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Mummy News Cries

Mummy don't leave me today.
Mummy he hurts me again and again
Mummy I'm sorry I upset you
Mummy of course I'll go again.

News in the paper of a little girls death
News in the paper of the abuse
News in the paper of a grieving mother
News in the paper of a life gone too soon.

Cries the mother who didn't heed the cry
Cries the mother who failed to hear
Cries the mother who sent her there
Cries the mother for her dead child.

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Patrick White

I Love The World The Way A Mother Loves A Dead Child

I love the world the way a mother loves a dead child
and sees its ghost everywhere.
I look at the stars and more and more
I see the disappointment in their eyes.
We waste each other like clear cut forests.
In the sacred groves where the priests
are the birds of death, you're either
a chainsaw or a nail protesting a passion play.
Ever since the last lyric died an agonizing death
poems have become gadgets
in the hands of inventors without fingerprints.
No growth rings in the heartwood of a dead tree.
Tone-deaf door-knockers who write poetry
as a kind of white noise to drown out
the shrieking of the innocent in their crawl spaces.

Chronic renewal of one-eyed overviews.
Most people's lives are just big enough lies
they've told themselves often enough
to believe there may be something to it.
Wounded earth, I weep for you like a slayer
weeps for the slain. You were not my mother.
You were my child. Nemetic humanity
raises its own assassin in paranoid despair.

Measure of the mighty in the power of a dam,
how easy it is to forget the omnipotence
of a dropp of rain. It's still possible to open
cosmic gates of the aviaries and let
all the winged horses fly free and riderless
like the silk paratroopers of the milk weed pods
or the albino umbrellas of smouldering dandelions.
But for the most part
beauty and truth lost heart long ago
and were turned out like fashionistas
on the celebrity catwalks of surrealistic irreverence
and now the peony is wearing the thorns of the rose.

I still go out at night far from town by myself
to amuse the stars with my humanity,
the dents in my shining, the legends of light
I turned into black farces of self-righteous fallibility
as if I had acquired the power to reverse
a diamond back into coal. The mourning dove
studies the occult magic of the crow
and the sacred clowns look for enlightenment
in their shame, in the irrelevant antics
of the painted tears that fall from their eyes
whenever they address themselves
like mirrors in a green room putting their make-up on.

Been in the tide of this night sea of awareness
so long now, I've developed a tendency
to round the sharp corners of the crucials
out into more spherically embrasive wavelengths,
kinder pieces of sand-blasted glass
to insulate myself exponentially from the details
as if a full moon were some kind of antidote
to its own fangs and the harvest wasn't toxic.
But I know I'm only trying to divine my way
by white lightning on the moon illuminating a road
as wide as everywhere. And my childhood rage
is stilling tearing down gates and fences
around open fields where the wildflowers bloom
without starmaps, and the bounty of the earth
isn't a menu that determines your place in the foodchain.

Poetry's been the longest good night I've ever experienced
and life the deepest, most gracious bow
to all the people, events, and things I've ever cherished.
Not too hard to see the lowest common denominator
of all values has become a quantum mechanical lottery
and physics is just a screening myth
for what gets murdered along the way to the promised land.
Enculturated to our own pollution like fish,
though we swim out as far as the spring equinox in Pisces
to pour the universe out of the universe,
worlds waterclocking into worlds, still
after washing ourselves off in stars like water and sand
seeping into our graves like the mirage of an oil spill,
we're still recognized immediately among the worlds
by the indelibility of our filth, having yet to learn
not to track our identity in after us into the house of life.

The ululation of the loons wailing like Arab widows
reverberating across the lake sounds more
like an angry plea, than a call to prayer,
but who could lament the immensity
of that kind of tragic absence in a single lifetime
without emptying their spirits out like dry wells in a desert
that navigates like a madman by the full moon?
When I was young, I opened up a night school
to explain what a human was to the stars,
but now my soul's a lot more illiterate than it was
and it's me that's asking them to teach me to read.


Even if you look at it like a leather boot
that's walked down one too many roads
not to feel the pebble of the world bruise its heel,
even though we've made a great mess of it,
it's still a great mystery, yes? Give your assent
without hesitation, or the moon will know you're lying.
The mysterium tremendum et fascinans of the Romans.
The bright vacancy in the dark abundance
of the ore of our unknowing. Even the hardest heart
bleeds like iron out of the sacred rock
transformed in the forges of the fireflies of mystic insight
into a sword of moonlight worthy of being
laid down upon the waters of life in tribute.
Even if you had to fall upon it more than once
to get the point before you returned it in gratitude.

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You're The One For Me, Fatty

You're the one for me, fatty
You're the one i really, really love
And i will stay
Promise you'll say
If i'm in your way
You're the one for me, fatty
You're the one i really, really love
And i will stay
Promise you'll say
If i'm ever in your ...
A-hey
All over battersea
Some hope; and some despair
All over battersea
Some hope; and some despair
Oh ...
You're the one for me, fatty
You're the one i really, really love
And i will stay
Promise you'll say
If i'm in your way
You're the one for me, fatty
You're the one i really, really love
And i will stay
Promise you'll say
If i'm ever in your ...
A-hey
All over battersea
Some hope; and some despair
All over battersea
Some hope; and some despair
Oh, oh ...
You're the one for me, fatty
You're the one i really, really love
And i will stay
Promise you'll say
If i'm ever in your way
A-hey
You're the one for me, fatty
You're the one for me, a-hey-hey
A-hey
A-hey
A-hey
A-he-he-he-hey

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Its Not The Same For Us

I know you live on my street
I sometimes wonder
Why we dont meet
Ive seen your face in the sky
Twenty-five stories high
You never come down to earth
Communication (communication)
Could hardly be much worse
Dont keep me here in the dark
I want to be your friend
Your fears are way off the mark
Every generation
Sees it their own way
Never learning their lessons
Making the same mistakes again
Its not the same for us - as history fades away
Its not the same for us - you must hear me when I say
Look out on this brave new land
Think of the future
The future that lays in our hands
Our leaders live in the past
We can change it
Theres something to hope for at last
Every generation
Sees it their own way
Why dont we learn our lessons
Dont make the same mistakes again
(chorus)
What dreams are you chasing now?
What are you living for?
The problems that were facing now
Nobody faced before
Please dont reject me
In anger or in sorrow
Youve got to accept me
If were to make a better tomorrow
Its not the same - its not the same for us

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Doing The Best For You

You can blame it on the government,
The unions,
They use you all you life,
You can take system and make believe
It will be alright,
Theyve taken the spirit of your life,
And given you a machine.
No wonder you feel so hard done by
Chorus
Theyre doing the best for you,
Well thats what they say,
I know what youre going through.
You travel alone,
The journey is long,
With only a name,
In search of a song.
You can blame it on the catholics,
The jews,
The blacks,
And the whites.
You can take any doctrine and surely waste
Another life.
Any way that you want it to be,
By popular demand
Any way but the way it should be.
Chorus
Theyre doing the best for you,
Well thats what they say,
I know what youre going through.
You travel alone,
The journey is long,
With only a name,
In search of a home.
The world is ruled by science and money,
Thats all that exists.
How much longer must we live and die
For this.
Chorus
Doing the best for you,
Doing the best for you,
Doing the best for you.
You travel alone,
The journey is long,
From where do you come,
To where do you go.

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A Mother and her Dead Child

Looking back
it seemed
the child

was not to be
always there,
not through lack

of love or care,
but something
that came to her

in dreams of dread
at night asleep in bed.
She tries to retake

in dreams
the child back,
to pretend

that through
wishful thinking
she can make up

the lack.
Arms fold
into cradle

as once they had
when child lay
in arm's hold,

snuggled
and warm,
alive and moving,

seeking out with
eyes and fingers
her mother's dug.

Rock-abye-baby
no more,
the arms

and hands
redundant,
the last time

she recalls
the dead child
in arms,

rocking
back and forth,
as if this might cure

and bring back
to life,
might stir open

eyes, jog open
lips and mouth
to suck.

Not to be
just the memory,
ill luck.

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Don't Leave Me

Don't leave me
I have to wait for you to come back
I will miss you too much
When you leave me I be depression

Don't leave me
You are my angel
Please stay and tell me whatever I did wrong or say and I'm sorry
You make me not want to eat or sleep if you leave me

Don't leave me
What will I do without you
Everyday not seeing you anymore will make me sad and
Think it all my fault if you leave me
You are the only one for me

Don't leave me
You are my angel
Please stay and tell me whatever I did wrong or say and I'm sorry
You make me not want to eat or sleep if you leave me

Don't leave me and
I have to wait for you
I will move onto another guy and forget you
So baby please stay with me and give me another chance

Don't leave me
I will never smile again
I can't stand back up if
You not here by my side so please stay baby
Don't leave me

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The Princes' Quest - Part the Fifth

So, being risen, the Prince in brief while went
Forth to the market-place, where babblement
Of them that bought and them that sold was one
Of many sounds in murmurous union-
buzzing as of bees about their hives,
With shriller gossiping of garrulous wives
Piping a tuneless treble thereunto:
In midst whereof he went his way as who
Looketh about him well before he buys,
To mark the manner of their merchandise;
Till chancing upon one who cried for sale
A horse, and seeing it well-limb'd and hale,
And therewithal right goodly to behold,
He bought the beast and paid the man in gold,
And having gotten him the needful gear
Rode from the market, nothing loth to hear
Its garrulous wives no longer, and the din
Of them that daily bought and sold therein.
So from the place he passed, and slowly down
Street after street betook him till the town
Behind him and the gates before him were,
And all without was cornland greenly fair.

And through the cornland wending many a mile,
And through the meadowland, he came erewhile
To where the highways parted, and no man
Was nigh to tell him whitherward they ran;
But while he halted all in doubtful mood,
An eagle, as if mourning for her brood
Stolen, above him sped with rueful cry;
And when that he perceived the fowl to fly
Plaining aloud, unto himself he said,
'Now shall yon mournful mother overhead
Instruct the wandering of my feet, and they
Shall follow where she leadeth:' and away
The bird went winging westward clamorously,
That westward even in her wake went he.
And it may be that in his heart there stirred
Some feeling as of fellowship with the bird;
For he, like her, was bound on a lone quest;
And for his feet, as for her wings, no rest
Might be, but only urgence of desire,
And one far goal that seemed not ever nigher.

So through that country wended he his way,
Resting anights, till on the seventh day
He passed unwares into another land,
Whose people's speech he could not understand-
A tract o'er-run with tribes barbarian,
And blood-red from the strife of man with man:
And truly 'twas a thing miraculous
That one should traverse all that rude land thus,
And no man rid him of his gold, nor raise
A hand to make abridgment of his days;
But there was that about him could make men's
Hearts, ere they knew it, yield him reverence,-
Perchance a sovran something in his eye,
Whereat the fierce heart failed, it wist not why;-
Perchance that Fate which (hovering like a doubt
Athwart his being) hemmed him round about,
Gloomed as a visible shadow across his way,
And made men fearful. Be this as it may,
No harm befell him in that land, and so
He came at last to where the ebb and flow
Of other seas than he had wandered o'er
Upflung to landward an attempered roar;
And wandering downward to the beach, he clomb
To topmost of a tall grey cliff, wherefrom
He saw a smoke as of men's houses, far
Off, from a jutting point peninsular
Uprising: whence he deemed that there a town
Must surely be. And so he clambered down
The cliff, and getting him again to horse
Thither along the seabound held his course,
And reached that city about sunset-tide
The smoking of whose hearths he had espied.

There at an hostel rested he, and there
Tarried the coming of the morn. But ere
He fell asleep that night, a wandering thought,
Through darkling byeways of the spirit brought,
Knock'd at his soul for entrance, whispering low
'What if to-night thou dream The Dream, and know
To-morrow, when thou wakest from that bliss,
The land wherein thou liest to be his
Who hath the mystic jewel in his keep?'
So, full of flattering hope he fell asleep,
And sleeping dreamed, but dreamed not that he would:
For at one time it seemed as if he stood
Alone upon a sterile neck of land,
Where round about him upon either hand
Was darkness, and the cry of a dark sea,
And worldwide vapours glooming thunderously;
And ever as he stood, the unstable ground
Slid from beneath his feet with a great sound,
Till he could find no foothold anywhere
That seemed not unsubstantial as the air.
At otherwhiles he wandered all alone
About a lonely land, and heard a moan
As of some bird that sang and singing grieved;
And peering all about the woods thick-leaved
If so he might espy the bird, he found
At length, after long searching, that the sound
Even from the bottom of his own heart came,
And unawares his own mouth sang the same.
And then in dream 'twas like as years went by,
And still he journeyed, hardly knowing why,
Till at the last a mist about him fell,
And if the mist were death he could not tell,
For after that he knew no more. And so
He slept until the cock began to crow.

Then came the gladful morn, that sendeth sick
Dreams flying, and all shapes melàncholic
That vex the slumbers of the love-distraught.
Unto his heart the merry morning brought
Cheer, and forewhisperings of some far-off rest,
When he should end in sweet that bitter quest.
But going forth that morn, and with his feet
Threading the murmurous maze of street and street,
All strangely fell upon him everywhere
The things he saw and heard of foul or fair.
The thronging of the folk that filled the ways;
The hubbub of the street and market-place;
The sound of heavy wain-wheels on the stones;
The comely faces and ill-favoured ones;
The girls with apple-cheeks and hair of gold;
The grey locks and the wrinkles of the old;-
All these remote and unfamiliar
Seem'd, and himself a something from afar,
Looking at men as shadows on the wall
And even the veriest shadow among them all.

But now when all things dreamwise seemed to swim
About the dubious eyes and ears of him,
That nothing in the world might be believed,
It chanced that on a sudden he perceived
Where one that dealt in jewels sat within
His doorway, hearkening to the outer din,
As who cared no-wise to make fast his ears
Against the babble of the street-farers:
Whereat the merchant, seeing a stranger pass,
Guessed by his garb what countryman he was,
And giving him good-day right courteously
Bespake him in his mother-tongue; for he
Had wandered in his youth o'er distant seas
And knew full many lands and languages.
Wherefore with him the royal stranger fell
To talking cheerly, and besought him tell
Whence all his gems were had and costly things,
Talismans, amulets, and charmèd rings:
Whereto the other answered, They had come
Some from a country not far hence, and some
From out a land a thousand leagues away
To eastward, ev'n the birthplace of the Day,
The region of the sun's nativity;
And giving ear to this right readily
The Prince would fain be told of him the way
To that far homeland of the youngling Day.
So, being ask'd, the other answered, 'Sir,
There liveth but one master-mariner
Whose ship hath sailed so far: and that is he
Who hither brought the jewels thou dost see.
And now, as luck will have it for the nonce,
He wills to voyage thitherward but once
Before he die-for he is old like me-
And even this day se'nnight saileth he.
Wherefore if thou be fain to see that land,
There needeth only gold within thy hand:
For gold, if that it jingle true and clear,
Hath still a merry music for man's ear,
And where is he that hateth sound of it?'
So saying, the merchant bade the stranger sit,
But the Prince thanked him for his courtesy,
And went his way. And that day se'nnight he
Was sailing toward the far-off morningland,
And felt the skies about him like a band,
And heard the low wind uttering numerous noise,
And all the great sea singing as one voice.

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,—we who mass and crowd
From wall to wall in the darkening of a cloud.

The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.


III.

One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.

Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.

Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.


IV.

Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.

They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.

And behind them all the ghosts of thoughts went moving,
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.

And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.

And there was one who turned from clamoring streets,
And walked in lamplit gardens among black trees,
And looked at the windy sky,
And thought with terror how stones and roots would freeze
And birds in the dead boughs cry . . .

And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.

And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.


V.

The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.

The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.

One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.

Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . . We spread out swiftly;
Trees are above us, and darkness. The canyon fades . . .

And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.

We flow to the east, to the white-lined shivering sea;
We reach to the west, where the whirling sun went down;
We close our eyes to music in bright cafees.
We diverge from clamorous streets to streets that are silent.
We loaf where the wind-spilled fountain plays.

And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.


VI.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,—
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound. Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead. It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again. And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us. He yields us our desire.

'No, do not stare so—he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this. I know. It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.


VII.

Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.

'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died—you know the way. Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'

He folds his letter, steps softly down the stairs.
The doors are closed and silent. A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind. Night roars above him.
Into the night he fades.

Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and tinkle of glass . . .
Darkness whistles . . . Wild hours pass . . .

And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,—
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of flame . . .
With a smoking ghost of shame . . .

Wind, wind, wind . . . Wind in an enormous brain
Blowing dark thoughts like fallen leaves . . .
The wind shrieks, the wind grieves;
It dashes the leaves on walls, it whirls then again;
And the enormous sleeper vaguely and stupidly dreams
And desires to stir, to resist a ghost of pain.

One, whom the city imprisoned because of his cunning,
Who dreamed for years in a tower,
Seizes this hour
Of tumult and wind. He files through the rusted bar,
Leans his face to the rain, laughs up at the night,
Slides down the knotted sheet, swings over the wall,
To fall to the street with a cat-like fall,
Slinks round a quavering rim of windy light,
And at last is gone,
Leaving his empty cell for the pallor of dawn . . .

The mother whose child was buried to-day
Turns her face to the window; her face is grey;
And all her body is cold with the coldness of rain.
He would have grown as easily as a tree,
He would have spread a pleasure of shade above her,
He would have been his father again . . .
His growth was ended by a freezing invisible shadow.
She lies, and does not move, and is stabbed by the rain.

Wind, wind, wind; we toss and dream;
We dream we are clouds and stars, blown in a stream:
Windows rattle above our beds;
We reach vague-gesturing hands, we lift our heads,
Hear sounds far off,—and dream, with quivering breath,
Our curious separate ways through life and death.


VIII.

The white fog creeps from the cold sea over the city,
Over the pale grey tumbled towers,—
And settles among the roofs, the pale grey walls.
Along damp sinuous streets it crawls,
Curls like a dream among the motionless trees
And seems to freeze.

The fog slips ghostlike into a thousand rooms,
Whirls over sleeping faces,
Spins in an atomy dance round misty street lamps;
And blows in cloudy waves over open spaces . . .

And one from his high window, looking down,
Peers at the cloud-white town,
And thinks its island towers are like a dream . . .
It seems an enormous sleeper, within whose brain
Laborious shadows revolve and break and gleam.

PART II.


I.

The round red sun heaves darkly out of the sea.
The walls and towers are warmed and gleam.
Sounds go drowsily up from streets and wharves.
The city stirs like one that is half in dream.

And the mist flows up by dazzling walls and windows,
Where one by one we wake and rise.
We gaze at the pale grey lustrous sea a moment,
We rub the darkness from our eyes,

And face our thousand devious secret mornings . . .
And do not see how the pale mist, slowly ascending,
Shaped by the sun, shines like a white-robed dreamer
Compassionate over our towers bending.

