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Paris And Ahmed, Ignition Philosophy

PariS,
Have'nt you known, darling..
That things in you ignite,
To let the me in poetry..
Look at the poetry in me,
Or have'nt you known, darling..
That when the InmE ignites,
Things in you go down..
To let the poetry in me,
Look at the me..
InpoetrY.

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Une Nuit A Paris

Part one: one night in paris
Bonjour monsieur
Paris really welcomes you
Its the best room in the house
Its forty francs a night, alright.
Its crazy, it isnt worth a centime
Ill take it!
Merci monsieur
Rouged lips in the gaslight
A great view of the hall
Thats the way the croissant crumbles after all
Paris is only one step away
Les girls are out on bail
Tres bien theres love for sale
Oh my cheri, wish you were mine
And Ill show you a wonderful time
For the price of a cheap champagne
Ill show it you once again
One night in paris
Is like a year in any other place
One night in paris
Will wipe the smile off your pretty face
One girl in paris
Is like loving every woman
One night in paris
One night in paris
One night in paris
May be your last!!!
Part two: the same night in paris
Is he gonna buy?
You wanna little culture?
Is he gonna pay?
Maybe monsieur is into photographs, non?
Or is he gonna fall in love
The all american way?
I got a watch wiz a beautiful swiss movement
Is he gonna buy?
Forget the watch, Ill show you a good time!'
Is he gonna pay?
Le connoisseur, want something different?
Or is he gonna fall in love
The all american way?
Oh you know you aint no casanova
You cant even do the bossa nova
Or the tango or the samba!
Though you are so very charming
No you aint no casanova
Is he gonna buy?
Is he gonna pay?
Or is he gonna fall in love

[...] Read more

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Nazim Hikmet

Gioconda And Si-Ya-U

to the memory of my friend SI-YA-U,
whose head was cut off in Shanghai

A CLAIM

Renowned Leonardo's
world-famous
"La Gioconda"
has disappeared.
And in the space
vacated by the fugitive
a copy has been placed.

The poet inscribing
the present treatise
knows more than a little
about the fate
of the real Gioconda.
She fell in love
with a seductive
graceful youth:
a honey-tongued
almond-eyed Chinese
named SI-YA-U.
Gioconda ran off
after her lover;
Gioconda was burned
in a Chinese city.

I, Nazim Hikmet,
authority
on this matter,
thumbing my nose at friend and foe
five times a day,
undaunted,
claim
I can prove it;
if I can't,
I'll be ruined and banished
forever from the realm of poesy.

1928


Part One
Excerpts from Gioconda's Diary

15 March 1924: Paris, Louvre Museum

At last I am bored with the Louvre Museum.

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Poetry...Poetry...

Poetry...Poetry...
Poetry is in the beginning of new life,
Poetry is in the tears of a child,
Poetry is in the warmth of mother's kiss,
Poetry is in the child's bliss,
Poetry is in the hug of a father,
Poetry is in the love of a dear,
Poetry is in the happiness of affection,
Poetry is in the pain of separation,
Poetry is in someone's loss,
Poetry is in missing someone very close.

Poetry...Poetry...

Poetry is in the first rain,
Poetry is in the cultivation of first grain,
Poetry is in the first light of dawn,
Poetry is in the drops of dew o the grass of lawn,
Poetry is in the blowing of cool wind,
Poetry is in the beauty of green,
Poetry is in the twinkling star,
Poetry is in the aroma of a flower,
Poetry is in thunder and lightning,
Poetry is in the heat scorching.

Poetry...Poetry...

Poetry is something more sweeter than sweet,
Poetry is something more closer to heart beat,
Poetry is something more than the most beautiful creation,
Poetry is something more than the depth of an ocean,
Poetry is something more higher than the blue,
Poetry is something more true,
Poetry is something more enjoyable than wine,
Poetry is something more shiner than sunshine,
Poetry is something more pure than air,
Poetry is something which is present everywhere.

Poetry...Poetry...

Poet ry is not just rhyme,
Poetry is but the voice Divine,
Poetry is not just Poetry,
Poetry frames History,
After so many lines,
Poetry still remains undefined.

Poetry...Poetry...

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An act of poetry

Ruin is what we need –
Despair is what we feed
Upon in poetry

A shock resets the nerves –
Helps remould the curves
Of written art

Catharsis helps portray –
Acting out a play
On expurgation

Tears or hidden fears
Release the bottled years
To ink a page:

The pen be our salvation.

