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Oh Word

Yo what the schnitzel we're back
Shit's getting duller and duller and that's a fact
I don't care what you heard or care what you seen
I swear it wasn't me in Bear magazine
Because I'm not that hairy oh contrary
I go with the flow though the tempo varies
So twist the cap and pop the cork
My name's Adrock made in New York
Oh word?
What the ponytail, I don't eat snail
I'll steal your keys and then I'll check your mail
'Cause I'm the creepy crawler that be crawling your walls
And I'm the shot caller when it comes to shot calls
And I'll be rockin' parties from block to block
And block party to party the neighborhoods on lock
So hide your eyes, wait, I saw you looking
The name's MCS made in downtown Brooklyn
Oh word?
Yo what the parsley, parsley to the teeth
I'm a rhyme style writer you're a rhyme style thief
I may be paranoid you tried to fade me
Here's a song for you "Lady"
Make you bug out like you don't know what to do
Your momma says "shame on you"
When you're dancing with your crew
So get that poor chicken up off your fork
My name's Mike D made in New York
Oh word?
Yo what the talafel you gotta get up awful
Early to fool Mr. Furley
And that's word to Aunt Shirley and you could
Stick your head in the toilet give yourself a swirley
Listen up biters go please stop
While I'm politicin' at Murray's Cheese Shop
Believe what you heard when you talk
My name is Adrock made in New York
Oh word?
What the phone booth word to hair moose
You're on the corner and you're selling a hog's tooth
Don't mean to dis but I've got to point out
The hogs tooth belong inside the hog's mouth
Like Ernest Shackleton said to Ord Lees
I'll have dog pemmican with my tea
Now pass the wok 'cause I'm cookin'
The names MCS made in Downtown Brooklyn
Oh word?
Yo, what the doofus, say good night
You're Snidely Whiplash I'm Dudley Do-you-right
Times are off the hinges leave your 2 way at the door
We're all up the creek a long way from shore

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Dip It Low [Full Intention Dub Remix]

Pop, Pop, Pop that thang
Pop, Pop, Pop that thang
Pop, Pop, Pop that thang
Pop, Pop, Pop that thang
Pop, Pop, Pop that thang
Pop, Pop, Pop that thang
Pop, Pop, Pop that thang
Pop, Pop, Pop that thang
Pop, Pop, Pop that thang
Pop, Pop, Pop that thang
Pop, Pop, Pop that thang
Pop, Pop, Pop that thang
Pop, Pop, Pop that thang
Pop, Pop, Pop that thang
Pop, Pop, Pop that thang
Pop, Pop, Pop that thang
[Verse 1:]
Says he wants you
He says he needs you
It's real talk, then why not make him wait for you
If he really wants you
If he really needs you
Really got to have you
Take your time and feel him out
When he's a good boy
I mean a really really good boy
Why not let him lay with you
That's when you give it to him good
[Chorus 4x:]
Dip it low
Pick it up slow
Roll it all around
Poke it out like your back broke
Pop pop pop that thing
Ima show you how to make your man say "Ooo"
Dip it low
Pick it up slow
Roll it all around
Poke it out like your back broke
Pop pop pop that thing
Ima show you how to make your man say "Ooo"
[Verse 2:]
You getting bold
He growin' cold
It's just the symptoms of young love
Growin' old
You think it's time
And you're thinking of leaving
But give it time
It's late at night

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song performed by Christina MilianReport problemRelated quotes
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Pop Muzik