There, like one who gazes into a crystal,
He broods upon our city with sombre eyes;
He sees our secret fears vaguely unfolding,
Sees cloudy symbols shape to rise.

Each gleaming point of light is like a seed
Dilating swiftly to coiling fires.
Each cloud becomes a rapidly dimming face,
Each hurrying face records its strange desires.

We descend our separate stairs toward the day,
Merge in the somnolent mass that fills the street,
Lift our eyes to the soft blue space of sky,
And walk by the well-known walls with accustomed feet.


II. THE FULFILLED DREAM

More towers must yet be built—more towers destroyed—
Great rocks hoisted in air;
And he must seek his bread in high pale sunlight
With gulls about him, and clouds just over his eyes . . .
And so he did not mention his dream of falling
But drank his coffee in silence, and heard in his ears
That horrible whistle of wind, and felt his breath
Sucked out of him, and saw the tower flash by
And the small tree swell beneath him . . .
He patted his boy on the head, and kissed his wife,
Looked quickly around the room, to remember it,—
And so went out . . . For once, he forgot his pail.

Something had changed—but it was not the street—
The street was just the same—it was himself.
Puddles flashed in the sun. In the pawn-shop door
The same old black cat winked green amber eyes;
The butcher stood by his window tying his apron;
The same men walked beside him, smoking pipes,
Reading the morning paper . . .

He would not yield, he thought, and walk more slowly,
As if he knew for certain he walked to death:
But with his usual pace,—deliberate, firm,
Looking about him calmly, watching the world,
Taking his ease . . . Yet, when he thought again
Of the same dream, now dreamed three separate times,
Always the same, and heard that whistling wind,
And saw the windows flashing upward past him,—
He slowed his pace a little, and thought with horror
How monstrously that small tree thrust to meet him! . . .
He slowed his pace a little and remembered his wife.

Was forty, then, too old for work like this?
Why should it be? He'd never been afraid—
His eye was sure, his hand was steady . . .
But dreams had meanings.
He walked more slowly, and looked along the roofs,
All built by men, and saw the pale blue sky;
And suddenly he was dizzy with looking at it,
It seemed to whirl and swim,
It seemed the color of terror, of speed, of death . . .
He lowered his eyes to the stones, he walked more slowly;
His thoughts were blown and scattered like leaves;
He thought of the pail . . . Why, then, was it forgotten?
Because he would not need it?

Then, just as he was grouping his thoughts again
About that drug-store corner, under an arc-lamp,
Where first he met the girl whom he would marry,—
That blue-eyed innocent girl, in a soft blouse,—
He waved his hand for signal, and up he went
In the dusty chute that hugged the wall;
Above the tree; from girdered floor to floor;
Above the flattening roofs, until the sea
Lay wide and waved before him . . . And then he stepped
Giddily out, from that security,
To the red rib of iron against the sky,
And walked along it, feeling it sing and tremble;
And looking down one instant, saw the tree
Just as he dreamed it was; and looked away,
And up again, feeling his blood go wild.

He gave the signal; the long girder swung
Closer to him, dropped clanging into place,
Almost pushing him off. Pneumatic hammers
Began their madhouse clatter, the white-hot rivets
Were tossed from below and deftly caught in pails;
He signalled again, and wiped his mouth, and thought
A place so high in the air should be more quiet.
The tree, far down below, teased at his eyes,
Teased at the corners of them, until he looked,
And felt his body go suddenly small and light;
Felt his brain float off like a dwindling vapor;
And heard a whistle of wind, and saw a tree
Come plunging up to him, and thought to himself,
'By God—I'm done for now, the dream was right . . .'


III. INTERLUDE

The warm sun dreams in the dust, the warm sun falls
On bright red roofs and walls;
The trees in the park exhale a ghost of rain;
We go from door to door in the streets again,
Talking, laughing, dreaming, turning our faces,
Recalling other times and places . . .
We crowd, not knowing why, around a gate,
We crowd together and wait,
A stretcher is carried out, voices are stilled,
The ambulance drives away.
We watch its roof flash by, hear someone say
'A man fell off the building and was killed—
Fell right into a barrel . . .' We turn again
Among the frightened eyes of white-faced men,
And go our separate ways, each bearing with him
A thing he tries, but vainly, to forget,—
A sickened crowd, a stretcher red and wet.

A hurdy-gurdy sings in the crowded street,
The golden notes skip over the sunlit stones,
Wings are upon our feet.
The sun seems warmer, the winding street more bright,
Sparrows come whirring down in a cloud of light.
We bear our dreams among us, bear them all,
Like hurdy-gurdy music they rise and fall,
Climb to beauty and die.
The wandering lover dreams of his lover's mouth,
And smiles at the hostile sky.
The broker smokes his pipe, and sees a fortune.
The murderer hears a cry.


IV. NIGHTMARE

'Draw three cards, and I will tell your future . . .
Draw three cards, and lay them down,
Rest your palms upon them, stare at the crystal,
And think of time . . . My father was a clown,
My mother was a gypsy out of Egypt;
And she was gotten with child in a strange way;
And I was born in a cold eclipse of the moon,
With the future in my eyes as clear as day.'

I sit before the gold-embroidered curtain
And think her face is like a wrinkled desert.
The crystal burns in lamplight beneath my eyes.
A dragon slowly coils on the scaly curtain.
Upon a scarlet cloth a white skull lies.

'Your hand is on the hand that holds three lilies.
You will live long, love many times.
I see a dark girl here who once betrayed you.
I see a shadow of secret crimes.

'There was a man who came intent to kill you,
And hid behind a door and waited for you;
There was a woman who smiled at you and lied.
There was a golden girl who loved you, begged you,
Crawled after you, and died.

'There is a ghost of murder in your blood—
Coming or past, I know not which.
And here is danger—a woman with sea-green eyes,
And white-skinned as a witch . . .'

The words hiss into me, like raindrops falling
On sleepy fire . . . She smiles a meaning smile.
Suspicion eats my brain; I ask a question;
Something is creeping at me, something vile;

And suddenly on the wall behind her head
I see a monstrous shadow strike and spread,
The lamp puffs out, a great blow crashes down.
I plunge through the curtain, run through dark to the street,
And hear swift steps retreat . . .

The shades are drawn, the door is locked behind me.
Behind the door I hear a hammer sounding.
I walk in a cloud of wonder; I am glad.
I mingle among the crowds; my heart is pounding;
You do not guess the adventure I have had! . . .

Yet you, too, all have had your dark adventures,
Your sudden adventures, or strange, or sweet . . .
My peril goes out from me, is blown among you.
We loiter, dreaming together, along the street.


V. RETROSPECT

Round white clouds roll slowly above the housetops,
Over the clear red roofs they flow and pass.
A flock of pigeons rises with blue wings flashing,
Rises with whistle of wings, hovers an instant,
And settles slowly again on the tarnished grass.

And one old man looks down from a dusty window
And sees the pigeons circling about the fountain
And desires once more to walk among those trees.
Lovers walk in the noontime by that fountain.
Pigeons dip their beaks to drink from the water.
And soon the pond must freeze.

The light wind blows to his ears a sound of laughter,
Young men shuffle their feet, loaf in the sunlight;
A girl's laugh rings like a silver bell.
But clearer than all these sounds is a sound he hears
More in his secret heart than in his ears,—
A hammer's steady crescendo, like a knell.
He hears the snarl of pineboards under the plane,
The rhythmic saw, and then the hammer again,—
Playing with delicate strokes that sombre scale . . .
And the fountain dwindles, the sunlight seems to pale.

Time is a dream, he thinks, a destroying dream;
It lays great cities in dust, it fills the seas;
It covers the face of beauty, and tumbles walls.
Where was the woman he loved? Where was his youth?
Where was the dream that burned his brain like fire?
Even a dream grows grey at last and falls.

He opened his book once more, beside the window,
And read the printed words upon that page.
The sunlight touched his hand; his eyes moved slowly,
The quiet words enchanted time and age.

'Death is never an ending, death is a change;
Death is beautiful, for death is strange;
Death is one dream out of another flowing;
Death is a chorded music, softly going
By sweet transition from key to richer key.
Death is a meeting place of sea and sea.'


VI. ADELE AND DAVIS

She turned her head on the pillow, and cried once more.
And drawing a shaken breath, and closing her eyes,
To shut out, if she could, this dingy room,
The wigs and costumes scattered around the floor,—
Yellows and greens in the dark,—she walked again
Those nightmare streets which she had walked so often . . .
Here, at a certain corner, under an arc-lamp,
Blown by a bitter wind, she stopped and looked
In through the brilliant windows of a drug-store,
And wondered if she dared to ask for poison:
But it was late, few customers were there,
The eyes of all the clerks would freeze upon her,
And she would wilt, and cry . . . Here, by the river,
She listened to the water slapping the wall,
And felt queer fascination in its blackness:
But it was cold, the little waves looked cruel,
The stars were keen, and a windy dash of spray
Struck her cheek, and withered her veins . . . And so
She dragged herself once more to home, and bed.

Paul hadn't guessed it yet—though twice, already,
She'd fainted—once, the first time, on the stage.
So she must tell him soon—or else—get out . . .
How could she say it? That was the hideous thing.
She'd rather die than say it! . . . and all the trouble,
Months when she couldn't earn a cent, and then,
If he refused to marry her . . . well, what?
She saw him laughing, making a foolish joke,
His grey eyes turning quickly; and the words
Fled from her tongue . . . She saw him sitting silent,
Brooding over his morning coffee, maybe,
And tried again . . . she bit her lips, and trembled,
And looked away, and said . . . 'Say Paul, boy,—listen—
There's something I must tell you . . . ' There she stopped,
Wondering what he'd say . . . What would he say?
'Spring it, kid! Don't look so serious!'
'But what I've got to say—IS—serious!'
Then she could see how, suddenly, he would sober,
His eyes would darken, he'd look so terrifying—
He always did—and what could she do but cry?
Perhaps, then, he would guess—perhaps he wouldn't.
And if he didn't, but asked her 'What's the matter?'—
She knew she'd never tell—just say she was sick . . .
And after that, when would she dare again?
And what would he do—even suppose she told him?

If it were Felix! If it were only Felix!—
She wouldn't mind so much. But as it was,
Bitterness choked her, she had half a mind
To pay out Felix for never having liked her,
By making people think that it was he . . .
She'd write a letter to someone, before she died,—
Just saying 'Felix did it—and wouldn't marry.'
And then she'd die . . . But that was hard on Paul . . .
Paul would never forgive herhe'd never forgive her!
Sometimes she almost thought Paul really loved her . . .
She saw him look reproachfully at her coffin.

And then she closed her eyes and walked again
Those nightmare streets that she had walked so often:
Under an arc-lamp swinging in the wind
She stood, and stared in through a drug-store window,
Watching a clerk wrap up a little pill-box.
But it was late. No customers were there,—
Pitiless eyes would freeze her secret in her!
And then—what poison would she dare to ask for?
And if they asked her why, what would she say?


VII. TWO LOVERS: OVERTONES

Two lovers, here at the corner, by the steeple,
Two lovers blow together like music blowing:
And the crowd dissolves about them like a sea.
Recurring waves of sound break vaguely about them,
They drift from wall to wall, from tree to tree.
'Well, am I late?' Upward they look and laugh,
They look at the great clock's golden hands,
They laugh and talk, not knowing what they say:
Only, their words like music seem to play;
And seeming to walk, they tread strange sarabands.

'I brought you this . . . ' the soft words float like stars
Down the smooth heaven of her memory.
She stands again by a garden wall,
The peach tree is in bloom, pink blossoms fall,
Water sings from an opened tap, the bees
Glisten and murmur among the trees.
Someone calls from the house. She does not answer.
Backward she leans her head,
And dreamily smiles at the peach-tree leaves, wherethrough
She sees an infinite May sky spread
A vault profoundly blue.
The voice from the house fades far away,
The glistening leaves more vaguely ripple and sway . .
The tap is closed, the water ceases to hiss . . .
Silence . . . blue sky . . . and then, 'I brought you this . . . '
She turns again, and smiles . . . He does not know
She smiles from long ago . . .

She turns to him and smiles . . . Sunlight above him
Roars like a vast invisible sea,
Gold is beaten before him, shrill bells of silver;
He is released of weight, his body is free,
He lifts his arms to swim,
Dark years like sinister tides coil under him . . .
The lazy sea-waves crumble along the beach
With a whirring sound like wind in bells,
He lies outstretched on the yellow wind-worn sands
Reaching his lazy hands
Among the golden grains and sea-white shells . . .

'One white rose . . . or is it pink, to-day?'
They pause and smile, not caring what they say,
If only they may talk.
The crowd flows past them like dividing waters.
Dreaming they stand, dreaming they walk.

'Pink,—to-day!'—Face turns to dream-bright face,
Green leaves rise round them, sunshine settles upon them,
Water, in drops of silver, falls from the rose.
She smiles at a face that smiles through leaves from the mirror.
She breathes the fragrance; her dark eyes close . . .

Time is dissolved, it blows like a little dust:
Time, like a flurry of rain,
Patters and passes, starring the window-pane.
Once, long ago, one night,
She saw the lightning, with long blue quiver of light,
Ripping the darkness . . . and as she turned in terror
A soft face leaned above her, leaned softly down,
Softly around her a breath of roses was blown,
She sank in waves of quiet, she seemed to float
In a sea of silence . . . and soft steps grew remote . .

'Well, let us walk in the park . . . The sun is warm,
We'll sit on a bench and talk . . .' They turn and glide,
The crowd of faces wavers and breaks and flows.
'Look how the oak-tops turn to gold in the sunlight!
Look how the tower is changed and glows!'

Two lovers move in the crowd like a link of music,
We press upon them, we hold them, and let them pass;
A chord of music strikes us and straight we tremble;
We tremble like wind-blown grass.

What was this dream we had, a dream of music,
Music that rose from the opening earth like magic
And shook its beauty upon us and died away?
The long cold streets extend once more before us.
The red sun drops, the walls grow grey.


VIII. THE BOX WITH SILVER HANDLES

Well,—it was two days after my husband died—
Two days! And the earth still raw above him.
And I was sweeping the carpet in their hall.
In number four—the room with the red wall-paper
Some chorus girls and men were singing that song
'They'll soon be lighting candles
Round a box with silver handles'—and hearing them sing it
I started to cry. Just then he came along
And stopped on the stairs and turned and looked at me,
And took the cigar from his mouth and sort of smiled
And said, 'Say, what's the matter?' and then came down
Where I was leaning against the wall,
And touched my shoulder, and put his arm around me . . .
And I was so sad, thinking about it,—
Thinking that it was raining, and a cold night,
With Jim so unaccustomed to being dead,—
That I was happy to have him sympathize,
To feel his arm, and leaned against him and cried.
And before I knew it, he got me into a room
Where a table was set, and no one there,
And sat me down on a sofa, and held me close,
And talked to me, telling me not to cry,
That it was all right, he'd look after me,—
But not to cry, my eyes were getting red,
Which didn't make me pretty. And he was so nice,
That when he turned my face between his hands,
And looked at me, with those blue eyes of his,
And smiled, and leaned, and kissed me
Somehow I couldn't tell him not to do it,
Somehow I didn't mind, I let him kiss me,
And closed my eyes! . . . Well, that was how it started.
For when my heart was eased with crying, and grief
Had passed and left me quiet, somehow it seemed
As if it wasn't honest to change my mind,
To send him away, or say I hadn't meant it—
And, anyway, it seemed so hard to explain!
And so we sat and talked, not talking much,
But meaning as much in silence as in words,
There in that empty room with palms about us,
That private dining-room . . . And as we sat there
I felt my future changing, day by day,
With unknown streets opening left and right,
New streets with farther lights, new taller houses,
Doors swinging into hallways filled with light,
Half-opened luminous windows, with white curtains
Streaming out in the night, and sudden music,—
And thinking of this, and through it half remembering
A quick and horrible death, my husband's eyes,
The broken-plastered walls, my boy asleep,—
It seemed as if my brain would break in two.
My voice began to tremble . . . and when I stood,
And told him I must go, and said good-night—
I couldn't see the end. How would it end?
Would he return to-morrow? Or would he not?
And did I want him to—or would I rather
Look for another job?—He took my shoulders
Between his hands, and looked down into my eyes,
And smiled, and said good-night. If he had kissed me,
That would have—well, I don't know; but he didn't . .
And so I went downstairs, then, half elated,
Hoping to close the door before that party
In number four should sing that song again
'They'll soon be lighting candles round a box with silver handles'—
And sure enough, I did. I faced the darkness.
And my eyes were filled with tears. And I was happy.


IX. INTERLUDE

The days, the nights, flow one by one above us,
The hours go silently over our lifted faces,
We are like dreamers who walk beneath a sea.
Beneath high walls we flow in the sun together.
We sleep, we wake, we laugh, we pursue, we flee.

We sit at tables and sip our morning coffee,
We read the papers for tales of lust or crime.
The door swings shut behind the latest comer.
We set our watches, regard the time.

What have we done? I close my eyes, remember
The great machine whose sinister brain before me
Smote and smote with a rhythmic beat.
My hands have torn down walls, the stone and plaster.
I dropped great beams to the dusty street.

My eyes are worn with measuring cloths of purple,
And golden cloths, and wavering cloths, and pale.
I dream of a crowd of faces, white with menace.
Hands reach up to tear me. My brain will fail.

Here, where the walls go down beneath our picks,
These walls whose windows gap against the sky,
Atom by atom of flesh and brain and marble
Will build a glittering tower before we die . . .

The young boy whistles, hurrying down the street,
The young girl hums beneath her breath.
One goes out to beauty, and does not know it.
And one goes out to death.


X. SUDDEN DEATH

'Number four—the girl who died on the table—
The girl with golden hair—'
The purpling body lies on the polished marble.
We open the throat, and lay the thyroid bare . . .

One, who held the ether-cone, remembers
Her dark blue frightened eyes.
He heard the sharp breath quiver, and saw her breast
More hurriedly fall and rise.
Her hands made futile gestures, she turned her head
Fighting for breath; her cheeks were flushed to scarlet,—
And, suddenly, she lay dead.

And all the dreams that hurried along her veins
Came to the darkness of a sudden wall.
Confusion ran among them, they whirled and clamored,
They fell, they rose, they struck, they shouted,
Till at last a pallor of silence hushed them all.

What was her name? Where had she walked that morning?
Through what dark forest came her feet?
Along what sunlit walls, what peopled street?

Backward he dreamed along a chain of days,
He saw her go her strange and secret ways,
Waking and sleeping, noon and night.
She sat by a mirror, braiding her golden hair.
She read a story by candlelight.

