Free
I am free, free, free.
[ I was never free]
So tred carefully,
Before you tred on my dreams
yvette m smith nov 08
poem by Yvette Smith
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Bruadar And Smith And Glinn
Bruadar and Smith and Glinn,
Amen, dear God, I pray,
May they lie low in waves of woe,
And tortures slow each day!
Amen!
Bruadar and Smith and Glinn
Helpless and cold, I pray,
Amen! I pray, O king,
To see them pine away.
Amen!
Bruadar and Smith and Glinn
May flails of sorrow flay!
Cause for lamenting, snares and cares
Be theirs by night and day!
Amen!
Blindness come down on Smith,
Palsy on Bruadar come,
Amen, O King of Brightness! Smite
Glinn in his members numb,
Amen!
Smith in the pangs of pain,
Stumbling on Bruadar’s path,
King of the Elements, Oh, Amen!
Let loose on Glinn Thy Wrath.
Amen!
For Bruadar gape the grave,
Up-shovel for Smith the mould,
Amen, O King of the Sunday! Leave
Glinn in the devil’s hold.
Amen!
Terrors on Bruadar rain,
And pain upon pain on Glinn,
Amen, O King of the Stars! And Smith
May the devil be linking him.
Amen!
Glinn in a shaking ague,
Cancer on Bruadar’s tongue,
Amen, O King of the Heavens! and Smith
Forever stricken dumb.
Amen!
Thirst but no drink for Glinn,
Smith in a cloud of grief,
[...] Read more
poem by Douglas Hyde
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- quotes about corruption
- quotes about time
- quotes about tomb
- quotes about dollars
- quotes about dogs
- quotes about sadness
- quotes about divine
- quotes about saint
- quotes about pain
What Smith Knew About Farming
There wasn't two purtier farms in the state
Than the couple of which I'm about to relate;--
Jinin' each other--belongin' to Brown,
And jest at the edge of a flourishin' town.
Brown was a man, as I understand,
That allus had handled a good 'eal o' land,
And was sharp as a tack in drivin' a trade--
For that's the way most of his money was made.
And all the grounds and the orchards about
His two pet farms was all tricked out
With poppies and posies
And sweet-smellin' rosies;
And hundreds o' kinds
Of all sorts o' vines,
To tickle the most horticultural minds
And little dwarf trees not as thick as your wrist
With ripe apples on 'em as big as your fist:
And peaches,--Siberian crabs and pears,
And quinces--Well! ANY fruit ANY tree bears;
And th purtiest stream--jest a-swimmin' with fish,
And--JEST O'MOST EVERYTHING HEART COULD WISH!
The purtiest orch'rds--I wish you could see
How purty they was, fer I know it 'ud be
A regular treat!--but I'll go ahead with
My story! A man by the name o' Smith--
(A bad name to rhyme,
But I reckon that I'm
Not goin' back on a Smith! nary time!)
'At hadn't a soul of kin nor kith,
And more money than he knowed what to do with,--
So he comes a-ridin' along one day,
And HE says to Brown, in his offhand way--
Who was trainin' some newfangled vines round a bay-
Winder--'Howdy-do--look-a-here--say:
W hat'll you take fer this property here?--
I'm talkin' o' leavin' the city this year,
And I want to be
Where the air is free,
And I'll BUY this place, if it ain't too dear!'--
Well--they grumbled and jawed aroun'--
'I don't like to part with the place,' says Brown;
'Well,' says Smith, a-jerkin' his head,
'That house yonder--bricks painted red--
Jest like this'n--a PURTIER VIEW--
Who is it owns it?' 'That's mine too,'
Says Brown, as he winked at a hole in his shoe,
'But I'll tell you right here jest what I KIN do:--
If you'll pay the figgers I'll sell IT to you.,'
Smith went over and looked at the place--
Badgered with Brown, and argied the case--
[...] Read more
poem by James Whitcomb Riley
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Antichrist, or the Reunion of Christendom: An Ode
Are they clinging to their crosses,
F. E. Smith,
Where the Breton boat-fleet tosses,
Are they, Smith?
Do they, fasting, trembling, bleeding,
Wait the news from this our city?
Groaning "That's the Second Reading!"
Hissing "There is still Committee!"
If the voice of Cecil falters,
If McKenna's point has pith,
Do they tremble for their altars?
