(giddy up giddy up oooo)
(giddy up giddy up oooo)
(giddy up giddy up oooo)
(giddy up giddy up)
When I take her to the track she really shines
(giddy up giddy up 409)
She always turns in the fastest times
(giddy up giddy up 409)
My four speed dual quad posi-traction 409
(409, 409, 409, 409)
Giddy up giddy up giddy up 409
(giddy up giddy up 409)
Giddy up 409
(giddy up giddy up 409)
Giddy up 409
(giddy up giddy up 409)
Giddy up 40...
Nothing can catch her
Nothing can touch my 409
(409 409 409 409)
Giddy up 409
(409 409 409 409)
Giddy up 409
(409 409 409 409)
song performed by Beach Boys
Added by Lucian Velea
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Why Do You Use That Accusing Tool
Slam!
Feisty baby!
Ka'bam!
Feisty baby!
Shazam!
Feisty baby!
Why do you use,
That accusing tool.
Slam!
Feisty baby!
Ka'bam!
Feisty baby!
Shazam!
Feisty baby!
Why do you use,
That accusing tool.
I'm not with a pick up mistress.
Or,
With another man...
Doing undercover!
Down,
And low,
With as many men as I can!
Slam!
Feisty baby!
Ka'bam!
Feisty baby!
Shazam!
Feisty baby!
Why do you use,
That accusing tool.
I'm not outside hunting.
Running down fresh meat.
You are what I want, babe.
Why you knocking on me?
Slam!
Feisty baby!
Ka'bam!
Feisty baby!
Shazam!
Feisty baby!
[...] Read more
poem by Lawrence S. Pertillar
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Swing It
(jon-jon/babyface/r.phillips)
Oh yeah
Hey hey
I wanna know, do you have style?
The kind of style that makes a woman want to lose her mind
And I wanna know when you make it worth my time
Will it be like all the rest wont give you best, just fall behind
coz I wanna know what turns you on
And you keep the loving strong
coz with me you dont have to ask
coz Im the woman thatll give you what you need
Tell me
Do you think you can swing a little time with me
Swing it, swing it
Ill be all that you need
Do you think you can swing a little time with me
Swing it, swing it
Ill be all that you need
Theres not a thing that I wont do
Once I find a man that gives me love its kind of cool
Take any night by candlelight
I wanna be to you the one you never had before
coz I wanna know what turns you on
And you keep the loving strong
coz with me you dont have to ask
coz Im the woman thatll give you what you need
Tell me, tell me, tell me
Do you think you can swing a little time with me
Swing it, come on
Ill be all that you need
Do you think you can swing a little time with me
Swing it, swing it
Ill be all that you need
Do you think you can swing a little time with me
Swing it, swing it
Ill be all that you need
Do you think you can swing a little time with me
Swing it, swing it
Ill be all that you need
Do you think you can swing a little time with me
Swing it, swing it
Ill be all that you need
coz I wanna know what turns you on
Oh baby, keep it strong
You dont have to ask
coz Im the woman thatll give you what you need
Tell me
Swing it, swing it, swing it with me
Come on baby
Swing it, swing it, swing it with me
[...] Read more
song performed by Diana Ross
Added by Lucian Velea
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Absalom and Achitophel
In pious times, e'er Priest-craft did begin,
Before Polygamy was made a sin;
When man, on many, multiply'd his kind,
E'r one to one was, cursedly, confind:
When Nature prompted, and no law deny'd
Promiscuous use of Concubine and Bride;
Then, Israel's monarch, after Heaven's own heart,
His vigorous warmth did, variously, impart
To Wives and Slaves; And, wide as his Command,
Scatter'd his Maker's Image through the Land.
Michal, of Royal blood, the Crown did wear,
A Soyl ungratefull to the Tiller's care;
Not so the rest; for several Mothers bore
To Godlike David, several Sons before.
But since like slaves his bed they did ascend,
No True Succession could their seed attend.
Of all this Numerous Progeny was none
So Beautifull, so brave as Absalon:
Whether, inspir'd by some diviner Lust,
His father got him with a greater Gust;
Or that his Conscious destiny made way
By manly beauty to Imperiall sway.
Early in Foreign fields he won Renown,
With Kings and States ally'd to Israel's Crown
In Peace the thoughts of War he could remove,
And seem'd as he were only born for love.
