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Re- Presenting Africa

When you think of Africa
you think of blackness
also think of pride and strength.
The black of Africa symbolizes nature
untapped with upheld virginity.
My Africa, where nature’s blessings abound
that you wonder, ponder, sitting like pander
withdrawn to understand, why Africa?
Beats and rhythm Africa’s heritage
home or diaspora your tunes resound
Those pum-pum-tum-kum
synchronize with your heartbeats
lifts you to hip-hop, waist wreathing
dance steps simultaneous to rhythm.
Happy people only known
when within Sadness gates.
Africans are happy people.
Live and let live
forever our continental motto.

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The Rhythm (feat. Ice-T, Donald D & Diva)

The rythm is both the songs manicle and it's demonic charge charge
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
I'm Everlast born to be a caucassion but it makes no difference what persuasion you are
As long as you know how to get up on the floor and start workin' a sweat
To a musical measure that makes you move as soon as the needle drops into the groove
So get up and dance to the gift I'm giving, forget about your troubles get into the rhythm
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Yo, yo, you know what the world needs...we need peace, rhythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
You linger for the rap singer, when Donald D brings the party to the deal my presence is felt world wide
You don't dance to this it's suicide
Put your hands into the air on, the M.C. cop, the girlies are pipen' hot
Natorious Lama is how I'm livin' don't step to me step to the rhythm

[...] Read more

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The Drummer

1
The drummer beats slowly, the drummer beats loud
As he beats of Humanity wrapped in a shroud.
Well he beats of the bone bags Dame Famine's designed
As she ravished and plagued us since dawn of mankind;
And he beats of Lord Boss letting oranges decay
While a child suffers scurvy and passes away;
And he beats of the beasts we've so needlessly slain
And of critters and creatures cast off in distain;
And he beats of combatants who're dying deceived
As the merchants of murder count profits received;
And he beats of the rape and the killing of war
And the mind blinding sorrow we blithely ignore.
He beats and he pounds till our consciences gnaw
And his fingers are battered and bloody and raw
And his hands are all broken and bleeding and raw.
2
The drummer beats slowly, the drummer beats loud
As he beats of abuse that we try to becloud.
Well he beats of the barons and princes and kings
Who have broken our backs while crushing our wings
And he beats of the bribes that the powerful make
To key politicians who fawn in their wake;
And he beats of the waifs bound and chained to machines
And of slaves in the fields and other such scenes;
And he beats of decrees stating all men are free
While ignoring the blacks and their agonised plea;
And he beats of the tyrants in clerical garb
Who have tortured with faggots and thumbscrews and barb.
He beats and he pounds till revealing the flaw
And his fingers are battered and bloody and raw
And his hands are all broken and bleeding and raw.
3
The drummer beats slowly, the drummer beats loud
As he beats of the strength of the rebels so proud.
Well he beats of the spirit the rack couldn't break,
And the flame of the flesh that was burned at the stake;
And he beats of the minds that could never be chained
By the faith that was living while ignorance reigned;
And he beats of the struggles when Spartacus rose
Having tired of shackles and slavery's woes;
And he beats of the women who'll die to be freed
And will never give up till they finally succeed;
And he beats of the progress outliving the jeers
So belying the pessimist's fatuous sneers.
He beats and he pounds till we stand back in awe
And his fingers are battered and bloody and raw
And his hands are all broken and bleeding and raw.
4
The drummer beats slowly, the drummer beats loud