Do they, Smith?
Russian peasants round their pope
Huddled, Smith,
Hear about it all, I hope,
Don't they, Smith?
In the mountain hamlets clothing
Peaks beyond Caucasian pales,
Where Establishment means nothing
And they never heard of Wales,
Do they read it all in Hansard -
With a crib to read it with -
"Welsh Tithes: Dr. Clifford answered."
Really, Smith?
In the lands where Christians were,
F. E. Smith,
In the little lands laid bare,
Smith, O Smith!
Where the Turkish bands are busy
And the Tory name is blessed
Since they hailed the Cross of Dizzy
On the banners from the West!
Men don't think it half so hard if
Islam burns their kin and kith,
Since a curate lives in Cardiff
Saved by Smith.
It would greatly, I must own,
Soothe me, Smith!
If you left this theme alone,
Holy Smith!
For your legal cause or civil
You fight well and get your fee;
For your God or dream or devil
You will answer, not to me.
Talk about the pews and steeples
And the cash that goes therewith!
But the souls of Christian peoples...
[...] Read more
poem by G.K. Chesterton
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- quotes about cross
- quotes about Russia
- quotes about blood
- quotes about news
- quotes about mountains
- quotes about journalism
- quotes about city
- quotes about life
Antichrist, or the Reunion of Christendom: An Ode
Are they clinging to their crosses,
F. E. Smith,
Where the Breton boat-fleet tosses,
Are they, Smith?
Do they, fasting, trembling, bleeding,
Wait the news from this our city?
Groaning "That's the Second Reading!"
Hissing "There is still Committee!"
If the voice of Cecil falters,
If McKenna's point has pith,
Do they tremble for their altars?
Do they, Smith?
Russian peasants round their pope
Huddled, Smith,
Hear about it all, I hope,
Don't they, Smith?
In the mountain hamlets clothing
Peaks beyond Caucasian pales,
Where Establishment means nothing
And they never heard of Wales,
Do they read it all in Hansard --
With a crib to read it with --
"Welsh Tithes: Dr. Clifford answered."
Really, Smith?
In the lands where Christians were,
F. E. Smith,
In the little lands laid bare,
Smith, O Smith!
Where the Turkish bands are busy
And the Tory name is blessed
Since they hailed the Cross of Dizzy
On the banners from the West!
Men don't think it half so hard if
Islam burns their kin and kith,
Since a curate lives in Cardiff
Saved by Smith.
It would greatly, I must own,
Soothe me, Smith!
If you left this theme alone,
Holy Smith!
For your legal cause or civil
You fight well and get your fee;
For your God or dream or devil
You will answer, not to me.
Talk about the pews and steeples
And the cash that goes therewith!
But the souls of Christian peoples...
[...] Read more
poem by Gilbert Keith Chesterton
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John Smith
To-day I strayed in Charing Cross as wretched as could be
With thinking of my home and friends across the tumbling sea;
There was no water in my eyes, but my spirits were depressed
And my heart lay like a sodden, soggy doughnut in my breast.
This way and that streamed multitudes, that gayly passed me by--
Not one in all the crowd knew me and not a one knew I!
'Oh, for a touch of home!' I sighed; 'oh, for a friendly face!
Oh, for a hearty handclasp in this teeming desert place!'
And so, soliloquizing as a homesick creature will,
Incontinent, I wandered down the noisy, bustling hill
And drifted, automatic-like and vaguely, into Lowe's,
Where Fortune had in store a panacea for my woes.
The register was open, and there dawned upon my sight
A name that filled and thrilled me with a cyclone of delight--
The name that I shall venerate unto my dying day--
The proud, immortal signature: 'John Smith, U.S.A.'
Wildly I clutched the register and brooded on that name--
I knew John Smith, yet could not well identify the same.
I knew him North, I knew him South, I knew him East and West--
I knew him all so well I knew not which I knew the best.
His eyes, I recollect, were gray, and black, and brown, and blue,
And, when he was not bald, his hair was of chameleon hue;
Lean, fat, tall, short, rich, poor, grave, gay, a blonde and a brunette--
Aha, amid this London fog, John Smith, I see you yet;
I see you yet, and yet the sight is all so blurred I seem
To see you in composite, or as in a waking dream,
Which are you, John? I'd like to know, that I might weave a rhyme
Appropriate to your character, your politics and clime;
So tell me, were you 'raised' or 'reared'--your pedigree confess
In some such treacherous ism as 'I reckon' or 'I guess';
Let fall your tell-tale dialect, that instantly I may
Identify my countryman, 'John Smith, U.S.A.'
