Boy And Man
he played his music
he played it for fun
he played his music for everyone
as he plays no one every asks his name
no mother no father it drives him insane
as he plays his music no one askes his name
no parents in this orphant game
he plays his music for the people
lonely busker outside the cathedral
we all know the one with the steeple
they clap they smile he escapes for a while
drunk with the music confused by their smiles
as the sounds carry him away
he finds a place he wants to stay
for a time people listen
but in his mind theres still something missing
the solider the sailor tapping in time
the money they throw he spends on cheep wine
the father the son dont spend a dime
now they rush to get home on time
as you stand tapping in time
to his music for the deaf dumb and blind
so please ask his name just one time
this is a person who need to feel fine
dont you worry even god was blind
this is a person
poem by John Mc Cudden
Added by Poetry Lover
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Related quotes
We Used To Be Friends
A long time ago
We used to be friends but I
Haven't thought of you lately at all
If ever again (clap clap)
A greeting I send to you
Short and sweet to the soul I intend
Hoho ohohoh (clap clap)
Hoho ohohoh (clap clap)
Hoho ohohoh (clap clap)
Hoho ohohoh (clap clap clap)
Come on now honey
Bring it on bring it on yeah
Just remember me when
You're good to go
Come on now sugar
Bring it on bring it on yeah
Just remember me when
It's something I said
Or someone I know
Or you called me up
Maybe I wasn't home
Now everybody needs some time
And everybody knows
The rest of it's fine
And everybody knows now
Come on now sugar
Bring it on bring it on yeah
Just remember me when
You're good to go
Come on now honey
Bring it on bring it on yeah
Just remember me when
We used to be friends
A long time ago
We used to be friends
A long time ago
We used to be friends
A long time ago
We used to be friends
Yeeeeeaaaaahhhhhh
Eeeeaaaahhhhhh
Hoho ohohoh (clap clap)
Hoho ohohoh (clap clap)
Hoho ohohoh (clap clap)
Hoho ohohoh (clap clap clap)
A long time ago
We used to be friends but I
Haven't thought of you lately at all
If ever again (clap clap)
A greeting I send to you
[...] Read more
song performed by Dandy Warhols
Added by Lucian Velea
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Insane
Somebody told me it was over
Nobody told me where it began
No one believes in you
I understand
Like a blind man
Whos lost his way
No one hears a word
Of what you say
I forgive you
Would you do the same
I would believe you
If only youd be true
I would believe if it were true
Cause everybody wants to be a winner
Nobody wants to lose their game
Its the same for me
Its the same for you
Its insane insane insane insane insane
Insane insane insane insane insane insane
I dont know where youve been looking
I think its only in your mind
Its tied so tight inside of you
All the thoughts unkind
I would believe you
If only youd be true
I would believe if it were true
Cause everybody wants to be a winner
Nobody wants to lose their game
Its the same for me
Its the same for you
Its insane insane insane insane insane
Insane insane insane insane insane
Insane
I would believe you
If only youd be true
Im getting older
And I cant escape time
Cause everybody wants to be a winner
Nobody wants to lose their game
Its the same for me
Its the same for you
Its insane insane insane insane insane
Insane insane insane
Cause everybody wants to be a winner
Nobody wants to lose their game
Its the same or me
Its the same for you
Its insane insane insane insane insane
Insane insane insane insane insane insane
Insane
song performed by Texas
Added by Lucian Velea
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Have Fun
(bernard edwards/nile rodgers)
Hey, everybody
Have fun again
I want you to have fun
Have fun again
I want you to have fun
Just like little children
Like the little children
Know how they have fun
Just like little children
Like the little children
Know how they have fun
Meanwhile back at the ranch
You're unhappy, now here's your chance
Don't you let the pressure appear
Make your lifestyle hectic all year
Have fun again
I want you to have fun
Have fun again
I want you to have fun
Just like little children
Like the little children
Know how they have fun
Just like little children
Like the little children
Know how they have fun
Money won't be enough
When the going gets tough, it's rough
Try to cuddle with your business
And you'll see that love is priceless
If you don't believe what i say
Just experiment one day
I think that you will agree
That we need some kind of relief
Relif, relief
Have fun again
I want you to have fun
Have fun again
I want you to have fun
Just like little children
Like the little children
Know how they have fun
Just like little children
Like the little children
Know how they have fun
Have fun again
Have fun
Have fun again
I want you to have fun
Just like little children
[...] Read more
song performed by Diana Ross
Added by Lucian Velea
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Make It Clap (remix)
[Sean Paul]
We make it clap, we make it clap (Huh!)
