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Coin

Maybe it is because of the fog
that I caress you,
because all around me are fog,
dissolved shapes, things lacking
precision or definition,
things that turn into some vague
something without dimension.
I caress you, coin.
Nightfall in December
and you here in my hand, you,
precisely contoured, you, hard
resistant existence
with your body of fine silver.
Coin
with a number that cannot be conquered
by doubt or by fog
and with a face
that will never doubt,
face of an ancient queen, looking at me.

poem by Pedro Salinas y Serrano
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Book III - Part 03 - The Soul is Mortal

Now come: that thou mayst able be to know
That minds and the light souls of all that live
Have mortal birth and death, I will go on
Verses to build meet for thy rule of life,
Sought after long, discovered with sweet toil.
But under one name I'd have thee yoke them both;
And when, for instance, I shall speak of soul,
Teaching the same to be but mortal, think
Thereby I'm speaking also of the mind-
Since both are one, a substance interjoined.

First, then, since I have taught how soul exists
A subtle fabric, of particles minute,
Made up from atoms smaller much than those
Of water's liquid damp, or fog, or smoke,
So in mobility it far excels,
More prone to move, though strook by lighter cause
Even moved by images of smoke or fog-
As where we view, when in our sleeps we're lulled,
The altars exhaling steam and smoke aloft-
For, beyond doubt, these apparitions come
To us from outward. Now, then, since thou seest,
Their liquids depart, their waters flow away,
When jars are shivered, and since fog and smoke
Depart into the winds away, believe
The soul no less is shed abroad and dies
More quickly far, more quickly is dissolved
Back to its primal bodies, when withdrawn
From out man's members it has gone away.
For, sure, if body (container of the same
Like as a jar), when shivered from some cause,
And rarefied by loss of blood from veins,
Cannot for longer hold the soul, how then
Thinkst thou it can be held by any air-
A stuff much rarer than our bodies be?

Besides we feel that mind to being comes
Along with body, with body grows and ages.
For just as children totter round about
With frames infirm and tender, so there follows
A weakling wisdom in their minds; and then,
Where years have ripened into robust powers,
Counsel is also greater, more increased
The power of mind; thereafter, where already
The body's shattered by master-powers of eld,
And fallen the frame with its enfeebled powers,
Thought hobbles, tongue wanders, and the mind gives way;
All fails, all's lacking at the selfsame time.
Therefore it suits that even the soul's dissolved,
Like smoke, into the lofty winds of air;

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poem by Lucretius
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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poem by Byron from Don Juan (1824)
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Bell's Palsy I Penned stroke on stroke penned - Optimistic In...Sight

Bell's Palsy I

December turns November's page.
Assumptions artificial,
priorities age must regauge
of ease so superficial
the tenets, try to disengage
from palsy interstitial,
periphery extend sans rage
ineptly hit-and-missile.
Paralysis as passing stage
perceived though prejudicial
as challenge met we trust will wage
war on clock lock official,
ensuring both for sot and sage
return to strength initial...

II

Bell’s Palsy II – Number Seven Optic Nerve

Number seven optic nerve, now numb,
taken for granted, normally ignored,
leaves facial features slanted. Voice, not dumb,
answers questions with weak monochord.
Flesh elastic flaccid has become,
control relinquished, hanging on a word.
Vision peripheral blurred. Though rule of thumb
Provides for time-line, faculties restored,
Frustration, hope, play hide-and-seek, mind glum,
stares awry at some lop-sided smile. Record
of former glory plays back yet stays mum.
May this as an example serve, health granted
For future learning curve can’t be transplanted.

