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Don't Punish Me Hard

Don't punish me hard
I am too young to die
I recall my birth
The day is not too old
I am still brown
In the eyes
And black in the hair
I bet even
The raven knows
I am swifter
Than he.
My blood still ripples
In my veins.

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

VI
Most epic poets plunge "in medias res"
(Horace makes this the heroic turnpike road),
And then your hero tells, whene'er you please,
What went before—by way of episode,
While seated after dinner at his ease,
Beside his mistress in some soft abode,
Palace, or garden, paradise, or cavern,
Which serves the happy couple for a tavern.

VII
That is the usual method, but not mine—
My way is to begin with the beginning;
The regularity of my design
Forbids all wandering as the worst of sinning,
And therefore I shall open with a line
(Although it cost me half an hour in spinning)
Narrating somewhat of Don Juan's father,
And also of his mother, if you'd rather.

VIII
In Seville was he born, a pleasant city,
Famous for oranges and women—he
Who has not seen it will be much to pity,
So says the proverb—and I quite agree;
Of all the Spanish towns is none more pretty,
Cadiz perhaps—but that you soon may see;
Don Juan's parents lived beside the river,
A noble stream, and call'd the Guadalquivir.

IX
His father's name was Jóse—Don, of course,—
A true Hidalgo, free from every stain
Of Moor or Hebrew blood, he traced his source
Through the most Gothic gentlemen of Spain;
A better cavalier ne'er mounted horse,
Or, being mounted, e'er got down again,
Than Jóse, who begot our hero, who
Begot—but that's to come—Well, to renew:

X
His mother was a learnéd lady, famed
For every branch of every science known
In every Christian language ever named,
With virtues equall'd by her wit alone,
She made the cleverest people quite ashamed,
And even the good with inward envy groan,
Finding themselves so very much exceeded
In their own way by all the things that she did.

XI
Her memory was a mine: she knew by heart
All Calderon and greater part of Lopé,
So that if any actor miss'd his part
She could have served him for the prompter's copy;
For her Feinagle's were an useless art,
And he himself obliged to shut up shop—he
Could never make a memory so fine as
That which adorn'd the brain of Donna Inez.

XII
Her favourite science was the mathematical,
Her noblest virtue was her magnanimity,
Her wit (she sometimes tried at wit) was Attic all,
Her serious sayings darken'd to sublimity;
In short, in all things she was fairly what I call
A prodigy—her morning dress was dimity,
Her evening silk, or, in the summer, muslin,
And other stuffs, with which I won't stay puzzling.

XIII
She knew the Latin—that is, "the Lord's prayer,"
And Greek—the alphabet—I'm nearly sure;
She read some French romances here and there,
Although her mode of speaking was not pure;
For native Spanish she had no great care,
At least her conversation was obscure;
Her thoughts were theorems, her words a problem,
As if she deem'd that mystery would ennoble 'em.

XIV
She liked the English and the Hebrew tongue,
And said there was analogy between 'em;
She proved it somehow out of sacred song,
But I must leave the proofs to those who've seen 'em;
But this I heard her say, and can't be wrong
And all may think which way their judgments lean 'em,
"'T is strange—the Hebrew noun which means 'I am,'
The English always used to govern d—n."

XV
Some women use their tongues—she look'd a lecture,
Each eye a sermon, and her brow a homily,
An all-in-all sufficient self-director,
Like the lamented late Sir Samuel Romilly,
The Law's expounder, and the State's corrector,
Whose suicide was almost an anomaly—
One sad example more, that "All is vanity"
(The jury brought their verdict in "Insanity").

XVI
In short, she was a walking calculation,
Miss Edgeworth's novels stepping from their covers,
Or Mrs. Trimmer's books on education,
Or "Coelebs' Wife" set out in quest of lovers,
Morality's prim personification,
In which not Envy's self a flaw discovers;
To others' share let "female errors fall,"
For she had not even one—the worst of all.

XVII
Oh! she was perfect past all parallel—
Of any modern female saint's comparison;
So far above the cunning powers of hell,
Her guardian angel had given up his garrison;
Even her minutest motions went as well
As those of the best time-piece made by Harrison:
In virtues nothing earthly could surpass her,
Save thine "incomparable oil," Macassar!

XVIII
Perfect she was, but as perfection is
Insipid in this naughty world of ours,
Where our first parents never learn'd to kiss
Till they were exiled from their earlier bowers,
Where all was peace, and innocence, and bliss
(I wonder how they got through the twelve hours),
Don Jóse, like a lineal son of Eve,
Went plucking various fruit without her leave.

XIX
He was a mortal of the careless kind,
With no great love for learning, or the learn'd,
Who chose to go where'er he had a mind,
And never dream'd his lady was concern'd;
The world, as usual, wickedly inclined
To see a kingdom or a house o'erturn'd,
Whisper'd he had a mistress, some said two—
But for domestic quarrels one will do.

XX
Now Donna Inez had, with all her merit,
A great opinion of her own good qualities;
Neglect, indeed, requires a saint to bear it,
And such, indeed, she was in her moralities;
But then she had a devil of a spirit,
And sometimes mix'd up fancies with realities,
And let few opportunities escape
Of getting her liege lord into a scrape.

XXI
This was an easy matter with a man
Oft in the wrong, and never on his guard;
And even the wisest, do the best they can,
Have moments, hours, and days, so unprepared,
That you might "brain them with their lady's fan;"
And sometimes ladies hit exceeding hard,
And fans turn into falchions in fair hands,
And why and wherefore no one understands.

XXII
'T is pity learnéd virgins ever wed
With persons of no sort of education,
Or gentlemen, who, though well born and bred,
Grow tired of scientific conversation:
I don't choose to say much upon this head,
I'm a plain man, and in a single station,
But—Oh! ye lords of ladies intellectual,
Inform us truly, have they not hen-peck'd you all?

XXIII
Don Jóse and his lady quarrell'd—why,
Not any of the many could divine,
Though several thousand people chose to try,
'T was surely no concern of theirs nor mine;
I loathe that low vice—curiosity;
But if there's anything in which I shine,
'T is in arranging all my friends' affairs,
Not having of my own domestic cares.

XXIV
And so I interfered, and with the best
Intentions, but their treatment was not kind;
I think the foolish people were possess'd,
For neither of them could I ever find,
Although their porter afterwards confess'd—
But that's no matter, and the worst's behind,
For little Juan o'er me threw, down stairs,
A pail of housemaid's water unawares.

XXV
A little curly-headed, good-for-nothing,
And mischief-making monkey from his birth;
His parents ne'er agreed except in doting
Upon the most unquiet imp on earth;
Instead of quarrelling, had they been but both in
Their senses, they'd have sent young master forth
To school, or had him soundly whipp'd at home,
To teach him manners for the time to come.

XXVI
Don Jóse and the Donna Inez led
For some time an unhappy sort of life,
Wishing each other, not divorced, but dead;
They lived respectably as man and wife,
Their conduct was exceedingly well-bred,
And gave no outward signs of inward strife,
Until at length the smother'd fire broke out,
And put the business past all kind of doubt.

XXVII
For Inez call'd some druggists and physicians,
And tried to prove her loving lord was mad;
But as he had some lucid intermissions,
She next decided he was only bad;
Yet when they ask'd her for her depositions,
No sort of explanation could be had,
Save that her duty both to man and God
Required this conduct—which seem'd very odd.

XXVIII
She kept a journal, where his faults were noted,
And open'd certain trunks of books and letters,
All which might, if occasion served, be quoted;
And then she had all Seville for abettors,
Besides her good old grandmother (who doted);
The hearers of her case became repeaters,
Then advocates, inquisitors, and judges,
Some for amusement, others for old grudges.

XXIX
And then this best and weakest woman bore
With such serenity her husband's woes,
Just as the Spartan ladies did of yore,
Who saw their spouses kill'd, and nobly chose
Never to say a word about them more—
Calmly she heard each calumny that rose,
And saw his agonies with such sublimity,
That all the world exclaim'd, "What magnanimity!"

XXX
No doubt this patience, when the world is damning us,
Is philosophic in our former friends;
'T is also pleasant to be deem'd magnanimous,
The more so in obtaining our own ends;
And what the lawyers call a "malus animus"
Conduct like this by no means comprehends;
Revenge in person's certainly no virtue,
But then 't is not my fault, if others hurt you.

XXXI
And if your quarrels should rip up old stories,
And help them with a lie or two additional,
I'm not to blame, as you well know—no more is
Any one else—they were become traditional;
Besides, their resurrection aids our glories
By contrast, which is what we just were wishing all:
And science profits by this resurrection—
Dead scandals form good subjects for dissection.

XXXII
Their friends had tried at reconciliation,
Then their relations, who made matters worse.
('T were hard to tell upon a like occasion
To whom it may be best to have recourse—
I can't say much for friend or yet relation):
The lawyers did their utmost for divorce,
But scarce a fee was paid on either side
Before, unluckily, Don Jóse died.

XXXIII
He died: and most unluckily, because,
According to all hints I could collect
From counsel learnéd in those kinds of laws
(Although their talk's obscure and circumspect),
His death contrived to spoil a charming cause;
A thousand pities also with respect
To public feeling, which on this occasion
Was manifested in a great sensation.

XXXIV
But, ah! he died; and buried with him lay
The public feeling and the lawyers' fees:
His house was sold, his servants sent away,
A Jew took one of his two mistresses,
A priest the other—at least so they say:
I ask'd the doctors after his disease—
He died of the slow fever call'd the tertian,
And left his widow to her own aversion.

XXXV
Yet Jóse was an honourable man,
That I must say who knew him very well;
Therefore his frailties I'll no further scan
Indeed there were not many more to tell;
And if his passions now and then outran
Discretion, and were not so peaceable
As Numa's (who was also named Pompilius),
He had been ill brought up, and was born bilious.

XXXVI
Whate'er might be his worthlessness or worth,
Poor fellow! he had many things to wound him.
Let's own—since it can do no good on earth—
It was a trying moment that which found him
Standing alone beside his desolate hearth,
Where all his household gods lay shiver'd round him:
No choice was left his feelings or his pride,
Save death or Doctors' Commons- so he died.

XXXVII
Dying intestate, Juan was sole heir
To a chancery suit, and messuages, and lands,
Which, with a long minority and care,
Promised to turn out well in proper hands:
Inez became sole guardian, which was fair,
And answer'd but to nature's just demands;
An only son left with an only mother
Is brought up much more wisely than another.

XXXVIII
Sagest of women, even of widows, she
Resolved that Juan should be quite a paragon,
And worthy of the noblest pedigree
(His sire was of Castile, his dam from Aragon):
Then for accomplishments of chivalry,
In case our lord the king should go to war again,
He learn'd the arts of riding, fencing, gunnery,
And how to scale a fortress—or a nunnery.

XXXIX
But that which Donna Inez most desired,
And saw into herself each day before all
The learnéd tutors whom for him she hired,
Was, that his breeding should be strictly moral;
Much into all his studies she inquired,
And so they were submitted first to her, all,
Arts, sciences, no branch was made a mystery
To Juan's eyes, excepting natural history.

XL
The languages, especially the dead,
The sciences, and most of all the abstruse,
The arts, at least all such as could be said
To be the most remote from common use,
In all these he was much and deeply read;
But not a page of any thing that's loose,
Or hints continuation of the species,
Was ever suffer'd, lest he should grow vicious.

XLI
His classic studies made a little puzzle,
Because of filthy loves of gods and goddesses,
Who in the earlier ages raised a bustle,
But never put on pantaloons or bodices;
His reverend tutors had at times a tussle,
And for their AEneids, Iliads, and Odysseys,
Were forced to make an odd sort of apology,
For Donna Inez dreaded the Mythology.

XLII
Ovid's a rake, as half his verses show him,
Anacreon's morals are a still worse sample,
Catullus scarcely has a decent poem,
I don't think Sappho's Ode a good example,
Although Longinus tells us there is no hymn
Where the sublime soars forth on wings more ample:
But Virgil's songs are pure, except that horrid one
Beginning with "Formosum Pastor Corydon."

XLIII
Lucretius' irreligion is too strong,
For early stomachs, to prove wholesome food;
I can't help thinking Juvenal was wrong,
Although no doubt his real intent was good,
For speaking out so plainly in his song,
So much indeed as to be downright rude;
And then what proper person can be partial
To all those nauseous epigrams of Martial?

XLIV
Juan was taught from out the best edition,
Expurgated by learnéd men, who place
Judiciously, from out the schoolboy's vision,
The grosser parts; but, fearful to deface
Too much their modest bard by this omission,
And pitying sore his mutilated case,
They only add them all in an appendix,
Which saves, in fact, the trouble of an index;

XLV
For there we have them all "at one fell swoop,"
Instead of being scatter'd through the Pages;
They stand forth marshall'd in a handsome troop,
To meet the ingenuous youth of future ages,
Till some less rigid editor shall stoop
To call them back into their separate cages,
Instead of standing staring all together,
Like garden gods—and not so decent either.

XLVI
The Missal too (it was the family Missal)
Was ornamented in a sort of way
Which ancient mass-books often are, and this all
Kinds of grotesques illumined; and how they,
Who saw those figures on the margin kiss all,
Could turn their optics to the text and pray,
Is more than I know—But Don Juan's mother
Kept this herself, and gave her son another.

XLVII
Sermons he read, and lectures he endured,
And homilies, and lives of all the saints;
To Jerome and to Chrysostom inured,
He did not take such studies for restraints;
But how faith is acquired, and then ensured,
So well not one of the aforesaid paints
As Saint Augustine in his fine Confessions,
Which make the reader envy his transgressions.

XLVIII
This, too, was a seal'd book to little Juan—
I can't but say that his mamma was right,
If such an education was the true one.
She scarcely trusted him from out her sight;
Her maids were old, and if she took a new one,
You might be sure she was a perfect fright;
She did this during even her husband's life—
I recommend as much to every wife.

XLIX
Young Juan wax'd in goodliness and grace;
At six a charming child, and at eleven
With all the promise of as fine a face
As e'er to man's maturer growth was given:
He studied steadily, and grew apace,
And seem'd, at least, in the right road to heaven,
For half his days were pass'd at church, the other
Between his tutors, confessor, and mother.

L
At six, I said, he was a charming child,
At twelve he was a fine, but quiet boy;
Although in infancy a little wild,
They tamed him down amongst them: to destroy
His natural spirit not in vain they toil'd,
At least it seem'd so; and his mother's joy
Was to declare how sage, and still, and steady,
Her young philosopher was grown already.

LI
I had my doubts, perhaps I have them still,
But what I say is neither here nor there:
I knew his father well, and have some skill
In character—but it would not be fair
From sire to son to augur good or ill:
He and his wife were an ill-sorted pair—
But scandal's my aversion—I protest
Against all evil speaking, even in jest.

LII
For my part I say nothing—nothing—but
This I will say—my reasons are my own—
That if I had an only son to put
To school (as God be praised that I have none),
'T is not with Donna Inez I would shut
Him up to learn his catechism alone,
No—no—I'd send him out betimes to college,
For there it was I pick'd up my own knowledge.

LIII
For there one learns—'t is not for me to boast,
Though I acquired—but I pass over that,
As well as all the Greek I since have lost:
I say that there's the place—but Verbum sat.
I think I pick'd up too, as well as most,
Knowledge of matters—but no matter what—
I never married—but, I think, I know
That sons should not be educated so.

LIV
Young Juan now was sixteen years of age,
Tall, handsome, slender, but well knit: he seem'd
Active, though not so sprightly, as a page;
And everybody but his mother deem'd
Him almost man; but she flew in a rage
And bit her lips (for else she might have scream'd)
If any said so, for to be precocious
Was in her eyes a thing the most atrocious.

LV
Amongst her numerous acquaintance, all
Selected for discretion and devotion,
There was the Donna Julia, whom to call
Pretty were but to give a feeble notion
Of many charms in her as natural
As sweetness to the flower, or salt to ocean,
Her zone to Venus, or his bow to Cupid
(But this last simile is trite and stupid).

LVI
The darkness of her Oriental eye
Accorded with her Moorish origin
(Her blood was not all Spanish, by the by;
In Spain, you know, this is a sort of sin);
When proud Granada fell, and, forced to fly,
Boabdil wept, of Donna Julia's kin
Some went to Africa, some stay'd in Spain,
Her great-great-grandmamma chose to remain.

LVII
She married (I forget the pedigree)
With an Hidalgo, who transmitted down
His blood less noble than such blood should be;
At such alliances his sires would frown,
In that point so precise in each degree
That they bred in and in, as might be shown,
Marrying their cousins—nay, their aunts, and nieces,
Which always spoils the breed, if it increases.

LVIII
This heathenish cross restored the breed again,
Ruin'd its blood, but much improved its flesh;
For from a root the ugliest in Old Spain
Sprung up a branch as beautiful as fresh;
The sons no more were short, the daughters plain:
But there's a rumour which I fain would hush,
'T is said that Donna Julia's grandmamma
Produced her Don more heirs at love than law.

LIX
However this might be, the race went on
Improving still through every generation,
Until it centred in an only son,
Who left an only daughter; my narration
May have suggested that this single one
Could be but Julia (whom on this occasion
I shall have much to speak about), and she
Was married, charming, chaste, and twenty-three.

LX
Her eye (I'm very fond of handsome eyes)
Was large and dark, suppressing half its fire
Until she spoke, then through its soft disguise
Flash'd an expression more of pride than ire,
And love than either; and there would arise
A something in them which was not desire,
But would have been, perhaps, but for the soul
Which struggled through and chasten'd down the whole.

LXI
Her glossy hair was cluster'd o'er a brow
Bright with intelligence, and fair, and smooth;
Her eyebrow's shape was like th' aerial bow,
Her cheek all purple with the beam of youth,
Mounting at times to a transparent glow,
As if her veins ran lightning; she, in sooth,
Possess'd an air and grace by no means common:
Her stature tall—I hate a dumpy woman.

LXII
Wedded she was some years, and to a man
Of fifty, and such husbands are in plenty;
And yet, I think, instead of such a one
'T were better to have two of five-and-twenty,
Especially in countries near the sun:
And now I think on 't, "mi vien in mente",
Ladies even of the most uneasy virtue
Prefer a spouse whose age is short of thirty.

LXIII
'T is a sad thing, I cannot choose but say,
And all the fault of that indecent sun,
Who cannot leave alone our helpless clay,
But will keep baking, broiling, burning on,
That howsoever people fast and pray,
The flesh is frail, and so the soul undone:
What men call gallantry, and gods adultery,
Is much more common where the climate's sultry.

LXIV
Happy the nations of the moral North!
Where all is virtue, and the winter season
Sends sin, without a rag on, shivering forth
('T was snow that brought St. Anthony to reason);
Where juries cast up what a wife is worth,
By laying whate'er sum in mulct they please on
The lover, who must pay a handsome price,
Because it is a marketable vice.

LXV
Alfonso was the name of Julia's lord,
A man well looking for his years, and who
Was neither much beloved nor yet abhorr'd:
They lived together, as most people do,
Suffering each other's foibles by accord,
And not exactly either one or two;
Yet he was jealous, though he did not show it,
For jealousy dislikes the world to know it.

LXVI
Julia was—yet I never could see why—
With Donna Inez quite a favourite friend;
Between their tastes there was small sympathy,
For not a line had Julia ever penn'd:
Some people whisper but no doubt they lie,
For malice still imputes some private end)
That Inez had, ere Don Alfonso's marriage,
Forgot with him her very prudent carriage;

LXVII
And that still keeping up the old connection,
Which time had lately render'd much more chaste,
She took his lady also in affection,
And certainly this course was much the best:
She flatter'd Julia with her sage protection,
And complimented Don Alfonso's taste;
And if she could not (who can?) silence scandal,
At least she left it a more slender handle.

