Good Night to the Season
Good-night to the Season!—the rages
Led off by the chiefs of the throng,
The Lady Matilda's new pages,
The Lady Eliza's new song;
Miss Fennel's Macaw, which at Boodle's
Is held to have something to say;
Mrs. Splenetic's musical Poodles,
Which bark 'Batti, batti!' all day.
. . .
Good-night to the Season!—another
Will come with its trifles and toys,
And hurry away, like its brother,
In sunshine, and odour, and noise.
Will it come with a rose or a briar?
Will it come with a blessing or curse?
Will its bonnets be lower or higher?
Will its morals be better or worse?
Will it find me grown thinner or fatter,
Or fonder of wrong or of right,
Or married, or buried?—no matter,
Good-night to the Season, Good-night!
poem by Winthrop Mackworth Praed
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The Sailor Boy to His Lass
I go away this blessed day,
To sail across the sea, MATILDA!
My vessel starts for various parts
At twenty after three, MATILDA.
I hardly know where we may go,
Or if it's near or far, MATILDA,
For CAPTAIN HYDE does not confide
In any 'fore-mast tar, MATILDA!
Beneath my ban that mystic man
Shall suffer, COUTE QUI COUTE, MATILDA!
What right has he to keep from me
The Admiralty route, MATILDA?
Because, forsooth! I am a youth
Of common sailors' lot, MATILDA!
Am I a man on human plan
Designed, or am I not, MATILDA?
But there, my lass, we'll let that pass!
With anxious love I burn, MATILDA.
I want to know if we shall go
To church when I return, MATILDA?
Your eyes are red, you bow your head;
It's pretty clear you thirst, MATILDA,
To name the day - What's that you say?
- "You'll see me further first," MATILDA?
I can't mistake the signs you make,
Although you barely speak, MATILDA;
Though pure and young, you thrust your tongue
Right in your pretty cheek, MATILDA!
My dear, I fear I hear you sneer -
I do - I'm sure I do, MATILDA!
With simple grace you make a face,
Ejaculating, "Ugh!" MATILDA.
Oh, pause to think before you drink
The dregs of Lethe's cup, MATILDA!
Remember, do, what I've gone through,
Before you give me up, MATILDA!
Recall again the mental pain
Of what I've had to do, MATILDA!
And be assured that I've endured
It, all along of you, MATILDA!
Do you forget, my blithesome pet,
How once with jealous rage, MATILDA,
I watched you walk and gaily talk
With some one thrice your age, MATILDA?
You squatted free upon his knee,
[...] Read more
poem by William Schwenck Gilbert
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Rokeby: Canto V.
I.
The sultry summer day is done,
The western hills have hid the sun,
But mountain peak and village spire
Retain reflection of his fire.
Old Barnard's towers are purple still,
To those that gaze from Toller-hill;
Distant and high, the tower of Bowes
Like steel upon the anvil glows;
And Stanmore's ridge, behind that lay,
Rich with the spoils of parting day,
In crimson and in gold array'd,
Streaks yet awhile the closing shade,
Then slow resigns to darkening heaven
The tints which brighter hours had given.
Thus aged men, full loth and slow,
The vanities of life forego,
And count their youthful follies o'er,
Till Memory lends her light no more.
II.
The eve, that slow on upland fades,
Has darker closed on Rokeby's glades,
Where, sunk within their banks profound,
Her guardian streams to meeting wound.
The stately oaks, whose sombre frown
Of noontide made a twilight brown,
Impervious now to fainter light,
Of twilight make an early night.
Hoarse into middle air arose
The vespers of the roosting crows,
And with congenial, murmurs seem
To wake the Genii of the stream;
For louder clamour'd Greta's tide,
And Tees in deeper voice replied,
And fitful waked the evening wind,
Fitful in sighs its breath resign'd.
Wilfrid, whose fancy-nurtured soul
Felt in the scene a soft control,
With lighter footstep press'd the ground,
And often paused to look around;
And, though his path was to his love,
Could not but linger in the grove,
To drink the thrilling interest dear,
Of awful pleasure check'd by fear.
Such inconsistent moods have we,
Even when our passions strike the key.
III.
Now, through the wood's dark mazes past,
[...] Read more
poem by Sir Walter Scott
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Waltzing Matilda
Words and music: m. cowan
Roy sang this song whilst on an australian tour
It was taped by a fan and circulated.....
Once a jolly swagman, campd by a billabong,
Under the shade of a coolibah tree,
And he sang as he watchd and waited till his billy boiled,
Youll come a waltzing matilda with me.
Waltzing matilda, waltzing matilda,
Youll come a waltzing matilda with me,
And he sang as he sat and waited till his billy boiled,
Youll come a waltzing matilda with me.
Down came a jumbuck to drink at that billabong,
Up jumped the swagman and grabbed him with glee,
And he sang as he shaoved that jumbuck in his tucker bag,
Youll come a waltzing matilda with me.
Waltzing matilda, waltzing matilda,
Youll come a waltzing matilda with me,
And he sang as he shaoved that jumbuck in his tucker bag,
Youll come a waltzing matilda with me.
Up rode the squatter mounted on his thoroughbred,
Down come the troopers, one, two, three,
Whose that jolly jumbuck youve got in your tucker bag?
Youll come a waltzing matilda with me.
Waltzing matilda, waltzing matilda,
Youll come a waltzing matilda with me,
Whose that jolly jumbuck youve got in your tucker bag?
Youll come a waltzing matilda with me.
Up jumped the swagman, sprang into the billabong,
Drowning himself by the coolibah tree,
And his ghost may be heard as you pass by that billabong,
Youll come a waltzing matilda with me.