What e'er he did was done with so much ease,
In him alone, 'twas Natural to please.
His motions all accompanied with grace;
And Paradise was open'd in his face.
With secret Joy, indulgent David view'd
His Youthfull Image in his Son renew'd:
To all his wishes Nothing he deny'd,
And made the Charming Annabel his Bride.
What faults he had (for who from faults is free?)
His Father could not, or he would not see.
Some warm excesses, which the Law forbore,
Were constru'd Youth that purg'd by boyling o'r:
And Amnon's Murther, by a specious Name,
Was call'd a Just Revenge for injur'd Fame.
Thus Prais'd, and Lov'd, the Noble Youth remain'd,
While David, undisturb'd, in Sion raign'd.
But Life can never be sincerely blest:
Heaven punishes the bad, and proves the best.
The Jews, a Headstrong, Moody, Murmuring race,
As ever try'd th' extent and stretch of grace;
God's pamper'd people whom, debauch'd with ease,
No King could govern, nor no God could please;
(Gods they had tri'd of every shape and size
That Gods-smiths could produce, or Priests devise.)
[...] Read more
poem by John Dryden
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David
My thought, on views of admiration hung,
Intently ravish'd and depriv'd of tongue,
Now darts a while on earth, a while in air,
Here mov'd with praise and mov'd with glory there;
The joys entrancing and the mute surprize
Half fix the blood, and dim the moist'ning eyes;
Pleasure and praise on one another break,
And Exclamation longs at heart to speak;
When thus my Genius, on the work design'd
Awaiting closely, guides the wand'ring mind.
If while thy thanks wou'd in thy lays be wrought,
A bright astonishment involve the thought,
If yet thy temper wou'd attempt to sing,
Another's quill shall imp thy feebler wing;
Behold the name of royal David near,
Behold his musick and his measures here,
Whose harp Devotion in a rapture strung,
And left no state of pious souls unsung.
Him to the wond'ring world but newly shewn,
Celestial poetry pronounc'd her own;
A thousand hopes, on clouds adorn'd with rays,
Bent down their little beauteous forms to gaze;
Fair-blooming Innocence with tender years,
And native Sweetness for the ravish'd ears,
Prepar'd to smile within his early song,
And brought their rivers, groves, and plains along;
Majestick Honour at the palace bred,
Enrob'd in white, embroider'd o'er with red,
Reach'd forth the scepter of her royal state,
His forehead touch'd, and bid his lays be great;
Undaunted Courage deck'd with manly charms,
With waving-azure plumes, and gilded arms,
Displaid the glories, and the toils of fight,
Demanded fame, and call'd him forth to write.
To perfect these the sacred spirit came,
By mild infusion of celestial flame,
And mov'd with dove-like candour in his breast,
And breath'd his graces over all the rest.
Ah! where the daring flights of men aspire
To match his numbers with an equal fire;
In vain they strive to make proud Babel rise,
And with an earth-born labour touch the skies.
While I the glitt'ring page resolve to view,
That will the subject of my lines renew;
The Laurel wreath, my fames imagin'd shade,
Around my beating temples fears to fade;
My fainting fancy trembles on the brink,
And David's God must help or else I sink.
[...] Read more
poem by Thomas Parnell
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[9] O, Moon, My Sweet-heart!
O, Moon, My Sweet-heart!
[LOVE POEMS]
POET: MAHENDRA BHATNAGAR
POEMS
1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song
[...] Read more
poem by Mahendra Bhatnagar
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Ease On Down The Road #1
(charlie smalls)
Ease on down
Ease on down the road
Ease on down
Ease on down the road
Ease on down
Ease on down the road
Come on dorothy,
Dont you carry nothing that might be a load
Come on
There it is!
