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Full Of Empty

an empty
barrel of
snow

snow lots and lots of
silence
the occasional footprints of a crow

poem by Dónall Dempsey
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Song Of The Evergreens

Listen to the briskly whistling winter evergreen
Whispering through the frozen morning light
And tell me whats to come
Saying my time is near
Never fear
I close each year
Im winter
Reminding me to trade my t-shirts for my woven wools
Trade my sandals for my skis
Whispered warnings in the wind
Saying soon come the dancing snowflakes
Theyre kissing every tree
Theyre kissing you and me
Please hurry
Falling
Dazzling dancing diamonds from the sky
Prisms
Rainbow sparkled flurries in our eyes
Whipping across the frozen crystal meadow
Pond of ice
Race the snow
Well build a warming fire there
And cuddle close and wine and dine
The setting sun
The morning light will find us high
Shooting down the glistening mountain side
Screaming through the whispering pines
The freedom of each day
Will cleanse our minds
I can hardly wait for winter
I can hardly wait for the snow
I can hardly hardly wait for winter
I can hardly wait for the snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow
Snow snow snow snow snow snow snow snow

song performed by Chicago
Added by Lucian Velea
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In The Footprints of My Mother

In the footprints of my mother,

I shall step to you.

In the footprints of my mother,

I shall stay innocent and true.

In the footprints of my mother,

I shall not give up hope.

In the footprints of my mother,

I shall give you my love note.

In the footprints of my mother,

Lead me to a better path.

In the footprints of my mother,

I shall releive in her wrath.

In the footprints of my mother,

I shall cure all of your pains.

In the footprints of my mother,

I shall bring you great reigns.

In the footprints of my mother,

I shall unleash the angels of truth.

In the footprints of my mother,

I shall defeat the evils booth.

The footprints of my mother,

led me straight to you.

The footprints of my mother,

Shown me I have nothing left to loose.

The footprints of my mother,

[...] Read more

poem by Erin Grantham
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Old Jim Crow

Ron vander groef, jackie alper, nina simone
Old jim crow
Where you been baby
Down mississippi and back again
Old jim crow dont you know
Its all over now
Old jim crow
Whats wrong with you
It aint your name
Its the things you do
Old jim crow dont you know
Its all over now
Old jim crow
Youve been around too long
Gotta work the devil
til your dead and gone
Old jim crow
Yes, dont you know
Its all over now
Its all over now
Old jim crow
You know its true
When you hurt my brother
You hurt me too
Old jim crow dont you know
Its all over now
Old jim crow
I thought I had you beat
Now I see you walkin
And talkin up and down my street
Old jim crow dont you know
Its all over now
Old jim crow
Youve been around too long
Gotta work the devil
til your dead and gone
Old jim crow dont you know
Its all over
All over
Oh lord, its all over
All over
Its all over
Its all over
Its all over now.

song performed by Nina Simone
Added by Lucian Velea
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Hymns To The Silence

Oh my dear, oh my dear sweet love
Oh my dear, oh my dear sweet love
When Im away from you, when Im away from you
Well I feel, yeah, well I feel so sad and blue
Well I feel, well I feel so sad and blue
Oh my dear, oh my dear, oh my dear sweet love
When Im away from you, I just have to sing, my hymns
Hymns to the silence, hymns to the silence
Hymns to the silence, hymns to the silence
Oh my dear, oh my dear sweet love its a long, long journey
Long, long journey, journey back home
Back home to you, feel you by my side
Long journey, journey, journey
Yeah in the midnight, in the midnight, I burn the candle
Burn the candle at both ends, burn the candle at both ends
Burn the candle at both ends, burn the candle at both ends
And I keep on, 'cause I cant sleep at night
Until the daylight comes through
And I just, and I just, have to sing
Sing my hymns to the silence
Hymns to the silence, hymns to the silence
My hymns to the silence
I wanna go out in the countryside
Oh sit by the clear, cool, crystal water
Get my spirit, way back to the feeling
Deep in my soul, I wanna feel
Oh so close to the one, close to the one
Close to the one, close to the one
And thats why, I keep on singing baby
My hymns to the silence, hymns to the silence
Oh my hymns to the silence, hymns to the silence
Oh hymns to the silence, oh hymns to the silence
Oh hymns to the silence, hymns to the silence
Oh my dear, my dear sweet love
Can you feel the silence? can you feel the silence?
Can you feel the silence? can you feel the silence?
Hymns to the silence, hymns to the silence
Hymns to the silence, hymns to the silence
Hymns to the silence, hymns to the silence
Hymns to the silence, hymns to the silence
Hymns to the silence, hymns to the silence.