Waltzing matilda, waltzing matilda,
Youll come a waltzing matilda with me,
And his ghost may be heard as you pass by that billabong,
Youll come a waltzing matilda with me.
song performed by Roy Orbison
Added by Lucian Velea
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Tom Traubert's Blues
(Tom Waits)
Wasted and wounded
And it ain't what the moon did
I got what I paid for now
See you tomorrow
Hey Frank can I borrow
A couple of bucks from you
To go waltzing Matilda waltzing Matilda
You'll go waltzing Matilda with me
I'm an innocent victim
of a blinded alley
And I'm tired of all these soldiers here
No-one speaks English
And everything's broken
And my strength is soaking away
To go waltzing Matilda, waltzing Matilda
You'll go a waltzing Malitda with me
Now the dogs they are barking
and the taxi cab's parking
A lot they can do for me
I begged you to stab me
You tore my shirt open
And I'm down on my knees tonight
Old bushmills I staggered
You buried the dagger
Your silhouette window light
To go waltzing Matilda, waltzing Matilda
You'll go a waltzing Matilda with me
Now I've lost my St. Christopher
Now that I kissed her
And the one-arm bandit knows
And the maverick Chinaman
with the cold-blooded sigh
And the girls down by the striptease shows go
Waltzing Matilda, waltzing Matilda
You'll go a waltzing Matilda with me
No I don't want your sympathy
Fugitives say
that the streets aren't for dreaming now
Manslaughter dragnet
and the ghost that sells memories
Want a piece of the action anyhow
Go waltzing Matilda, waltzing Matilda
You'll go waltzing Matilda with me
And you can ask any sailor
And the keys from the jailor
And the old men in wheelchairs know
That Matilda's the defendant
She killed about a hundred
And she follows wherever you may go
[...] Read more
song performed by Rod Stewart
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Rokeby: Canto IV.
I.
When Denmark's raven soar'd on high,
Triumphant through Northumbrian sky,
Till, hovering near, her fatal croak
Bade Reged's Britons dread the yoke,
And the broad shadow of her wing
Blacken'd each cataract and spring,
Where Tees in tumult leaves his source,
Thundering o'er Caldron and High-Force;
Beneath the shade the Northmen came,
Fix'd on each vale a Runic name,
Rear'd high their altar's rugged stone,
And gave their Gods the land they won.
Then, Balder, one bleak garth was thine,
And one sweet brooklet's silver line,
And Woden's Croft did title gain
From the stern Father of the Slain;
But to the Monarch of the Mace,
That held in fight the foremost place,
To Odin's son, and Sifia's spouse,
Near Stratforth high they paid their vows,
Remember'd Thor's victorious fame,
And gave the dell the Thunderer's name.
II.
Yet Scald or Kemper err'd, I ween,
Who gave that soft and quiet scene,
With all its varied light and shade,
And every little sunny glade,
And the blithe brook that strolls along
Its pebbled bed with summer song,
To the grim God of blood and scar,
The grisly King of Northern War.
O, better were its banks assign'd
To spirits of a gentler kind!
For where the thicket-groups recede,
And the rath primrose decks the mead,
The velvet grass seems carpet meet
For the light fairies' lively feet.
Yon tufted knoll, with daisies strown,
Might make proud Oberon a throne,
While, hidden in the thicket nigh,
Puck should brood o'er his frolic sly;
And where profuse the wood-vetch clings
Round ash and elm, in verdant rings,
Its pale and azure-pencill'd flower
Should canopy Titania's bower.
III.
Here rise no cliffs the vale to shade;
[...] Read more
poem by Sir Walter Scott
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The Old Bark Hut
Oh, my name is Bob the Swagman, before you all I stand,
And I've had many ups and downs while travelling through the land.
I once was well-to-do, my boys, but now I am stumped up,
And I'm forced to go on rations in an old bark hut.
In an old bark hut. In an old bark hut.
I'm forced to go on rations in an old bark hut.
Ten pounds of flour, ten pounds of beef, some sugar and some tea,
That's all they give to a hungry man, until the Seventh Day.
If you don't be moighty sparing, you'll go with a hungry gut
For that's one of the great misfortunes in an old bark hut.
In an old bark hut. In an old bark hut.
For that's one of the great misfortunes in an old bark hut.
The bucket you boil your beef in has to carry water, too,
And they'll say you're getting mighty flash if you should ask for two.
I've a billy, and a pint pot, and a broken-handled cup,
And they all adorn the table in the old bark hut.
In an old bark hut. In an old bark hut.
And they all adorn the table in the old bark hut.
Faith, the table is not made of wood, as many you have seen
For if I had one half so good, I'd think myself serene
'Tis only an old sheet of bark—God knows when it was cut
It was blown from off the rafters of the old bark hut.
In an old bark hut. In an old bark hut.
It was blown from off the rafters of the old bark hut.
And of furniture, there's no such thing, 'twas never in the place,
Except the stool I sit upon—and that's an old gin case.
It does us for a safe as well, but you must keep it shut,
Or the flies would make it canter round the old hark hut.
In an old bark hut. In an old bark hut.
Or the flies would make it canter round the old bark hut.
If you should leave it open, and the flies should find your meat,
They'll scarcely leave a single piece that's fit for man to eat.
But you mustn't curse, nor grumble—what won't fatten will fill up
For what's out of sight is out of mind in an old bark hut.
In an old bark hut. In an old bark hut.
For what's out of sight is out of mind in an old bark hut.
In the summer time, when the weather's warm, this hut is nice and cool,
And you'll find the gentle breezes blowing in through every hole.
You can leave the old door open, or you can leave it shut,
There's no fear of suffocation in the old bark hut.
In an old bark hut. In an old bark hut.
There's no fear of suffocation in the old bark hut.
[...] Read more
poem by Andrew Barton Paterson
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What Matilda Said
Matilda closed the door. Matilda
Saw Millie by the window. Her maid’s
Uniform looked tight at the rear. She
Wanted to place her arms around her
Waist, kiss her neck. Millie turned and
Said, He’s out there with Mrs Dimmable.
Matilda walked to the window and stared.
She sensed Millie beside her; heard her
Breathing, the brush of her sleeve against
Her arm. Looks happy enough, Matilda said
Of Mrs. Dimmable. You didn’t sleep too well
Last night, Millie said, turning, going to the
Bed. She pulled back the covers, smoothed
Out the sheet. Matilda went around the other
Side of the bed and looked at Millie. You were
Tossing and turning, Millie said looking up.