Come on and ease on down, ease on down the road
Come on and ease on down, ease on down the road
Dont you carry nothing that might be a load
Come on, ease on down, ease on down the road
Come on, ease on down, ease on down the road
Come on, ease on down, ease on down the road
Dont you carry nothing that might be a load
Come on, ease on down, ease on down, down the road
Pick your left foot up
When your right foots down
Come on legs keep movin
Dont you lose no ground
You just keep on keepin
On the road that you choose
Dont you give up walkin
cause you gave up shoes, no
Ease on down, ease on down the road
Come on, ease on down, ease on down the road
Dont you carry nothing that might be a load
Come on, ease on down, ease on down the road
cause there maybe times
When you think you lost your mind
And the steps youre takin
Leave you three, four steps behind
But the road youre walking
Might be long sometimes
You just keep on steppin
And youll be just fine, yeah
Ease on down, ease on down the road
Come on, ease on down, ease on down the road
Dont you carry nothing that might be a load
Come on, ease on down, ease on down the
Oh, there maybe times
When you wish you wasnt born
And you wake one morning
Just to find that your courages gone
But just know that feeling
Only last a little while
You just stick with us
[...] Read more
song performed by Diana Ross
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Tamar
I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.
The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,
[...] Read more
poem by Robinson Jeffers
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Adria, Adria, Adria Why Are You So Funny?
adria moya, hmm you do not like your name to be written in the poem
the problem with me is that
i am hardheaded and i am the kind of boy who does what mother
does not like me to do
i am naughty and so here i am
in all my mischief
adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny? adria, adria, why are you so funny?
hahahaha hahahaha hahahaha hahahaha hahahaha hahahaha hahahaha ha
do you see the train of hahahaha
come let us ride on it and forget the sad things of our lives
i will make another one the train of
tralalatralalatralalatralalatralalatralal atralalatralalatralalatralalatralalatralalatralal atralalatralalatralala
it is the train of dance and laughter
come, come, come,
let us be there, what is the use of being what they want you to be?
the place is here and it must be a place of fun and laughter
and something so divine later.
poem by Ric S. Bastasa
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The Dream
'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!
So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.
Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,
To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,
[...] Read more
poem by Caroline Elizabeth Sarah Norton
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It's Not Funny!
IT'S NOT FUNNY!
Times are changing and the world is flaming,
from disappointment, it's so sad that we can't even see it.
Blinded by the outsiders that bring fear to us, but it
Is we that fear us. It's not funny when you have to sit back and
destroy yourself just to fit into this typical place.
It's not funny when you sit back and let people judge you because
you're not what they expect you to be.
It's not funny when teachers with the same skin as you
break you down like you're a piece of trash that can be thrown away.
It's not funny when we fight our own because we don't rep something that means nothing.
It's not funny when we're facing a war at home that
Has No Point!
It's not funny when you can't tell the difference from what yes
and no feels like.
It's not funny when you look in the mirror and don't notice you.
It's not funny when you don't break the stereotype that marks where your future goes.
It's not funny when you can't be yourself with another race of friends.
It's not funny when the word N***er can't be said by a race that has been driven through hell, but is okay for the next person.
It's not funny that hip- hop is just about sex and not the struggle that is in our neighborhoods.
It's not funny when your community is plagued by death, drugs, and lies.
It's not funny when people fall into the gap that has been left as a trap.
It's not funny when we thrive for money, cars, and clothes.
It's not funny when success isn't success anymore.
It's not funny when we live to die and die to live.
It's not funny when we deal our own cards and then it's not what it's cracked up to be.
It's not funny when females settle for less.
It's not funny when females settle for a job as a video vixen or an exotic dancer.
It's not funny when guys settle for a future at the morgue.
It's not funny when Hollywood is set as paradise and anywhere else is imitation.
It's not funny when you have a future of guns, gangs, and death.
It's not funny when we plan our own funeral.
It's not funny when we change our hair, breast, teeth, butts, and clothes just because it looks better.
It's not funny when we don't look to God anymore for answers.
It's not funny when the world isn't a world anymore it's just a mark of death.
It's just not funny!
(inspiration for this poem is the death of Derrion Albert and all those lost in a battle they weren't meant to fight wrong plagues this earth and we have to realize how to live free and not in fear.)
poem by Erika Peace
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The Brus Book 20
King Robert in Northumberland]
Sone eftre that the erle Thomas
Fra Wardaill thus reparyt was
The king assemblyt all his mycht
And left nane that wes worth to fycht,
5 A gret ost than assemblit he
And delt his ost in partis thre.
