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little Sister... is Gone...

little sister
little sister be gone
my prayer every day


not that you are gone from me
i cry beg and plee
i think of you with me
and fallto my kneees
hoping someone will
hear my plee
' big sisters go first'...


that why i will always
watch you as you sleep...

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My Little Sister

See you again my dear friend.
You brought music to my heart.
You've changed so much.
You grew up.
You are not what i once i thought you were.
My dear little sister, don't ever let him hurt you.
Just call upon me and I'm there...
It may not be by blood, but its enough.
Dark were those days when you lived without a place to stay.
Got to keep going, got to make things right.
This is to you and the things you had to go through.
See you again my dear friend.
You have brought music to my heart.
Listen closely its sound of a babies unborn kicking.
Just remember girl when your fall apart,
I will be their in darkness and despair.
I will be prepared. a shoulder to lean on.
a arm to cry on. So strong and so afraid to show any tears.
Just remember I always be near.
my dear little sister.
See you again my dear friend.
you brought music to my heart.
with so many words I try to mend.
Unsettling it is to know what you go through.
Every day i lye awake thinking of another way to make
it okay and get the pain to fade.

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The Little Sister

The wind knocks at the window,
And my heart is full of fear,
For I know when it is calling
That some evil thing is near.
It whispers in the chimney,
And I strike the log to flame,
Lest it come down and take me
To the land that hath no name.
For once I had a sister,
Who now am left alone,
And here we sat together,
When the wind did sigh and moan.
There came a gentle knocking
Quick and sudden at the door,
And my sister hushed my terror,
Saying, ''Tis the wind, a-stór!'
She took my arms from round her,
She kissed me, cheek and chin,
But I cried, 'Oh, little sister,
Do not let the robber in!'
She rose up from me laughing,
But her face was strange and white,
And she opened wide the window,
Looking long into the night.

And I said, 'Oh, little sister,
There is on your cheek a tear!'
''Tis but the rain,' she whispered;
But my heart was full of fear.
And I said, 'Oh, little sister,
There's a hand upon the door.'
Soft she chid me from my crying,
Saying, ''Tis the wind, a-stór.'
And turning from me smiling,
She took down the bar and chain,
But her cheek was like the lily
As she went into the rain.
And I said, 'Oh, little sister,
Will you then return no more?'
But I only heard the pushing
Of the wind upon the door.
Long I cried, 'Oh, little sister,
Will you soon come back again?'
But I only heard the beating
Of the storm upon the pane.
Now my mother sits in sorrow,
Weeping all the livelong day;
And I think she dreads the robber
Who did take her child away.
So I put up bar and shutter
When the wind goes howling by,
For I know when it comes knocking
That some evil thing is nigh.

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Christ's Little Sister

Little Sister of the Poor,
Asking alms from door to door,
Ever on you go;
Clothed in the garb of meekness,
Finding strength in others' weakness,
Soothing others' woe.


Little Sister of the Poor,
Rich in patience to endure
Stern Redemption's load;
Cold and rain and parching heat
Hinder not heroic feet
On the Royal Road.


Little Sister of the Poor,
When your weary day is o'er
Rest there may not be;
For the aged, sick, and needy
Vigils claim and succor speedy,
Turning unto thee.


Little Sister of the Poor,
Narrow is the way but sure,
Heavenward leading on;
For the Master's word thou knowest,
'What unto the least thou doest
Unto me is done.'

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Patrick White

O Little Sister

O little sister you're an alley-cat alto-sax
howling on the fire escape
under a blue moon
that's driven you into heat
just outside my window
for that arsonist boyfriend of yours
who used to puke in my potted geraniums
every time the two of you got drunk enough
to crash across my coffee-table laughing
even with each other for a crutch
you haven't got a leg to stand on.
I was charmed by your romantic desolation.
I was intrigued by how much original sincerity
you both saw fit to squander on a cliche.
C'est la vie, c'est l'amor, c'est le guerre.
Elvis Presley is well and living in Tweed.
And Arthur Rimbaud is running guns
with Jim Morrison in Ethiopia for Al-Shabab.
Most people work harder at hope
than they do at achieving their downfall
and you were a fire hydrant
and now you haven't got a hose.
No pun intended
I've known you too long
to see you this upended slurring your words
like the simultaneous translator
of an hourglass speaking
out of both sides of its mouth at once.
I don't know why he left you.
Maybe there was nothing left to put out.
You burned out.
A piece flew off your heat shield upon re-entry.
Maybe any man who couldn't hold his liquor
realizes sooner than later he couldn't hold you.
I don't know.
Go ask my geraniums.
They've got more to say about him than I do.
You make your death bed.
You got to die in it.
Next time build your house on stilts
in Stanthorpe Queensland
to keep the snakes away from your pillow.
What can I say?
He had a shoulder on his chip
that just couldn't hold his end of the world up?
And don't get me wrong.
I'm not laughing at your pain.
I don't laugh at pain.
Pain is pain.
Different planets.
Different moons.
Who hasn't gone swimming with dolphins
in the saturnine seas of Titan
or dropped a comet like a match
on a methane moon of Neptune?
Endomorphs and dopamines
can make you do a lot of funny things
that love is at a loss for words to justify.
Even if just for one wild night
of occult hunting magic
everyone longs to run with the wolves.
And howl, o little sister, you can hear them howling
in their blood agony at the waxing moon
as if something had died within them
that was so deep and crucial
it tore their hearts out
in an ecstasy of unrepentant pain.
And many many years later
when the solid abyss and hollowness of life
has grown even greater
you can still hear their voices
screaming like winter winds
above the timber-line
so high-pitched no echo
has ever been able to reach that high again
without shattering like a night bird
against the mirage of the open sky in the window.
Like you, little sister, now.
I'm not a sump-pump for anybody's tears
not even my own
but I've been known
to throw a little heavy water
on a nuclear meltdown every now and again.
Pain. Separation. Loss. Dream death
you keep reliving like an afterlife in your sleep
you're dying to wake up from
like a coma that's lost everything worth waking up to.
Not two. Not two. Not two.
That's the way it is here.
That's as far as words go.
That's where Statius takes over
from Vergil on the nightshift
and the stars nod off like children
who couldn't finish the story
and the quality of the poetry drops
as dark genius opts out
of the company of bright mediocrities
trying too hard to make it a better world
than it needs to be.
For things it didn't do.
And in a merciful world
that lived up to its teachings
and didn't shrink the heart
with fear of its own extremes
while everything else is expanding
shouldn't be asked to suffer like a placebo
in the glands of spurious cure.
And, yes, I know sometimes
it's hard to keep up with the mysteries
like the elements of life on a geometric scale.
How many jugulars does a woman have
for someone to cut
like the downed powerlines
of the Medusa's head
for having cast the first stone at herself?
You can wake the serpent fire
at the base of your spine
just above your coccyx
the hardest bone in your body
the little throne
the modest gravestone
you'll be resurrected on
when you're summoned from the dead,
but you can't train love
to bite the people you want it too
and run like an antidote to the rescue.
That's why you're getting high
on your own poison right now.
That's why your drunken tears
oscillate between a broken chandelier
that's bleeding out
and acid rain that burns like love
congealing into a new ice age.
However deep you dig the grave
to bury someone you once really loved
even a desert at night
when the stars weren't looking
wouldn't be enough to fill it in.
It's a wound without scar tissue
for the rest of your life.
The ghosts keep being pulled out of the box
like that kleenex you keep using
to dry your eyes at this seance
you've called on the spur of the moment
to be appalled by how lonely it is
to plead with the dead for severance.

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Little Sister

This is my little sister very small and rude, every single meal, she never eats her food.
This is my sister and I don't know why she can't be mine all she ever does is cry.
This is my sister she just isn't mine, well, i used to cry I guess she is, oh so fine.