Copyright © Mark R Slaughter 2010


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Guillaume Apollinaire

Vendémiaire

Hommes de l'avenir souvenez-vous de moi
Je vivais à l'époque où finissaient les rois
Tour à tour ils mouraient silencieux et tristes
Et trois fois courageux devenaient trismégistes

Que Paris était beau à la fin de septembre
Chaque nuit devenait une vigne où les pampres
Répandaient leur clarté sur la ville et là-haut
Astres mûrs becquetés par les ivres oiseaux
De ma gloire attendaient la vendange de l'aube

Un soir passant le long des quais déserts et sombres
En rentrant à Auteuil j'entendis une voix
Qui chantait gravement se taisant quelquefois
Pour que parvînt aussi sur les bords de la Seine
La plainte d'autres voix limpides et lointaines

Et j'écoutai longtemps tous ces chants et ces cris
Qu'éveillait dans la nuit la chanson de Paris

J'ai soif villes de France et d'Europe et du monde
Venez toutes couler dans ma gorge profonde

Je vis alors que déjà ivre dans la vigne
Paris Vendangeait le raisin le plus doux de la terre
Ces grains miraculeux qui aux treilles chantèrent

Et Rennes répondit avec Quimper et Vannes
Nous voici ô Paris Nos maisons nos habitants
Ces grappes de nos sens qu'enfanta le soleil
Se sacrifient pour te désaltérer trop avide merveille
Nous t'apportons tous les cerveaux les cimetières les murailles
Ces berceaux pleins de cris que tu n'entendras pas
Et d'amont en aval nos pensées ô rivières
Les oreilles des écoles et nos mains rapprochées
Aux doigts allongés nos mains les clochers

Et nous t'apportons aussi cette souple raison
Que le mystère clôt comme une porte la maison
Ce mystère courtois de la galanterie
Ce mystère fatal fatal d'une autre vie
Double raison qui est au-delà de la beauté
Et que la Grèce n'a pas connue ni l'Orient
Double raison de la Bretagne où lame à lame
L'océan châtre peu à peu l'ancien continent

Et les villes du Nord répondirent gaiement

Ô Paris nous voici boissons vivantes
Les viriles cités où dégoisent et chantent

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Elizabeth Barrett Browning

Sixth Book

THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart

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Little Darlin'

Little Darling (Lynott)
--------------
Little darling, gonna be a rock and roll star
Little darling, gonna play electric guitar
Little darling, I'd like to get to know you
Pleased to meet you, how do you do?
Little darling
Little darling
Little darling
Little darling
Little darling, gonna love you tonight
Little darling, gonna shake, shake, boogaloo
Little darling, can I rattle my bones and dance with you?
And later on there'll be some lovie dovin'
A little kissing
A little hugging
A little holding you
Little darling, what's your mama mama going to do?
Little darling, when she finds out I stayed out all night with you?
Little darling, I'm gonna miss kissing you
Little darling, I'm gonna miss kissing you
Little darling
Little darling
Little darling
Little darling
Little darling, gonna love you tonight

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Oenone

There lies a vale in Ida, lovelier
Than all the valleys of Ionian hills.
The swimming vapour slopes athwart the glen,
Puts forth an arm, and creeps from pine to pine,
And loiters, slowly drawn. On either hand
The lawns and meadow-ledges midway down
Hang rich in flowers, and far below them roars
The long brook falling thro' the clov'n ravine
In cataract after cataract to the sea.
Behind the valley topmost Gargarus
Stands up and takes the morning: but in front
The gorges, opening wide apart, reveal
Troas and Ilion's column'd citadel,
The crown of Troas. Hither came at noon
Mournful Œnone, wandering forlorn
Of Paris, once her playmate on the hills.
Her cheek had lost the rose, and round her neck
Floated her hair or seem'd to float in rest.
She, leaning on a fragment twined with vine,
Sang to the stillness, till the mountain-shade
Sloped downward to her seat from the upper cliff.

"O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
For now the noonday quiet holds the hill:
The grasshopper is silent in the grass:
The lizard, with his shadow on the stone,
Rests like a shadow, and the winds are dead.
The purple flower droops: the golden bee
Is lily-cradled: I alone awake.
My eyes are full of tears, my heart of love,
My heart is breaking, and my eyes are dim,
And I am all aweary of my life.

"O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
Hear me, O Earth, hear me, O Hills, O Caves
That house the cold crown'd snake! O mountain brooks,
I am the daughter of a River-God,
Hear me, for I will speak, and build up all
My sorrow with my song, as yonder walls
Rose slowly to a music slowly breathed,
A cloud that gather'd shape: for it may be
That, while I speak of it, a little while
My heart may wander from its deeper woe.