New york london paris munich
[repeat 32 times]
New york london paris munich
Everybody talk about...pop muzik
Pop...pop...pop...pop...muzik
Pop...pop...pop...pop...muzik
Pop...pop pop...muzik
Pop...pop pop...muzik
Pop...pop pop...muzik
Pop...pop pop...muzik
Pop pop pop pop pop pop pop muzik
[repeat 8 times]
Shooby dooby doo whop
Pop dop shoo whop
Shooby dooby doo whop
Pop dop shoo whop
Radio video
Boogie with a suitcase
You're living in a disco
Forget about the rat race
Let's do the milkshake
Sell it like a hotcake
Try some, buy some
Fee fie foursome
Talk about...pop muzik
Talk about...pop muzik
Talk about...pop muzik
Talk about...pop muzik
Dance to the pop mart
Top of food chain
Listen to the countdown
They're playing our song again
If you wanna be a gun slinger
Don't be a rock singer
Eenie meenie miney moe
Anyway you want to go
Talk about...pop muzik
Talk about...pop muzik
Talk about...pop muzik
Talk about...pop muzik
Pop...pop muzik
Pop pop pop pop pop pop pop muzik
[repeat until end]

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New York City

Standing on the corner, just me and yoko ono,
We was waiting for jerry to land.
Up come a man with a guitar in his hand,
Singing, have a marijuana, if you can.
His name was david peel and we found that he was real,
He sang, the pope smokes dope evryday.
Up come a policeman, shoved us of the street,
Singing, power to the people today.
New york city!
New york city!
New york city!
Que pasa, new york?
Que pasa, new york?
Hey! hey!
Well, down to maxs, kansas city, got down the nitty gritty
With the elephants memory band.
Laid something down as the news spread around
About the plastic ono elephants memory band.
Well, we played some funky boogie, and laid some tutti fritti,
Singing, long tall sallys a man.
Up come a preacher man, tryin to be a teacher,
Singing, gods a red herring in drag!
New york city!
New york city!
New york city!
Que pasa, new york?
Que pasa, new york?
Ha! ha!
Hey! hey! hey! hey!
Hey!
Oh yeah!
Hey! new york city!
Alright, new york city!
New york city!
Que pasa, new york?
Que pasa, new york?
Hey! hey!
Well, we did the staten island ferry, making movies for the telly,
Played the fillmore and apollo for freedom.
Tried to shake our image, just a-cycling through the village,
But we found that we had left it back in london.
Well, nobody came to bug us, hustle us or shove us,
We decided to make it our home.
If the man wants to shove us out, we gonna jump and shout,
The statue of liberty said, come!
New york city!
New york city!
New york city!
Que pasa, new york?
Que pasa, new york?

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song performed by Yoko OnoReport problemRelated quotes
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New York City

Standing on the corner, just me and yoko ono,
We was waiting for jerry to land.
Up come a man with a guitar in his hand,
Singing, have a marijuana, if you can.
His name was david peel and we found that he was real,
He sang, the pope smokes dope evryday.
Up come a policeman, shoved us of the street,
Singing, power to the people today.
New york city!
New york city!
New york city!
Que pasa, new york?
Que pasa, new york?
Hey! hey!
Well, down to maxs, kansas city, got down the nitty gritty
With the elephants memory band.
Laid something down as the news spread around
About the plastic ono elephants memory band.
Well, we played some funky boogie, and laid some tutti fritti,
Singing, long tall sallys a man.
Up come a preacher man, tryin to be a teacher,
Singing, gods a red herring in drag!
New york city!
New york city!
New york city!
Que pasa, new york?
Que pasa, new york?
Ha! ha!
Hey! hey! hey! hey!
Hey!
Oh yeah!
Hey! new york city!
Alright, new york city!
New york city!
Que pasa, new york?
Que pasa, new york?
Hey! hey!
Well, we did the staten island ferry, making movies for the telly,
Played the fillmore and apollo for freedom.
Tried to shake our image, just a-cycling through the village,
But we found that we had left it back in london.
Well, nobody came to bug us, hustle us or shove us,
We decided to make it our home.
If the man wants to shove us out, we gonna jump and shout,
The statue of liberty said, come!
New york city!
New york city!
New york city!
Que pasa, new york?
Que pasa, new york?

