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London Seagulls

The pigeons of the Abbey, the pigeons of Saint Paul's,
That woo in windy niches of grey and grimy walls,
The pearl-grey dawns of London, his sky that gleams and glooms,
His stately smoky sunsets are in their changing plumes.

The saucy London sparrows, their Cockney chatter tells
Their parents nested surely in earshot of Bow Bells . . .
But Oh! the London seagulls a-cruising up and down,
They're most like old-time seamen come back to London town.

Old salty swearing seadogs and tarry buccaneers,
With bacca quids and pigtails and ear-rings in their ears,
That spent their money handsome and took their ease ashore
In rowdy Ratcliff aleshops with sand upon the floor . . .

And bawled their old sea-ballads, and told their thumping lies,
In fearsome deep sea lingo to open landsmen's eyes,
And drained their brimming pewters, and spat into the tide,
In old shipboarded taverns by Wapping waterside . . .

And saw there at their moorings the Geordie colliers rock,
The latest pirate dangling at Execution Dock,
The anchored ships unloading their silks and laces fine,
And spices from the Indies, and rum, and Spanish wine . . .

And watched the busy wherries all plying with their fares,
From Globe, Jamaica, Wapping and Cherry Garden Stairs,
And the lighters and the barges a-passing to and fro
As they did on London River two hundred years ago.

poem by Cicely Fox Smith
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

[...] Read more

poem by Conrad Potter Aiken
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Pearl

Pearl of delight that a prince doth please
To grace in gold enclosed so clear,
I vow that from over orient seas
Never proved I any in price her peer.
So round, so radiant ranged by these,
So fine, so smooth did her sides appear
That ever in judging gems that please
Her only alone I deemed as dear.
Alas! I lost her in garden near:
Through grass to the ground from me it shot;
I pine now oppressed by love-wound drear
For that pearl, mine own, without a spot.

2
Since in that spot it sped from me,
I have looked and longed for that precious thing
That me once was wont from woe to free,
To uplift my lot and healing bring,
But my heart doth hurt now cruelly,
My breast with burning torment sting.
Yet in secret hour came soft to me
The sweetest song I e'er heard sing;
Yea, many a thought in mind did spring
To think that her radiance in clay should rot.
O mould! Thou marrest a lovely thing,
My pearl, mine own, without a spot.

3
In that spot must needs be spices spread
Where away such wealth to waste hath run;
Blossoms pale and blue and red
There shimmer shining in the sun;
No flower nor fruit their hue may shed
Where it down into darkling earth was done,
For all grass must grow from grains that are dead,
No wheat would else to barn be won.
From good all good is ever begun,
And fail so fair a seed could not,
So that sprang and sprouted spices none
From that precious pearl without a spot.

4
That spot whereof I speak I found
When I entered in that garden green,
As August's season high came round
When corn is cut with sickles keen.
There, where that pearl rolled down, a mound
With herbs was shadowed fair and sheen,
With gillyflower, ginger, and gromwell crowned,
And peonies powdered all between.

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poem by Anonymous Olde English
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Nestling

When to summon the sky
Little nestling?
When to summon the sky?

And suffer the risk - abscond in dread -
The knowledge of sort that you'll be dead
Upon a calamitous fall;

Or taken in flight - a hawkish pounce -
Demolished as prey; your fate pronounce
You gone, and to never recall.

O when to summon the sky
Little nestling?
When to summon the sky?

Aborting a den with
Feathered bed,
Unwavering mother who
Saw you fed -
Surrendering all so
You may spread
Your reach of tentative wings!

‘Tis only instinct -
E'er the reason -
Forging life:
The Nesting Season
And the trials it brings.

So up and summon the sky
Little nestling,
Up! and summon the sky!

Copyright © Mark R Slaughter 2011

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poem by Mark R Slaughter
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Marmion: Canto II. - The Convent

I.

