030810 I'm Alone It's Not Fair
i'm running cold water on my hands
playing with scented soap bubbles
let me wash this dishes instead
while i reminisce days you were here
you're standing on that corner by fridge
with yellow towel drying dishes and glasses
then out of the blue we ran outside
we watched balloons passed by
very colorful once, i wonder if they saw us
from up there with all that billowing noise
my neck got stiff, you went and sit
then somebody scream 'flooding'
yes, water running out of the kitchen
drain clog up with unfinished food
it took us the whole day cleaning
i was poof and you're still smiling
it's very comforting being there
now i'm alone it's not really fair
poem by Manonton Dalan
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Related quotes
Keep On Running
Some gonna get you
Some gonna grab you
Some gonna jump out of the bushes and grab you
Whole lotta folks, you better run faster.
Some gonna grab you
Some gonna jump out of the bushes and grab you
Some gonna grab you
Oh you need this thing to grab you, ha.
Yea, yea
Keep on running
Keep on running from my love
Keep on running, yea
Keep on running from my love
Some folks say that youre really, really fine,
All you want to be is just a friend of mine,
But I know, the man your with gonna break your heart,
And youll be sad real soon, yea.
Keep on running,
Keep on running from my love,
Keep on running, yea,
Keep on running from my love.
Some folks say that youre really, really fine
But all you want to be is just a friend of mine,
But I know Im gonna get you with him -real soon.
Why do you keep?
Keep on running, running from my love
Yea, keep on running from
Keep on running, running from my love
I need you baby
Keep on running, running from my love
And everyday yea,
Keep on running, running from my love. oh
Keep on running
Keep on running from my love
Keep on running yea
Keep on running from my love
Some folks say that your love is really good
All you want to be is just a friend of mine,
But I know, Im gonna get you in the end
cause I need you so
Keep on running
Keep on running, running from my love
Yea, keep on running baby
Keep on running, running from my love, yea
Keep on running, running from my love
Keep on running, running from my love
...say it loud
Keep on running, running from my love
Oh, yea
Keep on running, running from my love
[...] Read more
song performed by Stevie Wonder
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Thurso’s Landing
I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.
II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,
[...] Read more
poem by Robinson Jeffers
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
[...] Read more
poem by Conrad Potter Aiken
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Livin In The Fridge
Theres something weird in the fridge today
I dont know what it is
Food I cant recognize
My roommate wont throw a thing away
I guess its probably his
It looks like its alive...
And livin in the fridge... livin in the fridge
Livin in the fridge... livin in the fridge
Theres something dross in the fridge today
Its green and growin hair
Its been there since july
If you can name the object
In that baggie over there
Then mister, youre a better man than i
Its livin in the fridge
You cant stop (dysentary) the mold from growin (dysentary)
Livin in the fridge
Cant tell what (dysentary) it is at all (dysentary)
Livin in the fridge
You cant stop (dysentary) the mold from growin (dysentary)
Livin in the fridge
Tell me, do you think it should be carbon dated
Fumigated or creamated and buried at sea?
You try to save a little bit of youre home cookin
Couple weeks later, got a scary-lookin specimen
It always happens my friend
Again & again & again & again
Somethin stinks in the fridge today
And its been rottin there all week
It could be liver cake or wooly mammoth steak
Well, maybe I should another peek...
Livin in the fridge
You cant stop (dysentary) the mold from growin (dysentary)
Livin in the fridge
Cant tell what (dysentary) it is at all (dysentary)
Livin in the fridge
You cant stop (dysentary) the mold from growin (dysentary)
Livin in the fridge
Livin in the fridge
Dont know what it is, dont know what it is
Livin in the fridge
Dont know what it is, dont know what it is
Livin in the fridge
Dont know what it is at all
Livin in the fridge, yeah
Yeah yeah yeah yeah yeah yeah yeah yeah yeah
Yeah yeah yeah yeah yeah yeah
song performed by Weird Al Yankovic
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Give Your Heart To The Hawks
1 he apples hung until a wind at the equinox,
That heaped the beach with black weed, filled the dry grass
Under the old trees with rosy fruit.
In the morning Fayne Fraser gathered the sound ones into a
basket,
The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.
Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.
Fayne snatched for it and missed;
Michael stood by rejoicing, his rather small
Finely cut features in a dance of delight;
Fayne with one sweep flung at his face
All the bruised and half-spoiled apples in the pan,
[...] Read more
poem by Robinson Jeffers
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200 Balloons
Who gonna stop 200 balloons?
