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Pretty Pink Lace

Pretty pink lace

Hemmed upon her skirt

Sweet smiles

Natures warm embrace

Piggy tails and pink bows

Butterflies that she'll chase

Chubby cheeks and giggles

Wonder who wins the race

My precious child

With

Pretty pink lace

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Song of Wink Star

The Song of Wink Star
a happy story for children of all ages
story and text © Raj Arumugam, June 2008

☼ ☼

☼ Preamble

Come…children all, children of all ages…sit close and listen…
Come and listen to this happy story of the stars and of life…
Come children of the universe, children of all nations and of all races, and of all climates and of all kinds of space and dimensions and universes…
Come, dearest children of all beings of the living universe, come and listen to The Song of Wink Star…

Come and listen to this story, this happy story…listen, as the story itself sings to you…

Sit close then, and listen to the story that was not made by any, or written by a poet, or fashioned by grandfathers and grandmothers warming themselves at the fire of burning stars…

O dearest children all, come and listen to the story that lives
of itself, and that glows bright and happy….

Come…children all, children of all ages, come and listen to this happy story, the story so natural and smooth as life, as it sings itself to you….


The Song of Wink Star
a happy story for children of all ages


☼ 1


Night Child, always so light and gentle, slept on a flower.
And every night, before he went to sleep, he would look up at the sky.
He would look at the eastern corner, five o’clock.

And there he would see all the stars in near and distant galaxies that were only visible to the People of Star Eyes.

Night Child was one of the People of Star Eyes. And so he could see the stars. And of all the stars he could see, he loved to watch Wink Star.

Wink Star twinkled and winked and laughed.
Every night Wink Star did that. Winked and laughed.

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Farewell, Chubby

As I make this poem, tears run uncontrollably in my eyes.
For my cousin, who died of leukemia at a very young age of 14.

Farewell, Chubby
As I write this poetry
The nails were hammered right at me
Why would I be
hurt this much?
I never thought that I am really
in this nightmare
this sad story.
And as I write this poetry
I have to be
brave
to face
these sentiments
these emotions
to reveal the pain to all of you
That I am really indenial
and scared
to write these two words but
Farewell, Chubby.

Farewell, Chubby
As I write this poetry
I remembered when I was in Grade Three
You cried and dared to fight
with an invisible enemy
I was hit and run.
That was sweet.
I knew this cousin of mine
really loved me.

Farewell, Chubby
and your little pranks at me
I was having some
business in the bathroom
And you and Joy
banged the door loudly
You laughed so hard
And I pictured in my mind
Colorful hot air balloons
in the patch of blue sky
Farewell, Chubby
That was real Comedy.

Farewell, Chubby
As I write this poetry
I realized how lonely and busy
we became in our own

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Rosalind and Helen: a Modern Eclogue

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!

ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;

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William Shakespeare

Venus and Adonis

Even as the sun with purple-colour'd face
Had ta'en his last leave of the weeping morn,
Rose-cheek'd Adonis tried him to the chase;
Hunting he lov'd, but love he laugh'd to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac'd suitor 'gins to woo him.
'Thrice fairer than myself,' thus she began,
'The field's chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee, with herself at strife,
Saith that the world hath ending with thy life.
'Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know:
Here come and sit, where never serpent hisses;
And being set, I'll smother thee with kisses:
'And yet not cloy thy lips with loath'd satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety;
Ten kisses short as one, one long as twenty:
A summer's day will seem an hour but short,
Being wasted in such time-beguiling sport.'
With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And, trembling in her passion, calls it balm,
Earth's sovereign salve to do a goddess good:
Being so enrag'd, desire doth lend her force
Courageously to pluck him from his horse.
Over one arm the lusty courser's rein
Under her other was the tender boy,
Who blush'd and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire
He red for shame, but frosty in desire.
The studded bridle on a ragged bough
Nimbly she fastens;--O! how quick is love:--
The steed is stalled up, and even now
To tie the rider she begins to prove:
Backward she push'd him, as she would be thrust,
And govern'd him in strength, though not in lust.
So soon was she along, as he was down,
Each leaning on their elbows and their hips:
Now doth she stroke his cheek, now doth he frown,
And 'gins to chide, but soon she stops his lips;
And kissing speaks, with lustful language broken,
'If thou wilt chide, thy lips shall never open.'
He burns with bashful shame; she with her tears
Doth quench the maiden burning of his cheeks;

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William Shakespeare

Venus and Adonis

'Vilia miretur vulgus; mihi flavus Apollo
Pocula Castalia plena ministret aqua.'