[...] Read more

song performed by Yoko OnoReport problemRelated quotes
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Twist

Well youve got me working so hard lately
Working my hands until they bleed
If I was twice the man I could be
Id still be half of what you need
Still you lead me and I follow
The small of your back up to your chin
Over to the tip of your switchblade
As you pull it out as you stick it in
(twist twist twist) it can go a little deeper
(twist twist twist) Im wear
T) it can go a little deeper
(twist twist twist) Im wearing these chains
(twist twist twist) you make it hurt real good
(twist twist twist) (but? ) I love the pain
(twist twist twist) it can go a little deeper
(twist twist twist) Im wearing these chains
(twist twist twist) you make it hurt real good
(twist twist twist) I love the pain
(twist twist twist)
(twist twist twist)
(twist twist twist)
(twist twist twist)
Turn it on
Quietly says:
Is this on? oh [questionable]
* Im so tired I cant get to sleep
* and the squeaking of the bed
* is right in time with the song thats
* repeating in my head
Its uncomforting to rember how you used to like a good f**k
Every once in awhile
* I just want(ed) you to know (that)
* when I do it, I only think of you
* = quoted from end of ringfinger (the extra lyrics printed at the end
Of the song in pretty hate machine)

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Bring It On!

Bring it on.
Don't keep it as a teaser.
Just bring it on.
You must want me on bended knee.
Bring it on!
I'm curious as I can be.
So bring it on!
You've got my interest high,
Tell me what it is but please don't lie!

What's that you've got?
Does it have my name on it?
Is it in a box?
Is it cool or hot?

What's that you've got?
Is it good or not?

Bring it on.
Don't keep it as a teaser.
Just bring it on.
You must want me on bended knee.
Bring it on!
I'm curious as I can be.
So bring it on!
Just bring it on!

Aaahhh...
Pop pop pahdop pop pop.
What's that you've got?
Aaahhh...
Pop pop pahdop pop pop.
What's that you've got?
Aaahhh...
Pop pop pahdop pop pop.
What's that you've got?
Aaahhh...
Pop pop pahdop pop pop.
What's that you've got?

Don't keep it as a teaser,
You'll distance me.
Aaahhh...
Pop pop pahdop pop pop.
Bring it.
Aaahhh...
Pop pop pahdop pop pop.
Bring it.
Aaahhh...
Pop pop pahdop pop pop.

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Make My Head Go Pop

(words & music: per gessle)
Published by hiphappy
I dont know much about you but Im pretty sure I wanna be with you
I havent got a clue what is wrong, what is right, what is left to do
I read a magazine
I watch tv-screen
I dive into a dream only to find me in love with you
I wish youll never stop to make my head go pop
You make my head go pop pop p-pop pop pop pop every time youre around
Its a pleasant valley sunday and everthing seems to be beautiful
People go to church but Im found contemplating by the swimmingpoll
Im gazing at the sun
I watch him bringing joy to everyone
I feed the ducks with a bum only to find me in
Love with you
I wish youll never stop to make my head go pop
You make my head go pop pop pop pop pop pop
You make my head go pop pop p-pop pop pop pop ever time
Youre around
Press to play and never stop to make my head
Go pop
Yea, you make my head go pop pop pop pop pop pop
Every time youre around
Make my head go pop pop pop
Make my head go pop pop
Go pop pop
I feed the ducks with a bun only to find me in love with you

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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poem by from The Ring and the BookReport problemRelated quotes
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Daddy Pop

Oh daddy
Oooh, sock it to me
See my brother talkin plently head
Steady wishin he could sleep in your bed
Steady wishin he was in your car
Just a steady wishin that he was who you are
Pop daddy - daddy pop
Brother steady talkin while
The girlies steady hop
Pop daddy - daddy pop
Punchin in the rock and roll clock (oh daddy)
See all the people wonder why
You set your goals high - high as the sky
See the people runnin from the truth
Livin in the past
When they need to be livin the new
Pop daddy (oh yeah) - daddy pop
Brother steady talkin while
The girlies steady hop
Pop daddy - daddy pop
Punchin in the rock and roll clock
Pop - daddy pop
Pop - punchin in the rock and roll clock
Talk, guitar, talk
(oh daddy)
Daddy pop is the writer and love is the book
U better look it over before you overlook
One - oh daddy
Two - oh yeah
Three - ooo, sock it to me
Four - oh (come on), your the best
See all my critics wastin time
Worryin about the daddy while he beat you blind
Get your life together - stop your cryin
Whenever you say that you cant -
Thats when you need to be tryin
Pop daddy - daddy pop (oh daddy)
Brother steady talkin while (steady, steady, steady)
The girlies steady hop
Pop daddy - daddy pop
Punchin in the rock and roll clock (punchin in... punchin in)
What kind of fool is this, that thinks daddy will miss
What kind of boy would dis, a list, as long as his-tory itself
I got grooves and grooves up on the shelf (oh daddy)
Deep purple concord jams (oh yeah)
This party I will slam (I dont think)
I dont think you understand (sock it to me)
Whatever you cant do - daddy can
The one and only daddy pop
(oh daddy) one and only - daddy pop