It's like as not you are the John that lived a spell ago
Down East, where codfish, beans 'nd bona-fide school-marms grow;
Where the dear old homestead nestles like among the Hampshire hills
And where the robin hops about the cherry boughs and trills;
Where Hubbard squash 'nd huckleberries grow to powerful size,
And everything is orthodox from preachers down to pies;
Where the red-wing blackbirds swing 'nd call beside the pickril pond,
And the crows air cawin' in the pines uv the pasture lot beyond;
Where folks complain uv bein' poor, because their money's lent
Out West on farms 'nd railroads at the rate uv ten per cent;
Where we ust to spark the Baker girls a-comin' home from choir,
Or a-settin' namin' apples round the roarin' kitchen fire:
Where we had to go to meetin' at least three times a week,
And our mothers learnt us good religious Dr. Watts to speak,
And where our grandmas sleep their sleep--God rest their souls, I say!
And God bless yours, ef you're that John, 'John Smith, U.S.A.'
[...] Read more
poem by Eugene Field
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Dear Yvette
Verse 1
Yo yvette, theres a lot of rumours goin around
Theyre so bad, baby you might have to skip town
See somethings smellin fishy and they say its you
All I know is that you made it with the whole damn crew
They say youre a man-eater during the full moon
Mascot of the senior boys locker room
They said yvette walked in, there wasnt too much rap
Her reputation got bigger, and so did her gap
Cuz girl your momma shoulda taught you better
Imma sit down and write you a long letter.
Chorus
Dear yvette x4
Verse 2
Im glad you aint my sister, then again if you was
Id have to treat you like you was my distant cuz
Im not a news reporter, I dont mean to assume
What should I think? I seen ya comin out the mens bathroom
You wasnt in there alone, wasnt usin the phone
The door was locked for twenty minutes, all I heard was moan.
Repeat chorus
Verse 3
I dont really know if the story is so
I can either ask curly, or larry or moe
Or earl, shabazz, lou, mookie or joe
Like santa claus said, youre a ho-ho-ho
In every disco you say hello
Like youre a little angel, but we all know
Since you was eleven you been actin this way
You always got in bed when you wanted to play
Youre a freak, you think youre lady godiva
Some freaks are live, but yvette youre liver.
Repeat chorus
Verse 4
Youre a back-seat queen, a elevator pro
A high-powered body makes your levis grow
See the stories Ive heard, they could amaze
I heard she did it on a motorcycle back in the days
So calm down freak, get a g.e.d.
Thats a general education on decency
One day youll see, and agree with me
Unless youre gonna be a freak until youre 93
For you theres no fee, everything is free
This is from me to you, not you to me
Every night is your night, your leather pants are tight
You try to shake your butt with all your might
I dont really wanna dis nobody
You might think I had a little too much bacardi
But thats not the problem, the problems yvette
How bad can a girls reputation get?
[...] Read more
song performed by LL Cool J
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How Da Beat Goes On
[chorus tra-knox and (will smith)]
Its all night, and its all right, til the sunlight
(this is how da beat goes on)
Big will, tra-knox, so hot
(this is how da beat goes on)
Poppin, rockin, and stompin
(this is how da beat goes on)
Big will, tra-knox, so hot
(this is how da beat goes on)
(verse 1 - will smith)
Its the bizzi, wizza, jizzi, wizzil
Bizon, wizzay, wizzat, fizzil
Back again but with a couple of friends
Thought my reign would end, well now Im rubbin it in
Im back yes, yes yallin, back again ballin
Out for a couple of years thought I had fallen
You seen me with denzel and russ crowe
But yo the movies just a chick on the side Im in love with the flow
Time off to be an oscar nominee now
Back to the m-i-c to mc now
Rockin the ol heads blazing the youth
Only rapper had the president raising the roof
Check the tape, checkmate, its one mission
Make your move, dont fight submission
To dawn to dusk, we on a trust
Just dont miss the bus, to jam on with us, come on
[chorus tra-knox and (will smith)]
Its all night, and its all right, til the sunlight
(this is how da beat goes on)
Big will, tra-knox, so hot
(this is how da beat goes on)
Poppin, rockin, and stompin
(this is how da beat goes on)
Big will, tra-knox, so hot
(this is how da beat goes on)
(verse 2 - will smith)
This is, how the
Beat goes on and on and on and
Me and tra-knox keep keepin it on and
Jokers aint stoppin til the mornin, so
(tra-knox)
Every, everybody come feel this
This union, this spirit
Created from the soul, oh yeah
Its big will (who else)
And tra-knox keepin it real
Tearing up the club
We got what you want
So you cannot front
Everybody get on the floor
[...] Read more
song performed by Will Smith
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Driver Smith
'Twas Driver Smith of Battery A was anxious to see a fight;
He thought of the Transvaal all the day, he thought of it all the night --
"Well, if the battery's left behind, I'll go to the war," says he,
"I'll go a-driving and ambulance in the ranks of the A.M.C.