To the right honorable Henry Wriothesly, Earl of Southampton, and Baron of Tichfield.
Right honorable.

I know not how I shall offend in dedicating my unpolished lines to your lordship, nor how the world will censure me for choosing so strong a prop to support so weak a burden only, if your honour seem but pleased, I account myself highly praised, and vow to take advantage of all idle hours, till I have honoured you with some graver labour. But if the first heir of my invention prove deformed, I shall be sorry it had so noble a god-father, and never after ear so barren a land, for fear it yield me still so bad a harvest. I leave it to your honourable survey, and your honour to your heart's content; which I wish may always answer your own wish and the world's hopeful expectation.

Your honour's in all duty.

Even as the sun with purple-colour'd face
Had ta'en his last leave of the weeping morn,
Rose-cheek'd Adonis hied him to the chase;
Hunting he loved, but love he laugh'd to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-faced suitor 'gins to woo him.
'Thrice-fairer than myself,' thus she began,
'The field's chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee, with herself at strife,
Saith that the world hath ending with thy life.
'Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know:
Here come and sit, where never serpent hisses,
And being set, I'll smother thee with kisses;
'And yet not cloy thy lips with loathed satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety,
Ten kisses short as one, one long as twenty:
A summer's day will seem an hour but short,
Being wasted in such time-beguiling sport.'
With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And trembling in her passion, calls it balm,
Earth's sovereign salve to do a goddess good:
Being so enraged, desire doth lend her force
Courageously to pluck him from his horse.
Over one arm the lusty courser's rein,
Under her other was the tender boy,
Who blush'd and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire,
He red for shame, but frosty in desire.
The studded bridle on a ragged bough
Nimbly she fastens:--O, how quick is love!--
The steed is stalled up, and even now
To tie the rider she begins to prove:

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Little Piggy

A little way back
where the end meets the road
Turn your back
& I might reload
A bullet in your head
& one for your brain
Be another one face down in the rain
Little piggy, little piggy
what do you see?
You're lookin' at death
when you're lookin' at me
Little piggy, little piggy
what should you do?
I am the devil what's comin' for you
The moon won't sink
& the sun won't shine
I season my blood
with turpentine
Everything is true
when you know what's real
A (sick?) black dog
gettin' drunk on the wheel
Little piggy, little piggy
what do you see?
You're lookin' at death
when you're lookin' at me
Little piggy, little piggy
what should you do?
I am the devil & I'm comin' for you
I crawl on the ground
& I start to bleed
I'm the one you dream about
when you sleep
(Eyes of death?)
& bone in blood
Your lungs are freakin' out
when you're drownin' in the mud
Little piggy, little piggy
what do you see?
You're lookin' at death
when you're lookin' at me
Little piggy, little piggy
what should you do?
I am the devil what's comin' for you

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Elizabeth Barrett Browning

Sixth Book

THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart

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The Dream

'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!

So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.

Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,

To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,

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An ever-relished chase

It has been a long chase
For something or the other
Over these years

As a kid it was a chase
For toys and play things

As a student it was a chase
For marks and ranks

As a youth it was a chase
After career and growth

And later it was chase
For getting the right life partner

The chase continued
For off-springs’ upbring

It was later to chase
For helping children settle

Ageing made me chase
For cure from illnesses
And other physical malfunctions
Yes,
It was a long chase for
Something or the others all these days

One understanding dawned in me
That
You will not get that
Which you have not chased
And
You will not get every thing
Which you have chased

Even if you get the object of your chase
It is not going to be in that form
In which it was when you started the chase

Unfruitful chase proves frustrating
Fruitful chase exciting

Wisdom will tell you that
The pleasure is more with the act of chase
Than getting hold of the object of chase
Holding of the object of chase
And sustaining its charm
Are essential after the end of chase