song performed by Van Morrison
Added by Lucian Velea
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Footprints

Footprints in the sand
As deep as they might be
Will someday be washed away
By the wind or by the sea.
The footprints have been placed
Upon the beaches sand
In memory of a creature
Proclaiming Himself as Man.
I followed this set of footprints
Placed upon the beaches Earth
To find out where Man had gone to,
And to find out His Earthly worth.
Many of the footprints were deep,
Placed upon the beaches sand,
From the troubles that Man had kept
With memories held in His hand.
And the footprints, that were placed wide
They were many upon the beach,
Were they from the trouble that Man did hide,
Or was it from happiness, that was out of reach.
And then as I noticed in front of me
The footprints were swept away,
Man again was forgotten
Until He returned another day.
Then I looked behind me,
I saw my footprints in the sand
And I know someone will follow them
While wondering, who was this Man.
Had my footprints been placed deep,
Or were they placed apart very wide,
Will they wondered if I ever laughed,
Or if I cried, from sorrows I couldn't hide.
So I closed my eyes and I wondered
About the footprints that I had placed
Someday, will Man He follow them,
While believing my life a waste.
So I continued my walk upon the beach,
I was a very joyful and happy Man,
I left my sorrow and trouble behind me,
In my footprints in the sand.

Randy L. McClave

poem by Randy McClave
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The Crow and The Butterfly

Ever wonder why the Crow chases the Butterfly?
Have you ever heard the Crow let out it's cry?
I think I found out why...
It's quite the interesting story, I had to pry..

The Butterfly's beauty, the Crow's will never match.
The Crow's life is nothing compared the the Butterfly's since it's first hatch.
If you are good enough to get a Butterfly, that is quite a catch.
Get a Crow somehow and it gets thrown right back out to the patch.

The Crow has had it so much easier than the Butterfly.
Straight jealousy from the Crow because they have to share the sky.
The Butterfly's flight is reason to stare, the Crow's just reason to cry.
Everyone stops to get a glance of a Buttflies, a few Crows and people pass by.

So if you ever hear a Crow cry,
Or see a Butterfly being chased by a Crow,
Just think how bad that Crow wants to be a Butterfly.....

poem by Joe Gosart
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

[...] Read more

poem by Conrad Potter Aiken
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Silence...

Often i stand and stare
into the diminishing light of the day
horizon gradually fading into nothingness
willow and pine piercing the night
the earth ruptures into a song;
accompanied with shrill whistles in the dark
the howling of the wolves and brisk blaring of the wind
Silence enters into the serene beauty of the dusk.

Silence that invites me to come and see
Silence that asks me to reveal
Silence that wants me to make unwanted promises
Silence that does nothing but ruptures a wound deep within

Silence that drags along unwanted pain
Silence that emulsifies unspoken words of love and gain
Silence that was till then pressed within my lips
Silence that now has emerged as a giant affliction.

Silence that comes as a sorrow
Silence that makes me loathe my tommorows
Silence that demads i submit all my emotions
Silence that is eager to make me weak and fragile

Silence that commands i dropp a tear
Silence that dictates me to get lost in the dark
Silence that brings love as a foe
silence that wants to bind hatered deep within my soul

Silence that hurts me for no rhyme and reason
Silence that makes me feel so forlon
Silence that has so much bitterness
Silence that washes away all my hopes and pray

Silence that makes me go week
Silence that unearths agonizing memories
Silence that came so unnvited
Silence that fails to unbreak any Silence.............

poem by Pooja Nepal
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Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.

PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors

[...] Read more

poem by Henry Wadsworth Longfellow
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More Fun Than A Barrel Of Monkeys

there are multiple questions pertaining to the concept,
'more fun than a barrel of monkeys.'

how big is the barrel?
how many monkeys are we talking about?
how big are the monkeys? Are we talking spider monkeys, chimps, baboons or what?
Are the monkeys old or young and where's the barrel, inside or outside?

If you leave the monkeys in the barrel, you got a problem:
they'll die in their own excrement,
if you lift the lid and let them out,
they might kill you.

a monkey can rip out your eyes, is that fun?
monkeys, leaping and running around the house, can do a lot of damage, is that fun?
monkeys are dirty, so... what exactly do you consider fun?
what's it going to be like trying to get the monkeys back in the barrel?
would that be fun?

what would the neighbors think of you, if you released the monkeys into their yards?
what happens if the police gets involved?
it could mean everything imaginable is more fun than a barrel of these animals.
maybe even more fun than a barrel of human beings.

poem by Richard Jarboe
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Crow On The Cradle

(from the soundtrack to no nukes; peformed live by jackson browne with graham nash & david lindley)
The sheeps in the meadow
The cows in the corn
Now is the time for a child to be born
Hell laugh at the moon
And cry for the sun
And if its a boy hell carry a gun
Sang the crow on the cradle
And if it should be that this babys a girl
Never you mind if her hair doesnt curl
With rings on her fingers
And bells on her toes
And a bomber above her wherever she goes
Sang the crow on the cradle
The crow on the cradle
The black and the white
Somebodys baby is born for a fight
The crow on the cradle
The white and the black
Somebodys baby is not coming back
Sang the crow on the cradle
Your mother and father will sweat and theyll slave
To build you a coffin and dig you a grave
Hush-a-bye little one, never you weep
For weve got a toy that can put you to sleep
Sang the crow on the cradle
Bring me my gun, and Ill shoot that bird dead
Thats what your mother and father once said
The crow on the cradle, what can we do
Ah, this is a thing that Ill leave up to you
Sang the crow on the cradle
Sang the crow on the cradle

song performed by Jackson Browne
Added by Lucian Velea
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Black Crow

He sees the stormy anger of the world
And wants no part of it at all
And as the weeping leaves of autumn curl
He feels the savage winter call
See far below the dust of conflict settles on the hill
Where there was no escape before
And as he spreads his wings and soars up to another level
He brings the icy prophecies of war
Black crow, black crow, tell me where you really go
When you fly into the sunset, high in evening sky,
Black crow, black crow, tell me what you really know
Will we flourish in this hurricane, or will we fall and die?
While children lose their souls and so much more
To ragged armies of the field
A vicious fanfare cries appeasing hungry savages
To trigger that their fate is surely sealed
I wonder where that black crow sleeps as day beckons the night
Or if he even sleeps at all
I wonder what he thinks of all the human traffic far below
Thats struggled on the road so, so long
Tell me black crow, black crow (solely? ) you pass above
Understanding everything but you know nothing at all
Black crow black crow, tell me what you really know
Do you understand the pain that we feel down here at all

song performed by Jamiroquai
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The Common Crow

The Common Crow, "Caw-Caw"—with its familiar sound
Is a harmless bird very adaptable on land
Almost all over the world it is invariably found
Except in South America, Antarctica and New Zealand.

It is of average size—in color—grey and black
And abounds, teems and thrives in many numbers
Where other birds' survival is considerably slack
As it is the most intelligent of its bird family members.

The Ravens, Magpies, Rooks, the Black-birds
And the Jays—all belong to the family of the crow
They are all hunting migratory birds
Who forage together like the crow.

It has shining black feathers, is clever and curious
It is omnivorous and the diet is very diverse
It eats grains, rodents, insects and is mischievous
And swoops down to grasp things from man's source.

It roosts in large trees high up
Each mating pair has its own nest
Which usually takes one to two weeks to build up
Gathering leaves, feathers, sticks and twigs best.

Baby crows stay in the nest
For up to two months before leaving
The mother crow guards them with zest
And the father crow feeds the family striving.

The young are flesh-colored and born blind
Their eyes open for the first time after five days
The young ones- the family together mind
The elder fledglings tend to help in their own ways.