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A Snail Goes To Heaven (A One-Act Tragicomedy)

Bare stage. A square neon sign on extreme right which reads: “This way to Heaven”.
Prolonged silence. Enter Snail, moving very slowly throughout the play.

Snail:
Im a dead snail.
Im going to Heaven.

Ive lived for 15 years.
Thats a ripe old age.
Ive been blessed.
Had a marvellous sex life, you know.
Well, if you know snails
we attract a mate with our slime.
Oh, slime turns me on, baby.

(Snail moves slowly, and then stops.)

Well, maybe I should focus on holy thoughts.
Purity...refined thoughts...you know...
Snail God does not like sex.
Copulation is not exactly what
Snail God meant when Snail God declared:
'Go forth and slime the world;
be ye together...'
Snail God demands purity
so let me be so...
after all, Im going to Heaven...
a dead snail and moving on to Heaven...

(Snail moves slowly, and then stops.)

Had a precarious life,
you know,
all these 15 years...
A farmer saw me in the grass.
I heard him curse
and he raised his foot to crush me.
Well, unfortunately for him
he stepped on a snake
and the last I heard of the man
was an expletive
and the last I heard of the snake was a hiss.
Yes, Ive had a long life
a risky life - but its all worth it
for an eternal life in Heaven
is my reward

(Snail moves slowly, and then stops.)

(Enter Frog, jumping. Snail looks at Frog in amazement. And Frog stops and looks at Snail in amazement.)

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Song: Popular Culture

Oh I'm sick to death of spin,
And this banal, self-serving sin,
That justifies usurpation like a king.
When shove will come to push,
Weilding power without blush,
This vigilante State is so right-wing!

Pop, pop, popular history,
Grows a crop of myth and mystery,
Where legends reap the cynical flattery,
That maintains the lie:
Of who we are,
What we've become,
In whose name,
Was violence done;
Of why we're here,
And how we came.
Who's excused,
And who's to blame.
Of where we're going,
And where we're from;
And what we're doing,
To right the wrongs...

Pop, pop, popular culture.
Does it diminish or exalt ya?
Pop, pop, popular culture.
Is it Art or just sheer torture?

Pop, pop, popular culture;
Soporific by it's nature,
From mediocre to bad.
Pop, pop, popular culture,
Confers on all a bland inertia,
Embracing every fad:
Of how we look,
The way we feel;
What is image,
And what is real.
Of what to eat,
And what to wear;
How best to cheat,
Or how to care.
The puzzle of love,
The seizures of hate;
How best to survive,
The quirks of cruel fate.
The rule of the stars,
Or the lives of the great;
Hints from the famous,

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The Snail and the Quail

The quick, quivering quail laughed at the slow moving snail
And said, “Dont ever enter a race or youll be last on the trail.”
Well, that snail always saw himself as moving kind of slow,
Though he was sure he knew where a straight line would go.
He thought, “Quail is faster, running back and forth, then forth and back.
If he does that in a race, quick quivering quail might just run off track.”

So the slow moving snail smiled and challenged quick, quivering quail
To a race for the candy store on the other side of hill and dale.
Quick, quivering quail laughed so hard he could hardly talk.
He joked, “Slow snail, you have no chance if you run and I only walk.”
Slow moving snail responded, “Tomorrow youll have a chance to shine.
Race time is noon and where ants cross the road is the starting line.”