The breeze, which swept away the smoke,
Round Norham Castle rolled,
When all the loud artillery spoke,
With lightning-flash, and thunder-stroke,
As Marmion left the hold.
It curled not Tweed alone, that breeze,
For, far upon Northumbrian seas,
It freshly blew, and strong,
Where, from high Whitby's cloistered pile,
Bound to St. Cuthbert's holy isle,
It bore a barque along.
Upon the gale she stooped her side,
And bounded o'er the swelling tide,
As she were dancing home;
The merry seamen laughed to see
Their gallant ship so lustily
Furrow the green sea-foam.
Much joyed they in their honoured freight;
For, on the deck, in chair of state,
The Abbess of Saint Hilda placed,
With five fair nuns, the galley graced.

II.

'Twas sweet to see these holy maids,
Like birds escaped to greenwood shades,
Their first flight from the cage,
How timid, and how curious too,
For all to them was strange and new,
And all the common sights they view,
Their wonderment engage.
One eyed the shrouds and swelling sail,
With many a benedicite;
One at the rippling surge grew pale,
And would for terror pray;
Then shrieked, because the sea-dog, nigh,
His round black head, and sparkling eye,
Reared o'er the foaming spray;
And one would still adjust her veil,
Disordered by the summer gale,
Perchance lest some more worldly eye
Her dedicated charms might spy;
Perchance, because such action graced
Her fair-turned arm and slender waist.
Light was each simple bosom there,
Save two, who ill might pleasure share -
The Abbess and the novice Clare.

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poem by Sir Walter Scott
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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER

Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.

AUTUMN WINTER

Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

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poem by Jonathan Robin
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How the Boy Stole Christmas

Based on 'How the Grinch Stole Christmas', by Dr. Seuss.
Done for a school project=)

Once, upon a falling snowflake,
In a land far, far away,
There lived all the Whats,
Preparing for Christmas day.

There was one What that stuck out,
The richest What of them all,
He had light brown hair, and big brown eyes
His given name was Paul.

Paul was a greedy boy,
His best friend was Ebenezer Scrooge
And anytime Paul lied,
His little nose turned huge!

Paul was the only What in Whattown,
That really hated this time of the year,
He ruined all the children’s fun,
His pranks were in full gear.

Paul thought Christmas was just trouble,
He only thought of himself,
He thought that Santa Claus was stupid,
And hurt the feelings of every single elf.

He hated everybody that liked Christmas,
There was only one exception of his,
A beautiful What named Rachel,
Whom he never wanted to diss.

Now every story has a problem,
And this one’s is pretty big,
Paul crushed on the Christmas-lover Rachel,
But Rachel thought Paul was a pig.

You see, Rachel was an EXTREME Christmas fanatic,
Loving every aspect of it,
She volunteered everywhere that she could,
And her money? Donated every bit.

She helped out at school and Church,
Sang carols at the old folks’ home,
Baked cookies with younger children,
Made ornaments out of foam.

Rachel hated anybody that hated Christmas,
She was like a packaged deal,

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poem by Selina Marie
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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;

Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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poem by Robinson Jeffers
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The Shadow

Paul Jannes was working very late,
For this watch must be done by eight
To-morrow or the Cardinal
Would certainly be vexed. Of all
His customers the old prelate
Was the most important, for his state
Descended to his watches and rings,
And he gave his mistresses many things
To make them forget his age and smile
When he paid visits, and they could while
The time away with a diamond locket
Exceedingly well. So they picked his pocket,
And he paid in jewels for his slobbering kisses.
This watch was made to buy him blisses
From an Austrian countess on her way
Home, and she meant to start next day.

Paul worked by the pointed, tulip-flame
Of a tallow candle, and became
So absorbed, that his old clock made him wince
Striking the hour a moment since.
Its echo, only half apprehended,
Lingered about the room. He ended
Screwing the little rubies in,
Setting the wheels to lock and spin,
Curling the infinitesimal springs,
Fixing the filigree hands. Chippings
Of precious stones lay strewn about.
The table before him was a rout
Of splashes and sparks of coloured light.
There was yellow gold in sheets, and quite
A heap of emeralds, and steel.
Here was a gem, there was a wheel.
And glasses lay like limpid lakes
Shining and still, and there were flakes
Of silver, and shavings of pearl,
And little wires all awhirl
With the light of the candle. He took the watch
And wound its hands about to match
The time, then glanced up to take the hour
From the hanging clock.
Good, Merciful Power!
How came that shadow on the wall,
No woman was in the room! His tall
Chiffonier stood gaunt behind
His chair. His old cloak, rabbit-lined,
Hung from a peg. The door was closed.
Just for a moment he must have dozed.
He looked again, and saw it plain.