Yeah yeah yeah (Flipmode!!!) Busta Rhymes (Busta Rhymes!)
Sean-A-Paul (Sean Paul!)
One more time (Ha!) kill 'em with a rhyme (Huh!)
Remix time (remix!) a Dutty yeah, yo, Spliff Star (Spliff!)
Flipmode Squad (Ha!) we kill 'em with a rhyme, a dutty yeah
[Busta Rhymes]
Cau mi seh jump up clap oonu hand and siddung get up
And mi nah wig out mek everybody flip out oonu fi carry on
To get tired I waan chillout, all a di gal a sweat out
Mek your body keep clappin on
[Sean Paul]
Flipmode a roll wid all di hottest set a gal dem inna di dance
And Dutty Cup we deyah mek di gal dem jump up and prance
Busta Rhymes and Sean-A-Paul di lyrical magician
There fi mek dem switch and jump up wave up dem hands
Flipmode a roll wid all di hottest set a gal dem inna di dance
And Dutty Cup we deyah mek di gal dem jump up and prance
Busta Rhymes and Sean-A-Paul di lyrical magician
There fi mek dem switch and jump up wave up dem hands, so push it up deh
[Busta Rhymes]
Back with the remix with Spliff and Sean-A-Paul on the corner
Can't believe when we do it we smack it down how we wanna
Keepin it comin keepin it goin cause we ain't playin
I'm talkin to all my people cause what I'm sayin is
[Busta Rhymes]
In case you ain't know and in case you ain't heard
And if you want us to set it just give me the word
This one goes out to my soldiers that be flippin them birds
To all my shorties wigglin they shakin they curves
[Sean Paul]
We make it clap,
We make it clap,
We make it clap,
We make it clap
[Spliff Star]
Poor snapper, lookin at shorty shakin it and makin it clap
Booty big pokin out like twenties on the lap
When I give it to her shorty know how to throw it back
Booty bangin to the beat sometimes we overlap-sing
Gal peel out your blouse and your tight-jeans
Let me lick you down dip you with some ice-cream
Gal holla holla my name when I slide-in
Thunderstorm, rain, sleet and light-ning
Hold me tight feel the triniman grin-ding and grin-ding and grin-ding
Gal dip and bounce start whin-ning
You see Spliff, Sean Paul and Busta Rhymes, seen
(We got dough) You could tell by what we dri-ving
(Lookin to chose) How it's different and blin-ding
[...] Read more
song performed by Sean Paul
Added by Lucian Velea
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Make It Clap
[Intro: Sean Paul (Busta Rhymes)]
We make it clap, we make it clap (Huh!)
Yeah yeah yeah (Flipmode!!!) Busta Rhymes (Busta Rhymes!!!)
Sean-A-Paul (Sean Paul!!!)
One more time (Ha!!!) kill 'em with a rhyme (Huh!!!)
Remix time (remix!!!) a dutty yeah, yo, Spliff Star (Spliff!!!)
Flipmode Squad (Ha!!!) we kill 'em with a rhyme, a dutty yeah
[Verse 1: Busta Rhymes]
Cau mi seh jump up clap oonu hand and siddung get up
And mi nah wig out mek everybody flip out oonu fi carry on
To get tired I waan chillout, all a di gal a sweat out
Mek your body keep clappin on
[Sean Paul]
Flipmode a roll wid all di hottest set a gal dem inna di dance
And Dutty Cup we deyah mek di gal dem jump up and prance
Busta Rhymes and Sean-A-Paul di lyrical magician
There fi mek dem switch and jump up wave up dem hands
Flipmode a roll wid all di hottest set a gal dem inna di dance
And Dutty Cup we deyah mek di gal dem jump up and prance
Busta Rhymes and Sean-A-Paul di lyrical magician
There fi mek dem switch and jump up wave up dem hands, so push it up deh
[Busta Rhymes]
Back with the remix with Spliff and Sean-A-Paul on the corner
Can't believe when we do it we smack it down how we wanna
Keepin it comin keepin it goin cause we ain't playin
I'm talkin to all my people cause what I'm sayin is
[Chorus: Busta Rhymes]
In case you ain't know and in case you ain't heard
And if you want us to set it just give me the word
This one goes out to my soldiers that be flippin them birds
To all my shorties wigglin they shakin they curves
[Sean Paul]
We make it clap, we make it clap, we make it clap, we make it clap
[Verse 2: Spliff Star]
Poor snapper, lookin at shorty shakin it and makin it clap
Booty big pokin out like twenties on the lap
When I give it to her shorty know how to throw it back
Booty bangin to the beat sometimes we overlap-sing
Gal peel out your blouse and your tight-jeans
Let me lick you down dip you with some ice-cream
Gal holla holla my name when I slide-in
Thunderstorm, rain, sleet and light-ning
Hold me tight feel the triniman grin-ding and grin-ding and grin-ding
Gal dip and bounce start whin-ning
You see Spliff, Sean Paul and Busta Rhymes, seen
([Busta Rhymes:] We got dough) You could tell by what we dri-ving
([Busta Rhymes:] Lookin to chose) How it's different and blin-ding
And blin-ding and blin-ding it's like that make it clap now
[Chorus]
[Sean Paul]
[...] Read more
song performed by Busta Rhymes
Added by Lucian Velea
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VII. Pompilia
I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.