Her shadow ran before her along the street,
She walked with rhythmic feet,
Turned a corner, descended a stair.
She bought a paper, held it to scan the headlines,
Smiled for a moment at sea-gulls high in sunlight,
And drew deep breaths of air.

Days passed, bright clouds of days. Nights passed. And music
Murmured within the walls of lighted windows.
She lifted her face to the light and danced.
The dancers wreathed and grouped in moving patterns,
Clustered, receded, streamed, advanced.

Her dress was purple, her slippers were golden,
Her eyes were blue; and a purple orchid
Opened its golden heart on her breast . . .
She leaned to the surly languor of lazy music,
Leaned on her partner's arm to rest.
The violins were weaving a weft of silver,
The horns were weaving a lustrous brede of gold,
And time was caught in a glistening pattern,
Time, too elusive to hold . . .

Shadows of leaves fell over her face,—and sunlight:
She turned her face away.
Nearer she moved to a crouching darkness
With every step and day.

Death, who at first had thought of her only an instant,
At a great distance, across the night,
Smiled from a window upon her, and followed her slowly
From purple light to light.

Once, in her dreams, he spoke out clearly, crying,
'I am the murderer, death.
I am the lover who keeps his appointment
At the doors of breath!'

She rose and stared at her own reflection,
Half dreading there to find
The dark-eyed ghost, waiting beside her,
Or reaching from behind
To lay pale hands upon her shoulders . . .
Or was this in her mind? . . .

She combed her hair. The sunlight glimmered
Along the tossing strands.
Was there a stillness in this hair,—
A quiet in these hands?

Death was a dream. It could not change these eyes,
Blow out their light, or turn this mouth to dust.
She combed her hair and sang. She would live forever.
Leaves flew past her window along a gust . . .
And graves were dug in the earth, and coffins passed,
And music ebbed with the ebbing hours.
And dreams went along her veins, and scattering clouds
Threw streaming shadows on walls and towers.


XI.

Snow falls. The sky is grey, and sullenly glares
With purple lights in the canyoned street.
The fiery sign on the dark tower wreathes and flares . . .
The trodden grass in the park is covered with white,
The streets grow silent beneath our feet . . .
The city dreams, it forgets its past to-night.

And one, from his high bright window looking down
Over the enchanted whiteness of the town,
Seeing through whirls of white the vague grey towers,
Desires like this to forget what will not pass,
The littered papers, the dust, the tarnished grass,
Grey death, stale ugliness, and sodden hours.
Deep in his heart old bells are beaten again,
Slurred bells of grief and pain,
Dull echoes of hideous times and poisonous places.
He desires to drown in a cold white peace of snow.
He desires to forget a million faces . . .

In one room breathes a woman who dies of hunger.
The clock ticks slowly and stops. And no one winds it.
In one room fade grey violets in a vase.
Snow flakes faintly hiss and melt on the window.
In one room, minute by minute, the flutist plays
The lamplit page of music, the tireless scales.
His hands are trembling, his short breath fails.

In one room, silently, lover looks upon lover,
And thinks the air is fire.
The drunkard swears and touches the harlot's heartstrings
With the sudden hand of desire.

And one goes late in the streets, and thinks of murder;
And one lies staring, and thinks of death.
And one, who has suffered, clenches her hands despairing,
And holds her breath . . .

Who are all these, who flow in the veins of the city,
Coil and revolve and dream,
Vanish or gleam?
Some mount up to the brain and flower in fire.
Some are destroyed; some die; some slowly stream.

And the new are born who desire to destroy the old;
And fires are kindled and quenched; and dreams are broken,
And walls flung down . . .
And the slow night whirls in snow over towers of dreamers,
And whiteness hushes the town.

PART III


I

As evening falls,
And the yellow lights leap one by one
Along high walls;
And along black streets that glisten as if with rain,
The muted city seems
Like one in a restless sleep, who lies and dreams
Of vague desires, and memories, and half-forgotten pain . . .
Along dark veins, like lights the quick dreams run,
Flash, are extinguished, flash again,
To mingle and glow at last in the enormous brain
And die away . . .
As evening falls,
A dream dissolves these insubstantial walls,—
A myriad secretly gliding lights lie bare . . .
The lovers rise, the harlot combs her hair,
The dead man's face grows blue in the dizzy lamplight,
The watchman climbs the stair . . .
The bank defaulter leers at a chaos of figures,
And runs among them, and is beaten down;
The sick man coughs and hears the chisels ringing;
The tired clown
Sees the enormous crowd, a million faces,
Motionless in their places,
Ready to laugh, and seize, and crush and tear . . .
The dancer smooths her hair,
Laces her golden slippers, and runs through the door
To dance once more,
Hearing swift music like an enchantment rise,
Feeling the praise of a thousand eyes.

As darkness falls
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live tonight? Where shall we turn?
To what new light or darkness yearn?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamplit flowered walls, long balustrades,
Through half-lit halls which reach no end.


II. THE SCREEN MAIDEN

You read—what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .

. . . The poet—what was his name—? Tokkei—Tokkei—
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.

Rain in the dreams of the mind—rain forever—
Rain in the sky of the heart—rain in the willows—
But then he saw this face, this face like flame,
This quiet lady, this portrait by Hiroshigi;
And took it home with him; and with it came

What unexpected changes, subtle as weather!
The dark room, cold as rain,
Grew faintly fragrant, stirred with a stir of April,
Warmed its corners with light again,

And smoke of incense whirled about this portrait,
And the quiet lady there,
So young, so quietly smiling, with calm hands,
Seemed ready to loose her hair,

And smile, and lean from the picture, or say one word,
The word already clear,
Which seemed to rise like light between her eyelids . .
He held his breath to hear,

And smiled for shame, and drank a cup of wine,
And held a candle, and searched her face
Through all the little shadows, to see what secret
Might give so warm a grace . . .

Was it the quiet mouth, restrained a little?
The eyes, half-turned aside?
The jade ring on her wrist, still almost swinging? . . .
The secret was denied,

He chose his favorite pen and drew these verses,
And slept; and as he slept
A dream came into his heart, his lover entered,
And chided him, and wept.

And in the morning, waking, he remembered,
And thought the dream was strange.
Why did his darkened lover rise from the garden?
He turned, and felt a change,

As if a someone hidden smiled and watched him . . .
Yet there was only sunlight there.
Until he saw those young eyes, quietly smiling,
And held his breath to stare,

And could have sworn her cheek had turned—a little . . .
Had slightly turned away . . .
Sunlight dozed on the floor . . . He sat and wondered,
Nor left his room that day.

And that day, and for many days thereafter,
He sat alone, and thought
No lady had ever lived so beautiful
As Hiroshigi wrought . . .

Or if she lived, no matter in what country,
By what far river or hill or lonely sea,
He would look in every face until he found her . . .
There was no other as fair as she.

And before her quiet face he burned soft incense,
And brought her every day
Boughs of the peach, or almond, or snow-white cherry,
And somehow, she seemed to say,

That silent lady, young, and quietly smiling,
That she was happy there;
And sometimes, seeing this, he started to tremble,
And desired to touch her hair,

To lay his palm along her hand, touch faintly
With delicate finger-tips
The ghostly smile that seemed to hover and vanish
Upon her lips . . .

Until he knew he loved this quiet lady;
And night by night a dread
Leered at his dreams, for he knew that Hiroshigi
Was many centuries dead,—

And the lady, too, was dead, and all who knew her . .
Dead, and long turned to dust . . .
The thin moon waxed and waned, and left him paler,
The peach leaves flew in a gust,

And he would surely have died; but there one day
A wise man, white with age,
Stared at the portrait, and said, 'This Hiroshigi
Knew more than archimage,—

Cunningly drew the body, and called the spirit,
Till partly it entered there . . .
Sometimes, at death, it entered the portrait wholly . .
Do all I say with care,

And she you love may come to you when you call her . . . '
So then this ghost, Tokkei,
Ran in the sun, bought wine of a hundred merchants,
And alone at the end of day

Entered the darkening room, and faced the portrait,
And saw the quiet eyes
Gleaming and young in the dusk, and held the wine-cup,
And knelt, and did not rise,

And said, aloud, 'Lo-san, will you drink this wine?'
Said it three times aloud.
And at the third the faint blue smoke of incense
Rose to the walls in a cloud,

And the lips moved faintly, and the eyes, and the calm hands stirred;
And suddenly, with a sigh,
The quiet lady came slowly down from the portrait,
And stood, while worlds went by,

And lifted her young white hands and took the wine cup;
And the poet trembled, and said,
'Lo-san, will you stay forever?'—'Yes, I will stay.'—
'But what when I am dead?'

'When you are dead your spirit will find my spirit,
And then we shall die no more.'
Music came down upon them, and spring returning,
They remembered worlds before,

And years went over the earth, and over the sea,
And lovers were born and spoke and died,
But forever in sunlight went these two immortal,
Tokkei and the quiet bride . . .


III. HAUNTED CHAMBERS

The lamplit page is turned, the dream forgotten;
The music changes tone, you wake, remember
Deep worlds you lived before,—deep worlds hereafter
Of leaf on falling leaf, music on music,
Rain and sorrow and wind and dust and laughter.

Helen was late and Miriam came too soon.
Joseph was dead, his wife and children starving.
Elaine was married and soon to have a child.
You dreamed last night of fiddler-crabs with fiddles;
They played a buzzing melody, and you smiled.

To-morrow—what? And what of yesterday?
Through soundless labyrinths of dream you pass,
Through many doors to the one door of all.
Soon as it's opened we shall hear a music:
Or see a skeleton fall . . .

We walk with you. Where is it that you lead us?
We climb the muffled stairs beneath high lanterns.
We descend again. We grope through darkened cells.
You say: this darkness, here, will slowly kill me.
It creeps and weighs upon me . . . Is full of bells.

This is the thing remembered I would forget—
No matter where I go, how soft I tread,
This windy gesture menaces me with death.
Fatigue! it says, and points its finger at me;
Touches my throat and stops my breath.

My fans—my jewels—the portrait of my husband—
The torn certificate for my daughter's grave—
These are but mortal seconds in immortal time.
They brush me, fade away: like drops of water.
They signify no crime.

Let us retrace our steps: I have deceived you:
Nothing is here I could not frankly tell you:
No hint of guilt, or faithlessness, or threat.
Dreams—they are madness. Staring eyes—illusion.
Let us return, hear music, and forget . . .


IV. ILLICIT

Of what she said to me that night—no matter.
The strange thing came next day.
My brain was full of music—something she played me—;
I couldn't remember it all, but phrases of it
Wreathed and wreathed among faint memories,
Seeking for something, trying to tell me something,
Urging to restlessness: verging on grief.
I tried to play the tune, from memory,—
But memory failed: the chords and discords climbed
And found no resolution—only hung there,
And left me morbid . . . Where, then, had I heard it? . . .
What secret dusty chamber was it hinting?
'Dust', it said, 'dust . . . and dust . . . and sunlight . .
A cold clear April evening . . . snow, bedraggled,
Rain-worn snow, dappling the hideous grass . . .
And someone walking alone; and someone saying
That all must end, for the time had come to go . . . '
These were the phrases . . . but behind, beneath them
A greater shadow moved: and in this shadow
I stood and guessed . . . Was it the blue-eyed lady?
The one who always danced in golden slippers—
And had I danced with her,—upon this music?
Or was it further back—the unplumbed twilight
Of childhood?—No—much recenter than that.

You know, without my telling you, how sometimes
A word or name eludes you, and you seek it
Through running ghosts of shadow,—leaping at it,
Lying in wait for it to spring upon it,
Spreading faint snares for it of sense or sound:
Until, of a sudden, as if in a phantom forest,
You hear it, see it flash among the branches,
And scarcely knowing how, suddenly have it—
Well, it was so I followed down this music,
Glimpsing a face in darkness, hearing a cry,
Remembering days forgotten, moods exhausted,
Corners in sunlight, puddles reflecting stars—;
Until, of a sudden, and least of all suspected,
The thing resolved itself: and I remembered
An April afternoon, eight years ago—
Or was it nine?—no matter—call it nine—
A room in which the last of sunlight faded;
A vase of violets, fragrance in white curtains;
And, she who played the same thing later, playing.

She played this tune. And in the middle of it
Abruptly broke it off, letting her hands
Fall in her lap. She sat there so a moment,
With shoulders drooped, then lifted up a rose,
One great white rose, wide opened like a lotos,
And pressed it to her cheek, and closed her eyes.

'You know—we've got to end this—Miriam loves you . . .
If she should ever know, or even guess it,—
What would she do?—Listen!—I'm not absurd . . .
I'm sure of it. If you had eyes, for women—
To understand them—which you've never had—
You'd know it too . . . ' So went this colloquy,
Half humorous, with undertones of pathos,
Half grave, half flippant . . . while her fingers, softly,
Felt for this tune, played it and let it fall,
Now note by singing note, now chord by chord,
Repeating phrases with a kind of pleasure . . .
Was it symbolic of the woman's weakness
That she could neither break it—nor conclude?
It paused . . . and wandered . . . paused again; while she,
Perplexed and tired, half told me I must go,—
Half asked me if I thought I ought to go . . .

Well, April passed with many other evenings,
Evenings like this, with later suns and warmer,
With violets always there, and fragrant curtains . . .
And she was right: and Miriam found it out . . .
And after that, when eight deep years had passed—
Or nine—we met once more,—by accident . . .
But was it just by accident, I wonder,
She played this tune?—Or what, then, was intended? . . .


V. MELODY IN A RESTAURANT

The cigarette-smoke loops and slides above us,
Dipping and swirling as the waiter passes;
You strike a match and stare upon the flame.
The tiny fire leaps in your eyes a moment,
And dwindles away as silently as it came.

This melody, you say, has certain voices—
They rise like nereids from a river, singing,
Lift white faces, and dive to darkness again.
Wherever you go you bear this river with you:
A leaf falls,—and it flows, and you have pain.

So says the tune to you—but what to me?
What to the waiter, as he pours your coffee,
The violinist who suavely draws his bow?
That man, who folds his paper, overhears it.
A thousand dreams revolve and fall and flow.

Some one there is who sees a virgin stepping
Down marble stairs to a deep tomb of roses:
At the last moment she lifts remembering eyes.
Green leaves blow down. The place is checked with shadows.
A long-drawn murmur of rain goes down the skies.
And oaks are stripped and bare, and smoke with lightning:
And clouds are blown and torn upon high forests,
And the great sea shakes its walls.
And then falls silence . . . And through long silence falls
This melody once more:
'Down endless stairs she goes, as once before.'

So says the tune to him—but what to me?
What are the worlds I see?
What shapes fantastic, terrible dreams? . . .
I go my secret way, down secret alleys;
My errand is not so simple as it seems.


VI. PORTRAIT OF ONE DEAD

This is the house. On one side there is darkness,
On one side there is light.
Into the darkness you may lift your lanterns—
O, any number—it will still be night.
And here are echoing stairs to lead you downward
To long sonorous halls.
And here is spring forever at these windows,
With roses on the walls.

This is her room. On one side there is music—
On one side not a sound.
At one step she could move from love to silence,
Feel myriad darkness coiling round.
And here are balconies from which she heard you,
Your steady footsteps on the stair.
And here the glass in which she saw your shadow
As she unbound her hair.

Here is the room—with ghostly walls dissolving—
The twilight room in which she called you 'lover';
And the floorless room in which she called you 'friend.'
So many times, in doubt, she ran between them!—
Through windy corridors of darkening end.

Here she could stand with one dim light above her
And hear far music, like a sea in caverns,
Murmur away at hollowed walls of stone.
And here, in a roofless room where it was raining,
She bore the patient sorrow of rain alone.

Your words were walls which suddenly froze around her.
Your words were windows,—large enough for moonlight,
Too small to let her through.
Your letters—fragrant cloisters faint with music.
The music that assuaged her there was you.

How many times she heard your step ascending
Yet never saw your face!
She heard them turn again, ring slowly fainter,
Till silence swept the place.
Why had you gone? . . . The door, perhaps, mistaken . . .
You would go elsewhere. The deep walls were shaken.

A certain rose-leaf—sent without intention—
Became, with time, a

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The Day For November Quite Warm

The day for November quite warm with only the faintest sign of breeze
And starlings from the trees to the garden railings flying and flying back again to the trees
The weather temperature in the high twenties from 27 to 29 degrees
And in the shade of the gum in the paddock the cow sits and chews her cud at ease.

White butterflies out in the sunshine they do not like the wind and the rain
Why they like the calm sunny weather do not ask me since I cannot explain
Anything of the workings of Nature of Nature's ways so little I know
Of Nature's ways I know as much now as I did five decades ago.

The poets love Spring for Nature's greenery her beauty them always inspire
In their words they always laud the Earth Mother of singing her praises they never do tire
And the artists try to capture some of nature's beauty on their canvas the flora and fauna of the woods and the hills and sea shore
I know of so many fine artists in fact there has never been more.

The day for November quite warm even warm for the time of year
And on the wattle tree in the garden the song of the blackbird I hear
'Tis said when birds sing in warm sunshine that rain cannot be far away
The radio weather forecaster says the weather is changing with thunder showers later today.

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Walt Whitman

Pensive On Her Dead Gazing, I Heard The Mother Of All

PENSIVE, on her dead gazing, I heard the Mother of All,
Desperate, on the torn bodies, on the forms covering the battle-
fields gazing;
(As the last gun ceased--but the scent of the powder-smoke linger'd;)
As she call'd to her earth with mournful voice while she stalk'd:
Absorb them well, O my earth, she cried--I charge you, lose not my
sons! lose not an atom;
And you streams, absorb them well, taking their dear blood;
And you local spots, and you airs that swim above lightly,
And all you essences of soil and growth--and you, my rivers' depths;
And you, mountain sides--and the woods where my dear children's
blood, trickling, redden'd;
And you trees, down in your roots, to bequeath to all future
trees, 10
My dead absorb--my young men's beautiful bodies absorb--and their
precious, precious, precious blood;
Which holding in trust for me, faithfully back again give me, many a
year hence,
In unseen essence and odor of surface and grass, centuries hence;
In blowing airs from the fields, back again give me my darlings--give
my immortal heroes;
Exhale me them centuries hence--breathe me their breath--let not an
atom be lost;
O years and graves! O air and soil! O my dead, an aroma sweet!
Exhale them perennial, sweet death, years, centuries hence.