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my little sister's GONE: (

She was five when her sister left
And with her gone she felt like she experienced death
She was too young to even know what that meant
Apart for seven months is what they spent
Her older sister was her best friend
She always looked up to her
Her smile she would always lend

She witnessed drugs
Barely given a hug
Barely shown any love
And just when she lost hope
Her sister would always show up
At the most needed time
Her sister never knew it
But she always completed her inside
And then her sister would go away again
And the same thing would happen

Then suddenly her sister stopped coming around
For a better life is what she thought she had found
A better life that didn’t include her
But she never knew that every day
Her sister thought about her
She always wondered where her sister went
And why she always left without their lives together spent

One day she gotten taken away
To a family friend
And for a while she would stay
But she was still mistreated
Barely eaten
Always hit
But she never told her sister this shyt
When her sister would call
She’d say I’m okay
Cause her sisters on speaker phone
What more could she really say

Her sister always promised that she would visit
And every day she waited
Hoping she’d keep it
But then she realized she was stuck
But knew that her sister still had love
It was just hard for her to see her face
And she felt like in this world she had no place

One day her sister came for her
She went to church and looked for her
She asked where is my little sister
And they all replied GONE
That’s when I soon discovered what exactly had been done
I always promised my sister Shilah that I would come and see her
And she waited until she finally gave up
And now she’s gone and I know it’s my fault
If I had only come sooner
She would still be here
She would still know that I cared
She waited for me to keep my promise
And I did but it was too late
and now i feel dis-honest

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Elizabeth Barrett Browning

First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)
They know a simple, merry, tender knack
Of tying sashes, fitting baby-shoes,
And stringing pretty words that make no sense,
And kissing full sense into empty words;
Which things are corals to cut life upon,
Although such trifles: children learn by such,
Love's holy earnest in a pretty play,
And get not over-early solemnised,–
But seeing, as in a rose-bush, Love's Divine,
Which burns and hurts not,–not a single bloom,–
Become aware and unafraid of Love.
Such good do mothers. Fathers love as well
–Mine did, I know,–but still with heavier brains,
And wills more consciously responsible,
And not as wisely, since less foolishly;
So mothers have God's licence to be missed.

My father was an austere Englishman,
Who, after a dry life-time spent at home
In college-learning, law, and parish talk,
Was flooded with a passion unaware,
His whole provisioned and complacent past
Drowned out from him that moment. As he stood
In Florence, where he had come to spend a month
And note the secret of Da Vinci's drains,
He musing somewhat absently perhaps
Some English question . . whether men should pay
The unpopular but necessary tax
With left or right hand–in the alien sun
In that great square of the Santissima,
There drifted past him (scarcely marked enough
To move his comfortable island-scorn,)
A train of priestly banners, cross and psalm,–
The white-veiled rose-crowned maidens holding up
Tall tapers, weighty for such wrists, aslant
To the blue luminous tremor of the air,
And letting drop the white wax as they went
To eat the bishop's wafer at the church;
From which long trail of chanting priests and girls,
A face flashed like a cymbal on his face,
And shook with silent clangour brain and heart,
Transfiguring him to music. Thus, even thus,
He too received his sacramental gift
With eucharistic meanings; for he loved.

And thus beloved, she died. I've heard it said
That but to see him in the first surprise
Of widower and father, nursing me,
Unmothered little child of four years old,
His large man's hands afraid to touch my curls,
As if the gold would tarnish,–his grave lips
Contriving such a miserable smile,
As if he knew needs must, or I should die,
And yet 'twas hard,–would almost make the stones
Cry out for pity. There's a verse he set
In Santa Croce to her memory,
'Weep for an infant too young to weep much
When death removed this mother'–stops the mirth
To-day, on women's faces when they walk
With rosy children hanging on their gowns,
Under the cloister, to escape the sun
That scorches in the piazza. After which,
He left our Florence, and made haste to hide
Himself, his prattling child, and silent grief,
Among the mountains above Pelago;
Because unmothered babes, he thought, had need
Of mother nature more than others use,
And Pan's white goats, with udders warm and full
Of mystic contemplations, come to feed
Poor milkless lips of orphans like his own–
Such scholar-scraps he talked, I've heard from friends,
For even prosaic men, who wear grief long,
Will get to wear it as a hat aside
With a flower stuck in't. Father, then, and child,
We lived among the mountains many years,
God's silence on the outside of the house,
And we, who did not speak too loud, within;
And old Assunta to make up the fire,
Crossing herself whene'er a sudden flame
Which lightened from the firewood, made alive
That picture of my mother on the wall.
The painter drew it after she was dead;
And when the face was finished, throat and hands,
Her cameriera carried him, in hate
Of the English-fashioned shroud, the last brocade
She dressed in at the Pitti. 'He should paint
No sadder thing than that,' she swore, 'to wrong
Her poor signora.' Therefore, very strange
The effect was. I, a little child, would crouch
For hours upon the floor, with knees drawn up
And gaze across them, half in terror, half
In adoration, at the picture there,–
That swan-like supernatural white life,
Just sailing upward from the red stiff silk
Which seemed to have no part in it, nor power
To keep it from quite breaking out of bounds:
For hours I sate and stared. Asssunta's awe
And my poor father's melancholy eyes
Still pointed that way. That way, went my thoughts
When wandering beyond sight. And as I grew
In years, I mixed, confused, unconsciously,
Whatever I last read or heard or dreamed,
Abhorrent, admirable, beautiful,
Pathetical, or ghastly, or grotesque,
With still that face . . . which did not therefore change,
But kept the mystic level of all forms
And fears and admirations; was by turn
Ghost, fiend, and angel, fairy, witch, and sprite,–
A dauntless Muse who eyes a dreadful Fate,
A loving Psyche who loses sight of Love,
A still Medusa, with mild milky brows
All curdled and all clothed upon with snakes
Whose slime falls fast as sweat will; or, anon,
Our Lady of the Passion, stabbed with swords
Where the Babe sucked; or, Lamia in her first
Moonlighted pallor, ere she shrunk and blinked,
And, shuddering, wriggled down to the unclean;
Or, my own mother, leaving her last smile
In her last kiss, upon the baby-mouth
My father pushed down on the bed for that,–
Or, my dead mother, without smile or kiss,
Buried at Florence. All which images,
Concentred on the picture, glassed themselves
Before my meditative childhood, . . as
The incoherencies of change and death
Are represented fully, mixed and merged,
In the smooth fair mystery of perpetual Life.

And while I stared away my childish wits
Upon my mother's picture, (ah, poor child!)
My father, who through love had suddenly
Thrown off the old conventions, broken loose
From chin-bands of the soul, like Lazarus,
Yet had no time to learn to talk and walk
Or grow anew familiar with the sun,–
Who had reached to freedom, not to action, lived,
But lived as one entranced, with thoughts, not aims,–
Whom love had unmade from a common man
But not completed to an uncommon man,–
My father taught me what he had learnt the best
Before he died and left me,–grief and love.
And, seeing we had books among the hills,
Strong words of counselling souls, confederate
With vocal pines and waters,–out of books
He taught me all the ignorance of men,
And how God laughs in heaven when any man
Says, 'Here I'm learned; this, I understand;
In that, I am never caught at fault or doubt.'
He sent the schools to school, demonstrating
A fool will pass for such through one mistake,
While a philosopher will pass for such,
Through said mistakes being ventured in the gross
And heaped up to a system.
I am like,
They tell me, my dear father. Broader brows
Howbeit, upon a slenderer undergrowth
Of delicate features,–paler, near as grave;
But then my mother's smile breaks up the whole,
And makes it better sometimes than itself.

So, nine full years, our days were hid with God
Among his mountains. I was just thirteen,
Still growing like the plants from unseen roots
In tongue-tied Springs,–and suddenly awoke
To full life and its needs and agonies,
With an intense, strong, struggling heart beside
A stone-dead father. Life, struck sharp on death,
Makes awful lightning. His last word was, 'Love–'
'Love, my child, love, love!'–(then he had done with grief)
'Love, my child.' Ere I answered he was gone,
And none was left to love in all the world.

