Luc-Bat! you say
In Vietnamese Luc-Bat is a sonnet form
consisting of six and eight syllable lines
First line starts with six syllables, next eight
A 14 line rhyme pattern -
a.b.b.c./ c.d.d.e/ e.f.f.g/ g.a.
born/ fall/ all/ lush
bush/ earth/ birth/ man
Pan/ scheme/ dream/ jest
crest/ dawn
Try it in the loo!
poem by Michael Pruchnicki
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Related quotes
Homeless
Emaweni webaba
Silale maweni
Webaba silale maweni
Webaba silale maweni
Webaba silale maweni
Webaba silale maweni
Webaba silale maweni
Webaba silale maweni
Webaba silale maweni
Webaba silale maweni
Webaba silale maweni
Homeless, homeless
Moonlight sleeping on a midnight lake
Homeless, homeless
Moonlight sleeping on a midnight lake
We are homeless, we are homeless
The moonlight sleeping on a midnight lake
And we are homeless, homeless, homeless
The moonlight sleeping on a midnight lake
Zio yami, zio yami, nhliziyo yami
Nhliziyo yami amakhaza asengi bulele
Nhliziyo yami, nhliziyo yami
Nhliziyo yami, angibulele amakhaza
Nhliziyo yami, nhliziyo yami
Nhliziyo yami somandla angibulele mama
Zio yami, nhliziyo yami
Nhliziyo yami, nhliziyo yami
Too loo loo, too loo loo
Too loo loo loo loo loo loo loo loo loo
Too loo loo, too loo loo
Too loo loo loo loo loo loo loo loo loo
Strong wind destroy our home
Many dead, tonight it could be you
Strong wind, strong wind
Many dead, tonight it could be you
And we are homeless, homeless
Moonlight sleeping on a midnight lake
Homeless, homeless
Moonlight sleeping on a midnight lake
Homeless, homeless
Moonlight sleeping on a midnight lake
Somebody say ih hih ih hih ih
Somebody sing hello, hello, hello
Somebody say ih hih ih hih ih
Somebody cry why, why, why?
Somebody say ih hih ih hih ih
Somebody sing hello, hello, hello
Somebody say ih hih ih hih ih
Somebody cry why, why, why?
Somebody say ih hih ih hih ih
[...] Read more
song performed by Paul Simon
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Wife to Be (Petrarchan Sonnet)
I stroll along a fragrant country lane
With honeysuckle perfume on the air -
And feathered crooner's warble to revere -
Then cross a golden sea of flowing grain
In empathy - it seems to sense my pain
Of knowing all was done with my affair -
Her empty meaning now the solitaire
She cast away - betrothment all in vain.
But oceans team with many fish to catch
So I must up and hoist another sail
And seek the one that really waits for me,
For soon auspicious breezes will prevail
In guiding forth to find a truer match:
The one to take my hand as wife to be.
Copyright © Mark R Slaughter 2010
[...] Read more
poem by Mark R Slaughter
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Too-ra-loo-ra
Too-ra-loo-ra-loo-ral
Too-ra-loo-ra-li
Too-ra-loo-ra-loo-ral
Hush now, dont you cry
Too-ra-loo-ra-loo-ral
Too-ra-loo-ra-li
Too-ra-loo-ra-loo-ral
Thats an irish lullaby
Over in killarney, many years ago
My mother sang a song to me in tones so soft and low
Just a simple little ditty in her good old irish way
And Id give the world if I could hear that song of hers
Today
Too-ra-loo-ra-loo-ral
Too-ra-loo-ra-li
Too-ra-loo-ra-loo-ral
Hush now, dont you cry
Too-ra-loo-ra-loo-ral
Too-ra-loo-ra-li
Too-ra-loo-ra-loo-ral
Thats an irish lullaby
song performed by Kenny Loggins
Added by Lucian Velea
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To-Ra-Loo-Ra
Too-ra-loo-ra-loo-ral
Too-ra-loo-ra-li
Too-ra-loo-ra-loo-ral
Hush now, don't you cry
Too-ra-loo-ra-loo-ral
Too-ra-loo-ra-li
Too-ra-loo-ra-loo-ral
That's an Irish lullaby
Over in Killarney, many years ago
My mother sang a song to me in tones so soft and low
Just a simple little ditty in her good old Irish way
And I'd give the world if I could hear that song of hers
today
Too-ra-loo-ra-loo-ral
Too-ra-loo-ra-li
Too-ra-loo-ra-loo-ral
Hush now, don't you cry
Too-ra-loo-ra-loo-ral
Too-ra-loo-ra-li
Too-ra-loo-ra-loo-ral
That's an Irish lullaby
song performed by Kenny Loggins
Added by Lucian Velea
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Hymn to Pan
Thrill with lissome lust of the light,
O man ! My man !
