Less Seductive
Less seductive than potato casseroles,
some women don’t deserve from me a ballad,
to get one, they have got to please me with their roles,
more like chopped liver than potato salad.
My favorite women arfe not entrées but desserts,
tiramisu, a sherbert or a crème
brûlée, and after I have cleared my breath with Certs,
I get rewarded by most fatales femmes.
I’ve learned that making unforeseeable what life
becomes can be for sexual tastebuds most exciting,
and since my unchaste chef is my blue-ribboned wife,
I do not worry about wine and lighting.
Inspired by Kenneth Turan’s comment, LA Times, September 2008, reviewing “Appaloosa, ” comparing the seductivness of Renée Zellweger, playing the role of Allison French, to that of a potato casserole:
Given the marked lack of piano-playing women with extensive wardrobes in Appaloosa, both Cole and Hitch are smitten, albeit to varying degrees, with the newcomer. Which really is too bad. Though the press notes insist that Allison French is 'beguiling, ' the reality is that she is anything but. With a simpering manner that offers all the charm and seductiveness of a potato casserole, she is not only unconvincing as the object of multiple suitors, she is also so off-putting a character that you wince when she comes on the screen. Though the Oscar-winning Zellweger has been excellent when she matches up well with the roles she plays, this is not a part she connects to at all. French is such a distraction that it's difficult to focus on the rest of 'Appaloosa's' plot, which involves the attempt to bring that reprobate rancher to justice and the working out of various romantic entanglements. One of the best lines in 'Appaloosa's' script talks about how fate has a way of making 'the unforeseeable that which your life becomes' and the way French's presence derails the entire enterprise is also something no one had the vision to foresee.
11/27/08
poem by Gershon Hepner
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Related quotes
Femmes
Femmes brunes, femmes noires, femmes blanches
Femmes aux yeux de toutes les couleurs
Qui voient les oiseaux sur les branches
Et qui imitent la beauté des fleurs.
Femmes de toutes les saisons,
Femmes pour toutes les raisons.
Femmes automnales au sourire contagieux
Femmes aux regards pales et mystérieux
Femmes aux sourcils téméraires et mystiques
Tous les yeux sont braqués sur ton physique.
Femmes qui brillent sous le soleil de l'été
Femmes qui brulent au fourneau de l'amour
Femmes qui chantent des cantiques de l'antiquité
Les enfants vous regardent curieusement dans la cour.
Femmes pour toutes les saisons,
Femmes de toutes les raisons.
Femmes qui dorment sous l'ombre printanière
Femmes qui rêvent d'un avenir extraordinaire
Les musiciens ailés sont perchés sur les branches
Femmes noires, femmes brunes, femmes blanches.
Femmes hivernales qui jouent dans la neige
Femmes aux langues qui peuvent séduire
Vous savez bien comment placer les pièges
Qui peuvent construire et détruire.
Femmes de toutes les saisons,
Femmes de toutes les raisons.
Femmes aux yeux de toutes les couleurs
Vous êtes comparées aux plus belles des fleurs
Femmes noires, femmes brunes, femmes blanches
Regardez attentivement les corbeaux sur les branches.
Femmes pour toutes les saisons,
Femmes pour toutes les raisons.
poem by Hebert Logerie
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Seasonable Retour-Knell
SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS
Author notes
A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000
In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.
For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.
Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.
One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.
Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER
Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.
Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.
AUTUMN WINTER
Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.
Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,
[...] Read more
poem by Jonathan Robin
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Cancer Rising
Mind called the meeting with just Heart and Lungs attending:
Mind said:
'What is the problem? '
Heart said:
'I had been pumping as usual last week bringing Blood
back and I noticed that I was a two pints short from the usual flow.'
Lungs said:
'I was pumping oxygen and I noticed it as well. There was a shortage, not enough blood was coming back.'
'So, ' Heart said 'I sent some white blood cells down to the liver to investigate.'