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The Plea Of The Midsummer Fairies

I

'Twas in that mellow season of the year
When the hot sun singes the yellow leaves
Till they be gold,—and with a broader sphere
The Moon looks down on Ceres and her sheaves;
When more abundantly the spider weaves,
And the cold wind breathes from a chillier clime;—
That forth I fared, on one of those still eves,
Touch'd with the dewy sadness of the time,
To think how the bright months had spent their prime,


II

So that, wherever I address'd my way,
I seem'd to track the melancholy feet
Of him that is the Father of Decay,
And spoils at once the sour weed and the sweet;—
Wherefore regretfully I made retreat
To some unwasted regions of my brain,
Charm'd with the light of summer and the heat,
And bade that bounteous season bloom again,
And sprout fresh flowers in mine own domain.


III

It was a shady and sequester'd scene,
Like those famed gardens of Boccaccio,
Planted with his own laurels evergreen,
And roses that for endless summer blow;
And there were fountain springs to overflow
Their marble basins,—and cool green arcades
Of tall o'erarching sycamores, to throw
Athwart the dappled path their dancing shades,—
With timid coneys cropping the green blades.


IV

And there were crystal pools, peopled with fish,
Argent and gold; and some of Tyrian skin,
Some crimson-barr'd;—and ever at a wish
They rose obsequious till the wave grew thin
As glass upon their backs, and then dived in,
Quenching their ardent scales in watery gloom;
Whilst others with fresh hues row'd forth to win
My changeable regard,—for so we doom
Things born of thought to vanish or to bloom.

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Elizabeth Barrett Browning

Ninth Book

EVEN thus. I pause to write it out at length,
The letter of the Lady Waldemar.–

'I prayed your cousin Leigh to take you this,
He says he'll do it. After years of love,
Or what is called so,–when a woman frets
And fools upon one string of a man's name,
And fingers it for ever till it breaks,–
He may perhaps do for her such thing,
And she accept it without detriment
Although she should not love him any more
And I, who do not love him, nor love you,
Nor you, Aurora,–choose you shall repent
Your most ungracious letter, and confess,
Constrained by his convictions, (he's convinced)
You've wronged me foully. Are you made so ill,
You woman–to impute such ill to me?
We both had mothers,–lay in their bosom once.
Why, after all, I thank you, Aurora Leigh,
For proving to myself that there are things
I would not do, . . not for my life . . nor him . .
Though something I have somewhat overdone,–
For instance, when I went to see the gods
One morning, on Olympus, with a step
That shook the thunder in a certain cloud,
Committing myself vilely. Could I think,
The Muse I pulled my heart out from my breast
To soften, had herself a sort of heart,
And loved my mortal? He, at least, loved her;
I heard him say so; 'twas my recompence,
When, watching at his bedside fourteen days,
He broke out ever like a flame at whiles
Between the heats of fever . . . 'Is it thou?
'Breathe closer, sweetest mouth!' and when at last
The fever gone, the wasted face extinct
As if it irked him much to know me there,
He said, Twas kind, 'twas good, 'twas womanly,'
(And fifty praises to excuse one love)
'But was the picture safe he had ventured for?'
And then, half wandering . . 'I have loved her well,
Although she could not love me.'–'Say instead,'
I answered, 'that she loves you.'–'Twas my turn
To rave: (I would have married him so changed,
Although the world had jeered me properly
For taking up with Cupid at his worst,
The silver quiver worn off on his hair.)
'No, no,' he murmured, 'no, she loves me not;
'Aurora Leigh does better: bring her book
'And read it softly, Lady Waldemar,
'Until I thank your friendship more for that,

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Miss Piggy regrets..

Miss Piggy regrets she’s unable to lunch today, madam..
Miss Piggy regrets she’s unable to lunch today:
That tastelessly named flu’s got her
(She forgot to wash her front trotter…) so
Miss Piggy regrets she’s unable to lunch today..