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Lubie

I said I, I left my wife and child (Lubie come back home),
I said i, i left my wife and child (lubie come back home),
And lord my conscience is about to drive me wild (Lubie come back home),
And lord my conscience is about to drive me wild (lubie come back home),
A little voice inside my head goes on and on (Lubie come back home),
A little voice inside my head goes on and on (lubie come back home),
Said Lubie Lubie you better go back home.
Said lubie lubie you better go back home.
I said I, I thought I'd make it by myself (Lubie come back home),
I said i, i thought i'd make it by myself (lubie come back home),
And now my baby she got my heart dropped on a shelf (Lubie come back home),
And now my baby she got my heart dropped on a shelf (lubie come back home),
I said I, I still you're my baby now (Lubie come back home),
I said i, i still you're my baby now (lubie come back home),
Said Lubie Lubie you better go back home.
Said lubie lubie you better go back home.
You better go on home (Lubie come back home),
You better go on home (lubie come back home),
I said yeah Lubie go on home (Lubie come back home),
I said yeah lubie go on home (lubie come back home),
I said you better go home girl,
I said you better go home girl,
Ah yeah you go home.
Ah yeah you go home.
Go on home home home home home home,
Go on home home home home home home,
Yeah Lubie go on home home home home home home,
Yeah lubie go on home home home home home home,
Yeah Lubie go on home home home home home home,
Yeah lubie go on home home home home home home,
Little bit soft, everybody go soft,
Little bit soft, everybody go soft,
Go on home to see my baby,
Go on home to see my baby,
Yeah you know that she loves you daddy like crazy.
Yeah you know that she loves you daddy like crazy.
I say my misses I'm gonna stay what I'm gonna do,
I say my misses i'm gonna stay what i'm gonna do,
Gonna buy you a monkey and a new dog too yeah,
Gonna buy you a monkey and a new dog too yeah,
The guys have got yeah to get 'em to see my baby,
The guys have got yeah to get 'em to see my baby,
A little bit louder, everybody go on go louder, yeah yeah yeah yeah.
A little bit louder, everybody go on go louder, yeah yeah yeah yeah.
Now Lubie where you been,
Now lubie where you been,
I said I, I left my wife and child (Lubie come back home),
I said i, i left my wife and child (lubie come back home),
And lord my conscience is about to drive me wild (Lubie come back home),
And lord my conscience is about to drive me wild (lubie come back home),

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Losing my virginity

The rhapsodically untainted leaves; lost their virginity to the tantalizingly draughts of the unstoppably ecstatic and beautifully silken breeze,

The indomitably ferocious Sun; lost its virginity to the evanescent beams of the spell bindingly eclectic and enchantingly blessed dawn,

The triumphantly fertile earth; lost its virginity to the plodding of the vibrantly obstreperous and intrusively adulterated footsteps,

The unassailably glorious mountain peak; lost its virginity to the sensuous wisps of the bountifully bestowing and celestially surreal clouds,

The stupendously undulating sea; lost its virginity to the shimmering sands of the poignantly titillating and handsomely maverick shores,

The magnanimously stupefying night; lost its virginity to the jubilant streaks of the sensuously untamed and inimitably unconquerable white lightening,

The melodiously gurgling throat; lost its virginity to the poignant streams of the irrefutably transparent and seductively slippery spit,

The astoundingly intricate veins; lost their virginity to the life-yielding rivulets of the ubiquitously crimson and blessedly sacrosanct blood,

The royally sculptured palms; lost their virginity to the inexplicable lines of enigmatically eclectic and inevitably mystical destiny lines,

The profoundly fantastic hill-slopes; lost their virginity to the exultating cascade of the blissfully ameliorating and victoriously frosty waterfall,

The altruistically barren paper; lost its virginity to the coherent embellishment of the enthusiastically fulminating and literately majestic sapphire ink,

The unbelievably rubicund lips; lost their virginity to the raging inferno of unstoppably fiery and fervently royal kisses,

The amazingly silver web; lost its virginity to the surreptitiously tingling impression of the unprecedentedly fast and multifariously talented spider,

The exuberantly blossoming rose; lost its virginity to the boisterous body of the rambunctiously raconteur and incessantly chattering bumble bee,

The exhilaratingly curved road; lost its virginity to the wanton cavalcade of the indefatigably buzzing and indiscriminately marauding vehicles,

The ebulliently robust cheeks; lost their virginity to the unabashed swirl of the incongruously unruly and uninhibitedly machismo beard,

The fabulously emollient grassblades; lost their virginity to the beauteous sprinkling of the eternally burgeoning and timelessly golden dewdrops,

The indispensably ardent nostrils; lost their virginity to the unrelenting festoon of the perennially blossoming and undyingly infallible breath,

The timelessly persevering armpits; lost their virginity to the righteous fountain of unflinchingly fragrant and philanthropically egalitarian sweat,


And I; lost my virginity not just for this birth; but for an infinite more births of mine yet to unfurl; to you and no other girl but you in this entire fathomlessly benign Universe; O! pricelessly immortal beloved…