'And, ' Mind said.
'Well, Crystal came back, she is the While Blood cell leader and she said that 'we definitely have problem down there. We have two problems.' she said.
'And? ' Mind said.
'Well first Crystal reported she found a group of cells had all gotten together, just outside the liver and had started to grow out of control, so out of control that they blocked all of the blood flow to the liver such that less blood was getting to Liver and therefore, Liver couldn't do it's job.
'What happened then? ' Mind said.
'Crystal asked who was in charge and a man stepped up and said 'I am.
'His name was CC Crystal told me.'
'So what did this CC have to say for himself? ' Mind said
'He said that since he and his cell friends were pumping enzymes blood and other purfiers to Liver that they wanted to be paid.
Other cells joined in' CC said.
'And soon there were thousands and millions of them clamoring to be paid before they would spend time pumping blood.' Crystal said.
'Liver didn't know what to do.
But, Crystal said:
The more cells that joined CC's group the more of them that had to be paid such that the price kept going up and up and less and less blood was actually being pumped.
'Liver started to turn yellow, ' Crystal said.
'That won't do.' Mind said.
'Let's go down and have a talk with Mr. CC.' Mind said.
They all retired from the Brain and took the Blood stream down to the Liver which was looking pale and yellow indeed.
'Hi, ' Mind said, 'you don't look well.'
'Well, ' Liver said, 'I am not well. Look around me.
Mind looked around and saw cells dying in the area around the valves which fed blood to Liver.
'My God, 'Mind said, 'this is horrible.'
Suddenly off to the side he saw green blood cells, enormous in size coming toward the group.
[...] Read more
poem by Lonnie Hicks
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What Have I Done To Deserve This
(tennant / lowe / willis)
Duet with the pet shop boys
Indentation as follows :
Neil tennant singing
Dusty singing
Both singing
You always wanted a lover
I only wanted a job
Ive always worked for a living
Howm I gonna get through?
Howm I gonna get through?
I come here looking for money
Got to have it
And end up living with love, oh, oh
Now you left me with nothing
Cant take it
Howm I gonna get through?
Howm I gonna get through?
I bought you drinks, I brought you flowers
I read you books and talked for hours
Every day, so many drinks
Such pretty flowers, so tell me
What have i, what have i, what have I done to deserve this?
What have i, what have i, what have I done to deserve this?
What have i, what have i, what have I ...
Since you went away Ive been hanging around
Ive been wondering why Im feeling down
You went away, it should make me feel better
But I dont know, oh
How Im gonna get through?
What have i, what have i, what have I done to deserve this?
How Im gonna get through?
What have i, what have i, what have I done to deserve this?
You always wanted me to be something I wasnt
You always wanted too much, oh, oh
Now I can do what I want to - forever
How am I gonna get through?
How am I gonna get through?
At night, the people come and go
They talk too fast, and walk too slow
Chasing time from hour to hour
I pour the drinks and crush the flowers
What have i, what have I done to deserve this?
What have i, what have i, what have I done to deserve this?
What have i, what have i, what have I ...
Since you went away Ive been hanging around
Ive been wondering why Im feeling down
You went away, it should make me feel better
But I dont know, oh
How Im gonna get through? , baby
[...] Read more
song performed by Dusty Springfield
Added by Lucian Velea
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What Have I Done To Deserve This?
(lowe/willis/tennant)
------------------------------------
You always wanted a lover
I only wanted a job
Ive always worked for my living
How am I gonna get through?
How am I gonna get through?
I come here looking for money
(got to have it)
And end up living with love, oh, oh
Now you left me with nothing
(cant take it)
How am I gonna get through?
How am I gonna get through?
I bought you drinks, I brought you flowers
I read you books and talked for hours
Every day, so many drinks
Such pretty flowers, so tell me
What have i, what have i, what have I done to deserve this?
What have i, what have i, what have I done to deserve this?
What have i, what have i, what have I ...
