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Pearl

I can only grow
Apricot like in a shell
And bear like beach stone
Each rub without irritation
To get polished
Into the inner jewel
Called me.

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Rub My Back

Track: Rub My Back
Artist: LL Cool J
Guest Artists:
Album: The DEFinition
------------------------------------------------------
Lyrics:
VERSE 1
Sippin something on the rocks
I got a shorty that makes the bed hop
I got plans to spoil you even though you saying stop
Ima drop that Phantom on you baby watch
Roberto Cavali and the Denali am I hot
Malibu beaches and Hydrofoil yachts
Badest Mercedes Lorenzos and silver fox
I keep it flowin see we goin to the top
Ima get you every thing give a damn how much you tell me stop
You want it hotter than we take it cross seas
Party jumping its bumping toking something in Belize
I know you want it sucker free
Know you wanting to shine even though you fightin me
Take it easy player talking greasy player
Know you can feel me player
Uh
You put it down tight
You not having what you want dont even sound right
HOOK
Hey lady
Can I hit you wit a wine Mercedes
Some homies gotta work em out my baby
All you do is rub my back
Rub my back
Rub my back
Rub my back
I say my baby
Watch television in the escalady
Gone shock em when you want to baby
All you do is rub my back
Rub my back
Rub my back
Rub my back
VERSE 2
Lay down for a while pretty relax a minute
A caught a feeling when you represented
Gave you that Mercedes you better get up in it
Get off the corner come and pop some vintage
You never seen a player flip ya whole life
Dip the caddy on the freeway hitten the slow light
You got a mean walk at times right
Im here to shine light I get ya mind right
Charles Jordan girl if you wanna take a hit

[...] Read more

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Pearl

Pearl of delight that a prince doth please
To grace in gold enclosed so clear,
I vow that from over orient seas
Never proved I any in price her peer.
So round, so radiant ranged by these,
So fine, so smooth did her sides appear
That ever in judging gems that please
Her only alone I deemed as dear.
Alas! I lost her in garden near:
Through grass to the ground from me it shot;
I pine now oppressed by love-wound drear
For that pearl, mine own, without a spot.

2
Since in that spot it sped from me,
I have looked and longed for that precious thing
That me once was wont from woe to free,
To uplift my lot and healing bring,
But my heart doth hurt now cruelly,
My breast with burning torment sting.
Yet in secret hour came soft to me
The sweetest song I e'er heard sing;
Yea, many a thought in mind did spring
To think that her radiance in clay should rot.
O mould! Thou marrest a lovely thing,
My pearl, mine own, without a spot.

3
In that spot must needs be spices spread
Where away such wealth to waste hath run;
Blossoms pale and blue and red
There shimmer shining in the sun;
No flower nor fruit their hue may shed
Where it down into darkling earth was done,
For all grass must grow from grains that are dead,
No wheat would else to barn be won.
From good all good is ever begun,
And fail so fair a seed could not,
So that sprang and sprouted spices none
From that precious pearl without a spot.

4
That spot whereof I speak I found
When I entered in that garden green,
As August's season high came round
When corn is cut with sickles keen.
There, where that pearl rolled down, a mound
With herbs was shadowed fair and sheen,
With gillyflower, ginger, and gromwell crowned,
And peonies powdered all between.

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Love Calling

Sun goes down I rise
Red hair flames so bright
Iced gin breaks the night
Steal into her mind
Walk without a sound
Fire in the mountains now
If you wanna rub-a-dub, rub-a-dub
If you wanna rub-a-dub, dub love
Love calling, love calling
If you wanna rub-a-dub, rub-a-dub
If you wanna rub-a-dub, dub love
Love calling
So baby rock on
Clap hands, clap hands
For the song man
Rock on, rock on
Ooo baby rock on,
Clap hands, clap hands
For the song man
Rock on, rock on
Song man dreams for you
Moves his clapping space
Turns us into snakes
Hot hits
And the blue moon move, move, move
Move until we die
Move until she cries
If you wanna rub-a-dub, rub-a-dub
If you wanna rub-a-dub, dub love
Love calling, love calling
If you wanna rub-a-dub, rub-a-dub
If you wanna rub-a-dub, dub love
Love calling
Oo baby rock on
If you wanna rub-a-dub, rub-a-dub
If you wanna rub-a-dub, dub love
Love calling, love calling
If you wanna rub-a-dub, rub-a-dub
If you wanna rub-a-dub, dub love
Love calling
So[ooo? ] baby rock on
Clap hands, clap hands
For the song man
Rock on, rock on
Ooo baby rock on,
Clap hands, clap hands
For the song man
Rock on, rock on