LXVIII
I can't tell whether Julia saw the affair
With other people's eyes, or if her own
Discoveries made, but none could be aware
Of this, at least no symptom e'er was shown;
Perhaps she did not know, or did not care,
Indifferent from the first or callous grown:
I'm really puzzled what to think or say,
She kept her counsel in so close a way.

LXIX
Juan she saw, and, as a pretty child,
Caress'd him often—such a thing might be
Quite innocently done, and harmless styled,
When she had twenty years, and thirteen he;
But I am not so sure I should have smiled
When he was sixteen, Julia twenty-three;
These few short years make wondrous alterations,
Particularly amongst sun-burnt nations.

LXX
Whate'er the cause might be, they had become
Changed; for the dame grew distant, the youth shy,
Their looks cast down, their greetings almost dumb,
And much embarrassment in either eye;
There surely will be little doubt with some
That Donna Julia knew the reason why,
But as for Juan, he had no more notion
Than he who never saw the sea of ocean.

LXXI
Yet Julia's very coldness still was kind,
And tremulously gentle her small hand
Withdrew itself from his, but left behind
A little pressure, thrilling, and so bland
And slight, so very slight, that to the mind
'T was but a doubt; but ne'er magician's wand
Wrought change with all Armida's fairy art
Like what this light touch left on Juan's heart.

LXXII
And if she met him, though she smiled no more,
She look'd a sadness sweeter than her smile,
As if her heart had deeper thoughts in store
She must not own, but cherish'd more the while
For that compression in its burning core;
Even innocence itself has many a wile,
And will not dare to trust itself with truth,
And love is taught hypocrisy from youth.

LXXIII
But passion most dissembles, yet betrays
Even by its darkness; as the blackest sky
Foretells the heaviest tempest, it displays
Its workings through the vainly guarded eye,
And in whatever aspect it arrays
Itself, 't is still the same hypocrisy;
Coldness or anger, even disdain or hate,
Are masks it often wears, and still too late.

LXXIV
Then there were sighs, the deeper for suppression,
And stolen glances, sweeter for the theft,
And burning blushes, though for no transgression,
Tremblings when met, and restlessness when left;
All these are little preludes to possession,
Of which young passion cannot be bereft,
And merely tend to show how greatly love is
Embarrass'd at first starting with a novice.

LXXV
Poor Julia's heart was in an awkward state;
She felt it going, and resolved to make
The noblest efforts for herself and mate,
For honour's, pride's, religion's, virtue's sake;
Her resolutions were most truly great,
And almost might have made a Tarquin quake:
She pray'd the Virgin Mary for her grace,
As being the best judge of a lady's case.

LXXVI
She vow'd she never would see Juan more,
And next day paid a visit to his mother,
And look'd extremely at the opening door,
Which, by the Virgin's grace, let in another;
Grateful she was, and yet a little sore—
Again it opens, it can be no other,
'T is surely Juan now—No! I'm afraid
That night the Virgin was no further pray'd.

LXXVII
She now determined that a virtuous woman
Should rather face and overcome temptation,
That flight was base and dastardly, and no man
Should ever give her heart the least sensation;
That is to say, a thought beyond the common
Preference, that we must feel upon occasion
For people who are pleasanter than others,
But then they only seem so many brothers.

LXXVIII
And even if by chance—and who can tell?
The devil's so very sly—she should discover
That all within was not so very well,
And, if still free, that such or such a lover
Might please perhaps, a virtuous wife can quell
Such thoughts, and be the better when they're over;
And if the man should ask, 't is but denial:
I recommend young ladies to make trial.

LXXIX
And then there are such things as love divine,
Bright and immaculate, unmix'd and pure,
Such as the angels think so very fine,
And matrons who would be no less secure,
Platonic, perfect, "just such love as mine;"
Thus Julia said—and thought so, to be sure;
And so I'd have her think, were I the man
On whom her reveries celestial ran.

LXXX
Such love is innocent, and may exist
Between young persons without any danger.
A hand may first, and then a lip be kist;
For my part, to such doings I'm a stranger,
But hear these freedoms form the utmost list
Of all o'er which such love may be a ranger:
If people go beyond, 't is quite a crime,
But not my fault—I tell them all in time.

LXXXI
Love, then, but love within its proper limits,
Was Julia's innocent determination
In young Don Juan's favour, and to him its
Exertion might be useful on occasion;
And, lighted at too pure a shrine to dim its
Ethereal lustre, with what sweet persuasion
He might be taught, by love and her together—
I really don't know what, nor Julia either.

LXXXII
Fraught with this fine intention, and well fenced
In mail of proof—her purity of soul—
She, for the future of her strength convinced.
And that her honour was a rock, or mole,
Exceeding sagely from that hour dispensed
With any kind of troublesome control;
But whether Julia to the task was equal
Is that which must be mention'd in the sequel.

LXXXIII
Her plan she deem'd both innocent and feasible,
And, surely, with a stripling of sixteen
Not scandal's fangs could fix on much that's seizable,
Or if they did so, satisfied to mean
Nothing but what was good, her breast was peaceable—
A quiet conscience makes one so serene!
Christians have burnt each other, quite persuaded
That all the Apostles would have done as they did.

LXXXIV
And if in the mean time her husband died,
But Heaven forbid that such a thought should cross
Her brain, though in a dream! (and then she sigh'd)
Never could she survive that common loss;
But just suppose that moment should betide,
I only say suppose it—inter nos.
(This should be entre nous, for Julia thought
In French, but then the rhyme would go for naught.)

LXXXV
I only say suppose this supposition:
Juan being then grown up to man's estate
Would fully suit a widow of condition,
Even seven years hence it would not be too late;
And in the interim (to pursue this vision)
The mischief, after all, could not be great,
For he would learn the rudiments of love,
I mean the seraph way of those above.

LXXXVI
So much for Julia. Now we'll turn to Juan.
Poor little fellow! he had no idea
Of his own case, and never hit the true one;
In feelings quick as Ovid's Miss Medea,
He puzzled over what he found a new one,
But not as yet imagined it could be
Thing quite in course, and not at all alarming,
Which, with a little patience, might grow charming.

LXXXVII
Silent and pensive, idle, restless, slow,
His home deserted for the lonely wood,
Tormented with a wound he could not know,
His, like all deep grief, plunged in solitude:
I'm fond myself of solitude or so,
But then, I beg it may be understood,
By solitude I mean a sultan's, not
A hermit's, with a haram for a grot.

LXXXVIII
"Oh Love! in such a wilderness as this,
Where transport and security entwine,
Here is the empire of thy perfect bliss,
And here thou art a god indeed divine."
The bard I quote from does not sing amiss,
With the exception of the second line,
For that same twining "transport and security"
Are twisted to a phrase of some obscurity.

LXXXIX
The poet meant, no doubt, and thus appeals
To the good sense and senses of mankind,
The very thing which every body feels,
As all have found on trial, or may find,
That no one likes to be disturb'd at meals
Or love.—I won't say more about "entwined"
Or "transport," as we knew all that before,
But beg'security' will bolt the door.

XC
Young Juan wander'd by the glassy brooks,
Thinking unutterable things; he threw
Himself at length within the leafy nooks
Where the wild branch of the cork forest grew;
There poets find materials for their books,
And every now and then we read them through,
So that their plan and prosody are eligible,
Unless, like Wordsworth, they prove unintelligible.

XCI
He, Juan (and not Wordsworth), so pursued
His self-communion with his own high soul,
Until his mighty heart, in its great mood,
Had mitigated part, though not the whole
Of its disease; he did the best he could
With things not very subject to control,
And turn'd, without perceiving his condition,
Like Coleridge, into a metaphysician.

XCII
He thought about himself, and the whole earth
Of man the wonderful, and of the stars,
And how the deuce they ever could have birth;
And then he thought of earthquakes, and of wars,
How many miles the moon might have in girth,
Of air-balloons, and of the many bars
To perfect knowledge of the boundless skies;—
And then he thought of Donna Julia's eyes.

XCIII
In thoughts like these true wisdom may discern
Longings sublime, and aspirations high,
Which some are born with, but the most part learn
To plague themselves withal, they know not why:
'T was strange that one so young should thus concern
His brain about the action of the sky;
If you think 't was philosophy that this did,
I can't help thinking puberty assisted.

XCIV
He pored upon the leaves, and on the flowers,
And heard a voice in all the winds; and then
He thought of wood-nymphs and immortal bowers,
And how the goddesses came down to men:
He miss'd the pathway, he forgot the hours,
And when he look'd upon his watch again,
He found how much old Time had been a winner—
He also found that he had lost his dinner.

XCV
Sometimes he turn'd to gaze upon his book,
Boscan, or Garcilasso;—by the wind
Even as the page is rustled while we look,
So by the poesy of his own mind
Over the mystic leaf his soul was shook,
As if 't were one whereon magicians bind
Their spells, and give them to the passing gale,
According to some good old woman's tale.

XCVI
Thus would he while his lonely hours away
Dissatisfied, nor knowing what he wanted;
Nor glowing reverie, nor poet's lay,
Could yield his spirit that for which it panted,
A bosom whereon he his head might lay,
And hear the heart beat with the love it granted,
With—several other things, which I forget,
Or which, at least, I need not mention yet.

XCVII
Those lonely walks, and lengthening reveries,
Could not escape the gentle Julia's eyes;
She saw that Juan was not at his ease;
But that which chiefly may, and must surprise,
Is, that the Donna Inez did not tease
Her only son with question or surmise:
Whether it was she did not see, or would not,
Or, like all very clever people, could not.

XCVIII
This may seem strange, but yet 't is very common;
For instance—gentlemen, whose ladies take
Leave to o'erstep the written rights of woman,
And break the—Which commandment is 't they break?
(I have forgot the number, and think no man
Should rashly quote, for fear of a mistake.)
I say, when these same gentlemen are jealous,
They make some blunder, which their ladies tell us.

XCIX
A real husband always is suspicious,
But still no less suspects in the wrong place,
Jealous of some one who had no such wishes,
Or pandering blindly to his own disgrace,
By harbouring some dear friend extremely vicious;
The last indeed's infallibly the case:
And when the spouse and friend are gone off wholly,
He wonders at their vice, and not his folly.

C
Thus parents also are at times short-sighted;
Though watchful as the lynx, they ne'er discover,
The while the wicked world beholds delighted,
Young Hopeful's mistress, or Miss Fanny's lover,
Till some confounded escapade has blighted
The plan of twenty years, and all is over;
And then the mother cries, the father swears,
And wonders why the devil he got heirs.

CI
But Inez was so anxious, and so clear
Of sight, that I must think, on this occasion,
She had some other motive much more near
For leaving Juan to this new temptation;
But what that motive was, I sha'n't say here;
Perhaps to finish Juan's education,
Perhaps to open Don Alfonso's eyes,
In case he thought his wife too great a prize.

CII
It was upon a day, a summer's day;—
Summer's indeed a very dangerous season,
And so is spring about the end of May;
The sun, no doubt, is the prevailing reason;
But whatsoe'er the cause is, one may say,
And stand convicted of more truth than treason,
That there are months which nature grows more merry in,—
March has its hares, and May must have its heroine.

CIII
'T was on a summer's daythe sixth of June:—
I like to be particular in dates,
Not only of the age, and year, but moon;
They are a sort of post-house, where the Fates
Change horses, making history change its tune,
Then spur away o'er empires and o'er states,
Leaving at last not much besides chronology,
Excepting the post-obits of theology.

CIV
'T was on the sixth of June, about the hour
Of half-past six—perhaps still nearer seven—
When Julia sate within as pretty a bower
As e'er held houri in that heathenish heaven
Described by Mahomet, and Anacreon Moore,
To whom the lyre and laurels have been given,
With all the trophies of triumphant song—
He won them well, and may he wear them long!

CV
She sate, but not alone; I know not well
How this same interview had taken place,
And even if I knew, I should not tell—
People should hold their tongues in any case;
No matter how or why the thing befell,
But there were she and Juan, face to face—
When two such faces are so, 't would be wise,
But very difficult, to shut their eyes.

CVI
How beautiful she look'd! her conscious heart
Glow'd in her cheek, and yet she felt no wrong.
Oh Love! how perfect is thy mystic art,
Strengthening the weak, and trampling on the strong,
How self-deceitful is the sagest part
Of mortals whom thy lure hath led along-
The precipice she stood on was immense,
So was her creed in her own innocence.

CVII
She thought of her own strength, and Juan's youth,
And of the folly of all prudish fears,
Victorious virtue, and domestic truth,
And then of Don Alfonso's fifty years:
I wish these last had not occurr'd, in sooth,
Because that number rarely much endears,
And through all climes, the snowy and the sunny,
Sounds ill in love, whate'er it may in money.

CVIII
When people say, "I've told you fifty times,"
They mean to scold, and very often do;
When poets say, "I've written fifty rhymes,"
They make you dread that they'll recite them too;
In gangs of fifty, thieves commit their crimes;
At fifty love for love is rare, 't is true,
But then, no doubt, it equally as true is,
A good deal may be bought for fifty Louis.

CIX
Julia had honour, virtue, truth, and love,
For Don Alfonso; and she inly swore,
By all the vows below to powers above,
She never would disgrace the ring she wore,
Nor leave a wish which wisdom might reprove;
And while she ponder'd this, besides much more,
One hand on Juan's carelessly was thrown,
Quite by mistake—she thought it was her own;

CX
Unconsciously she lean'd upon the other,
Which play'd within the tangles of her hair:
And to contend with thoughts she could not smother
She seem'd by the distraction of her air.
'T was surely very wrong in Juan's mother
To leave together this imprudent pair,
She who for many years had watch'd her son so—
I'm very certain mine would not have done so.

CXI
The hand which still held Juan's, by degrees
Gently, but palpably confirm'd its grasp,
As if it said, "Detain me, if you please;"
Yet there's no doubt she only meant to clasp
His fingers with a pure Platonic squeeze:
She would have shrunk as from a toad, or asp,
Had she imagined such a thing could rouse
A feeling dangerous to a prudent spouse.

CXII
I cannot know what Juan thought of this,
But what he did, is much what you would do;
His young lip thank'd it with a grateful kiss,
And then, abash'd at its own joy, withdrew
In deep despair, lest he had done amiss,—
Love is so very timid when 't is new:
She blush'd, and frown'd not, but she strove to speak,
And held her tongue, her voice was grown so weak.

CXIII
The sun set, and up rose the yellow moon:
The devil's in the moon for mischief; they
Who call'd her CHASTE, methinks, began too soon
Their nomenclature; there is not a day,
The longest, not the twenty-first of June,
Sees half the business in a wicked way
On which three single hours of moonshine smile—
And then she looks so modest all the while.

CXIV
There is a dangerous silence in that hour,
A stillness, which leaves room for the full soul
To open all itself, without the power
Of calling wholly back its self-control;
The silver light which, hallowing tree and tower,
Sheds beauty and deep softness o'er the whole,
Breathes also to the heart, and o'er it throws
A loving languor, which is not repose.

CXV
And Julia sate with Juan, half embraced
And half retiring from the glowing arm,
Which trembled like the bosom where 't was placed;
Yet still she must have thought there was no harm,
Or else 't were easy to withdraw her waist;
But then the situation had its charm,
And then—— God knows what next—I can't go on;
I'm almost sorry that I e'er begun.

CXVI
Oh Plato! Plato! you have paved the way,
With your confounded fantasies, to more
Immoral conduct by the fancied sway
Your system feigns o'er the controulless core
Of human hearts, than all the long array
Of poets and romancers:—You're a bore,
A charlatan, a coxcomb—and have been,
At best, no better than a go-between.

CXVII
And Julia's voice was lost, except in sighs,
Until too late for useful conversation;
The tears were gushing from her gentle eyes,
I wish indeed they had not had occasion,
But who, alas! can love, and then be wise?
Not that remorse did not oppose temptation;
A little still she strove, and much repented
And whispering "I will ne'er consent"—consented.

CXVIII
'T is said that Xerxes offer'd a reward
To those who could invent him a new pleasure:
Methinks the requisition's rather hard,
And must have cost his majesty a treasure:
For my part, I'm a moderate-minded bard,
Fond of a little love (which I call leisure);
I care not for new pleasures, as the old
Are quite enough for me, so they but hold.

CXIX
Oh Pleasure! you are indeed a pleasant thing,
Although one must be damn'd for you, no doubt:
I make a resolution every spring
Of reformation, ere the year run out,
But somehow, this my vestal vow takes wing,
Yet still, I trust it may be kept throughout:
I'm very sorry, very much ashamed,
And mean, next winter, to be quite reclaim'd.

CXX
Here my chaste Muse a liberty must take—
Start not! still chaster reader—she'll be nice hence—
Forward, and there is no great cause to quake;
This liberty is a poetic licence,
Which some irregularity may make
In the design, and as I have a high sense
Of Aristotle and the Rules, 't is fit
To beg his pardon when I err a bit.

CXXI
This licence is to hope the reader will
Suppose from June the sixth (the fatal day,
Without whose epoch my poetic skill
For want of facts would all be thrown away),
But keeping Julia and Don Juan still
In sight, that several months have pass'd; we'll say
'T was in November, but I'm not so sure
About the daythe era's more obscure.

CXXII
We'll talk of that anon.—'T is sweet to hear
At midnight on the blue and moonlit deep
The song and oar of Adria's gondolier,
By distance mellow'd, o'er the waters sweep;
'T is sweet to see the evening star appear;
'T is sweet to listen as the night-winds creep
From leaf to leaf; 't is sweet to view on high
The rainbow, based on ocean, span the sky.

CXXIII
'T is sweet to hear the watch-dog's honest bark
Bay deep-mouth'd welcome as we draw near home;
'T is sweet to know there is an eye will mark
Our coming, and look brighter when we come;
'T is sweet to be awaken'd by the lark,
Or lull'd by falling waters; sweet the hum
Of bees, the voice of girls, the song of birds,
The lisp of children, and their earliest words.

CXXIV
Sweet is the vintage, when the showering grapes
In Bacchanal profusion reel to earth,
Purple and gushing: sweet are our escapes
From civic revelry to rural mirth;
Sweet to the miser are his glittering heaps,
Sweet to the father is his first-born's birth,
Sweet is revenge—especially to women,
Pillage to soldiers, prize-money to seamen.

CXXV
Sweet is a legacy, and passing sweet
The unexpected death of some old lady
Or gentleman of seventy years complete,
Who've made "us youth" wait tootoo long already
For an estate, or cash, or country seat,
Still breaking, but with stamina so steady
That all the Israelites are fit to mob its
Next owner for their double-damn'd post-obits.

CXXVI
'T is sweet to win, no matter how, one's laurels,
By blood or ink; 't is sweet to put an end
To strife; 't is sometimes sweet to have our quarrels,
Particularly with a tiresome friend:
Sweet is old wine in bottles, ale in barrels;
Dear is the helpless creature we defend
Against the world; and dear the schoolboy spot
We ne'er forget, though there we are forgot.

CXXVII
But sweeter still than this, than these, than all,
Is first and passionate love—it stands alone,
Like Adam's recollection of his fall;
The tree of knowledge has been pluck'd—all's known—
And life yields nothing further to recall
Worthy of this ambrosial sin, so shown,
No doubt in fable, as the unforgiven
Fire which Prometheus filch'd for us from heaven.