There, ended childhood: what succeeded next
I recollect as, after fevers, men
Thread back the passage of delirium,
Missing the turn still, baffled by the door;
Smooth endless days, notched here and there with knives;
A weary, wormy darkness, spurred i' the flank
With flame, that it should eat and end itself
Like some tormented scorpion. Then, at last,
I do remember clearly, how there came
A stranger with authority, not right,
(I thought not) who commanded, caught me up
From old Assunta's neck; how, with a shriek,
She let me go,–while I, with ears too full
Of my father's silence, to shriek back a word,
In all a child's astonishment at grief
Stared at the wharfage where she stood and moaned,
My poor Assunta, where she stood and moaned!
The white walls, the blue hills, my Italy,
Drawn backward from the shuddering steamer-deck,
Like one in anger drawing back her skirts
Which suppliants catch at. Then the bitter sea
Inexorably pushed between us both,
And sweeping up the ship with my despair
Threw us out as a pasture to the stars.
Ten nights and days we voyaged on the deep;
Ten nights and days, without the common face
Of any day or night; the moon and sun
Cut off from the green reconciling earth,
To starve into a blind ferocity
And glare unnatural; the very sky
(Dropping its bell-net down upon the sea
As if no human heart should 'scape alive,)
Bedraggled with the desolating salt,
Until it seemed no more than holy heaven
To which my father went. All new, and strange–
The universe turned stranger, for a child.

Then, land!–then, England! oh, the frosty cliffs
Looked cold upon me. Could I find a home
Among those mean red houses through the fog?
And when I heard my father's language first
From alien lips which had no kiss for mine,
I wept aloud, then laughed, then wept, then wept,–
And some one near me said the child was mad
Through much sea-sickness. The train swept us on.
Was this my father's England? the great isle?
The ground seemed cut up from the fellowship
Or verdure, field from field, as man from man;
The skies themselves looked low and positive,
As almost you could touch them with a hand,
And dared to do it, they were so far off
From God's celestial crystals; all things, blurred
And dull and vague. Did Shakspeare and his mates
Absorb the light here?–not a hill or stone
With heart to strike a radiant colour up
Or active outline on the indifferent air!

I think I see my father's sister stand
Upon the hall-step of her country-house
To give me welcome. She stood straight and calm,
Her somewhat narrow forehead braided tight
As if for taming accidental thoughts
From possible pulses; brown hair pricked with grey
By frigid use of life, (she was not old,
Although my father's elder by a year)
A nose drawn sharply, yet in delicate lines;
A close mild mouth, a little soured about
The ends, through speaking unrequited loves,
Or peradventure niggardly half-truths;
Eyes of no colour,–once they might have smiled,
But never, never have forgot themselves
In smiling; cheeks in which was yet a rose
Of perished summers, like a rose in a book,
Kept more for ruth than pleasure,–if past bloom,
Past fading also.
She had lived we'll say,
A harmless life, she called a virtuous life,
A quiet life, which was not life at all,
(But that, she had not lived enough to know)
Between the vicar and the county squires,
The lord-lieutenant looking down sometimes
From the empyreal, to assure their souls
Against chance vulgarisms, and, in the abyss,
The apothecary looked on once a year,
To prove their soundness of humility.
The poor-club exercised her Christian gifts
Of knitting stockings, stitching petticoats,
Because we are of one flesh after all
And need one flannel, (with a proper sense
Of difference in the quality)–and still
The book-club guarded from your modern trick
Of shaking dangerous questions from the crease,
Preserved her intellectual. She had lived
A sort of cage-bird life, born in a cage,
Accounting that to leap from perch to perch
Was act and joy enough for any bird.
Dear heaven, how silly are the things that live
In thickets and eat berries!
I, alas,
A wild bird scarcely fledged, was brought to her cage,
And she was there to meet me. Very kind.
Bring the clean water; give out the fresh seed.
She stood upon the steps to welcome me,
Calm, in black garb. I clung about her neck,–
Young babes, who catch at every shred of wool
To draw the new light closer, catch and cling
Less blindly. In my ears, my father's word
Hummed ignorantly, as the sea in shells,
'Love, love, my child,' She, black there with my grief,
Might feel my love–she was his sister once–
I clung to her. A moment, she seemed moved.
Kissed me with cold lips, suffered me to cling,
And drew me feebly through the hall, into
The room she sate in.
There, with some strange spasm
Of pain and passion, she wrung loose my hands
Imperiously, and held me at arm's length,
And with two grey-steel naked-bladed eyes
Searched through my face,–ay, stabbed it through and through,
Through brows and cheeks and chin, as if to find
A wicked murderer in my innocent face,
If not here, there perhaps. Then, drawing breath,
She struggled for her ordinary calm,
And missed it rather,–told me not to shrink,
As if she had told me not to lie or swear,–
'She loved my father, and would love me too
As long as I deserved it.' Very kind.

I understood her meaning afterward;
She thought to find my mother in my face,
And questioned it for that. For she, my aunt,
Had loved my father truly, as she could,
And hated, with the gall of gentle souls,
My Tuscan mother, who had fooled away
A wise man from wise courses, a good man
From obvious duties, and, depriving her,
His sister, of the household precedence,
Had wronged his tenants, robbed his native land,
And made him mad, alike by life and death,
In love and sorrow. She had pored for years
What sort of woman could be suitable
To her sort of hate, to entertain it with;
And so, her very curiosity
Became hate too, and all the idealism
She ever used in life, was used for hate,
Till hate, so nourished, did exceed at last
The love from which it grew, in strength and heat,
And wrinkled her smooth conscience with a sense
Of disputable virtue (say not, sin)
When Christian doctrine was enforced at church.

And thus my father's sister was to me
My mother's hater. From that day, she did
Her duty to me, (I appreciate it
In her own word as spoken to herself)
Her duty, in large measure, well-pressed out,
But measured always. She was generous, bland,
More courteous than was tender, gave me still
The first place,–as if fearful that God's saints
Would look down suddenly and say, 'Herein
You missed a point, I think, through lack of love.'
Alas, a mother never is afraid
Of speaking angrily to any child,
Since love, she knows, is justified of love.