"I'm fairly sick of these here parades -- it's want of a change that kills --
A-charging the Randwick Rifle Range and aiming at Surry Hills.
And I think if I go with the ambulance I'm certain to find a show,
For they have to send the Medical men wherever the troops can go.
"Wherever the rifle bullets flash and the Maxims raise a din,
It's here you'll find the Medical men a-raking the wounded in --
A-raking 'em in like human flies -- and a driver smart like me
Will find some scope for his extra skill in the ranks of the A.M.C."
So Driver Smith he went to war a-cracking his driver's whip,
From ambulance to collecting base they showed him his regular trip.
And he said to the boys that were marching past, as he gave his whip a crack,
"You'll walk yourselves to the fight," says he -- "Lord spare me, I'll drive you back."
Now the fight went on in the Transvaal hills for the half of a day or more,
And Driver Smith he worked his trip -- all aboard for the seat of war!
He took his load from the stretcher men and hurried 'em homeward fast
Till he heard a sound that he knew full well -- a battery rolling past.
He heard the clink of the leading chains and the roll of the guns behind --
He heard the crack of the drivers' whips, and he says to 'em, "Strike me blind,
I'll miss me trip with this ambulance, although I don't care to shirk,
But I'll take the car off the line today and follow the guns at work."
Then up the Battery Colonel came a-cursing 'em black in the face.
"Sit down and shift 'e,, you drivers there, and gallop 'em into place."
So off the Battery rolled and swung, a-going a merry dance,
And holding his own with the leading gun goes Smith with his ambulance.
They opened fire on the mountain side, a-peppering by and large,
When over the hill above their flank the Boers came down at the charge;
They rushed the guns with a daring rush, a-volleying left and right,
And Driver Smith and his ambulance moved up to the edge of the fight.
The gunners stuck to their guns like men, and fought as the wild cats fight,
For a Battery man don't leave his gun with ever a hope in sight;
But the bullets sang and the Mausers cracked and the Battery men gave away,
Till Driver Smith with his ambulance drove into the thick of the fray.
He saw the head of the Transvaal troop a-thundering to and fro,
A hard old face with a monkey beard -- a face that he seemed to know;
"Now who's that leader?" said Driver Smith. "I've seen him before today.
Why, bless my heart, but it's Kruger's self," and he jumped for him straight away.
He collared old Kruger round the waist and hustled him into the van.
[...] Read more
poem by Andrew Barton Paterson
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Saltbush Bill's Second Flight
The news came down on the Castlereagh, and went to the world at large,
That twenty thousand travelling sheep, with Saltbush Bill in charge,
Were drifting down from a dried-out run to ravage the Castlereagh;
And the squatters swore when they heard the news, and wished they were well away:
For the name and the fame of Saltbush Bill were over the country-side
For the wonderful way that he fed his sheep, and the dodges and tricks he tried.
He would lose his way on a Main Stock Route, and stray to the squatters' grass;
He would come to a run with the boss away, and swear he had leave to pass;
And back of all and behind it all, as well the squatters knew,
If he had to fight, he would fight all day, so long as his sheep got through:
But this is the story of Stingy Smith, the owner of Hard Times Hill,
And the way that he chanced on a fighting man to reckon with Saltbush Bill.
'Twas Stingy Smith on his stockyard sat, and prayed for an early Spring,
When he started at sight of a clean-shaved tramp, who walked with a jaunty swing;
For a clean-shaved tramp with a jaunty walk a-swinging along the track
Is as rare a thing as a feathered frog on the desolate roads out back.