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Would you ever believe

WOULD YOU EVER believe if I called a nondescript table of teakwood; as a vivacious bird soaring high in the sky,

Would you ever believe if I called a ruffled sheet of paper; as a chunk of glittering gold,

Would you ever believe if I called a grandiloquent watch embodied with diamonds; as a lump of bedraggled stone,

Would you ever believe if I called a mountain of compacted mud; as a switchboard of pugnacious electricity,

Would you ever believe if I called a resplendent rainbow in the sky; as a broomstick with incongruous bristles,

Would you ever believe if I called a rusty canister of dilapidated iron; as a mesmerizing rose growing in the garden,

Would you ever believe if I called a pink tablet of luxury soap; as a mosquito hovering acrimoniously in the cloistered room,

Would you ever believe if I called a boat rollicking merrily on the undulating waves; as a rustic jungle spider,

Would you ever believe if I called a valley profusely embedded with snow; as an unscrupulous dog on the street,

Would you ever believe if I called a pair of luscious lips; as a disdainfully fetid shoe,

Would you ever believe if I called a fluorescent rod of light; as a jagged bush of cactus growing in the sweltering desert,

Would you ever believe if I called the blazing sun; as a pudgy bar of delectable chocolate,
Would you ever believe if I called an angular sculptured bone; as acid bubbling in a swanky bottle,

Would you ever believe if I called a scintillating oyster; as an inarticulate matchstick coated with lead,

Would you ever believe if I called a cluster of bells jingling from the ceiling; as a sordid cockroach philandering beside the lavatory seat,

Would you ever believe if I called a fruit of succulent coconut; as a dead mans morbid tooth,

Would you ever believe If I called a steaming cup of filter coffee; as gaudily colored water emanating from the street fountains,

Would you ever believe if I called the majestic statue of a revered historian; as a slab of tangy peanut butter,

Would you ever believe if I called a vibrant shirt; as a protuberant pigeon discerningly pecking its beak at grains scattered on the floor,

Would you ever believe if I called a flocculent bud of cotton; as a camouflaged lizard transgressing through wild projections of grass,

Would you ever believe if I called a photograph depicting the steep gorges; as a gutter inundated with obnoxious sewage,

Would you ever believe if I called a lanky giraffe; as a convict nefariously lurking through solitary streets of the city,

Would you ever believe if I called a pair of flamboyant sunglasses; as a weird tattoo to be adhered to the chest,

Would you ever believe if I called a chicken’s egg; as logs of sooty charcoal abundantly stashed in the colossal warehouse,

Would you ever believe if I called a biscuit replete with golden honey; as a ominously slithering reptile in the jungles,

Would you ever believe if I called a bald man possessing a profoundly tonsured scalp; as a gas balloon floating in insipid air,

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Rub One Out

Performed by whoa!
Written by brian gunn, mark gun, nigel dick, julie glaze, josh schwartz, brian kierulf and andrew fromm
Mmm..yeah..oh baby..
Girl..when i think about you..i think of one thing..and you know what that is..
Only think of one thing
I lock my door
Get down on the floor
And i rub one out
I sit back in my chair
Like i just don't care
And i rub one out
When i'm feelin lonely
And i want you to hold me
I rub one out, yeah
Oh oh
Chorus
Rub one out
Hey don't be shy
(girl don't be shy)
Rub one out
Girl, don't ask me why
(don't ask me why)
Rub one out and i'll grab my crotch
(grab my crotch)
Rub one out
Do you want to watch me?
When i'm alone
And you're on the phone
I rub one out
Rub one out
When i'm feelin hot
And i'm all in a knot
I rub one out
So baby don't be shy
Don't ask why
I rub one out
Babbyyy, yeah
Chorus
Girl i wanna get inside you
All my dreams to get beside you
Ooh leave a message besides my machine
Somethin warm and sexy
And i'll rub one out cos that's the way it affects me, babe
It's not enough kissing and stuff
So i rub one out
When you're not here
And i want you near
I rub one out
Chorus