And I, I was a good child on the whole,
A meek and manageable child. Why not?
I did not live, to have the faults of life:
There seemed more true life in my father's grave
Than in all England. Since that threw me off
Who fain would cleave, (his latest will, they say,
Consigned me to his land) I only thought
Of lying quiet there where I was thrown
Like sea-weed on the rocks, and suffer her
To prick me to a pattern with her pin,
Fibre from fibre, delicate leaf from leaf,
And dry out from my drowned anatomy
The last sea-salt left in me.
So it was.
I broke the copious curls upon my head
In braids, because she liked smooth ordered hair.
I left off saying my sweet Tuscan words
Which still at any stirring of the heart
Came up to float across the English phrase,
As lilies, (Bene . . or che ch'è ) because
She liked my father's child to speak his tongue.
I learnt the collects and the catechism,
The creeds, from Athanasius back to Nice,
The Articles . . the Tracts against the times,
(By no means Buonaventure's 'Prick of Love,')
And various popular synopses of
Inhuman doctrines never taught by John,
Because she liked instructed piety.
I learnt my complement of classic French
(Kept pure of Balzac and neologism,)
And German also, since she liked a range
Of liberal education,–tongues, not books.
I learnt a little algebra, a little
Of the mathematics,–brushed with extreme flounce
The circle of the sciences, because
She misliked women who are frivolous.
I learnt the royal genealogies
Of Oviedo, the internal laws
Of the Burmese Empire, . . by how many feet
Mount Chimborazo outsoars Himmeleh,
What navigable river joins itself
To Lara, and what census of the year five
Was taken at Klagenfurt,–because she liked
A general insight into useful facts.
I learnt much music,–such as would have been
As quite impossible in Johnson's day
As still it might be wished–fine sleights of hand
And unimagined fingering, shuffling off
The hearer's soul through hurricanes of notes
To a noisy Tophet; and I drew . . costumes
From French engravings, nereids neatly draped,
With smirks of simmering godship,–I washed in
From nature, landscapes, (rather say, washed out.)
I danced the polka and Cellarius,
Spun glass, stuffed birds, and modelled flowers in wax,
Because she liked accomplishments in girls.
I read a score of books on womanhood
To prove, if women do not think at all,
They may teach thinking, (to a maiden aunt
Or else the author)–books demonstrating
Their right of comprehending husband's talk
When not too deep, and even of answering
With pretty 'may it please you,' or 'so it is,'–
Their rapid insight and fine aptitude,
Particular worth and general missionariness,
As long as they keep quiet by the fire
And never say 'no' when the world says 'ay,'
For that is fatal,–their angelic reach
Of virtue, chiefly used to sit and darn,
And fatten household sinners–their, in brief,
Potential faculty in everything
Of abdicating power in it: she owned
She liked a woman to be womanly,
And English women, she thanked God and sighed,
(Some people always sigh in thanking God)
Were models to the universe. And last
I learnt cross-stitch, because she did not like
To see me wear the night with empty hands,
A-doing nothing. So, my shepherdess
Was something after all, (the pastoral saints
Be praised for't) leaning lovelorn with pink eyes
To match her shoes, when I mistook the silks;
Her head uncrushed by that round weight of hat
So strangely similar to the tortoise-shell
Which slew the tragic poet.
By the way,
The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when you're weary–or a stool
To tumble over and vex you . . 'curse that stool!'
Or else at best, a cushion where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this . . that, after all, we are paid
The worth of our work, perhaps.
In looking down
Those years of education, (to return)
I wondered if Brinvilliers suffered more
In the water torture, . . flood succeeding flood
To drench the incapable throat and split the veins . .
Than I did. Certain of your feebler souls
Go out in such a process; many pine
To a sick, inodorous light; my own endured:
I had relations in the Unseen, and drew
The elemental nutriment and heat
From nature, as earth feels the sun at nights,
Or as a babe sucks surely in the dark,
I kept the life, thrust on me, on the outside
Of the inner life, with all its ample room
For heart and lungs, for will and intellect,
Inviolable by conventions. God,
I thank thee for that grace of thine!
At first,
I felt no life which was not patience,–did
The thing she bade me, without heed to a thing
Beyond it, sate in just the chair she placed,
With back against the window, to exclude
The sight of the great lime-tree on the lawn,
Which seemed to have come on purpose from the woods
To bring the house a message,–ay, and walked
Demurely in her carpeted low rooms,
As if I should not, harkening my own steps,
Misdoubt I was alive. I read her books,
Was civil to her cousin, Romney Leigh,
Gave ear to her vicar, tea to her visitors,
And heard them whisper, when I changed a cup,
(I blushed for joy at that!)–'The Italian child,
For all her blue eyes and her quiet ways,
Thrives ill in England; she is paler yet
Than when we came the last time; she will die.'

'Will die.' My cousin, Romney Leigh, blushed too,
With sudden anger, and approaching me
Said low between his teeth–'You're wicked now?
You wish to die and leave the world a-dusk
For others, with your naughty light blown out?'
I looked into his face defyingly.
He might have known, that, being what I was,
'Twas natural to like to get away
As far as dead folk can; and then indeed
Some people make no trouble when they die.
He turned and went abruptly, slammed the door
And shut his dog out.
Romney, Romney Leigh.
I have not named my cousin hitherto,
And yet I used him as a sort of friend;
My elder by few years, but cold and shy
And absent . . tender when he thought of it,
Which scarcely was imperative, grave betimes,
As well as early master of Leigh Hall,
Whereof the nightmare sate upon his youth
Repressing all its seasonable delights,
And agonising with a ghastly sense
Of universal hideous want and wrong
To incriminate possession. When he came
From college to the country, very oft
He crossed the hills on visits to my aunt,
With gifts of blue grapes from the hothouses,
A book in one hand,–mere statistics, (if
I chanced to lift the cover) count of all
The goats whose beards are sprouting down toward hell.
Against God's separating judgment-hour.
And she, she almost loved him,–even allowed
That sometimes he should seem to sigh my way;
It made him easier to be pitiful,
And sighing was his gift. So, undisturbed
At whiles she let him shut my music up
And push my needles down, and lead me out
To see in that south angle of the house
The figs grow black as if by a Tuscan rock.
On some light pretext. She would turn her head
At other moments, go to fetch a thing,
And leave me breath enough to speak with him,
For his sake; it was simple.
Sometimes too
He would have saved me utterly, it seemed,
He stood and looked so.
Once, he stood so near
He dropped a sudden hand upon my head
Bent down on woman's work, as soft as rain–
But then I rose and shook it off as fire,
The stranger's touch that took my father's place,
Yet dared seem soft.
I used him for a friend
Before I ever knew him for a friend.
'Twas better, 'twas worse also, afterward:
We came so close, we saw our differences
Too intimately. Always Romney Leigh
Was looking for the worms, I for the gods.
A godlike nature his; the gods look down,
Incurious of themselves; and certainly
'Tis well I should remember, how, those days
I was a worm too, and he looked on me.

A little by his act perhaps, yet more
By something in me, surely not my will,
I did not die. But slowly, as one in swoon,
To whom life creeps back in the form of death
With a sense of separation, a blind pain
Of blank obstruction, and a roar i' the ears
Of visionary chariots which retreat
As earth grows clearer . . slowly, by degrees,
I woke, rose up . . where was I? in the world:
For uses, therefore, I must count worth while.

I had a little chamber in the house,
As green as any privet-hedge a bird
Might choose to build in, though the nest itself
Could show but dead-brown sticks and straws; the walls
Were green, the carpet was pure green, the straight
Small bed was curtained greenly, and the folds
Hung green about the window, which let in
The out-door world with all its greenery.
You could not push your head out and escape
A dash of dawn-dew from the honeysuckle,
But so you were baptised into the grace
And privilege of seeing. . .
First, the lime,
(I had enough, there, of the lime, be sure,–
My morning-dream was often hummed away
By the bees in it;) past the lime, the lawn,
Which, after sweeping broadly round the house,
Went trickling through the shrubberies in a stream
Of tender turf, and wore and lost itself
Among the acacias, over which, you saw
The irregular line of elms by the deep lane
Which stopt the grounds and dammed the overflow
Of arbutus and laurel. Out of sight
The lane was; sunk so deep, no foreign tramp
Nor drover of wild ponies out of Wales
Could guess if lady's hall or tenant's lodge
Ddispensed such odours,–though his stick well -crooked
Might reach the lowest trail of blossoming briar
Which dipped upon the wall. Behind the elms,
And through their tops, you saw the folded hills
Striped up and down with hedges, (burley oaks
Projecting from the lines to show themselves)
Thro' which my cousin Romney's chimneys smoked
As still as when a silent mouth in frost
Breathes–showing where the woodlands hid Leigh Hall;
While far above, a jut of table-land,
A promontory without water, stretched,–
You could not catch it if the days were thick,
Or took it for a cloud; but, otherwise
The vigorous sun would catch it up at eve
And use it for an anvil till he had filled
The shelves of heaven with burning thunderbolts,
And proved he need not rest so early;–then
When all his setting trouble was resolved
Toa trance of passive glory, you might see
In apparition on the golden sky
(Alas, my Giotto's background!) the sheep run
Along the fine clear outline, small as mice
That run along a witch's scarlet thread.

Not a grand nature. Not my chestnut-woods
Of Vallombrosa, cleaving by the spurs
To the precipices. Not my headlong leaps
Of waters, that cry out for joy or fear
In leaping through the palpitating pines,
Like a white soul tossed out to eternity
With thrills of time upon it. Not indeed
My multitudinous mountains, sitting in
The magic circle, with the mutual touch
Electric, panting from their full deep hearts
Beneath the influent heavens, and waiting for
Communion and commission. Italy
Is one thing, England one.
On English ground
You understand the letter . . ere the fall,
How Adam lived in a garden. All the fields
Are tied up fast with hedges, nosegay-like;
The hills are crumpled plains–the plains, parterres–
The trees, round, woolly, ready to be clipped;
And if you seek for any wilderness
You find, at best, a park. A nature tamed
And grown domestic like a barn-door fowl,
Which does not awe you with its claws and beak,
Nor tempt you to an eyrie too high up,
But which, in cackling, sets you thinking of
Your eggs to-morrow at breakfast, in the pause
Of finer meditation.
Rather say
A sweet familiar nature, stealing in
As a dog might, or child, to touch your hand
Or pluck your gown, and humbly mind you so
Of presence and affection, excellent
For inner uses, from the things without.