In Hinduism it is customary to offer food
To the crow before taking the meal
And it is supposed during ‘Shraddha ‘expired ones would
Take food and offerings through the crow's feel.

The crow often lives together in large families
An assembly of crows called a ‘flock of murder'
Forge together and defend their territories
Even high up in the air and down under.

It caws and calls the other crows to its station
To take part of the food that is found
It shows signs of planning communication
Which man must consider and himself bound.

[...] Read more

poem by Chandra Thiagarajan
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The Courtship of Miles Standish

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

[...] Read more

poem by Henry Wadsworth Longfellow
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Silence

I have known the silence of the stars and of the sea,
And the silence of the city when it pauses,
And the silence of a man and a maid,
And the silence of the sick
When their eyes roam about the room.
And I ask: For the depths,
Of what use is language?
A beast of the field moans a few times
When death takes its young.
And we are voiceless in the presence of realities --
We cannot speak.

A curious boy asks an old soldier
Sitting in front of the grocery store,
"How did you lose your leg?"
And the old soldier is struck with silence,
Or his mind flies away
Because he cannot concentrate it on Gettysburg.
It comes back jocosely
And he says, "A bear bit it off."
And the boy wonders, while the old soldier
Dumbly, feebly lives over
The flashes of guns, the thunder of cannon,
The shrieks of the slain,
And himself lying on the ground,
And the hospital surgeons, the knives,
And the long days in bed.
But if he could describe it all
He would be an artist.
But if he were an artist there would be deeper wounds
Which he could not describe.

There is the silence of a great hatred,
And the silence of a great love,
And the silence of an embittered friendship.
There is the silence of a spiritual crisis,
Through which your soul, exquisitely tortured,
Comes with visions not to be uttered
Into a realm of higher life.
There is the silence of defeat.
There is the silence of those unjustly punished;
And the silence of the dying whose hand
Suddenly grips yours.
There is the silence between father and son,
When the father cannot explain his life,
Even though he be misunderstood for it.

There is the silence that comes between husband and wife.
There is the silence of those who have failed;
And the vast silence that covers

[...] Read more

poem by Edgar Lee Masters
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Without the Immortal Love of a Woman…

Every man’s eye is devastatingly empty; unbearably rotting towards the dungeons of diabolical hell; without the celestially commiserating reflections of a bountiful woman,

Every man’s palm is sinfully empty; barbarously rotting towards the coffins of penalizing hell; without the compassionately befriending grip of an honest woman,

Every man’s vein is dreadfully empty; devilishly rotting towards the vacuum of torturous hell; without the invincibly righteous rudiments of a sacrosanct woman,

Every man’s brain is deliriously empty; sadistically rotting towards the thorns of cold-blooded hell; without the unsurpassably ebullient fantasies of an eclectic woman,

Every man’s lip is ghastily empty; tawdrily rotting towards the mortuaries of parasitic hell; without the wondrously igniting kisses of an ardent woman,

Every man’s shadow is venomously empty; carnivorously rotting towards the skeletons of hideous hell; without the mellifluously symbiotic sweetness of a benign woman,

Every man’s signature is disastrously empty; egregiously rotting towards the nothingness of hedonistic hell; without the astoundingly ameliorating reflection of a caring woman,

Every man’s mission is treacherously empty; horrendously rotting towards the dirt of excoriating hell; without the pricelessly unconquerable encouragement of a blessed woman,

Every man’s lung is cripplingly empty; nonsensically rotting towards the meaninglessness of asphyxiating hell; without the unassailably reinvigorating breath of a timeless woman,

Every man’s cheek is lecherously empty; salaciously rotting towards the perversions of crucifying hell; without the mischievously spell binding peck of an untamed woman,

Every man’s chest is drearily empty; ignominiously rotting towards the blackness of massacring hell; without the magically reincarnating caress of a sensuous woman,

Every man’s spine is lividly empty; preposterously rotting towards the holocaust of morbid hell; without the insurmountably majestic virility of an enigmatic woman,

Every man’s adventure is hopelessly empty; sacrilegiously rotting towards the ghost of tormenting hell; without the inscrutably tantalizing echo of a mesmerizing woman,