CXXVIII
Man's a strange animal, and makes strange use
Of his own nature, and the various arts,
And likes particularly to produce
Some new experiment to show his parts;
This is the age of oddities let loose,
Where different talents find their different marts;
You'd best begin with truth, and when you've lost your
Labour, there's a sure market for imposture.

CXXIX
What opposite discoveries we have seen!
(Signs of true genius, and of empty pockets.)
One makes new noses, one a guillotine,
One breaks your bones, one sets them in their sockets;
But vaccination certainly has been
A kind antithesis to Congreve's rockets,
With which the Doctor paid off an old pox,
By borrowing a new one from an ox.

CXXX
Bread has been made (indifferent) from potatoes;
And galvanism has set some corpses grinning,
But has not answer'd like the apparatus
Of the Humane Society's beginning
By which men are unsuffocated gratis:
What wondrous new machines have late been spinning!
I said the small-pox has gone out of late;
Perhaps it may be follow'd by the great.

CXXXI
'T is said the great came from America;
Perhaps it may set out on its return,—
The population there so spreads, they say
'T is grown high time to thin it in its turn,
With war, or plague, or famine, any way,
So that civilisation they may learn;
And which in ravage the more loathsome evil is
Their real lues, or our pseudo-syphilis?

CXXXII
This is the patent-age of new inventions
For killing bodies, and for saving souls,
All propagated with the best intentions;
Sir Humphry Davy's lantern, by which coals
Are safely mined for in the mode he mentions,
Tombuctoo travels, voyages to the Poles,
Are ways to benefit mankind, as true,
Perhaps, as shooting them at Waterloo.

CXXXIII
Man's a phenomenon, one knows not what,
And wonderful beyond all wondrous measure;
'T is pity though, in this sublime world, that
Pleasure's a sin, and sometimes sin's a pleasure;
Few mortals know what end they would be at,
But whether glory, power, or love, or treasure,
The path is through perplexing ways, and when
The goal is gain'd, we die, you know—and then—

CXXXIV
What then?—I do not know, no more do you—
And so good night.—Return we to our story:
'T was in November, when fine days are few,
And the far mountains wax a little hoary,
And clap a white cape on their mantles blue;
And the sea dashes round the promontory,
And the loud breaker boils against the rock,
And sober suns must set at five o'clock.

CXXXV
'T was, as the watchmen say, a cloudy night;
No moon, no stars, the wind was low or loud
By gusts, and many a sparkling hearth was bright
With the piled wood, round which the family crowd;
There's something cheerful in that sort of light,
Even as a summer sky's without a cloud:
I'm fond of fire, and crickets, and all that,
A lobster salad, and champagne, and chat.

CXXXVI
'T was midnight—Donna Julia was in bed,
Sleeping, most probably,—when at her door
Arose a clatter might awake the dead,
If they had never been awoke before,
And that they have been so we all have read,
And are to be so, at the least, once more;—
The door was fasten'd, but with voice and fist
First knocks were heard, then "Madam—Madam—hist!

CXXXVII
"For God's sake, Madam—Madam—here's my master,
With more than half the city at his back—
Was ever heard of such a curst disaster!
'T is not my fault—I kept good watch—Alack!
Do pray undo the bolt a little faster—
They're on the stair just now, and in a crack
Will all be here; perhaps he yet may fly—
Surely the window's not so very high!"

CXXXVIII
By this time Don Alfonso was arrived,
With torches, friends, and servants in great number;
The major part of them had long been wived,
And therefore paused not to disturb the slumber
Of any wicked woman, who contrived
By stealth her husband's temples to encumber:
Examples of this kind are so contagious,
Were one not punish'd, all would be outrageous.

CXXXIX
I can't tell how, or why, or what suspicion
Could enter into Don Alfonso's head;
But for a cavalier of his condition
It surely was exceedingly ill-bred,
Without a word of previous admonition,
To hold a levee round his lady's bed,
And summon lackeys, arm'd with fire and sword,
To prove himself the thing he most abhorr'd.

CXL
Poor Donna Julia, starting as from sleep
(Mind—that I do not say—she had not slept),
Began at once to scream, and yawn, and weep;
Her maid Antonia, who was an adept,
Contrived to fling the bed-clothes in a heap,
As if she had just now from out them crept:
I can't tell why she should take all this trouble
To prove her mistress had been sleeping double.

CXLI
But Julia mistress, and Antonia maid,
Appear'd like two poor harmless women, who
Of goblins, but still more of men afraid,
Had thought one man might be deterr'd by two,
And therefore side by side were gently laid,
Until the hours of absence should run through,
And truant husband should return, and say,
"My dear, I was the first who came away."

CXLII
Now Julia found at length a voice, and cried,
"In heaven's name, Don Alfonso, what d' ye mean?
Has madness seized you? would that I had died
Ere such a monster's victim I had been!
What may this midnight violence betide,
A sudden fit of drunkenness or spleen?
Dare you suspect me, whom the thought would kill?
Search, then, the room!"—Alfonso said, "I will."

CXLIII
He search'd, they search'd, and rummaged everywhere,
Closet and clothes' press, chest and window-seat,
And found much linen, lace, and several pair
Of stockings, slippers, brushes, combs, complete,
With other articles of ladies fair,
To keep them beautiful, or leave them neat:
Arras they prick'd and curtains with their swords,
And wounded several shutters, and some boards.

CXLIV
Under the bed they search'd, and there they found—
No matter what—it was not that they sought;
They open'd windows, gazing if the ground
Had signs or footmarks, but the earth said nought;
And then they stared each other's faces round:
'T is odd, not one of all these seekers thought,
And seems to me almost a sort of blunder,
Of looking in the bed as well as under.

CXLV
During this inquisition, Julia's tongue
Was not asleep—"Yes, search and search," she cried,
"Insult on insult heap, and wrong on wrong!
It was for this that I became a bride!
For this in silence I have suffer'd long
A husband like Alfonso at my side;
But now I'll bear no more, nor here remain,
If there be law or lawyers in all Spain.

CXLVI
"Yes, Don Alfonso! husband now no more,
If ever you indeed deserved the name,
Is 't worthy of your years?—you have threescore—
Fifty, or sixty, it is all the same—
Is 't wise or fitting, causeless to explore
For facts against a virtuous woman's fame?
Ungrateful, perjured, barbarous Don Alfonso,
How dare you think your lady would go on so?

CXLVII
"Is it for this I have disdain'd to hold
The common privileges of my sex?
That I have chosen a confessor so old
And deaf, that any other it would vex,
And never once he has had cause to scold,
But found my very innocence perplex
So much, he always doubted I was married—
How sorry you will be when I've miscarried!

CXLVIII
"Was it for this that no Cortejo e'er
I yet have chosen from out the youth of Seville?
Is it for this I scarce went anywhere,
Except to bull-fights, mass, play, rout, and revel?
Is it for this, whate'er my suitors were,
I favor'd none—nay, was almost uncivil?
Is it for this that General Count O'Reilly,
Who took Algiers, declares I used him vilely?

CXLIX
"Did not the Italian Musico Cazzani
Sing at my heart six months at least in vain?
Did not his countryman, Count Corniani,
Call me the only virtuous wife in Spain?
Were there not also Russians, English, many?
The Count Strongstroganoff I put in pain,
And Lord Mount Coffeehouse, the Irish peer,
Who kill'd himself for love (with wine) last year.

CL
"Have I not had two bishops at my feet,
The Duke of Ichar, and Don Fernan Nunez?
And is it thus a faithful wife you treat?
I wonder in what quarter now the moon is:
I praise your vast forbearance not to beat
Me also, since the time so opportune is
Oh, valiant man! with sword drawn and cock'd trigger,
Now, tell me, don't you cut a pretty figure?

CLI
"Was it for this you took your sudden journey.
Under pretence of business indispensable
With that sublime of rascals your attorney,
Whom I see standing there, and looking sensible
Of having play'd the fool? though both I spurn, he
Deserves the worst, his conduct's less defensible,
Because, no doubt, 't was for his dirty fee,
And not from any love to you nor me.

CLII
"If he comes here to take a deposition,
By all means let the gentleman proceed;
You've made the apartment in a fit condition:
There's pen and ink for you, sir, when you need—
Let every thing be noted with precision,
I would not you for nothing should be fee'd—
But, as my maid's undrest, pray turn your spies out."
"Oh!" sobb'd Antonia, "I could tear their eyes out."

CLIII
"There is the closet, there the toilet, there
The antechamber—search them under, over;
There is the sofa, there the great arm-chair,
The chimney—which would really hold a lover.
I wish to sleep, and beg you will take care
And make no further noise, till you discover
The secret cavern of this lurking treasure—
And when 't is found, let me, too, have that pleasure.

CLIV
"And now, Hidalgo! now that you have thrown
Doubt upon me, confusion over all,
Pray have the courtesy to make it known
Who is the man you search for? how d' ye call
Him? what's his lineage? let him but be shown—
I hope he's young and handsome—is he tall?
Tell meand be assured, that since you stain
My honour thus, it shall not be in vain.

CLV
"At least, perhaps, he has not sixty years,
At that age he would be too old for slaughter,
Or for so young a husband's jealous fears
(Antonia! let me have a glass of water).
I am ashamed of having shed these tears,
They are unworthy of my father's daughter;
My mother dream'd not in my natal hour
That I should fall into a monster's power.

CLVI
"Perhaps 't is of Antonia you are jealous,
You saw that she was sleeping by my side
When you broke in upon us with your fellows:
Look where you please—we've nothing, sir, to hide;
Only another time, I trust, you'll tell us,
Or for the sake of decency abide
A moment at the door, that we may be
Drest to receive so much good company.

CLVII
"And now, sir, I have done, and say no more;
The little I have said may serve to show
The guileless heart in silence may grieve o'er
The wrongs to whose exposure it is slow:
I leave you to your conscience as before,
'T will one day ask you why you used me so?
God grant you feel not then the bitterest grief!—
Antonia! where's my pocket-handkerchief?"

CLVIII
She ceased, and turn'd upon her pillow; pale
She lay, her dark eyes flashing through their tears,
Like skies that rain and lighten; as a veil,
Waved and o'ershading her wan cheek, appears
Her streaming hair; the black curls strive, but fail,
To hide the glossy shoulder, which uprears
Its snow through all;—her soft lips lie apart,
And louder than her breathing beats her heart.

CLIX
The Senhor Don Alfonso stood confused;
Antonia bustled round the ransack'd room,
And, turning up her nose, with looks abused
Her master and his myrmidons, of whom
Not one, except the attorney, was amused;
He, like Achates, faithful to the tomb,
So there were quarrels, cared not for the cause,
Knowing they must be settled by the laws.

CLX
With prying snub-nose, and small eyes, he stood,
Following Antonia's motions here and there,
With much suspicion in his attitude;
For reputations he had little care;
So that a suit or action were made good,
Small pity had he for the young and fair,
And ne'er believed in negatives, till these
Were proved by competent false witnesses.

CLXI
But Don Alfonso stood with downcast looks,
And, truth to say, he made a foolish figure;
When, after searching in five hundred nooks,
And treating a young wife with so much rigour,
He gain'd no point, except some self-rebukes,
Added to those his lady with such vigour
Had pour'd upon him for the last half-hour,
Quick, thick, and heavy—as a thunder-shower.

CLXII
At first he tried to hammer an excuse,
To which the sole reply was tears and sobs,
And indications of hysterics, whose
Prologue is always certain throes, and throbs,
Gasps, and whatever else the owners choose:
Alfonso saw his wife, and thought of Job's;
He saw too, in perspective, her relations,
And then he tried to muster all his patience.

CLXIII
He stood in act to speak, or rather stammer,
But sage Antonia cut him short before
The anvil of his speech received the hammer,
With "Pray, sir, leave the room, and say no more,
Or madam dies."—Alfonso mutter'd, "D—n her,"
But nothing else, the time of words was o'er;
He cast a rueful look or two, and did,
He knew not wherefore, that which he was bid.

CLXIV
With him retired his "posse comitatus,"
The attorney last, who linger'd near the door
Reluctantly, still tarrying there as late as
Antonia let him—not a little sore
At this most strange and unexplain'd "hiatus"
In Don Alfonso's facts, which just now wore
An awkward look; as he revolved the case,
The door was fasten'd in his legal face.

CLXV
No sooner was it bolted, than—Oh shame!
Oh sin! Oh sorrow! and oh womankind!
How can you do such things and keep your fame,
Unless this world, and t' other too, be blind?
Nothing so dear as an unfilch'd good name!
But to proceed—for there is more behind:
With much heartfelt reluctance be it said,
Young Juan slipp'd half-smother'd, from the bed.

CLXVI
He had been hid—I don't pretend to say
How, nor can I indeed describe the where—
Young, slender, and pack'd easily, he lay,
No doubt, in little compass, round or square;
But pity him I neither must nor may
His suffocation by that pretty pair;
'T were better, sure, to die so, than be shut
With maudlin Clarence in his Malmsey butt.

CLXVII
And, secondly, I pity not, because
He had no business to commit a sin,
Forbid by heavenly, fined by human laws,
At least 't was rather early to begin;
But at sixteen the conscience rarely gnaws
So much as when we call our old debts in
At sixty years, and draw the accompts of evil,
And find a deuced balance with the devil.

CLXVIII
Of his position I can give no notion:
'T is written in the Hebrew Chronicle,
How the physicians, leaving pill and potion,
Prescribed, by way of blister, a young belle,
When old King David's blood grew dull in motion,
And that the medicine answer'd very well;
Perhaps 't was in a different way applied,
For David lived, but Juan nearly died.

CLXIX
What's to be done? Alfonso will be back
The moment he has sent his fools away.
Antonia's skill was put upon the rack,
But no device could be brought into play—
And how to parry the renew'd attack?
Besides, it wanted but few hours of day:
Antonia puzzled; Julia did not speak,
But press'd her bloodless lip to Juan's cheek.

CLXX
He turn'd his lip to hers, and with his hand
Call'd back the tangles of her wandering hair;
Even then their love they could not all command,
And half forgot their danger and despair:
Antonia's patience now was at a stand—
"Come, come, 't is no time now for fooling there,"
She whisper'd, in great wrath—"I must deposit
This pretty gentleman within the closet:

CLXXI
"Pray, keep your nonsense for some luckier night—
Who can have put my master in this mood?
What will become on 'tI'm in such a fright,
The devil's in the urchin, and no good—
Is this a time for giggling? this a plight?
Why, don't you know that it may end in blood?
You'll lose your life, and I shall lose my place,
My mistress all, for that half-girlish face.

CLXXII
"Had it but been for a stout cavalier
Of twenty-five or thirty (come, make haste)—
But for a child, what piece of work is here!
I really, madam, wonder at your taste
(Come, sir, get in)—my master must be near:
There, for the present, at the least, he's fast,
And if we can but till the morning keep
Our counsel—(Juan, mind, you must not sleep)."

CLXXIII
Now, Don Alfonso entering, but alone,
Closed the oration of the trusty maid:
She loiter'd, and he told her to be gone,
An order somewhat sullenly obey'd;
However, present remedy was none,
And no great good seem'd answer'd if she stay'd:
Regarding both with slow and sidelong view,
She snuff'd the candle, curtsied, and withdrew.

CLXXIV
Alfonso paused a minute—then begun
Some strange excuses for his late proceeding;
He would not justify what he had done,
To say the best, it was extreme ill-breeding;
But there were ample reasons for it, none
Of which he specified in this his pleading:
His speech was a fine sample, on the whole,
Of rhetoric, which the learn'd call "rigmarole."

CLXXV
Julia said nought; though all the while there rose
A ready answer, which at once enables
A matron, who her husband's foible knows,
By a few timely words to turn the tables,
Which, if it does not silence, still must pose,—
Even if it should comprise a pack of fables;
'T is to retort with firmness, and when he
Suspects with one, do you reproach with three.

CLXXVI
Julia, in fact, had tolerable grounds,—
Alfonso's loves with Inez were well known,
But whether 't was that one's own guilt confounds—
But that can't be, as has been often shown,
A lady with apologies abounds;—
It might be that her silence sprang alone
From delicacy to Don Juan's ear,
To whom she knew his mother's fame was dear.

CLXXVII
There might be one more motive, which makes two;
Alfonso ne'er to Juan had alluded,—
Mention'd his jealousy but never who
Had been the happy lover, he concluded,
Conceal'd amongst his premises; 't is true,
His mind the more o'er this its mystery brooded;
To speak of Inez now were, one may say,
Like throwing Juan in Alfonso's way.

CLXXVIII
A hint, in tender cases, is enough;
Silence is best, besides there is a tact—
(That modern phrase appears to me sad stuff,
But it will serve to keep my verse compact)—
Which keeps, when push'd by questions rather rough,
A lady always distant from the fact:
The charming creatures lie with such a grace,
There's nothing so becoming to the face.

CLXXIX
They blush, and we believe them; at least I
Have always done so; 't is of no great use,
In any case, attempting a reply,
For then their eloquence grows quite profuse;
And when at length they 're out of breath, they sigh,
And cast their languid eyes down, and let loose
A tear or two, and then we make it up;
And then—and then—and then—sit down and sup.

CLXXX
Alfonso closed his speech, and begg'd her pardon,
Which Julia half withheld, and then half granted,
And laid conditions he thought very hard on,
Denying several little things he wanted:
He stood like Adam lingering near his garden,
With useless penitence perplex'd and haunted,
Beseeching she no further would refuse,
When, lo! he stumbled o'er a pair of shoes.

CLXXXI
A pair of shoes!—what then? not much, if they
Are such as fit with ladies' feet, but these
(No one can tell how much I grieve to say)
Were masculine; to see them, and to seize,
Was but a moment's act.—Ah! well-a-day!
My teeth begin to chatter, my veins freeze—
Alfonso first examined well their fashion,
And then flew out into another passion.

CLXXXII
He left the room for his relinquish'd sword,
And Julia instant to the closet flew.
"Fly, Juan, fly! for heaven's sake—not a word—
The door is open—you may yet slip through
The passage you so often have explored—
Here is the garden-key—Fly—fly—Adieu!
Haste—haste! I hear Alfonso's hurrying feet—
Day has not broke—there's no one in the street:"

CLXXXIII
None can say that this was not good advice,
The only mischief was, it came too late;
Of all experience 't is the usual price,
A sort of income-tax laid on by fate:
Juan had reach'd the room-door in a trice,
And might have done so by the garden-gate,
But met Alfonso in his dressing-gown,
Who threaten'd death—so Juan knock'd him down.

CLXXXIV
Dire was the scuffle, and out went the light;
Antonia cried out "Rape!" and Julia "Fire!"
But not a servant stirr'd to aid the fight.
Alfonso, pommell'd to his heart's desire,
Swore lustily he'd be revenged this night;
And Juan, too, blasphemed an octave higher;
His blood was up: though young, he was a Tartar,
And not at all disposed to prove a martyr.

CLXXXV
Alfonso's sword had dropp'd ere he could draw it,
And they continued battling hand to hand,
For Juan very luckily ne'er saw it;
His temper not being under great command,
If at that moment he had chanced to claw it,
Alfonso's days had not been in the land
Much longer.—Think of husbands', lovers' lives!
And how ye may be doubly widows—wives!

CLXXXVI
Alfonso grappled to detain the foe,
And Juan throttled him to get away,
And blood ('t was from the nose) began to flow;
At last, as they more faintly wrestling lay,
Juan contrived to give an awkward blow,
And then his only garment quite gave way;
He fled, like Joseph, leaving it; but there,
I doubt, all likeness ends between the pair.