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poem by Amy Lowell
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A Big Hurt

To meet her once just to know it through and through
I know, I know
But it aint finished till the fat lady sings
I know, I know
How can I help you?
Youre just a wanna-be
Im a believer
Youre a sex receiver
And me with a big hurt
You know I had a big hurt
From the very start
Im hurting so bad
cause youre my roommate from hell
Got to take some blows on the stepping stones
Speak in extreme
Itll save you time
You were a saint abroa
But a devil at home
Come on here, woo-woo
And kiss it for me
To meet her once just to know it through and through
I know, I know I know
Even a glass eye in a ducks ass can see that
I know, I know
How can I help you?
A meet with a big hurt
You know I had
A great big hurt
From the very start
Im hurting so bad
And here come the indians oooo
Got to take some blows on the stepping stones
Speak in extreme
Itll save you time
You were a saint abroa
But a devil at home
Come on here, woo-woo
And kiss it for me
Kiss it for me, woo-woo
Kiss it for me
Woo-woo, kiss it for me
Come on here, woo-woo
Kiss it for me
Kiss it where it counts
Kiss it for me
Come on here, woo-woo
Woo-woo, woo-woo, woo-woo, woo-woo
Kiss it for me
I know
I know

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song performed by David Bowie
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Vision of Columbus – Book 3

Now, twice twelve years, the children of the skies
Beheld in peace their growing empire rise;
O'er happy realms, display'd their generous care,
Diffused their arts and soothd the rage of war;
Bade yon tall temple grace the favourite isle.
The gardens bloom, the cultured valleys smile,
The aspiring hills their spacious mines unfold.
Fair structures blaze, and altars burn, in gold,
Those broad foundations bend their arches high,
And heave imperial Cusco to the sky;
From that fair stream that mark'd their northern sway,
Where Apurimac leads his lucid way,
To yon far glimmering lake, the southern bound,
The growing tribes their peaceful dwellings found;
While wealth and grandeur bless'd the extended reign,
From the bold Andes to the western main.
When, fierce from eastern wilds, the savage bands
Lead war and slaughter o'er the happy lands;
Thro' fertile fields the paths of culture trace,
And vow destruction to the Incan race.
While various fortune strow'd the embattled plain,
And baffled thousands still the strife maintain,
The unconquer'd Inca wakes the lingering war,
Drives back their host and speeds their flight afar;
Till, fired with rage, they range the wonted wood,
And feast their souls on future scenes of blood.
Where yon blue summits hang their cliffs on high;
Frown o'er the plains and lengthen round the sky;
Where vales exalted thro' the breaches run;
And drink the nearer splendors of the sun,
From south to north, the tribes innumerous wind,
By hills of ice and mountain streams confined;
Rouse neighbouring hosts, and meditate the blow,
To blend their force and whelm the world below.
Capac, with caution, views the dark design,
From countless wilds what hostile myriads join;
And greatly strives to bid the discord cease,
By profferd compacts of perpetual peace.
His eldest hope, young Rocha, at his call,
Leaves the deep confines of the temple wall;
In whose fair form, in lucid garments drest,
Began the sacred function of the priest.
In early youth, ere yet the genial sun
Had twice six changes o'er his childhood run,
The blooming prince, beneath his parents' hand,
Learn'd all the laws that sway'd the sacred land;
With rites mysterious served the Power divine,
Prepared the altar and adorn'd the shrine,
Responsive hail'd, with still returning praise,
Each circling season that the God displays,

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poem by Joel Barlow
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Cattle Call