So the tramp he made for the travellers' hut, to ask could he camp the night;
But Stingy Smith had a bright idea, and called to him, "Can you fight?"
"Why, what's the game?" said the clean-shaved tramp, as he looked at him up and down;
"If you want a battle, get off that fence, and I'll kill you for half-a-crown!
But, Boss, you'd better not fight with me -- it wouldn't be fair nor right;
I'm Stiffener Joe, from the Rocks Brigade, and I killed a man in a fight:
I served two years for it, fair and square, and now I'm trampin' back,
To look for a peaceful quiet life away on the outside track."
"Oh, it's not myself, but a drover chap," said Stingy Smith with glee,
"A bullying fellow called Saltbush Bill, and you are the man for me.
He's on the road with his hungry sheep, and he's certain to raise a row,
For he's bullied the whole of the Castlereagh till he's got them under cow --
Just pick a quarrel and raise a fight, and leather him good and hard,
And I'll take good care that his wretched sheep don't wander a half a yard.
It's a five-pound job if you belt him well -- do anything short of kill,
For there isn't a beak on the Castlereagh will fine you for Saltbush Bill."
"I'll take the job," said the fighting man; "and, hot as this cove appears,
He'll stand no chance with a bloke like me, what's lived on the game for years;
For he's maybe learnt in a boxing school, and sparred for a round or so,
But I've fought all hands in a ten-foot ring each night in a travelling show;
They earned a pound if they stayed three rounds, and they tried for it every night.
In a ten-foot ring! Oh, that's the game that teaches a bloke to fight,
For they'd rush and clinch -- it was Dublin Rules, and we drew no colour line;
And they all tried hard for to earn the pound, but they got no pound of mine.
If I saw no chance in the opening round I'd slog at their wind, and wait
Till an opening came -- and it always came -- and I settled 'em, sure as fate;
Left on the ribs and right on the jaw -- and, when the chance comes, make sure!
And it's there a professional bloke like me gets home on an amateur:
For it's my experience every day, and I make no doubt it's yours,
That a third-class pro is an over-match for the best of the amateurs --"
"Oh, take your swag to the travellers' hut," said Smith, "for you waste your breath;
[...] Read more
poem by Andrew Barton Paterson
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At The Ambassadeurs
TO YVETTE GUILBERT
That was Yvette. The blithe Ambassadeurs
Glitters, this Sunday of the Fête des Fleurs;
Here are the flowers, too, living flowers that blow
A night or two before the odours go;
And all the flowers of all the city ways
Are laughing, with Yvette, this day of days.
Laugh, with Yvette? But I must first forget,
Before I laugh, that I have heard Yvette.
For the flowers fade before her: see, the light
Dies out of that poor cheek, and leaves it white;
And a chill shiver takes me as she sings
The pity of unpitied human things;
A woe beyond all weeping, tears that trace
The very wrinkles of the last grimace.
poem by Arthur Symons
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The Philistine
Smith is a very stupid man;
He lives next door to me;
He has no settled scheme or plan
Of domesticity.
He does not own a gramophone,
Nor rush for morning trains;
His garden paths are overgrown,
He seldom entertains.
In all our staid suburban street
He strikes the one false note.
He goes about in slippered feet,
And seldom wears a coat.
He shows no taste in furniture,
He never goes to church;
His ways our district prim and pure
seem, somehow, to besmirch.
I don't know how he earns his bread;
'Tis said he paints or writes;
And frequently, I've heard it said,
He works quite late at nights.
His servant told the girl we've got
He makes a lot of pelf.
It seems a pity he will not
Strive to improve himself.
She's quite a pretty girl, his wife.
Our women-folk declare
It is a shame she spoiled her life
With such a perfect bear.
And yet she seems quite satisfied
With this peculiar man;
And says, with rather foolish pride,
He is Bohemian.
He has the crudest views about
Respectability;
I've often heard him laugh and shout
On Sundays after tea;
While our select suburban clan
Pass him the stony stare.
Smith is a very stupid man,
He doesn't seem to care.
He will not join our tennis club,
Nor come to may'ral balls,
Nor meet the neighbours in a rub
At bridge, nor pay them calls.