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Jewel

Say a big thanks to thy jewel
For your today's handsome
Thanks her for bye-gone days rebuke
For you are not the glory call short
Say a big thanks to thy jewel
For making your shoulders wings
That now in the sky like birds
Say a big thanks to thy jewel
For being a witch to make you rein
Say a big thanks to thy jewel
For being unkind for your kindness
Say a big thanks to thy jewel
..hawking locust'eans for you not to...
Say a big thanks to thy jewel
For burning extra woods
Say a big thanks to thy jewel
For being blind for your goodness
Say a big thanks to thy jewel
For ashes for your existence
Say a big thanks to thy jewel
Children with a piece of brain
Say a big thanks to thy jewel
All ye children!
That's of an ovule conceived
Always thanks your jewel
Whenever comes that memoir
That can't be erased in life dairy
In it death life call on her to dine
Say a big thanks to thy jewel
Ne'er speaks of her a broken lips
Say a big thanks to thy jewel
Always let her know, she's worth living
For all her yesteryear year fire bath
Are thy today's concrete
Say a big thanks to thy jewel
Wherever she is

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

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Twin State

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

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Pharsalia - Book VIII: Death Of Pompeius

Now through Alcides' pass and Tempe's groves
Pompeius, aiming for Haemonian glens
And forests lone, urged on his wearied steed
Scarce heeding now the spur; by devious tracks
Seeking to veil the footsteps of his flight:
The rustle of the foliage, and the noise
Of following comrades filled his anxious soul
With terrors, as he fancied at his side
Some ambushed enemy. Fallen from the height
Of former fortunes, still the chieftain knew
His life not worthless; mindful of the fates:
And 'gainst the price he set on Caesar's head,
He measures Caesar's value of his own.

Yet, as he rode, the features of the chief
Made known his ruin. Many as they sought
The camp Pharsalian, ere yet was spread
News of the battle, met the chief, amazed,
And wondered at the whirl of human things:
Nor held disaster sure, though Magnus' self
Told of his ruin. Every witness seen
Brought peril on his flight: 'twere better far
Safe in a name obscure, through all the world
To wander; but his ancient fame forbad.

Too long had great Pompeius from the height
Of human greatness, envied of mankind,
Looked on all others; nor for him henceforth
Could life be lowly. The honours of his youth
Too early thrust upon him, and the deeds
Which brought him triumph in the Sullan days,
His conquering navy and the Pontic war,
Made heavier now the burden of defeat,
And crushed his pondering soul. So length of days
Drags down the haughty spirit, and life prolonged
When power has perished. Fortune's latest hour,
Be the last hour of life! Nor let the wretch
Live on disgraced by memories of fame!
But for the boon of death, who'd dare the sea
Of prosperous chance?

Upon the ocean marge
By red Peneus blushing from the fray,
Borne in a sloop, to lightest wind and wave
Scarce equal, he, whose countless oars yet smote
Upon Coreyra's isle and Leucas point,
Lord of Cilicia and Liburnian lands,
Crept trembling to the sea. He bids them steer
For the sequestered shores of Lesbos isle;
For there wert thou, sharer of all his griefs,

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On This Beach...

Life is a beach.
There are jellyfish. And sea urchins…the painful bumps along the road that we all encounter in life. On this beach.
In life..and on a beach there is warm water-like times, when we are happy, and have good times and enjoy living. On this beach.
We also have times, like a beach, when we have cold water times; when we are sad, or upset about losing someone or something. On this beach.
There are rough times, the same way the sea has rough water that pounds angrily against the shore. On this beach.
Life, like the sea, has high and low times, or tides. There is low tide when you think u can no longer go on, that life has done too much damage to you. Then the tide comes back inand you are reminded that life goes on. Life gets better. You cannot give up on life, like you can’t give up on a beach because of a rough day or low tides. On this beach.
Life has sharks. Maybe not the same sharks from a beach, but they are there. They are the people that thrive on your pain and tears and hardship, the same way a shark sustains itself through brutal killing of unaware seals who don’t know what is coming or how bad it is. The sharks are there. Waiting. For someone…for you…like an unsuspecting seal, to come along and unknowingly become trapped in their lies and hurt. On this beach.
Life…has good times. Wonderful times where the only thoughts you have are about how much life is worth living and how much you love life. It is like the clear, cool blue water on a beautiful day at the beach. On this beach.
Life has those amazing people….akin to the beachgoers on a sandy shore…just along for the ride…to enjoy the good…and pack up and leave when it rains or something goes wrong. But there are the surfers..the daredevils…going back into the fear and love of the sea….of life. They risk the sharks, and jellyfish, and rough water and low and high tides, not because they are invincible, but because they know about the good that is to be had in this world. On this beach.
Life is so comparable to a beach…most importantly in that it has sand like a beach. Billions upon billions of unique grains of sand, like the 7 billion different people in this world, on this beach.