All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.
Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—
[...] Read more
poem by Robert Browning from The Ring and the Book
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Sister Helen
"Why did you melt your waxen man
Sister Helen?
To-day is the third since you began."
"The time was long, yet the time ran,
Little brother."
(O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)
"But if you have done your work aright,
Sister Helen,
You'll let me play, for you said I might."
"Be very still in your play to-night,
Little brother."
(O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)
"You said it must melt ere vesper-bell,
Sister Helen;
If now it be molten, all is well."
"Even so,--nay, peace! you cannot tell,
Little brother."
(O Mother, Mary Mother,
O what is this, between Hell and Heaven?)
"Oh the waxen knave was plump to-day,
Sister Helen;
How like dead folk he has dropp'd away!"
"Nay now, of the dead what can you say,
Little brother?"
(O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)
"See, see, the sunken pile of wood,
Sister Helen,
Shines through the thinn'd wax red as blood!"
"Nay now, when look'd you yet on blood,
Little brother?"
(O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)
"Now close your eyes, for they're sick and sore,
Sister Helen,
And I'll play without the gallery door."
"Aye, let me rest,--I'll lie on the floor,
Little brother."
(O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)
"Here high up in the balcony,
Sister Helen,
[...] Read more
poem by Dante Gabriel Rossetti
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The Cenci : A Tragedy In Five Acts
DRAMATIS PERSONÆ
Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.
The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.
ACT I
Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.
Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.
Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!
[...] Read more
poem by Percy Bysshe Shelley
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
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First Book
OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.
I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.
I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Luggage Canada
b ean bag stoer
bed liner motorcycle bags
bern aby bag
bed in a bag ty pennington
beetle bags roadstar midnight star
bean bag chairs burbank
bedroom in a bag justine
bean bag guns for purchase
berto bag
bed in a bag pink paisley
belt bag tool belt
biasia byoux bags
beer corn hole bags
beg borrow steal bags
bennington golf travel bag
bible verse shoulder hand bags
bean bag stuffing material
bean bag plastic pellets
beijo business bags pastel blue
belkin messenger bag
b ean bag simba
bean bag toss game specifications
bean bag chairs reno nv
bean bag herb alpert
bean bag forgame
bella hand bags
bean bag chair video
bean bag door stops
beretta nra approved gun bag
ben hogan kapalua golf bag
bes pak freezer bags
bean bag furniture paypal
bean bags chair ladybug
bean bag tossing game
betty boop gift bags
bean bag tic tac toe
bettz designs knitting tote bags
bean bag toss rules
beth any bag
bean bag chair indigo denim print
bean bag pillows microfiber
be an foam bag
bible buy loaf bag
bebe handbag bag
beverage delivery bags
betty boop harley bag
bichon frise gift bags
ben hogan golf mystique stand bag
bicyce crossbar bag
bean bag shells shotgun
[...] Read more
poem by Rwetewrt Erwtwer
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
[...] Read more
poem by Robert Browning from The Ring and the Book
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
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Soccer–Passion Song
Soccer–Passion Song
Soccer in the evening;
Soccer in the morning;
Soccer in spring and fall.
Soccer in the raining;
Soccer in the snowing;
Soccer in winter and summer.