I could not be unthankful, I who was
Entreated thus and holpen. In the room
I speak of, ere the house was well awake,
And also after it was well asleep,
I sat alone, and drew the blessing in
Of all that nature. With a gradual step,
A stir among the leaves, a breath, a ray,
It came in softly, while the angels made
A place for it beside me. The moon came,
And swept my chamber clean of foolish thoughts
The sun came, saying, 'Shall I lift this light
Against the lime-tree, and you will not look?
I make the birds sing–listen! . . but, for you.
God never hears your voice, excepting when
You lie upon the bed at nights and weep.'

Then, something moved me. Then, I wakened up
More slowly than I verily write now,
But wholly, at last, I wakened, opened wide
The window and my soul, and let the airs .
And out-door sights sweep gradual gospels in,
Regenerating what I was. O Life,
How oft we throw it off and think,–'Enough,
Enough of life in so much!–here's a cause
For rupture; herein we must break with Life,
Or be ourselves unworthy; here we are wronged,
Maimed, spoiled for aspiration; farewell Life!'
And so, as froward babes, we hide our eyes
And think all ended.–Then, Life calls to us,
In some transformed, apocryphal, new voice,
Above us, or below us, or around . .
Perhaps we name it Nature's voice, or Love's,
Tricking ourselves, because we are more ashamed
So own our compensations than our griefs:
Still, Life's voice!–still, we make our peace with Life.

And I, so young then, was not sullen. Soon
I used to get up early, just to sit
And watch the morning quicken in the grey,
And hear the silence open like a flower,
Leaf after leaf,–and stroke with listless hand
The woodbine through the window, till at last
I came to do it with a sort of love,
At foolish unaware: whereat I smiled,–
A melancholy smile, to catch myself
Smiling for joy.
Capacity for joy
Admits temptation. It seemed, next, worth while
To dodge the sharp sword set against my life;
To slip down stairs through all the sleepy house,
As mute as any dream there, and escape
As a soul from the body, out of doors,–
Glide through the shrubberies, drop into the lane,
And wander on the hills an hour or two,
Then back again before the house should stir.

Or else I sat on in my chamber green,
And lived my life, and thought my thoughts, and prayed
My prayers without the vicar; read my books,
Without considering whether they were fit
To do me good. Mark, there. We get no good
By being ungenerous, even to a book,
And calculating profits . . so much help
By so much rending. It is rather when
We gloriously forget ourselves, and plunge
Soul-forward, headlong, into a book's profound,
Impassioned for its beauty and salt of truth–
'Tis then we get the right good from a book.

I read much. What my father taught before
From many a volume, Love re-emphasised
Upon the self-same pages: Theophrast
Grew tender with the memory of his eyes,
And Ælian made mine wet. The trick of Greek
And Latin, he had taught me, as he would
Have taught me wrestling or the game of fives
If such he had known.–most like a shipwrecked man
Who heaps his single platter with goats' cheese
And scarlet berries; or like any man
Who loves but one, and so gives all at once,
Because he has it, rather than because
He counts it worthy. Thus, my father gave;
And thus, as did the women formerly
By young Achilles, when they pinned the veil
Across the boy's audacious front, and swept
With tuneful laughs the silver-fretted rocks,
He wrapt his little daughter in his large
Man's doublet, careless did it fit or no.

But, after I had read for memory,
I read for hope. The path my father's foot
Had trod me out, which suddenly broke off,
(What time he dropped the wallet of the flesh
And passed) alone I carried on, and set
My child-heart 'gainst the thorny underwood,
To reach the grassy shelter of the trees.
Ah, babe i' the wood, without a brother-babe!
My own self-pity, like the red-breast bird,
Flies back to cover all that past with leaves.

Sublimest danger, over which none weeps,
When any young wayfaring soul goes forth
Alone, unconscious of the perilous road,
The day-sun dazzling in his limpid eyes,
To thrust his own way, he an alien, through
The world of books! Ah, you!–you think it fine,
You clap hands–'A fair day!'–you cheer him on,
As if the worst, could happen, were to rest
Too long beside a fountain. Yet, behold,
Behold!–the world of books is still the world;
And worldlings in it are less merciful
And more puissant. For the wicked there
Are winged like angels. Every knife that strikes,
Is edged from elemental fire to assail
A spiritual life. The beautiful seems right
By force of beauty, and the feeble wrong
Because of weakness. Power is justified,
Though armed against St. Michael. Many a crown
Covers bald foreheads. In the book-world, true,
There's no lack, neither, of God's saints and kings,
That shake the ashes of the grave aside
From their calm locks, and undiscomfited
Look stedfast truths against Time's changing mask.
True, many a prophet teaches in the roads;
True, many a seer pulls down the flaming heavens
Upon his own head in strong martyrdom,
In order to light men a moment's space.
But stay!–who judges?–who distinguishes
'Twixt Saul and Nahash justly, at first sight,
And leaves king Saul precisely at the sin,
To serve king David? who discerns at once
The sound of the trumpets, when the trumpets blow
For Alaric as well as Charlemagne?
Who judges prophets, and can tell true seers
From conjurors? The child, there? Would you leave
That child to wander in a battle-field
And push his innocent smile against the guns?
Or even in the catacombs, . . his torch
Grown ragged in the fluttering air, and all
The dark a-mutter round him? not a child!

I read books bad and good–some bad and good
At once: good aims not always make good books;
Well-tempered spades turn up ill-smelling soils
In digging vineyards, even: books, that prove
God's being so definitely, that man's doubt
Grows self-defined the other side the line,
Made Atheist by suggestion; moral books,
Exasperating to license; genial books,
Discounting from the human dignity;
And merry books, which set you weeping when
The sun shines,–ay, and melancholy books,
Which make you laugh that any one should weep
In this disjointed life, for one wrong more.

The world of books is still the world, I write,
And both worlds have God's providence, thank God,
To keep and hearten: with some struggle, indeed,
Among the breakers, some hard swimming through
The deeps–I lost breath in my soul sometimes
And cried 'God save me if there's any God.'
But even so, God save me; and, being dashed
From error on to error, every turn
Still brought me nearer to the central truth.

I thought so. All this anguish in the thick
Of men's opinions . . press and counterpress
Now up, now down, now underfoot, and now
Emergent . . all the best of it perhaps,
But throws you back upon a noble trust
And use of your own instinct,–merely proves
Pure reason stronger than bare inference
At strongest. Try it,–fix against heaven's wall
Your scaling ladders of high logic–mount
Step by step!–Sight goes faster; that still ray
Which strikes out from you, how, you cannot tell,
And why, you know not–(did you eliminate,
That such as you, indeed, should analyse?)
Goes straight and fast as light, and high as God.