Nobody
Lets do it
25 policemen all in a row
Cant stop the party people - go go go
If u cant beat em join em baby say so
Its party time everybody come on lets go
Fly with me
200 balloons (lets do it)
Blowing down the city colder than ice
I think u better love me cuz Im really kind of nice
If u do me once girl u have 2 do me twice
Wave your hand if u wanna party tonight
Come on everybody
200 balloons
Everybody sing it
Fly with me (lets do it)
Come on baby fly with me (lets do it)
Fly with me (lets do it)
Come on baby fly with me
Ill buy u love if I got
200 balloons (lets do it)
Tell me that u love me and Ill buy u a fancy car
I made u a couple of times and so u made me a star
So take me 4 what Im worth, love me 4 what I are
(do, do) the partyman, I take u way far
Come on yall
200 balloons
Whos gonna stop 200 balloons?
Nobody
Lets do it lets do it
Lets do it lets do it
Its party time yall
200 balloons
(do it) dont stop me now
(do it {poet}) my life has just begun
(do it) rave, unto the joy yall (do it)
The only one dont try to stop me (do it)
Fly with me (do it)
(do it 200 do it 200 do it)
Fly with me
Come on fly with me
Its party time yall
200 balloons
(lets do it)
200 balloons
(lets do it) (fly with me)
200 balloons
Lets do it lets do it
Hey, its been good!
[...] Read more
song performed by Prince
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Tamar
I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.
The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,
[...] Read more
poem by Robinson Jeffers
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Roan Stallion
The dog barked; then the woman stood in the doorway, and hearing
iron strike stone down the steep road
Covered her head with a black shawl and entered the light rain;
she stood at the turn of the road.
A nobly formed woman; erect and strong as a new tower; the
features stolid and dark
But sculptured into a strong grace; straight nose with a high bridge,
firm and wide eyes, full chin,
Red lips; she was only a fourth part Indian; a Scottish sailor had
planted her in young native earth,
Spanish and Indian, twenty-one years before. He had named her
California when she was born;
That was her name; and had gone north.
She heard the hooves and
wheels come nearer, up the steep road.
The buckskin mare, leaning against the breastpiece, plodded into
sight round the wet bank.
The pale face of the driver followed; the burnt-out eyes; they had
fortune in them. He sat twisted
On the seat of the old buggy, leading a second horse by a long
halter, a roan, a big one,
That stepped daintily; by the swell of the neck, a stallion. 'What
have you got, Johnny?' 'Maskerel's stallion.
Mine now. I won him last night, I had very good luck.' He was
quite drunk, 'They bring their mares up here now.
I keep this fellow. I got money besides, but I'll not show you.'
'Did you buy something, Johnny,
For our Christine? Christmas comes in two days, Johnny.' 'By
God, forgot,' he answered laughing.
'Don't tell Christine it's Christmas; after while I get her something,
maybe.' But California:
'I shared your luck when you lost: you lost me once, Johnny, remember?
Tom Dell had me two nights
Here in the house: other times we've gone hungry: now that
you've won, Christine will have her Christmas.
We share your luck, Johnny. You give me money, I go down to
Monterey to-morrow,
Buy presents for Christine, come back in the evening. Next day
Christmas.' 'You have wet ride,' he answered
Giggling. 'Here money. Five dollar; ten; twelve dollar. You
buy two bottles of rye whiskey for Johnny.'
A11 right. I go to-morrow.'
He was an outcast Hollander; not
old, but shriveled with bad living.
The child Christine inherited from his race blue eyes, from his
life a wizened forehead; she watched
From the house-door her father lurch out of the buggy and lead
with due respect the stallion
To the new corral, the strong one; leaving the wearily breathing
buckskin mare to his wife to unharness.
[...] Read more
poem by Robinson Jeffers
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Tannhauser
The Landgrave Hermann held a gathering
Of minstrels, minnesingers, troubadours,
At Wartburg in his palace, and the knight,
Sir Tannhauser of France, the greatest bard,
Inspired with heavenly visions, and endowed
With apprehension and rare utterance
Of noble music, fared in thoughtful wise
Across the Horsel meadows. Full of light,
And large repose, the peaceful valley lay,
In the late splendor of the afternoon,
And level sunbeams lit the serious face
Of the young knight, who journeyed to the west,
Towards the precipitous and rugged cliffs,
Scarred, grim, and torn with savage rifts and chasms,
That in the distance loomed as soft and fair
And purple as their shadows on the grass.