Since you went away Ive been hanging around
Ive been wondering why Im feeling down
You went away, it should make me feel better
But I dont know, oh
How Im gonna get through?
What have i, what have i, what have I done to deserve this?
How Im gonna get through?
What have i, what have i, what have I done to deserve this?
You always wanted me to be something I wasnt
You always wanted too much, oh, oh
Now I can do what I want to - forever
How am I gonna get through?
How am I gonna get through?
At night, the people come and go
They talk too fast, and walk too slow
Chasing time from hour to hour
I pour the drinks and crush the flowers
What have i, what have I done to deserve this?
What have i, what have i, what have I done to deserve this?
What have i, what have i, what have I ...
Since you went away Ive been hanging around
Ive been wondering why Im feeling down
You went away, it should make me feel better
But I dont know, oh
How Im gonna get through? (baby)
What have i, what have i, what have I done to deserve this?
How Im gonna get through? (baby)
What have i, what have i, what have I done to deserve this?
How Im gonna get through? (baby)
[...] Read more
song performed by Pet Shop Boys
Added by Lucian Velea
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The 'Potato' Poem
I love potatoes chopped up into chunky chips.
I love spicy potato wedges, served up with dips.
I love potato slices which have been fried in a pan:
Of sautéed potatoes, I am the world's biggest fan.
I love potatoes which have been pummelled and bashed
With butter and milk to make a real light, fluffy mash.
Jacket potatoes, I find a bit dry, but with a nice filling
Such as chilli, to give them a try, I am more willing.
With breakfast, I love hash browns or potato cakes,
And I love potatoes mixed up with leeks in a bake.
Crispy, golden potatoes, served up with Sunday roast
Are among the kinds of potato which I love the most.
Mixed in soups and casseroles, I love potatoes diced.
On top on minced beef hotpot, I love potatoes sliced.
Fluffy potato stuffed inside a crispy potato croquette
Is also rather nice, and, for me, it is another safe bet.
I love potatoes cut into crisps: the slices, wafer thin,
And, as a starter, I simply love loaded potato skins:
I do adore a delicious dish of Bombay potato curry:
For me, it is a taste which I won't forget in a hurry.
I like potatoes diced up with creamy mayonnaise,
Served up with salad on really hot summer days.
But I don't like potatoes which have been boiled:
From potatoes, cooked this way, in horror, I recoil.
poem by Angela Wybrow
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Finn's Favorite Fish (Long Tongue Twister)
Finn's favorite fish's favorite food fell flat.
Finn's favorite fish's favorite food falls for fluid.
Finn's favorite fish's favorite food fed Finn's favorite fish.
Finn's favorite fish falls for Finn's favorite fish's favorite food.
Finn's favorite fish's favorite food falls for Finn's favorite fish.
Finn's favorite fish's favorite food fills Finn's favorite fish.
Finn fishes for Finn's favorite fish's favorite fish food for Finn's favorite fish!
poem by Rebecca Ryan
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Barefoot Ballad
(words & music by fuller - morris)
I want a barefoot ballad yes a barefoot ballad
Wont you play for me a down home country song
cause when I kick my shoes off and I kick my blues off
With a barefoot ballad you just cant go wrong
Give me a honk-tonk fiddle with a guitar in the middle and a melody
Humming like a fountain swinging out on smokey mountain
I want a barefoot ballad yes a barefoot ballad
Wont you play for me a down home country song
cause when I kick my shoes off and I kick my blues off
With a barefoot ballad you just cant go wrong
Now the big toes connected to the two toe
And the two toes connected to the three toe
And the three toes connected to the four toe
And the four toes connected to the five toe
And the five toe and away we go
I want a barefoot ballad yes a barefoot ballad
Wont you play for me a down home country song
cause when I kick my shoes off and I kick my blues off
With a barefoot ballad you just cant go wrong
Now the big toes connected to the two toe
And the two toes connected to the three toe
And the three toes connected to the four toe
And the four toes connected to the five toe
And the five toe and away we go
I wanna barefoot ballad yes a barefoot ballad
Wont you play for me a barefoot ballad song.
song performed by Elvis Presley
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Seductive Yet Unproductive
Seductive yet unproductive,
Come those temptations to touch.