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Guillaume Apollinaire

In the Sante

I

Before I got into my cell
I had to strip my body bare
I heard an ominous voice say Well
Guillaume what are you doing here

Lazarus steps into the ground
Not out of it as he was bid
Adieu Adieu O singing round
Of years and girls the life I led


II

I'm no longer myself in here
I know
I'm number fifteen in the eleventh
Row

The sunlight filters downward through
The panes
And on these lines bright clowns alight
Like stains

They dance under my eyes while my
Ears follow
The feet of one whose feet above
Sound hollow


III

In a bear-pit like a bear
Every morning round I tramp
Round and round and round and round
The sky is like an iron clamp
In a bear-pit like a bear
Every morning round I tramp

In the next cell at the sink
Someone lets the water run
With his bunch of keys that clink
Let the goaler go and come
In the next cell at the sink
Someone lets the water run


IV

How bored I am between bare wall and wall
Whose colour pales and pines
A fly on the paper with extremely small
Steps runs across these lines

What will become of me O God Who know
My pain Who gave it me
Have pity on my dry eyes and my pallor
My chair which creaks and is not free

And all these poor hearts beating in this prison
And Love beside me seated
Pity above all my unstable reason
And this despair which threatens to defeat it

V

How long these hours take to go
As long as a whole funeral

You'll mourn the time you mourned you know
It will be gone too soon like all
Time past
too fast too long ago


VI

I hear the noises of the city
In the turning world beyond me
I see a sky which has no pity
And bare prison walls around me

The daylight disappears and now
A lamp is lit within the prison
We're all alone here in my cell
Beautiful light Beloved reason

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The Passing Of Arthur

That story which the bold Sir Bedivere,
First made and latest left of all the knights,
Told, when the man was no more than a voice
In the white winter of his age, to those
With whom he dwelt, new faces, other minds.

For on their march to westward, Bedivere,
Who slowly paced among the slumbering host,
Heard in his tent the moanings of the King:

'I found Him in the shining of the stars,
I marked Him in the flowering of His fields,
But in His ways with men I find Him not.
I waged His wars, and now I pass and die.
O me! for why is all around us here
As if some lesser god had made the world,
But had not force to shape it as he would,
Till the High God behold it from beyond,
And enter it, and make it beautiful?
Or else as if the world were wholly fair,
But that these eyes of men are dense and dim,
And have not power to see it as it is:
Perchance, because we see not to the close;--
For I, being simple, thought to work His will,
And have but stricken with the sword in vain;
And all whereon I leaned in wife and friend
Is traitor to my peace, and all my realm
Reels back into the beast, and is no more.
My God, thou hast forgotten me in my death;
Nay--God my Christ--I pass but shall not die.'

Then, ere that last weird battle in the west,
There came on Arthur sleeping, Gawain killed
In Lancelot's war, the ghost of Gawain blown
Along a wandering wind, and past his ear
Went shrilling, 'Hollow, hollow all delight!
Hail, King! tomorrow thou shalt pass away.
Farewell! there is an isle of rest for thee.
And I am blown along a wandering wind,
And hollow, hollow, hollow all delight.'
And fainter onward, like wild birds that change
Their season in the night and wail their way
From cloud to cloud, down the long wind the dream
Shrilled; but in going mingled with dim cries
Far in the moonlit haze among the hills,
As of some lonely city sacked by night,
When all is lost, and wife and child with wail
Pass to new lords; and Arthur woke and called,
'Who spake? A dream. O light upon the wind,
Thine, Gawain, was the voice--are these dim cries
Thine? or doth all that haunts the waste and wild
Mourn, knowing it will go along with me?'

This heard the bold Sir Bedivere and spake:
'O me, my King, let pass whatever will,
Elves, and the harmless glamour of the field;
But in their stead thy name and glory cling
To all high places like a golden cloud
For ever: but as yet thou shalt not pass.
Light was Gawain in life, and light in death
Is Gawain, for the ghost is as the man;
And care not thou for dreams from him, but rise--
I hear the steps of Modred in the west,
And with him many of thy people, and knights
Once thine, whom thou hast loved, but grosser grown
Than heathen, spitting at their vows and thee.
Right well in heart they know thee for the King.
Arise, go forth and conquer as of old.'

Then spake King Arthur to Sir Bedivere:
'Far other is this battle in the west
Whereto we move, than when we strove in youth,
And brake the petty kings, and fought with Rome,
Or thrust the heathen from the Roman wall,
And shook him through the north. Ill doom is mine
To war against my people and my knights.
The king who fights his people fights himself.
And they my knights, who loved me once, the stroke
That strikes them dead is as my death to me.
Yet let us hence, and find or feel a way
Through this blind haze, which ever since I saw
One lying in the dust at Almesbury,
Hath folded in the passes of the world.'

Then rose the King and moved his host by night,
And ever pushed Sir Modred, league by league,
Back to the sunset bound of Lyonnesse--
A land of old upheaven from the abyss
By fire, to sink into the abyss again;
Where fragments of forgotten peoples dwelt,
And the long mountains ended in a coast
Of ever-shifting sand, and far away
The phantom circle of a moaning sea.
There the pursuer could pursue no more,
And he that fled no further fly the King;
And there, that day when the great light of heaven
Burned at his lowest in the rolling year,
On the waste sand by the waste sea they closed.
Nor ever yet had Arthur fought a fight
Like this last, dim, weird battle of the west.
A deathwhite mist slept over sand and sea:
Whereof the chill, to him who breathed it, drew
Down with his blood, till all his heart was cold
With formless fear; and even on Arthur fell
Confusion, since he saw not whom he fought.
For friend and foe were shadows in the mist,
And friend slew friend not knowing whom he slew;
And some had visions out of golden youth,
And some beheld the faces of old ghosts
Look in upon the battle; and in the mist
Was many a noble deed, many a base,
And chance and craft and strength in single fights,
And ever and anon with host to host
Shocks, and the splintering spear, the hard mail hewn,
Shield-breakings, and the clash of brands, the crash
Of battleaxes on shattered helms, and shrieks
After the Christ, of those who falling down
Looked up for heaven, and only saw the mist;
And shouts of heathen and the traitor knights,
Oaths, insults, filth, and monstrous blasphemies,
Sweat, writhings, anguish, labouring of the lungs
In that close mist, and cryings for the light,
Moans of the dying, and voices of the dead.

Last, as by some one deathbed after wail
Of suffering, silence follows, or through death
Or deathlike swoon, thus over all that shore,
Save for some whisper of the seething seas,
A dead hush fell; but when the dolorous day
Grew drearier toward twilight falling, came
A bitter wind, clear from the North, and blew
The mist aside, and with that wind the tide
Rose, and the pale King glanced across the field
Of battle: but no man was moving there;
Nor any cry of Christian heard thereon,
Nor yet of heathen; only the wan wave
Brake in among dead faces, to and fro
Swaying the helpless hands, and up and down
Tumbling the hollow helmets of the fallen,
And shivered brands that once had fought with Rome,
And rolling far along the gloomy shores
The voice of days of old and days to be.

Then spake King Arthur to Sir Bedivere,
And whiter than the mist that all day long
Had held the field of battle was the King:

'Hearest thou this great voice that shakes the world,
And wastes the narrow realm whereon we move,
And beats upon the faces of the dead,
My dead, as though they had not died for me?--
O Bedivere, for on my heart hath fallen
Confusion, till I know not what I am,
Nor whence I am, nor whether I be King.
Behold, I seem but King among the dead.'

Then spake the bold Sir Bedivere: 'My King,
King everywhere! and so the dead have kings,
There also will I worship thee as King.
Yet still thy life is whole, and still I live
Who love thee; but who hates thee, he that brought
The heathen back among us, yonder stands,
Modred, unharmed, the traitor of thine house.'

Then spake the King: 'My house hath been my doom.
But call not thou this traitor of my house
Who hath but dwelt beneath one roof with me.
My house are rather they who sware my vows,
Yea, even while they brake them, owned me King.
And well for thee, saying in my dark hour,
When all the purport of my throne hath failed,
That quick or dead thou holdest me for King.
King am I, whatsoever be their cry;
And one last act of kinghood shalt thou see
Yet, ere I pass.' And uttering this the King
Made at the man: then Modred smote his liege
Hard on that helm which many a heathen sword
Had beaten thin; while Arthur at one blow,
Striking the last stroke with Excalibur,
Slew him, and all but slain himself, he fell.

So all day long the noise of battle rolled
Among the mountains by the winter sea;
Until King Arthur's Table, man by man,
Had fallen in Lyonnesse about their lord,
King Arthur. Then, because his wound was deep,
The bold Sir Bedivere uplifted him,
And bore him to a chapel nigh the field,
A broken chancel with a broken cross,
That stood on a dark strait of barren land:
On one side lay the Ocean, and on one
Lay a great water, and the moon was full.

Then spake King Arthur to Sir Bedivere:
'The sequel of today unsolders all
The goodliest fellowship of famous knights
Whereof this world holds record. Such a sleep
They sleep--the men I loved. I think that we
Shall never more, at any future time,
Delight our souls with talk of knightly deeds,
Walking about the gardens and the halls
Of Camelot, as in the days that were.
I perish by this people which I made,--
Though Merlin sware that I should come again
To rule once more; but, let what will be, be,
I am so deeply smitten through the helm
That without help I cannot last till morn.
Thou therefore take my brand Excalibur,
Which was my pride: for thou rememberest how
In those old days, one summer noon, an arm
Rose up from out the bosom of the lake,
Clothed in white samite, mystic, wonderful,
Holding the sword--and how I rowed across
And took it, and have worn it, like a king;
And, wheresoever I am sung or told
In aftertime, this also shall be known:
But now delay not: take Excalibur,
And fling him far into the middle mere:
Watch what thou se st, and lightly bring me word.'

To him replied the bold Sir Bedivere:
'It is not meet, Sir King, to leave thee thus,
Aidless, alone, and smitten through the helm--
A little thing may harm a wounded man;
Yet I thy hest will all perform at full,
Watch what I see, and lightly bring thee word.'

So saying, from the ruined shrine he stept,
And in the moon athwart the place of tombs,
Where lay the mighty bones of ancient men,
Old knights, and over them the sea-wind sang
Shrill, chill, with flakes of foam. He, stepping down
By zigzag paths, and juts of pointed rock,
Came on the shining levels of the lake.

There drew he forth the brand Excalibur,
And o'er him, drawing it, the winter moon,
Brightening the skirts of a long cloud, ran forth
And sparkled keen with frost against the hilt:
For all the haft twinkled with diamond sparks,
Myriads of topaz-lights, and jacinth-work
Of subtlest jewellery. He gazed so long
That both his eyes were dazzled as he stood,
This way and that dividing the swift mind,
In act to throw: but at the last it seemed
Better to leave Excalibur concealed
There in the many-knotted waterflags,
That whistled stiff and dry about the marge.
So strode he back slow to the wounded King.

Then spake King Arthur to Sir Bedivere:
'Hast thou performed my mission which I gave?
What is it thou hast seen? or what hast heard?'

And answer made the bold Sir Bedivere:
'I heard the ripple washing in the reeds,
And the wild water lapping on the crag.'

To whom replied King Arthur, faint and pale:
'Thou hast betrayed thy nature and thy name,
Not rendering true answer, as beseemed
Thy f alty, nor like a noble knight:
For surer sign had followed, either hand,
Or voice, or else a motion of the mere.
This is a shameful thing for men to lie.
Yet now, I charge thee, quickly go again,
As thou art lief and dear, and do the thing
I bade thee, watch, and lightly bring me word.'

Then went Sir Bedivere the second time
Across the ridge, and paced beside the mere,
Counting the dewy pebbles, fixed in thought;
But when he saw the wonder of the hilt,
How curiously and strangely chased, he smote
His palms together, and he cried aloud:

'And if indeed I cast the brand away,
Surely a precious thing, one worthy note,
Should thus be lost for ever from the earth,
Which might have pleased the eyes of many men.
What good should follow this, if this were done?
What harm, undone? Deep harm to disobey,
Seeing obedience is the bond of rule.
Were it well to obey then, if a king demand
An act unprofitable, against himself?
The King is sick, and knows not what he does.
What record, or what relic of my lord
Should be to aftertime, but empty breath
And rumours of a doubt? But were this kept,
Stored in some treasure-house of mighty kings,
Some one might show it at a joust of arms,
Saying, "King Arthur's sword, Excalibur,
Wrought by the lonely maiden of the Lake.
Nine years she wrought it, sitting in the deeps
Upon the hidden bases of the hills."
So might some old man speak in the aftertime
To all the people, winning reverence.
But now much honour and much fame were lost.'

So spake he, clouded with his own conceit,
And hid Excalibur the second time,
And so strode back slow to the wounded King.

Then spoke King Arthur, breathing heavily:
'What is it thou hast seen? or what hast heard?'

And answer made the bold Sir Bedivere:
'I heard the water lapping on the crag,
And the long ripple washing in the reeds.'

To whom replied King Arthur, much in wrath:
'Ah, miserable and unkind, untrue,
Unknightly, traitor-hearted! Woe is me!
Authority forgets a dying king,
Laid widowed of the power in his eye
That bowed the will. I see thee what thou art,
For thou, the latest-left of all my knights,
In whom should meet the offices of all,
Thou wouldst betray me for the precious hilt;
Either from lust of gold, or like a girl
Valuing the giddy pleasure of the eyes.
Yet, for a man may fail in duty twice,
And the third time may prosper, get thee hence:
But, if thou spare to fling Excalibur,
I will arise and slay thee with my hands.'

Then quickly rose Sir Bedivere, and ran,
And, leaping down the ridges lightly, plunged
Among the bulrush beds, and clutched the sword,
And strongly wheeled and threw it. The great brand
Made lightnings in the splendour of the moon,
And flashing round and round, and whirled in an arch,
Shot like a streamer of the northern morn,
Seen where the moving isles of winter shock
By night, with noises of the Northern Sea.
So flashed and fell the brand Excalibur:
But ere he dipt the surface, rose an arm
Clothed in white samite, mystic, wonderful,
And caught him by the hilt, and brandished him
Three times, and drew him under in the mere.
And lightly went the other to the King.

Then spoke King Arthur, drawing thicker breath:
'Now see I by thine eyes that this is done.
Speak out: what is it thou hast heard, or seen?'

And answer made the bold Sir Bedivere:
'Sir King, I closed mine eyelids, lest the gems
Should blind my purpose, for I never saw,
Nor shall see, here or elsewhere, till I die,
Not though I live three lives of mortal men,
So great a miracle as yonder hilt.
Then with both hands I flung him, wheeling him;
But when I looked again, behold an arm,
Clothed in white samite, mystic, wonderful,
That caught him by the hilt, and brandished him
Three times, and drew him under in the mere.'

And answer made King Arthur, breathing hard:
'My end draws nigh; 'tis time that I were gone.
Make broad thy shoulders to receive my weight,
And bear me to the margin; yet I fear
My wound hath taken cold, and I shall die.'

So saying, from the pavement he half rose,
Slowly, with pain, reclining on his arm,
And looking wistfully with wide blue eyes
As in a picture. Him Sir Bedivere
Remorsefully regarded through his tears,
And would have spoken, but he found not words;
Then took with care, and kneeling on one knee,
O'er both his shoulders drew the languid hands,
And rising bore him through the place of tombs.

But, as he walked, King Arthur panted hard,
Like one that feels a nightmare on his bed
When all the house is mute. So sighed the King,
Muttering and murmuring at his ear, 'Quick, quick!
I fear it is too late, and I shall die.'

But the other swiftly strode from ridge to ridge,
Clothed with his breath, and looking, as he walked,
Larger than human on the frozen hills.
He heard the deep behind him, and a cry
Before. His own thought drove him like a goad.
Dry clashed his harness in the icy caves
And barren chasms, and all to left and right
The bare black cliff clanged round him, as he based
His feet on juts of slippery crag that rang
Sharp-smitten with the dint of armd heels--
And on a sudden, lo! the level lake,
And the long glories of the winter moon.

Then saw they how there hove a dusky barge,
Dark as a funeral scarf from stem to stern,
Beneath them; and descending they were ware
That all the decks were dense with stately forms,
Black-stoled, black-hooded, like a dream--by these
Three Queens with crowns of gold: and from them rose
A cry that shivered to the tingling stars,
And, as it were one voice, an agony
Of lamentation, like a wind that shrills
All night in a waste land, where no one comes,
Or hath come, since the making of the world.

Then murmured Arthur, 'Place me in the barge.'
So to the barge they came. There those three Queens
Put forth their hands, and took the King, and wept.
But she, that rose the tallest of them all
And fairest, laid his head upon her lap,
And loosed the shattered casque, and chafed his hands,
And called him by his name, complaining loud,
And dropping bitter tears against a brow
Striped with dark blood: for all his face was white
And colourless, and like the withered moon
Smote by the fresh beam of the springing east;
And all his greaves and cuisses dashed with drops
Of onset; and the light and lustrous curls--
That made his forehead like a rising sun
High from the das-throne--were parched with dust;
Or, clotted into points and hanging loose,
Mixed with the knightly growth that fringed his lips.
So like a shattered column lay the King;
Not like that Arthur who, with lance in rest,
From spur to plume a star of tournament,
Shot through the lists at Camelot, and charged
Before the eyes of ladies and of kings.

Then loudly cried the bold Sir Bedivere:
'Ah! my Lord Arthur, whither shall I go?
Where shall I hide my forehead and my eyes?
For now I see the true old times are dead,
When every morning brought a noble chance,
And every chance brought out a noble knight.
Such times have been not since the light that led
The holy Elders with the gift of myrrh.
But now the whole Round Table is dissolved
Which was an image of the mighty world,
And I, the last, go forth companionless,
And the days darken round me, and the years,
Among new men, strange faces, other minds.'

And slowly answered Arthur from the barge:
'The old order changeth, yielding place to new,
And God fulfils himself in many ways,
Lest one good custom should corrupt the world.
Comfort thyself: what comfort is in me?
I have lived my life, and that which I have done
May He within himself make pure! but thou,
If thou shouldst never see my face again,
Pray for my soul. More things are wrought by prayer
Than this world dreams of. Wherefore, let thy voice
Rise like a fountain for me night and day.
For what are men better than sheep or goats
That nourish a blind life within the brain,
If, knowing God, they lift not hands of prayer
Both for themselves and those who call them friend?
For so the whole round earth is every way
Bound by gold chains about the feet of God.
But now farewell. I am going a long way
With these thou se st--if indeed I go
(For all my mind is clouded with a doubt)--
To the island-valley of Avilion;
Where falls not hail, or rain, or any snow,
Nor ever wind blows loudly; but it lies
Deep-meadowed, happy, fair with orchard lawns
And bowery hollows crowned with summer sea,
Where I will heal me of my grievous wound.'

So said he, and the barge with oar and sail
Moved from the brink, like some full-breasted swan
That, fluting a wild carol ere her death,
Ruffles her pure cold plume, and takes the flood
With swarthy webs. Long stood Sir Bedivere
Revolving many memories, till the hull
Looked one black dot against the verge of dawn,
And on the mere the wailing died away.