He just delights to scoff and sneer,
[...] Read more
poem by Clarence Michael James Stanislaus Dennis
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Dreamworks
DREAMWORKS
Eyes saw reflection Monday, when World War II was won,
emerging, letters learning, to betters bowed, begun
a journey spread like butter upon life’s bread, which seems
to be about to stutter before landlord of dreams.
Eye Tuesday schooled, life's masquerade began to understand
how letters strung together rung bells brain took in hand,
soft strength no bitter toil required to channel patterned streams,
blood flood no rudder needed to feed forever's dreams.
Eyes which advanced one Wednesday upon emotions’ tide
to woo, to win, together, as groom to beauty bride,
felt joys would last for ever, like strawberries and cream,
tapped hope's sap, never'd sever eternity from dreams.
Eyes which in turn one Thursday sired fruit so well desired,
who queried much, yet stayed untouched by vain ambitions tired,
felt feelings frank, not clever, that seek 'together's' gleams,
to sow, reap, harvest, gather the essence of shared dreams.
Eyes which Friday celebrate, see seed to stripling strong
stretch skywards, never hesitate, sift just from wrong's pronged tongs,
subjective views eliminate, zest tests through searchlight beams,
shows all may know glow grows, fair flows, to feed tomorrow’s dreams.
Eyes weary on this Saturday sense Winter drawing near,
reach through rhyme’s interplay to transmit loud and clear
before Time’s ‘weak~end’ weather may ravage, mock soul’s gleams,
this theme: ~ that one should never compromise on dreams.
Eyes which one Sunday may pass away, life legacy would leave:
ideals unbetrayed, pray none know poison, prison, grieve.
Life's cycle turns as candle burns, warms all within its beams, ~
road cats' eyes snake, make no mistake, tomorrow takes your dreams...
9 May 2005 minor modifications 21 April 2008 revised 30 April 2008,8 March 2011
for previous versions see below
DREAMWORKS
Eyes saw first light one Monday, when World War II was won,
emerging, letters learning, to betters bowed, begun
a journey spread like butter upon life’s bread, which seems
to be about to stutter before landlord of dreams.
Eyes which were schooled one Tuesday began to understand
how letters strung together rung bells brain took in hand,
soft strength no conscious effort to channel patterned streams
[...] Read more
poem by Jonathan Robin
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Soccer Rollback
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poem by Rwetewrt Erwtwer
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The Great God Guff
There was once a Simple People - (you, of course, will understand
This is just a little fable of a non-existent land)
There was once a Simple People, and they had a Simple King,
And his name - well, SMITH the First will do as well as anything
And they lived upon an island by a pleasant southern sea,
Which they boastfully referred to as the 'Country of the Free.'
This King SMITH was quite a model. He was kind and he was wise.
But, alas! a higher sovereign he was forced to recognise.
As in ev'ry age and nation, since the tale of man was known,
Superstition here existed as the power behind the throne.
It was vague and unsubstantial but its sway was plain enough,
And 'twas known upon the island, simply, as the Great God GUFF.
They made sacrifices to it, treasure, corn and slaughtered beasts,
Good King SMITH cringed to the idol where upon his throne he sat;
And the People feared it greatly; and the priests grew very fat.
Now, the welfare of the priestcraft did not always coincide
With the welfare of the People, hence the wily priests relied
On the hoary superstition that had stood the test of years;
Thus they led both king and people by their rather ass-like ears;
Crying: 'GUFF was ever with us! GUFF the Great must be obeyed!
GUFF the god must be consulted ere a single law be made!'
And the very simple People with their very simple King
Bowed their heads and said, 'So be it. GUFF be served in ev'rything.'
So the nation muddled somehow on its island by the sea -
Simple superstitious people in their 'Country of the Free.'
And whene'er they yearned for Progress, as things drifted to the worst,
SMITH replied, 'Have patience, people. GUFF must be consulted first.
Other lands and other nations may progress without his aid;
But upon our native island never rule or law is made
Till his priests have pondered o'er it, seeking to divine his will.
So it was with our forefathers, so with us it must be still.'
Came a time when folk grew restive, murmurming amongst themselves,
While the nation's schemes and projects lay neglected on the shelves.
Then arose amid the people one of singular renown -
Since his name the eld refuses, let us call him, simply, BROWN.
BROWN was something of a student, strong on things like common-sense;
He was plain and blunt and forceful; and he hated smug pretence.