Every man’s skin is frigidly empty; inconsolably rotting towards the whiplash of strangulating hell; without the fathomlessly unabashed exhilaration of an intrepid woman,

Every man’s soul is cursedly empty; inexplicably rotting towards the gallows of murderous hell; without the infallibly consecrating sensitivity of a vivacious woman,

Every man’s shoulder is dolorously empty; blasphemously rotting towards the shards of deteriorating hell; without the amazingly unflinching unity of a blissful woman,

Every man’s ear is abjectly empty; viciously rotting towards the gutters of malevolent hell; without the enchantingly unfettered voice of a mystical woman,

Every man’s nostril is despondently empty; perilously rotting towards the wickedness of baseless hell; without the perennially life-yielding fragrance of an intricate woman,

And every man’s heart is haplessly empty; unsparingly rotting towards the evil jinx of cannibalistic hell; without the immortally embracing love of a faithful woman….

poem by Nikhil Parekh
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Courtship of Miles Standish, The

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

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poem by Henry Wadsworth Longfellow
Added by Poetry Lover
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Rook

Rook, rook read from your book
Who murders who and where is the treasure hid?
Crow, crow spill all you know
Is that my name on the bell?
Rook, rook gaze in the brook
If theres a secret can I be part of it?
Crow, crow before Ill let go, say is that my name on the bell?
Soar up high, see the semaphore from the washing lines
Break the code of the whispering chimneys and traffic signs
Wheres the message thats written under the base of clouds?
Plans eternal, I know you know, so dont blurt out loud
Rook, rook by hook or by crook
Ill make you tell me what this whole things about!
Crow, crow why cant you show
If thats my name on the bell?
On the wings of night, I fly too, above field and stream
My head bursting with knowledge till I wake from the dream
If I die and I find that I had a soul inside
Promise me that youll take it up on its final ride
Rook, rook gaze in the brook
If theres a secret can I be part of it?
Crow, crow before Ill let go, say is that my name on the bell?
Is that my name on the bell?

song performed by Xtc
Added by Lucian Velea
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Why the Jackass Laughs

The Boastful Crow and the Laughing Jack
Were telling tales of the outer back:
"I've just been travelling far and wide,
At the back of Bourke and the Queensland side;
There isn't a bird in the bush can go
As far as me," said the old black crow.
"There isn't a bird in the bush can fly
A course as straight or a course as high.
Higher than human eyesight goes.

There's sometimes clouds -- but there's always crows,
Drifting along for a scent of blood
Or a smell of smoke or a sign of flood.
For never a bird or a beast has been
With a sight as strong or a scent as keen.
At fires and floods I'm the first about,
For then the lizards and mice run out:
And I make my swoop -- and that's all they know --
I'm a whale on mice," said the Boastful Crow.

The Bee-birds over the homestead flew
And told each other the long day through
"The cold has come, we must take the track."
"Now, I'll make you a bet," said the Laughing Jack,
"Of a hundred mice, that you dare not go
With the little Bee-birds, by Boastful Crow."

Said the Boastful Crow, "I could take my ease
And fly with little green birds like these.
If they went flat out and they did their best
I could have a smoke and could take a rest."
And he asked of the Bee-birds circling round:
"Now, where do you spike-tails think you're bound?"
"We leave tonight, and out present plan
is to go straight on till we reach Japan.

"Every year, on the self-same day,
We call our children and start away,
Twittering, travelling day and night,
Over the ocean we take our flight;
And we rest a day on some lonely isles
Or we beg a ride for a hundred miles
On a steamer's deck,* and away we go:
We hope you'll come with us, Mister Crow."

But the old black crow was extremely sad.
Said he: "I reckon you're raving mad
To talk of travelling night and day,
And how in the world do you find your way?"
And the Bee-birds answered him, "If you please,

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poem by Andrew Barton Paterson
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The Scripture of the Golden Eternity

1
Did I create that sky? Yes, for, if it was anything other than a conception in my mind I wouldnt have said 'Sky'-That is why I am the golden eternity. There are not two of us here, reader and writer, but one, one golden eternity, One-Which-It-Is, That-Which- Everything-Is.