But when that moan had past for evermore,
The stillness of the dead world's winter dawn
Amazed him, and he groaned, 'The King is gone.'
And therewithal came on him the weird rhyme,
'From the great deep to the great deep he goes.'

Whereat he slowly turned and slowly clomb
The last hard footstep of that iron crag;
Thence marked the black hull moving yet, and cried,
'He passes to be King among the dead,
And after healing of his grievous wound
He comes again; but--if he come no more--
O me, be yon dark Queens in yon black boat,
Who shrieked and wailed, the three whereat we gazed
On that high day, when, clothed with living light,
They stood before his throne in silence, friends
Of Arthur, who should help him at his need?'

Then from the dawn it seemed there came, but faint
As from beyond the limit of the world,
Like the last echo born of a great cry,
Sounds, as if some fair city were one voice
Around a king returning from his wars.

Thereat once more he moved about, and clomb
Even to the highest he could climb, and saw,
Straining his eyes beneath an arch of hand,
Or thought he saw, the speck that bare the King,
Down that long water opening on the deep
Somewhere far off, pass on and on, and go
From less to less and vanish into light.
And the new sun rose bringing the new year.

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Byron

Canto the Fourth

I.

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!

II.

She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.

III.

In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.

V.

The beings of the mind are not of clay;
Essentially immortal, they create
And multiply in us a brighter ray
And more beloved existence: that which Fate
Prohibits to dull life, in this our state
Of mortal bondage, by these spirits supplied,
First exiles, then replaces what we hate;
Watering the heart whose early flowers have died,
And with a fresher growth replenishing the void.

VI.

Such is the refuge of our youth and age,
The first from Hope, the last from Vacancy;
And this worn feeling peoples many a page,
And, may be, that which grows beneath mine eye:
Yet there are things whose strong reality
Outshines our fairy-land; in shape and hues
More beautiful than our fantastic sky,
And the strange constellations which the Muse
O’er her wild universe is skilful to diffuse:

VII.

I saw or dreamed of such, - but let them go -
They came like truth, and disappeared like dreams;
And whatsoe’er they were - are now but so;
I could replace them if I would: still teems
My mind with many a form which aptly seems
Such as I sought for, and at moments found;
Let these too go - for waking reason deems
Such overweening phantasies unsound,
And other voices speak, and other sights surround.

VIII.

I’ve taught me other tongues, and in strange eyes
Have made me not a stranger; to the mind
Which is itself, no changes bring surprise;
Nor is it harsh to make, nor hard to find
A country with - ay, or without mankind;
Yet was I born where men are proud to be,
Not without cause; and should I leave behind
The inviolate island of the sage and free,
And seek me out a home by a remoter sea,

IX.

Perhaps I loved it well: and should I lay
My ashes in a soil which is not mine,
My spirit shall resume it - if we may
Unbodied choose a sanctuary. I twine
My hopes of being remembered in my line
With my land’s language: if too fond and far
These aspirations in their scope incline, -
If my fame should be, as my fortunes are,
Of hasty growth and blight, and dull Oblivion bar.

X.

My name from out the temple where the dead
Are honoured by the nations - let it be -
And light the laurels on a loftier head!
And be the Spartan’s epitaph on me -
‘Sparta hath many a worthier son than he.’
Meantime I seek no sympathies, nor need;
The thorns which I have reaped are of the tree
I planted, - they have torn me, and I bleed:
I should have known what fruit would spring from such a seed.

XI.

The spouseless Adriatic mourns her lord;
And, annual marriage now no more renewed,
The Bucentaur lies rotting unrestored,
Neglected garment of her widowhood!
St. Mark yet sees his lion where he stood
Stand, but in mockery of his withered power,
Over the proud place where an Emperor sued,
And monarchs gazed and envied in the hour
When Venice was a queen with an unequalled dower.

XII.

The Suabian sued, and now the Austrian reigns -
An Emperor tramples where an Emperor knelt;
Kingdoms are shrunk to provinces, and chains
Clank over sceptred cities; nations melt
From power’s high pinnacle, when they have felt
The sunshine for a while, and downward go
Like lauwine loosened from the mountain’s belt:
Oh for one hour of blind old Dandolo!
The octogenarian chief, Byzantium’s conquering foe.

XIII.

Before St. Mark still glow his steeds of brass,
Their gilded collars glittering in the sun;
But is not Doria’s menace come to pass?
Are they not bridled? - Venice, lost and won,
Her thirteen hundred years of freedom done,
Sinks, like a seaweed, into whence she rose!
Better be whelmed beneath the waves, and shun,
Even in Destruction’s depth, her foreign foes,
From whom submission wrings an infamous repose.

XIV.

In youth she was all glory, - a new Tyre, -
Her very byword sprung from victory,
The ‘Planter of the Lion,’ which through fire
And blood she bore o’er subject earth and sea;
Though making many slaves, herself still free
And Europe’s bulwark ’gainst the Ottomite:
Witness Troy’s rival, Candia! Vouch it, ye
Immortal waves that saw Lepanto’s fight!
For ye are names no time nor tyranny can blight.

XV.

Statues of glass - all shivered - the long file
Of her dead doges are declined to dust;
But where they dwelt, the vast and sumptuous pile
Bespeaks the pageant of their splendid trust;
Their sceptre broken, and their sword in rust,
Have yielded to the stranger: empty halls,
Thin streets, and foreign aspects, such as must
Too oft remind her who and what enthrals,
Have flung a desolate cloud o’er Venice’ lovely walls.

XVI.

When Athens’ armies fell at Syracuse,
And fettered thousands bore the yoke of war,
Redemption rose up in the Attic Muse,
Her voice their only ransom from afar:
See! as they chant the tragic hymn, the car
Of the o’ermastered victor stops, the reins
Fall from his hands - his idle scimitar
Starts from its belt - he rends his captive’s chains,
And bids him thank the bard for freedom and his strains.

XVII.

Thus, Venice, if no stronger claim were thine,
Were all thy proud historic deeds forgot,
Thy choral memory of the bard divine,
Thy love of Tasso, should have cut the knot
Which ties thee to thy tyrants; and thy lot
Is shameful to the nations, - most of all,
Albion! to thee: the Ocean Queen should not
Abandon Ocean’s children; in the fall
Of Venice think of thine, despite thy watery wall.

XVIII.

I loved her from my boyhood: she to me
Was as a fairy city of the heart,
Rising like water-columns from the sea,
Of joy the sojourn, and of wealth the mart
And Otway, Radcliffe, Schiller, Shakspeare’s art,
Had stamped her image in me, and e’en so,
Although I found her thus, we did not part,
Perchance e’en dearer in her day of woe,
Than when she was a boast, a marvel, and a show.

XIX.

I can repeople with the past - and of
The present there is still for eye and thought,
And meditation chastened down, enough;
And more, it may be, than I hoped or sought;
And of the happiest moments which were wrought
Within the web of my existence, some
From thee, fair Venice! have their colours caught:
There are some feelings Time cannot benumb,
Nor torture shake, or mine would now be cold and dumb.

XX.

But from their nature will the tannen grow
Loftiest on loftiest and least sheltered rocks,
Rooted in barrenness, where nought below
Of soil supports them ’gainst the Alpine shocks
Of eddying storms; yet springs the trunk, and mocks
The howling tempest, till its height and frame
Are worthy of the mountains from whose blocks
Of bleak, grey granite, into life it came,
And grew a giant tree; - the mind may grow the same.

XXI.

Existence may be borne, and the deep root
Of life and sufferance make its firm abode
In bare and desolate bosoms: mute
The camel labours with the heaviest load,
And the wolf dies in silence. Not bestowed
In vain should such examples be; if they,
Things of ignoble or of savage mood,
Endure and shrink not, we of nobler clay
May temper it to bear, - it is but for a day.

XXII.

All suffering doth destroy, or is destroyed,
Even by the sufferer; and, in each event,
Ends: - Some, with hope replenished and rebuoyed,
Return to whence they came - with like intent,
And weave their web again; some, bowed and bent,
Wax grey and ghastly, withering ere their time,
And perish with the reed on which they leant;
Some seek devotion, toil, war, good or crime,
According as their souls were formed to sink or climb.

XXIII.

But ever and anon of griefs subdued
There comes a token like a scorpion’s sting,
Scarce seen, but with fresh bitterness imbued;
And slight withal may be the things which bring
Back on the heart the weight which it would fling
Aside for ever: it may be a sound -
A tone of music - summer’s eve - or spring -
A flower - the wind - the ocean - which shall wound,
Striking the electric chain wherewith we are darkly bound.

XXIV.

And how and why we know not, nor can trace
Home to its cloud this lightning of the mind,
But feel the shock renewed, nor can efface
The blight and blackening which it leaves behind,
Which out of things familiar, undesigned,
When least we deem of such, calls up to view
The spectres whom no exorcism can bind, -
The cold - the changed - perchance the dead - anew,
The mourned, the loved, the lost - too many! - yet how few!

XXV.

But my soul wanders; I demand it back
To meditate amongst decay, and stand
A ruin amidst ruins; there to track
Fall’n states and buried greatness, o’er a land
Which was the mightiest in its old command,
And is the loveliest, and must ever be
The master-mould of Nature’s heavenly hand,
Wherein were cast the heroic and the free,
The beautiful, the brave - the lords of earth and sea.

XXVI.

The commonwealth of kings, the men of Rome!
And even since, and now, fair Italy!
Thou art the garden of the world, the home
Of all Art yields, and Nature can decree;
Even in thy desert, what is like to thee?
Thy very weeds are beautiful, thy waste
More rich than other climes’ fertility;
Thy wreck a glory, and thy ruin graced
With an immaculate charm which cannot be defaced.

XXVII.

The moon is up, and yet it is not night -
Sunset divides the sky with her - a sea
Of glory streams along the Alpine height
Of blue Friuli’s mountains; Heaven is free
From clouds, but of all colours seems to be -
Melted to one vast Iris of the West,
Where the day joins the past eternity;
While, on the other hand, meek Dian’s crest
Floats through the azure air - an island of the blest!

XXVIII.

A single star is at her side, and reigns
With her o’er half the lovely heaven; but still
Yon sunny sea heaves brightly, and remains
Rolled o’er the peak of the far Rhætian hill,
As Day and Night contending were, until
Nature reclaimed her order: - gently flows
The deep-dyed Brenta, where their hues instil
The odorous purple of a new-born rose,
Which streams upon her stream, and glassed within it glows,

XXIX.

Filled with the face of heaven, which, from afar,
Comes down upon the waters; all its hues,
From the rich sunset to the rising star,
Their magical variety diffuse:
And now they change; a paler shadow strews
Its mantle o’er the mountains; parting day
Dies like the dolphin, whom each pang imbues
With a new colour as it gasps away,
The last still loveliest, till - ’tis gone - and all is grey.

XXX.

There is a tomb in Arqua; - reared in air,
Pillared in their sarcophagus, repose
The bones of Laura’s lover: here repair
Many familiar with his well-sung woes,
The pilgrims of his genius. He arose
To raise a language, and his land reclaim
From the dull yoke of her barbaric foes:
Watering the tree which bears his lady’s name
With his melodious tears, he gave himself to fame.

XXXI.

They keep his dust in Arqua, where he died;
The mountain-village where his latter days
Went down the vale of years; and ’tis their pride -
An honest pride - and let it be their praise,
To offer to the passing stranger’s gaze
His mansion and his sepulchre; both plain
And venerably simple, such as raise
A feeling more accordant with his strain,
Than if a pyramid formed his monumental fane.

XXXII.

And the soft quiet hamlet where he dwelt
Is one of that complexion which seems made
For those who their mortality have felt,
And sought a refuge from their hopes decayed
In the deep umbrage of a green hill’s shade,
Which shows a distant prospect far away
Of busy cities, now in vain displayed,
For they can lure no further; and the ray
Of a bright sun can make sufficient holiday.

XXXIII.

Developing the mountains, leaves, and flowers
And shining in the brawling brook, where-by,
Clear as its current, glide the sauntering hours
With a calm languor, which, though to the eye
Idlesse it seem, hath its morality,
If from society we learn to live,
’Tis solitude should teach us how to die;
It hath no flatterers; vanity can give
No hollow aid; alone - man with his God must strive:

XXXIV.

Or, it may be, with demons, who impair
The strength of better thoughts, and seek their prey
In melancholy bosoms, such as were
Of moody texture from their earliest day,
And loved to dwell in darkness and dismay,
Deeming themselves predestined to a doom
Which is not of the pangs that pass away;
Making the sun like blood, the earth a tomb,
The tomb a hell, and hell itself a murkier gloom.

XXXV.

Ferrara! in thy wide and grass-grown streets,
Whose symmetry was not for solitude,
There seems as ’twere a curse upon the seat’s
Of former sovereigns, and the antique brood
Of Este, which for many an age made good
Its strength within thy walls, and was of yore
Patron or tyrant, as the changing mood
Of petty power impelled, of those who wore
The wreath which Dante’s brow alone had worn before.

XXXVI.

And Tasso is their glory and their shame.
Hark to his strain! and then survey his cell!
And see how dearly earned Torquato’s fame,
And where Alfonso bade his poet dwell.
The miserable despot could not quell
The insulted mind he sought to quench, and blend
With the surrounding maniacs, in the hell
Where he had plunged it. Glory without end
Scattered the clouds away - and on that name attend

XXXVII.

The tears and praises of all time, while thine
Would rot in its oblivion - in the sink
Of worthless dust, which from thy boasted line
Is shaken into nothing; but the link
Thou formest in his fortunes bids us think
Of thy poor malice, naming thee with scorn -
Alfonso! how thy ducal pageants shrink
From thee! if in another station born,
Scarce fit to be the slave of him thou mad’st to mourn:

XXXVIII.

Thou! formed to eat, and be despised, and die,
Even as the beasts that perish, save that thou
Hadst a more splendid trough, and wider sty:
He! with a glory round his furrowed brow,
Which emanated then, and dazzles now
In face of all his foes, the Cruscan quire,
And Boileau, whose rash envy could allow
No strain which shamed his country’s creaking lyre,
That whetstone of the teeth - monotony in wire!

XXXIX.

Peace to Torquato’s injured shade! ’twas his
In life and death to be the mark where Wrong
Aimed with their poisoned arrows - but to miss.
Oh, victor unsurpassed in modern song!
Each year brings forth its millions; but how long
The tide of generations shall roll on,
And not the whole combined and countless throng
Compose a mind like thine? Though all in one
Condensed their scattered rays, they would not form a sun.

XL.

Great as thou art, yet paralleled by those
Thy countrymen, before thee born to shine,
The bards of Hell and Chivalry: first rose
The Tuscan father’s comedy divine;
Then, not unequal to the Florentine,
The Southern Scott, the minstrel who called forth
A new creation with his magic line,
And, like the Ariosto of the North,
Sang ladye-love and war, romance and knightly worth.

XLI.

The lightning rent from Ariosto’s bust
The iron crown of laurel’s mimicked leaves;
Nor was the ominous element unjust,
For the true laurel-wreath which Glory weaves
Is of the tree no bolt of thunder cleaves,
And the false semblance but disgraced his brow;
Yet still, if fondly Superstition grieves,
Know that the lightning sanctifies below
Whate’er it strikes; - yon head is doubly sacred now.

XLII.

Italia! O Italia! thou who hast
The fatal gift of beauty, which became
A funeral dower of present woes and past,
On thy sweet brow is sorrow ploughed by shame,
And annals graved in characters of flame.
Oh God! that thou wert in thy nakedness
Less lovely or more powerful, and couldst claim
Thy right, and awe the robbers back, who press
To shed thy blood, and drink the tears of thy distress;

XLIII.

Then mightst thou more appal; or, less desired,
Be homely and be peaceful, undeplored
For thy destructive charms; then, still untired,
Would not be seen the armèd torrents poured
Down the deep Alps; nor would the hostile horde
Of many-nationed spoilers from the Po
Quaff blood and water; nor the stranger’s sword
Be thy sad weapon of defence, and so,
Victor or vanquished, thou the slave of friend or foe.

XLIV.

Wandering in youth, I traced the path of him,
The Roman friend of Rome’s least mortal mind,
The friend of Tully: as my bark did skim
The bright blue waters with a fanning wind,
Came Megara before me, and behind
Ægina lay, Piræus on the right,
And Corinth on the left; I lay reclined
Along the prow, and saw all these unite
In ruin, even as he had seen the desolate sight;

XLV.

For time hath not rebuilt them, but upreared
Barbaric dwellings on their shattered site,
Which only make more mourned and more endeared
The few last rays of their far-scattered light,
And the crushed relics of their vanished might.
The Roman saw these tombs in his own age,
These sepulchres of cities, which excite
Sad wonder, and his yet surviving page
The moral lesson bears, drawn from such pilgrimage.

XLVI.

That page is now before me, and on mine
His country’s ruin added to the mass
Of perished states he mourned in their decline,
And I in desolation: all that was
Of then destruction is; and now, alas!
Rome - Rome imperial, bows her to the storm,
In the same dust and blackness, and we pass
The skeleton of her Titanic form,
Wrecks of another world, whose ashes still are warm.

XLVII.

Yet, Italy! through every other land
Thy wrongs should ring, and shall, from side to side;
Mother of Arts! as once of Arms; thy hand
Was then our Guardian, and is still our guide;
Parent of our religion! whom the wide
Nations have knelt to for the keys of heaven!
Europe, repentant of her parricide,
Shall yet redeem thee, and, all backward driven,
Roll the barbarian tide, and sue to be forgiven.

XLVIII.

But Arno wins us to the fair white walls,
Where the Etrurian Athens claims and keeps
A softer feeling for her fairy halls.
Girt by her theatre of hills, she reaps
Her corn, and wine, and oil, and Plenty leaps
To laughing life, with her redundant horn.
Along the banks where smiling Arno sweeps,
Was modern Luxury of Commerce born,
And buried Learning rose, redeemed to a new morn.

XLIX.

There, too, the goddess loves in stone, and fills
The air around with beauty; we inhale
The ambrosial aspect, which, beheld, instils
Part of its immortality; the veil
Of heaven is half undrawn; within the pale
We stand, and in that form and face behold
What Mind can make, when Nature’s self would fail;
And to the fond idolaters of old
Envy the innate flash which such a soul could mould:

L.

We gaze and turn away, and know not where,
Dazzled and drunk with beauty, till the heart
Reels with its fulness; there - for ever there -
Chained to the chariot of triumphal Art,
We stand as captives, and would not depart.
Away! - there need no words, nor terms precise,
The paltry jargon of the marble mart,
Where Pedantry gulls Folly - we have eyes:
Blood, pulse, and breast, confirm the Dardan Shepherd’s prize.

LI.