3 December 2007 revised 8 August 2008

Bell's Palsy III - Recounting Countdown

Recounting Countdown

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poem by Jonathan Robin
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Bell's Palsy XIV - Dew Diligence

Bell's Palsy XIV - Dew Diligence

Dew diligence when eyelid is denied
control of wink, when blink becomes a feat
beyond the ken of mice and men, conceit
melts to humility, while cares abide.
Heartbeat accelerates to concide
with worry, movements taken for a ride
by malady haphazard striking fleet.
Fixed expression canvas could complete
as flexibility falls to one side,
focus reduced, no longer far and wide,
too close for comfort, wanders off the beat.
Pride, knocked for skittles, cannot make ends meet,
patience, once praised, stays stage-struck, sorely tried.
Fixed interest stocks soar, gilt lining’s sought
to train too slack to credit outlook taut.

5 December 2007

Bell's Palsy XV - Dissymmetry

Confusion from confusion must adjust
to face tomorrow’s out of kilter grin
with humour ‘til the specialists non-plussed
seize on season’s reason, find win-win
solution to an accident now cussed
in no uncertain terms as worms begin
to lay their weight on current state where lust
must bridled be, - who’d seek as kith and kin
one open eye, one which retains unfussed
perspective, lacks control of muscle spin
to twin both sides in unison true, just.
Dissymmetry becomes a moral gin
and handicap self-efident, untrussed
is optic nerve from verse which would begin
to laugh at luck, continue tongue in cheek
to find new way to strength transformed from weak.

5 December 2007

Bell's Palsy XVI - To Test Frontiers

Inertia catalyzes swift reaction

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poem by Jonathan Robin
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Bell's Palsy XV - Dissymmetry

Bell's Palsy XV - Dissymmetry

Confusion from confusion must adjust
to face tomorrow’s out of kilter grin
with humour ‘til the specialists non-plussed
seize on season’s reason, find win-win
solution to an accident now cussed
in no uncertain terms as worms begin
to lay their weight on current state where lust
must bridled be, - who’d seek as kith and kin
one open eye, one which retains unfussed
perspective, lacks control of muscle spin
to twin both sides in unison true, just.
Dissymmetry becomes a moral gin
and handicap self-efident, untrussed
is optic nerve from verse which would begin
to laugh at luck, continue tongue in cheek
to find new way to strength transformed from weak.

5 December 2007

Bell's Palsy XVI - To Test Frontiers

Inertia catalyzes swift reaction
testing limits unbeknownst before,
experienced elsewhere, though, we ignore
discomforts which might hamper freedom, action.
Impervious to muscular contraction,
left eyelid, lip, unable are to draw
lines which smile, frown designed, while vision poor
interferes, and adds unsought distraction.
In health, free from nervous petrifaction
few seek out illness, won’t by choice explore
the options close to those that chance, gene flaw
or accident are trapped, lose speech, sight, traction.
Fresh emphasis on disabilities
should top the list of our priorities.

5 December 2007

Bell's Palsy XVII - Temptations

Blessed externals force the mind to turn

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poem by Jonathan Robin
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Bell's Palsy XVI - To Test Frontiers

Bell's Palsy XVI - To Test Frontiers

Inertia catalyzes swift reaction
testing limits unbeknownst before,
experienced elsewhere, though, we ignore
discomforts which might hamper freedom, action.
Impervious to muscular contraction,
left eyelid, lip, unable are to draw
lines which smile, frown designed, while vision poor
interferes, and adds unsought distraction.
In health, free from nervous petrifaction
few seek out illness, won’t by choice explore
the options close to those that chance, gene flaw
or accident are trapped, lose speech, sight, traction.
Fresh emphasis on disabilities
should top the list of our priorities.

5 December 2007

Bell's Palsy XVII - Temptations

Blessed externals force the mind to turn
within to test perception shared by all
who, sight curtailed, or lost beyond recall,
must grasp at straws, effect and cause discern,
too well aware temptations bridges burn.
First impressions seem attaitned, ball
‘questions aye’s and no’s’, past free-for-all
is circumcised, undertain seems return
to ‘normalcy’ which, hitherto could earn
approval’s hallmark stamp. Cramps now forestall
options infinite. Cut and dried, in thrall,
one’s tied who far and wide went, wit withdrawn
from choice unlimited as on this page
fragility highlights restictive cage.