And for each one that is tasted...
Regret soon follows up.
Seductive yet unproductive,
Come those temptations to touch.
And for each one that is tasted...
Regret soon follows up.
But we all seem to have those needs to please.
Seductive yet unproductive.
And we plead on knees to have them leave.
Seductive yet unproductive.
And we waiver when we see our neighbors savoring the flavor.
Seductive yet unproductive.
But we all seem to have those needs to please.
Seductive yet unproductive.
And we plead on knees to have them leave.
Seductive yet unproductive.
And we waiver when we see our neighbors savoring the flavor.
Seductive yet unproductive.
And no matter what we do that just don't go away.
Temptations.
Seductive yet unproductive.
And no matter what we do that just don't go away.
Temptations.
Seductive yet unproductive.
And no matter what we do that just don't go away.
poem by Lawrence S. Pertillar
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Polk Salad Annie
(words & music by tony joe white)
Some of you all never been down south too much...
I gonna tell you a little story, so youll understand where Im talking about
Down there we have a plant that grows out in the woods and the fields,
And it looks something like a turnip green.
Everybody calls it polk salad. now thats polk salad.
Used to know a girl that lived down there and
Shed go out in the evenings to pick a mess of it...
Carry it home and cook it for supper, cause thats about all they had to eat,
But they did all right.
Down in louisiana
Where the alligators grow so mean
Lived a girl that I swear to the world
Made the alligators look tame
Polk salad annie
gators got your granny
Everybody said it was a shame
For the mama was working on the chain-gang
What a mean, vicious woman
Everyday before suppertime
Shed go down by the truck patch
And pick her a mess of polk salad
And carry it home in a tote sack
Polk salad annie
gators got you granny
Everybody said it was a shame
cause the mama was working on the chain-gang
Whoo, how wretched, dispiteful, straight-razor totin woman,
Lord have mercy.
Sock a little polk salad to him
Yeah, you know what, yeah, yeah
But daddy was a lazy and a no-count
Claimed he had a bad back
All her brothers were fit for
Was stealing watermelons out of my truck
For once polk salad annie
gators got your granny
Everybody said it was a shame
For the mama was working on the chain-gang
Sock a little polk salad to him
You know what meets a meal mention
You sock a little
Hey, hey, hey, yeah, yeah
Chic a bon, chic a bon, chic a bon bon bon bon
Chic a bon, chic a bon, chic a bon bon bon bon
Sock a little polk salad to him
You know what meets a meal mention
Sock a little polk salad to him
You know what meets a meal mention
Chinc, chinc, chinc, chin, ling, ling ling
song performed by Elvis Presley
Added by Lucian Velea
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Deserve
They got money, they got sun
They look like theyre havin fun
Dont it seem its so unfair
They know something you dont know
Theyve got a better place to go
Theyre thin and rich and they dont care
We get the dreams that we deserve
The magazines that we deserve
Page one and three that we deserve
The joy and the pain that we deserve
The sun and the rain that we deserve
The material gain that we deserve
We get what we deserve
They got tension, they got stress
They got their lives in the press
The whole world stares as they undress
Sold their friends to get ahead
They do therapy instead
Theyve got demons in their bed
We get the toys that we deserve
The quiet and the noise that we deserve
The girls and the boys that we deserve
We get what we want if we really want it
We get what we want if were really honest
You know what you are
You know what you want
You know what you deserve
We get the seas that we deserve
The flowers and the trees that we deserve
The spores on the breeze that we deserve