Come careering out of the night
Of Pan ! Io Pan .
Io Pan ! Io Pan ! Come over the sea
From Sicily and from Arcady !
Roaming as Bacchus, with fauns and pards
And nymphs and styrs for thy guards,
On a milk-white ass, come over the sea
To me, to me,
Coem with Apollo in bridal dress
(Spheperdess and pythoness)
Come with Artemis, silken shod,
And wash thy white thigh, beautiful God,
In the moon, of the woods, on the marble mount,
The dimpled dawn of of the amber fount !
Dip the purple of passionate prayer
In the crimson shrine, the scarlet snare,
The soul that startles in eyes of blue
To watch thy wantoness weeping through
The tangled grove, the gnarled bole
Of the living tree that is spirit and soul
And body and brain -come over the sea,
(Io Pan ! Io Pan !)
Devil or god, to me, to me,
My man ! my man !
Come with trumpets sounding shrill
Over the hill !
Come with drums low muttering
From the spring !
Come with flute and come with pipe !
Am I not ripe ?
I, who wait and writhe and wrestle
With air that hath no boughs to nestle
My body, weary of empty clasp,
Strong as a lion, and sharp as an asp-
Come, O come !
I am numb
With the lonely lust of devildom.
Thrust the sword through the galling fetter,
All devourer, all begetter;
Give me the sign of the Open Eye
And the token erect of thorny thigh
And the word of madness and mystery,
O pan ! Io Pan !
Io Pan ! Io Pan ! Pan Pan ! Pan,
I am a man:
Do as thou wilt, as a great god can,
O Pan ! Io Pan !
Io pan ! Io Pan Pan ! Iam awake
[...] Read more
poem by Aleister Crowley
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Sonnet Cycle to M C after W S Sonnets CXXXI - CXXXIX
Sonnet Cycle to M C after William Shakespeare Sonnets CXXXI - CLIV
[c] Jonathan Robin
CARE IS OUR DREAM
Sonnet Cycle after William Shakespeare: Part II
Sonnets CXXXI - CLIV
Shakespeare Sonnet CXXXI
Thou art so tyrannous, so as thou art,
As those whose beauties proudly make them cruel;
For well thou know'st to my dear doting heart
Thou art the fairest and most precious jewel.
Yet, in good faith, some say that thee behold,
Thy face hath not the power to make love groan;
To say they err I dare not be so bold,
Although I swear it to myself alone.
And to be sure that is not false, I swear,
A thousand groans, but thinking on thy face,
One on another's neck, do witness bear
Thy black is fairest in my judgement's place.
In nothing art thou black save in thy deeds,
And thence this slander, as I think, proceeds.
Sonnet CXXXI
Swift in succession fleet speed thoughts when I
Allow time to rhyme contemplating smile.
Nefertiti resignèdly would cry
Grieving 'Quits' obliged to reconcile
To defeat, a feat none else dare try.
Outer skin and inner heart worthwhile
Most naturally ally I testify,
Adopt love’s truth to heart, scorn art and style.
Millions shudder – to your rank unworthy -
Aware all their priorities weigh zilch,
Understatements glib by small minds scurvy,
Deprived of value still your fame they’d filch.
Enshadowed, dark, stark dead their teeming dreams
Compelled to spell fell shutters, failing themes.