"O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
I waited underneath the dawning hills,
Aloft the mountain lawn was dewy-dark,

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Œnone

. There lies a vale in Ida, lovelier
Than all the valleys of Ionian hills.
The swimming vapour slopes athwart the glen,
Puts forth an arm, and creeps from pine to pine,
And loiters, slowly drawn. On either hand
The lawns and meadow-ledges midway down
Hang rich in flowers, and far below them roars
The long brook falling thro' the clov'n ravine
In cataract after cataract to the sea.
Behind the valley topmost Gargarus
Stands up and takes the morning: but in front
The gorges, opening wide apart, reveal
Troas and Ilion's column'd citadel,
The crown of Troas. Hither came at noon
Mournful Œnone, wandering forlorn
Of Paris, once her playmate on the hills.
Her cheek had lost the rose, and round her neck
Floated her hair or seem'd to float in rest.
She, leaning on a fragment twined with vine,
Sang to the stillness, till the mountain-shade
Sloped downward to her seat from the upper cliff.

'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
For now the noonday quiet holds the hill:
The grasshopper is silent in the grass:
The lizard, with his shadow on the stone,
Rests like a shadow, and the winds are dead.
The purple flower droops: the golden bee
Is lily-cradled: I alone awake.
My eyes are full of tears, my heart of love,
My heart is breaking, and my eyes are dim,
And I am all aweary of my life.

'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
Hear me, O Earth, hear me, O Hills, O Caves
That house the cold crown'd snake! O mountain brooks,
I am the daughter of a River-God,
Hear me, for I will speak, and build up all
My sorrow with my song, as yonder walls
Rose slowly to a music slowly breathed,
A cloud that gather'd shape: for it may be
That, while I speak of it, a little while
My heart may wander from its deeper woe.

'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
I waited underneath the dawning hills,
Aloft the mountain lawn was dewy-dark,

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Little Darling

Little darling, gonna be a rock and roll star
Little darling, gonna play electric guitar
Little darling, Id like to get to know you
Pleased to meet you, how do you do?
Little darling
Little darling
Little darling
Little darling
Little darling, gonna love you tonight
Little darling, gonna shake, shake, boogaloo
Little darling, can I rattle my bones and dance with you?
And later on therell be some lovie dovin
A little kissing
A little hugging
A little holding you
Little darling, whats your mama mama going to do?
Little darling, when she finds out I stayed out all night with you?
Little darling, Im gonna miss kissing you
Little darling, Im gonna miss kissing you
Little darling
Little darling
Little darling
Little darling
Little darling, gonna love you tonight

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In Paris With You

Don't talk to me of love. I've had an earful
And I get tearful when I've downed a drink or two.
I'm one of your talking wounded.
I'm a hostage. I'm maroonded.
But I'm in Paris with you.

Yes I'm angry at the way I've been bamboozled
And resentful at the mess I've been through.
I admit I'm on the rebound
And I don't care where are we bound.
I'm in Paris with you.

Do you mind if we do not go to the Louvre
If we say sod off to sodding Notre Dame,
If we skip the Champs Elysées
And remain here in this sleazy

Old hotel room
Doing this and that
To what and whom
Learning who you are,
Learning what I am.

Don't talk to me of love. Let's talk of Paris,
The little bit of Paris in our view.
There's that crack across the ceiling
And the hotel walls are peeling
And I'm in Paris with you.

Don't talk to me of love. Let's talk of Paris.
I'm in Paris with the slightest thing you do.
I'm in Paris with your eyes, your mouth,
I'm in Paris with... all points south.
Am I embarrassing you?
I'm in Paris with you.

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Paris, Please Accept Me, As A Human Refugee

paris................
o paris................
Y paris................
the patience, eating the happiness
the pain, eating the patience
and the pain, eating the pain
I AM SICK, paris
treat me, sister
paris................
o paris................
Y paris................
exile, on my papers
restrained, ..
in my lines
so free me, paris
treat me, paris
I BELONG TO YOU, ..
sister
my home, the colours of MONET
my room, is a water flower
my air..
is the scent of FRANCE
and my refuge..
is a place by RENOIR shrine
so take me paris..
as your..
renoirian..
REFUGEE.

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Poetry On The Chin

You gouged my mind's eye,
Tantalised all inner thought,
Shocked from unknown angles;
Sold me, told me cold,
Unfolded, moulded;
Shouldered any harbouring
Of empty morals.