Cattle Call
(sung by Elvis in concerts of the 1950s)
[In der mir vorliegenden Version summt er nur die Melodie.]
(Tex Owens)
The cattle are prowlin' and the coyotes are howlin'
Way out where the dogies bawl
Where spurs are a-jinglin' a cowboy is singin'
This lonesome cattle call
Woo-hoo woo-hoo hoo hoo
Woo-hoo woo-hoo hoo hoo
Woo-hoo woo-hoo hoo hoo hoo
Woo-hoo woo-hoo hoo
He rides in the sun, till his days work is done
And he rounds up the cattle each fall
Woo-hoo woo-hoo hoo hoo
Singin' his cattle call.
For hours he will ride on the range far and wide
When the night wind blows up a squall
His heart is a feather in all kinds of weather
He sings his cattle call
Woo-hoo woo-hoo hoo hoo
Woo-hoo woo-hoo hoo hoo
Woo-hoo woo-hoo hoo hoo hoo
Woo-hoo woo-hoo hoo
He's brown as a berry from ridin' the prairie
And sings with an ol' western drawl
Woo-hoo woo-hoo hoo hoo
Singin' his cattle call

song performed by Elvis Presley
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Freight Train Boogie / Choo Choo Ch'boogie

(GriffinHorton, Darling, Gabler)
Casey Jones was a mighty man, now he's resting in the Promised Land.
The only thing he could understand was an eight-wheel driver under his command.
He made the freight train boogie all the time.
He made the freight train boogie as he rolled down the line.
Woo woo, wah wah, woo woo, wah wah. Woo woo, wah wah, woo woo, wah wah.
He made the freight train boogie as he rolled down the line.
I'm headed for the station with my pack on my back,
I'm tired of transportation in the back of a hack.
I just love the rhythm of the clickity-clack,
I hear the whistle blowing, see the smoke from the stack.
And pal around with democratic fellas named Mac,
Take me right back to the track, Jack.
Choo choo, choo choo ch'boogie, woo woo, woo woo ch'boogie.
Choo choo, choo choo ch'boogie, take me right back to the track, Jack.
You reach your destination and alas and alack,
You need some compensation to get back in the black.
You take a morning paper from the top of the stack
and read the situation from the front to the back.
The only job that's open needs a man with a knack,
take me right back to the track, Jack.
Choo choo, choo choo ch'boogie, woo woo, woo woo ch'boogie.
Choo choo, choo choo ch'boogie, take me right back to the track, Jack.
Choo choo, choo choo ch'boogie, woo woo, woo woo ch'boogie.
Choo choo, choo choo ch'boogie,
He made the freight train boogie as he rolled down the line.

song performed by John Denver
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I Wanna Roo You

Twenty-third of december
Covered in snow
You in the kitchen
With the lights way down low
I'm in the parlor playing my old guitar
Speaking to you, darling, to find out how you are
I wanna roo you, wanna get through to you
I wanna woo you, woo you tonight
I wanna roo you, wanna get through to you
I wanna woo you, woo you tonight
Come to me softly
Come to me quiet
Know what i'm after
I'm gonna try it
Snowstorm's on the way and we'll be stranded for a week
Come over to the window, look outside take a peek
I wanna roo you, wanna get through to you
I wanna woo you, woo you tonight
I wanna roo you, wanna get through to you
I wanna woo you, woo you tonight
You know i am lonely
And in need of your company
Oh, let your love light shine on down on me
And we can just sit here
Look at the fire
Watch the flames leaping higher and higher
Tea on the stove food in the pan
Ain't going nowhere and we don't have many plans
I wanna roo you, wanna get through to you
I wanna woo you, woo you tonight
I wanna roo you, wanna get through to you
I wanna woo you, woo you tonight
And you know i am lonely
I been in need of your company
Let your love shine on down on me
I wanna roo you, wanna get through to you
I wanna woo you, woo you tonight
I wanna roo you, wanna get through to you
I wanna woo you, woo you tonight
Woo you tonight, pretty baby
Woo you tonight, little darling
Woo you tonight, alright
Woo you tonight

song performed by Van Morrison
Added by Lucian Velea
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The Hot Rocks Polka