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Samuel Butler

Hudibras: Part 1 - Canto III

THE ARGUMENT

The scatter'd rout return and rally,
Surround the place; the Knight does sally,
And is made pris'ner: Then they seize
Th' inchanted fort by storm; release
Crowdero, and put the Squire in's place;
I should have first said Hudibras.

Ah me! what perils do environ
The man that meddles with cold iron!
What plaguy mischiefs and mishaps
Do dog him still with after-claps!
For though dame Fortune seem to smile
And leer upon him for a while,
She'll after shew him, in the nick
Of all his glories, a dog-trick.
This any man may sing or say,
I' th' ditty call'd, What if a Day?
For HUDIBRAS, who thought h' had won
The field, as certain as a gun;
And having routed the whole troop,
With victory was cock a-hoop;
Thinking h' had done enough to purchase
Thanksgiving-day among the Churches,
Wherein his mettle, and brave worth,
Might be explain'd by Holder-forth,
And register'd, by fame eternal,
In deathless pages of diurnal;
Found in few minutes, to his cost,
He did but count without his host;
And that a turn-stile is more certain
Than, in events of war, dame Fortune.

For now the late faint-hearted rout,
O'erthrown, and scatter'd round about,
Chas'd by the horror of their fear
From bloody fray of Knight and Bear,
(All but the dogs, who, in pursuit
Of the Knight's victory, stood to't,
And most ignobly fought to get
The honour of his blood and sweat,)
Seeing the coast was free and clear
O' th' conquer'd and the conqueror,
Took heart again, and fac'd about,
As if they meant to stand it out:
For by this time the routed Bear,
Attack'd by th' enemy i' th' rear,
Finding their number grew too great
For him to make a safe retreat,

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Run My Back

[Verse 1: LL Cool J]
Sippin somethin on the rocks
I got a shorty that makes the bed hop
I got plans to spoil you even though you sayin stop
Ima drop that phantom on you baby watch
Roberto Cavali and the Denali, am I hot?
Malibu Beaches and hydrofoil yachts
Baddest Mercedes, Lorenzos, and silver fox
I keep it flowin see we goin to the top
Ima get you everything, give a damn how much you tell me to stop
You want it hotter then we take it 'cross seas
Party jumpin is bumpin, tokin somethin in Belize
... I know you want it sucka free
Know you wantin to shine, even though you fightin me
... Take it easy player
Talkin greasy player, know you can feel me player
Uhh... you put it down tight
Yeah you not havin what you want dont even sound right
[Chorus: Timbaland]
Hey lady! I'm gonna hit you with a wine Mercedes
Somebody's gotta work with the mouth my baby
All you do is rub my back
Rub my back! Rub my back! Rub my back! Rub my back!
I said MY baby
Watch television is the Escalade-y
Go shoppin when you want to baby
All you do is rub my back
Rub my back! Rub my back! Rub my back! Rub my back! Ohh!
[Verse 2: LL Cool J]
Lay down for a while preety, relax a minute
... I caught a feelin when you represented
Gave you that Mercedes, you better get up in it
... Get off the corner, come to pop some vintage
You never seen a player flip your whole life
Dip the Caddy on the freeway, hittin the strobe light
... You got a mean walk at times right?
Im here to shine like, I get your mind right
Uhh, Charles Jordan girl if you wanna take a hit
Gotta? between the lippers this is it
... Lazy, lay back and court the chips
Some call it trickin or ballin, depends on who you wit
Him or L baby, so who you gonna pick
Mack motor, I told ya, I want ya livin rich
You don't know about a brother
Blow around a brother, money flow around a brother
[Chorus]
[Verse 3: LL Cool J]
Dont trip I know you like the rocks
Wanna dip round the corner in the drop
Music bumpin you frontin although you say you're not

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Pharsalia - Book IX: Cato

Yet in those ashes on the Pharian shore,
In that small heap of dust, was not confined
So great a shade; but from the limbs half burnt
And narrow cell sprang forth and sought the sky
Where dwells the Thunderer. Black the space of air
Upreaching to the poles that bear on high
The constellations in their nightly round;
There 'twixt the orbit of the moon and earth
Abide those lofty spirits, half divine,
Who by their blameless lives and fire of soul
Are fit to tolerate the pure expanse
That bounds the lower ether: there shall dwell,
Where nor the monument encased in gold,
Nor richest incense, shall suffice to bring
The buried dead, in union with the spheres,
Pompeius' spirit. When with heavenly light
His soul was filled, first on the wandering stars
And fixed orbs he bent his wondering gaze;
Then saw what darkness veils our earthly day
And scorned the insults heaped upon his corse.
Next o'er Emathian plains he winged his flight,
And ruthless Caesar's standards, and the fleet
Tossed on the deep: in Brutus' blameless breast
Tarried awhile, and roused his angered soul
To reap the vengeance; last possessed the mind
Of haughty Cato.