2
The awakened Buddha to show the way, the chosen Messiah to die in the degradation of sentience, is the golden eternity. One that is what is, the golden eternity, or, God, or, Tathagata-the name. The Named One. The human God. Sentient Godhood. Animate Divine. The Deified One. The Verified One. The Free One. The Liberator. The Still One. The settled One. The Established One. Golden Eternity. All is Well. The Empty One. The Ready One. The Quitter. The Sitter. The Justified One. The Happy One.

3
That sky, if it was anything other than an illusion of my mortal mind I wouldnt have said 'that sky.' Thus I made that sky, I am the golden eternity. I am Mortal Golden Eternity.

4
I was awakened to show the way, chosen to die in the degradation of life, because I am Mortal Golden Eternity.

5
I am the golden eternity in mortal animate form.

6
Strictly speaking, there is no me, because all is emptiness. I am empty, I am non-existent. All is bliss.

7
This truth law has no more reality than the world.

8
You are the golden eternity because there is no me and no you, only one golden eternity.

9
The Realizer. Entertain no imaginations whatever, for the thing is a no-thing. Knowing this then is Human Godhood.

10
This world is the movie of what everything is, it is one movie, made of the same stuff throughout, belonging to nobody, which is what everything is.

11
If we were not all the golden eternity we wouldnt be here. Because we are here we cant help being pure. To tell man to be pure on account of the punishing angel that punishes the bad and the rewarding angel that rewards the good would be like telling the water 'Be Wet'-Never the less, all things depend on supreme reality, which is already established as the record of Karma earned-fate.

12
God is not outside us but is just us, the living and the dead, the never-lived and never-died. That we should learn it only now, is supreme reality, it was written a long time ago in the archives of universal mind, it is already done, there's no more to do.

13
This is the knowledge that sees the golden eternity in all things, which is us, you, me, and which is no longer us, you, me.

14
What name shall we give it which hath no name, the common eternal matter of the mind? If we were to call it essence, some might think it meant perfume, or gold, or honey. It is not even mind. It is not even discussible, groupable into words; it is not even endless, in fact it is not even mysterious or inscrutably inexplicable; it is what is; it is that; it is this. We could easily call the golden eternity 'This.' But 'what's in a name?' asked Shakespeare. The golden eternity by another name would be as sweet. A Tathagata, a God, a Buddha by another name, an Allah, a Sri Krishna, a Coyote, a Brahma, a Mazda, a Messiah, an Amida, an Aremedeia, a Maitreya, a Palalakonuh, 1 2 3 4 5 6 7 8 would be as sweet. The golden eternity is X, the golden eternity is A, the golden eternity is /\, the golden eternity is O, the golden eternity is [ ], the golden eternity is t-h-e-g-o-l-d-e-n-e-t-e-r- n-i-t-y. In the beginning was the word; before the beginning, in the beginningless infinite neverendingness, was the essence. Both the word 'god' and the essence of the word, are emptiness. The form of emptiness which is emptiness having taken the form of form, is what you see and hear and feel right now, and what you taste and smell and think as you read this. Wait awhile, close your eyes, let your breathing stop three seconds or so, listen to the inside silence in the womb of the world, let your hands and nerve-ends drop, re-recognize the bliss you forgot, the emptiness and essence and ecstasy of ever having been and ever to be the golden eternity. This is the lesson you forgot.

15
The lesson was taught long ago in the other world systems that have naturally changed into the empty and awake, and are here now smiling in our smile and scowling in our scowl. It is only like the golden eternity pretending to be smiling and scowling to itself; like a ripple on the smooth ocean of knowing. The fate of humanity is to vanish into the golden eternity, return pouring into its hands which are not hands. The navel shall receive, invert, and take back what'd issued forth; the ring of flesh shall close; the personalities of long dead heroes are blank dirt.

16
The point is we're waiting, not how comfortable we are while waiting. Paleolithic man waited by caves for the realization of why he was there, and hunted; modern men wait in beautified homes and try to forget death and birth. We're waiting for the realization that this is the golden eternity.

17
It came on time.

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poem by Jack Kerouac
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