Quick, quivering quail, still laughing, saidIll give you a big head start.”
Slow moving snail answered, “No thanks. Just race fast. Ill race smart.”
Off went quick, quivering quail with buddies to have fun and stay up late.
Slow moving snail worked on a plan to move faster and go straight.
The day passed quickly for snail and quail as each went his separate way.
Night was short and soon a bright new sun hailed the start of race day.

Quick, quivering quail was tired after staying out late with his best friend.
Slow moving snail slept well and had his plan for how the race would end.
Snails and quails crowded ‘round as queen ant started to whine,
“Loosen up your shell and feathers; then step to the starting line.
On your mark, get ready, get set, now off you two go.”
Quick quivering quail rushed down the track… sir snail started slow.

It wasnt long before quick quail had quivered across two dales, and then
Thought he’d just catch 40 winks before trying that much track again.
He thought, “I could walk in my sleep and still win this race.
That slow moving snail, carrying his shell along. What a big disgrace! ”
So off he went into Dreamland, seeing candy stores over the next dale.
Or was it two more hills that were the end of this easy trail?


Meanwhile slow moving snail studied his map as he moved along.
He smiled at flowers and friends on the hill; then broke into song,
Ive worked hard for this race and thank each and every fan.
Im confident that Ill win, but if not, I can always try again.
With your cheers and my hard work, “slow” won’t mean “lose”.
Victory depends not on just our skills, but how much of them we use.”

As slow snail topped the hill, it rained, but not on a single snail fan.
They had umbrellas, since slow snail had checked with the weatherman.
His name now was “quick snail” as he slid down the hills of water and mud.
Rain woke quick quivering quail as a big dropp hit his head with a thud.
Quail ran faster as he thought he saw the finish line with each advance…
But shrieked, “Oh no, I can’t believe it. This line is made up of ants! ”

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

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New York Times

New york poor new york
New york poor new york
Cars choking your child to death
But you dont wanna see
Cause you only think about yourself
How blind can you be
New york poor new york
Sniper on the rooftop new york
New york poor new york
Not fit for a dog in new york
Everybody bites on the big apple
Leave the hungry in tears
But no one gives a damn no one really cares
How they feel theyre just paper people not real
You need a gun to walk into new york
Now youre broke and youre out on a ledge
Who can help you this time
Now youre down to your very last cent
Still youre askin me who was your friend
I was your friend
New york poor new york
Who turned the lights out in new york
New york poor new york
Just another blackout in new york
Girl dead on the 26th floor
But no one knew her name
Found her body behind the door
Too young for the game
New york poor new york
Devils in the subway new york
New york poor new york
New york poor new york
Talkin talkin talkin - watch out
Harlem touching midtown new york
New york poor new york
Talkin bout new york new york
Moneys getting tighter new york
Theyre burning the bridges to new york

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Eat It

How come youre always such a fussy young man?
Dont want no captain crunch, dont want no raison bran
Well, dont you know that other kids are starving in japan
So eat it, just eat it
Dont want to argue, I dont want to debate
Dont want to hear about what kind of food you hate
You wont get no dessert till you clean off your plate
So eat it
Dont you tell me youre full
Just eat it, eat it, eat it, eat it
Get yourself an egg and beat it
Have some more chicken, have some more pie
It doesnt matter if its boiled or fried
Just eat it, eat it, just eat it, eat it
Just eat it, eat it, just eat it, eat it, ooh
Your table manners are some cryin shame
Youre playin with your food, this aint some kind of game
Now, if you starve to death, youll just have yourself to blame
So eat it, just eat it
You better listen, better do what youre told
You havent even touched your tuna casserole
You better chow down or its gonna get cold
So eat it
I dont care if youre full
Just eat it, eat it, eat it, eat it
Open up your mouth and feed it
Have some more yogurt, have some more spam
It doesnt matter it its fresh or tanned
Just eat it, eat it, eat it, eat it
Dont you make me repeate it
Have a banana, have a whole bunch
It doesnt matter what you had for lunch
Just eat it, eat it, eat it, eat it
Eat it, eat it, eat it, eat it
Eat it, eat it, eat it, eat it
If its gettin cold, reheat it
Have a big dinner, have a light snack
If you dont like it, you cant send it back
Just eat it, eat it, eat it, eat it
Get yourself an egg and beat it (oh lord)
Have some more chicken, have some more pie
It doesnt matter if its boiled or fried
Just eat it, eat it, eat it, eat it
Dont you make me repeat it (oh no)
Have a banana, have a whole bunch
It doesnt matter what you had for lunch
Just eat it, eat it, eat it, eat it