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Rhythm Of Youth

Things like explosions well they scare me half to death
But Id still like to sit one right through
Nuclear warfare has got me holding my breath
But the army plan has to go through
With the rhythm of youth
Things like explosions well they scare me half to death
But Id still like to sit one right through
Nuclear warfare has got me holding my breath
But the army plan has to go through
Somehow I do not feel safe around cars
But I still like the feeling of speed
The rhythm is all that I have for me now
The rhythm is all that I need
Youve got your own commitments, your own complaints
Your own religion with its own funny saints
Your own reaction, your own raves and reviews
With the rhythm of youth youve got nothing to lose
The rhythm of youth is the rhythm of life
And the rhythm of life is the rhythm of youth
The rhythm of youth is the rhythm of life
The rhythm of life is the rhythm of youth
The rhythm of youth
Things like explosions well they scare me half to death
But Id still like to sit one right through
Nuclear warfare has got me holding my breath
But the army plan has to go through
Somehow I do not feel safe around cars
But I still like the feeling of speed
The rhythm is all that I have for me now
But the rhythm is all that I need
Youve got your own commitments, your own complaints
Your own religion with its own funny saints
Your own reaction, your own raves and reviews
With the rhythm of youth youve got nothing to lose
Youve got your own commitments, your own complaints
Your own religion with its own funny saints
Your own reaction, your own raves and reviews
With the rhythm of youth you have nothing to lose
Cause the rhythm of youth is the rhythm of life
The rhythm of life is the rhythm of youth
The rhythm of youth is the rhythm of life
And the rhythm of life is the rhythm of youth
The rhythm of youth is the rhythm of life
And the rhythm of life is the rhythm of youth
The rhythm of youth is the rhythm of life
The rhythm of life is the rhythm of youth

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The City of Dreadful Night

Per me si va nella citta dolente.

--Dante

Poi di tanto adoprar, di tanti moti
D'ogni celeste, ogni terrena cosa,
Girando senza posa,
Per tornar sempre la donde son mosse;
Uso alcuno, alcun frutto
Indovinar non so.

Sola nel mondo eterna, a cui si volve
Ogni creata cosa,
In te, morte, si posa
Nostra ignuda natura;
Lieta no, ma sicura
Dell' antico dolor . . .
Pero ch' esser beato
Nega ai mortali e nega a' morti il fato.

--Leopardi

PROEM

Lo, thus, as prostrate, "In the dust I write
My heart's deep languor and my soul's sad tears."
Yet why evoke the spectres of black night
To blot the sunshine of exultant years?
Why disinter dead faith from mouldering hidden?
Why break the seals of mute despair unbidden,
And wail life's discords into careless ears?

Because a cold rage seizes one at whiles
To show the bitter old and wrinkled truth
Stripped naked of all vesture that beguiles,
False dreams, false hopes, false masks and modes of youth;
Because it gives some sense of power and passion
In helpless innocence to try to fashion
Our woe in living words howe'er uncouth.

Surely I write not for the hopeful young,
Or those who deem their happiness of worth,
Or such as pasture and grow fat among
The shows of life and feel nor doubt nor dearth,
Or pious spirits with a God above them
To sanctify and glorify and love them,
Or sages who foresee a heaven on earth.

For none of these I write, and none of these
Could read the writing if they deigned to try;

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The Parish Register - Part III: Burials

THERE was, 'tis said, and I believe, a time
When humble Christians died with views sublime;
When all were ready for their faith to bleed,
But few to write or wrangle for their creed;
When lively Faith upheld the sinking heart,
And friends, assured to meet, prepared to part;
When Love felt hope, when Sorrow grew serene,
And all was comfort in the death-bed scene.
Alas! when now the gloomy king they wait,
'Tis weakness yielding to resistless fate;
Like wretched men upon the ocean cast,
They labour hard and struggle to the last;
'Hope against hope,' and wildly gaze around
In search of help that never shall be found:
Nor, till the last strong billow stops the breath,
Will they believe them in the jaws of Death!
When these my Records I reflecting read,
And find what ills these numerous births succeed;
What powerful griefs these nuptial ties attend;
With what regret these painful journeys end;
When from the cradle to the grave I look,
Mine I conceive a melancholy book.
Where now is perfect resignation seen?
Alas! it is not on the village-green: -
I've seldom known, though I have often read,
Of happy peasants on their dying-bed;
Whose looks proclaimed that sunshine of the breast,
That more than hope, that Heaven itself express'd.
What I behold are feverish fits of strife,
'Twixt fears of dying and desire of life:
Those earthly hopes, that to the last endure;
Those fears, that hopes superior fail to cure;
At best a sad submission to the doom,
Which, turning from the danger, lets it come.
Sick lies the man, bewilder'd, lost, afraid,
His spirits vanquish'd, and his strength decay'd;
No hope the friend, the nurse, the doctor lend -
'Call then a priest, and fit him for his end.'
A priest is call'd; 'tis now, alas! too late,
Death enters with him at the cottage-gate;
Or time allow'd--he goes, assured to find
The self-commending, all-confiding mind;
And sighs to hear, what we may justly call
Death's common-place, the train of thought in all.
'True I'm a sinner,' feebly he begins,
'But trust in Mercy to forgive my sins:'
(Such cool confession no past crimes excite!
Such claim on Mercy seems the sinner's right!)
'I know mankind are frail, that God is just,
And pardons those who in his Mercy trust;