5 December 2007

Bell's Palsy XVIII - Fragility

Ink flows as if it knows that tale once writ
cannot rephrase a passing phase whose light

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poem by Jonathan Robin
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Bell's Palsy XVII - Temptations

Bell's Palsy XVII - Temptations

Blessed externals force the mind to turn
within to test perception shared by all
who, sight curtailed, or lost beyond recall,
must grasp at straws, effect and cause discern,
too well aware temptations bridges burn.
First impressions seem attaitned, ball
‘questions aye’s and no’s’, past free-for-all
is circumcised, undertain seems return
to ‘normalcy’ which, hitherto could earn
approval’s hallmark stamp. Cramps now forestall
options infinite. Cut and dried, in thrall,
one’s tied who far and wide went, wit withdrawn
from choice unlimited as on this page
fragility highlights restictive cage.

5 December 2007

Bell's Palsy XVIII - Fragility

Ink flows as if it knows that tale once writ
cannot rephrase a passing phase whose light
too soon extinguished must merge into night
where sot or sage blot page, through age unfit.
We’re puppets strung, hands wrung won’t change a bit
repeated role enforced by karmic spite.
If free-will reigns, there’s no pre-destined right
or wrong, no rung to heav’n, no roasting spit.
Through ‘accident’ or ‘fate’ fragility
in spotlight’s thrown, ‘to be, or not to be’
depends upon coincidence where rules
few follow with prescient authority.
Manage man age when palsied dry eye’s numb
is out of reach with speech deformed, near dumb.

5 December 2007 revised 17 January 2008

Bell's Palsy XIX - Moving Finger Writes

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poem by Jonathan Robin
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Bell's Palsy XX - Infinite Designs

Bell's Palsy XX - Infinite Designs

Comparisons with hindsight simple seem
when fateful footfall flays ‘unkindest cut’
to sever fancy, fact, where yawns redeem
no nightmare fears when eyelid cannot shut.
No need to add to those prose screeds which teem
prolific on life’s rhymeless time climb, but
terse verse may show dimensions unforeseen,
alternate aspects of ill health’s dark rut,
reflections which on higher plane help gleam
hope’s beacon ‘fore life’s final uppercut
replacing frown with fixed grin, skinless cut
from niche so ‘indispensable’ on team.
Palsy surprises, stimulating lines
upon creation’s infinite designs.

5 December 2007 revised 17 January 2009

Bell's Palsy XXI - Lopsided

Sore cornea, slack lip, mind grind uncheered
are juxtaposed within this swift spun sonnet
as optic nerve’s observed when crookèd, sheared,
recuperation’s odds: few bet upon it.
Partnering frustration has appeared
unbridled spleen, an angry bee in bonnet,
weighing all options with perception cleared
of wishful thinking, been and gone and done it.
Paralysis shows fall from grace, grown beard
can’t mask misfortune though mind tries to con it
committing rambling thoughts to paper smeared
with words erased, replaced, blue blot spots on it.
Lopsided outlook focus finds for mind
assailed by palsy it would leave behind.

5 December 2007 revised 17 January 2009

Bell's Palsy XXII – Match Met

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poem by Jonathan Robin
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Bell's Palsy XXI - Lopsided

Bell's Palsy XXI - Lopsided

Sore cornea, slack lip, mind grind uncheered
are juxtaposed within this swift spun sonnet
as optic nerve’s observed when crookèd, sheared,
recuperation’s odds: few bet upon it.
Partnering frustration has appeared
unbridled spleen, an angry bee in bonnet,
weighing all options with perception cleared
of wishful thinking, been and gone and done it.
Paralysis shows fall from grace, grown beard
can’t mask misfortune though mind tries to con it
committing rambling thoughts to paper smeared
with words erased, replaced, blue blot spots on it.
Lopsided outlook focus finds for mind
assailed by palsy it would leave behind.