Shakespeare Sonnet CXXXII
Thine eyes I love, and they, as pitying me,
Knowing thy heart torments me with disdain,
Have put on black and ivory mourner she,
Looking with pretty ruth upon my pain.
And truly not the morning sun of heaven
Better becomes the grey cheeks of the east,
[...] Read more
poem by Jonathan Robin
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VII. Pompilia
I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.
All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.
Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—
[...] Read more
poem by Robert Browning from The Ring and the Book
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Healthy Back Bag
animated bag of chips
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alternative to plastic trash bags
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animated gif people with hand bags
amazing bag grace pipe
altieri bags
[...] Read more
poem by Rwetewrt Erwtwer
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Satan Absolved
(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.
[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.
Satan. Ye have in truth good cause.
Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.
[...] Read more
poem by Wilfrid Scawen Blunt
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Canto the Fourth
I.
I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!
II.
She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.
III.
In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!
IV.
But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.
V.
[...] Read more
poem by Byron from Childe Harold's Pilgrimage (1818)
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The Loves of the Angels
'Twas when the world was in its prime,
When the fresh stars had just begun
Their race of glory and young Time
Told his first birth-days by the sun;
When in the light of Nature's dawn
Rejoicing, men and angels met
On the high hill and sunny lawn,-
Ere sorrow came or Sin had drawn
'Twixt man and heaven her curtain yet!
When earth lay nearer to the skies
Than in these days of crime and woe,
And mortals saw without surprise
In the mid-air angelic eyes
Gazing upon this world below.
Alas! that Passion should profane
Even then the morning of the earth!
That, sadder still, the fatal stain
Should fall on hearts of heavenly birth-
And that from Woman's love should fall
So dark a stain, most sad of all!
One evening, in that primal hour,
On a hill's side where hung the ray
Of sunset brightening rill and bower,
Three noble youths conversing lay;
And, as they lookt from time to time
To the far sky where Daylight furled
His radiant wing, their brows sublime
Bespoke them of that distant world-
Spirits who once in brotherhood
Of faith and bliss near ALLA stood,
And o'er whose cheeks full oft had blown
The wind that breathes from ALLA'S throne,
Creatures of light such as still play,
Like motes in sunshine, round the Lord,
And thro' their infinite array
Transmit each moment, night and day,
The echo of His luminous word!
Of Heaven they spoke and, still more oft,
Of the bright eyes that charmed them thence;
Till yielding gradual to the soft
And balmy evening's influence-
The silent breathing of the flowers-
The melting light that beamed above,
As on their first, fond, erring hours,-
Each told the story of his love,
The history of that hour unblest,
When like a bird from its high nest
[...] Read more
poem by Thomas Moore
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Remember That Turkey Stuffed
Slip me a witch and be done with it.
Then give me a hee-hi-ho!
Let's both benefit from this wickedness.
Then slip me a ho-to-go!
La la la la lahhhh
Lee lee lee lee leeeee
Loo loo loo loo loo lah low.
And for all who have not had a good screwing all this year...
May those turkeys you stuff have tasty rears.
Slip me a witch and be done with it.
Then give me a hee-hi-ho!
Let's both benefit from this wickedness.
Then slip me a ho-to-go!
La la la la lahhhh
Lee lee lee lee leeeee
Loo loo loo loo loo lah low.
And for all who have not had a good screwing all this year...
May those turkeys you stuff have tasty rears.
May you taste a good turkey stuffed...
With cheer!
La la la la lahhhh
Lee lee lee lee leeeee
Loo loo loo loo loo lah low.
And for all who have not had a good screwing all this year...
May those turkeys you stuff,
Have juicy rears!
'Oh...
Such a festive decadence.'
poem by Lawrence S. Pertillar
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Loot
If you've ever stole a pheasant-egg be'ind the keeper's back,
If you've ever snigged the washin' from the line,
If you've ever crammed a gander in your bloomin' 'aversack,
You will understand this little song o' mine.
But the service rules are 'ard, an' from such we are debarred,
For the same with English morals does not suit.