Soccer in between my feet,
where I walk;
Soccer in my heart and mind,
how I live;
Soccer my love and life.
Soccer I wake up and play;
Soccer I hold it to sleep;
Soccer my work and rest.
Soccer I sing a new song;
Soccer I dance the magic steps;
Soccer my tears and joy.
Soccer my Mom buys it for me to play;
Soccer my Dad brings me to the game;
Soccer my dear Love watches me to score.
Soccer I dribble and shoot;
Soccer I pass and fall;
Soccer my glory and downfall.
Soccer I strike to attack;
Soccer I tackle to defend;
Soccer my struggle and survival.
Soccer I receive the flags and the whistles;
Soccer I get the yellow and red card;
Soccer my moves and stop.
Soccer I meet my friends;
Soccer I make my enemies;
Soccer my conflict and peace.
Soccer I play and watch;
Soccer I watch but cannot play;
Soccer my dream and reality.
Soccer I learn the rights;
Soccer I confess the fouls;
[...] Read more
poem by Laijon Liu
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Handles Bermuda
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[...] Read more
poem by Rwetewrt Erwtwer
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Move Over Busker
Well the rest of my life lay in front of me,
I was pedalling down the road,
When I saw nell gwynne and her oranges
And Ill have one of those.
She said move over busker, dont bang your drum
Move over busker, your time will come.
Well I was hanging around for a miracle,
Struggling with a rhyme,
When I saw mae west in a sweaty vest,
And I said Ill come up and see you sometime.
She said move over busker, dont bang your drum
Move over busker, your time will come.
Youve got it coming, come on come on,
Youve got it coming, coming to you.
Youve got it coming, come on come on,
Youve got it coming, coming to you.
Well Ive been waiting, but Im impatient,
No-one can hold me back, I want to stay with the action.
But I wont get it, my great illusion
Will vanish anyhow if I dont grab it now.
Well I was hacking my way throught the undergrowth,
Juggling with my pride,
When I saw errol flynn in a tiger skin,
And I said you look satisfied!!
Well he looked down at me from his motor home,
And he gave me a dirty smile,
He said well yes I am but shes calling me,
Would you excuse us for a while
Move over busker, your day is done.
Move over busker, my time has come.
song performed by Paul McCartney
Added by Lucian Velea
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The White Cliffs
I
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.
II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.
III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid
[...] Read more
poem by Alice Duer Miller
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Fun, Fun, Fun
Well she got her daddys car
And she cruised through the hamburger stand now
Seems she forgot all about the library
Like she told her old man now
And with the radio blasting
Goes cruising just as fast as she can now
And shell have fun fun fun
til her daddy takes the t-bird away
(fun fun fun til her daddy takes the t-bird away)
Well the girls cant stand her
cause she walks looks and drives like an ace now
(you walk like an ace now you walk like an ace)
She makes the indy 500 look like a roman chariot race now
(you look like an ace now you look like an ace)
A lotta guys try to catch her
But she leads them on a wild goose chase now
(you drive like an ace now you drive like an ace)
And shell have fun fun fun
til her daddy takes the t-bird away
(fun fun fun til her daddy takes the t-bird away)
Well you knew all along
That your dad was gettin wise to you now
(you shouldnt have lied now you shouldnt have lied)
And since he took your set of keys
Youve been thinking that your fun is all through now
(you shouldnt have lied now you shouldnt have lied)
But you can come along with me
cause we gotta a lot of things to do now
(you shouldnt have lied now you shouldnt have lied)
And well have fun fun fun now that daddy took the t-bird away
(fun fun fun now that daddy took the t-bird away)
And well have fun fun fun now that daddy took the t-bird away
(fun fun fun now that daddy took the t-bird away)
(fun fun now that daddy took the t-bird away)
(fun fun now that daddy took the t-bird away)
(fun fun now that daddy took the t-bird away)
(fun fun now that daddy took the t-bird away)
(fun fun now that daddy took the t-bird away)
(fun fun now that daddy took the t-bird away)
song performed by Beach Boys
Added by Lucian Velea
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Third Book
'TO-DAY thou girdest up thy loins thyself,
And goest where thou wouldest: presently
Others shall gird thee,' said the Lord, 'to go
Where thou would'st not.' He spoke to Peter thus,
To signify the death which he should die
When crucified head downwards.