The tinkling chimes ran out athwart the air,
Proclaiming sunset, ushering evening in,
Although the sky yet glowed with yellow light.
The ploughboy, ere he led his cattle home,
In the near meadow, reverently knelt,
And doffed his cap, and duly crossed his breast,
Whispering his 'Ave Mary,' as he heard
The pealing vesper-bell. But still the knight,
Unmindful of the sacred hour announced,
Disdainful or unconscious, held his course.
'Would that I also, like yon stupid wight,
Could kneel and hail the Virgin and believe!'
He murmured bitterly beneath his breath.
'Were I a pagan, riding to contend
For the Olympic wreath, O with what zeal,
What fire of inspiration, would I sing
The praises of the gods! How may my lyre
Glorify these whose very life I doubt?
The world is governed by one cruel God,
Who brings a sword, not peace. A pallid Christ,
Unnatural, perfect, and a virgin cold,
They give us for a heaven of living gods,
Beautiful, loving, whose mere names were song;
A creed of suffering and despair, walled in
On every side by brazen boundaries,
That limit the soul's vision and her hope
To a red hell or and unpeopled heaven.
Yea, I am lost already,-even now
Am doomed to flaming torture for my thoughts.
O gods! O gods! where shall my soul find peace?'
He raised his wan face to the faded skies,
Now shadowing into twilight; no response
Came from their sunless heights; no miracle,
As in the ancient days of answering gods.
[...] Read more
poem by Emma Lazarus
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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I Discover The World In India
red vermillion streaked hair
a red wattled lapwing
orange, same time each day, sunrises and sunsets
yellow and black taxi colours, yellow temple flags, bright yellow confectionery shops, yellow bright fragrant perfume shops
green lush city pot plants, green lush country side
light blue warm skies, light blue cool cabs
indigo blue dupattas, turbans
navy blue trains, absence of starchy navy blue suits
sexy, pink, curved, massive majestic palaces, pink film posters
gold and glass chhum chhummy bangles
one purple TV happily watched by hundreds of labourers, purple crow sounds
gold chhum chhummy payals
white nehru jackets, pyjamas and kurtas, white cracking paint on grand old victorian buildings, white floor seating
_______
I discover
white clear eyes, white teeth behind white greetings
gold namastes
purple glee at fairs, purple glee when trying new technology and at receiving smallest of gifts
gold helping hands
many pink smiles
navy blue restful sleep on pavements, on roof terraces
indigo blue uniforms on giving railway porters
light blue singing on pavements, in big halls
limitless sincere green hospitality
endless yellow courtesy and welcomes
orange early morning school uniforms and school bags
an orange headed minla
red eyed hard working farmers and labourers
_______
the world
red rose petals in idol garlands, red rose petals at feet of idols
orange marigolds and sadhus, orange sacred cows
yellow rose petals in idol garlands, at feet of idols
a yellow eurasian golden eriole
green mango leaf awnings at entrances
light blue shiny clothes for deities, light blue ganges, light blue yamuna, light blue ceremonies
indigo blue in ancient temple and church paintings, indigo blue in contemporary art , indigo blue art and artists everywhere
navy blue backdropp in Shree Nathji's haveli
pink garlands on shiv lings, pink stained rice in flower formations on pooja tables
gold crowns for goddesses and gods
purple checks on worship lungis
gold ornaments on idols in gold temples, gold borders on worship saris
white churches, brahmins clad in white, stirring orators in white, ancient white stone sculptures and carvings
_____
in India
white barfi, white lassi, white raw and crunchy radishes
gold basundi, gold masala dosas, gold pani puris
[...] Read more
poem by Bhupen Thakker
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The Tower Beyond Tragedy
I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.
[...] Read more
poem by Robinson Jeffers
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Seasonable Retour-Knell
SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS
Author notes
A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000
In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.
For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.
Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.
One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.
Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
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For previous version see below
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SPRING SUMMER
Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.
Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.
AUTUMN WINTER
Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.
Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,
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poem by Jonathan Robin
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Noise
Dads stuck in the factory, machines are banging all around.
Mommas in the kitchen, she got the radio on all the time.
My little sisters screaming, and stamping on the ground.
And the radio keeps pumping out the same old boring sound.