And before the priests and people, in a manner rude and gruff,
He arose and put this question, briefly: 'Who and what is GUFF?'
Loud the People shrieked in terror; and the High-Priest threw a fit;
[...] Read more
poem by Clarence Michael James Stanislaus Dennis
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Artistic intent
My ego is as red as the night is dark
Blood red it spills through my heart
Tred carefully you blind, you deaf, you mute
For you tred on my dreams! YOU BRUTE!
y.m smith poet of the uk
poem by Yvette Smith
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Ode To Sarah Jane Smith (Doctor Who)
(This poem was inspired by the TV character, Sarah Jane Smith, played by the late Elisabeth Sladen.)
The world famous journalist, Sarah Jane Smith,
Knew that alien existence wasn’t just a myth.
She knew that the universe was utterly amazing,
But she had little time to stand around star gazing.
Helped by her three young teenage friends,
She would always win her battles in the end.
To her teenage sidekicks, she was just like a mother.
Like Sarah Jane Smith, there was definitely no other.
Her attic room was the hub of her investigations,
In her constant bid to save an unsuspecting nation.
‘Mr Smith, I need you! ’ was an exclamation which we often heard.
Her computer would appear accompanied by steam and whizzes and whirs.
Both data and objects Mr Smith would strategically analyze.
His findings would often open up Sarah Jane’s eager eyes.
Suddenly she realised the situation with which she was now faced,
And off to solve the problem, she and her friends would quickly race.
With her, she always carried a trusty gadget - her sonic lipstick.
This came in extremely handy and, with it, many a lock she did pick.
With Sarah Jane by your side, you would never come to any harm.
She would always stand her ground and keep herself very calm.
She could always detect when something wasn’t quite right,
And in her heart, she knew she was in for yet another fight.
She knew what to look for – the various tell tale signs,
And she saved our world from harm numerous times.
Even when she was captured and bound tightly with tape,
Due to her resourcefulness, she’d always manage to escape.
On many occasions, she was on the receiving end of a gun,
But she would always sweet talk her way out and then run!
Her responsibility to the human race, she did not shirk.
To her, saving the world was all just in a day’s work.
Even when she was full of fear, she wouldn’t run away.
She’d bravely battle on and live to fight another day.
She and her friends had a totally amazing time together.
She had a quick thinking mind and was extremely clever.
Sarah Jane Smith was special and truly one of a kind.
A more warm and gentle person, you will never find.
Hers was such an amazing and blessed life to lead
Her adventures were so exciting to watch and read.
Sarah Jane Smith was a worthy heroine of our time,
[...] Read more
poem by Angela Wybrow
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Digger Smith
'E calls me Digger; that's 'ow 'e begins.
'E sez 'e's only 'arf a man; an' grins.
Judged be 'is nerve, I'd say 'e was worth two
Uv me an' you.
Then 'e digs 'arf a fag out uv 'is vest,
Borrers me matches, an' I gives 'im best.
The first I 'eard about it Poole told me.
'There is a bloke called Smith at Flood's,' sez 'e;
'Come there this mornin', sez 'e's come to stay,
An' won't go 'way.
Sez 'e was sent there be a pal named Flood;
An' talks uv contracts sealed with Flanders mud.
'No matter wot they say, 'e only grins,'
Sez Poole. ''E's rather wobbly on 'is pins.
Seems like a soldier bloke. An' Peter Begg
'E sez one leg
Works be machinery, but I dunno.
I only know 'e's there an' 'e won't go.
''E grins,' sez Poole, 'at ev'rything they say.
Dad Flood 'as nearly 'ad a fit today.
'E's cursed, an' ordered 'im clean off the place;
But this cove's face
Jist goes on grinnin', an' he sez, quite carm,
'E's come to do a bit around the farm.'
The tale don't sound too good to me at all.
'If 'e's a crook,' I sez, ''e wants a fall.
Maybe 'e's dilly. I'll go round and see.
'E'll grin at me
When I 'ave done, if 'e needs dealin' with.'
So I goes down to interview this Smith.
'E 'ad a fork out in the tater patch.
Sez 'e, 'Why 'ello, Digger. Got a match?'
'Digger?' I sez. 'Well, you ain't digger 'ere.
You better clear.
You ought to know that you can't dig them spuds.