The cygnet finds the water: but the man
Is born in ignorance of his element,
And feels out blind at first, disorganised
By sin i' the blood,–his spirit-insight dulled
And crossed by his sensations. Presently
We feel it quicken in the dark sometimes;
Then mark, be reverent, be obedient,–
For those dumb motions of imperfect life
Are oracles of vital Deity
Attesting the Hereafter. Let who says
'The soul's a clean white paper,' rather say,
A palimpsest, a prophets holograph
Defiled, erased and covered by a monk's,–
The apocalypse, by a Longus! poring on
Which obscene text, we may discern perhaps
Some fair, fine trace of what was written once,
Some upstroke of an alpha and omega
Expressing the old scripture.
Books, books, books!
I had found the secret of a garret-room
Piled high with cases in my father's name;
Piled high, packed large,–where, creeping in and out
Among the giant fossils of my past,
Like some small nimble mouse between the ribs
Of a mastodon, I nibbled here and there
At this or that box, pulling through the gap,
In heats of terror, haste, victorious joy,
The first book first. And how I felt it beat
Under my pillow, in the morning's dark,
An hour before the sun would let me read!
My books!
At last, because the time was ripe,
I chanced upon the poets.
As the earth
Plunges in fury, when the internal fires
Have reached and pricked her heart, and, throwing flat
The marts and temples, the triumphal gates
And towers of observation, clears herself
To elemental freedom–thus, my soul,
At poetry's divine first finger touch,
Let go conventions and sprang up surprised,
Convicted of the great eternities
Before two worlds.
What's this, Aurora Leigh,
You write so of the poets, and not laugh?
Those virtuous liars, dreamers after dark,
Exaggerators of the sun and moon,
And soothsayers in a tea-cup?
I write so
Of the only truth-tellers, now left to God,–
The only speakers of essential truth,
Posed to relative, comparative,
And temporal truths; the only holders by
His sun-skirts, through conventional grey glooms;
The only teachers who instruct mankind,
From just a shadow on a charnel wall,
To find man's veritable stature out,
Erect, sublime,–the measure of a man,
And that's the measure of an angel, says
The apostle. Ay, and while your common men
Build pyramids, gauge railroads, reign, reap, dine,
And dust the flaunty carpets of the world
For kings to walk on, or our senators,
The poet suddenly will catch them up
With his voice like a thunder. . 'This is soul,
This is life, this word is being said in heaven,
Here's God down on us! what are you about?
How all those workers start amid their work,
Look round, look up, and feel, a moment's space,
That carpet-dusting, though a pretty trade,
Is not the imperative labour after all.

My own best poets, am I one with you,
That thus I love you,–or but one through love?
Does all this smell of thyme about my feet
Conclude my visit to your holy hill
In personal presence, or but testify
The rustling of your vesture through my dreams
With influent odours? When my joy and pain,
My thought and aspiration, like the stops
Of pipe or flute, are absolutely dumb
If not melodious, do you play on me,
My pipers,–and if, sooth, you did not blow,
Would not sound come? or is the music mine,
As a man's voice or breath is called his own,
In breathed by the Life-breather? There's a doubt
For cloudy seasons!
But the sun was high
When first I felt my pulses set themselves
For concords; when the rhythmic turbulence
Of blood and brain swept outward upon words,
As wind upon the alders blanching them
By turning up their under-natures till
They trembled in dilation. O delight
And triumph of the poet,–who would say
A man's mere 'yes,' a woman's common 'no,'
A little human hope of that or this,
And says the word so that it burns you through
With a special revelation, shakes the heart
Of all the men and women in the world,
As if one came back from the dead and spoke,
With eyes too happy, a familiar thing
Become divine i' the utterance! while for him
The poet, the speaker, he expands with joy;
The palpitating angel in his flesh
Thrills inly with consenting fellowship
To those innumerous spirits who sun themselves
Outside of time.
O life, O poetry,
Which means life in life! cognisant of life
Beyond this blood-beat,–passionate for truth
Beyond these senses, –poetry, my life,–
My eagle, with both grappling feet still hot
From Zeus's thunder, who has ravished me
Away from all the shepherds, sheep, and dogs,
And set me in the Olympian roar and round
Of luminous faces, for a cup-bearer,
To keep the mouths of all the godheads moist
For everlasting laughters,–I, myself,
Half drunk across the beaker, with their eyes!
How those gods look!
Enough so, Ganymede.
We shall not bear above a round or two–
We drop the golden cup at Heré's foot
And swoon back to the earth,–and find ourselves
Face-down among the pine-cones, cold with dew,
While the dogs bark, and many a shepherd scoffs,
'What's come now to the youth?' Such ups and downs
Have poets.
Am I such indeed? The name
Is royal, and to sign it like a queen,
Is what I dare not,–though some royal blood
Would seem to tingle in me now and then,
With sense of power and ache,–with imposthumes
And manias usual to the race. Howbeit
I dare not: 'tis too easy to go mad,
And ape a Bourbon in a crown of straws;
The thing's too common.
Many fervent souls
Strike rhyme on rhyme, who would strike steel on steel
If steel had offered, in a restless heat
Of doing something. Many tender souls
Have strung their losses on a rhyming thread.
As children, cowslips:–the more pains they take,
The work more withers. Young men, ay, and maids,
Too often sow their wild oats in tame verse.
Before they sit down under their own vine
And live for use. Alas, near all the birds
Will sing at dawn,–and yet we do not take
The chaffering swallow for the holy lark.

In those days, though, I never analysed
Myself even. All analysis comes late.
You catch a sight of Nature, earliest,
In full front sun-face, and your eyelids wink
And drop before the wonder of 't; you miss
The form, through seeing the light. I lived, those days,
And wrote because I lived–unlicensed else:
My heart beat in my brain. Life's violent flood
Abolished bounds,–and, which my neighbour's field,
Which mine, what mattered? It is so in youth.
We play at leap-frog over the god Term;
The love within us and the love without
Are mixed, confounded; if we are loved or love,
We scarce distinguish. So, with other power.
Being acted on and acting seem the same:
In that first onrush of life's chariot-wheels,
We know not if the forests move or we.

And so, like most young poets, in a flush
Of individual life, I poured myself
Along the veins of others, and achieved
Mere lifeless imitations of life verse,
And made the living answer for the dead,
Profaning nature. 'Touch not, do not taste,
Nor handle,'–we're too legal, who write young:
We beat the phorminx till we hurt our thumbs,
As if still ignorant of counterpoint;
We call the Muse . . 'O Muse, benignant Muse!'–
As if we had seen her purple-braided head .
With the eyes in it start between the boughs
As often as a stag's. What make-believe,
With so much earnest! what effete results,
From virile efforts! what cold wire-drawn odes
From such white heats!–bucolics, where the cows
Would scare the writer if they splashed the mud
In lashing off the flies,–didactics, driven
Against the heels of what the master said;
And counterfeiting epics, shrill with trumps
A babe might blow between two straining cheeks
Of bubbled rose, to make his mother laugh;
And elegiac griefs, and songs of love,
Like cast-off nosegays picked up on the road,
The worse for being warm: all these things, writ
On happy mornings, with a morning heart,
That leaps for love, is active for resolve,
Weak for art only. Oft, the ancient forms
Will thrill, indeed, in carrying the young blood.
The wine-skins, now and then, a little warped,
Will crack even, as the new wine gurgles in.
Spare the old bottles!–spill not the new wine.

By Keats's soul, the man who never stepped
In gradual progress like another man,
But, turning grandly on his central self,
Ensphered himself in twenty perfect years
And died, not young,–(the life of a long life,
Distilled to a mere drop, falling like a tear
Upon the world's cold cheek to make it burn
For ever;) by that strong excepted soul,
I count it strange, and hard to understand,
That nearly all young poets should write old;
That Pope was sexagenarian at sixteen,
And beardless Byron academical,
And so with others. It may be, perhaps,
Such have not settled long and deep enough
In trance, to attain to clairvoyance,–and still
The memory mixes with the vision, spoils,
And works it turbid.
Or perhaps, again,
In order to discover the Muse-Sphinx,
The melancholy desert must sweep round,
Behind you, as before.–
For me, I wrote
False poems, like the rest, and thought them true.
Because myself was true in writing them.
I, peradventure, have writ true ones since
With less complacence.
But I could not hide
My quickening inner life from those at watch.
They saw a light at a window now and then,
They had not set there. Who had set it there?
My father's sister started when she caught
My soul agaze in my eyes. She could not say
I had no business with a sort of soul,
But plainly she objected,–and demurred,
That souls were dangerous things to carry straight
Through all the spilt saltpetre of the world.