If I could stick my hand in my heart
Spill it all over the stage
Would it satisfy you
Would it slide on by you
Would you think the boy is strange
Aint it stra-a-ange
If I could win
If I could sing
A love song so divine
Would it be enough for your cheating heart
If I broke down and cried
If I cri-i-ied
I said, ah no, its only rock n roll
But I like it
Ah no, its only rock n roll
But I like it, like it
Yes I do
I really really really really do do-do do do
Hey
Gold coast slave ship bound for cotton fields
Sold in a market down in new orleans
Scarred old slaver knows hes doin all right
Hear they whip the women just around midnight
Brown sugar
How come you taste so good
Brown sugar
Just like a young girl should
I saw her today at the reception
A glass of wine in her hand
I knew she would make her connection
By her feet was a footloose man
You cant always get what you want
You cant always get what you want
You cant always get what you want
But if you try sometimes
You might find
You get what you need
You need honkey tonk women
Gimme gimme gimme the honkey tonk blues
Under my thumb
The girl who once had me down
Under my thumb
The girl who once pushed me around
Its down to me
Yes it is
The way she talks when shes spoken to
Down to me
The change has come
Shes under my thumb
So, goodbye ruby tuesday

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song performed by Weird Al Yankovic
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Shoestring

Everybody's pawning all their bling things.
Trying to live today on just a shoestring.
Giving in ain't easy for one thinking...
How will they survive,
Without the zing of bling things!

ooo woo...
ooopah ooopah ooopah,
ooo woo...
ooopah pah ooopah,
ooo woo...
ooopah ooopah ooopah,
ooo woo...
ooopah pah ooo

ooo woo...
ooopah ooopah ooopah,
ooo woo...
ooopah pah ooopah,
ooo woo...
ooopah ooopah ooopah,
ooo woo...
ooopah pah ooo

Droppin' hip hop poppin'
To stop coppin'...
From lockin' boppin'
So rock mop and toppin'.

They woke up soak and wet,
And feelin' threatin'.
'Cause' all the bling
They stung up...
Stopped affectin'!

ooo woo...
ooopah ooopah ooopah,
ooo woo...
ooopah pah ooopah,
ooo woo...
ooopah ooopah ooopah,
ooo woo...
ooopah pah ooo

ooo woo...
ooopah ooopah ooopah,
ooo woo...
ooopah pah ooopah,
ooo woo...
ooopah ooopah ooopah,

[...] Read more

poem by Lawrence S. Pertillar
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The Vision of Judgment

I

Saint Peter sat by the celestial gate:
His keys were rusty, and the lock was dull,
So little trouble had been given of late;
Not that the place by any means was full,
But since the Gallic era 'eight-eight'
The devils had ta'en a longer, stronger pull,
And 'a pull altogether,' as they say
At sea — which drew most souls another way.

II

The angels all were singing out of tune,
And hoarse with having little else to do,
Excepting to wind up the sun and moon,
Or curb a runaway young star or two,
Or wild colt of a comet, which too soon
Broke out of bounds o'er th' ethereal blue,
Splitting some planet with its playful tail,
As boats are sometimes by a wanton whale.

III

The guardian seraphs had retired on high,
Finding their charges past all care below;
Terrestrial business fill'd nought in the sky
Save the recording angel's black bureau;
Who found, indeed, the facts to multiply
With such rapidity of vice and woe,
That he had stripp'd off both his wings in quills,
And yet was in arrear of human ills.

IV

His business so augmented of late years,
That he was forced, against his will no doubt,
(Just like those cherubs, earthly ministers,)
For some resource to turn himself about,
And claim the help of his celestial peers,
To aid him ere he should be quite worn out
By the increased demand for his remarks:
Six angels and twelve saints were named his clerks.

V

This was a handsome board — at least for heaven;
And yet they had even then enough to do,
So many conqueror's cars were daily driven,
So many kingdoms fitted up anew;

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poem by Byron
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Vision of Judgment, The

I

Saint Peter sat by the celestial gate:
His keys were rusty, and the lock was dull,
So little trouble had been given of late;
Not that the place by any means was full,
But since the Gallic era 'eight-eight'
The devils had ta'en a longer, stronger pull,
And 'a pull altogether,' as they say
At sea — which drew most souls another way.

II

The angels all were singing out of tune,
And hoarse with having little else to do,
Excepting to wind up the sun and moon,
Or curb a runaway young star or two,
Or wild colt of a comet, which too soon
Broke out of bounds o'er th' ethereal blue,
Splitting some planet with its playful tail,
As boats are sometimes by a wanton whale.