(~Cornet~: Toot! toot!)
W'y, they call a man a robber if 'e stuffs 'is marchin' clobber
With the --
(~Chorus~) Loo! loo! Lulu! lulu! Loo! loo! Loot! loot! loot!
Ow the loot!
Bloomin' loot!
That's the thing to make the boys git up an' shoot!
It's the same with dogs an' men,
If you'd make 'em come again
Clap 'em forward with a Loo! loo! Lulu! Loot!
(~ff~) Whoopee! Tear 'im, puppy! Loo! loo! Lulu! Loot! loot! loot!
If you've knocked a nigger edgeways when 'e's thrustin' for your life,
You must leave 'im very careful where 'e fell;
An' may thank your stars an' gaiters if you didn't feel 'is knife
That you ain't told off to bury 'im as well.
Then the sweatin' Tommies wonder as they spade the beggars under
Why lootin' should be entered as a crime;
So if my song you'll 'ear, I will learn you plain an' clear
'Ow to pay yourself for fightin' overtime.
(~Chorus~) With the loot, . . .
Now remember when you're 'acking round a gilded Burma god
That 'is eyes is very often precious stones;
An' if you treat a nigger to a dose o' cleanin'-rod
'E's like to show you everything 'e owns.
When 'e won't prodooce no more, pour some water on the floor
Where you 'ear it answer 'ollow to the boot
(~Cornet~: Toot! toot!) --
When the ground begins to sink, shove your baynick down the chink,
An' you're sure to touch the --
(~Chorus~) Loo! loo! Lulu! Loot! loot! loot!
Ow the loot! . . .
When from 'ouse to 'ouse you're 'unting, you must always work in pairs --
It 'alves the gain, but safer you will find --
For a single man gets bottled on them twisty-wisty stairs,
An' a woman comes and clobs 'im from be'ind.
When you've turned 'em inside out, an' it seems beyond a doubt
As if there weren't enough to dust a flute
(~Cornet~: Toot! toot!) --
Before you sling your 'ook, at the 'ousetops take a look,
For it's underneath the tiles they 'ide the loot.
(~Chorus~) Ow the loot! . . .
[...] Read more
poem by Rudyard Kipling
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The Ballad of the White Horse
DEDICATION
Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?
Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?
In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.
Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.
Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.
Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.
Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.
But who shall look from Alfred's hood
[...] Read more
poem by Gilbert Keith Chesterton
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Big Boots
(words & music by wayne - edwards)
They call your daddy big boots
And big boots is his name
It takes a big man to wear big boots
Thats your daddys claim to fame
They know your daddy big boots
Wherever soldiers are
cause he can handle an armored tank
Just like a kiddy can
So sleep little soldier
Dont you cry
Loo loo loo loo
Loo loo loo
General sandmans soon coming by
Loo loo loo loo
Loo loo loo
Im gonna tell you a little secret
You wont believe its true
Did you know your
Daddy big boots
Once wore little boots like you
song performed by Elvis Presley
Added by Lucian Velea
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Rubaiyat Of A Robin - After Edward Fitzgerald - Rubaiyat Of Omar Khayyam
Jest plays with rubaiyat and, four by four,
unseals for your amusement more and more
verses together thread in rosary
unreeled to bloom till tomb will curtains draw.
Repealed are value judgement and perspective
revealed through standpoint purely introspective,
darkside concealed of moon’s yin-yang shines clear
when we’re in orbit, - option more effective.
Rolled form performs rôle midwife to perception,
sprung tongue in cheek, tweaks sense of imperfection
or willingness to leach between the lines,
impeach entrenched ideas of self-[s]election.
This prose arose as stream deprived of section,
where ‘dip at will’ will still sustain inspection,
the current’s sense, at odds with current views
ignores round holes, square pegs, top-down direction.
Here there’s no fear of critics’ peer rejection,
contention treated with due circumspection
intention is to mention for retention
an overview or clue to extrospection.
Life’s curtains are a veil through which few see,
as many haste taste-waste eternity,
mixed up, ignore life fixes finite sum
to/through infinite opportunity.