Miss Piggy regrets she’s unable to lunch today, madam..
Miss Piggy regrets she’s unable to lunch today:
It’s a swine of a stroke of bad luck:
Her eyelashes, she sneezed them unstuck… so
Miss Piggy regrets she’s unable to lunch today…

Miss Piggy regrets she’s unable to lunch today, madam..
Miss Piggy regrets she’s unable to lunch today:
She’s all pink from her snout to her face;
Her mascara’s all over the place… so
Miss Piggy regrets she’s unable to lunch today..

Why not try the lamb today, madam…?

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Elizabeth Barrett Browning

First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

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Song Of Being A Child

When the child was a child
It walked with arms hanging
Wanted the stream to be a river and the river a torrent
And this puddle, the sea
When the child was a child, it didnt know
It was a child
Everything for it was filled with life and all life was one
Saw the horizon without trying to reach it
Couldnt rush itself and think on command
Was often terribly bored
And couldnt wait
Passed up greeting the moments
And prayed only with its lips
When the child was a child
It didnt have an opinion about a thing
Had no habits
Often sat crossed-legged, took off running
Had a cow lick in its hair
And didnt put on a face when photographed
When the child was a child
It was the time of the following questions
Why am I me and why not you
Why am I here and why not there
Why did time begin and where does space end
Isnt what I see and hear and smell
Just the appearance of the world in front of the world
Isnt life under the sun just a dream
Does evil actually exist in people
Who really are evil
Why cant it be that I who am
Wasnt before I was
And that sometime i, the i, I am
No longer will be the i, I am
When the child was a child
It gagged on spinach, on peas, on rice pudding
And on steamed cauliflower
And now eats all of it and not just because it has to
When the child was a child
It woke up once in a strange bed
And now time and time again
Many people seem beautiful to it
And now not so many and now only if its lucky
It had a precise picture of paradise
And now can only vaguely conceive of it at best
It couldnt imagine nothingness
And today shudders in the face of it
Go for the ball
Which today rolls between its legs
With its Im here it came
Into the house which now is empty

[...] Read more

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Giggles, Laughter and Stabbing Stares

Giggles, laughter and stabbing stares,
It would kill them to be nice,
It would hurt them to be kind,

Giggles, laughter and stabbing stares,
The notes are being passed around,
They don’t see, no one cares,

Giggles, laughter and stabbing stares,
Tearing at all I’ve built up,
But it won’t work anymore,

Giggles, laughter and stabbing stares,
What they don’t know is,
I just don’t care,

Giggles, laughter and stabbing stares,
Every one is doing it,
But I just sit and laugh,

Giggles, laughter and stabbing stares,
It’s so funny they think I care,
They are stupid to think I do,

Giggles, laughter and stabbing stares,
I laugh and laugh
Because they don’t see that no one cares,

Giggles, laughter and stabbing stares…
Giggles, laughter and stabbing stares…
Giggles, laughter and stabbing stares…

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

[...] Read more

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Authority Song

They like to get you in a compromising position
They like to get you there and smille in your face
They think, theyre so cute when they got you in that condition
Well I think, its a total disgrace
Chorus:
I fight authority, authority always wins
I fight authority, authority always wins
I been doing it, since I was a young kid
Ive come out grinnin
I fight authority, authority always wins
So I call up my preacher
I say: gimme strenght for round 5
He said: you dont need no strength, you need to grow up, son
I said: growing up leads to growing old and then to dying,
And dying to me dont sound like all that much fun
Chorus:
I fight authority, authority always wins
I fight authority, authority always wins
I been doing it, since I was a young kid
Ive come out grinnin
I fight authority, authority always wins
I fight authority, authority always wins
I fight authority, authority always wins
I been doing it, since I was a young kid
Ive come out grinnin
I fight authority, authority always wins
Oh no
Oh no
I fight authority, authority always wins
Chorus:
I fight authority, authority always wins
I fight authority, authority always wins
I been doing it, since I was a young kid
Ive come out grinnin
I fight authority, authority always wins
I fight authority, authority always wins
I fight authority, authority always wins
I been doing it, since I was a young kid
Ive come out grinnin
I fight authority, authority always wins

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The Golden Age

Long ere the Muse the strenuous chords had swept,
And the first lay as yet in silence slept,
A Time there was which since has stirred the lyre
To notes of wail and accents warm with fire;
Moved the soft Mantuan to his silvery strain,
And him who sobbed in pentametric pain;
To which the World, waxed desolate and old,
Fondly reverts, and calls the Age of Gold.