CLXXXVII
Lights came at length, and men, and maids, who found
An awkward spectacle their eyes before;
Antonia in hysterics, Julia swoon'd,
Alfonso leaning, breathless, by the door;
Some half-torn drapery scatter'd on the ground,
Some blood, and several footsteps, but no more:
Juan the gate gain'd, turn'd the key about,
And liking not the inside, lock'd the out.

CLXXXVIII
Here ends this canto.—Need I sing, or say,
How Juan naked, favour'd by the night,
Who favours what she should not, found his way,
And reach'd his home in an unseemly plight?
The pleasant scandal which arose next day,
The nine days' wonder which was brought to light,
And how Alfonso sued for a divorce,
Were in the English newspapers, of course.

CLXXXIX
If you would like to see the whole proceedings,
The depositions, and the cause at full,
The names of all the witnesses, the pleadings
Of counsel to nonsuit, or to annul,
There's more than one edition, and the readings
Are various, but they none of them are dull;
The best is that in short-hand ta'en by Gurney,
Who to Madrid on purpose made a journey.

CXC
But Donna Inez, to divert the train
Of one of the most circulating scandals
That had for centuries been known in Spain,
At least since the retirement of the Vandals,
First vow'd (and never had she vow'd in vain)
To Virgin Mary several pounds of candles;
And then, by the advice of some old ladies,
She sent her son to be shipp'd off from Cadiz.

CXCI
She had resolved that he should travel through
All European climes, by land or sea,
To mend his former morals, and get new,
Especially in France and Italy
(At least this is the thing most people do).
Julia was sent into a convent: she
Grieved, but, perhaps, her feelings may be better
Shown in the following copy of her Letter:—

CXCII
"They tell me 't is decided; you depart:
'T is wise—'t is well, but not the less a pain;
I have no further claim on your young heart,
Mine is the victim, and would be again;
To love too much has been the only art
I used;—I write in haste, and if a stain
Be on this sheet, 't is not what it appears;
My eyeballs burn and throb, but have no tears.

CXCIII
"I loved, I love you, for this love have lost
State, station, heaven, mankind's, my own esteem,
And yet can not regret what it hath cost,
So dear is still the memory of that dream;
Yet, if I name my guilt, 't is not to boast,
None can deem harshlier of me than I deem:
I trace this scrawl because I cannot rest—
I've nothing to reproach, or to request.

CXCIV
"Man's love is of man's life a thing apart,
'T is woman's whole existence; man may range
The court, camp, church, the vessel, and the mart;
Sword, gown, gain, glory, offer in exchange
Pride, fame, ambition, to fill up his heart,
And few there are whom these cannot estrange;
Men have all these resources, we but one,
To love again, and be again undone.

CXCV
"You will proceed in pleasure, and in pride,
Beloved and loving many; all is o'er
For me on earth, except some years to hide
My shame and sorrow deep in my heart's core;
These I could bear, but cannot cast aside
The passion which still rages as before—
And so farewell—forgive me, love me—No,
That word is idle now—but let it go.

CXCVI
"My breast has been all weakness, is so yet;
But still I think I can collect my mind;
My blood still rushes where my spirit's set,
As roll the waves before the settled wind;
My heart is feminine, nor can forget—
To all, except one image, madly blind;
So shakes the needle, and so stands the pole,
As vibrates my fond heart to my fix'd soul.

CXCVII
"I have no more to say, but linger still,
And dare not set my seal upon this sheet,
And yet I may as well the task fulfil,
My misery can scarce be more complete:
I had not lived till now, could sorrow kill;
Death shuns the wretch who fain the blow would meet,
And I must even survive this last adieu,
And bear with life, to love and pray for you!"

CXCVIII
This note was written upon gilt-edged paper
With a neat little crow-quill, slight and new:
Her small white hand could hardly reach the taper,
It trembled as magnetic needles do,
And yet she did not let one tear escape her;
The seal a sun-flower; "Elle vous suit partout,"
The motto cut upon a white cornelian;
The wax was superfine, its hue vermilion.

CXCIX
This was Don Juan's earliest scrape; but whether
I shall proceed with his adventures is
Dependent on the public altogether;
We'll see, however, what they say to this:
Their favour in an author's cap's a feather,
And no great mischief's done by their caprice;
And if their approbation we experience,
Perhaps they'll have some more about a year hence.

CC
My poem's epic, and is meant to be
Divided in twelve books; each book containing,
With love, and war, a heavy gale at sea,
A list of ships, and captains, and kings reigning,
New characters; the episodes are three:
A panoramic view of hell's in training,
After the style of Virgil and of Homer,
So that my name of Epic's no misnomer.

CCI
All these things will be specified in time,
With strict regard to Aristotle's rules,
The Vade Mecum of the true sublime,
Which makes so many poets, and some fools:
Prose poets like blank-verse, I'm fond of rhyme,
Good workmen never quarrel with their tools;
I've got new mythological machinery,
And very handsome supernatural scenery.

CCII
There's only one slight difference between
Me and my epic brethren gone before,
And here the advantage is my own, I ween
(Not that I have not several merits more,
But this will more peculiarly be seen);
They so embellish, that 't is quite a bore
Their labyrinth of fables to thread through,
Whereas this story's actually true.

CCIII
If any person doubt it, I appeal
To history, tradition, and to facts,
To newspapers, whose truth all know and feel,
To plays in five, and operas in three acts;
All these confirm my statement a good deal,
But that which more completely faith exacts
Is that myself, and several now in Seville,
Saw Juan's last elopement with the devil.

CCIV
If ever I should condescend to prose,
I'll write poetical commandments, which
Shall supersede beyond all doubt all those
That went before; in these I shall enrich
My text with many things that no one knows,
And carry precept to the highest pitch:
I'll call the work "Longinus o'er a Bottle,
Or, Every Poet his own Aristotle."

CCV
Thou shalt believe in Milton, Dryden, Pope;
Thou shalt not set up Wordsworth, Coleridge, Southey;
Because the first is crazed beyond all hope,
The second drunk, the third so quaint and mouthy:
With Crabbe it may be difficult to cope,
And Campbell's Hippocrene is somewhat drouthy:
Thou shalt not steal from Samuel Rogers, nor
Commit—flirtation with the muse of Moore.

CCVI
Thou shalt not covet Mr. Sotheby's Muse,
His Pegasus, nor anything that's his;
Thou shalt not bear false witness like "the Blues"
(There's one, at least, is very fond of this);
Thou shalt not write, in short, but what I choose:
This is true criticism, and you may kiss—
Exactly as you please, or not,—the rod;
But if you don't, I'll lay it on, by G-d!

CCVII
If any person should presume to assert
This story is not moral, first, I pray,
That they will not cry out before they're hurt,
Then that they'll read it o'er again, and say
(But, doubtless, nobody will be so pert)
That this is not a moral tale, though gay;
Besides, in Canto Twelfth, I mean to show
The very place where wicked people go.

CCVIII
If, after all, there should be some so blind
To their own good this warning to despise,
Led by some tortuosity of mind,
Not to believe my verse and their own eyes,
And cry that they "the moral cannot find,"
I tell him, if a clergyman, he lies;
Should captains the remark, or critics, make,
They also lie too—under a mistake.

CCIX
The public approbation I expect,
And beg they'll take my word about the moral,
Which I with their amusement will connect
(So children cutting teeth receive a coral);
Meantime, they'll doubtless please to recollect
My epical pretensions to the laurel:
For fear some prudish readers should grow skittish,
I've bribed my grandmother's review—the British.

CCX
I sent it in a letter to the Editor,
Who thank'd me duly by return of post—
I'm for a handsome article his creditor;
Yet, if my gentle Muse he please to roast,
And break a promise after having made it her,
Denying the receipt of what it cost,
And smear his page with gall instead of honey,
All I can say is—that he had the money.

CCXI
I think that with this holy new alliance
I may ensure the public, and defy
All other magazines of art or science,
Daily, or monthly, or three monthly; I
Have not essay'd to multiply their clients,
Because they tell me 't were in vain to try,
And that the Edinburgh Review and Quarterly
Treat a dissenting author very martyrly.

CCXII
"Non ego hoc ferrem calida juventâ
Consule Planco," Horace said, and so
Say I; by which quotation there is meant a
Hint that some six or seven good years ago
(Long ere I dreamt of dating from the Brenta)
I was most ready to return a blow,
And would not brook at all this sort of thing
In my hot youth—when George the Third was King.

CCXIII
But now at thirty years my hair is grey
(I wonder what it will be like at forty?
I thought of a peruke the other day)—
My heart is not much greener; and, in short, I
Have squander'd my whole summer while 't was May,
And feel no more the spirit to retort; I
Have spent my life, both interest and principal,
And deem not, what I deem'd, my soul invincible.

CCXIV
No more—no more—Oh! never more on me
The freshness of the heart can fall like dew,
Which out of all the lovely things we see
Extracts emotions beautiful and new,
Hived in our bosoms like the bag o' the bee:
Think'st thou the honey with those objects grew?
Alas! 't was not in them, but in thy power
To double even the sweetness of a flower.

CCXV
No more—no more—Oh! never more, my heart,
Canst thou be my sole world, my universe!
Once all in all, but now a thing apart,
Thou canst not be my blessing or my curse:
The illusion's gone for ever, and thou art
Insensible, I trust, but none the worse,
And in thy stead I've got a deal of judgment,
Though heaven knows how it ever found a lodgment.

CCXVI
My days of love are over; me no more
The charms of maid, wife, and still less of widow,
Can make the fool of which they made before,—
In short, I must not lead the life I did do;
The credulous hope of mutual minds is o'er,
The copious use of claret is forbid too,
So for a good old-gentlemanly vice,
I think I must take up with avarice.

CCXVII
Ambition was my idol, which was broken
Before the shrines of Sorrow, and of Pleasure;
And the two last have left me many a token
O'er which reflection may be made at leisure:
Now, like Friar Bacon's brazen head, I've spoken,
"Time is, Time was, Time's past:"—a chymic treasure
Is glittering youth, which I have spent betimes—
My heart in passion, and my head on rhymes.

CCXVIII
What is the end of Fame? 't is but to fill
A certain portion of uncertain paper:
Some liken it to climbing up a hill,
Whose summit, like all hills, is lost in vapour;
For this men write, speak, preach, and heroes kill,
And bards burn what they call their "midnight taper,"
To have, when the original is dust,
A name, a wretched picture, and worse bust.

CCXIX
What are the hopes of man? Old Egypt's King
Cheops erected the first pyramid
And largest, thinking it was just the thing
To keep his memory whole, and mummy hid;
But somebody or other rummaging,
Burglariously broke his coffin's lid:
Let not a monument give you or me hopes,
Since not a pinch of dust remains of Cheops.

CCXX
But I being fond of true philosophy,
Say very often to myself, "Alas!
All things that have been born were born to die,
And flesh (which Death mows down to hay) is grass;
You've pass'd your youth not so unpleasantly,
And if you had it o'er again—'t would pass—
So thank your stars that matters are no worse,
And read your Bible, sir, and mind your purse."

CCXXI
But for the present, gentle reader! and
Still gentler purchaser! the bard—that's I
Must, with permission, shake you by the hand,
And so "Your humble servant, and good-b'ye!"
We meet again, if we should understand
Each other; and if not, I shall not try
Your patience further than by this short sample—
'T were well if others follow'd my example.

CCXXII
"Go, little book, from this my solitude!
I cast thee on the waters—go thy ways!
And if, as I believe, thy vein be good,
The world will find thee after many days."
When Southey's read, and Wordsworth understood,
I can't help putting in my claim to praise—
The four first rhymes are Southey's every line:
For God's sake, reader! take them not for mine.

poem by from Don Juan (1824)Report problemRelated quotes
Added by Veronica Serbanoiu
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Too young to die

You are not the only beautiful girl
You are not the only pretty boy
You just too young to die

You are not the only genius talent
You are not the only rising star
You just too young to die

You are not the only hope of future
You are not the only good person
You just too young to die

You are not the only people cry
You are not the only world’s misery
You just too young to die

Whether gone in accident
Whether drugs fill your lungs
You just too young to die

Maybe you just a clumsy boy
Maybe you just a shy girl
But still you just too young to die

poem by Report problemRelated quotes
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Too Old To Rock n Roll: Too Young To Die

The old rocker wore his hair too long, wore his trouser cuffs too tight. unfashionable to the end --- drank his ale too light. deaths head belt buckle --- yesterdays dreams --- the transport c
Rophet of doom. ringing no change in his double-sewn seams in his post-war-babe gloom. now hes too old to rocknroll but hes too young to die. he once owned a harley davidson and a triumph bo
Lle. counted his friends in burned-out spark plugs and prays that he always will. but hes the last of the blue blood greaser boys all of his mates are doing time: married with three kids up by
Ing road sold their souls straight down the line. and some of them own little sports cars and meet at the tennis club dos. for drinks on a sunday --- work on monday. theyve thrown away their b
Uede shoes. now theyre too old to rocknroll and theyre too young to die. so the old rocker gets out his bike to make a ton before he takes his leave. up on the a1 by scotch corner just like
Ed to be. and as he flies ---
Tears in his eyes --- his wind-whipped words echo the final take and he hits the trunk road doing around 120 with no room left to brake. and he was too old to rocknroll but he was too young t
. no, youre never too old to rocknroll if youre too young to die.

song performed by Jethro TullReport problemRelated quotes
Added by Lucian Velea
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To Young To Die

Everybody
Don't want no war,
'Cos we're too young to die,
So many people,
All around the world,
Seen their brothers fry.
What's the motive?
In your madness.
You've made my people cry.
So politicians this time
Keep your distance.
'Cos we're too young to die.
You know we're too young to die,
You know we're too young to die,
You know we're too young to die,
You know we're too young to die,
What's the answer?
To our problems.
I think we've gone too high,
Little children,
Never said a word now,
But still they have to die.
It won't be long.
Dancing like we do now,
To put this sad world right.
So don't you worry,
Suffer no more,
'Cos we're too young to die.
You know we're too young to die,
You know we're too young to die,
You know we're too young to die,
You know we're too young to die,
All gone when they drop the bomb.
Can the politicians reassure?
'Cos here I am presuming that
Nobody wants a war
There's so many people praying
Just to find out if they're staying.
But lately stately governments
And disillusioned leaders,
So full of empty promises
But rarely do they feed us.
Put our backs against the wall,
Or don't we count at all?
Can you decide,
Are you mesmerised.
Do you know which side you're standing?
Cos when it falls gonna take us all.
Gotta know what we're demanding,
I never lie,
Can't your hear the cry,
Coming from on high,
WE'RE TOO YOUNG TO DIE

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Too Young To Die

Written by jay kay and toby smith
Everybody, dont want no war, cos were all too young to die
Many people, all around the world now, seen their brothers fry?
Whats the motive?
In your madness youve made my people cry
So politicians, this time keep your distance
Cos were too young to die
You know were too young to die,
You know were too young to die,
You know were too young to die,
You know were too young to die.
Whats the answer? to our problems.
I think weve gone to high,
Little children never said a word now, but still they have to die
It wont be long, dancing like we do now,
To put this sad world right
So you dont worry, suffer no more,
Cos were too young to die,
You know were too young to die,
You know were too young to die,
You know were too young to die,
You know were too young to die.
You know were too young to die,
You know were too young to die,
You know were too young to die,
You know were too young to die.
All gone when they drop the bomb.
Can politicians reassure? cos here I am pressuming that nobody here wants a war.
Theres so many people praying just to find out if theyre staying.
But lately, stately governments and disillusioned leader,
So full of empty promises but rarely do they feed us,
Put our backs against the wall, or dont we count at all.
Can you decide, are you mesmerised.
Do you know which side youre standing?
Cos when it falls gonna take us all.
Gotta know what were demanding, I never lie, cant hear you cry,
Coming from on high,
Were too young to die!

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Too Old To Work And Too Young To Die

That time catches up on us all is surely not a lie
He is too old to work and he is too young to die
On retirement pension and quite bored with life
He spends much of his time arguing with his wife
On their fortieth year of marriage and love between them long dead
With a son and daughter and seven grandchildren and old age ahead
Since the warm feelings of love in their life has gone cold
They have nothing to look forward to but growing old
He and his wife in their mid to late sixties and their best years long gone
And only the will to live keeps them living on
Years ago they used to walk hand in hand to the park off of the street
But nowadays out walking them one never does meet
On his own in the pub he sits and drinks his beer
Looking rather unhappy and lacking in cheer.

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I Don't Know If You Knew

I don't know if you knew
But sometimes I think of you
Sometimes I feel happy
Remembering those fun moments we had together
How it would bring me joy to make you laugh
To make you smile - Bright up your day
How I would enjoy seeing you every day
Having long conversations together
How it would please me to pleasure you
Make you feel like a queen - Treat you like royalty

I don't know if you knew
But sometimes I think of you
Sometimes I yearn
Remembering that amazing friendship we shared
Shocked at how horridly it suddenly ended
Shocked at how cold you treated me
I yearn for that strong friendship we shared
Like no other - Like every other
I sometimes ask myself why it is that I still do
After finding out your true self
I guess I'm just a fool - Loved you too much

I don't know if you knew
But sometimes I think of you
Sometimes I feel love
Thinking of you - Your beauty
Feeling that there's no other girl out there
Which could ever replace you
Or one to share the same love I share for you
I don't know why I loved you so much
Or is it love? - I just don't know any more

I don't know if you knew
But sometimes I think of you
Sometimes I try to negotiate
Thinking that I could change
Change for the better
Become the man you want me to be
Get in shape - Be more fancy
Maybe one day you'd come to realise
That you've made a terrible mistake
And that one day, you'll want to make amends

I don't know if you knew
But sometimes I think of you
Sometimes I feel confused
Not knowing whether I still feel for you
But in the end knowing that deep down
I never stopped loving you - Caring for you
I try to tell others that I stopped loving you
Sometimes I even try to fool myself that I just don't care
But it's hard to fool your own heart - Possibly impossible

I don't know if you knew
But sometimes I think of you
Sometimes I feel in denial
Feeling that there's still a chance
I could still fix things - I'd think
It's not too late - I'd assure myself
We could still be close - As friends, of course
I could supress my feelings for you
It's ok - I'd do anything for you

I don't know if you knew
But sometimes I think of you
Sometimes I feel hate
Remembering all the sacrifices I made for you
How unappreciative you were, are
I cant believe I fell for you
I'd love to know what I saw in you
Never have I been able to explain
Not to me - Not to anyone
I wish you had just acted cold from the start
Instead of leading me on for so long
What a fool I was, am

I don't know if you knew
But sometimes I think of you
Sometimes I feel sad
Sad that I never lived up to your expectations
Sad that I could never be the man you wanted
The man of your dreams - Your fantasies
Remembering the times when I was wrong
Causing you to feel sad - Disappointing you
But in the end there was nothing I could do
I just wasn't good enough for you

I don't know if you knew
But sometimes I think of you
Sometimes I feel forgiveness
Forgiving you for the way you treated me
How you handled the situation - Handled me
You just don't know how to handle these situations
Guys who have feelings for you - Or better yet,
Are madly in love with you - You just don't know
But it's ok - I'd say to myself
It's not your fault - I forgive you

I don't know if you knew
But sometimes I think of you
Sometimes I feel regret
Remembering the first day I ever met you
Wishing I could just go back
Reversing everything that happened
Stopping me from going through this pain
Avoiding getting my heart crushed like no other
Not having to spend every day
Wishing that I never felt for you
Wishing that I had never fallen for you

I don't know if you knew
But sometimes I think of you
Sometimes I feel angry
Remembering the way you treated me after
How furious it would make me
Knowing that what we had was all over
Sometimes I wouldn't be able to help it
The anger just gets to me
Sometimes I scream - Sometimes I swear
Sometimes I hit things - Sometimes I throw them

I don't know if you knew
But sometimes I think of you
I guess I've been thinking about you a lot
It's already been seven weeks
I don't know why I've been counting
But I guess I have
But I guess you know that by now

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Berrathah

ARGUMENT.