Matilda helped make the bed and said, Sorry
About that. Millie stared at Matilda and said
You murmured words. Did I? Matilda replied.
Yes, Millie said, looking at her hands. What did
I say? Matilda asked. You muttered my name.
Millie stood back from the bed, gazed at Matilda.
You said things. What things? Said you loved me.
Millie blushed at the words. Matilda patted the
Pillow but said nothing. She brushed her hands
Over the covers, pushed away creases. She paused.
Looked at the window. Smelt the flowers in a vase.
Do you? Millie asked. Love me? Matilda stared
Out at Mrs Dimmable and the new gardener.
Her lips wanted to move but nothing came.
Her eyes watered. The world was awash. Millie
Walked to the window, put her arms around Matilda’s
Waist, her fingers formed a knot on Matilda’s stomach.
Matilda placed her hands over Millie’s.
They do look in love and contented don’t they?
Millie said over Matilda’s shoulder. Matilda’s sensed
The warm breath. Yes, she said, they do. Do you?
Millie’s breath uttered softly into her ear, yes.
poem by Terry Collett
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The Iliad: Book 2
Now the other gods and the armed warriors on the plain slept
soundly, but Jove was wakeful, for he was thinking how to do honour to
Achilles, and destroyed much people at the ships of the Achaeans. In
the end he deemed it would be best to send a lying dream to King
Agamemnon; so he called one to him and said to it, "Lying Dream, go to
the ships of the Achaeans, into the tent of Agamemnon, and say to
him word to word as I now bid you. Tell him to get the Achaeans
instantly under arms, for he shall take Troy. There are no longer
divided counsels among the gods; Juno has brought them to her own
mind, and woe betides the Trojans."
The dream went when it had heard its message, and soon reached the
ships of the Achaeans. It sought Agamemnon son of Atreus and found him
in his tent, wrapped in a profound slumber. It hovered over his head
in the likeness of Nestor, son of Neleus, whom Agamemnon honoured
above all his councillors, and said:-
"You are sleeping, son of Atreus; one who has the welfare of his
host and so much other care upon his shoulders should dock his
sleep. Hear me at once, for I come as a messenger from Jove, who,
though he be not near, yet takes thought for you and pities you. He
bids you get the Achaeans instantly under arms, for you shall take
Troy. There are no longer divided counsels among the gods; Juno has
brought them over to her own mind, and woe betides the Trojans at
the hands of Jove. Remember this, and when you wake see that it does
not escape you."
The dream then left him, and he thought of things that were,
surely not to be accomplished. He thought that on that same day he was
to take the city of Priam, but he little knew what was in the mind
of Jove, who had many another hard-fought fight in store alike for
Danaans and Trojans. Then presently he woke, with the divine message
still ringing in his ears; so he sat upright, and put on his soft
shirt so fair and new, and over this his heavy cloak. He bound his
sandals on to his comely feet, and slung his silver-studded sword
about his shoulders; then he took the imperishable staff of his
father, and sallied forth to the ships of the Achaeans.
The goddess Dawn now wended her way to vast Olympus that she might
herald day to Jove and to the other immortals, and Agamemnon sent
the criers round to call the people in assembly; so they called them
and the people gathered thereon. But first he summoned a meeting of
the elders at the ship of Nestor king of Pylos, and when they were
assembled he laid a cunning counsel before them.
"My friends," said he, "I have had a dream from heaven in the dead
of night, and its face and figure resembled none but Nestor's. It
hovered over my head and said, 'You are sleeping, son of Atreus; one
who has the welfare of his host and so much other care upon his
shoulders should dock his sleep. Hear me at once, for I am a messenger
from Jove, who, though he be not near, yet takes thought for you and
pities you. He bids you get the Achaeans instantly under arms, for you
shall take Troy. There are no longer divided counsels among the
gods; Juno has brought them over to her own mind, and woe betides
the Trojans at the hands of Jove. Remember this.' The dream then
[...] Read more
poem by Homer, translated by Samuel Butler
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Tale XVI
THE CONFIDANT.
Anna was young and lovely--in her eye
The glance of beauty, in her cheek the dye:
Her shape was slender, and her features small,
But graceful, easy, unaffected all:
The liveliest tints her youthful face disclosed;
There beauty sparkled, and there health reposed;
For the pure blood that flush'd that rosy cheek
Spoke what the heart forbade the tongue to speak,
And told the feelings of that heart as well,
Nay, with more candour than the tongue could tell.
Though this fair lass had with the wealthy dwelt,
Yet like the damsel of the cot she felt;
And, at the distant hint or dark surmise,
The blood into the mantling cheek would rise.
Now Anna's station frequent terrors wrought,
In one whose looks were with such meaning fraught,
For on a Lady, as an humble friend,
It was her painful office to attend.
Her duties here were of the usual kind -
And some the body harass'd, some the mind:
Billets she wrote, and tender stories read,
To make the Lady sleepy in her bed;
She play'd at whist, but with inferior skill,
And heard the summons as a call to drill;
Music was ever pleasant till she play'd
At a request that no request convey'd;
The Lady's tales with anxious looks she heard,
For she must witness what her Friend averr'd;
The Lady's taste she must in all approve,
Hate whom she hated, whom she lov'd must love;
These, with the various duties of her place,
With care she studied, and perform'd with grace:
She veil'd her troubles in a mask of ease,
And show'd her pleasure was a power to please.
Such were the damsel's duties: she was poor -
Above a servant, but with service more:
Men on her face with careless freedom gaz'd,
Nor thought how painful was the glow they raised.
A wealthy few to gain her favour tried,
But not the favour of a grateful bride;
They spoke their purpose with an easy air,
That shamed and frighten'd the dependent fair;
Past time she view'd, the passing time to cheat,
But nothing found to make the present sweet:
With pensive soul she read life's future page,
And saw dependent, poor, repining age.
But who shall dare t'assert what years may
[...] Read more
poem by George Crabbe
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Improvisatore, The
Scene--A spacious drawing-room, with music-room adjoining.