Then, without toil, by vale and mountain side,
Men found their few and simple wants supplied;
Plenty, like dew, dropped subtle from the air,
And Earth's fair gifts rose prodigal as prayer.
Love, with no charms except its own to lure,
Was swiftly answered by a love as pure.
No need for wealth; each glittering fruit and flower,
Each star, each streamlet, made the maiden's dower.
Far in the future lurked maternal throes,
And children blossomed painless as the rose.
No harrowing question `why,' no torturing `how,'
Bent the lithe frame or knit the youthful brow.
The growing mind had naught to seek or shun;
Like the plump fig it ripened in the sun.
From dawn to dark Man's life was steeped in joy,
And the gray sire was happy as the boy.
Nature with Man yet waged no troublous strife,
And Death was almost easier than Life.
Safe on its native mountains throve the oak,
Nor ever groaned 'neath greed's relentless stroke.
No fear of loss, no restlessness for more,
Drove the poor mariner from shore to shore.
No distant mines, by penury divined,
Made him the sport of fickle wave or wind.
Rich for secure, he checked each wish to roam,
And hugged the safe felicity of home.

Those days are long gone by; but who shall say
Why, like a dream, passed Saturn's Reign away?
Over its rise, its ruin, hangs a veil,
And naught remains except a Golden Tale.
Whether 'twas sin or hazard that dissolved
That happy scheme by kindly Gods evolved;
Whether Man fell by lucklessness or pride,-
Let jarring sects, and not the Muse, decide.
But when that cruel Fiat smote the earth,
Primeval Joy was poisoned at its birth.
In sorrow stole the infant from the womb,
The agëd crept in sorrow to the tomb.
The ground, so bounteous once, refused to bear
More than was wrung by sower, seed, and share.

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The Four Seasons : Autumn

Crown'd with the sickle and the wheaten sheaf,
While Autumn, nodding o'er the yellow plain,
Comes jovial on; the Doric reed once more,
Well pleased, I tune. Whate'er the wintry frost
Nitrous prepared; the various blossom'd Spring
Put in white promise forth; and Summer-suns
Concocted strong, rush boundless now to view,
Full, perfect all, and swell my glorious theme.
Onslow! the Muse, ambitious of thy name,
To grace, inspire, and dignify her song,
Would from the public voice thy gentle ear
A while engage. Thy noble cares she knows,
The patriot virtues that distend thy thought,
Spread on thy front, and in thy bosom glow;
While listening senates hang upon thy tongue,
Devolving through the maze of eloquence
A roll of periods, sweeter than her song.
But she too pants for public virtue, she,
Though weak of power, yet strong in ardent will,
Whene'er her country rushes on her heart,
Assumes a bolder note, and fondly tries
To mix the patriot's with the poet's flame.
When the bright Virgin gives the beauteous days,
And Libra weighs in equal scales the year;
From Heaven's high cope the fierce effulgence shook
Of parting Summer, a serener blue,
With golden light enliven'd, wide invests
The happy world. Attemper'd suns arise,
Sweet-beam'd, and shedding oft through lucid clouds
A pleasing calm; while broad, and brown, below
Extensive harvests hang the heavy head.
Rich, silent, deep, they stand; for not a gale
Rolls its light billows o'er the bending plain:
A calm of plenty! till the ruffled air
Falls from its poise, and gives the breeze to blow.
Rent is the fleecy mantle of the sky;
The clouds fly different; and the sudden sun
By fits effulgent gilds the illumined field,
And black by fits the shadows sweep along.
A gaily chequer'd heart-expanding view,
Far as the circling eye can shoot around,
Unbounded tossing in a flood of corn.
These are thy blessings, Industry! rough power!
Whom labour still attends, and sweat, and pain;
Yet the kind source of every gentle art,
And all the soft civility of life:
Raiser of human kind! by Nature cast,
Naked, and helpless, out amid the woods
And wilds, to rude inclement elements;
With various seeds of art deep in the mind

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