Appearedst thou not to Paris in this guise?
Or to more deeply blest Anchises? or,
In all thy perfect goddess-ship, when lies
Before thee thy own vanquished Lord of War?
And gazing in thy face as toward a star,
Laid on thy lap, his eyes to thee upturn,
Feeding on thy sweet cheek! while thy lips are
With lava kisses melting while they burn,
Showered on his eyelids, brow, and mouth, as from an urn!

LII.

Glowing, and circumfused in speechless love,
Their full divinity inadequate
That feeling to express, or to improve,
The gods become as mortals, and man’s fate
Has moments like their brightest! but the weight
Of earth recoils upon us; - let it go!
We can recall such visions, and create
From what has been, or might be, things which grow,
Into thy statue’s form, and look like gods below.

LIII.

I leave to learnèd fingers, and wise hands,
The artist and his ape, to teach and tell
How well his connoisseurship understands
The graceful bend, and the voluptuous swell:
Let these describe the undescribable:
I would not their vile breath should crisp the stream
Wherein that image shall for ever dwell;
The unruffled mirror of the loveliest dream
That ever left the sky on the deep soul to beam.

LIV.

In Santa Croce’s holy precincts lie
Ashes which make it holier, dust which is
E’en in itself an immortality,
Though there were nothing save the past, and this
The particle of those sublimities
Which have relapsed to chaos: - here repose
Angelo’s, Alfieri’s bones, and his,
The starry Galileo, with his woes;
Here Machiavelli’s earth returned to whence it rose.

LV.

These are four minds, which, like the elements,
Might furnish forth creation: - Italy!
Time, which hath wronged thee with ten thousand rents
Of thine imperial garment, shall deny,
And hath denied, to every other sky,
Spirits which soar from ruin: - thy decay
Is still impregnate with divinity,
Which gilds it with revivifying ray;
Such as the great of yore, Canova is to-day.

LVI.

But where repose the all Etruscan three -
Dante, and Petrarch, and, scarce less than they,
The Bard of Prose, creative spirit! he
Of the Hundred Tales of love - where did they lay
Their bones, distinguished from our common clay
In death as life? Are they resolved to dust,
And have their country’s marbles nought to say?
Could not her quarries furnish forth one bust?
Did they not to her breast their filial earth entrust?

LVII.

Ungrateful Florence! Dante sleeps afar,
Like Scipio, buried by the upbraiding shore;
Thy factions, in their worse than civil war,
Proscribed the bard whose name for evermore
Their children’s children would in vain adore
With the remorse of ages; and the crown
Which Petrarch’s laureate brow supremely wore,
Upon a far and foreign soil had grown,
His life, his fame, his grave, though rifled - not thine own.

LVIII.

Boccaccio to his parent earth bequeathed
His dust, - and lies it not her great among,
With many a sweet and solemn requiem breathed
O’er him who formed the Tuscan’s siren tongue?
That music in itself, whose sounds are song,
The poetry of speech? No; - even his tomb
Uptorn, must bear the hyæna bigots’ wrong,
No more amidst the meaner dead find room,
Nor claim a passing sigh, because it told for whom?

LIX.

And Santa Croce wants their mighty dust;
Yet for this want more noted, as of yore
The Cæsar’s pageant, shorn of Brutus’ bust,
Did but of Rome’s best son remind her more:
Happier Ravenna! on thy hoary shore,
Fortress of falling empire! honoured sleeps
The immortal exile; - Arqua, too, her store
Of tuneful relics proudly claims and keeps,
While Florence vainly begs her banished dead, and weeps.

LX.

What is her pyramid of precious stones?
Of porphyry, jasper, agate, and all hues
Of gem and marble, to encrust the bones
Of merchant-dukes? the momentary dews
Which, sparkling to the twilight stars, infuse
Freshness in the green turf that wraps the dead,
Whose names are mausoleums of the Muse,
Are gently prest with far more reverent tread
Than ever paced the slab which paves the princely head.

LXI.

There be more things to greet the heart and eyes
In Arno’s dome of Art’s most princely shrine,
Where Sculpture with her rainbow sister vies;
There be more marvels yet - but not for mine;
For I have been accustomed to entwine
My thoughts with Nature rather in the fields
Than Art in galleries: though a work divine
Calls for my spirit’s homage, yet it yields
Less than it feels, because the weapon which it wields

LXII.

Is of another temper, and I roam
By Thrasimene’s lake, in the defiles
Fatal to Roman rashness, more at home;
For there the Carthaginian’s warlike wiles
Come back before me, as his skill beguiles
The host between the mountains and the shore,
Where Courage falls in her despairing files,
And torrents, swoll’n to rivers with their gore,
Reek through the sultry plain, with legions scattered o’er,

LXIII.

Like to a forest felled by mountain winds;
And such the storm of battle on this day,
And such the frenzy, whose convulsion blinds
To all save carnage, that, beneath the fray,
An earthquake reeled unheededly away!
None felt stern Nature rocking at his feet,
And yawning forth a grave for those who lay
Upon their bucklers for a winding-sheet;
Such is the absorbing hate when warring nations meet.

LXIV.

The Earth to them was as a rolling bark
Which bore them to Eternity; they saw
The Ocean round, but had no time to mark
The motions of their vessel: Nature’s law,
In them suspended, recked not of the awe
Which reigns when mountains tremble, and the birds
Plunge in the clouds for refuge, and withdraw
From their down-toppling nests; and bellowing herds
Stumble o’er heaving plains, and man’s dread hath no words.

LXV.

Far other scene is Thrasimene now;
Her lake a sheet of silver, and her plain
Rent by no ravage save the gentle plough;
Her aged trees rise thick as once the slain
Lay where their roots are; but a brook hath ta’en -
A little rill of scanty stream and bed -
A name of blood from that day’s sanguine rain;
And Sanguinetto tells ye where the dead
Made the earth wet, and turned the unwilling waters red.

LXVI.

But thou, Clitumnus! in thy sweetest wave
Of the most living crystal that was e’er
The haunt of river nymph, to gaze and lave
Her limbs where nothing hid them, thou dost rear
Thy grassy banks whereon the milk-white steer
Grazes; the purest god of gentle waters!
And most serene of aspect, and most clear:
Surely that stream was unprofaned by slaughters,
A mirror and a bath for Beauty’s youngest daughters!

LXVII.

And on thy happy shore a temple still,
Of small and delicate proportion, keeps,
Upon a mild declivity of hill,
Its memory of thee; beneath it sweeps
Thy current’s calmness; oft from out it leaps
The finny darter with the glittering scales,
Who dwells and revels in thy glassy deeps;
While, chance, some scattered water-lily sails
Down where the shallower wave still tells its bubbling tales.

LXVIII.

Pass not unblest the genius of the place!
If through the air a zephyr more serene
Win to the brow, ’tis his; and if ye trace
Along his margin a more eloquent green,
If on the heart the freshness of the scene
Sprinkle its coolness, and from the dry dust
Of weary life a moment lave it clean
With Nature’s baptism, - ’tis to him ye must
Pay orisons for this suspension of disgust.

LXIX.

The roar of waters! - from the headlong height
Velino cleaves the wave-worn precipice;
The fall of waters! rapid as the light
The flashing mass foams shaking the abyss;
The hell of waters! where they howl and hiss,
And boil in endless torture; while the sweat
Of their great agony, wrung out from this
Their Phlegethon, curls round the rocks of jet
That gird the gulf around, in pitiless horror set,

LXX.

And mounts in spray the skies, and thence again
Returns in an unceasing shower, which round,
With its unemptied cloud of gentle rain,
Is an eternal April to the ground,
Making it all one emerald. How profound
The gulf! and how the giant element
From rock to rock leaps with delirious bound,
Crushing the cliffs, which, downward worn and rent
With his fierce footsteps, yield in chasms a fearful vent

LXXI.

To the broad column which rolls on, and shows
More like the fountain of an infant sea
Torn from the womb of mountains by the throes
Of a new world, than only thus to be
Parent of rivers, which flow gushingly,
With many windings through the vale: - Look back!
Lo! where it comes like an eternity,
As if to sweep down all things in its track,
Charming the eye with dread, - a matchless cataract,

LXXII.

Horribly beautiful! but on the verge,
From side to side, beneath the glittering morn,
An Iris sits, amidst the infernal surge,
Like Hope upon a deathbed, and, unworn
Its steady dyes, while all around is torn
By the distracted waters, bears serene
Its brilliant hues with all their beams unshorn:
Resembling, mid the torture of the scene,
Love watching Madness with unalterable mien.

LXXIII.

Once more upon the woody Apennine,
The infant Alps, which - had I not before
Gazed on their mightier parents, where the pine
Sits on more shaggy summits, and where roar
The thundering lauwine - might be worshipped more;
But I have seen the soaring Jungfrau rear
Her never-trodden snow, and seen the hoar
Glaciers of bleak Mont Blanc both far and near,
And in Chimari heard the thunder-hills of fear,

LXXIV.

The Acroceraunian mountains of old name;
And on Parnassus seen the eagles fly
Like spirits of the spot, as ’twere for fame,
For still they soared unutterably high:
I’ve looked on Ida with a Trojan’s eye;
Athos, Olympus, Ætna, Atlas, made
These hills seem things of lesser dignity,
All, save the lone Soracte’s height displayed,
Not now in snow, which asks the lyric Roman’s aid

LXXV.

For our remembrance, and from out the plain
Heaves like a long-swept wave about to break,
And on the curl hangs pausing: not in vain
May he who will his recollections rake,
And quote in classic raptures, and awake
The hills with Latian echoes; I abhorred
Too much, to conquer for the poet’s sake,
The drilled dull lesson, forced down word by word
In my repugnant youth, with pleasure to record

LXXVI.

Aught that recalls the daily drug which turned
My sickening memory; and, though Time hath taught
My mind to meditate what then it learned,
Yet such the fixed inveteracy wrought
By the impatience of my early thought,
That, with the freshness wearing out before
My mind could relish what it might have sought,
If free to choose, I cannot now restore
Its health; but what it then detested, still abhor.

LXXVII.

Then farewell, Horace; whom I hated so,
Not for thy faults, but mine; it is a curse
To understand, not feel, thy lyric flow,
To comprehend, but never love thy verse,
Although no deeper moralist rehearse
Our little life, nor bard prescribe his art,
Nor livelier satirist the conscience pierce,
Awakening without wounding the touched heart,
Yet fare thee well - upon Soracte’s ridge we part.

LXXVIII.

O Rome! my country! city of the soul!
The orphans of the heart must turn to thee,
Lone mother of dead empires! and control
In their shut breasts their petty misery.
What are our woes and sufferance? Come and see
The cypress, hear the owl, and plod your way
O’er steps of broken thrones and temples, Ye!
Whose agonies are evils of a day -
A world is at our feet as fragile as our clay.

LXXIX.

The Niobe of nations! there she stands,
Childless and crownless, in her voiceless woe;
An empty urn within her withered hands,
Whose holy dust was scattered long ago;
The Scipios’ tomb contains no ashes now;
The very sepulchres lie tenantless
Of their heroic dwellers: dost thou flow,
Old Tiber! through a marble wilderness?
Rise, with thy yellow waves, and mantle her distress!

LXXX.

The Goth, the Christian, Time, War, Flood, and Fire,
Have dwelt upon the seven-hilled city’s pride:
She saw her glories star by star expire,
And up the steep barbarian monarchs ride,
Where the car climbed the Capitol; far and wide
Temple and tower went down, nor left a site; -
Chaos of ruins! who shall trace the void,
O’er the dim fragments cast a lunar light,
And say, ‘Here was, or is,’ where all is doubly night?

LXXXI.

The double night of ages, and of her,
Night’s daughter, Ignorance, hath wrapt, and wrap
All round us; we but feel our way to err:
The ocean hath its chart, the stars their map;
And knowledge spreads them on her ample lap;
But Rome is as the desert, where we steer
Stumbling o’er recollections: now we clap
Our hands, and cry, ‘Eureka!’ it is clear -
When but some false mirage of ruin rises near.

LXXXII.

Alas, the lofty city! and alas
The trebly hundred triumphs! and the day
When Brutus made the dagger’s edge surpass
The conqueror’s sword in bearing fame away!
Alas for Tully’s voice, and Virgil’s lay,
And Livy’s pictured page! But these shall be
Her resurrection; all beside - decay.
Alas for Earth, for never shall we see
That brightness in her eye she bore when Rome was free!

LXXXIII.

O thou, whose chariot rolled on Fortune’s wheel,
Triumphant Sylla! Thou, who didst subdue
Thy country’s foes ere thou wouldst pause to feel
The wrath of thy own wrongs, or reap the due
Of hoarded vengeance till thine eagles flew
O’er prostrate Asia; - thou, who with thy frown
Annihilated senates - Roman, too,
With all thy vices, for thou didst lay down
With an atoning smile a more than earthly crown -

LXXXIV.

The dictatorial wreath, - couldst thou divine
To what would one day dwindle that which made
Thee more than mortal? and that so supine
By aught than Romans Rome should thus be laid?
She who was named eternal, and arrayed
Her warriors but to conquer - she who veiled
Earth with her haughty shadow, and displayed
Until the o’er-canopied horizon failed,
Her rushing wings - Oh! she who was almighty hailed!

LXXXV.

Sylla was first of victors; but our own,
The sagest of usurpers, Cromwell! - he
Too swept off senates while he hewed the throne
Down to a block - immortal rebel! See
What crimes it costs to be a moment free
And famous through all ages! But beneath
His fate the moral lurks of destiny;
His day of double victory and death
Beheld him win two realms, and, happier, yield his breath.

LXXXVI.

The third of the same moon whose former course
Had all but crowned him, on the self-same day
Deposed him gently from his throne of force,
And laid him with the earth’s preceding clay.
And showed not Fortune thus how fame and sway,
And all we deem delightful, and consume
Our souls to compass through each arduous way,
Are in her eyes less happy than the tomb?
Were they but so in man’s, how different were his doom!

LXXXVII.

And thou, dread statue! yet existent in
The austerest form of naked majesty,
Thou who beheldest, mid the assassins’ din,
At thy bathed base the bloody Cæsar lie,
Folding his robe in dying dignity,
An offering to thine altar from the queen
Of gods and men, great Nemesis! did he die,
And thou, too, perish, Pompey? have ye been
Victors of countless kings, or puppets of a scene?

LXXXVIII.

And thou, the thunder-stricken nurse of Rome!
She-wolf! whose brazen-imaged dugs impart
The milk of conquest yet within the dome
Where, as a monument of antique art,
Thou standest: - Mother of the mighty heart,
Which the great founder sucked from thy wild teat,
Scorched by the Roman Jove’s ethereal dart,
And thy limbs blacked with lightning - dost thou yet
Guard thine immortal cubs, nor thy fond charge forget?

LXXXIX.

Thou dost; - but all thy foster-babes are dead -
The men of iron; and the world hath reared
Cities from out their sepulchres: men bled
In imitation of the things they feared,
And fought and conquered, and the same course steered,
At apish distance; but as yet none have,
Nor could, the same supremacy have neared,
Save one vain man, who is not in the grave,
But, vanquished by himself, to his own slaves a slave,

XC.

The fool of false dominion - and a kind
Of bastard Cæsar, following him of old
With steps unequal; for the Roman’s mind
Was modelled in a less terrestrial mould,
With passions fiercer, yet a judgment cold,
And an immortal instinct which redeemed
The frailties of a heart so soft, yet bold.
Alcides with the distaff now he seemed
At Cleopatra’s feet, and now himself he beamed.

XCI.

And came, and saw, and conquered. But the man
Who would have tamed his eagles down to flee,
Like a trained falcon, in the Gallic van,
Which he, in sooth, long led to victory,
With a deaf heart which never seemed to be
A listener to itself, was strangely framed;
With but one weakest weakness - vanity:
Coquettish in ambition, still he aimed
At what? Can he avouch, or answer what he claimed?

XCII.

And would be all or nothing - nor could wait
For the sure grave to level him; few years
Had fixed him with the Cæsars in his fate,
On whom we tread: For this the conqueror rears
The arch of triumph! and for this the tears
And blood of earth flow on as they have flowed,
An universal deluge, which appears
Without an ark for wretched man’s abode,
And ebbs but to reflow! - Renew thy rainbow, God!

XCIII.

What from this barren being do we reap?
Our senses narrow, and our reason frail,
Life short, and truth a gem which loves the deep,
And all things weighed in custom’s falsest scale;
Opinion an omnipotence, whose veil
Mantles the earth with darkness, until right
And wrong are accidents, and men grow pale
Lest their own judgments should become too bright,
And their free thoughts be crimes, and earth have too much light.

XCIV.

And thus they plod in sluggish misery,
Rotting from sire to son, and age to age,
Proud of their trampled nature, and so die,
Bequeathing their hereditary rage
To the new race of inborn slaves, who wage
War for their chains, and rather than be free,
Bleed gladiator-like, and still engage
Within the same arena where they see
Their fellows fall before, like leaves of the same tree.

XCV.

I speak not of men’s creeds - they rest between
Man and his Maker - but of things allowed,
Averred, and known, - and daily, hourly seen -
The yoke that is upon us doubly bowed,
And the intent of tyranny avowed,
The edict of Earth’s rulers, who are grown
The apes of him who humbled once the proud,
And shook them from their slumbers on the throne;
Too glorious, were this all his mighty arm had done.

XCVI.

Can tyrants but by tyrants conquered be,
And Freedom find no champion and no child
Such as Columbia saw arise when she
Sprung forth a Pallas, armed and undefiled?
Or must such minds be nourished in the wild,
Deep in the unpruned forest, midst the roar
Of cataracts, where nursing nature smiled
On infant Washington? Has Earth no more
Such seeds within her breast, or Europe no such shore?

XCVII.

But France got drunk with blood to vomit crime,
And fatal have her Saturnalia been
To Freedom’s cause, in every age and clime;
Because the deadly days which we have seen,
And vile Ambition, that built up between
Man and his hopes an adamantine wall,
And the base pageant last upon the scene,
Are grown the pretext for the eternal thrall
Which nips Life’s tree, and dooms man’s worst - his second fall.

XCVIII.

Yet, Freedom! yet thy banner, torn, but flying,
Streams like the thunder-storm against the wind;
Thy trumpet-voice, though broken now and dying,
The loudest still the tempest leaves behind;
Thy tree hath lost its blossoms, and the rind,
Chopped by the axe, looks rough and little worth,
But the sap lasts, - and still the seed we find
Sown deep, even in the bosom of the North;
So shall a better spring less bitter fruit bring forth.

XCIX.

There is a stern round tower of other days,
Firm as a fortress, with its fence of stone,
Such as an army’s baffled strength delays,
Standing with half its battlements alone,
And with two thousand years of ivy grown,
The garland of eternity, where wave
The green leaves over all by time o’erthrown:
What was this tower of strength? within its cave
What treasure lay so locked, so hid? - A woman’s grave.