Katharine. What are the words ?
Eliza. Ask our friend, the Improvisatore ; here he comes. Kate has a favour
to ask of you, Sir ; it is that you will repeat the ballad [Believe me if
all those endearing young charms.--EHC's ? note] that Mr. ____ sang so
sweetly.
Friend. It is in Moore's Irish Melodies ; but I do not recollect the
words distinctly. The moral of them, however, I take to be this :--
Love would remain the same if true,
When we were neither young nor new ;
Yea, and in all within the will that came,
By the same proofs would show itself the same.
Eliza. What are the lines you repeated from Beaumont and Fletcher, which my
mother admired so much ? It begins with something about two vines so close
that their tendrils intermingle.
Friend. You mean Charles' speech to Angelina, in The Elder Brother.
We'll live together, like two neighbour vines,
Circling our souls and loves in one another !
We'll spring together, and we'll bear one fruit ;
One joy shall make us smile, and one grief mourn ;
One age go with us, and one hour of death
Shall close our eyes, and one grave make us happy.
Katharine. A precious boon, that would go far to reconcile one to old
age--this love--if true ! But is there any such true love ?
Friend. I hope so.
Katharine. But do you believe it ?
Eliza (eagerly). I am sure he does.
Friend. From a man turned of fifty, Katharine, I imagine, expects a
less confident answer.
Katharine. A more sincere one, perhaps.
Friend. Even though he should have obtained the nick-name of
Improvisatore, by perpetrating charades and extempore verses at
Christmas times ?
Eliza. Nay, but be serious.
[...] Read more
poem by Samuel Taylor Coleridge
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The Improvisatore
Scene--A spacious drawing-room, with music-room adjoining.
Katharine. What are the words ?
Eliza. Ask our friend, the Improvisatore ; here he comes. Kate has a favour
to ask of you, Sir ; it is that you will repeat the ballad [Believe me if
all those endearing young charms.--EHC's ? note] that Mr. ____ sang so
sweetly.
Friend. It is in Moore's Irish Melodies ; but I do not recollect the
words distinctly. The moral of them, however, I take to be this :--
Love would remain the same if true,
When we were neither young nor new ;
Yea, and in all within the will that came,
By the same proofs would show itself the same.
Eliza. What are the lines you repeated from Beaumont and Fletcher, which my
mother admired so much ? It begins with something about two vines so close
that their tendrils intermingle.
Friend. You mean Charles' speech to Angelina, in The Elder Brother.
We'll live together, like two neighbour vines,
Circling our souls and loves in one another !
We'll spring together, and we'll bear one fruit ;
One joy shall make us smile, and one grief mourn ;
One age go with us, and one hour of death
Shall close our eyes, and one grave make us happy.
Katharine. A precious boon, that would go far to reconcile one to old
age--this love--if true ! But is there any such true love ?
Friend. I hope so.
Katharine. But do you believe it ?
Eliza (eagerly). I am sure he does.
Friend. From a man turned of fifty, Katharine, I imagine, expects a
less confident answer.
Katharine. A more sincere one, perhaps.
Friend. Even though he should have obtained the nick-name of
Improvisatore, by perpetrating charades and extempore verses at
Christmas times ?
Eliza. Nay, but be serious.
[...] Read more
poem by Samuel Taylor Coleridge
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Rokeby: Canto VI.
I.
The summer sun, whose early power
Was wont to gild Matilda's bower,
And rouse her with his matin ray
Her duteous orisons to pay,
That morning sun has three times seen
The flowers unfold on Rokeby green,
But sees no more the slumbers fly
From fair Matilda's hazel eye;
That morning sun has three times broke
On Rokeby's glades of elm and oak,
But, rising from their sylvan screen,
Marks no grey turrets' glance between.
A shapeless mass lie keep and tower,
That, hissing to the morning shower,
Can but with smouldering vapour pay
The early smile of summer day.
The peasant, to his labour bound,
Pauses to view the blacken'd mound,
Striving, amid the ruin'd space,
Each well-remember'd spot to trace.
That length of frail and fire-scorch'd wall
Once screen'd the hospitable hall;
When yonder broken arch was whole,
‘Twas there was dealt the weekly dole;
And where yon tottering columns nod,
The chapel sent the hymn to God.
So flits the world's uncertain span
Nor zeal for God, nor love for man,
Gives mortal monuments a date
Beyond the power of Time and Fate.
The towers must share the builder's doom;
Ruin is theirs, and his a tomb:
But better boon benignant Heaven
To Faith and Charity has given,
And bids the Christian hope sublime
Transcend the bounds of Fate and Time.
II.
Now the third night of summer came,
Since that which witness'd Rokeby's flame.
On Brignall cliffs and Scargill brake
The owlet's homilies awake,
The bittern scream'd from rush and flag,
The raven slumber'd on his crag,
Forth from his den the otter drew,
Grayling and trout their tyrant knew,
As between reed and sedge he peers,
With fierce round snout and sharpen'd ears
Or, prowling by the moonbeam cool,
[...] Read more
poem by Sir Walter Scott
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Poodles
So many love to spoil their pets.
Especially those poodles.
With pedicures and silk worn vests.
Especially those poodles.
Some can be seen,
Adorning precious gems as necklaces.
Especially those poodles.
And people 'ahh' and 'ooo' too...
Whenever they see a pampered moving poodle.
Why,
Oh why...
Few are heard to brag about their cockatoos?
Those noisy Australasian crested parrots.
And,
Why oh why...
Do some prefer cats?
Even appearing to nap those cats will scratch back.
Love people do their poodles.
No matter what those poodles do.
And finicky are those poodles too.
Whining to be carried in their owner's arms...
As they choose to coo like a lovebird.
So many love to spoil their pets.
Especially those poodles.
With pedicures and silk worn vests.
Especially those poodles.
Why,
Oh why...
Few are heard to brag about their cockatoos?
Those noisy Australasian crested parrots.
And,
Why oh why...
Do some prefer cats?
Even appearing to nap those cats will scratch back.
Why do people choose to brag about their poodles.