5 December 2007 revised 17 January 2009

Bell's Palsy XXII – Match Met

Through metaphors one strikes symphonic chords,
sonnet metamorphosis complete,
one mirror image more before towards
tossed sleep’s return’s embossed on crinkled sheet.
One little cares for life’s snares, strife filled street,
when sense of humour, dream denied, affords
itself the luxury of lines to beat
eternity’s sharp introspective swords
to ploughshares. Match met, mighty pen would treat
itself to compensation’s grained awards,
rewards grasped unexpected from defeat
when unresponsive jaws snatch victory
day, night, writes words dry eye can hardly see.

5 December 2007 revised 17 January 2009

Bell's Palsy XXIII – Ta[l]king for Granted

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poem by Jonathan Robin
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Bell's Palsy XXII – Match Met

Bell's Palsy XXII – Match Met

Through metaphors one strikes symphonic chords,
sonnet metamorphosis complete,
one mirror image more before towards
tossed sleep’s return’s embossed on crinkled sheet.
One little cares for life’s snares, strife filled street,
when sense of humour, dream denied, affords
itself the luxury of lines to beat
eternity’s sharp introspective swords
to ploughshares. Match met, mighty pen would treat
itself to compensation’s grained awards,
rewards grasped unexpected from defeat
when unresponsive jaws snatch victory
day, night, writes words dry eye can hardly see.

5 December 2007 revised 17 January 2009

Bell's Palsy XXIII – Ta[l]king for Granted

On palsy’s cause no recitation
consensual has been agreed,
in any case fear, greed, elation,
soon sink however great the need
perceived to safeguard life’s rank station
for illness executes trust deed.
What’s blasphemy? what’s profanation?
what prayer path may be decreed
when out of sight slips pagination?
Re-education may succeed
yet there’s no fail-safe medication
providing progress guaranteed
to soothe uncalled for inflamation.

Who takes for granted daily feed
on dainties drawn from every nation,
gaily ignoring [s]he should heed
each morning’s warning present station,
may t[r]ail to full stop won’t succeed
in meeting deadlines, consternation
in turn encounters end indeed,
wormed, urned, CO² cremation.

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poem by Jonathan Robin
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Bell's Palsy XXIII – Ta[l]king for Granted

Bell's Palsy XXIII – Ta[l]king for Granted

On palsy’s cause no recitation
consensual has been agreed,
in any case fear, greed, elation,
soon sink however great the need
perceived to safeguard life’s rank station
for illness executes trust deed.
What’s blasphemy? what’s profanation?
what prayer path may be decreed
when out of sight slips pagination?
Re-education may succeed
yet there’s no fail-safe medication
providing progress guaranteed
to soothe uncalled for inflamation.

Who takes for granted daily feed
on dainties drawn from every nation,
gaily ignoring [s]he should heed
each morning’s warning present station,
may t[r]ail to full stop won’t succeed
in meeting deadlines, consternation
in turn encounters end indeed,
wormed, urned, CO² cremation.

Objections Death will supercede,
replaced by funeral oration.
No moral’s offered. Rose and weed
first struggle, then succumb, vocation
shared by all flora, fauna, lead
reduced to naught ‘spite invocation
to greedy gods, bead creed, to speed
from illness into true salvation
redemption grant, emancipation.