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02-04-2012 Brother I give you my answer for Black People African Sahara it mesmerizes the wise largest desert it is asked of we What is Africa is to me 3.3 million miles of grea

Brother I give you my answer
for Black People

African Sahara
it mesmerizes the wise
largest desert
it is asked of we
What is Africa is to me
3.3 million miles
of great desert
once a forest
once a great sea
once an empty hole
in space just waiting
to be that it can
birth the blackness
of who my mothers be
3.3 millions
you can not see it all
Trans Saharan trade
is but a child
weather selling slaves
or selling salt
and always
brought and sold
the black man's art, gold
the paintings
was still for the walls
to surround us
a representation of the thing
that be, the God that
rose Africa from the sea
man got his
walking feet
on Africa's soil
Africa Moors
salt caravans
Africa the salt
of the land
what more did Africa
give to man
gold first mimed
found its glow
in the hands of
a black child
oldest gold jewelry
in Queen Zer's tomb
being as old as this
there is nothing
that we can not do

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The Pride To Be An African

My Africa My Africa My Africa
My Africa of which everybody imitates
My Africa of which culture exceed the Greek
My Africa of which everyone is jealous of

My Africa My Africa My Africa
My Africa of enormous natural endowment
My Africa of Non-Violence
My Africa of Amorous populates

My Africa My Africa My Africa
My Africa of patriot men and women
My Africa of shelter and vintage hospitality
My Africa of great ancestral mythology

My Africa My Africa My Africa
My Africa that bore fruits of black diamonds
My Africa which is a gift to the whole world
My Africa of great leadership

My Africa My Africa My Africa
My Africa of learned youths
My Africa of a bright generation
My Africa true tradition

My Africa My Africa My Africa
My Africa of black pageant women
My Africa of strong men
My Africa from who we all hail from
For every African deserves a Nobel Prize in
Existence.

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Jones The Rhythm

Rhythm is both the songs manical and its demoinc charge.
It is the original breath , it is the whisper of unremitting demand.
What do you still want to be said of the singer?
What do you think you can still draw from my lips?
Exact presence that no fantasy can represent.
Purveyor of the old secret, alive with the blood that boils again,
And is pulsing where the rhythm is torn apart.
How your singers blood is incensed at the depth of sound.
Lacerations echo in the mouths open erotic sky where dance together,
The lost trenches of rythm and an imploring immobility...
Ladies and gentlemen...miss grace jones...jones the rhythm.
Slave!!
Slave to the rhythm, dance to the rhythm,
Axe to wood in ancient times, man machine production line,
The fire burns, with heart beats strong,
Sing out loud, the chaing gang song.
Never stop the action, keep it up, keep it up,
Never stop the action, keep it up, keep it up.
Slave to the rhythm, dance to the rhythm,
The rhythm...master...master.
Never stop the action, keep it up,
Never stop the action, keep it up, keep it up.
Slave to the rhythm, work to the rhythm,
Dance to the rhythm, live to the rhythm.
Slave to the rhythm,
Dance to the rhythm, live to the rhythm,
Slave to the rhythm, work...to the rhythm,
To the rhythm, work to the rhythm, to the rhythm.
Slave, slave,
To the rhythm, to the rhythm, to the rhythm.
*grace: oh thats weird [laughs].*
*interviewer: grace jones, welcome.*
*grace: thank you paul [laughs], if youre wondering whats wrong with my voice I just choked on my saliva...so...[laughs].*
*interviewer: now obviously, youre in the bond movie...*

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Instant Tunes

Instant tunes only just been made
Instant songs never to be played
Instant tunes hanging out to dry
Let me try to introduce you to
Instant tunes
Instant tunes
Instant tunes
Instant tunes
Ever and ever will they give us pleasure
Their instant, still instant
Like mother used to make it -- oh!
Instant tunes give instant cash
Make me want to start a backlash
Let me have the recipe
And make me some lovely, lovely
Instant tunes
Instant tunes
Instant tunes
Instant tunes
Ever and ever will they give us pleasure
Their instant, still instant
Like mother used to make it -- oh!
Ever and ever will they give us pleasure
Their instant, still instant
Like mother used to make it -- oh!
Instant tunes give instant cash
Make me want to start a backlash
Let me have the recipe
And make me some lovely, lovely
Instant tunes
Instant tunes
Instant tunes
Instant tunes

song performed by XtcReport problemRelated quotes
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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