A part to Norame went but let
And a stark assege has set
And held thaim in rycht at thar dyk,
10 The tother part till Anwyk
Is went and thar a sege set thai,
And quhill that thir assegis lay
At thir castellis I spak off ar,
Apert eschewys oft maid thar war
15 And mony fayr chevalry
Eschevyt war full douchtely.
The king at thai castellis liand
Left his folk, as I bar on hand
And with the thrid ost held hys way
20 Fra park to park hym for to play
Huntand as all hys awn war,
And till thaim that war with him thar
The landis off Northummyrland
That neyst to Scotland war liand
25 In fe and heritage gave he,
And thai payit for the selys fe.
[The peace with England]
On this wys raid he destroyand
Quhill that the king of Ingland
Throu consaill of the Mortymar
30 And his moder that that tym war
Ledaris of him that than young wes
To King Robert to tret off pes
Send messyngeris, and sua sped thai
That thai assentyt on this way
35 Than a perpetuale pes to tak,
And thai a mariage suld mak
Off the King Robertis sone Davy
That than bot fyve yer had scarsly
And off Dame Jhone als off the Tour
40 That syne wes of full gret valour,
Systre scho wes to the ying king
That had Ingland in governyng,
That than of eild had sevyn yer.
And monymentis and lettrys ser
45 That thai of Ingland that tyme had
[...] Read more
poem by John Barbour
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These Old Bones
Writer Dolly Parton
These old bones will tell your story
These old bones will never lie
These old bones will tell you surely
What you cant see with your eye
These old bones, I shake and rattle
These old bones, I toss and roll
And its all in where they scatter
Tells you what the future holds
Oh, she lived up on the mountain
Eleven miles or so from town
With a one-eyed cat named Wink,
A billy goat and a blue tick hound
Her graying hair was braided
And wrapped around her head
And her dress was long and faded
And her home a rusty shed
In a little pouch of burlap
Tied with a piece of twine
There were bones all shapes and sizes
Gathered through the course of time
Shed throw them out before you
She swore that she could see
The present, past and future
She could ready your destiny
Everybody knew about her
Came to get their fortune read
Concerning health and wealth and power
Who to love and when to wed
Well, I just like helpin people
Im just glad that I could help
Why, I know everybodys secrets
But I keep it to myself
These old bones will tell your story
These old bones will never lie
These old bones will tell you surely
What you cant see with your eye
These old bones, I shake and rattle
These old bones, I toss and roll
And its all in where they scatter
Tells you what the future holds
Some called her witchy woman
Some said she was insane
Some said she was a prophet
Still everybody came
Just because a bodys different
Well, that dont make em mad
Well, theyve crucified a many
For the special gifts theyve had
I had often heard about her,
[...] Read more
song performed by Dolly Parton
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The Lugubrious Whing-Whang
The rhyme o' The Raggedy Man's 'at's best
Is Tickle me, Love, in these Lonesome Ribs,--
'Cause that-un's the strangest of all o' the rest,
An' the worst to learn, an' the last one guessed,
An' the funniest one, an' the foolishest.--
Tickle me, Love, in these Lonesome Ribs!
I don't know what in the world it means--
Tickle me, Love, in these Lonesome Ribs!--
An' nen when I _tell_ him I don't, he leans
Like he was a-grindin' on some machines
An' says: Ef I _don't_, w'y, I don't know _beans!_
Tickle me, Love, in these Lonesome Ribs!--
Out on the margin of Moonshine Land,
Tickle me, Love, in these Lonesome Ribs!
Out where the Whing-Whang loves to stand,
Writing his name with his tail in the sand,
And swiping it out with his oogerish hand;
Tickle me, Love, in these Lonesome Ribs!
Is it the gibber of Gungs or Keeks?
Tickle me, Love, in these Lonesome Ribs!
Or what _is_ the sound that the Whing-Whang seeks?--
Crouching low by the winding creeks
And holding his breath for weeks and weeks!
Tickle me, Love, in these Lonesome Ribs!
Aroint him the wraithest of wraithly things!
Tickle me, Love, in these Lonesome Ribs!
'Tis a fair Whing-Whangess, with phosphor rings
And bridal-jewels of fangs and stings;
And she sits and as sadly and softly sings
As the mildewed whir of her own dead wings,--
Tickle me, Dear,
Tickle me here,
Tickle me, Love, in these Lonesome Ribs!
poem by James Whitcomb Riley
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Peace On Earth - Little Drummer Boy
David: hello...... youre the new butler?