You spun me round; undressed -
Pestered me with background riddle -
Piffle came to gleaning meaning.
And you stripped out prejudice - for none
Must exist in poetry,
Lest you close up an open mind
And f**k up as reader;
Lest your heart is not a bleeder -
It has to be - let it flush out
Upon your sleeve.

You lay apart my thinking brain
And let in the literary pickings of a
Great poetic phallus.
Yes, poetry can be callous.


Copyright © Mark Raymond Slaughter 2010

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Dont Be Afraid

Dont be afraid to reveal what you know
Dont be afraid to conceal what you show
Oh darling
Dont be afraid
Oh darling
I said, dont be afraid to ray what you need
Dont be afraid
What you feel about me
Oh oh oh darling
Count me lucky I dont follow you
Dont be afraid of me feeling so blue
Oh darling
Lucky forever
Oh darling
I said, dont be afraid to ray what you need
Dont be afraid
What you feel about me
Oh oh oh darling
Dont be afraid to reveal what you know
Dont be afraid to conceal what you show
Oh darling
Dont be afraid
Oh darling
I said, dont be afraid to ray what you need
Dont be afraid
What you feel about me
Oh oh oh darling
Oh darling
Oh oh oh darling
Oh darling
Oh oh oh darling
Oh darling
Oh oh oh darling
Oh darling
Oh oh oh darling

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Poetry: What Is Poetry?

Poetry pleases my ears
that words sound in harmony,
but not to a foreign tongue.

Poetry draws a picture
to invite my eyes,
but still puzzles my mind.

Poetry blows with wind,
in water He flows,
shouts in thunders,
and bounces as rock in roll.

Poetry preserves His truth,
in secret codes, simple words,
only reveals to the worthy.

Poetry sings in my ears,
dances in front my eyes,
kisses my lips,
brings fragrance,
that fills my mind
and imprints my soul.

Poetry does not like as I like
as whenever I use as like wrongly,
and it is unfair He uses
correctly all times He does,
but I make Him to like
as I do like anyway.

Poetry tells stories
to company my journey,
writes jokes
to convert my tragedy
into a comedy,
and builds a rainbow bridge
where my dream
and reality meet.

Poetry blinded Homer
with Helen and war,
afflicted Catullus
with his love and hate,
taught Beowulf
how to fight!

Poetry made Li Bai drunk
in magical words,
brought sorrows to Du Fu,

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Freedom Fighters

Today I heard what them people say
Dem want to live free greedily, with everyone to pay.
You play under the sun while others fight and dies away
but I say if you don't like it this way, then why stay? Go away
Freedom Fighters
Ignite Jah
Freedom Fighters
Shine Jah
Live free, Be free, Die free
Freedom Fighters
Live free, Be free, Die free
Ignite Jah
Live free, Be free, Die free
Freedom Fighters
Live free, Be free, Die free
Shine Jah
Today I heard what them people say
Them say "The Man came in and he took our choice away"
You portray selfishness and hate
While some prepare to die today
I say you fade away, appreciate life and liberate
Freedom Fighters
Ignite Jah
Freedom Fighters
Shine Jah
Live free, Be free, Die free
Freedom Fighters
Live free, Be free, Die free
Ignite Jah
Live free, Be free, Die free
Freedom Fighters
Live free, Be free, Die free
Shine Jah
We have the right - to live in peace
and you must fight - for what you keep
If what you keep - holds truth inside
Stand up, defend - lay down and die
We have the right to live in peace
You must fight for what you keep
If what you keep holds truth inside
Stand up, defend, or lay down and die
Freedom Fighters
Ignite Jah
Freedom Fighters
Shine Jah
Live free, Be free, Die free
Freedom Fighters
Live free, Be free, Die free
Ignite Jah
Live free, Be free, Die free

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Taught To Fear And Suffer

Taught not born,
To hate.
Taught not born,
To fear.
Taught not born,
To discriminate.
And taught not born,
To jeer.

Taught not born,
To give.
Taught not born,
To take.
Taught not born to be of benefit to others.
But many bigots interfere...
With an infliction of their insecurities,
That smother one another.

Some are taught they are better than most human beings.
With a stunting of their own growth,
In isolated dreams.

And then their are those who confront others,
With obvious legitimate needs.
Ultimately to suffer from these misdeeds.

Taught not born,
To hate.
Taught not born,
To fear.
Taught not born,
To discriminate.
And taught not born,
To jeer.

Taught to greed selfishly!
Taught to deceive and steal like thieves!
And taught to cheat to succeed...
No matter who does the suffering and bleeds.