[...] Read more

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Don’t Cry For Me Africa

Don’t cry for me Africa
Because I will never let you out of my mind
I hear your voices people of Africa
I hear your cries people of Africa
I see pain in your eyes people of Africa
It is hard to describe what you people of Africa are going through
Poverty strikes you all people of Africa
Don’t cry for me Africa
Because I will keep you in my prayers people of Africa
Power to the people of Africa
People of Africa lift your spirit higher
Lord is the light and truth people of Africa
The Lord sends you a message from his heart to you people of Africa
He said because I love you
I will answer your prayers
I hear your prayers
Don’t cry for me Africa
Because you have a friend that is the Lord
People of Africa continue doing the Lords work
Make a wish people of Africa
The people of Africa are looking at the Lord face to face
Lord here is no paradise
We dream a little dream said the people of Africa to the Lord
The People of Africa Pray that the Lord will give each other strength every day
Don’t cry for me Africa
Save the people of Africa
Strengthened the people of Africa each day
Because I’ll be there in your dreams people of Africa
The people of Africa tells The Lord how much they love him
Don’t cry for me Africa
Lord comes when you are ready people of Africa
Feelings you have for your Lord People of Africa
And I know you will never let it die
Nothing but flowers the people of Africa will plant in the sea shore for the Lord
Don’t cry for me Africa
The people of Africa needs hope to heal there land
The Lord rose up on you people of Africa
Don’t cry for me Africa
My heart will go on
Once I close this door of the ship I will sail across the Atlantic Sea

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Byron

Canto the Fourth

I.

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!

II.

She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.

III.

In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.

V.

[...] Read more

poem by from Childe Harold's Pilgrimage (1818)Report problemRelated quotes
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Black History

Boom, boom, boom!
That was in 1530 to the Slave Trade;
My Mama told me so,
My Papa told me so,
In the name of our ancestors gone by;
Slaves for arms,
Slaves for powder,
Slaves for hardware,
Slaves for spirits;
Boom, boom, boom! !
All over the West Coast of Africa!
Today, i am a Blackman to tell you a story.

Black History, the Black African, the Black Race;
Of my ancestors gone by,
Boom, boom, boom!
Black head, black sugar, black coffee;
Where are the true identities of the Blacks?
That was in 1530 to the Slave trade.

Black History, black love;
A Black Race to a call.
Tap your fingers and do think about it,
My Mama told me so;
Bllack shoes, black phones;
With the Black History gone too soon,
My Papa told me so.
Black hair, black eyes;
The black coal to steam up the engines!
In the name of my ancestors gone by;
But, where are the black pens of love to share?

Do think about this and learn from it,
Boom, boom, boom!
A Blackman in the house to tell us a story;
Where is William Wilberforce?
Where is Thomas Buxton?
Where is Granville Sharp?
What about the Slaves? !
These men need to tell us more;
They killed my ancestors softly without compensations!
Black love, black stream, a black home to live in;
Like 'Naughty By Nature',
I've got 'Queen Latifah' to tell us more.

Of the Black Songs,
Of the Black race,
With a Black-Limo to keep us going;
This Slave Trade was a Black History to us all.
Boom, boom, boom!

[...] Read more

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B.P.M.

Just lose yourself
Give into the music
Ooh you can do it
(Yeah, yeah)
And free your mind
Don't think about it
Now that we're riding?
(Dancing, dancing)
Won't apologize
Baby I know
What I want tonight
I'm on a super highway
Baby better give way-a-a
(Yeah, yeah, yeah)
Don't wanna turn it down
I'm hungry for your sound
I wanna lose myself
Ooh I like your rhythm
I can't help myself
For me there's no one else
I wanna lose myself
In your beats per minute
Woah, woah
Your beats per minute
Woah, woah
Your beats per minute
Woah, woah
Your beats per minute
Woah, woah
Feeling high (high)
Twenty-four/Seven
Ooh... It feels like heaven
(Baby)
Thru the night
Keep it flowing
It's cool and you know it
(Yeah, yeah)
Can't run or hide
Baby I know what I feel inside
A fascinating rhythm divine
(Yeah, yeah, yeah, yeah, yeah)
Don't wanna turn it down
I'm hungry for your sound
I wanna lose myself
Ooh I like your rhythm
I can't help myself
For me there's no one else
I wanna lose myself
In your beats per minute
Woah, woah

[...] Read more

song performed by Kylie MinogueReport problemRelated quotes
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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

[...] Read more

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