Some can be seen,
Adorning precious gems as necklaces.
Especially those poodles.
And people 'ahh' and 'ooo' too...
Whenever they see a pampered moving poodle,
Flaunt and strut while cruising.
poem by Lawrence S. Pertillar
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Git-Yer-Gun
Thus it happened .... Let me mention, lest I raise an unsought quarrel,
This occurred in times long vanished, in the land of Git-yer-gun.
'Tis a quaint, unlikely story; some folk say it has a moral;
But that's a little matter you may settle when I'm done.
Mr. Foodle led a party that was strongly democratic,
And it represented people with the Christian name of Bill.
And in all his hustings speeches Mr. Foodle was emphatic
That his crowd existed solely to uphold the people's will.
Mr. Boodle led a party that was Liberal - or Tory
(Just according to your view-point) - and it represented those
Christened (by immersion) Percy, whose hot socks proclaimed their glory;
And its policy was such as you may readily supose.
So they strove in an election .... (Now, I wish it noted plainly
That this happened years ago, and in the land of Git-yer-gun) ....
And each side employed its talent to upbraid the other mainly,
While the voters cheered them madly, and the crowd enjoyed the fun.
The Democratic Party (Bill by name) supported Foodle
For such was the convention with this quaint old Party Plan
While the Tories fought like fury to promote the cause of Boodle,
And, of course, the crowd named Percy voted for him to a man.
And the others of the nation - all the Johns and Jeremiahs,
All the Peters, Pauls and Paddys, all the Colins and Carews,
All the Richards and the Roberts, and the Hanks and Hezekiahs
Voted for some bloque or other, each according to his views.
Then they counted up the numbers, when at last the fight was over,
And both Democrats and Tories - Bills and Percys - looked quite sour
When the numbers showed them clearly neither party stood in clover;
For a few odd Independents held the balance of the power.
Mr. Foodle called his Caucus .... And he put it to them plainly:
'Never mind the Bills,' said Foodle; 'we have got them in the box.
If we would escape extinction 'tis our plan to pander mainly
But with caution - to the Percys and the cause of fancy socks.
'For,' said Mr. Foodle gravely, 'understand me, votes are needed!
How to catch and how to keep them is the question of the hour.
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poem by Clarence Michael James Stanislaus Dennis
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Temora - Book I
ARGUMENT.
Cairbar, the son of Borbar-duthul, lord of Atha, in Connaught, the most Potent chief of the race of the Fir-bolg, having murdered, at Temora, the royal palace, Cormac, the son of Artho, the young king of Ireland, usurped the throne. Cormac was lineally descended from Conar, the son of Trenmor, the great-grandfather of Fingal, king of those Caledonians who inhabited the western coast of Scotland. Fingal resented the behavior of Cairbar, and resolved to pass over into Ireland with an army, to re-establish the royal family on the Irish throne. Early intelligence of his designs coming to Cairbar, he assembled some of his tribes in Ulster, and at the same time ordered his brother Cathmor to follow him speedily with an army from Temora. Such was the situation of affairs when the Caledonian invaders appeared on the coast of Ulster.
The poem opens in the morning. Cairbar is represented as retired from the rest of the army, when one of his scouts brought him news of the landing of Fingal. He assembles a council of his chiefs. Foldath, the chief of Moma, haughtily despises the enemy; and is reprimanded warmly by Malthos. Cairbar, after hearing their debate, orders a feast to be prepared, to which, by his bard Olla, he invites Oscar, the son of Ossian; resolving to pick a quarrel with that hero, and so have some pretext for killing him. Oscar came to the feast; the quarrel happened; the followers of both fought, and Cairbar and Oscar fell by mutual wounds. The noise of the battle reached Fingal's army. The king came on to the relief of Oscar, and the Irish fell back to the army of Cathmor, who was advanced to the banks of the river Lubar, on the heath of Moi-lena. Fingal, after mourning over his grandson, ordered Ullin, the chief of his bards, to carry his body to Morven, to be there interred. Night coming on, Althan, the son of Conachar, relates to the king the particulars of the murder of Cormac. Fillan, the son of Fingal, is sent to observe the motions of Cathmor, by night, which concludes the action of the first day. The scene of this book is a plain, near the hill of Mora, which rose on the borders of the heath of Moi-lena in Ulster.
THE blue waves of Erin roll in light. The mountains are covered with day. Trees shake their dusky heads in the breeze. Gray torrents pour their noisy streams. Two green hills, with aged oaks, surround a narrow plain. The blue course of a stream is there. On its banks stood Cairbar of Atha. His spear supports the king: the red eye of his fear is sad. Cormac rises in his soul, with all his ghastly wounds. The gray form of the youth appears in darkness. Blood pours from his airy side. Cairbar thrice threw his spear on earth. Thrice he stroked his beard. His steps are short. He often stops. He tosses his sinewy arms. He is like a cloud in the desert, varying its form to every blast. The valleys are sad around, and fear, by turns, the shower! The king at length resumed his soul. He took his pointed spear. He turned his eye to Moi-lena. The scouts of blue ocean came. They came with steps of fear, and often looked behind. Cairbar knew that the mighty were near. He called his gloomy chiefs.
The sounding steps of his warriors came. They drew at once their swords. There Morlath stood with darkened face. Hidalla's long hair sighs in the wind. Red-haired Cormar bends on his spear, and rolls his sidelong-looking eyes. Wild is the look of Malthos, from beneath two shaggy brows. Foldath stands, like an oozy rock, that covers its dark sides with foam. His spear is like Slimora's fir, that meets the wind of heaven. His shield is marked with the strokes of battle. His red eye despises danger. These, and a thousand other chiefs, surrounded the king of Erin, when the scout of ocean came, Mor-annal, from streamy Moi-lena, His eyes hang forward from his face. His lips are trembling pale!