We get what we want if we really want it
We get what we want if were really honest
You know what you are
You know what you want
You know what you deserve
You deserve
We get what we deserve
We deserve
song performed by Marillion
Added by Lucian Velea
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Le musicien de Saint-Merry
J'ai enfin le droit de saluer des êtres que je ne connais pas
Ils passent devant moi et s'accumulent au loin
Tandis que tout ce que j'en vois m'est inconnu
Et leur espoir n'est pas moins fort que le mien
Je ne chante pas ce monde ni les autres astres
Je chante toutes les possibilités de moi-même hors de ce monde et des astres
Je chante le joie d'errer et le plaisir d'en mourir
Le 21 du mois de mai 1913
Passeur des morts et les mordonnantes mériennes
Des millions de mouches éventaient une splendeur
Quand un homme sans yeux sans nez et sans oreilles
Quittant le Sébasto entra dans la rue Aubry-le-Boucher
Jeune l'homme était brun et de couleur de fraise sur les joues
Homme Ah! Ariane
Il jouait de la flûte et la musique dirigeait ses pas
Il s'arrêta au coin de la rue Saint-Martin
Jouant l'air que je chante et que j'ai inventé
Les femmes qui passaient s'arrêtaient près de lui
Il en venait de toutes parts
Lorsque tout à coup les cloches de Saint-Merry se mirent à sonner
Le musicien cessa de jouer et but à la fontaine
Qui se trouve au coin de la rue Simon-Le-Franc
Puis saint-Merry se tut
L'inconnu reprit son air de flûte
Et revenant sur ses pas marcha jusqu'à la rue de la Verrerie
Où il entra suivi par la troupe des femmes
Qui sortaient des maisons
Qui venaient par les rues traversières les yeux fous
Les mains tendues vers le mélodieux ravisseur
Il s'en allait indifférent jouant son air
Il s'en allait terriblement
Puis ailleurs
À quelle heure un train partira-t-il pour Paris
À ce moment
Les pigeons des Moluques fientaient des noix muscades
En même temps
Mission catholique de Bôma qu'as-tu fait du sculpteur
Ailleurs
Elle traverse un pont qui relie Bonn à Beuel et disparait à travers Pützchen
Au même instant
Une jeune fille amoureuse du maire
Dans un autre quartier
Rivalise donc poète avec les étiquettes des parfumeurs
En somme ô rieurs vous n'avez pas tiré grand-chose des hommes
Et à peine avez-vous extrait un peu de graisse de leur misère
Mais nous qui mourons de vivre loin l'un de l'autre
Tendons nos bras et sur ces rails roule un long train de marchandises
Tu pleurais assise près de moi au fond d'un fiacre
Et maintenant
Tu me ressembles tu me ressembles malheureusement
[...] Read more
poem by Guillaume Apollinaire
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Released From The Academy Of Acne
Pimple free and cleared of blemishes.
Pimple free and cleared of blemishes.
Pimple free.
They're pimple free.
Pimple free and cleared of blemishes.
Pimple free and cleared of blemishes.
Pimple free.
They're pimple free.
And released from the academy of acne.
Teenagers now texting their pictures onto facebook.
And pimple free.
They're pimple free.
Teenagers now texting their pictures onto facebook.
And pimple free.
They're pimple free.
These are priorities of our young people.
Cleared of blemishes to download to save.
These are priorities of our young people.
Physically attached and that's the rage.
And released from the academy of acne.
These are priorities of our young people.
Cleared of blemishes to download to save.
These are priorities of our young people.
Physically attached and that's the rage.
Pimple free and cleared of blemishes.
Pimple free and cleared of blemishes.
Pimple free.
They're pimple free.
Pimple free and cleared of blemishes.
Pimple free and cleared of blemishes.
Pimple free.
They're pimple free.
And released from the academy of acne.
poem by Lawrence S. Pertillar
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I Hear Voices...
And from the graves, where names were carved in
stone, came a mournful Ballad, of life gone by.