Fingal, in his voyage to Lochlin, whither he had been invited by Starno, the father of Agandecca, touched at Berrathon an island of Scandinavia, where he was kindly entertained by Larthmor, the petty king of the place, who was a vassal of the supreme kings of Lochlin. The hospitality of Larthmor gained him Fingal's friendship, which that hero manifested, after the imprisonment of Larthmor by his own son, by sending Ossian and Toscar, the father of Malvina, so often mentioned, to rescue Larthmor, and to punish the unnatural behavior of Uthal. Uthal was handsome, and, by the ladies, much admired. Nina-thoma, the beautiful daughter of Tor-thoma, a neighboring prince, fell in love and fled with him. He proved inconstant; for another lady, whose name is not mentioned, gaining his affections, he confined Nina-thoma to a desert island, near the coast of Berrathon. She was relieved by Ossian, who, in company with Toscar, landing on Berrathon, defeated the forces of Uthal, and killed him in single combat. Nina-thoma, whose love not all the bad behavior of Uthal could erase, hearing of his death, died of grief. In the mean time Larthmor is restored, and Ossian and Toscar return in triumph to Fingal.

The poem opens with an elegy on the death of Malvina, the daughter of Toscar, and closes with the presages of Ossian's death.

BEND thy blue course, O stream! round the narrow plain of Lutha. Let the green woods hang over it, from their hills; the sun look on it at noon. The thistle is there on its rock, and shakes its beard to the wind. The flower hangs its heavy head, waving, at times, to the gale. "Why dost thou awake me, O gale?" it seems to say: "I am covered with the drops of heaven. The time of my fading is near, the blast that shall scatter my leaves. To-morrow shall the traveller come; he that saw me in my beauty shall come. His eyes will search the field, but they will not find me." So shall they search in vain for the voice of Cona, after it has failed in the field. The hunter shall come forth in the morning, and thee vote a of my harp shall not be heard. "Where is the son of car-borne Fingal?" The tear will be on his cheek! Then come thou, O Malvina! with all thy music, come! Lay Ossian in the plain of Lutha: let his tomb rise in the lovely field.

Malvina! where art thou, with thy songs; with the soft sound of thy steps? Son of Alpin, art thou near? where is the daughter of Toscar? "I passed, O son of Fingal, by Torlutha's mossy walls. The smoke of the hall was ceased. Silence was among the trees of the hill. The voice of the chase was over. I saw the daughters of the bow. I asked about Malvina, but they answered not. They turned their faces away: thin darkness covered their beauty. They were like stars, on a rainy hill, by night, each looking faintly through the mist!"

Pleasant be thy rest, O lovely beam! soon hast thou set on our hills! The steps of thy departure were stately, like the moon, on the blue-trembling wave. But thou hast left us in darkness, first of the maids of Lutha! We sit, at the rock, and there is no voice; no light but the meteor of fire! Soon hast thou set, O Malvina, daughter of generous Toscar! But thou risest, like the beam of the east, among the spirits of thy friends, where they sit, in their stormy halls, the chambers of the thunder! A cloud hovers over Cona. Its blue curling sides are high. The winds are beneath it, with their wings. Within it is the dwelling of Fingal. There the hero sits in darkness. His airy spear is in his hand. His shield, half covered with clouds, is like the darkened moon; when one half still remains in the wave, and the other looks sickly on the field!

His friends sit round the king, on mist! They hear the songs of Ullin; he strikes the half-viewless harp. He raises the feeble voice. The lesser heroes, with a thousand meteors, light the airy hall. Malvina rises in the midst: a blush is on her cheek. She beholds the unknown faces of her fathers. She turns aside her humid eyes. "An thou come so soon," said Fingal, "daughter of generous Toscar! Sadness dwells in the halls of Lutha. My aged son is sad! I hear the breeze of Cona, that was wont to lift thy heavy locks. It comes to the hall, but thou art not there. Its voice is mournful among the arms of thy fathers! Go, with thy rustling wing, O breeze! sigh on Malvina's tomb. It rises yonder beneath the rock, at the blue stream of Lutha. The maids are departed to their place. Thou alone, O breeze, mournest there!"

But who comes from the dusky west, supported on a cloud? A smile is on his gray, watery face. His locks of mist fly on wind. He bends forward on his airy spear. It is thy father, Malvina! "Why shinest thou, so soon, on our clouds," he says, "O lovely light of Lutha? But thou wert sad, my daughter. Thy friends had passed away. The sons of little men were in the hail. None remained of the heroes, but Ossian, king of spears!"

And dost thou remember Ossian, car-borne Toscar, son of Conloch? The battles of our youth were many. Our swords went together to the field. They saw us coming like two falling rocks. The sons of the stranger fled. "There come the warriors of Cona!" they said. "Their steps are in the paths of the flying!" Draw near, son of Alpin, to the song of the aged. The deeds of other times are in my soul. My memory beams on the days that are past: on the days of mighty Toscar, when our path was in the deep. Draw near, son of Alpin, to the last sound of the voice of Cona!

The king of Morven commanded. I raised my sails to the wind. Toscar, chief of Lutha, stood at my side: I rose on the dark-blue wave. Our course was to sea-surrounded Berrathon, the isle of many storms. There dwelt, with his locks of age, the stately strength of Larthmor. Larthmor, who spread the feast of shells to Fingal, when he went to Starno's halls, in the days of Agandecca. But when the chief was old, the pride of his son arose; the pride of fair-haired Uthal, the love of a thousand maids. He bound the aged Larthmor, and dwelt in his sounding halls!

Long pined the king in his cave, beside his rolling sea. Day did not come to his dwelling: nor the burning oak by night. But the wind of ocean was there, and the parting beam of the moon. The red star looked on the king, when it trembled on the western wave. Snitho came to Selma's hall; Snitho, the friend of Larthmor's youth. He told of the king of Berrathon: the wrath of Fingal arose. Thrice he assumed the spear, resolved to stretch his hand to Uthal. But the memory of his deeds rose before the king. He sent his son and Toscar. Our joy was great on the rolling sea. We often half unsheathed our swords. For never before had we fought alone, in battles of the spear.

Night came down on the ocean. The winds departed on their wings. Cold and pale is the moon. The red stars lift their heads on high. Our course is slow along the coast of Berrathon. The white waves tumble on the rocks. "What voice is that," said Toscar, "which comes between the sounds of the waves? It is soft hut mournful, like the voice of departed bards. But I behold a maid. She sits on the rock alone. Her head bends on her arms of snow. Her dark hair is in the wind. Hear, son of Fingal, her song; it is smooth as the gliding stream. We came to the silent bay, and heard the maid of night.

"How long will ye roll round me, blue-tumbling waters of ocean? My dwelling was not always in caves, nor beneath the whistling tree. The feast was spread in Tor-thoma's hall. My father delighted in my voice. The youths beheld me in the steps of my loveliness. They blessed the dark-haired Nina-thoma. It was then thou didst come, O Uthal! like the sun €4 heaven! The souls of the virgins are thine, son of generous Larthmor! But why dost thou leave me alone, in the midst of roaring waters? Was my soul dark with thy death? Did my while hand lift the sword? Why then hast thou left me alone, king of high Fin-thormo?"

The tear started from my eye, when I heard the voice of the maid. I stood before her in my arms. I spoke the words of peace! "Lovely dweller of the cave! what sigh is in thy breast? Shall Ossian lift his sword in thy presence, the destruction of thy foes? Daughter of Tor-thoma, rise! I have heard the words of thy grief. The race of Morven are around thee, who never injured the weak. Come to our dark bosomed ship, thou brighter than the setting moon! Our course is to the rocky Berrathon, to the echoing walls of Fin-thormo." She came in her beauty; she came with all her lovely steps. Silent joy brightened in her face; as when the shadows fly from the field of spring; the blue stream is rolling in brightness, and the green bush bends over its course!

The morning rose with its beams. We came to Rothma's bay. A boar rushed from the wood: my spear pierced his side, and he fell. I rejoiced over the blood. I foresaw my growing fame. But now the sound of Uthal's train came, from the high Fin-thormo. They spread over the heath to the chase of the boar. Himself comes slowly on, in the pride of his strength. He lifts two pointed spears. On his side is the hero's sword. Three youths carry his polished bows. The bounding of five dogs is before him. His heroes move on, at a distance, admiring the steps of the king. Stately was the son of Larthmor! but his soul was dark! Dark as the troubled face of the moon, when it foretells the storms.

We rose on the heath before the king. He stopped in the midst of his course. His heroes gathered around. A. gray-haired bard advanced. "Whence are the sons of the strangers?" began the bard of song. "The children of the unhappy come to Berrathon: to the sword of car-borne Uthal. He spreads no feast in his hall. The blood of strangers is on his streams. If from Selma's walls ye come, from the mossy walls of Fingal, choose three youths to go to your king to tell of the fall of his people. Perhaps the hero may come and pour his blood on Uthal's sword. So shall the fame of Fin-thormo arise; like the growing tree of the vale!"

"Never, will it rise, O bard!" I said, in the pride of my wrath. "He would shrink from the presence of Fingal, whose eyes are the flames of death. The son of Comhal comes, and kings vanish before him. They are rolled together, like mist, by the breath of his rage. Shall three tell to Fingal, that his people fell? Yes! they may tell it, bard! but his people shall fall with fame!"

I stood in the darkness of my strength. Toscar drew his sword at my side. The foe came on like a stream. The mingled sound of death arose. Man took man; shield met shield; steel mixed its beams with steel. Darts hiss through air. Spears ring on mails. Swords on broken bucklers bound. All the noise of an aged grove beneath the roaring wind, when a thousand ghosts break the trees by night, such was the din of arms! But Uthal fell beneath my sword. The sons of Berrathon fled. It was then I saw him in his beauty, and the tear hung in my eye! "Thou art fallen, young tree, I said, with all thy beauty round thee. Thou art fallen on thy plains, and the field is bare. The winds come from the desert! there is no sound in thy leaves! Lovely art thou in death, son of car-borne Larthmor"

Nina-thoma sat on the shore. She heard the sound of battle. She turned her red eyes on Lethmal, the gray-haired bard of Selma. He alone had remained on the coast with the daughter of Tor-thoma. "Son of the times of old!" she said, "I hear the noise of death. Thy friends have met with Uthal, and the chief is low! O that I had remained on the rock, enclosed with the tumbling waves? Then would my soul be sad, but his death would not reach my ear. Art thou fallen on the heath, O son of high Fin-thormo? Thou didst leave me on a rock, but my soul was full of thee. Son of high Fin-thormo! art thou fallen on thy heath?"

She rose pale in her tears. She saw the bloody shield of Uthal. She saw it in Ossian's hand. Her steps were distracted on the heath. She flew. She found him. She fell. Her soul came forth in a sigh. Her hair is spread on her face. My bursting tears descend. A tomb arose on the unhappy. My song of wo was heard. "Rest, hapless children of youth! Rest at the noise of that mossy stream! The virgins will see your tomb, at the chase, and turn away their weeping eyes. Your fame will be in song. The voice of the harp will be heard in your praise. The daughters of Selma shall hear it: your renown shall be in other lands. Rest, children of youth, at the noise of the mossy stream!"

Two days we remained on the coast. The heroes of Berrathon convened. We brought Larthmor to his halls. The feast of shells is spread. The joy of the aged was great. He looked to the arms of his fathers; the arms which he left in his hall, when the pride of Uthal rose. We were renowned before Larthmor. He blessed the chiefs of Morven. He knew not that his son was low, the stately strength of Uthal! They had told, that he had retired to the woods, with the tears of grief. They had told it, but he was silent in the tomb of Rothma's heath.

On the fourth day we raised our sails, to the roar of the northern wind. Larthmor came to the coast. His bards exalted the song. The joy of the king was great; he looked to Rothma's gloomy heath. He saw the tomb of his son. The memory of Uthal rose. "Who of my heroes," he said, "lies there? he seems to have been of the kings of men. Was he renowned in my halls before the pride of Uthal rose? Ye are silent, sons of Berrathon! is the king of heroes low? My heart melts for thee, O Uthal! though thy hand was against thy father. O that I had remained in the cave! that my son had dwelt in Fin-thormo! I might have heard the tread of his feet, when he went to the chase of the boar. I might have heard his voice on the blast of my cave. Then would my soul be glad; but now darkness dwells in my halls."

Such were my deeds, son of Alpin, when the arm of my youth was strong. Such the actions of Toscar, the car-borne son of Conloch. But Toscar is on his flying cloud. I am alone at Lutha. My voice is like the last sound of the wind, when it forsakes the woods. But Ossian shall not be long alone. He sees the mist that shall receive his ghost. He beholds the mist that shall form his robe, when he appears on his hills. The Sons of feeble men shall behold me, and admire the stature of the chiefs of old. They shall creep to their caves. They shall look to the sky with fear: for my steps shall be in the clouds. Darkness shall roll on my side.

Lead, son of Alpin, lead the aged to his woods. The winds begin to rise. The dark wave of the lake resounds. Bends there not a tree from Mora with its branches bare? It bends, son of Alpin, in the rustling blast. My harp hangs on a blasted branch. The sound of its strings is mournful. Does the wind touch thee, O harp, or is it some passing ghost? It is the hand of Malvina! Bring me the harp, son of Alpin. Another song shall rise. My soul shall depart in the sound. My fathers shall hear it in their airy hail. Their dim faces shall hang, with joy, from their clouds; and their hands receive their son. The aged oak bends over the stream. It sighs with all its moss. The withered fern whistles near, and mixes, as it waves, with Ossian's hair.

"Strike the harp, and raise the song: be near, with all your wings, ye winds. Bear the mournful sound away to Fingal's airy hail. Bear it to Fingal's hall, that he may hear the voice of his son: the voice of him that praised the mighty!

"The blast of north opens thy gates, O king! I behold thee sitting on mist dimly gleaming in all thine arms. Thy form now is not the terror of the valiant. It is like a watery cloud, when we see the stars behind it with their weeping eyes. Thy shield is the aged moon: thy sword a vapor half kindled with fire. Dim and feeble is the chief who travelled in brightness be fore! But thy steps are on the winds of the desert. The storms are darkening in thy hand. Thou takest the sun in thy wrath, and hidest him in thy clouds. The sons of little men are afraid. A thousand showers descend. But when thou comest forth in thy mildness, the gale of the morning is near thy course. The sun laughs in his blue fields. The gray stream winds in its vale. The bushes shake their green heads in the wind. The roes bound towards the desert.

"There is a murmur in the heath! the stormy winds abate! I hear the voice of Fingal. Long has it been absent from mine ear! 'Come, Ossian, come away, he says. Fingal has received his fame. We passed away, like flames that have shone for a season. Our departure was in renown. Though the plains of our battles are dark and silent; our fame is in the four gray stones. The voice of Ossian has been heard. The harp has been strung in Selma. 'Come, Ossian, come away,' he says; 'come, fly with thy fathers on clouds.' I come, I come, thou king of men! The life of Ossian fails. I begin to vanish on Cona. My steps are not seen in Selma. Beside the stone of Mora I shall fall asleep. The winds whistling in my gray hair, shall not awaken me. Depart on thy wings, O wind, thou canst not disturb the rest of the bard. The night is long, but his eyes are heavy. Depart, thou rustling blast.

"But why art thou sad, son of Fingal? Why grows the cloud of thy soul? The chiefs of other times are departed. They have gone without their fame. The sons of future years shall pass away. Another race shall arise. The people are like the waves of ocean; like the leaves of woody Morven, they pass away in the rustling blast, and other leaves lift their green heads on high.

"Did thy beauty last, O Ryno? Stood the strength of car-borne Oscar! Fingal himself departed! The hails of his fathers forgot his steps. Shalt thou then remain, thou aged bard? when the mighty have failed? But my fame shall remain, and grow like the oak of Morven; which lifts its broad head to the storm, and rejoices in the course of the wind?"

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New Day

What we gon' do right now is go back, way back
Bring in the groove
I wanna dedicate this to those who never made it
>From kindergarten to the 12th I never graduated
Yo but college wasn't for some of us
So we joined the service
I seen a kid get murdered in Nam listening to Elvis
But on the out looking in
Things stay the same
But at the same vein
Looking out the whole world's changed
So keep your head up
Don't get caught up in the fast bucks
And find your mom crying while your lying in a black tux
Trust me
We don't need no education says a young man
Sitting in class (sitting in class)
School is out 3 o'clock on the dot
He had beef with some kids and he got shot, oh Lord
Turn on the television
I'm watching Martin Luther King who had a dream, oh
So take this dream and apply it to your life
Even though we know the ghetto's rough
But we got to
1 - Keep your head up
(Uh keep your head up)
Cause a new day will come
(Uh-huh, uh-huh)
And look towards the sun
(Look towards the sun)
Even when the darkness shall come
(Ooh) It's real son
(Ooh) To my people living Life it's real son
I turn the page
What's the news today
People getting fired, walking on a wire
Looting on the streets cause the kid's gotta eat
Oh, oh turn around and look at the hour glass
I gotta get it straight
Before it's too late
Cause I don't wanna be behind that gates
Keep your head up
(Uh keep your head up)
Cause a new day will come
(Uh-huh, uh-huh)
And look towards the sun
Even when the darkness shall come
2 - All my people in the back
Mama, mama
You know you raised me with no father figure
(Didn't ya)
I wanna take this time to thank you
For giving me life, oh yeah
Mama, mama
You know you raised me with no father figure
(Didn't ya)
I wanna take this time to thank you
Even though I'm doing Life
Alright
(Ooh) It's real son, alright
(Ooh) Can't flee
(Ooh)All my people doing time
(Ooh)People in the back playing cards
(Ooh)Don't lose your money yeah
Yeah tell them don't lose your money, c'mon, c'mon
Repeat 1
Repeat 2
(Ooh) For my people doing time (alright)
(Ooh) For my people doing time (alright)

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The Prophets Song

Words and music by brian may
Oh oh people of the earth
Listen to the warning the seer he said
Beware the storm that gathers here
Listen to the wise man
I dreamed I saw on a moonlit stair
Spreading his hand to the multitude there
A man who cried for a love gone stale
And ice cold hearts of charity bare
I watched as fear took the old mans gaze
Hopes of the young in troubled graves
i see no day I heard him say
So grey is the face of every mortal
Oh oh people of the earth!
listen to the warning the prophet he said
For soon the cold of night will fall
Summoned by your own hand
Ah ah children of the land
Quicken to the new life take my hand
Fly and find the new green bough
Return like the white dove
He told of death as a bone white haze
Taking the lost and the unloved babes
Late too late all the wretches run
These kings of beasts now counting their days
From mothers love is the son estranged
Married his own his precious gain
The earth will shake in two will break
And death all round will be your dowry
Oh oh people of the earth
Listen to the warning the seer he said
For those who hear and mark my words
Listen to the good plan
Oh oh oh oh and two by two my human zoo
Theyll be running for to come
Running for to come out of the rain
Oh flee for your lives who heed me not
Let all your treasures make you fear for your life
Deceive you not the fires of hell will take you
Should death await you
Ah people can you hear me?
And now I know and now I know
And now I know and now I know
That you can hear me
And now I know and now I know
And now I know now I know
Now I know now I know
Now I know now I know
Now I know
The earth will shake in two will break
Death all around around around around
Around around around around
Now I know now I know
Now I know now I know
Now I know now I know
Now I know now I know
Now I know now I know
Now I know
Wo wo wo wo wo wo wo wo wo
Listen to the wise listen to the wise listen to the wise
Listen to the wise listen to the wise man
La la
La la la la la la
La la la la la la
La la la la la la
La la la la la la
La la la la la la
La la la la la la
La la
La la
La la
Come here I hear you
Come here I hear you
Come here I hear you
Ah ah ah ah ah
Listen to the man listen to the man listen to the man listen
To the mad man
God gave you grace to purge this place
And peace all around may be your fortune
Oh oh children of the land
Love is still the answer take my hand
The vision fades a voice I hear
Listen to the madman!
But still I fear and still I dare not
Laugh at the madman!