Taught to fear and suffer.
As a right,
To incite and ignite...
Fear.
As a right,
To incite and ignite...
Suffering,
Inflicted.
As a right to incite and ignite,
Fear!

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Dogs

The first time we met you were a kennel maid,
The first time we met you were a kennel maid,
You gave me a tip I got me forecast paid,
You gave me a tip I got me forecast paid,
You were holding a greyhound in trap number one,
You were holding a greyhound in trap number one,
Your white coat was shining in the afternoon sun.
Your white coat was shining in the afternoon sun.
Now were both together,
Now were both together,
Were never gonna break apart, no no,
Were never gonna break apart, no no,
cause were a happy couple you and me,
cause were a happy couple you and me,
With a greyhound at either knee.
With a greyhound at either knee.
Ill have ten shillings to win on camera flash, young man,
Ill have ten shillings to win on camera flash, young man,
What dogs that, its a deuce, look at it.
What dogs that, its a deuce, look at it.
There was nothing in my life bigger than beer,
There was nothing in my life bigger than beer,
There was nothing in my life bigger than beer,
There was nothing in my life bigger than beer,
ceptin you, little darling,
ceptin you, little darling,
ceptin you, little darling,
ceptin you, little darling,
Were a happy couple you and me,
Were a happy couple you and me,
With a greyhound at either knee.
With a greyhound at either knee.
We go to the dog track on saturday night,
We go to the dog track on saturday night,
We put all our money on a dog that we like,
We put all our money on a dog that we like,
A kiss and a cuddle, a hot meat pie,
A kiss and a cuddle, a hot meat pie,
Two dollar tickets and a starry sky.
Two dollar tickets and a starry sky.
There was nothing in my life bigger than beer,
There was nothing in my life bigger than beer,
There was nothing in my life bigger than beer,
There was nothing in my life bigger than beer,
ceptin you, little darling,
ceptin you, little darling,
ceptin you, little darling,
ceptin you, little darling,
Were a happy couple you and me,
Were a happy couple you and me,

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Dont Play That Song

Dont play that song
Performed by: mariah carey
Written by: b nelson, a ertegun
Dont play that song for me
cause it brings back memories
Of days that I once knew
Those days that I spent with you
Oh no dont leave me
cause it fills up my heart with pain
So please stop it right away
cause I remember just what he said
He said darling I love you
But I know that he lied
Darling I need you
Know that you lied
Darling I love you
Darling you lied
Lied
You lied to me
Hey mister
Dont play it no more
Dont play it no more
I cant stand it
Dont play it no more
No more, no more, no more
I cant stand it
I remember on our first date
He kissed me and he walked away
I was only seventeen
I never dreamed hed be so mean
He told me darling I love you
But baby baby you lied
Darling I need you
You lied
Darling I love you
Darling you lied
Lied
You lied to me
Oh darling
Darling I love you
You know that you lied
Darling I need you
Baby I know that you lied
Darling I love you
Darling you lied
Lied
You lied to me and hurt me
Darling you lied
Dont play it no more
No baby

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Amy Lowell

The Hammers

I

Frindsbury, Kent, 1786

Bang!
Bang!
Tap!
Tap-a-tap! Rap!
All through the lead and silver Winter days,
All through the copper of Autumn hazes.
Tap to the red rising sun,
Tap to the purple setting sun.
Four years pass before the job is done.
Two thousand oak trees grown and felled,
Two thousand oaks from the hedgerows of the Weald,
Sussex had yielded two thousand oaks
With huge boles
Round which the tape rolls
Thirty mortal feet, say the village folks.
Two hundred loads of elm and Scottish fir;
Planking from Dantzig.
My! What timber goes into a ship!
Tap! Tap!
Two years they have seasoned her ribs on the ways,
Tapping, tapping.
You can hear, though there's nothing where you gaze.
Through the fog down the reaches of the river,
The tapping goes on like heart-beats in a fever.
The church-bells chime
Hours and hours,
Dropping days in showers.
Bang! Rap! Tap!
Go the hammers all the time.
They have planked up her timbers
And the nails are driven to the head;
They have decked her over,
And again, and again.
The shoring-up beams shudder at the strain.
Black and blue breeches,
Pigtails bound and shining:
Like ants crawling about,
The hull swarms with carpenters, running in and out.
Joiners, calkers,
And they are all terrible talkers.
Jem Wilson has been to sea and he tells some wonderful tales
Of whales, and spice islands,
And pirates off the Barbary coast.
He boasts magnificently, with his mouth full of nails.
Stephen Pibold has a tenor voice,
He shifts his quid of tobacco and sings:

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