All I hear is noise.
Cant get away from the noise.
Can you hear me above the noise?
Can you, can you, can you, can you, can you, can you hear me?
Can you hear the noise? (noise)
Cant get away from the noise. (noise)
Can you hear me above the noise? (noise)
Can you, can you, can you, can you, can you, can you hear me?
Banging in my ears, in every direction.
Listen to the roar, hear that city[? ], poundin, poundin.
There oughta be a law, hey buddy, turn that radio down.
Sometimes I get used to it and I forget that its around.
But all I hear is noise. (noise)
Cant get away from noise. (noise)
Can you hear me above the noise? (noise)
All of this confusion is ruining my day.
Let the noise be like the sunset, and slowly fade away.
Fading, fade.
Girl, I want to build a better world for me and you.
I wanna pull out all the plugs before I finally blow my fuse.
Wish all the confusion would slowly fade away.
Id tell you that I love you, but you dont hear what I way.
All you hear is noise. (noise)
Cant get away from noise. (noise)
Can you hear me above the noise? (noise)
Can you, can you, can you, can you, can you, can you hear me?
Noise in the street, theyre digging up the pavement.
Noise in the air, those traffic jams are everywhere.
Noise on noise, to cover up the noise.
The pressures building up because theres no way to avoid,
All the noise. (noise)
Cant get away from noise. (noise)
Can you hear me above the noise? (noise)
All of this confusion is ruining my day.
Let the noise be like the sunset, and slowly fade away.
Fading, fading.
song performed by Kinks
Added by Lucian Velea
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Evangeline: A Tale of Acadie
This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.
This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.
Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.
PART THE FIRST
I
In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors
[...] Read more
poem by Henry Wadsworth Longfellow
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New Krishna
white stillness pure gold purple wonder gold strength pink joy
pink infinity navy blue now strong indigo blue light blue fountain
the green first reason endless yellow compassionate orange
royal red
single red free orange free yellow
green depth as clear as crystal all attractive light blue
strong indigo blue strong navy blue pink wishes gold compassion
compassionate purple gold of golds of creativity
she maybe dying
she is thirty one
white weeps white seeps into golden
memories of purple
lectures
navy blue pink gold
parties, poetry evenings and art
openings
with indigo blue
music
and beautfully spoken light blue
words
to green acts
of courage
to green acts of love
yellow self improvement classes
orange sex sessions and marriages
and to memories of
red plush homes
red inspirer orange giver yellow help dazzling green
light blue of the delicate with indigo blue eyes navy blue good
with pink kind eyes golden hair
golden complexion purple complexion
gold warmth of white space
a sixty year old man with a beautiful four year old boy
enter the room
“look in my mouth, look in my mouth, look in my mouth”
white of whites
gold truth purple mentor funny gold pink friend of children
navy blue of nature indigo blue knowledge light blue song of nature
green creation yellow in senses orange guide red way
the man says
royal red
the boy sits on the ground
endless orange
the boy touches the woman
[...] Read more
poem by Bhupen Thakker
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The Cremona Violin
Part First
Frau Concert-Meister Altgelt shut the door.
A storm was rising, heavy gusts of wind
Swirled through the trees, and scattered leaves before
Her on the clean, flagged path. The sky behind
The distant town was black, and sharp defined
Against it shone the lines of roofs and towers,
Superimposed and flat like cardboard flowers.
A pasted city on a purple ground,
Picked out with luminous paint, it seemed. The cloud
Split on an edge of lightning, and a sound
Of rivers full and rushing boomed through bowed,
Tossed, hissing branches. Thunder rumbled loud
Beyond the town fast swallowing into gloom.
Frau Altgelt closed the windows of each room.
She bustled round to shake by constant moving
The strange, weird atmosphere. She stirred the fire,
She twitched the supper-cloth as though improving
Its careful setting, then her own attire
Came in for notice, tiptoeing higher and higher
She peered into the wall-glass, now adjusting
A straying lock, or else a ribbon thrusting
This way or that to suit her. At last sitting,
Or rather plumping down upon a chair,
She took her work, the stocking she was knitting,
And watched the rain upon the window glare
In white, bright drops. Through the black glass a flare
Of lightning squirmed about her needles. 'Oh!'
She cried. 'What can be keeping Theodore so!'
A roll of thunder set the casements clapping.