They don't belong to you; they're ole Dad Flood's.'
'Can't I?' 'e grins. 'I'll do the best I can,
Considerin' I'm only 'arf a man.
Give us a light. I can't get none from Flood,
An' mine is dud.'
I parts; an' 'e stands grinning at me still;
An' then 'e sez, ''Ave yeh fergot me, Bill?'
I looks, an' seen a tough bloke, short an' thin.
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poem by Clarence Michael James Stanislaus Dennis
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Over the Fence
'Taint my idea uv argument to call a man a fool,
An' I ain't lookin' round for bricks to 'eave at ole man Poole;
But when 'e gets disputin' 'e's inclined to lose 'is 'ead.
It ain't so much 'is choice uv words as 'ow the words is said.
'E's sich a coot for takin' sides, as I sez to Doreen.
Sez she, ''Ow can 'e, by 'imself?' Wotever that may mean.
My wife sez little things sometimes that nearly git me riled.
I knoo she meant more than she said be that soft way she smiled.
Today, when I was 'arrowin', Poole come down to the fence
To get the loan uv my long spade; an' uses that pretence
To 'ave a bit uv friendly talk, an' one word leads to more,
As is the way with ole man Poole, as I've remarked before.
The spade reminds 'im 'ow 'e done some diggin' in 'is day,
An' diggin' brings the talk to earth, an' earth leads on to clay,
Then clay quite natural reminds a thinkin' bloke uv bricks,
An' mortar brings up mud, an' then, uv course it's politics.
Now Poole sticks be 'is Party, an' I don't deny 'is right;
But when he starts abusin' mine 'e's lookin' for a fight.
So I delivers good 'ome truths about 'is crowd, then Poole
Wags 'is ole beard across the fence an' tells me I'm a fool.
Now that's the dizzy limit; so I lays aside the reins,
An' starts to prove 'e's storin' mud where most blokes keeps their brains.
'E decorates 'is answers, an' we're goin' it ding-dong,
When this returned bloke, Digger Smith, comes sauntering along.
Poole's gripped the fence as though 'e means to tear the rails in two,
An' eyes my waggin' finger like 'e wants to 'ave a chew.
Then Digger Smith 'e grins at Poole, an' then 'e looks at me,
An' sez, quite soft an' friendly-like, 'Winnin' the war?' sez 'e.
Now, Poole deserves it, an' I'm pleased the lad give 'im that jolt.
'E goes fair mad in argument when once 'e gets a holt.
'Yeh make me sad,' sez Digger Smith; 'the both uv you,' sez 'e.
'The both uv us! Gawstruth!' sez I. 'You ain't includin' me?'
'Well, it takes two to make a row,' sez little Digger Smith.
'A bloke can't argue 'less 'e 'as a bloke to argue with.
I've come 'ome from a dinkum scap to find this land uv light
Is chasin' its own tail around an' callin' it a fight.
'We've seen a thing or two, us blokes 'oo've fought on many fronts;
An' we've 'ad time to think a bit between the fightin' stunts,
We've seen big things, an' thought big things, an' all the silly fuss,
That used to get us rattled once, seems very small to us.
'An' when a bloke's fought for a land an' gets laid on the shelf
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poem by Clarence Michael James Stanislaus Dennis
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
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poem by Conrad Potter Aiken
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Broken Dreams
Ill tell you how my day has been,
how the sun has caught my face.
How i lul myself to sleep,
weaving shadows on my face.
Chasing dreams that just passed by
Broken dreams im just too late.
Chasing dreams that just passed by
Broken dreams im just too late.
chasing dreams,
chasing dreams,
chasing dreams,
chasing, chasing broken dreams
chasing dreams,
chasing dreams,
chasing dreams,
chasing, chasing broken dreams
hmmm hmmmh hmh mh....
If only you could keep me warm,
if only you could keep me from harm.
if only you could shhh hmm hmm hmm hmm
Chasing dreams that just passed by
Broken dreams im just too late.
Chasing dreams that just passed by
Broken dreams im just too late.
chasing dreams,
chasing dreams,
chasing dreams,
chasing, chasing broken dreams
chasing dreams,
chasing dreams,
chasing dreams,
(whistling)
why
hmm hmm hmm hmm hmm hmm hmm
chasing, chasing broken dreams
song performed by Fat Joe
Added by Lucian Velea
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