III

The guardian seraphs had retired on high,
Finding their charges past all care below;
Terrestrial business fill'd nought in the sky
Save the recording angel's black bureau;
Who found, indeed, the facts to multiply
With such rapidity of vice and woe,
That he had stripp'd off both his wings in quills,
And yet was in arrear of human ills.

IV

His business so augmented of late years,
That he was forced, against his will no doubt,
(Just like those cherubs, earthly ministers,)
For some resource to turn himself about,
And claim the help of his celestial peers,
To aid him ere he should be quite worn out
By the increased demand for his remarks:
Six angels and twelve saints were named his clerks.

V

This was a handsome board — at least for heaven;
And yet they had even then enough to do,
So many conqueror's cars were daily driven,
So many kingdoms fitted up anew;

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poem by George Gordon Byron
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The Golden Legend: IV. The Road To Hirschau

PRINCE HENRY _and_ ELSIE, _with their attendants, on
horseback._

_Elsie._ Onward and onward the highway runs
to the distant city, impatiently bearing
Tidings of human joy and disaster, of love and of
hate, of doing and daring!

_Prince Henry._ This life of ours is a wild aeolian
harp of many a joyous strain,
But under them all there runs a loud perpetual wail,
as of souls in pain.

_Elsie._ Faith alone can interpret life, and the heart
that aches and bleeds with the stigma
Of pain, alone bears the likeness of Christ, and can
comprehend its dark enigma.

_Prince Henry._ Man is selfish, and seeketh pleasure
with little care of what may betide;
Else why am I travelling here beside thee, a demon
that rides by an angel's side?

_Elsie._ All the hedges are white with dust, and
the great dog under the creaking wain
Hangs his head in the lazy heat, while onward the
horses toil and strain

_Prince Henry._ Now they stop at the wayside inn,
and the wagoner laughs with the landlord's daughter,
While out of the dripping trough the horses distend
their leathern sides with water.

_Elsie._ All through life there are wayside inns,
where man may refresh his soul with love;
Even the lowest may quench his thirst at rivulets fed
by springs from above.

_Prince Henry._ Yonder, where rises the cross of
stone, our journey along the highway ends,
And over the fields, by a bridle path, down into the
broad green valley descends.

_Elsie._ I am not sorry to leave behind the beaten
road with its dust and heat;
The air will be sweeter far, and the turf will be softer
under our horses' feet.

(_They turn down a green lane._)

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poem by Henry Wadsworth Longfellow
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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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poem by Gilbert Keith Chesterton
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The Legend Of St. Sophia Of Kioff

I.

[The Poet describes the city and spelling of Kiow, Kioff, or Kiova.]

A thousand years ago, or more,
A city filled with burghers stout,
And girt with ramparts round about,
Stood on the rocky Dnieper shore.
In armor bright, by day and night,
The sentries they paced to and fro.
Well guarded and walled was this town, and called
By different names, I'd have you to know;
For if you looks in the g'ography books,
In those dictionaries the name it varies,
And they write it off Kieff or Kioff, Kiova or Kiow.

II.

[Its buildings, public works, and ordinances, religious and civil.]

Thus guarded without by wall and redoubt,
Kiova within was a place of renown,
With more advantages than in those dark ages
Were commonly known to belong to a town.
There were places and squares, and each year four fairs,
And regular aldermen and regular lord-mayors;
And streets, and alleys, and a bishop's palace;
And a church with clocks for the orthodox—
With clocks and with spires, as religion desires;
And beadles to whip the bad little boys
Over their poor little corduroys,
In service-time, when they DIDN'T make a noise;
And a chapter and dean, and a cathedral-green
With ancient trees, underneath whose shades
Wandered nice young nursery-maids.

[The poet shows how a certain priest dwelt at Kioff, a godly
clergyman, and one that preached rare good sermons.]

Ding-dong, ding-dong, ding-ding-a-ring-ding,
The bells they made a merry merry ring,
From the tall tall steeple; and all the people
(Except the Jews) came and filled the pews—
Poles, Russians and Germans,
To hear the sermons
Which HYACINTH preached godly to those Germans and Poles,
For the safety of their souls.

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poem by William Makepeace Thackeray
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