5 December 2007 revised 17 January 2009

Bell's Palsy I

December turns November's page.
Assumptions artificial,
priorities age must regauge
of ease so superficial
the tenets, try to disengage
from palsy interstitial,
periphery extend sans rage

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poem by Jonathan Robin
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
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No Doubt

You should know
No doubt, no doubt, no doubt, no doubt
You should know
No doubt, no doubt, no doubt, no doubt... no doubt
You should know
No doubt, no doubt, no doubt, no doubt
You should know
No doubt, no doubt
You should know by now that I really like when youre around
Its so irreplaceable, what we have with you and i
And you should know by now that we belong on each others team
One of the greatest things that came to be is you and me, you and me
I hope by now you recognize no matter what Im here for life
You aint getting rid of me, that is just the bottom line
I think you understand by now we can always work it out
No matter what, Im down, Im down
There aint no doubt that I still love you
No doubt I love you babe, really really love you babe
There aint no doubt that I still want you
No doubt I want you babe, really really want you babe
Shouldnt be no doubt that Im here for you
No doubt Im here for you, really really here for you
I have no doubt about being with you
Its me for you
Thinking back on what I did to cause you so much pain
It was such a silly thing I did to our relationship
But heres something from the heart, I really do apologize
Dont cut me off cause I really love ya
I love ya babe, love ya babe
And I want ya, I want ya babe, want ya babe
Said Im here for ya, for ya babe, for ya babe
Forever Im with you, Im with you
Baby cant you see you belong with me
Ill be here for you so Im telling you
There aint no doubt that I still love you
No doubt I love you babe, really really love you babe
There aint no doubt that I still want you
No doubt I want you babe, really really want you babe
Shouldnt be no doubt that Im here for you
No doubt Im here for you, really really here for you
I have no doubt about being with you
Its me for you
[spoken]
Look baby, I want you to know I love you
And I always will.. dont worry, cause you know...
There aint no doubt that I still love you
No doubt I love you babe, really really love you babe
There aint no doubt that I still want you
No doubt I want you babe, really really want you babe
Shouldnt be no doubt that Im here for you

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song performed by Nivea
Added by Lucian Velea
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Percys Song

Bad news, bad news,
Come to me where I sleep,
Turn, turn, turn again.
Sayin one of your friends
Is in trouble deep,
Turn, turn to the rain
And the wind.
Tell me the trouble,
Tell once to my ear,
Turn, turn, turn again.
Joliet prison
And ninety-nine years,
Turn, turn to the rain
And the wind.
Oh whats the charge
Of how this came to be,
Turn, turn, turn again.
Manslaughter
In the highest of degree,
Turn, turn to the rain
And the wind.
I sat down and wrote
The best words I could write,
Turn, turn, turn again.
Explaining to the judge
Id be there on wednesday night,
Turn, turn to the rain
And the wind.
Without a reply,
I left by the moon,
Turn, turn, turn again.
And was in his chambers
By the next afternoon,
Turn, turn to the rain
And the wind.
Could ya tell me the facts?
I said without fear,
Turn, turn, turn again.
That a friend of mine
Would get ninety-nine years,
Turn, turn to the rain
And the wind.
A crash on the highway
Flew the car to a field,
Turn, turn, turn again.
There was four persons killed
And he was at the wheel,
Turn, turn to the rain
And the wind.
But I knew him as good

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song performed by Bob Dylan
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
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Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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poem by Byron from Don Juan (1824)
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Song Of The Broad-Axe

WEAPON, shapely, naked, wan!
Head from the mother's bowels drawn!
Wooded flesh and metal bone! limb only one, and lip only one!
Gray-blue leaf by red-heat grown! helve produced from a little seed
sown!
Resting the grass amid and upon,
To be lean'd, and to lean on.

Strong shapes, and attributes of strong shapes--masculine trades,
sights and sounds;
Long varied train of an emblem, dabs of music;
Fingers of the organist skipping staccato over the keys of the great
organ.

Welcome are all earth's lands, each for its kind; 10
Welcome are lands of pine and oak;
Welcome are lands of the lemon and fig;
Welcome are lands of gold;
Welcome are lands of wheat and maize--welcome those of the grape;
Welcome are lands of sugar and rice;
Welcome the cotton-lands--welcome those of the white potato and sweet
potato;
Welcome are mountains, flats, sands, forests, prairies;
Welcome the rich borders of rivers, table-lands, openings;
Welcome the measureless grazing-lands--welcome the teeming soil of
orchards, flax, honey, hemp;
Welcome just as much the other more hard-faced lands; 20
Lands rich as lands of gold, or wheat and fruit lands;
Lands of mines, lands of the manly and rugged ores;
Lands of coal, copper, lead, tin, zinc;
LANDS OF IRON! lands of the make of the axe!