A Ballad sang by mothers, whose children left behind,
and left to sing their ballads, of tears that did remain.
And what of Fathers Ballad, whose job was not complete,
who died and sang his song, of things that could not be.
In a smaller voices, still weeping and confused, the children
sang their Ballad, of parents never knew.
And in some far off place, a Ballad did come fourth, of all
the deaths that happened, that wasn't meant to be.
A soldiers painful Ballad, did seemed so unjust, of the
war that finally killed him, in a land he never knew.
The Ballad, of unknown, thou human, none the less,
were buried here alone, with not a one to care.
In the quiet of a cemetery morn, the Ballad of
the dead, echoes silently across green grass,
and through the granite stones.
It makes one wonder, about the Ballad of the dead,
and what will be our song...when we are finally gone.
poem by Joe Fazio
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Of the four Humours in Mans Constitution.
The former four now ending their discourse,
Ceasing to vaunt their good, or threat their force.
Lo other four step up, crave leave to show
The native qualityes that from them flow:
But first they wisely shew'd their high descent,
Each eldest daughter to each Element.
Choler was own'd by fire, and Blood by air,
Earth knew her black swarth child, water her fair:
All having made obeysance to each Mother,
Had leave to speak, succeeding one the other:
But 'mongst themselves they were at variance,
Which of the four should have predominance.
Choler first hotly claim'd right by her mother,
Who had precedency of all the other:
But Sanguine did disdain what she requir'd,
Pleading her self was most of all desir'd.
Proud Melancholy more envious then the rest,
The second, third or last could not digest.
She was the silentest of all the four,
Her wisdom spake not much, but thought the more
Mild Flegme did not contest for chiefest place,
Only she crav'd to have a vacant space.
Well, thus they parle and chide; but to be brief,
Or will they, nill they, Choler will be chief.
They seing her impetuosity
At present yielded to necessity.
Choler.
To shew my high descent and pedegree,
Your selves would judge but vain prolixity;
It is acknowledged from whence I came,
It shall suffice to shew you what I am,
My self and mother one, as you shall see,
But shee in greater, I in less degree.
We both once Masculines, the world doth know,
Now Feminines awhile, for love we owe
Unto your Sisterhood, which makes us render
Our noble selves in a less noble gender.
Though under Fire we comprehend all heat,
Yet man for Choler is the proper seat:
I in his heart erect my regal throne,
Where Monarch like I play and sway alone.
Yet many times unto my great disgrace
One of your selves are my Compeers in place,
Where if your rule prove once predominant,
The man proves boyish, sottish, ignorant:
But if you yield subservience unto me,
I make a man, a man in th'high'st degree:
Be he a souldier, I more fence his heart
Then iron Corslet 'gainst a sword or dart.
What makes him face his foe without appal,
[...] Read more
poem by Anne Bradstreet
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In A Breath
Life is only one breath after another,
We are the ones who control our breaths, not oneanother.
A breath is all it takes,
To make a breath.
In a breath you could stop,
In a breath you could drop,
In a breath anything could happen,
In a breath anything could happen.
Life is the journey down a pathway,
Of which stones are breaths that show you the way.
A path to eternity, to forever.
Where you shall stay forever and ever.
In a breath you could die,
In a breath you could fly,
In a breath anything could happen,
In a breath anything could happen.
Tomorrow is yet a turn,
A turn you may not reach, but only a breath can determine,
You don't know when your final turn comes.
You do not know what you will become.
In a breath you could win,
In a breath you could sin.
In a breath anything could happen,
anything could happen.
Life is but a breath,
Air is but a breath,
In life you will find the truth,
And find air is the proof.
In a breath you could find nothing,
In a breath you could find everything,
In a breath anything could happen,
In a breath anything could happen.
You travel down a river,
Where bubbles are breaths and you are the giver.
The giver of ripples, of currents,
Of which for endurence.
In a breath you could loose,
In a breath you could choose.