Frau Altgelt flung her work aside and ran,
Pulled open the house door, with kerchief flapping
She stood and gazed along the street. A man
Flung back the garden-gate and nearly ran
Her down as she stood in the door. 'Why, Dear,
What in the name of patience brings you here?
Quick, Lotta, shut the door, my violin
I fear is wetted. Now, Dear, bring a light.
This clasp is very much too worn and thin.
I'll take the other fiddle out to-night
If it still rains. Tut! Tut! my child, you're quite
Clumsy. Here, help me, hold the case while I -
Give me the candle. No, the inside's dry.
[...] Read more
poem by Amy Lowell
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Narrative And Dramatic The Wanderings Of Oisin
BOOK I
S. Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.
Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.
Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,
But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft bosom rose and fell.
S. Patrick. You are still wrecked among heathen dreams.
Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'
'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain
[...] Read more
poem by William Butler Yeats
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Running Away
Ya running and ya running
And ya running away.
Ya running and ya running
And ya running away.
Ya running and ya running
And ya running away.
Ya running and ya running,
But ya cant run away from yourself
Cant run away from yourself -
Cant run away from yourself -
Cant run away from yourself -
Cant run away from yourself -
Cant run away from yourself.
Ya must have done (must have done),
Sometin wrong (something wrong).
Said: ya must have done (must have done),
Wo! sometin wrong (something wrong).
Why you cant find the
Place where you belong?
Do-do-do-do-do-do-do-do-do (running away);
Do-do-do-do-do-do-do-do-do (running away);
Do-do-do-do-do-do-do-do-do (running away);
Do-do-do-do-do-do-do-do-do (running away);
Do-do-do-do-do-do-do-do-do (running away).
Every man thinketh his
Burden is the heaviest (heaviest).
Every man thinketh his
Burden is the heaviest (heaviest).
Ya still mean it: who feels it knows it, lord;
Who feels it knows it, lord;
Who feels it knows it, lord;
Who feels it knows it, lord.
Ya running and ya running
And ya running away.
Ya running and ya running
And ya running away.
Ya running and ya running
And ya running away.
Ya running and ya running
But ya cant run away from yourself.
Could ya run away from yourself?
Can you run away from yourself?
Cant run away from yourself!
Cant run away from yourself!
Yeah-eah-eah-eah - from yourself.
Brr - you must have done sometin -
Sometin - sometin - sometin -
Sometin ya dont want nobody to know about:
Ya must have, lord - sometin wrong,
What ya must have done - ya must have done sometin wrong.
[...] Read more
song performed by Bob Marley
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Charmides
HE was a Grecian lad, who coming home
With pulpy figs and wine from Sicily
Stood at his galley's prow, and let the foam
Blow through his crisp brown curls unconsciously,
And holding wave and wind in boy's despite
Peered from his dripping seat across the wet and stormy night
Till with the dawn he saw a burnished spear
Like a thin thread of gold against the sky,
And hoisted sail, and strained the creaking gear,
And bade the pilot head her lustily
Against the nor'west gale, and all day long
Held on his way, and marked the rowers' time with measured song,
And when the faint Corinthian hills were red
Dropped anchor in a little sandy bay,
And with fresh boughs of olive crowned his head,
And brushed from cheek and throat the hoary spray,
And washed his limbs with oil, and from the hold
Brought out his linen tunic and his sandals brazen-soled,
And a rich robe stained with the fishes' juice
Which of some swarthy trader he had bought
Upon the sunny quay at Syracuse,
And was with Tyrian broideries inwrought,
And by the questioning merchants made his way
Up through the soft and silver woods, and when the labouring day
Had spun its tangled web of crimson cloud,
Clomb the high hill, and with swift silent feet
Crept to the fane unnoticed by the crowd
Of busy priests, and from some dark retreat
Watched the young swains his frolic playmates bring
The firstling of their little flock, and the shy shepherd fling
The crackling salt upon the flame, or hang
His studded crook against the temple wall
To Her who keeps away the ravenous fang
Of the base wolf from homestead and from stall;
And then the clear-voiced maidens 'gan to sing,
And to the altar each man brought some goodly offering,
A beechen cup brimming with milky foam,
A fair cloth wrought with cunning imagery
Of hounds in chase, a waxen honey-comb
Dripping with oozy gold which scarce the bee
Had ceased from building, a black skin of oil
Meet for the wrestlers, a great boar the fierce and white-tusked
spoil
[...] Read more
poem by Oscar Wilde
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