He while yet the scales
Were poised and balanced, nor the war had given
The world its master, hating both the chiefs,
Had followed Magnus for the Senate's cause
And for his country: since Pharsalia's field
Ran red with carnage, now was all his heart
Bound to Pompeius. Rome in him received
Her guardian; a people's trembling limbs
He cherished with new hope and weapons gave
Back to the craven hands that cast them forth.
Nor yet for empire did he wage the war
Nor fearing slavery: nor in arms achieved
Aught for himself: freedom, since Magnus fell,
The aim of all his host. And lest the foe
In rapid course triumphant should collect
His scattered bands, he sought Corcyra's gulfs
Concealed, and thence in ships unnumbered bore
The fragments of the ruin wrought in Thrace.
Who in such mighty armament had thought
A routed army sailed upon the main
Thronging the sea with keels? Round Malea's cape
And Taenarus open to the shades below
And fair Cythera's isle, th' advancing fleet

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Orlando Furioso Canto 10

ARGUMENT
Another love assails Bireno's breast,
Who leaves one night Olympia on the shore.
To Logistilla's holy realm addressed,
Rogero goes, nor heeds Alcina more:
Him, of that flying courser repossest,
The hippogryph on airy voyage bore:
Whence he the good Rinaldo's levy sees,
And next Angelica beholds and frees.

I
Of all the loves, of all fidelity
Yet proved, of all the constant hearts and true,
Of all the lovers, in felicity
Or sorrow faithful found, a famous crew,
To Olympia I would give the first degree
Rather than second: if this be not due,
I well may say that hers no tale is told
Of truer love, in present times or old.

II
And this she by so many proofs and clear,
Had made apparent to the Zealand lord,
No woman's faith more certain could appear
To man, though he her open heart explored:
And if fair truth such spirits should endear,
And they in mutual love deserve reward,
Bireno as himself, nay, he above
Himself, I say, should kind Olympia love.

III
Not only should he nevermore deceive
Her for another, were that woman she
Who so made Europe and wide Asia grieve,
Or fairer yet, if one more fair there be;
But rather that quit her the light should leave,
And what is sweet to taste, touch, hear, and see,
And life and fame, and all beside; if aught
More precious can in truth be styled, or thought.

IV
If her Bireno loved, as she had loved
Bireno, if her love he did repay
With faith like hers, and still with truth unmoved,
Veered not his shifting sail another way;
Or ingrate for such service - cruel proved
For such fair love and faith, I now will say;
And you with lips comprest and eye-brows bent,
Shall listen to the tale for wonderment;

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Orlando Furioso Canto 10

ARGUMENT
Another love assails Bireno's breast,
Who leaves one night Olympia on the shore.
To Logistilla's holy realm addressed,
Rogero goes, nor heeds Alcina more:
Him, of that flying courser repossest,
The hippogryph on airy voyage bore:
Whence he the good Rinaldo's levy sees,
And next Angelica beholds and frees.

I
Of all the loves, of all fidelity
Yet proved, of all the constant hearts and true,
Of all the lovers, in felicity
Or sorrow faithful found, a famous crew,
To Olympia I would give the first degree
Rather than second: if this be not due,
I well may say that hers no tale is told
Of truer love, in present times or old.

II
And this she by so many proofs and clear,
Had made apparent to the Zealand lord,
No woman's faith more certain could appear
To man, though he her open heart explored:
And if fair truth such spirits should endear,
And they in mutual love deserve reward,
Bireno as himself, nay, he above
Himself, I say, should kind Olympia love.

III
Not only should he nevermore deceive
Her for another, were that woman she
Who so made Europe and wide Asia grieve,
Or fairer yet, if one more fair there be;
But rather that quit her the light should leave,
And what is sweet to taste, touch, hear, and see,
And life and fame, and all beside; if aught
More precious can in truth be styled, or thought.

IV
If her Bireno loved, as she had loved
Bireno, if her love he did repay
With faith like hers, and still with truth unmoved,
Veered not his shifting sail another way;
Or ingrate for such service - cruel proved
For such fair love and faith, I now will say;
And you with lips comprest and eye-brows bent,
Shall listen to the tale for wonderment;

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