In a breath anything could happen
In a breath anything could happen.
[...] Read more
poem by Bethany Maxwell
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Three Women
My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.
Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.
Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.
Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.
Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.
1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.
Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,
[...] Read more
poem by Ella Wheeler Wilcox
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Thespis: Act I
DRAMATIS PERSONAE
GODS
Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury
THESPIANS
Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon
ACT I - Ruined Temple on the Summit of Mount Olympus
[Scene--The ruins of the The Temple of the Gods, on summit of
Mount Olympus. Picturesque shattered columns, overgrown with
ivy, etc. R. and L. with entrances to temple (ruined) R. Fallen
columns on the stage. Three broken pillars 2 R.E. At the back of
stage is the approach from the summit of the mountain. This
should be "practicable" to enable large numbers of people to
ascend and descend. In the distance are the summits of adjacent
mountains. At first all this is concealed by a thick fog, which
clears presently. Enter (through fog) Chorus of Stars coming off
duty as fatigued with their night's work]
CHO. Through the night, the constellations,
Have given light from various stations.
When midnight gloom falls on all nations,
We will resume our occupations.
SOLO. Our light, it's true, is not worth mention;
What can we do to gain attention.
When night and noon with vulgar glaring
A great big moon is always flaring.
[During chorus, enter Diana, an elderly goddess. She is carefully
wrapped up in cloaks, shawls, etc. A hood is over her head, a
respirator in her mouth, and galoshes on her feet. During the
[...] Read more
poem by William Schwenck Gilbert
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator
Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!
It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!
Well,
Let others climb the heights o' the court, the camp!
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Great Hunger
I
Clay is the word and clay is the flesh
Where the potato-gatherers like mechanised scarecrows move
Along the side-fall of the hill - Maguire and his men.
If we watch them an hour is there anything we can prove
Of life as it is broken-backed over the Book
Of Death? Here crows gabble over worms and frogs
And the gulls like old newspapers are blown clear of the hedges, luckily.
Is there some light of imagination in these wet clods?
Or why do we stand here shivering?
Which of these men
Loved the light and the queen
Too long virgin? Yesterday was summer. Who was it promised marriage to himself
Before apples were hung from the ceilings for Hallowe'en?
We will wait and watch the tragedy to the last curtain,
Till the last soul passively like a bag of wet clay
Rolls down the side of the hill, diverted by the angles
Where the plough missed or a spade stands, straitening the way.
A dog lying on a torn jacket under a heeled-up cart,
A horse nosing along the posied headland, trailing
A rusty plough. Three heads hanging between wide-apart legs.
October playing a symphony on a slack wire paling.
Maguire watches the drills flattened out
And the flints that lit a candle for him on a June altar
Flameless. The drills slipped by and the days slipped by
And he trembled his head away and ran free from the world's halter,
And thought himself wiser than any man in the townland
When he laughed over pints of porter
Of how he came free from every net spread
In the gaps of experience. He shook a knowing head
And pretended to his soul
That children are tedious in hurrying fields of April
Where men are spanning across wide furrows.
Lost in the passion that never needs a wife
The pricks that pricked were the pointed pins of harrows.
Children scream so loud that the crows could bring
The seed of an acre away with crow-rude jeers.
Patrick Maguire, he called his dog and he flung a stone in the air
And hallooed the birds away that were the birds of the years.
Turn over the weedy clods and tease out the tangled skeins.
What is he looking for there?
He thinks it is a potato, but we know better
Than his mud-gloved fingers probe in this insensitive hair.
'Move forward the basket and balance it steady
In this hollow. Pull down the shafts of that cart, Joe,
And straddle the horse,' Maguire calls.
'The wind's over Brannagan's, now that means rain.
Graip up some withered stalks and see that no potato falls
Over the tail-board going down the ruckety pass -
And that's a job we'll have to do in December,
[...] Read more
poem by Patrick Kavanagh
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