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In The Month When Sings The Cuckoo

Hark! Spring is coming. Her herald sings,
Cuckoo!
The air resounds and the woodland rings,
Cuckoo! Cuckoo!
Leave the milking pail and the mantling cream,
And down by the meadow, and up by the stream,
Where movement is music and life a dream,
In the month when sings the cuckoo.

Away with old Winter's frowns and fears,
Cuckoo! Cuckoo!
Now May with a smile dries April's tears.
Cuckoo!
When the bees are humming in bloom and bud,
And the kine sit chewing the moist green cud,
Shall the snow not melt in a maiden's blood,
In the month when sings the cuckoo?

The popinjay mates and the lapwing woos;
Cuckoo!
In the lane is a footstep. I wonder whose?
Cuckoo! Cuckoo!
How sweet are low whispers! and sweet, so sweet,
When the warm hands touch and the shy lips meet,
And sorrel and woodruff are round our feet,
In the month when sings the cuckoo.

Your face is as fragrant as moist musk-rose;
Cuckoo! Cuckoo!
All the year in your cheek the windflower blows;
Cuckoo! Cuckoo!
You flit as blithely as bird on wing;
And when you answer, and when they sing,
I know not if they, or You, be Spring,
In the month when pairs the cuckoo.

Will you love me still when the blossom droops?
Cuckoo!
When the cracked husk falls and the fieldfare troops?
Cuckoo!
Let sere leaf or snowdrift shade your brow,
By the soul of the Spring, sweet-heart, I vow,
I will love you then as I love you now,
In the month when sings the cuckoo.

Smooth, smooth is the sward where the loosestrife grows,
Cuckoo! Cuckoo!
As we lie and hear in a dreamy doze,
Cuckoo! Cuckoo! Cuckoo!
And smooth is the curve of a maiden's cheek,
When she loves to listen but fears to speak,
And we yearn but we know not what we seek,
In the month when sings the cuckoo.

But in warm mid summer we hear no more,
Cuckoo!
And August brings not, with all its store,
Cuckoo!
When Autumn shivers on Winter's brink,
And the wet wind wails through crevice and chink,
We gaze at the logs, and sadly think
Of the month when called the cuckoo.

But the cuckoo comes back and shouts once more,
Cuckoo!
And the world is as young as it was before;
Cuckoo! Cuckoo!
It grows not older for mortal tears,
For the falsehood of men or for women's fears;
'Tis as young as it was in the bygone years,
When first was heard the cuckoo.

I will love you then as I love you now.
Cuckoo!
What cares the Spring for a broken vow?
Cuckoo! Cuckoo!
The broods of last year are pairing, this;
And there never will lack, while love is bliss,
Fresh ears to cozen, fresh lips to kiss,
In the month when sings the cuckoo.

O cruel bird! will you never have done?
Cuckoo! Cuckoo! Cuckoo!
You sing for the cloud, as you sang for the sun;
Cuckoo! Cuckoo!
You mock me now as you mocked me then,
When I knew not yet that the loves of men
Are as brief as the glamour of glade and glen,
And the glee of the fleeting cuckoo.

O, to lie once more in the long fresh grass,
Cuckoo!
And dream of the sounds and scents that pass;
Cuckoo! Cuckoo!
To savour the woodbine, surmise the dove,
With no roof save the far-off sky above,
And a curtain of kisses round couch of love,
While distantly called the cuckoo.

But if now I slept, I should sleep to wake
To the sleepless pang and the dreamless ache,
To the wild babe blossom within my heart,
To the darkening terror and swelling smart,
To the searching look and the words apart,
And the hint of the tell-tale cuckoo.

The meadow grows thick, and the stream runs deep,
Cuckoo!
Where the aspens quake and the willows weep;
Cuckoo! Cuckoo!
The dew of the night and the morning heat
Will close up the track of my farewell feet:-
So good-bye to the life that once was sweet,
When so sweetly called the cuckoo.

The kine are unmilked, and the cream unchurned,
Cuckoo!
The pillow unpressed, and the quilt unturned,
Cuckoo! Cuckoo!
'Twas easy to gibe at a beldame's fear
For the quick brief blush and the sidelong tear;
But if maids will gad in the youth of the year,
They should heed what says the cuckoo.

There are marks in the meadow laid up for hay,
Cuckoo!
And the tread of a foot where no foot should stray:
Cuckoo! Cuckoo!
The banks of the pool are broken down,
Where the water is quiet and deep and brown;-
The very spot, if one longed to drown,
And no more to hear the cuckoo.

'Tis a full taut net and a heavy haul.
Cuckoo! Cuckoo!
Look! her auburn hair and her trim new shawl!
Cuckoo! Cuckoo!
Draw a bit this way where 'tis not so steep;
There, cover her face! She but seems asleep;
While the swallows skim and the graylings leap,
And joyously sings the cuckoo.

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William Butler Yeats

The Grey Rock

Poets with whom I learned my trade.
Companions of the Cheshire Cheese,
Here's an old story I've remade,
Imagining 'twould better please
Your cars than stories now in fashion,
Though you may think I waste my breath
Pretending that there can be passion
That has more life in it than death,
And though at bottling of your wine
Old wholesome Goban had no say;
The moral's yours because it's mine.

When cups went round at close of day --
Is not that how good stories run? --
The gods were sitting at the board
In their great house at Slievenamon.
They sang a drowsy song, Or snored,
For all were full of wine and meat.
The smoky torches made a glare
On metal Goban 'd hammered at,
On old deep silver rolling there
Or on somc still unemptied cup
That he, when frenzy stirred his thews,
Had hammered out on mountain top
To hold the sacred stuff he brews
That only gods may buy of him.

Now from that juice that made them wise
All those had lifted up the dim
Imaginations of their eyes,
For one that was like woman made
Before their sleepy eyelids ran
And trembling with her passion said,
'Come out and dig for a dead man,
Who's burrowing Somewhere in the ground
And mock him to his face and then
Hollo him on with horse and hound,
For he is the worst of all dead men.'

We should be dazed and terror-struck,
If we but saw in dreams that room,
Those wine-drenched eyes, and curse our luck
That empticd all our days to come.
I knew a woman none could please,
Because she dreamed when but a child
Of men and women made like these;
And after, when her blood ran wild,
Had ravelled her own story out,
And said, 'In two or in three years
I needs must marry some poor lout,'
And having said it, burst in tears.

Since, tavern comrades, you have died,
Maybe your images have stood,
Mere bone and muscle thrown aside,
Before that roomful or as good.
You had to face your ends when young -
'Twas wine or women, or some curse -
But never made a poorer song
That you might have a heavier purse,
Nor gave loud service to a cause
That you might have a troop of friends,
You kept the Muses' sterner laws,
And unrepenting faced your ends,
And therefore earned the right - and yet
Dowson and Johnson most I praise -
To troop with those the world's forgot,
And copy their proud steady gaze.

'The Danish troop was driven out
Between the dawn and dusk,' she said;
'Although the event was long in doubt.
Although the King of Ireland's dead
And half the kings, before sundown
All was accomplished.

'When this day
Murrough, the King of Ireland's son,
Foot after foot was giving way,
He and his best troops back to back
Had perished there, but the Danes ran,
Stricken with panic from the attack,
The shouting of an unseen man;
And being thankful Murrough found,
Led by a footsole dipped in blood
That had made prints upon the ground,
Where by old thorn-trees that man stood;
And though when he gazed here and there,
He had but gazed on thorn-trees, spoke,
"Who is the friend that seems but air
And yet could give so fine a stroke?"
Thereon a young man met his eye,
Who said, "Because she held me in
Her love, and would not have me die,
Rock-nurtured Aoife took a pin,
And pushing it into my shirt,
Promised that for a pin's sake
No man should see to do me hurt;
But there it's gone; I will not take
The fortune that had been my shame
Seeing, King's son, what wounds you have."
'Twas roundly spoke, but when night came
He had betrayed me to his grave,
For he and the King's son were dead.
I'd promised him two hundred years,
And when for all I'd done or said --
And these immortal eyes shed tears --
He claimed his country's need was most,
I'd saved his life, yet for the sake
Of a new friend he has turned a ghost.
What does he cate if my heart break?
I call for spade and horse and hound
That we may harry him.' Thereon
She cast herself upon the ground
And rent her clothes and made her moan:
'Why are they faithless when their might
Is from the holy shades that rove
The grey rock and the windy light?
Why should the faithfullest heart most love
The bitter sweetness of false faces?
Why must the lasting love what passes,
Why are the gods by men betrayed?'

But thereon every god stood up
With a slow smile and without sound,
And Stretching forth his arm and cup
To where she moaned upon the ground,
Suddenly drenched her to the skin;
And she with Goban's wine adrip,
No more remembering what had been.
Stared at the gods with laughing lip.

I have kept my faith, though faith was tried,
To that rock-born, rock-wandering foot,
And thc world's altered since you died,
And I am in no good repute
With the loud host before the sea,
That think sword-strokes were better meant
Than lover's music -- let that be,
So that the wandering foot's content.

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John Dryden

Theodore And Honoria. From Boccace

Of all the cities in Romanian lands,
The chief and most renowned Ravenna stands;
Adorned in ancient times with arms and arts,
And rich inhabitants with generous hearts.
But Theodore the brave, above the rest,
With gifts of fortune and of nature blessed,
The foremost place for wealth and honour held,
And all in feats of chivalry excelled.

This noble youth to madness loved a dame
Of high degree, Honoria was her name;
Fair as the fairest, but of haughty mind,
And fiercer than became so soft a kind;
Proud of her birth (for equal she had none),
The rest she scorned, but hated him alone;
His gifts, his constant courtship, nothing gained;
For she, the more he loved, the more disdained,
He lived with all the pomp he could devise,
At tilts and turnaments obtained the prize,
But found no favour in his lady's eyes:
Relentless as a rock, the lofty maid
Turned all to poison that he did or said:
Nor prayers nor tears nor offered vows could move;
The work went backward; and the more he strove
To advance his suit, the farther from her love.

Wearied at length, and wanting remedy,
He doubted oft, and oft resolved to die.
But pride stood ready to prevent the blow,
For who would die to gratify a foe?
His generous mind disdained so mean a fate;
That passed, his next endeavour was to hate.
But vainer that relief than all the rest;
The less he hoped, with more desire possessed;
Love stood the siege, and would not yield his breast.

Change was the next, but change deceived his care;
He sought a fairer, but found none so fair.
He would have worn her out by slow degrees,
As men by fasting starve the untamed disease;
But present love required a present ease.
Looking, he feeds alone his famished eyes,
Feeds lingering death, but, looking not, he dies.
Yet still he chose the longest way to fate,
Wasting at once his life and his estate.

His friends beheld, and pitied him in vain.
For what advice can ease a lover's pain?
Absence, the best expedient they could find,
Might svae the fortune, if not cure the mind:
This means they long proposed, but little gained,
Yet after much pursuit at length obtained.

Hard you may think it was to give consent,
But struggling with his own desires he went;
With large expense, and with a pompous train,
Provided as to visit Fraunce or Spain,
Or for some distant voyage o'er the main.
But Love had clipped his wings, and cut him short,
Confined within the purlieus of his court.
Three miles he went, nor farther could retreat;
His travels ended at his country seat:
To Chassi's pleasing plains he took his way,
There pitched his tents, and there resolved to stay.

The spring was in the prime, the neighbouring grove
Supplied with birds, the choristers of love;
Music unbought, that ministered delight
To morning walks, and lulled his cares by night:
There he discharged his friends, but not the expense
Of frequent treats and proud magnificence.
He lived as kings retire, though more at large
From public business, yet with equal charge;
With house and heart still open to receive;
As well content as love would give him leave:
He would have lived more free; but many a guest,
Who could forsake the friend, pursued the feast.

It happed one morning, as his fancy led,
Before his usual hour he left his bed,
To walk within a lonely lawn, that stood
On every side surrounded by the wood:
Alone he walked, to please his pensive mind,
And sought the deepest solitude to find;
'Twas in a grove of spreading pines he strayed;
The winds within the quivering branches played,
And dancing trees a mournful music made;
The place it self was suiting to his care,
Uncouth and savage as the cruel fair.
He wandered on, unknowing where he went,
Lost in the wood, and all on love intent:
The day already half his race had run,
And summoned him to due repast at noon,
But Love could feel no hunger but his own.

While listening to the murmuring leaves he stood,
More than a mile immersed within the wood,
At once the wind was laid; the whispering sound
Was dumb; a rising earthquake rocked the ground;
With deeper brown the grove was overspread,
A sudden horror seized his giddy head,
And his ears tinkled, and his colour fled.
Nature was in alarm; some danger nigh
Seemed threatened, though unseen to mortal eye.
Unused to fear, he summoned all his soul,
And stood collected in him self -- and whole;
Not long: for soon a whirlwind rose around,
And from afar he heard a screaming sound,
As of a dame distressed, who cried for aid,
And filled with loud laments the secret shade.

A thicket close beside the grove there stood,
With breers and brambles choked, and dwarfish wood;
From thence the noise, which now approaching near
With more distinguished notes invades his ear;
He raised his head, and saw a beauteous maid
With hair dishevelled issuing through the shade;
Stripped of her clothes, and e'en those parts revealed
Which modest nature keeps from sight concealed.
Her face, her hands, her naked limbs were torn,
With passing through the brakes and prickly thorn;
Two mastiffs gaunt and grim her flight pursued,
And oft their fastened fangs in blood imbrued:
Oft they came up, and pinched her tender side,
'Mercy, O mercy, Heaven,' she ran, and cried:
When Heaven was named, they loosed their hold again.
Then sprung she forth, they followed her amain.

Not far behind, a knight of swarthy face
High on a coal-black steed pursued the chace;
With flashing flames his ardent eyes were filled,
And in his hands a naked sword he held:
He cheered the dogs to follow her who fled,
And vowed revenge on her devoted head.

As Theodore was born of noble kind,
The brutal action roused his manly mind:
Moved with unworthy usage of the maid,
He, though unarmed, resolved to give her aid.
A saplin pine he wrenched from out the ground,
The readiest weapon that his fury found.
Thus, furnished for offence, he crossed the way
Betwixt the graceless villain and his prey.

The knight came thundering on, but, from afar,
Thus in imperious tone forbad the war:
'Cease, Theodore, to proffer vain relief,
'Nor stop the vengeance of so just a grief;
'But give me leave to seize my destined prey,
'And let eternal justice take the way:
'I but revenge my fate, disdained, betrayed,
'And suffering death for this ungrateful maid.'

He said, at once dismounting from the steed;
For now the hell-hounds with superior speed
Had reached the dame, and, fastening on her side,
The ground with issuing streams of purple dyed.
Stood Theodore surprised in deadly fright,
With chattering teeth, and bristling hair upright;
Yet armed with inborn worth, -- 'Whate'er,' said he,
'Thou art, who knowst me better than I thee;
'Or prove thy rightful cause, or be defied.'
The spectre fiercely staring, thus replied:

'Know, Theodore, thy ancestry I claim,
'And Guido Cavalcanti was my name.
'One common sire our fathers did beget,
'My name and story some remember yet;
'Thee, then a boy, within my arms I laid,
'When for my sins I loved this haughty maid;
'Not less adored in life, nor served by me,
'Than proud Honoria now is loved by thee.
'What did I not her stubborn heart to gain?
'But all my vows were answered with disdain:
'She scorned my sorrows, and despised my pain.
'Long time I dragged my days in fruitless care;
'Then loathing life, and plunged in deep despair,
'To finish my unhappy life I fell
'On this sharp sword, and now am damned in hell.

'Short was her joy; for soon the insulting maid
'By Heaven's decree in the cold grave was laid;
'And as in unrepenting sin she died,
'Doomed to the same bad place, is punished for her pride:
'Because she deemed I well deserved to die,
'And made a merit of her cruelty.
'There, then, we met; both tried, and both were cast,
'And this irrevocable sentence passed,
'That she, whom I so long pursued in vain,
'Should suffer from my hands a lingering pain:
'Renewed to life, that she might daily die,
'I daily doomed to follow, she to fly;
'No more a lover, but a mortal foe,
'I seek her life (for love is none below);
'As often as my dogs with better speed
'Arrest her flight, is she to death decreed:
'Then with this fatal sword, on which I died,
'I pierce her opened back or tender side,
'And tear that hardened heart from out her breast,
'Which with her entrails makes my hungry hounds a feast.
'Nor lies she long, but as her fates ordain,
'Springs up to life, and fresh to second pain,
'Is saved to-day, to-morrow to be slain.'

This, versed in death, the infernal knight relates,
And then for proof fulfilled their common fates;
Her heart and bowels through her back he drew,
And fed the hounds that helped him to pursue.
Stern looked the fiend, as frustrate of his will,
Not half sufficed, and greedy yet to kill.
And now the soul, expiring through the wound,
Had left the body breathless on the ground,
When thus the grisly spectre spoke again:
'Behold the fruit of ill-rewarded pain!
'As many months as I sustained her hate,
'So many years is she condemned by Fate
'To daily death; and every several place
'Conscious of her disdain and my disgrace,
'Must witness her just punishment, and be
'A scene of triumph and revenge to me.
'As in this grove I took my last farewell,
'As on this very spot of earth I fell,
'As Friday saw me die, so she my prey
'Becomes even here, on this revolving day.'

Thus while he spoke, the virgin from the ground
Upstarted fresh, already closed the wound,
And unconcerned for all she felt before,
Precipitates her flight along the shore:
The hell-hounds, as ungorged with flesh and blood,
Pursue their prey, and seek their wonted food:
The fiend remounts his courser, mends his pace,
And all the vision vanished from the place.

Long stood the noble youth oppressed with awe
And stupid at the wondrous things he saw,
Surpassing common faith, transgressing Nature's law:
He would have been asleep, and wished to wake,
But dreams, he knew, no long impression make,
Though strong at first; if vision, to what end,
But such as must his future state portend,
His love the damsel, and himself the fiend?
But yet reflecting that it could not be
From Heaven, which cannot impious acts decree,
Resolved within him self to shun the snare
Which hell for his destruction did prepare;
And as his better genius should direct,
From an ill cause to draw a good effect.