Can “Truth” exist? all ask, who seek its core,
we, modest, etch our words to sketch the score,
diverse the verses which converge to link
reflections mirrored many times before.
Vast content, style, a while, united are,
aim at soul stimulation, nothing bar,
to pleasure, treasure, or discard at will
as minds outreach to other minds on par.
Meditating, we shed light on what
tomorrow’s tot may factor into ‘bot’ -
the poet’s lot, forgot, to help all think
ahead of time, enhance life for a lot
Some seek Nirvana, Faith speaks more than “how”.
Others reject Salvation’s wraith, - w[h]ine “now”.
Verifying facts? Inventing dreams?
Each furrow-burrows with a different plough.
[...] Read more
poem by Jonathan Robin
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Don't Tell THe World! (Sonnet)
This Sonnet is in the popular Petrarchan Form
I behold thy love as beautiful thing,
In my wrecked heart, a pleasure garden,
Thy revered love, a blooming Eden.
A daisy tuft seasoned by bright spring,
Surging in moments that defeats waiting,
I behold thy words as a jeweled crown,
On my worn pages of despicable frown.
And thy memory feeds my mind dying,
Daring couple disclose, but don’t you tell,
About memoirs many encased and kept,
Say not thy chronicle, sweet as daisy smell,
Buried, not unseen to thy eyes except
Reveal not, the guarded stash of our love,
Lest a rational world desires to know! ! !
IA NOTE: For those who find the format unfitting to a sonnet!
(Sonnet
only 14 lines long— and has a firmly fixed form. The sonnet works best for expressing strong emotion or intense feeling, firm purpose, or great seriousness. This form works best if you want to focus attention on a single thing—a particular idea, situation, emotion, problem, observation, etc. —the sonnet gets to its point quickly and efficiently, with beauty and charm of form or expression.
The Shakespearean (or English) sonnet and the Petrarchan (or Italian) sonnet are the two most prevalent versions of this form today.
A Shakespearean sonnet or English sonnet is written in one stanza composed of three rhymed quatrains (each making one point in a three-step argument) , followed by a rhyming couplet that summarizes the argument
A Petrarchan sonnet or Italian sonnet is composed of an octet followed by a sestet with a variable rhyme scheme. The octet presents the poem’s theme or problem, while the sestet offers a change or a resolution. In its traditional form, this sonnet never ends in a couplet.
Robert Frost was popular at Petrarchan form of sonnets.
sonnet’s formal requirements (14 lines of iambic pentameter with a specific rhyme scheme) , method (a strong focus on one subject) , and goals (persuasion, surprise, balance) ,
Ref: www.poetry.com/techniques/form of poetic expressions.
Thank You
poem by Seema Aarella
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In the next birth
IF I ACQUIRED the menacing form of an
alligator in the next birth,
I would want you to cling tightly to my persona as my serrated green
skin.
If I was born in the ominous form of the jungle tiger in the
next birth,
I would you to be incorporated in my body as my domineeringly
authoritative growl.
If I was born as a densely foliated tree in the next birth,
I would want you to be the perennial leaves that emanated from
my silhouette.
If I was born as an opalescent fish in the next birth,
I would want you to be saline water in which I could sustain life
and swim.
If I was born as the twin horned sacrosanct cow in the next birth,
I would inevitably desire you as the milk I would diffuse from
my flaccid teats.
If I was born as a slithering reptile in the next birth,
I would want you to be the lethal venom I possessed in my triangular
fangs.
If I was born as an obnoxious donkey in the next birth,
I would want you to be my hooves which swished indiscriminately
at innocuous trespassers.
If I was born as perpetually blind in the next birth,
I would indispensably want you to be my eyes to guide me
towards dazzling light.
If I was born as being disdainfully maim; bereft of feet in the next
birth,
I would incorrigibly want you to be my legs to ecstatically leap
in times of jubilation.
If I was born as a rustic spider with a battalion of arms in the
next birth,
[...] Read more
poem by Nikhil Parekh
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