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Dip It Low Ft. Shawnna

(Shawnna)
Uh, Uh
Uh, Uh, Shawnna (Yeah)
Uh, Uh, Christina
Look
I got some game for you Chickens
Listen a minute, please
'Case you be stuck with them (Shhh)
Hit you up then they leave
You gotta stop for a minute
Watch for a minute, breathe
Take you a squat for a minute
Listen to what I speak
I'm tryin to keep it real
Not tryina make a scene
You tryina keep your man
You gotta make him scream
You gotta put it down
Drop it and dip it low
Wind it around a while
Stop 'n now let it go
(Christina)
Says he wants you
He says he needs you
It's real talking when I make him wait for you
If he really wants you
If he really needs you
Really got to have you
Take your time and feel him out
When it's a good boy
I mean a really really good boy
Why not let him lay with you?
That's when you give it to him good
Dip it low
Pick it up slow
Roll it all around
Poke it out, Let your back roll
Pop t'pop t'pop that thing
Imma show you how to make your man say "Ohh"
Dip it low
Pick it up slow
Roll it all around
Poke it out, Let your back roll
Pop t'pop t'pop that thing
Imma show you how to make your man say "Ohh"
You getting warm
He growin' cold
It's just the symptoms of young love
Growin' old
You think it's time

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Safe In New York City

(young - young)
Hello baby gimme your hand
Check out the high spots the lay of the land
You dont need a rocket or a big limousine
Come on over baby and Ill make you obscene
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
All over the city and down to the dives
Dont mess with this place itll eat you alive
Got lip smackin honey to soak up the jam
On top of the world ma ready to slam
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
Movin all over like a jumpin bean
Take a look at that thing in the tight ass jeans
Comin your way now you may be in luck
Dont you fret boy shes ready to buck
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
I feel safe in new york city
New york, new york, new york
I feel safe in a cage in new york city
2000, j. albert & son, pty.

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Dip It Low [Reggaeton Remix] Ft.Julio Voltio

[Christina Millian: ]
Ven aqui papi..
Christina Millian, Voltio.. el Reggaeton Remix!
Says he wants you
He says he needs you
It's real talking when I make him wait for you
If he really wants you
If he really needs you
Really got to have you
Take your time and feel him out
When it's a good boy
I mean a really really good boy
Why not let him lay with you
That's when you give it to him good
[Chorus:]
Dip it low
Pick it up slow
Roll it all around
Poke it out, make ya back roll
Pop pop pop that thing
Ima show you how to make your man say 'Ooo'
Dip it low
Pick it up slow
Roll it all around
Poke it out like your back broke
Pop pop pop that thing
Ima show you how to make your man say 'Ooo'
You getting bold
He growin' cold
It's just the symptoms of young love
Growin' old
You think it's time
And your thinking of leaving
But give it time
It's late at night
He's coming home
Meet him at the door with nothin' on
Take him by the hand
Let him know what's on
If you understand me
Yall come on
All my ladies wine it up
If you know just how to move (mooove)
All my fellas jump behind
And show her what you want to do (show her what you got daddy)
All my ladies wine it up
If you know just how to move
All my fellas jump behind
And show her what you want to do (ouuuh..wouh ouh)
Dip it low

[...] Read more

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