C.

But who was she, the lady of the dead,
Tombed in a palace? Was she chaste and fair?
Worthy a king’s - or more - a Roman’s bed?
What race of chiefs and heroes did she bear?
What daughter of her beauties was the heir?
How lived - how loved - how died she? Was she not
So honoured - and conspicuously there,
Where meaner relics must not dare to rot,
Placed to commemorate a more than mortal lot?

CI.

Was she as those who love their lords, or they
Who love the lords of others? such have been
Even in the olden time, Rome’s annals say.
Was she a matron of Cornelia’s mien,
Or the light air of Egypt’s graceful queen,
Profuse of joy; or ’gainst it did she war,
Inveterate in virtue? Did she lean
To the soft side of the heart, or wisely bar
Love from amongst her griefs? - for such the affections are.

CII.

Perchance she died in youth: it may be, bowed
With woes far heavier than the ponderous tomb
That weighed upon her gentle dust, a cloud
Might gather o’er her beauty, and a gloom
In her dark eye, prophetic of the doom
Heaven gives its favourites - early death; yet shed
A sunset charm around her, and illume
With hectic light, the Hesperus of the dead,
Of her consuming cheek the autumnal leaf-like red.

CIII.

Perchance she died in age - surviving all,
Charms, kindred, children - with the silver grey
On her long tresses, which might yet recall,
It may be, still a something of the day
When they were braided, and her proud array
And lovely form were envied, praised, and eyed
By Rome - But whither would Conjecture stray?
Thus much alone we know - Metella died,
The wealthiest Roman’s wife: Behold his love or pride!

CIV.

I know not why - but standing thus by thee
It seems as if I had thine inmate known,
Thou Tomb! and other days come back on me
With recollected music, though the tone
Is changed and solemn, like the cloudy groan
Of dying thunder on the distant wind;
Yet could I seat me by this ivied stone
Till I had bodied forth the heated mind,
Forms from the floating wreck which ruin leaves behind;

CV.

And from the planks, far shattered o’er the rocks,
Built me a little bark of hope, once more
To battle with the ocean and the shocks
Of the loud breakers, and the ceaseless roar
Which rushes on the solitary shore
Where all lies foundered that was ever dear:
But could I gather from the wave-worn store
Enough for my rude boat, where should I steer?
There woos no home, nor hope, nor life, save what is here.

CVI.

Then let the winds howl on! their harmony
Shall henceforth be my music, and the night
The sound shall temper with the owlet’s cry,
As I now hear them, in the fading light
Dim o’er the bird of darkness’ native site,
Answer each other on the Palatine,
With their large eyes, all glistening grey and bright,
And sailing pinions. - Upon such a shrine
What are our petty griefs? - let me not number mine.

CVII.

Cypress and ivy, weed and wallflower grown
Matted and massed together, hillocks heaped
On what were chambers, arch crushed, column strown
In fragments, choked-up vaults, and frescoes steeped
In subterranean damps, where the owl peeped,
Deeming it midnight: - Temples, baths, or halls?
Pronounce who can; for all that Learning reaped
From her research hath been, that these are walls -
Behold the Imperial Mount! ’tis thus the mighty falls.

CVIII.

There is the moral of all human tales:
’Tis but the same rehearsal of the past,
First Freedom, and then Glory - when that fails,
Wealth, vice, corruption - barbarism at last.
And History, with all her volumes vast,
Hath but one page, - ’tis better written here,
Where gorgeous Tyranny hath thus amassed
All treasures, all delights, that eye or ear,
Heart, soul could seek, tongue ask - Away with words! draw near,

CIX.

Admire, exult - despise - laugh, weep - for here
There is such matter for all feeling: - Man!
Thou pendulum betwixt a smile and tear,
Ages and realms are crowded in this span,
This mountain, whose obliterated plan
The pyramid of empires pinnacled,
Of Glory’s gewgaws shining in the van
Till the sun’s rays with added flame were filled!
Where are its golden roofs? where those who dared to build?

CX.

Tully was not so eloquent as thou,
Thou nameless column with the buried base!
What are the laurels of the Cæsar’s brow?
Crown me with ivy from his dwelling-place.
Whose arch or pillar meets me in the face,
Titus or Trajan’s? No; ’tis that of Time:
Triumph, arch, pillar, all he doth displace,
Scoffing; and apostolic statues climb
To crush the imperial urn, whose ashes slept sublime,

CXI.

Buried in air, the deep blue sky of Rome,
And looking to the stars; they had contained
A spirit which with these would find a home,
The last of those who o’er the whole earth reigned,
The Roman globe, for after none sustained
But yielded back his conquests: - he was more
Than a mere Alexander, and unstained
With household blood and wine, serenely wore
His sovereign virtues - still we Trajan’s name adore.

CXII.

Where is the rock of Triumph, the high place
Where Rome embraced her heroes? where the steep
Tarpeian - fittest goal of Treason’s race,
The promontory whence the traitor’s leap
Cured all ambition? Did the Conquerors heap
Their spoils here? Yes; and in yon field below,
A thousand years of silenced factions sleep -
The Forum, where the immortal accents glow,
And still the eloquent air breathes - burns with Cicero!

CXIII.

The field of freedom, faction, fame, and blood:
Here a proud people’s passions were exhaled,
From the first hour of empire in the bud
To that when further worlds to conquer failed;
But long before had Freedom’s face been veiled,
And Anarchy assumed her attributes:
Till every lawless soldier who assailed
Trod on the trembling Senate’s slavish mutes,
Or raised the venal voice of baser prostitutes.

CXIV.

Then turn we to our latest tribune’s name,
From her ten thousand tyrants turn to thee,
Redeemer of dark centuries of shame -
The friend of Petrarch - hope of Italy -
Rienzi! last of Romans! While the tree
Of freedom’s withered trunk puts forth a leaf,
Even for thy tomb a garland let it be -
The forum’s champion, and the people’s chief -
Her new-born Numa thou, with reign, alas! too brief.

CXV.

Egeria! sweet creation of some heart
Which found no mortal resting-place so fair
As thine ideal breast; whate’er thou art
Or wert, - a young Aurora of the air,
The nympholepsy of some fond despair;
Or, it might be, a beauty of the earth,
Who found a more than common votary there
Too much adoring; whatsoe’er thy birth,
Thou wert a beautiful thought, and softly bodied forth.

CXVI.

The mosses of thy fountain still are sprinkled
With thine Elysian water-drops; the face
Of thy cave-guarded spring, with years unwrinkled,
Reflects the meek-eyed genius of the place,
Whose green wild margin now no more erase
Art’s works; nor must the delicate waters sleep,
Prisoned in marble, bubbling from the base
Of the cleft statue, with a gentle leap
The rill runs o’er, and round, fern, flowers, and ivy creep,

CXVII.

Fantastically tangled; the green hills
Are clothed with early blossoms, through the grass
The quick-eyed lizard rustles, and the bills
Of summer birds sing welcome as ye pass;
Flowers fresh in hue, and many in their class,
Implore the pausing step, and with their dyes
Dance in the soft breeze in a fairy mass;
The sweetness of the violet’s deep blue eyes,
Kissed by the breath of heaven, seems coloured by its skies.

CXVIII.

Here didst thou dwell, in this enchanted cover,
Egeria! thy all heavenly bosom beating
For the far footsteps of thy mortal lover;
The purple Midnight veiled that mystic meeting
With her most starry canopy, and seating
Thyself by thine adorer, what befell?
This cave was surely shaped out for the greeting
Of an enamoured Goddess, and the cell
Haunted by holy Love - the earliest oracle!

CXIX.

And didst thou not, thy breast to his replying,
Blend a celestial with a human heart;
And Love, which dies as it was born, in sighing,
Share with immortal transports? could thine art
Make them indeed immortal, and impart
The purity of heaven to earthly joys,
Expel the venom and not blunt the dart -
The dull satiety which all destroys -
And root from out the soul the deadly weed which cloys?

CXX.

Alas! our young affections run to waste,
Or water but the desert: whence arise
But weeds of dark luxuriance, tares of haste,
Rank at the core, though tempting to the eyes,
Flowers whose wild odours breathe but agonies,
And trees whose gums are poison; such the plants
Which spring beneath her steps as Passion flies
O’er the world’s wilderness, and vainly pants
For some celestial fruit forbidden to our wants.

CXXI.

O Love! no habitant of earth thou art -
An unseen seraph, we believe in thee, -
A faith whose martyrs are the broken heart,
But never yet hath seen, nor e’er shall see,
The naked eye, thy form, as it should be;
The mind hath made thee, as it peopled heaven,
Even with its own desiring phantasy,
And to a thought such shape and image given,
As haunts the unquenched soul - parched - wearied - wrung - and riven.

CXXII.

Of its own beauty is the mind diseased,
And fevers into false creation; - where,
Where are the forms the sculptor’s soul hath seized?
In him alone. Can Nature show so fair?
Where are the charms and virtues which we dare
Conceive in boyhood and pursue as men,
The unreached Paradise of our despair,
Which o’er-informs the pencil and the pen,
And overpowers the page where it would bloom again.

CXXIII.

Who loves, raves - ’tis youth’s frenzy - but the cure
Is bitterer still; as charm by charm unwinds
Which robed our idols, and we see too sure
Nor worth nor beauty dwells from out the mind’s
Ideal shape of such; yet still it binds
The fatal spell, and still it draws us on,
Reaping the whirlwind from the oft-sown winds;
The stubborn heart, its alchemy begun,
Seems ever near the prize - wealthiest when most undone.

CXXIV.

We wither from our youth, we gasp away -
Sick - sick; unfound the boon, unslaked the thirst,
Though to the last, in verge of our decay,
Some phantom lures, such as we sought at first -
But all too late, - so are we doubly curst.
Love, fame, ambition, avarice - ’tis the same -
Each idle, and all ill, and none the worst -
For all are meteors with a different name,
And death the sable smoke where vanishes the flame.

CXXV.

Few - none - find what they love or could have loved:
Though accident, blind contact, and the strong
Necessity of loving, have removed
Antipathies - but to recur, ere long,
Envenomed with irrevocable wrong;
And Circumstance, that unspiritual god
And miscreator, makes and helps along
Our coming evils with a crutch-like rod,
Whose touch turns hope to dust - the dust we all have trod.

CXXVI.

Our life is a false nature - ’tis not in
The harmony of things, - this hard decree,
This uneradicable taint of sin,
This boundless upas, this all-blasting tree,
Whose root is earth, whose leaves and branches be
The skies which rain their plagues on men like dew -
Disease, death, bondage, all the woes we see -
And worse, the woes we see not - which throb through
The immedicable soul, with heart-aches ever new.

CXXVII.

Yet let us ponder boldly - ’tis a base
Abandonment of reason to resign
Our right of thought - our last and only place
Of refuge; this, at least, shall still be mine:
Though from our birth the faculty divine
Is chained and tortured - cabined, cribbed, confined,
And bred in darkness, lest the truth should shine
Too brightly on the unpreparèd mind,
The beam pours in, for time and skill will couch the blind.

CXXVIII.

Arches on arches! as it were that Rome,
Collecting the chief trophies of her line,
Would build up all her triumphs in one dome,
Her Coliseum stands; the moonbeams shine
As ’twere its natural torches, for divine
Should be the light which streams here, to illume
This long explored but still exhaustless mine
Of contemplation; and the azure gloom
Of an Italian night, where the deep skies assume

CXXIX.

Hues which have words, and speak to ye of heaven,
Floats o’er this vast and wondrous monument,
And shadows forth its glory. There is given
Unto the things of earth, which Time hath bent,
A spirit’s feeling, and where he hath leant
His hand, but broke his scythe, there is a power
And magic in the ruined battlement,
For which the palace of the present hour
Must yield its pomp, and wait till ages are its dower.

CXXX.

O Time! the beautifier of the dead,
Adorner of the ruin, comforter
And only healer when the heart hath bled -
Time! the corrector where our judgments err,
The test of truth, love, - sole philosopher,
For all beside are sophists, from thy thrift,
Which never loses though it doth defer -
Time, the avenger! unto thee I lift
My hands, and eyes, and heart, and crave of thee a gift:

CXXXI.

Amidst this wreck, where thou hast made a shrine
And temple more divinely desolate,
Among thy mightier offerings here are mine,
Ruins of years - though few, yet full of fate:
If thou hast ever seen me too elate,
Hear me not; but if calmly I have borne
Good, and reserved my pride against the hate
Which shall not whelm me, let me not have worn
This iron in my soul in vain - shall they not mourn?

CXXXII.

And thou, who never yet of human wrong
Left the unbalanced scale, great Nemesis!
Here, where the ancients paid thee homage long -
Thou, who didst call the Furies from the abyss,
And round Orestes bade them howl and hiss
For that unnatural retribution - just,
Had it but been from hands less near - in this
Thy former realm, I call thee from the dust!
Dost thou not hear my heart? - Awake! thou shalt, and must.

CXXXIII.

It is not that I may not have incurred
For my ancestral faults or mine the wound
I bleed withal, and had it been conferred
With a just weapon, it had flowed unbound.
But now my blood shall not sink in the ground;
To thee I do devote it - thou shalt take
The vengeance, which shall yet be sought and found,
Which if I have not taken for the sake -
But let that pass - I sleep, but thou shalt yet awake.

CXXXIV.

And if my voice break forth, ’tis not that now
I shrink from what is suffered: let him speak
Who hath beheld decline upon my brow,
Or seen my mind’s convulsion leave it weak;
But in this page a record will I seek.
Not in the air shall these my words disperse,
Though I be ashes; a far hour shall wreak
The deep prophetic fulness of this verse,
And pile on human heads the mountain of my curse!

CXXXV.

That curse shall be forgiveness. - Have I not -
Hear me, my mother Earth! behold it, Heaven! -
Have I not had to wrestle with my lot?
Have I not suffered things to be forgiven?
Have I not had my brain seared, my heart riven,
Hopes sapped, name blighted, Life’s life lied away?
And only not to desperation driven,
Because not altogether of such clay
As rots into the souls of those whom I survey.

CXXXVI.

From mighty wrongs to petty perfidy
Have I not seen what human things could do?
From the loud roar of foaming calumny
To the small whisper of the as paltry few
And subtler venom of the reptile crew,
The Janus glance of whose significant eye,
Learning to lie with silence, would seem true,
And without utterance, save the shrug or sigh,
Deal round to happy fools its speechless obloquy.

CXXXVII.

But I have lived, and have not lived in vain:
My mind may lose its force, my blood its fire,
And my frame perish even in conquering pain,
But there is that within me which shall tire
Torture and Time, and breathe when I expire:
Something unearthly, which they deem not of,
Like the remembered tone of a mute lyre,
Shall on their softened spirits sink, and move
In hearts all rocky now the late remorse of love.

CXXXVIII.

The seal is set. - Now welcome, thou dread Power
Nameless, yet thus omnipotent, which here
Walk’st in the shadow of the midnight hour
With a deep awe, yet all distinct from fear:
Thy haunts are ever where the dead walls rear
Their ivy mantles, and the solemn scene
Derives from thee a sense so deep and clear
That we become a part of what has been,
And grow unto the spot, all-seeing but unseen.

CXXXIX.

And here the buzz of eager nations ran,
In murmured pity, or loud-roared applause,
As man was slaughtered by his fellow-man.
And wherefore slaughtered? wherefore, but because
Such were the bloody circus’ genial laws,
And the imperial pleasure. - Wherefore not?
What matters where we fall to fill the maws
Of worms - on battle-plains or listed spot?
Both are but theatres where the chief actors rot.

CXL.

I see before me the Gladiator lie:
He leans upon his hand - his manly brow
Consents to death, but conquers agony,
And his drooped head sinks gradually low -
And through his side the last drops, ebbing slow
From the red gash, fall heavy, one by one,
Like the first of a thunder-shower; and now
The arena swims around him: he is gone,
Ere ceased the inhuman shout which hailed the wretch who won.

CXLI.

He heard it, but he heeded not - his eyes
Were with his heart, and that was far away;
He recked not of the life he lost nor prize,
But where his rude hut by the Danube lay,
There were his young barbarians all at play,
There was their Dacian mother - he, their sire,
Butchered to make a Roman holiday -
All this rushed with his blood - Shall he expire,
And unavenged? - Arise! ye Goths, and glut your ire!

CXLII.

But here, where murder breathed her bloody steam;
And here, where buzzing nations choked the ways,
And roared or murmured like a mountain-stream
Dashing or winding as its torrent strays;
Here, where the Roman million’s blame or praise
Was death or life, the playthings of a crowd,
My voice sounds much - and fall the stars’ faint rays
On the arena void - seats crushed, walls bowed,
And galleries, where my steps seem echoes strangely loud.

CXLIII.

A ruin - yet what ruin! from its mass
Walls, palaces, half-cities, have been reared;
Yet oft the enormous skeleton ye pass,
And marvel where the spoil could have appeared.
Hath it indeed been plundered, or but cleared?
Alas! developed, opens the decay,
When the colossal fabric’s form is neared:
It will not bear the brightness of the day,
Which streams too much on all, years, man, have reft away.

CXLIV.

But when the rising moon begins to climb
Its topmost arch, and gently pauses there;
When the stars twinkle through the loops of time,
And the low night-breeze waves along the air,
The garland-forest, which the grey walls wear,
Like laurels on the bald first Cæsar’s head;
When the light shines serene, but doth not glare,
Then in this magic circle raise the dead:
Heroes have trod this spot - ’tis on their dust ye tread.

CXLV.

‘While stands the Coliseum, Rome shall stand;
When falls the Coliseum, Rome shall fall;
And when Rome falls - the World.’ From our own land
Thus spake the pilgrims o’er this mighty wall
In Saxon times, which we are wont to call
Ancient; and these three mortal things are still
On their foundations, and unaltered all;
Rome and her Ruin past Redemption’s skill,
The World, the same wide den - of thieves, or what ye will.

CXLVI.

Simple, erect, severe, austere, sublime -
Shrine of all saints and temple of all gods,
From Jove to Jesus - spared and blest by time;
Looking tranquillity, while falls or nods
Arch, empire, each thing round thee, and man plods
His way through thorns to ashes - glorious dome!
Shalt thou not last? - Time’s scythe and tyrants’ rods
Shiver upon thee - sanctuary and home
Of art and piety - Pantheon! - pride of Rome!

CXLVII.

Relic of nobler days, and noblest arts!
Despoiled yet perfect, with thy circle spreads
A holiness appealing to all hearts -
To art a model; and to him who treads
Rome for the sake of ages, Glory sheds
Her light through thy sole aperture; to those
Who worship, here are altars for their beads;
And they who feel for genius may repose
Their eyes on honoured forms, whose busts around them close.