Inspired from Heaven he homeward took his way,
Nor palled his new design with long delay;
But of his train a trusty servant sent
To call his friends together at his tent.
They came, and, usual salutations paid,
With words premeditated thus he said:
'What you have often counselled, to remove
'My vain pursuit of unregarded love,
'By thrift my sinking fortune to repair,
'Though late, yet is at last become my care:
'My heart shall be my own; my vast expense
'Reduced to bounds by timely providence:
'This only I require; invite for me
'Honoria, with her father's family,
'Her friends and mine; the cause I shall display,
'On Friday next, for that's the appointed day.'

Well pleased were all his friends, the task was light,
The father, mother, daughter they invite;
Hardly the dame was drawn to this repast;
But yet resolved, because it was the last.
The day was come, the guests invited came,
And with the rest the inexorable dame:
A feast prepared with riotous expense,
Much cost, more care, and most magnificence.
The place ordained was in that haunted grove
Where the revenging ghost pursued his love:
The tables in a proud pavilion spread,
With flowers below, and tissue overhead;
The rest in rank, Honoria, chief in place,
Was artfully contrived to set her face
To front the thicket and behold the chace.
The feast was served, the time so well forecast,
That just when the dessert and fruits were placed,
The fiend's alarm began; the hollow sound
Sung in the leaves, the forest shook around,
Air blackened, rolled the thunder, groaned the ground.

Nor long before the load laments arise,
Of one distressed, and mastiffs' mingled cries;
And first the dame came rushing through the wood,
And next the famished hounds that sought their food,
And griped her flanks, and oft essayed their jaws in blood.
Last came the felon on the sable steed,
Armed with his naked sword, and urged his dogs to speed.
She ran, and cried, her flight directly bent
(A guest unbidden) to the fatal tent,
The scene of death, and place ordained for punishment.
Loud was the noise, aghast was every guest,
The woman shrieked, the men forsook the feast;
The hounds at nearer distance hoarsely bayed;
The hunter close pursued the visionary maid,
She rent the heaven with loud laments, imploring aid.

The gallants, to protect the lady's right,
Their fauchions brandished at the grisly spright;
High on his stirrups he provoked the fight.
Then on the crowd he cast a furious look,
And withered all their strength before he strook:
'Back on your lives! let be,' said he, 'my prey,
'And let my vengeance take the destined way:
'Vain are your arms, and vainer your defence,
'Against the eternal doom of Providence:
'Mine is the ungrateful maid by Heaven designed:
'Mercy she would not give, nor mercy shall she find.'
At this the former tale again he told
With thundering tone, and dreadful to behold:
Sunk were their hearts with horror of the crime,
Nor needed to be warned a second time,
But bore each other back; some knew the face,
And all had heard the much lamented case
Of him who fell for love, and this the fatal place.

And now the infernal minister advanced,
Seized the due victim, and with fury lanced
Her back, and piercing through her inmost heart,
Drew backward as before the offending part.
The recking entrails next he tore away,
And to his meagre mastiffs made a prey.
The pale assistants on each other stared,
With gaping mouths for issuing words prepared;
The stillborn sounds upon the palate hung,
And died imperfect on the faltering tongue.
The fright was general; but the female band,
A helpless train, in more confusion stand:
With horror shuddering, on a heap they run,
Sick at the sight of hateful justice done;
For conscience rung the alarm, and made the case their own.

So spread upon a lake, with upward eye,
A plump of fowl behold their foe on high;
They close their trembling troop; and all attend
On whom the sowsing eagle will descend.

But most the proud Honoria feared the event,
And thought to her alone the vision sent.
Her guilt presents to her distracted mind
Heaven's justice, Theodore's revengeful kind,
And the same fate to the same sin assigned;
Already sees her self the monster's prey,
And feels her heart and entrails torn away.
'Twas a mute scene of sorrow, mixed with fear;
Still on the table lay the unfinished cheer:
The knight and hungry mastiffs stood around,
The mangled dame lay breathless on the ground;
When on a sudden, re-inspired with breath,
Again she rose, again to suffer death;
Nor stayed the hell-hounds, nor the hunter stayed,
But followed, as before, the flying maid:
The avenger took from earth the avenging sword,
And mounting light as air his sable steed he spurred:
The clouds dispelled, the sky resumed her light,
And Nature stood recovered of her fright.

But fear, the last of ills, remained behind,
And horror heavy sat on every mind.
Nor Theodore encouraged more his feast,
But sternly looked, as hatching in his breast
Some deep design, which when Honoria viewed
The fresh impulse her former fright renewed:
She thought her self the trembling dame who fled,
And him the grisly ghost that spurred the infernal steed:
The more dismayed, for when the guests withdrew,
Their courteous host saluting all the crew,
Regardless passed her o'er, nor graced with kind adieu.
That sting infixed within her haughty mind,
The downfall of her empire she divined;
And her proud heart with secret sorrow pined.
Home as they went, the sad discourse renewed,
Of the relentless dame to death pursued,
And of the sight obscene so lately viewed;
None durst arraign the righteous doom she bore,
Even they who pitied most yet blamed her more:
The parallel they needed not to name,
But in the dead they damned the living dame.

At every little noise she looked behind,
For still the knight was present to her mind:
And anxious oft she started on the way,
And thought the horseman-ghost came thundering for his prey.
Returned, she took her bed with little rest,
But in short slumbers dreamt the funeral feast;
Awaked, she turned her side, and slept again;
The same black vapours mounted in her brain,
And the same dreams returned with double pain.

Now forced to wake, because afriad to sleep,
Her blood all fevered, with a furious leap
She sprung from bed, distracted in her mind,
And feared, at every step, a twitching spright behind.
Darkling and desperate, with a staggering pace,
Of death afraid, and conscious of disgrace,
Fear, pride, remorse, at once her heart assailed;
Pride put remorse to flight, but fear prevailed.
Friday, the fatal day, when next it came,
Her soul forethought the fiend would change his game,
And her pursue, or Theodore be slain,
And two ghosts join their packs to hunt her o'er the plain.

This dreadful image so possessed her mind,
That, desperate any succour else to find,
She ceased all farther hope; and now began
To make reflection on the unhappy man.
Rich, brave, and young, who past expression loved,
Proof to disdain, and not to be removed:
Of all the men respected and admired,
Of all the dames, except her self, desired:
Why not of her? preferred above the rest
By him with knightly deeds, and open love professed?
So had another been, where he his vows addressed.
This quelled her pride, yet other doubts remained,
That once disdaining, she might be disdained.
The fear was just, but greater fear prevailed,
Fear of her life by hellish hounds assailed:
He took a lowering leave; but who can tell
What outward hate might inward love conceal?
Her sex's arts she knew, and why not then
Might deep dissembling have a place in men?
Here hope began to dawn; resolved to try,
She fixed on this her utmost remedy;
Death was behind, but hard it was to die:
'Twas time enough at last on death to call;
The precipice in sight, a shrub was all
That kindly stood betwixt to break the fatal fall.

One maid she had, beloved above the rest:
Secure of her, the secret she confessed;
And now the cheerful light her fears dispelled,
She with no winding turns the truth concealed,
But put the woman off, and stood revealed:
With faults confessed, commissioned her to go,
If pity yet had place, and reconcile her foe.
The welcome message made was soon received;
'Twas what he wished and hoped, but scarce believed:
Fate seemed a fair occasion to present,
He knew the sex, and feared she might repent
Should he delay the moment of consent.
There yet remained to gain her friends (a care
The modesty of maidens well might spare);
But she with such a zeal the cause embraced,
(As women, where they will, are all in haste,)
The father, mother, and the kin beside,
Were overborne by fury of the tide;
With full consent of all she changed her state;
Resistless in her love, as in her hate.

By her example warned, the rest beware;
More easy, less imperious, were the fair;
And that one hunting, which the devil designed
For one fair female, lost him half the kind.

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The Abencerrage : Canto III.

Heroes of elder days! untaught to yield,
Who bled for Spain on many an ancient field;
Ye, that around the oaken cross of yore
Stood firm and fearless on Asturia's shore,
And with your spirit, ne'er to be subdued,
Hallowed the wild Cantabrian solitude;
Rejoice amidst your dwellings of repose,
In the last chastening of your Moslem foes!
Rejoice! - for Spain, arising in her strength,
Hath burst the remnant of their yoke at length,
And they, in turn, the cup of woe must drain,
And bathe their fetters with their tears in vain.
And thou, the warrior
born in happy hour,

Valencia's lord, whose name alone was power,
Theme of a thousand songs in days gone by,
Conqueror of kings! exult, O Cid! on high.
For still 'twas thine to guard thy country's weal,
In life, in death, the watcher for Castile!

Thou, in that hour when Mauritania's bands
Rushed from their palmy groves and burning lands,
E'en in the realm of spirits didst retain
A patriot's vigilance, remembering Spain!
Then, at deep midnight, rose the mighty sound,
By Leon heard, in shuddering awe profound,
As through her echoing streets, in dread array,
Beings, once mortal, held their viewless way:
Voices from worlds we know not - and the tread
Of marching hosts, the armies of the dead,
Thou and thy buried chieftains - from the grave
Then did thy summons rouse a king to save,
And join thy warriors with unearthly might
To aid the rescue in Tolosa's fight.
Those days are past - the crescent on thy shore,
O realm of evening! sets, to rise no more.
What banner of streams afar from Vela's tower?
The cross, bright ensign of Iberia's power!
What the glad shout of each exulting voice?
Castile and Aragon! rejoice, rejoice!
Yielding free entrance to victorious foes,
The Moorish city sees her gates unclose,
And Spain's proud host, with pennon, shield, and lance,
Through her long streets in knightly garb advance.

Oh! ne'er in lofty dreams hath Fancy's eye
Dwelt on a scene of statelier pageantry,
At joust or tourney, theme of poet's lore,
High masque, or solemn festival of yore.
The giled cupolas, that proudly rise
O'erarched by cloudless and cerulean skies;
Tall minarets, shining mosques, barbaric skies;
Fountains, and palaces, and cypress bowers:
And they, the splendid and triumphant throng,
With helmets glittering as they move along
With broidered scarf, and gem-bestudded mail,
And graceful plumage streaming on the gale;
Shields, gold-embossed, and pennons floating far,
And all the gorgeous blazonry of war,
All brightened by the rich transparent hues
That southern suns o'er heaven and earth diffuse;
Blend in one scene of glory, formed to throw
O'er memory's page a never-fading glow.
And there, too, foremost 'midst the conquering brave,
Your azure-plumes, O Aben-Zurrahs! wave.
There Hamet moves; the chief whose lofty port
Seems nor reproach to shun, nor praise to court;
Calm, stern, collected - yet within his breast
Is there no pang, no struggle, unconfessed?
If such there be, it still must dwell unseen,
Nor cloud a triumph with a sufferer's mien.

Hear'st thou the solemn yet exulting sound
Of the deep anthem floating far around?
The choral voices, to the skies that raise
The full majestic harmony of praise?
Lo! where, surrounded by their princely train,
They come, the sovereigns of rejoicing Spain,
Borne on their trophied car - lo! bursting thence
A blaze of chivalrous magnificence!

Onward their slow and stately course they bend
To where the Alhambra's ancient towers ascend,
Reared and adorned by Moorish kings of yore,
Whose lost descendants there shall dwell no more.

They reached those towers - irregularly vast
And rude they seem, in mould barbaric cast:
They enter - to their wondering sight is given
A genii palace - an Arabian heaven!
A scene by magic raised, so strange, so fair,
Its forms and colour seem alike of air.
Here, by sweet orange-bows, half shaded o'er,
The deep clear bath reveals its marble floor,
Its margin fringed with flowers, whose glowing hues
The calm transparence of its wave suffuse.
There, round the court, where Moorish arches bend,
Aerial columns, richly decked, ascend;
Unlike the models of each classic race,
Of Doric grandeur, or Corinthian grace,
But answering well each vision that portrays
Arabian splendour to the poet's gaze:
Wild, wondrous, brilliant, all - a mingling glow
Of rainbow-tints, above, around, below;
Bright streaming from the many-tinctured veins
Of precious marble, and the vivid stains
Of rich mosaics o'er the light arcade,
In gay festoons and fairy knots displayed.
On through the enchanted realm, that only seems
Meet for the radiant creatures of our dreams,
The royal conquerors pass - while still their sight
On some new wonder dwells with fresh delight.
Here the eye roves through slender colonnades,
O'er bowery terraces and myrtle shades;
Dark olive-woods beyond, and far on high
The vast sierra mingling with the sky.
There, scattering far around their diamond spray,
Clear streams from founts of alabaster play,
Through pillared halls, where exquisitely wrought,
Rich arabesques, with glittering foliage fraught,
Surmount each fretted arch, and lend the scene
A wild, romantic, Oriental mien:
While many a verse, from Eastern bards of old,
Borders the walls in characters of gold.
Here Moslem luxury, in her own domain,
Hath held for ages her voluptuous reign
'Midst gorgeous domes, where soon shall silence brood,
And all be lone - a splendid solitude.
Now wake their echoes to a thousand songs,
From mingling voices of exulting throngs;
Tambour, and flute, and atabal, are there,
And joyous clarions pealing on the air;
While every hall resounds, 'Granada won!
Granada! for Castile and Aragon!'

'Tis night - from dome and tower, in dazzling maze,
The festal lamps innumerably blaze;
Through long arcades their quivering lustre gleams
From every lattice their quivering lustre gleams
'Midst orange-gardens plays on fount and rill,
And gilds the waves of Darro and Xenil;
Red flame the torches on each minaret's height,
And shines each street an avenue of light;
And midnight feasts are held, and music's voice
Through the long night still summons to rejoice.

Yet there, while all would seem to heedless eye
One blaze of pomp, one burst of revelry,
Are hearts unsoothed by those delusive hours,
Galled by the chain, though decked awhile with flowers;
Stern passions working in the indignant breast,
Deep pangs untold, high feelings unexpressed,
Heroic spirits, unsubmitting yet -
Vengeance, and keen remorse, and vain regret.

From yon proud height, whose olive-shaded brow
Commands the wide, luxuriant plains below,
Who lingering gazes o'er the lovely scene,
Anguish and shame contending in his mien?
He, who, of heroes and of kings the son,
Hath lived to lose whate'er his fathers won;
Whose doubt and fears his people's fate have sealed,
Wavering alike in council and in field;
Weak, timid ruler of the wise and brave,
Still a fierce tyrant or a yielding slave.

Far from these vine-clad hills and azure skies,
To Afric's wilds the royal exile flies;
Yet pauses on his way, to weep in vain
O'er all he never must behold again.
Fair spreads the scene around - for him
too
fair,
Each glowing charm but deepens his despair.
The Vega's meads, the city's glittering spires,
The old majestic palace of his sires,
The gay pavillions, and retired alcoves,
Bosomed in citron and pomegranate groves;
Tower-crested rocks, and streams that wind in light,
All in one moment bursting on his sight,
Speak to his soul of glory's vanished years,
And wake the source of unavailing tears.
- Weepest thou, Abdallah? - Thou dost well to weep,
O feeble heart! o'er all thou couldst not keep!
Well do a woman's tears befit the eye
Of him who knew not, as a man, to die.

The gale sighs mournfully through Zayda's bower,
The hand is gone that nursed each infant flower.
No voice, no step, is in her father's halls,
Mute are the echoes of their marble walls;
No stranger enters at the chieftain's gate,
But all is hushed, and void, and desolate.

There, through each tower and solitary shade,
In vain doth Hamet seek the Zegri maid:
Her grove is silent, her pavilion lone,
Her lute forsaken, and her doom unknown;
And through the scene she loved, unheeded flows
The stream whose music lulled her to repose.

But oh! to him, whose self-accusing thought
Whispers, 'twas
he
that desolation wrought -
He, who his country and his faith betrayed,
And lent Castile revengeful, powerful aid -
A voice of sorrow swells in every gale,
Each wave, low rippling, tells a mournful tale;
And as the shrubs, untended, unconfined,
In wild exuberance rustle to the wind;
Each leaf hath language to his startled sense,
And seems to murmur, 'Thou hast driven her hence!'
- Where hath lost love been once recalled again?
In her pure breast, so long by anguish torn,
His name can rouse no feeling now - but scorn.
O bitter hour! when first the shuddering heart
Wakes to behold the void within - and start!
To feel its own abandonment, and brood
O'er the chill bosom's depth of solitude:
The stormy passions that in Hamet's breast
Have swayed so long, so fiercely, are at rest;
The avenger's task is closed : - he finds, too late,
It hath not changed his feelings, but his fate.
He was a lofty spirit, turned aside
From its bright path by woes, and wrongs, and pride,
And onward, in its new tumultuous course,
Borne with too rapid and intense a force
To pause one moment in the dread career,
And ask - if such could be its native sphere?
Now are those days of wild delirium o'er,
Their fears and hopes excite his soul no more;
The feverish energies of passion close,
And his heart sinks in desolate repose,
Turns sickening from the world, yet shrinks not less
From its own deep and utter loneliness.

There is a sound of voices on the air,
A flash of armour to the sunbeam's glare,
'Midst the wild Alpuxarras; - there, on high,
Where mountain-snows are mingling with the sky,
A few brave tribes, with spirit yet unbroke,
Have fled indignant from the Spaniard's yoke.

O ye dread scenes! where Nature dwells alone,
Severely glorious on her craggy throne;
Ye citadels of rock, gigantic forms,
Veiled by the mists, and girdled by the storms, -
Ravines, and glens, and deep resounding caves,
That hold communion with the torrent-waves;
And ye, the unstained and everlasting snows,
That dwell above in bright and still repose;
To you, in every clime, in every age,
Far from the tyrant's or the conqueror's rage,
Hath Freedom led her sons - untired to keep
Her fearless vigils on the barren steep.
She, like the mountain eagle, still delights
To gaze exulting from unconquered heights,
And build her eyrie in defiance proud,
To dare the wind, and mingle with the cloud.

Now her deep voice, the soul's awakener, swells,
Wild Alpuxarras, through your inmost dells.
There, the dark glens and lonely rocks among,
As at the clarion's call, her children throng.
She with enduring strength had nerved each frame,
And made each heart the temple of her flame,
Her own resisting spirit, which shall glow
Unquenchably, surviving all below.

There high-born maids, that moved upon the earth
More like bright creatures of aerial birth,
Nurslings of palaces, have fled to share
The fate of brothers and of sires; to bear,
All undismayed, privation and distress,
And smile the roses of the wilderness:
And mothers with their infants, there to dwell
In the deep forest or the cavern cell,
And rear their offspring 'midst the rock, to be,
If now no more the mighty, still the free.

And 'midst that band are veterans, o'er whose head
Sorrows and years their mingled snow have shed?
They saw thy glory, they have wept thy fall,
O royal city! and the wreck of all
They loved and hallowed most: - doth aught remain
For these to prove of happiness or pain?
Life's cup is drained - earth fades before their eye;
Their task is closing - they have but to die.
Ask ye, why fled they hither? - that their doom
Might be, to sink unfettered to the tomb.
And youth, in all its pride of strength, is there,
And buoyancy of spirit, formed to dare
And suffer all things - fallen on evil days,
Yet darting o'er the world an ardent gaze,
As on the arena where its powers may find
Full scope to strive for glory with mankind.
Such are the tenants of the mountain-hold,
The high in heart, unconquered, uncontrolled:
The day, the huntsmen of the wild - by night,
Unwearied guardians of the watch-fire's light,
They from their bleak majestic home have caught
A sterner tone of unsubmitting thought,
While all around them bids the soul arise
To blend with Nature's dread sublimities.
- But these are lofty dreams, and must not be
Were tyranny is near: - the bended knee,
The eye whose glance no inborn grandeur fires,
And the tamed heart, are tributes she requires;
Nor must the dwellers of the rock look down
On regal conquerors, and defy their frown.
What warrior-band is toiling to explore
The mountain-pass, with pine-wood shadowed o'er,
Startling with martial sounds each rude recess,
Where the deep echo slept in loneliness!
These are the sons of Spain! - Your foes are near,
O exiles of the wild sierra! hear!
Hear! wake! arise! and from your inmost caves
Pour like the torrent in its might of waves!