Bing: hahaha! well, its been a long time since Ive been the new anything!
David: whats happened to hudson?
Bing: I guess hes changing.
David: yeah, he does that a lot, doesnt he? uhm... oh, Im david bowie, I live
Down the road.
Bing: oh!
David: sir percival lets me use his piano if he not around. hes not around, is
He?
Bing: I can honestly say I havent seen him, but come on in! come in!
David: but uh...
Bing: come on in!
David: are you related to sir percival?
Bing: well, distantly...
David: oh, youre not the poor relation from america, right?
Bing: ha! gee... news sure travels fast, doesnt it? Im bing.
David: oh, Im pleased to meet you. youre the one that sings, right?
Bing: well, right or wrong, I sing either way.
David: oh well, I sing too.
Bing: oh good! what kind of singing?
David: mostly the contemporary stuff. do you eh... do you like modern music?
Bing: oh, I think its marvellous! some of its really fine. but tell me, have you ever listened to any of the older fellows?
David: oh yeah, sure. I like ah... john lennon and the other one with eh...harry
Nilsson.
Bing: mmm... you go back that far, uh?
David: yeah, Im not as young as I look.
Bing: haha, none of us is these days!
David: in fact Ive got a six year old son. and he really gets excited around the christmas holiday-thing.
Bing: do you go in for anything of the traditional things in the... boy, household, christmas time?
David: oh yeah, most of them really. presents, tree, decorations, agents sliding down the chimney...
Bing: what? ?
David: oh, I was just seeing if you were paying attention.
Bing: haha!
David: actually, our family do most of the things that other families do. we
Sing the same songs.
Bing: do you?
David: oh, I even have a go at white christmas.
Bing: you do, eh!
David: and this one. this is my sons favourite. do you know this one?
Bing: oh, I do indeed, its a lovely theme.
And they told me pa-ram-pam-pam-pam
A new-born king to see pa-ram-pam-pam-pam
Our finest gifts we bring pa-ram-pam-pam-pam
Ra-pam-pam-pam, ra-pam-pam-pam
Peace on earth, can it be
Years from now, perhaps well see
See the day of glory
See the day, when men of good will
Live in peace, live in peace again
Peace on earth, can it be
[...] Read more
song performed by David Bowie
Added by Lucian Velea
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Peace On Earth / Little Drummer Boy (feat. Bing Crosby)
David: Hello...... you're the new butler?
Bing: Hahaha! Well, it's been a long time since I've been the new anything!
David: What's happened to Hudson?
Bing: I guess he's changing.
David: Yeah, he does that a lot, doesn't he? Uhm... Oh, I'm David Bowie, I live
down the road.
Bing: Oh!
David: Sir Percival let's me use his piano if he not around. He's not around, is
he?
Bing: I can honestly say I haven't seen him, but come on in! Come in!
David: But uh...
Bing: Come on in!
David: Are you related to sir Percival?
Bing: Well, distantly...
David: Oh, you're not the poor relation from America, right?
Bing: Ha! Gee... news sure travels fast, doesn't it? I'm Bing.
David: Oh, I'm pleased to meet you. You're the one that sings, right?
Bing: Well, right or wrong, I sing either way.
David: Oh well, I sing too.
Bing: Oh good! What kind of singing?
David: Mostly the contemporary stuff. Do you eh... do you like modern music?
Bing: Oh, I think it's marvellous! Some of it's really fine. But tell me, have you ever listened to any of the older fellows?
David: Oh yeah, sure. I like ah... John Lennon and the other one with eh...Harry
Nilsson.
Bing: Mmm... you go back that far, uh?
David: Yeah, I'm not as young as I look.
Bing: Haha, none of us is these days!
David: In fact I've got a six year old son. And he really gets excited around the Christmas holiday-thing.
Bing: Do you go in for anything of the traditional things in the... boy, household, Christmas time?
David: Oh yeah, most of them really. Presents, tree, decorations, agents sliding down the chimney...
Bing: What??
David: Oh, I was just seeing if you were paying attention.
Bing: Haha!
David: Actually, our family do most of the things that other families do. We
sing the same songs.