CXLVIII.

There is a dungeon, in whose dim drear light
What do I gaze on? Nothing: Look again!
Two forms are slowly shadowed on my sight -
Two insulated phantoms of the brain:
It is not so: I see them full and plain -
An old man, and a female young and fair,
Fresh as a nursing mother, in whose vein
The blood is nectar: - but what doth she there,
With her unmantled neck, and bosom white and bare?

CXLIX.

Full swells the deep pure fountain of young life,
Where on the heart and from the heart we took
Our first and sweetest nurture, when the wife,
Blest into mother, in the innocent look,
Or even the piping cry of lips that brook
No pain and small suspense, a joy perceives
Man knows not, when from out its cradled nook
She sees her little bud put forth its leaves -
What may the fruit be yet? - I know not - Cain was Eve’s.

CL.

But here youth offers to old age the food,
The milk of his own gift: - it is her sire
To whom she renders back the debt of blood
Born with her birth. No; he shall not expire
While in those warm and lovely veins the fire
Of health and holy feeling can provide
Great Nature’s Nile, whose deep stream rises higher
Than Egypt’s river: - from that gentle side
Drink, drink and live, old man! heaven’s realm holds no such tide.

CLI.

The starry fable of the milky way
Has not thy story’s purity; it is
A constellation of a sweeter ray,
And sacred Nature triumphs more in this
Reverse of her decree, than in the abyss
Where sparkle distant worlds: - Oh, holiest nurse!
No drop of that clear stream its way shall miss
To thy sire’s heart, replenishing its source
With life, as our freed souls rejoin the universe.

CLII.

Turn to the mole which Hadrian reared on high,
Imperial mimic of old Egypt’s piles,
Colossal copyist of deformity,
Whose travelled phantasy from the far Nile’s
Enormous model, doomed the artist’s toils
To build for giants, and for his vain earth,
His shrunken ashes, raise this dome: How smiles
The gazer’s eye with philosophic mirth,
To view the huge design which sprung from such a birth!

CLIII.

But lo! the dome - the vast and wondrous dome,
To which Diana’s marvel was a cell -
Christ’s mighty shrine above his martyr’s tomb!
I have beheld the Ephesian’s miracle -
Its columns strew the wilderness, and dwell
The hyæna and the jackal in their shade;
I have beheld Sophia’s bright roofs swell
Their glittering mass ithe sun, and have surveyed
Its sanctuary the while the usurping Moslem prayed;

CLIV.

But thou, of temples old, or altars new,
Standest alone - with nothing like to thee -
Worthiest of God, the holy and the true,
Since Zion’s desolation, when that he
Forsook his former city, what could be,
Of earthly structures, in his honour piled,
Of a sublimer aspect? Majesty,
Power, Glory, Strength, and Beauty, all are aisled
In this eternal ark of worship undefiled.

CLV.

Enter: its grandeur overwhelms thee not;
And why? it is not lessened; but thy mind,
Expanded by the genius of the spot,
Has grown colossal, and can only find
A fit abode wherein appear enshrined
Thy hopes of immortality; and thou
Shalt one day, if found worthy, so defined,
See thy God face to face, as thou dost now
His Holy of Holies, nor be blasted by his brow.

CLVI.

Thou movest - but increasing with th’ advance,
Like climbing some great Alp, which still doth rise,
Deceived by its gigantic elegance;
Vastness which grows - but grows to harmonise -
All musical in its immensities;
Rich marbles - richer painting - shrines where flame
The lamps of gold - and haughty dome which vies
In air with Earth’s chief structures, though their frame
Sits on the firm-set ground - and this the clouds must claim.

CLVII.

Thou seest not all; but piecemeal thou must break
To separate contemplation, the great whole;
And as the ocean many bays will make,
That ask the eye - so here condense thy soul
To more immediate objects, and control
Thy thoughts until thy mind hath got by heart
Its eloquent proportions, and unroll
In mighty graduations, part by part,
The glory which at once upon thee did not dart.

CLVIII.

Not by its fault - but thine: Our outward sense
Is but of gradual grasp - and as it is
That what we have of feeling most intense
Outstrips our faint expression; e’en so this
Outshining and o’erwhelming edifice
Fools our fond gaze, and greatest of the great
Defies at first our nature’s littleness,
Till, growing with its growth, we thus dilate
Our spirits to the size of that they contemplate.

CLIX.

Then pause and be enlightened; there is more
In such a survey than the sating gaze
Of wonder pleased, or awe which would adore
The worship of the place, or the mere praise
Of art and its great masters, who could raise
What former time, nor skill, nor thought could plan;
The fountain of sublimity displays
Its depth, and thence may draw the mind of man
Its golden sands, and learn what great conceptions can.

CLX.

Or, turning to the Vatican, go see
Laocoön’s torture dignifying pain -
A father’s love and mortal’s agony
With an immortal’s patience blending: - Vain
The struggle; vain, against the coiling strain
And gripe, and deepening of the dragon’s grasp,
The old man’s clench; the long envenomed chain
Rivets the living links, - the enormous asp
Enforces pang on pang, and stifles gasp on gasp.

CLXI.

Or view the Lord of the unerring bow,
The God of life, and poesy, and light -
The Sun in human limbs arrayed, and brow
All radiant from his triumph in the fight;
The shaft hath just been shot - the arrow bright
With an immortal’s vengeance; in his eye
And nostril beautiful disdain, and might
And majesty, flash their full lightnings by,
Developing in that one glance the Deity.

CLXII.

But in his delicate form - a dream of Love,
Shaped by some solitary nymph, whose breast
Longed for a deathless lover from above,
And maddened in that vision - are expressed
All that ideal beauty ever blessed
The mind within its most unearthly mood,
When each conception was a heavenly guest -
A ray of immortality - and stood
Starlike, around, until they gathered to a god?

CLXIII.

And if it be Prometheus stole from heaven
The fire which we endure, it was repaid
By him to whom the energy was given
Which this poetic marble hath arrayed
With an eternal glory - which, if made
By human hands, is not of human thought
And Time himself hath hallowed it, nor laid
One ringlet in the dust - nor hath it caught
A tinge of years, but breathes the flame with which ’twas wrought.

CLXIV.

But where is he, the pilgrim of my song,
The being who upheld it through the past?
Methinks he cometh late and tarries long.
He is no more - these breathings are his last;
His wanderings done, his visions ebbing fast,
And he himself as nothing: - if he was
Aught but a phantasy, and could be classed
With forms which live and suffer - let that pass -
His shadow fades away into Destruction’s mass,

CLXV.

Which gathers shadow, substance, life, and all
That we inherit in its mortal shroud,
And spreads the dim and universal pall
Thro’ which all things grow phantoms; and the cloud
Between us sinks and all which ever glowed,
Till Glory’s self is twilight, and displays
A melancholy halo scarce allowed
To hover on the verge of darkness; rays
Sadder than saddest night, for they distract the gaze,

CLXVI.

And send us prying into the abyss,
To gather what we shall be when the frame
Shall be resolved to something less than this
Its wretched essence; and to dream of fame,
And wipe the dust from off the idle name
We never more shall hear, - but never more,
Oh, happier thought! can we be made the same:
It is enough, in sooth, that once we bore
These fardels of the heart - the heart whose sweat was gore.

CLXVII.

Hark! forth from the abyss a voice proceeds,
A long, low distant murmur of dread sound,
Such as arises when a nation bleeds
With some deep and immedicable wound;
Through storm and darkness yawns the rending ground.
The gulf is thick with phantoms, but the chief
Seems royal still, though with her head discrowned,
And pale, but lovely, with maternal grief
She clasps a babe, to whom her breast yields no relief.

CLXVIII.

Scion of chiefs and monarchs, where art thou?
Fond hope of many nations, art thou dead?
Could not the grave forget thee, and lay low
Some less majestic, less beloved head?
In the sad midnight, while thy heart still bled,
The mother of a moment, o’er thy boy,
Death hushed that pang for ever: with thee fled
The present happiness and promised joy
Which filled the imperial isles so full it seemed to cloy.

CLXIX.

Peasants bring forth in safety. - Can it be,
O thou that wert so happy, so adored!
Those who weep not for kings shall weep for thee,
And Freedom’s heart, grown heavy, cease to hoard
Her many griefs for One; for she had poured
Her orisons for thee, and o’er thy head
Beheld her Iris. - Thou, too, lonely lord,
And desolate consort - vainly wert thou wed!
The husband of a year! the father of the dead!

CLXX.

Of sackcloth was thy wedding garment made:
Thy bridal’s fruit is ashes; in the dust
The fair-haired Daughter of the Isles is laid,
The love of millions! How we did entrust
Futurity to her! and, though it must
Darken above our bones, yet fondly deemed
Our children should obey her child, and blessed
Her and her hoped-for seed, whose promise seemed
Like star to shepherd’s eyes; ’twas but a meteor beamed.

CLXXI.

Woe unto us, not her; for she sleeps well:
The fickle reek of popular breath, the tongue
Of hollow counsel, the false oracle,
Which from the birth of monarchy hath rung
Its knell in princely ears, till the o’erstrung
Nations have armed in madness, the strange fate
Which tumbles mightiest sovereigns, and hath flung
Against their blind omnipotence a weight
Within the opposing scale, which crushes soon or late, -

CLXXII.

These might have been her destiny; but no,
Our hearts deny it: and so young, so fair,
Good without effort, great without a foe;
But now a bride and mother - and now there!
How many ties did that stern moment tear!
From thy Sire’s to his humblest subject’s breast
Is linked the electric chain of that despair,
Whose shock was as an earthquake’s, and oppressed
The land which loved thee so, that none could love thee best.

CLXXIII.

Lo, Nemi! navelled in the woody hills
So far, that the uprooting wind which tears
The oak from his foundation, and which spills
The ocean o’er its boundary, and bears
Its foam against the skies, reluctant spares
The oval mirror of thy glassy lake;
And, calm as cherished hate, its surface wears
A deep cold settled aspect nought can shake,
All coiled into itself and round, as sleeps the snake.

CLXXIV.

And near Albano’s scarce divided waves
Shine from a sister valley; - and afar
The Tiber winds, and the broad ocean laves
The Latian coast where sprung the Epic war,
‘Arms and the Man,’ whose reascending star
Rose o’er an empire, - but beneath thy right
Tully reposed from Rome; - and where yon bar
Of girdling mountains intercepts the sight,
The Sabine farm was tilled, the weary bard’s delight.

CLXXV.

But I forget. - My pilgrim’s shrine is won,
And he and I must part, - so let it be, -
His task and mine alike are nearly done;
Yet once more let us look upon the sea:
The midland ocean breaks on him and me,
And from the Alban mount we now behold
Our friend of youth, that ocean, which when we
Beheld it last by Calpe’s rock unfold
Those waves, we followed on till the dark Euxine rolled

CLXXVI.

Upon the blue Symplegades: long years -
Long, though not very many - since have done
Their work on both; some suffering and some tears
Have left us nearly where we had begun:
Yet not in vain our mortal race hath run,
We have had our reward - and it is here;
That we can yet feel gladdened by the sun,
And reap from earth, sea, joy almost as dear
As if there were no man to trouble what is clear.

CLXXVII.

Oh! that the Desert were my dwelling-place,
With one fair Spirit for my minister,
That I might all forget the human race,
And, hating no one, love but only her!
Ye Elements! - in whose ennobling stir
I feel myself exalted - can ye not
Accord me such a being? Do I err
In deeming such inhabit many a spot?
Though with them to converse can rarely be our lot.

CLXXVIII.

There is a pleasure in the pathless woods,
There is a rapture on the lonely shore,
There is society where none intrudes,
By the deep Sea, and music in its roar:
I love not Man the less, but Nature more,
From these our interviews, in which I steal
From all I may be, or have been before,
To mingle with the Universe, and feel
What I can ne’er express, yet cannot all conceal.

CLXXIX.

Roll on, thou deep and dark blue Ocean - roll!
Ten thousand fleets sweep over thee in vain;
Man marks the earth with ruin - his control
Stops with the shore; - upon the watery plain
The wrecks are all thy deed, nor doth remain
A shadow of man’s ravage, save his own,
When for a moment, like a drop of rain,
He sinks into thy depths with bubbling groan,
Without a grave, unknelled, uncoffined, and unknown.

CLXXX.

His steps are not upon thy paths, - thy fields
Are not a spoil for him, - thou dost arise
And shake him from thee; the vile strength he wields
For earth’s destruction thou dost all despise,
Spurning him from thy bosom to the skies,
And send’st him, shivering in thy playful spray
And howling, to his gods, where haply lies
His petty hope in some near port or bay,
And dashest him again to earth: - there let him lay.

CLXXXI.

The armaments which thunderstrike the walls
Of rock-built cities, bidding nations quake,
And monarchs tremble in their capitals.
The oak leviathans, whose huge ribs make
Their clay creator the vain title take
Of lord of thee, and arbiter of war;
These are thy toys, and, as the snowy flake,
They melt into thy yeast of waves, which mar
Alike the Armada’s pride, or spoils of Trafalgar.

CLXXXII.

Thy shores are empires, changed in all save thee -
Assyria, Greece, Rome, Carthage, what are they?
Thy waters washed them power while they were free
And many a tyrant since: their shores obey
The stranger, slave, or savage; their decay
Has dried up realms to deserts: not so thou,
Unchangeable save to thy wild waves’ play -
Time writes no wrinkle on thine azure brow -
Such as creation’s dawn beheld, thou rollest now.

CLXXXIII.

Thou glorious mirror, where the Almighty’s form
Glasses itself in tempests; in all time,
Calm or convulsed - in breeze, or gale, or storm,
Icing the pole, or in the torrid clime
Dark-heaving; - boundless, endless, and sublime -
The image of Eternity - the throne
Of the Invisible; even from out thy slime
The monsters of the deep are made; each zone
Obeys thee: thou goest forth, dread, fathomless, alone.

CLXXXIV.

And I have loved thee, Ocean! and my joy
Of youthful sports was on thy breast to be
Borne like thy bubbles, onward: from a boy
I wantoned with thy breakers - they to me
Were a delight; and if the freshening sea
Made them a terror - ’twas a pleasing fear,
For I was as it were a child of thee,
And trusted to thy billows far and near,
And laid my hand upon thy mane - as I do here.

CLXXXV.

My task is done - my song hath ceased - my theme
Has died into an echo; it is fit
The spell should break of this protracted dream.
The torch shall be extinguished which hath lit
My midnight lamp - and what is writ, is writ -
Would it were worthier! but I am not now
That which I have been - and my visions flit
Less palpably before me - and the glow
Which in my spirit dwelt is fluttering, faint, and low.

CLXXXVI.

Farewell! a word that must be, and hath been -
A sound which makes us linger; yet, farewell!
Ye, who have traced the Pilgrim to the scene
Which is his last, if in your memories dwell
A thought which once was his, if on ye swell
A single recollection, not in vain
He wore his sandal-shoon and scallop shell;
Farewell! with him alone may rest the pain,
If such there were - with you, the moral of his strain.

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The Muse Of The Prophets

Peace and love on the land of your muse!
For Gaddafi went out without understanding the muse of the Prophets;
And now, he is gone too soon;
Because, the prophecy came and caught him up! !

What is going on in Libya is part of the prophecy,
And the prophets foretold them ahead of time;
And today, Gaddafi is gone too soon!
Forgetting about the coup he made some years ago.

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In the Wilderness

The sea patrol,
Please bring out the dead in Libya! !
For the hair and the body are like the high-heel girls;
But in the wilderness are they gone too soon,
So try to bring out the dead for burial.

Bombs and bullets of war!
We are still seeing what is going on in Libya! !
But in the wilderness in search of the dead bodies is your mission;
So try to bring our the dead for a peaceful burial.

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The Throes Of Life

I will rather keep my faith on my works to move on,
For i am what i am today for you to see;
But yesterday is already gone too soon.

From the archives to the slippery lips and the throes of life,
Money cannot make a Doctor out of a playboy!
But allegorically noted is to toll the lines of a psyche.

I will rather keep my faith towards my success,
For the struggle is not yet over;
And there is nothing worse in life than being ignored!
But i will live always to share my love with others.

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The Mother Who Hid Her Psycho Son

You drugged him in your house

The friendship was fine but what you did
Was not right what you did was cheap

You bragged that everything is safe that
Everyone in the house is sound that the

Weather is fine that the state-of-affairs is okay
What you did was cheap, you gave him

The drug for him to sleep the day long
He swallowed what you gave him
Hook, line and sinker
While we
Party and drink. eat and laugh he was

There inside with all his tantrums & nightmares
He was screaming and wanted to run away from you.

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The Unwanted Time

the sweet sour pain rebirth the destiny of today
hand-capped with make-up and toiletries, making
face-off to all ages

limbo in any invention, puzzle in any form the
aspiration becomes the corner stone of tomorrows
search and riddle, find always the key and the
door remain to be closed

oh! hold on droplets of rain for the water is wit;
the wave stand still and the river is dry, the
guided cart venture every load to reach the ideal
of every minutes

somewhere in time, the clown will cry and the
circus will be the rostrum of misery, for what is
not cleanse the water purify the dirt

be the ingredients of hope...

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Tata Nano – the Car for All!

A car quite big and yet so small!
A car that’s meant for people all;
More than a two-wheeler in cost,
The Tata Nano is quite fast.

A magic car that’s safe on road;
A car that all can well afford;
Small family norm car today,
The Tata Nano’s on its way!

A car that’s caught the eyes of all;
A car that none could ever stall;
A car that’s found a place in hearts;
A car that easily too starts!

A beauty that all wish to drive,
The little car has come alive;
The Tata Nano is famous,
And modern car for all of us!

Dream-car of many that’s come true;
The car for young, old, me and you;
The car that could be number one,
The Tata Nano is great fun!

Dedicated to Mr. Rattan Tata

Copyright by Dr John Celes 4-12-2009

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Mid the Piteous Heaps of Dead

'MID the piteous heaps of dead
Goes one weary golden head
Tossing ever to and fro,
Calling loud and calling low.


Mother, mother, step so light,
Mother, lay your fingers white
On my forehead like a dew !
Mother, mother, where are you?


Still so loud he makes his cry
That the dying cannot die;
All the writhing field's one groan
While he lies and cries alone.


But his mother's far away;
Cannot hear him cry and say:
Mother, I am dying, come!
Mother, I am lost from home!


Mary, Mother of all men,
Come and comfort him in pain.
Take his young head to the breast
Where your Child and God had rest.


Mary, Mary, step so light.
Mary, lay your fingers white
On his forehead! He shall dream
That his mother comforts him.


Mary, Mother, croon him o'er
Lullabies you sang before!
Mary, ease him, crooning low,
In the way that mothers know!

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