She said sometimes, 'Aurora, have you done
Your task this morning?–have you read that book?
And are you ready for the crochet here?'–
As if she said, 'I know there's something wrong,
I know I have not ground you down enough
To flatten and bake you to a wholesome crust
For household uses and proprieties,
Before the rain has got into my barn
And set the grains a-sprouting. What, you're green
With out-door impudence? you almost grow?'
To which I answered, 'Would she hear my task,
And verify my abstract of the book?
And should I sit down to the crochet work?
Was such her pleasure?' . . Then I sate and teased
The patient needle til it split the thread,
Which oozed off from it in meandering lace
From hour to hour. I was not, therefore, sad;
My soul was singing at a work apart
Behind the wall of sense, as safe from harm
As sings the lark when sucked up out of sight,
In vortices of glory and blue air.

And so, through forced work and spontaneous work,
The inner life informed the outer life,
Reduced the irregular blood to settled rhythms,
Made cool the forehead with fresh-sprinkling dreams,
And, rounding to the spheric soul the thin
Pined body, struck a colour up the cheeks,
Though somewhat faint. I clenched my brows across
My blue eyes greatening in the looking-glass,
And said, 'We'll live, Aurora! we'll be strong.
The dogs are on us–but we will not die.'

Whoever lives true life, will love true love.
I learnt to love that England. Very oft,
Before the day was born, or otherwise
Through secret windings of the afternoons,
I threw my hunters off and plunged myself
Among the deep hills, as a hunted stag
Will take the waters, shivering with the fear
And passion of the course. And when, at last
Escaped,–so many a green slope built on slope
Betwixt me and the enemy's house behind,
I dared to rest, or wander,–like a rest
Made sweeter for the step upon the grass,–
And view the ground's most gentle dimplement,
(As if God's finger touched but did not press
In making England!) such an up and down
Of verdure,–nothing too much up or down,
A ripple of land; such little hills, the sky
Can stoop to tenderly and the wheatfields climb;
Such nooks of valleys, lined with orchises,
Fed full of noises by invisible streams;
And open pastures, where you scarcely tell
White daisies from white dew,–at intervals
The mythic oaks and elm-trees standing out
Self-poised upon their prodigy of shade,–
I thought my father's land was worthy too
Of being my Shakspeare's.
Very oft alone,
Unlicensed; not unfrequently with leave
To walk the third with Romney and his friend
The rising painter, Vincent Carrington,
Whom men judge hardly, as bee-bonneted,
Because he holds that, paint a body well,
You paint a soul by implication, like
The grand first Master. Pleasant walks! for if
He said . . 'When I was last in Italy' . .
It sounded as an instrument that's played
Too far off for the tune–and yet it's fine
To listen.
Often we walked only two,
If cousin Romney pleased to walk with me.
We read, or talked, or quarrelled, as it chanced;
We were not lovers, nor even friends well-matched–
Say rather, scholars upon different tracks,
And thinkers disagreed; he, overfull
Of what is, and I, haply, overbold
For what might be.
But then the thrushes sang,
And shook my pulses and the elms' new leaves,–
And then I turned, and held my finger up,
And bade him mark that, howsoe'er the world
Went ill, as he related, certainly
The thrushes still sang in it.–At which word
His brow would soften,–and he bore with me
In melancholy patience, not unkind,
While, breaking into voluble ecstasy,
I flattered all the beauteous country round,
As poets use . . .the skies, the clouds, the fields,
The happy violets hiding from the roads
The primroses run down to, carrying gold,–
The tangled hedgerows, where the cows push out
Impatient horns and tolerant churning mouths
'Twixt dripping ash-boughs,–hedgerows all alive
With birds and gnats and large white butterflies
Which look as if the May-flower had sought life
And palpitated forth upon the wind,–
Hills, vales, woods, netted in a silver mist,
Farms, granges, doubled up among the hills,
And cattle grazing in the watered vales,
And cottage-chimneys smoking from the woods,
And cottage-gardens smelling everywhere,
Confused with smell of orchards. 'See,' I said,
'And see! is God not with us on the earth?
And shall we put Him down by aught we do?
Who says there's nothing for the poor and vile
Save poverty and wickedness? behold!'
And ankle-deep in English grass I leaped,
And clapped my hands, and called all very fair.

In the beginning when God called all good,
Even then, was evil near us, it is writ.
But we, indeed, who call things good and fair,
The evil is upon us while we speak;
Deliver us from evil, let us pray.

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Little Sister

To know her was to love her
little sister of mine
she was only here for a moment
just a whisper in time

To see her was to adore her
little sister of mine
when you look into her eyes
you knew she would always be kind

To touch her was to kiss her
little sister of mine
She will be in my heart forever
Our hearts were combined

To lose her was to miss her
little sister of mine
I'll see her again in heaven
where our arms will intwine

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Little Sister

Hey sister why you all alone?
I'm standing out your window
Hey little sister can I come inside there?
I want to show you all my love
I want to be the only one
I know you like nobody ever, baby
Little sister can't you find another way?
No more living life behind a shadow (2x)
You whisper secrets in my ear
Slowly dancing cheek to cheek
Such a sweet thing when you open up, baby
They say I'll only do you wrong
Come together cause I understand
Just who you really are yeah, baby
Little sister can't you find another way?
No more living life behind a shadow (2x)

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For My Little Sister

My little sister
Janeth likes
To be with me,
And she smiled
For me each time
Admire her ten
Year old smile,
She said I'm special
And I think she
Is too.
But our fate is
Different so I left
Jane to search
For a better life.
Now I miss Jane so
Much after so many
Years abroad.
But I wish Jane dont,
Cry for me, cause i know
I don't deserve her tears
Some day I kno, very soon,
I will come home to Jane
And say to her:
Please my dear sister
Forgive me
For I know i shouldn't have
Left like that,
And now, I've realised
Money and wealth
Cannot compare to you

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Little Sister

I never really new you, as you left when i was two
So sad, I can not even picture you
God had other plans for you
I guess he needed you

Imagine the things we could of done,
Played skipping rope, hand ball and netball to
Being older I would of won of cource

Even though there are four of us still here
The fifth is still very near
Little sister you will always be a part of us

God always takes the best
Heh you didnt have to win that quest

But for now, my little sister
In heaven, an angel sits and waits for me
Lets play these games now
The winner is best out of three

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Little Sister

Take my hand little sister
I will protect you from evil
the eyes are always watching
hands always grabbing
reaching from the ground to pull you
deep down under
below to the abyss beneath the feet
of the path you walk
so take my hand little sister
I will protect you

Call me a fallen angel
but it was for you I fell
My soul painted black with love
keeps me tainted
Although my hands are red
Please take it
I beg of you little sister
Let me protect you

They have said some things about me
Some of them true,
most of them true
yet they were all for you
I fell once and i will do so again
for you

Don't be like me little sister
Don't be like me
Let me protect you little sister
A demon to save you
from your demons
Kill me little sister
take my hand

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Dont Hurt My Little Sister

There she goes she ran in her room
Shell probably stay in there the rest of the day
It sounds like it must have been something you said
You know shes awful used to getting her way
Why dont you kiss her
(why dont you kiss her)
And while you kiss her
(tell her you miss her)
Why dont you treat her
(why dont you treat her)
Treat her nice
Dont hurt my little sister
Dont hurt my little sister
Dont hurt my little sister
You know she digs you and thinks youre a real groovy guy
But yet Im not sure that I feel the same
We both know that youve been making her cry
I hope you dont think its some kind of game
Why dont you love her
(why dont you love her)
Like her big brother
(like her big brother)
Why dont you tell her
(why dont you tell her)
Tell her youre sorry
Dont hurt my little sister
Dont hurt my little sister
Dont hurt my little sister
Dont hurt my little sister
(why dont you love her)
Dont hurt my little sister
(like her big brother)
Dont hurt my little sister
Dont hurt my little sister
Dont hurt my little sister

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48 - Little Sister! ! !