Bing: Do you?
David: Oh, I even have a go at 'White Christmas'.
Bing: You do, eh!
David: And this one. This is my son's favourite. Do you know this one?
Bing: Oh, I do indeed, it's a lovely theme.
And they told me pa-ram-pam-pam-pam
A new-born king to see pa-ram-pam-pam-pam
Our finest gifts we bring pa-ram-pam-pam-pam
Ra-pam-pam-pam, ra-pam-pam-pam
Peace on Earth, can it be
Years from now, perhaps we'll see
See the day of glory
See the day, when men of good will
Live in peace, live in peace again
Peace on Earth, can it be
[...] Read more
song performed by David Bowie
Added by Lucian Velea
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Seasonable Retour-Knell
SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS
Author notes
A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000
In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.
For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.
Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.
One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.
Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER
Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.
Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.
AUTUMN WINTER
Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.
Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,
[...] Read more
poem by Jonathan Robin
Added by Poetry Lover
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The Plea Of The Midsummer Fairies
I
'Twas in that mellow season of the year
When the hot sun singes the yellow leaves
Till they be gold,—and with a broader sphere
The Moon looks down on Ceres and her sheaves;
When more abundantly the spider weaves,
And the cold wind breathes from a chillier clime;—
That forth I fared, on one of those still eves,
Touch'd with the dewy sadness of the time,
To think how the bright months had spent their prime,
II
So that, wherever I address'd my way,
I seem'd to track the melancholy feet
Of him that is the Father of Decay,
And spoils at once the sour weed and the sweet;—
Wherefore regretfully I made retreat
To some unwasted regions of my brain,
Charm'd with the light of summer and the heat,
And bade that bounteous season bloom again,
And sprout fresh flowers in mine own domain.
III
It was a shady and sequester'd scene,
Like those famed gardens of Boccaccio,
Planted with his own laurels evergreen,
And roses that for endless summer blow;
And there were fountain springs to overflow
Their marble basins,—and cool green arcades
Of tall o'erarching sycamores, to throw
Athwart the dappled path their dancing shades,—
With timid coneys cropping the green blades.
IV
And there were crystal pools, peopled with fish,
Argent and gold; and some of Tyrian skin,
Some crimson-barr'd;—and ever at a wish
They rose obsequious till the wave grew thin
As glass upon their backs, and then dived in,
Quenching their ardent scales in watery gloom;
Whilst others with fresh hues row'd forth to win
My changeable regard,—for so we doom
Things born of thought to vanish or to bloom.
[...] Read more
poem by Thomas Hood
Added by Poetry Lover
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The Court Of Love
With timerous hert and trembling hand of drede,
Of cunning naked, bare of eloquence,
Unto the flour of port in womanhede
I write, as he that non intelligence
Of metres hath, ne floures of sentence;
Sauf that me list my writing to convey,
In that I can to please her hygh nobley.
The blosmes fresshe of Tullius garden soote
Present thaim not, my mater for to borne:
Poemes of Virgil taken here no rote,
Ne crafte of Galfrid may not here sojorne:
Why nam I cunning? O well may I morne,
For lak of science that I can-not write
Unto the princes of my life a-right
No termes digne unto her excellence,
So is she sprong of noble stirpe and high:
A world of honour and of reverence
There is in her, this wil I testifie.
Calliope, thou sister wise and sly,
And thou, Minerva, guyde me with thy grace,
That langage rude my mater not deface.
Thy suger-dropes swete of Elicon
Distill in me, thou gentle Muse, I pray;
And thee, Melpomene, I calle anon,
Of ignoraunce the mist to chace away;
And give me grace so for to write and sey,
That she, my lady, of her worthinesse,
Accepte in gree this litel short tretesse,
That is entitled thus, 'The Court of Love.'
And ye that ben metriciens me excuse,
I you besech, for Venus sake above;
For what I mene in this ye need not muse:
And if so be my lady it refuse
For lak of ornat speche, I wold be wo,
That I presume to her to writen so.
But myn entent and all my besy cure
Is for to write this tretesse, as I can,
Unto my lady, stable, true, and sure,
Feithfull and kind, sith first that she began
Me to accept in service as her man:
[...] Read more
poem by Anonymous Olde English
Added by Poetry Lover
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