If He spoke
To Peter then, He speaks to us the same;
The word suits many different martyrdoms,
And signifies a multiform of death,
Although we scarcely die apostles, we,
And have mislaid the keys of heaven and earth.
For tis not in mere death that men die most;
And, after our first girding of the loins
In youth's fine linen and fair broidery,
To run up hill and meet the rising sun,
We are apt to sit tired, patient as a fool,
While others gird us with the violent bands
Of social figments, feints, and formalisms,
Reversing our straight nature, lifting up
Our base needs, keeping down our lofty thoughts,
Head downward on the cross-sticks of the world.
Yet He can pluck us from the shameful cross.
God, set our feet low and our forehead high,
And show us how a man was made to walk!
Leave the lamp, Susan, and go up to bed.
The room does very well; I have to write
Beyond the stroke of midnight. Get away;
Your steps, for ever buzzing in the room,
Tease me like gnats. Ah, letters! throw them down
At once, as I must have them, to be sure,
Whether I bid you never bring me such
At such an hour, or bid you. No excuse.
You choose to bring them, as I choose perhaps
To throw them in the fire. Now, get to bed,
And dream, if possible, I am not cross.
Why what a pettish, petty thing I grow,–
A mere, mere woman,–a mere flaccid nerve,-
A kerchief left out all night in the rain,
Turned soft so,–overtasked and overstrained
And overlived in this close London life!
And yet I should be stronger.
Never burn
Your letters, poor Aurora! for they stare
With red seals from the table, saying each,
'Here's something that you know not.' Out alas,
'Tis scarcely that the world's more good and wise
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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The Odyssey: Book 2
Now when the child of morning, rosy-fingered Dawn, appeared,
Telemachus rose and dressed himself. He bound his sandals on to his
comely feet, girded his sword about his shoulder, and left his room
looking like an immortal god. He at once sent the criers round to call
the people in assembly, so they called them and the people gathered
thereon; then, when they were got together, he went to the place of
assembly spear in hand- not alone, for his two hounds went with him.
Minerva endowed him with a presence of such divine comeliness that all
marvelled at him as he went by, and when he took his place' in his
father's seat even the oldest councillors made way for him.
Aegyptius, a man bent double with age, and of infinite experience,
the first to speak His son Antiphus had gone with Ulysses to Ilius,
land of noble steeds, but the savage Cyclops had killed him when
they were all shut up in the cave, and had cooked his last dinner
for him, He had three sons left, of whom two still worked on their
father's land, while the third, Eurynomus, was one of the suitors;
nevertheless their father could not get over the loss of Antiphus, and
was still weeping for him when he began his speech.
"Men of Ithaca," he said, "hear my words. From the day Ulysses
left us there has been no meeting of our councillors until now; who
then can it be, whether old or young, that finds it so necessary to
convene us? Has he got wind of some host approaching, and does he wish
to warn us, or would he speak upon some other matter of public moment?
I am sure he is an excellent person, and I hope Jove will grant him
his heart's desire."
Telemachus took this speech as of good omen and rose at once, for he
was bursting with what he had to say. He stood in the middle of the
assembly and the good herald Pisenor brought him his staff. Then,
turning to Aegyptius, "Sir," said he, "it is I, as you will shortly
learn, who have convened you, for it is I who am the most aggrieved. I
have not got wind of any host approaching about which I would warn
you, nor is there any matter of public moment on which I would
speak. My grieveance is purely personal, and turns on two great
misfortunes which have fallen upon my house. The first of these is the
loss of my excellent father, who was chief among all you here present,
and was like a father to every one of you; the second is much more
serious, and ere long will be the utter ruin of my estate. The sons of
all the chief men among you are pestering my mother to marry them
against her will. They are afraid to go to her father Icarius,
asking him to choose the one he likes best, and to provide marriage
gifts for his daughter, but day by day they keep hanging about my
father's house, sacrificing our oxen, sheep, and fat goats for their
banquets, and never giving so much as a thought to the quantity of
wine they drink. No estate can stand such recklessness; we have now no
Ulysses to ward off harm from our doors, and I cannot hold my own
against them. I shall never all my days be as good a man as he was,
still I would indeed defend myself if I had power to do so, for I
cannot stand such treatment any longer; my house is being disgraced
and ruined. Have respect, therefore, to your own consciences and to
public opinion. Fear, too, the wrath of heaven, lest the gods should
[...] Read more
poem by Homer, translated by Samuel Butler
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