Little sister this advice i give to you
For the life ahead it will help you through
Never be afraid to ask people questions
And to make mistakes to learn lifes lessons
When your mad or drunk try to keep self-control
Never leave your drink or mix your alcohol

Try to stray from the crunchy nut lane if you have no permit
And to read Shakespeares Annie if you haven't already done it
Travel the world El Salvidor Dali is a must see
And to Wales for the Endinborough festival we'll go, you and me

Another bit of advice your big sister suggests
Is when your out in public try not to show your breasts
Do not, i repeat do not date another ginger boy
instead buy yourself a nice rabbit shaped toy

My sister i am proud to call you
My bestest friend you are
A big bubble of trouble
A bright and shinning star
Thank you for being there for me
And to wipe the tears i cry
My love for you is bigger than the ocean
And the beautiful sun filled sky


The second verse may not make sense to most of you, but my sister can be a little ditsy sometimes......

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Hush Little Sister

Hush, little sister
Please don't cry
I wish I could be there
To sing you a lullaby
I can see your arms
Bloodied and bruised
That's strange, little sister
Mine were like that too
I know you scream
When Daddy's there
Hush, little sister
I know you're scared
I can see the way
He's hurting you
I'm sorry, little sister
He did that to me too
I know that people
Ignore what's going on at home
That makes me angry, little sister
You shouldn't have to be alone
Hey, little sister
You want to know why I'm not there?
It's a sad story, little sister
But people should care
You see, little sister
One day Daddy got high
You were asleep in your crib
So you didn't hear my cry
He screamed at me
And smashed my head against the door
While you slept, little sister
I died on the floor
You know, little sister
I don't think that I would have died
If someone had only bothered
To listen to my cries
But hush, little sister
Daddy's coming home
Quick, get into bed
You don't want him to find you alone
I'm sorry little sister
He's in a bad mood
Run while you can
Uh oh little sister
He's lifting his belt
Scream while you can, little sister
Call for help
Hush little sister
You don't need to cry
No one can hurt you

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Hush, Little Sister

Hush, little sister
Please don't cry
I wish I could be there
To sing you a lullaby

I can see your arms
Bloodied and bruised
That's strange, little sister
Mine were like that too

I know you scream
When Daddy's there
Hush, little sister
I know you're scared

I can see the way
He's hurting you
I'm sorry, little sister
He did that to me too

I know that people
Ignore what's going on at home
That makes me angry, little sister
You shouldn't have to be alone

Hey, little sister
You want to know why I'm not there?
It's a sad story, little sister
But people should care

You see, little sister
One day Daddy got high
You were asleep in your crib
So you didn't hear my cry

He screamed at me
And smashed my head against the door
While you slept, little sister
I died on the floor

You know, little sister
I don't think that I would have died
If someone had only bothered
To listen to my cries

But hush, little sister
Daddy's coming home
Quick, get into bed
You don't want him to find you alone

I'm sorry little sister
He's in a bad mood
Run while you can

Uh oh little sister
He's lifting his belt
Scream while you can, little sister
Call for help

Hush little sister
You don't need to cry
No one can hurt you
You're in my arms tonight.

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Hush Little Sister

Hush, little sister
Please don't cry
I wish I could be there
To sing you a lullaby

I can see your arms
Bloodied and bruised
That's strange, little sister
Mine were like that too

I know you scream
When Daddy's there
Hush, little sister
I know you're scared

I can see the way
He's hurting you
I'm sorry, little sister
He did that to me too

I know that people
Ignore what's going on at home
That makes me angry, little sister
You shouldn't have to be alone

Hey, little sister
You want to know why I'm not there?
It's a sad story, little sister
But people should care

You see, little sister
One day Daddy got high
You were asleep in your crib
So you didn't hear my cry

He screamed at me
And smashed my head against the door
While you slept, little sister
I died on the floor

You know, little sister
I don't think that I would have died
If someone had only bothered
To listen to my cries

But hush, little sister
Daddy's coming home
Quick, get into bed
You don't want him to find you alone

I'm sorry little sister
He's in a bad mood
Run while you can

Uh oh little sister
He's lifting his belt
Scream while you can, little sister
Call for help

Hush little sister
You don't need to cry
No one can hurt you
You're in my arms tonight.

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Little Sister

Hey little sister
I heard you went to Mr. So and So
Knock knock knocking on his door again last night
You said you needed it bad
And You know that ain't right
Cuz so many times you've come to me
Cry crying
You said it hurt so bad
But please don't let you go back for more

My little sister is a zombie in a body
With no soul or role
She has learned to play
In a world today where nothing else matters
But it matters
We gotta start feeding our souls
Not our addictions or afflictions to pain
To avoid the same questions we must ask ourselves
To get any answers

We gotta start feeding our souls
Have been lost to the millions with lots
We feed on addictions
Sellings pills and what's hot
And I wish I could save her
From all their delusions
We gotta start feeding our souls
All the confusion
Of a nation that's starving for salvation
But clothing is the closest approximation to God
And he only knows that drugs are
All we know of love
Hey hey

Every day we starve
While we eat white bread and beer
And instead of a handshake of hug
We spill the pills
And sweep them under the rug
Hey ey

My little sister is a zombie in a body
With no soul or role
She has learned to play
In a world today
Where nothing else matters
But it matters
We gotta start feeding our souls

Hey little sister I heard you went to
Mr. So and So again last night
Said you needed more

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Come Little Sister

This is the age of the electric transaction
Come on little sister, let me show you around
This is the age of the impersonal inquiry
This is the age of the manwomanman

This is the age of the newnude discovery
of the highways and low-ways and byways of life
This is the age of the instant impaction
and the ever-pervasive highlowhigh

Come little sister
and let me show you the cheap tricks
Let me show you the way that I got mine
Come little sister and we’ll survive
We’ll survive the upcoming nuclear blast

Come on my sister
Let’s ride the fast train
Muse with commuters and grin at our sin
Leave this busted city in the rust and our dust
And all it takes is a quick flash in time

Look at the poster boards flashing the windows
Look at who’s getting to the top of the heap
Look at who’s sold off their souls to the devil
for a moment of glory
on the golden train ride

Passing the age of the newer discovery
rounding the bend of technology’s fast face
leaping headlong into the arms of some future
burying the past in the unmarked graves

Hey come little sister
Say what you’re thinking?
You’re kind of quiet sitting there hair all ablaze
Fire in your eyes for the storms of tomorrow
Will you be ready when they come to collect the tickets?

Oh little sister you stir my soul
Will you venture with me on the clickety-clack?
Will you send me a message down from heaven
When all of our promises lie heaped in a stack?

I have a ticket to nowhere sweet little sister
And you hold the one true promissory note
Your wide eyes see what I cannot envision
as you and I fly through this glistening night

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Little Sister

Verse 1:
Hey, little sister
Did that boy make you cry, did he steal your heart away with a look in his eye
Are you feeling like your world is over now
Hey, little sister
Everything will be alright, what you feel is gonna change all your tears will dry
Time has a way of healing hearts that break somehow
Dont give up on love cause this ones let you down
Chorus:
Tonight youve lost lost the only one you want
Seems all youve got all youve got left is yesterday
But time wont stop (uh-uh)
And when all your crying stops tomorrow comes
Verse 2:
Hey, little sister youve gotta trust me (just a part of love)
Soon youll open up your eyes and the sun is gonna shine a light you never seen
Theres so much more to love than what youre feeling now
Someday youll find someone wholl never let you down
Chorus:
Tonight youve lost lost the only one you want
Seems all youve got all youve got left is yesterday (all youve got is yesterday)
But time wont stop (it dont stop)
And when all your crying stops tomorrow comes (tomorrow comes)
Bridge:
Its alright, hey little sister
And you gotta wake up and face up that breaking ups just a part of loving
So his kiss hit you hard it broke your heart but it dont mean nothing
You gotta wake up and face up that breaking ups just a part of loving
The hurt you feel, yes its real, but its gonna heal as a new days coming
Chorus:
Tonight youve lost lost the only one you want (one you want)
Seems all youve got all youve got left is yesterday (yesterday)
But time wont stop (time wont stop) (it wont stop, it wont stop)
And when all your crying stops tomorrow comes (and when all your crying stops)
Come on little sister
Tonight youve lost lost the only one you want (one you want)
Seems all youve got all youve got left is yesterday
But time wont stop
And when all your crying stops tomorrow comes
(fades out)

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