"Do the chiefs of Erin stand," he said, "silent as the grove of evening? Stand they, like a silent wood, and Fingal on the coast? Fingal, who is terrible in battle, the king of streamy Morven!" "Hast thou seen the warrior?" said Cairbar with a sigh. "Are his heroes many on the coast? Lifts he the spear of battle? or comes the king in peace?" "In peace be comes not, king of Erin; I have seen his forward spear. It is a meteor of death. The blood of thousands is on its steel. He came first to the shore, strong in the gray hair of age. Full rose his sinewy limbs, as he strode in his might. That sword is by his side, which gives no second wound. His shield is terrible, like the bloody moon, ascending through a storm. Then came Ossian, king of songs. Then Morni's son, the first of men. Connal leaps forward on his spear. Dermid spreads his dark-brown locks. Fillan bends his bow, the young hunter of streamy Moruth. But who is that before them, like the terrible course of a stream? It is the son of Ossian, bright between his locks! His long hair falls on his back. His dark brows are half enclosed in steel. His sword hangs loose on his side. His spear glitters as he moves. I fled from his terrible eyes, king of high Temora!"
"Then fly, thou feeble man," said Foldath's gloomy wrath. "Fly to the gray streams of thy land, son of the little soul! Have not I seen that Oscar? I beheld the chief in war. He is of the mighty in danger: but there are others who lift the spear. Erin has many sons as brave, king of Temora of groves. Let Foldath meet him in his strength. Let me stop this mighty stream. My spear is covered with blood. My shield is like the wall of Tura!"
"Shall Foldath alone meet the foe?" replied the dark-browed Malthos? "Are they not on our coast, like the waters of many streams? Are not these the chiefs who vanquished Swaran, when the sons of green Erin fled? Shall Foldath meet their bravest hero? Foldath of the heart of pride! Take the strength of the people! and let Malthos come. My sword is red with slaughter, but who has heard my words?"
"Sons of green Erin," said Hidalla, "let not Fingal hear your words. The foe might rejoice, and his arm be strong in the land. Ye are brave, O warriors! Ye are tempests in war. Ye are like storms, which meet the rocks without fear, and overturn the woods! But let us move in our strength, slow as a gathered cloud! Then shall the mighty tremble; the spear shall fall from the hand of the valiant. We see the cloud of death, they will say, while shadows fly over their face. Fingal will mourn in his age. He shall behold his flying fame. The steps of his chiefs will cease in Morven. The moss of years shall grow in Selma!"
Cairbar heard their words in silence, like the cloud of a shower: it stands dark on Cromla, till the lightning bursts its side. The valley gleams with heaven's flame; the spirits of the storm rejoice. So stood the silent king of Temora; at length his words broke forth. "Spread the feast on Moi-lena. Let my hundred bards attend. Thou red-haired Olla, take the harp of the king. Go to Oscar, chief of swords. Bid Oscar to our joy. To-day we feast and hear the song; to-morrow break the spears! Tell him that I have raised the tomb of Cathol; that bards gave his friend to the winds. Tell him that Cairbar has heard of his fame, at the stream of resounding Carun. Cathmor, my brother, is not here. He is not here with his thousands, and our arms are weak. Cathmor is a foe to strife at the feast! His soul is bright as that sun! But Cairbar must fight with Oscar, chiefs of woody Temora, His words for Cathol were many! the wrath of Cairbar burns! He shall fall on Moi-lena. My fame shall rise in blood!"
Their faces brightened round with joy. They spread over Moi-lena. The feast of shells is prepared. The songs of bards arise. The chiefs of Selma heard their joy. We thought that mighty Cathmor came. Cathmor, the friend of strangers! the brother of red-haired Cairbar. Their souls were not the same. The light of heaven was in the bosom of Cathmor. His towers rose on the banks of Atha: seven paths led to his halls. Seven chiefs stood on the paths, and called the stranger to the feast! But Cathmor dwelt in the wood, to shun the voice of praise!
Olla came with his songs. Oscar went to Cairbar's feast. Three hundred warriors strode along Moi-lena of the streams. The gray dogs bounded on the heath: their howling reached afar. Fingal saw the departing hero. The soul of the king was sad. He dreaded Cairbar's gloomy thoughts, amidst the feast of shells. My son raised high the spear of Cormac. A hundred bards met him with songs. Cairbar concealed, with smiles, the death that was dark in his soul. The feast is spread. The shells resound. Joy brightens the face of the host. But it was like the parting beam of the sun, when he is to hide his red head in a storm!
Cairbar rises in his arms. Darkness gathers on his brow. The hundred harps cease at once. The clang of shields is heard. Far distant on the heath Olla raised a song of wo. My son knew the sign of death; and rising seized his spear. "Oscar," said the dark-red Cairbar, "I behold the spear of Erin. The spear of Temora glitters in thy hand, son of woody Morven! It was the pride of a hundred kings. The death of heroes of old. Yield it, son of Ossian, yield it to car-borne Cairbar!"
"Shall I yield," Oscar replied, "the gift of Erin's injured king; the gift of fair-haired Cormac, when Oscar scattered his foes? I came to Cormac's halls of joy, when Swaran fled from Fingal. Gladness rose in the face of youth. He gave the spear of Temora. Nor did he give it to the feeble: neither to the weak in soul. The darkness of thy face is no storm to me: nor are thine eyes the flame of death. Do I fear thy clanging shield? Tremble I at Olla's song? No Cairbar, frighten the feeble; Oscar is a rock!"
"Wilt thou not yield the spear?" replied the rising pride of Cairbar." Are thy words so mighty, because Fingal is near? Fingal with aged locks, from Morven's hundred groves! He has fought with little men. But he must vanish before Cairbar, like a thin pillar of mist before the winds of Atha!" — "Were he who fought with little men, near Atha's haughty chief, Atha's chief would yield green Erin to avoid his rage! Speak not of the mighty, O Cairbar! Turn thy sword on me. Our strength is equal: but Fingal is renowned! the first of mortal men!"
Their people saw the darkening chiefs. Their crowding steps are heard. Their eyes roll in fire. A thousand swords are half unsheathed. Red-haired Olla raised the song of battle. The trembling joy of Oscar's soul arose: the wonted joy of his soul when Fingal's horn was heard. Dark as the swelling wave of ocean before the rising winds, when it bends its head near the coast, came on the host of Cairbar!