The log at the wood-pile, the axe supported by it;
The sylvan hut, the vine over the doorway, the space clear'd for a
garden,
The irregular tapping of rain down on the leaves, after the storm is
lull'd,
The wailing and moaning at intervals, the thought of the sea,
The thought of ships struck in the storm, and put on their beam ends,
and the cutting away of masts;
The sentiment of the huge timbers of old-fashion'd houses and
barns; 30
The remember'd print or narrative, the voyage at a venture of men,
families, goods,
The disembarkation, the founding of a new city,
The voyage of those who sought a New England and found it--the outset
anywhere,
The settlements of the Arkansas, Colorado, Ottawa, Willamette,

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poem by Walt Whitman
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Book III - Part 02 - Nature And Composition Of The Mind

First, then, I say, the mind which oft we call
The intellect, wherein is seated life's
Counsel and regimen, is part no less
Of man than hand and foot and eyes are parts
Of one whole breathing creature. But some hold
That sense of mind is in no fixed part seated,
But is of body some one vital state,-
Named "harmony" by Greeks, because thereby
We live with sense, though intellect be not
In any part: as oft the body is said
To have good health (when health, however, 's not
One part of him who has it), so they place
The sense of mind in no fixed part of man.
Mightily, diversly, meseems they err.
Often the body palpable and seen
Sickens, while yet in some invisible part
We feel a pleasure; oft the other way,
A miserable in mind feels pleasure still
Throughout his body- quite the same as when
A foot may pain without a pain in head.
Besides, when these our limbs are given o'er
To gentle sleep and lies the burdened frame
At random void of sense, a something else
Is yet within us, which upon that time
Bestirs itself in many a wise, receiving
All motions of joy and phantom cares of heart.
Now, for to see that in man's members dwells
Also the soul, and body ne'er is wont
To feel sensation by a "harmony"
Take this in chief: the fact that life remains
Oft in our limbs, when much of body's gone;
Yet that same life, when particles of heat,
Though few, have scattered been, and through the mouth
Air has been given forth abroad, forthwith
Forever deserts the veins, and leaves the bones.
Thus mayst thou know that not all particles
Perform like parts, nor in like manner all
Are props of weal and safety: rather those-
The seeds of wind and exhalations warm-
Take care that in our members life remains.
Therefore a vital heat and wind there is
Within the very body, which at death
Deserts our frames. And so, since nature of mind
And even of soul is found to be, as 'twere,
A part of man, give over "harmony"-
Name to musicians brought from Helicon,-
Unless themselves they filched it otherwise,
To serve for what was lacking name till then.
Whate'er it be, they're welcome to it- thou,
Hearken my other maxims.

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poem by Lucretius
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On A Path Of Least Resistance

I'm on a path of least resistance.
And its existence.
On a path of least resistance.

I'm on a path of least resistance,
And its existence.
On a path of least resistance.

Pain,
And its existence.
Felt,
And its existence.
Hurts,
In this existence...
And I need to get away.

Pain,
And its existence.
Felt,
And its existence.
Hurts,
In this existence...
And I need to get away.

I'm on a path of least resistance.
And its existence.
On a path of least resistance,
And I need to get away.

I'm on a path of least resistance.
And its existence.
On a path of least resistance,
And I need to get away.
Oh!
Pain,
And its existence.
Oh.
Felt,
And its existence.
Oh.
Hurts,
In this existence...
And I need to get away.

Oh pain,
And its existence.
Oh.
Felt,
And its existence.
Oh.

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poem by Lawrence S. Pertillar
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