Who leads the invaders on? - his features bear
The deep-worn traces of a calm despair;
Yet his dark brow is haughty - and his eye
Speaks of a soul that asks not sympathy.
'Tis he! 'tis he again! the apostate chief;
He comes in all the sternness of his grief.
He comes, but changed in heart, no more to wield
Falchion for proud Castile in battle field.
Against his country's children - though he leads
Castilian bands again to hostile deeds;
His hope is but from ceaseless pangs to fly,
To rush upon the Moslem spears, and die.
So shall remorse and love the heart release,
Which dares not dream of joy, but sighs for peace.
The mountain-echoes are awake - a sound
Of strife is ringing through the rocks around.
Within the steep defile that winds between
Cliffs piled on cliffs, a dark, terrific scene,
Where Moorish exile and Castilian knight
Are wildly mingling in the serried fight.
Red flows the foaming streamlet of the glen,
Whose bright transparence ne'er was stained till then;
While swell the war-note and the clash of spears
To the bleak dwellings of the mountaineers,
Where thy sad daughters, lost Granada! wait,
In dread suspense, the tidings of their fate.
But he - whose spirit, panting for its rest,
Would fain each sword concentrate in his breast -
Who, where a spear is pointed, or a lance
Almed at another's breast, would still advance -
Courts death in vain; each weapon glances by,
As if for him 'twas bliss too great to die.
Yes, Aben-Zurrah! there are deeper woes
Reserved for thee ere Nature's last repose;
Thou knowest not yet what vengeance fate can wreak,
Nor all the heart can suffer ere it break.
Doubtful and long the strife, and bravely fell
The sons of battle in that narrow dell;
Youth in its light of beauty there hath past,
And age, the weary, found repose at last;
Till, few and faint, the Moslem tribes recoil,
Borne down by numbers, and o'erpowered by toil.
Dispersed, disheartened, through the pass they fly,
Pierce the deep wood, or mount the cliff on high;
While Hamet's band in wonder gaze, nor dare
Track o'er their dizzy path the footsteps of despair.

Yet he, to whom each danger hath become
A dark delight, and every wild a home,
Still urges onward - undismayed to tread
Where life's fond lovers would recoil with dread.
But fear is for the happy -
they
may shrink
From the steep precipice, or torrent's brink;
They to whom earth is paradise - their doom
Lends to stern courage to approach the tomb:
Not such his lot, who, schooled by fate severe,
Were but too blest if aught remained to fear.
Up the rude crags, whose giant masses throw
Eternal shadows o'er the glen below;
And by the fall, whose many-tinctured spray
Half in a mist of radiance veils its way,
He holds his venturous track: - supported now
By some o'erhanging pine or ilex bough;
Now by some jutting stone, that seems to dwell
Half in mid-air, as balanced by a spell.
Now hath his footstep gained the summit's head,
A level span, with emerald verdure spread,
A fairy circle - there the heath-flowers rise,
And the rock-rose unnoticed blooms and dies;
And brightly plays the stream, ere yet its tide
In foam and thunder cleave the mountain-side;
But all is wild beyond - and Hamet's eye
Roves o'er a world of rude sublimity.
That dell beneath, where e'en at noon of day
Earth's chartered guest, the sunbeam, scarce can stray;
Around, untrodden woods; and far above,
Where mortal footstep ne'er may hope to rove,
Bare granite cliffs, whose fixed, inherent dyes
Rival the tints that float o'er summer skies;
And the pure glittering snow-realm, yet more high,
That seems a part of Heaven's eternity.

There is no track of man where Hamet stands
Pathless the scene as Lybia's desert sands;
Yet on the calm still air a sound is heard
Of distant voices, and the gathering-word
Of Islam's tribes, now faint and fainter grown,
Now but the lingering echo of a tone.

That sound, whose cadence dies upon his ear,
He follows, reckless if his bands are near.
On by the rushing stream his way he bends,
And through the mountain's forest zone ascends;
Piercing the still and solitary shades
Of ancient pine, and dark luxuriant glades,
Eternal twilight's reign: - those mazes past,
The glowing sunbeams meet his eyes at last,
And the lone wanderer now hath reached the source
Whence the wave gushes, foaming on its course.
But there he pauses -for the lonely scene
Towers in such dread magnificence of mien,
And, mingled oft with some wild eagle's cry,
From rock-built eyrie rushing to the sky,
So deep the solemn and majestic sound
Of forests, and of waters murmuring round -
That, rapt in wondering awe, his heart forgets
Its fleeting struggles and its vain regrets.
- What earthly feeling unabashed can dwell
In Nature's mighty presence? - 'midst the swell
Of everlasting hills, the roar of floods,
And frown of rocks, and pomp of waving woods?
These their own grandeur on the soul impress,
And bid each passion feel its nothingness.

'Midst the vast marble cliffs, a lofty cave
Rears its broad arch beside the rushing wave;
Shadowed by giant oaks, and rude and lone,
It seems the temple of some power unknown,
Where earthly being may not dare intrude
To pierce the secrets of the solitude.
Yet thence at intervals a voice of wail
Is rising, wild and solemn, on the gale.
Did thy heart thrill, O Hamet! at the tone?
Came it not o'er thee as a spirit's moan?
As some loved sound, that long from earth had fled,
The unforgotten accents of the dead?
E'en thus it rose - and springing from his trance
His eager footsteps to the sound advance.
He mounts the cliffs, he gains the cavern floor;
Its dark green moss with blood is sprinkled o'er;
He rushes on - and lo! where Zayda rends
Her locks, as o'er her slaughtered sire she bends
Lost in despair; - yet, as a step draws nigh,
Disturbing sorrow's lonely sanctity,
She lifts her head, and, all-subdued by grief,
Views with a wild sad smile the once-loved chief;
While rove her thoughts, unconscious of the past,
And every woe forgetting - but the last.

'Comest thou to weep with me? - for I am left
Alone on earth, of every tie bereft.
Low lies the warrior on his blood-stained bier;
His child may call, but he no more shall hear.
He sleeps - but never shall those eyes unclose;
'Twas not my voice that lulled him to repose;
Nor can it break his slumbers. - Dost thou mourn?
And is thy heart, like mine, with anguish torn?
Weep, and my soul a joy in grief shall know,
That o'er his grave my tears with Hamet's flow!'

But scarce her voice had breathed that well-known name
When, swiftly rushing o'er her spirit, came
Each dark remembrance - by affliction's power
Awhile effaced in that o'erwhelming hour,
To wake with tenfold strength: 'twas then her eye
Resumed its light, her mien its majesty,
And o'er her wasted cheek a burning glow
Spreads, while her lips' indignant accents flow.

'Away! I dream! Oh, how hath sorrow's might
Bowed down my soul, and quenched its native light -
That I should thus forget! and bid
thy
tear
With mine be mingled o'er a father's bier!
Did he not perish, haply by thy hand,
In the last combat with thy ruthless band?
The morn beheld that conflict of despair: -
'Twas then he fell - he fell! - and thou wert there!
Thou! who thy country's children hast pursued
To their last refuge 'midst these mountains rude.
Was it for this I loved thee? - Thou hast taught
My soul all grief, all bitterness of thought!
'Twill soon be past - I bow to Heaven's decree,
Which bade each pang be ministered by thee.'

'I had not deemed that aught remained below
For me to prove of yet untasted woe;
But thus to meet thee, Zayda! can impart
One more, one keener agony of heart.
Oh, hear me yet! - I would have died to save
My foe, but still thy father, from the grave
But, in the fierce confusion of the strife,
In my own stern despair and scorn of life,
Borne wildly on, I saw not, knew not aught,
Save that to perish there in vain I sought.
And let me share thy sorrows! - hadst thou known
All I have felt in silence and alone,
E'en
thou
mightst then relent, and deem, at last,
A grief like mine might expiate all the past.

'But oh! for thee, the loved and precious flower,
So fondly reared in luxury's guarded bower,
From every danger, every storm secured,
How hast
thou
suffered! what hast thou endured!
Daughter of palaces! and can it be
That this bleak desert is a home for thee!
These rocks
thy
dwelling! thou, who shouldst have known
Of life the sunbeam and the smile alone!
Oh, yet forgive! be all my guilt forgot,
Nor bid me leave thee to so rude a lot!'

'That lot is fixed; 'twere fruitless to repine:
Still must a gulf divide my fate from thine.
I may forgive - but not at will the heart
Can bid its dark remembrances depart.
No, Hamet, no! - too deeply are these traced,
Yet the hour comes when all shall be effaced!
Not long on earth, not long, shall Zayda keep
Her lonely vigils o'er the grave to weep:
E'en now, prophetic of my early doom,
Speaks to my soul a presage of the tomb;
And ne'er in vain did hopeless mourner feel
That deep foreboding o'er the bosom steal!
Soon shall I slumber calmly by the side
Of him for whom I lived, and would have died;
Till then, one thought shall soothe my orphan lot,
In pain and peril - I forsook him not.

'And now, farewell! - behold the summer-day
Is passing like the dreams of life, away.
Soon will the tribe of him who sleeps draw nigh,
With the last rites his bier to sanctify.
Oh, yet in time, away! - 'twere not
my
prayer
This hour they come - and dost thou scorn to fly?
Save me that one last pang - to see thee die!
E'en while she speaks is heard their echoing tread,
Onward they move, the kindred of the dead.
They reach the cave - they enter - slow their pace,
And calm, deep sadness marks each mourner's face,
And all is hushed, till he who seems to wait
In silent, stern devotedness, his fate,
Hath met their glance - then grief to fury turns;
Each mien is changed, each eye indignant burns,
And voices rise, and swords have left their sheath:
Blood must atone for blood, and death for death!
They close around him; lofty still his mien,
His cheek unaltered, and his brow serene.
Unheard, or heard in vain, is Zayda's cry;
Fruitless her prayer, unmarked her agony,
But as his foremost foes their weapons bend
Against the life he seeks not to defend,
Wildly she darts between - each feeling past,
Save strong affection, which prevails at last.
Oh, not in vain its daring! - for the blow
Aimed at his heart hath bade her life-blood flow;
And she hath sunk a martyr on the breast,
Where, in that hour, her head may calmly rest,
For he is saved! Behold the Zegri band,
Pale with dismay and grief, around her stand:
While, every thought of hate and vengeance o'er,
They weep for her who soon shall weep no more.
She, she alone is calm: - a fading smile,
Like sunset, passes o'er her cheek the while;
And in her eye, ere yet it closes, dwell
Those last faint rays, the parting soul's farewell.

'Now is the conflict past, and I have proved
How well, how deeply thou hast been beloved!
Yes! in an hour like this 'twere vain to hide
The heart so long and so severely tried:
Still to thy name that heart hath fondly thrilled,
But sterner duties called - and were fulfilled:
And I am blest! - To every holier tie
My life was faithful, - and for thee I die!
Nor shall the love so purified be vain;
Severed on earth, we yet shall meet again.
Farewell! - And ye, at Zayda's dying prayer,
Spare him, my kindred tribe! forgive and spare!
Oh! be his guilt forgotten in his woes,
While I, beside my sire, in peace repose.'

Now fades her cheek, her voice hath sunk, and death:
Sits in her eye, and struggles in her breath.
One pang - 'tis past - her task on earth is done,
And the pure spirit to its rest hath flown.
But he for whom she died - Oh! who may paint
The grief, to which all other woes were faint?
There is no power in language to impart
The deeper pangs, the ordeals of the heart,
By the dread Searcher of the soul surveyed;
These have no words - nor are by words portrayed.

A dirge is rising on the mountain-air,
Whose fitful swells its plaintive murmurs bear
Far o'er the Alpuxarras; - wild its tone,
And rocks and caverns echo, 'Thou art gone!'

Daughter of heroes! thou art gone
To share his tomb who gave thee birth;
Peace to the lovely spirit flown!
It was not formed for earth.
Thou wert a sunbeam in thy race,
Which brightly passed, and left no trace.

But calmly sleep! - for thou art free,
And hands unchained thy tomb shall raise.
Sleep! they are closed at length for thee,
Life's few and evil days!
Nor shalt thou watch, with tearful eye,
The lingering death of liberty.

Flower of the desert! thou thy bloom
Didst early to the storm resign:
We bear it still - and dark
their
doom
Who cannot weep for thine!
For us, whose every hope is fled,
The time is past to mourn the dead.

The days have been when o'er thy bier
Far other strains than these had flowed;
Now, as a home from grief and fear,
We hail thy dark abode!
We, who but linger to bequeath
Our sons the choice of chains or death.

Thou art with those, the free, the brave,
The mighty of departed years;
And for the slumberers of the grave
Our fate hath left no tears.
Though loved and lost, to weep were vain
For thee, who ne'er shalt weep again.

Have we not seen, despoiled by foes,
The land our fathers won of yore?
And is there yet a pang for those
Who gaze on
this
no more?
Oh, that like them 'twere ours to rest!
Daughter of heroes! thou art blest!

A few short years, and in the lonely cave
Where sleeps the Zegri maid, is Hamet's grave.
Severed in life, united in the tomb -
Such, of the hearts that loved so well, the doom!
Their dirge, of woods and waves the eternal moan;
Their sepulchre, the pine-clad rocks alone.
And oft beside the midnight watch-fire's blaze,
Amidst those rocks, in long departed days
(When freedom fled, to hold, sequestered there,
The stern and lofty councils of despair),
Some exiled Moor, a warrior of the wild,
Who the lone hours with mournful strains beguiled,
Hath taught his mountain-home the tale of those
Who thus have suffered, and who thus repose.

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Pamela Anderson

I don't really think about anything too much. I live in the present. I move on. I don't think about what happened yesterday. If I think too much, it kind of freaks me out.

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Robbie Williams

The problem is, I don't think I've got too much to offer at the minute. I'm busy working on myself. This sounds like real therapy talk, but it's like, you've got to be happy with yourself before you can go out and get yourself a girl.

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Too Frightened To Turn Off The Lights

A race to quiet and defeat truth,
Is on the rise.
Everyday someone is changing,
The events and what took place.
And 'whom' did what to 'who'...
With such embarrassment and disgrace.
Even a forced chuckle faked,
Can not charade a nervousness displayed.

A race to quiet and defeat truth,
Is on the rise.
Lies are being told by those who are shallow.
As if to do this gives them a popularity boost.
While choosing to defend and hide behind insecurities,
With a marketing done of a personality...
That doesn't sleep well at night at all.
And too frightened to turn off the lights,
To fall into anguish and darkened agony!

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I Can Be The Death In You

You thought that you'd be hurt in the process
Of leaving it all behind
What did they tell you to make it warped with more time
So sleep with one eye open - so I can see those baby blues

[Chorus:]
You seemed so fine that last time I saw you
You seemed so fine watching the sunset
You looked so bored on the arm of that guy
How can you say all you can do is cry
(All you can do is cry)

What do you know but Marilyn Monroe
Has left the building
What do you say when Elvis' skirt is all blown up
But if you don't believe that life's too short
I can be the death in you

[Chorus]

[Chorus:]

All you do is cry

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Silent Cry

(Music: DirkschneiderKaufmannGianola - Words: DirkschneiderKaufmann)
Dancing in the daylight - all just been so fine
And heartbeats keep on going - all the time
Don't you hear the calling - don't you see the falling
All the cries
Can't you get the warning - how the pain is dawning
See the signs
When eyes don't see - and hands don't touch
It's all been a pack of lies
When hearts don't feel - it's all too much
It's just the sound of a silent cry
Just the sound of a silent cry
Crying in the moonlight - darkness closing in
I fear for the heartbeats - wondering
If we come together - is it so much better
I don't know
Why are we not trying - ending all the crying
Giving hope
[Bridge]
[Chorus]

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Dedication

THE SEA gives her shells to the shingle,
The earth gives her streams to the sea;
They are many, but my gift is single,
My verses, the firstfruits of me.
Let the wind take the green and the grey leaf,
Cast forth without fruit upon air;
Take rose-leaf and vine-leaf and bay-leaf
Blown loose from the hair.

The night shakes them round me in legions,
Dawn drives them before her like dreams;
Time sheds them like snows on strange regions,
Swept shoreward on infinite streams;
Leaves pallid and sombre and ruddy,
Dead fruits of the fugitive years;
Some stained as with wine and made bloody,
And some as with tears.

Some scattered in seven years’ traces,
As they fell from the boy that was then;
Long left among idle green places,
Or gathered but now among men;
On seas full of wonder and peril,
Blown white round the capes of the north;
Or in islands where myrtles are sterile
And loves bring not forth.

O daughters of dreams and of stories
That life is not wearied of yet,
Faustine, Fragoletta, Dolores,
Félise and Yolande and Juliette,
Shall I find you not still, shall I miss you,
When sleep, that is true or that seems,
Comes back to me hopeless to kiss you,
O daughters of dreams?

They are past as a slumber that passes,
As the dew of a dawn of old time;
More frail than the shadows on glasses,
More fleet than a wave or a rhyme.
As the waves after ebb drawing seaward,
When their hollows are full of the night,
So the birds that flew singing to me-ward
Recede out of sight.

The songs of dead seasons, that wander
On wings of articulate words;
Lost leaves that the shore-wind may squander,
Light flocks of untameable birds;
Some sang to me dreaming in class-time
And truant in hand as in tongue;
For the youngest were born of boy’s pastime,
The eldest are young.

Is there shelter while life in them lingers,
Is there hearing for songs that recede,
Tunes touched from a harp with man’s fingers
Or blown with boy’s mouth in a reed?
Is there place in the land of your labour,
Is there room in your world of delight,
Where change has not sorrow for neighbour
And day has not night?

In their wings though the sea-wind yet quivers,
Will you spare not a space for them there
Made green with the running of rivers
And gracious with temperate air;
In the fields and the turreted cities,
That cover from sunshine and rain
Fair passions and bountiful pities
And loves without stain?

In a land of clear colours and stories,
In a region of shadowless hours,
Where earth has a garment of glories
And a murmur of musical flowers;
In woods where the spring half uncovers
The flush of her amorous face,
By the waters that listen for lovers,
For these is there place?

For the song-birds of sorrow, that muffle
Their music as clouds do their fire:
For the storm-birds of passion, that ruffle
Wild wings in a wind of desire;
In the stream of the storm as it settles
Blown seaward, borne far from the sun,
Shaken loose on the darkness like petals
Dropt one after one?

Though the world of your hands be more gracious
And lovelier in lordship of things
Clothed round by sweet art with the spacious
Warm heaven of her imminent wings,
Let them enter, unfledged and nigh fainting,
For the love of old loves and lost times;
And receive in your palace of painting
This revel of rhymes.

Though the seasons of man full of losses
Make empty the years full of youth,
If but one thing be constant in crosses,
Change lays not her hand upon truth;
Hopes die, and their tombs are for token
That the grief as the joy of them ends
Ere time that breaks all men has broken
The faith between friends.

Though the many lights dwindle to one light,
There is help if the heaven has one;
Though the skies be discrowned of the sunlight
And the earth dispossessed of the sun,
They have moonlight and sleep for repayment,
When, refreshed as a bride and set free,
With stars and sea-winds in her raiment,
Night sinks on the sea.

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