Daughter of Toscar! why that tear? He is not fallen yet. Many were the deaths of his arm before my hero fell!
Behold they fall before my son, like groves in the desert; when an angry ghost rushes through night, and takes their green heads in his hand! Morlath falls. Maronnan dies. Conachar trembles in his blood. Cairbar shrinks before Oscar's sword! He creeps in darkness behind a stone. He lifts the spear in secret, he pierces my Oscar's side! He falls forward on his shield, his knee sustains the chief. But still his spear is in his hand! See, gloomy Cairbar falls! The steel pierced his forehead, and divided his red hair behind. He lay like a shattered rock, which Cromla shakes from its shaggy side, when the green-valleyed Erin shakes its mountains from sea to sea!
But never more shall Oscar rise! He leans on his bossy shield. His spear is in his terrible hand. Erin's sons stand distant and dark. Their shouts arise, like crowded streams. Moi-lena echoes wide. Fingal heard the sound. He took the spear of Selma. His steps are before us on the heath. He spoke the words of wo. "I hear the noise of war. Young Oscar is alone. Rise, sons of Morven: join the hero's sword!"
Ossian rushed along the heath. Fillan bounded over Moi-lena. Fingal strode in his strength. The light of his shield is terrible. The sons of Erin saw it far distant. They trembled in their souls. They knew that the wrath of the king arose: and they foresaw their death. We first arrived. We fought. Erin's chiefs withstood our rage. But when the king came, in the sound of his course, what heart of steel could stand? Erin fled over Moi-lena. Death pursued their flight. We saw Oscar on his shield. We saw his blood around. Silence darkened on every face. Each turned his back and wept. The king strove to hide his tears. His gray beard whistled in the wind. He bends his head above the chief. His words are mixed with sighs.
"Art thou fallen, O Oscar! in the midst of thy course? the heart of the aged beats over thee! He sees thy coming wars! The wars which ought to come he sees! They are cut off from thy fame! When shall joy dwell at Selma? When shall grief depart from Morven? My sons fall by degrees: Fingal is the last of his race. My fame begins to pass away. Mine age will be without friends. I shall sit a gray cloud in my hall. I shall not hear the return of a son, in his sounding arms. Weep, ye heroes of Morven! never more shall Oscar rise!"
And they did weep, O Fingal! Dear was the hero to their souls. He went out to battle, and the foes vanished. He returned in peace, amidst their joy. No father mourned his son slain in youth: no brother his brother of love. They fell without tears, for the chief of the people is low! Bran is howling at his feet: gloomy Luath is sad; for he had often led them to the chase; to the bounding roe of the desert!
When Oscar saw his friends around, his heaving breast arose. "The groans," he said, "of aged chiefs; the howling of my dogs; the sudden bursts of the song of grief, have melted Oscar's soul. My soul, that never melted before. It was like the steel of my sword. Ossian, carry me to my hills! Raise the stones of my renown. Place the horn of a deer: place my sword by my side; The torrent hereafter may raise the earth: the hunter may find the steel, and say, 'This has been Oscar's sword, the pride of other years!'" "Fallest thou, son of my fame? shall I never see thee, Oscar? When others hear of their sons, shall I not hear of thee? The moss is on thy four gray stones. The mournful wind is there. The battle shall be fought without thee. Thou shalt not pursue the dark-brown hinds. When the warrior returns from battles, and tells of other lands; 'I have seen a tomb,' he will say, 'by the roaring stream, the dark dwelling of a chief. He fell by car-borne Oscar, the first of mortal men.' I, perhaps, shall hear his voice. A beam of joy will rise in my soul."
Night would have descended in sorrow, and morning returned in the shadow of grief. Our chiefs would have stood, like cold-dropping rocks on Moi-lena, and have forgot the war; did not the king disperse his grief, and raise his mighty voice. The chiefs, as new-wakened from dreams, lift up their heads around.
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poem by James Macpherson
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And The Band Played Waltzing Matilda
When I was a young man I carried my pack
And I lived the free life of a rover
From the murrays green basin to the dusty outback
I waltzed my matilda all over
Then in nineteen fifteen my country said son
Its time to stop rambling cause theres work to be
Done
So they gave me a tin hat and they gave me a gun
And they sent me away to the war
And the band played waltzing matilda
As we sailed away from the quay
And amidst all the tears and the shouts and the
Cheers
We sailed off to gallipoli
How well I remember that terrible day
And how in that hell that they called suvla bay
We were butchered like lambs at the slaughter
Johnny turk he was ready, he primed himself well
He
Shells
And in five minutes flat hed blown us all to hell
Nearly blew us right back to australia
But the band played waltzing matilda
As we stopped to bury our slain
And we buried ours and the turks buried theirs
Then <it> started all over again
Now those
In
And for
Then a big turkish shell knocked me arse over tit
And when I woke up in my hospital bed
And saw what it had done,
Dead
Never knew there were worse things than dying
<and> no more Ill go waltzing matilda
<to> the green
For to hump tent and pegs, a man needs two legs
No more waltzing matilda for me
So they collected the cripples, the wounded <and>
Maimed
And they shipped us back home to australia
<the legless, the armless>, the blind <and> insane
Those proud wounded heroes of suvla
And as our ship pulled into circular quay
I looked at the place where <me> legs used to be
And thank christ there was nobody waiting for me
To grieve and to mourn and to pity
And the band played waltzing matilda
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song performed by Pogues
Added by Lucian Velea
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The Band Played Waltzing Matilda
When I was a young man I carried my pack
And I lived the free life of a rover
From the Murrays green basin to the dusty outback
I waltzed my Matilda all over
Then in nineteen fifteen my country said Son
It's time to stop rambling 'cause there's work to be
done
So they gave me a tin hat and they gave me a gun
And they sent me away to the war
And the band played Waltzing Matilda
As we sailed away from the quay
And amidst all the tears and the shouts and the
cheers
We sailed off to Gallipoli
How well I remember that terrible day
And how in that hell that they called Suvla Bay
We were butchered like lambs at the slaughter
Johnny Turk he was ready, he primed himself well
He
shells
And in five minutes flat he'd blown us all to hell
Nearly blew us right back to Australia
But the band played Waltzing Matilda
As we stopped to bury our slain
And we buried ours and the Turks buried theirs
Then <it> started all over again
Now those
In
And for
Then a big Turkish shell knocked me arse over tit
And when I woke up in my hospital bed
And saw what it had done,
dead
Never knew there were worse things than dying
<And> no more I'll go waltzing Matilda
<To> the green
For to hump tent and pegs, a man needs two legs
No more waltzing Matilda for me
So they collected the cripples, the wounded <and>
maimed
And they shipped us back home to Australia
<The legless, the armless>, the blind <and> insane
Those proud wounded heroes of Suvla
And as our ship pulled into Circular Quay
I looked at the place where <me> legs used to be
And thank Christ there was nobody waiting for me
To grieve and to mourn and to pity
And the band played Waltzing Matilda
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song performed by Pogues
Added by Lucian Velea
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Beowulf
LO, praise of the prowess of people-kings
of spear-armed Danes, in days long sped,
we have heard, and what honor the athelings won!
Oft Scyld the Scefing from squadroned foes,
from many a tribe, the mead-bench tore,
awing the earls. Since erst he lay
friendless, a foundling, fate repaid him:
for he waxed under welkin, in wealth he throve,
till before him the folk, both far and near,
who house by the whale-path, heard his mandate,
gave him gifts: a good king he!
To him an heir was afterward born,
a son in his halls, whom heaven sent
to favor the folk, feeling their woe
that erst they had lacked an earl for leader
so long a while; the Lord endowed him,
the Wielder of Wonder, with world's renown.
Famed was this Beowulf: far flew the boast of him,
son of Scyld, in the Scandian lands.
So becomes it a youth to quit him well
with his father's friends, by fee and gift,
that to aid him, aged, in after days,
come warriors willing, should war draw nigh,
liegemen loyal: by lauded deeds
shall an earl have honor in every clan.
Forth he fared at the fated moment,
sturdy Scyld to the shelter of God.
Then they bore him over to ocean's billow,
loving clansmen, as late he charged them,
while wielded words the winsome Scyld,
the leader beloved who long had ruled….
In the roadstead rocked a ring-dight vessel,
ice-flecked, outbound, atheling's barge:
there laid they down their darling lord
on the breast of the boat, the breaker-of-rings,
by the mast the mighty one. Many a treasure
fetched from far was freighted with him.
No ship have I known so nobly dight
with weapons of war and weeds of battle,
with breastplate and blade: on his bosom lay
a heaped hoard that hence should go
far o'er the flood with him floating away.
No less these loaded the lordly gifts,
thanes' huge treasure, than those had done
who in former time forth had sent him
sole on the seas, a suckling child.
High o'er his head they hoist the standard,
a gold-wove banner; let billows take him,
gave him to ocean. Grave were their spirits,
mournful their mood. No man is able
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poem by Charles Baudelaire
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Flight Of The Duchess, The
I.
You're my friend:
I was the man the Duke spoke to;
I helped the Duchess to cast off his yoke, too;
So here's the tale from beginning to end,
My friend!
II.
Ours is a great wild country:
If you climb to our castle's top,
I don't see where your eye can stop;
For when you've passed the cornfield country,
Where vineyards leave off, flocks are packed,
And sheep-range leads to cattle-tract,
And cattle-tract to open-chase,
And open-chase to the very base
Of the mountain where, at a funeral pace,
Round about, solemn and slow,
One by one, row after row,
Up and up the pine-trees go,
So, like black priests up, and so
Down the other side again
To another greater, wilder country,
That's one vast red drear burnt-up plain,
Branched through and through with many a vein
Whence iron's dug, and copper's dealt;
Look right, look left, look straight before,---
Beneath they mine, above they smelt,
Copper-ore and iron-ore,
And forge and furnace mould and melt,
And so on, more and ever more,
Till at the last, for a bounding belt,
Comes the salt sand hoar of the great sea-shore,
---And the whole is our Duke's country.
III.
I was born the day this present Duke was---
(And O, says the song, ere I was old!)
In the castle where the other Duke was---
(When I was happy and young, not old!)
I in the kennel, he in the bower:
We are of like age to an hour.
My father was huntsman in that day;
Who has not heard my father say
That, when a boar was brought to bay,
Three times, four times out of five,
With his huntspear he'd contrive
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poem by Robert Browning
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The Flight of the Duchess
I
You're my friend:
I was the man the Duke spoke to;
I helped the Duchess to cast off his yoke, too;
So here's the tale from beginning to end,
My friend!
II
Ours is a great wild country:
If you climb to our castle's top,
I don't see where your eye can stop;
For when you've passed the cornfield country,
Where vineyards leave off, flocks are packed,
And sheep-range leads to cattle-tract,
And cattle-tract to open-chase,
And open-chase to the very base
Of the mountain where, at a funeral pace,
Round about, solemn and slow,
One by one, row after row,
Up and up the pine-trees go,
So, like black priests up, and so
Down the other side again
To another greater, wilder country,
That's one vast red drear burnt-up plain,
Branched through and through with many a vein
Whence iron's dug, and copper's dealt;
Look right, look left, look straight before—
Beneath they mine, above they smelt,
Copper-ore and iron-ore,
And forge and furnace mould and melt,
And so on, more and ever more,
Till at the last, for a bounding belt,
Comes the salt sand hoar of the great sea shore
—And the whole is our Duke's country.
III
I was born the day this present Duke was—
(And O, says the song, ere I was old!)
In the castle where the other Duke was—
(When I was happy and young, not old!)
I in the kennel, he in the bower:
We are of like age to an hour.
My father was huntsman in that day;
Who has not heard my father say
That, when a boar was brought to bay,
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poem by Robert Browning from Dramatic Romances and Lyrics (1845)
Added by Veronica Serbanoiu
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