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When Orpheus Sweetly Did Complayne

When Orpheus sweetly did complayne
Upon his lute with heavy strayne
How his Euridice was slayne,
The trees to heare
Obtayn'd an eare,
And after left it off againe.

At every stroake and every stay
The boughs kept time, and nodding lay,
And listened bending all one way:
The aspen tree
As well as hee
Began to shake and learn'd to play.

If wood could speake, a tree might heare,
If wood could sound true greife so neare
A tree might dropp an amber teare:
If wood so well
Could ring a knell
The Cipres might condole the beare.

The standing nobles of the grove
Hearing dead wood so speak and move
The fatall axe beganne to love:
They envyde death
That gave such breath
As men alive doe saints above

poem by William Strode
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Orpheus

ORPHEUS.
LAUGHTER and dance, and sounds of harp and lyre,
Piping of flutes, singing of festal songs,
Ribbons of flame from flaunting torches, dulled
By the broad summer sunshine, these had filled
Since the high noon the pillared vestibules,
The peristyles and porches, in the house
Of the bride's father. Maidens, garlanded
With rose and myrtle dedicate to Love,
Adorned with chaplets fresh the bride, and veiled
The shining head and wistful, girlish face,
Ineffable sweetness of divided lips,
Large light of clear, gray eyes, low, lucid brows,
White as a cloud, beneath pale, clustering gold.
When sunless skies uncertain twilight cast,
That makes a friend's face as an alien's strange,
Investing with a foreign mystery
The dear green fields about our very home.
Then waiting stood the gilded chariot
Before the porch, and from the vine-wreathed door,
Issued the white-veiled bride, while jocund youths
And mænads followed her with dance and song.
She came with double glory; for her lord,
Son of Apollo and Calliope,
Towered beside her, beautiful in limb
And feature, as though formed to magic strains,
Like the Bœotian city, that arose
In airy structures to Amphion's lute.
The light serene shone from his brow and eyes,
Of one whose lofty thoughts keep consonance
With the celestial music of the spheres.
His smile was fluent, and his speech outsang
The cadences of soft-stringed instruments.
He to the chariot led Eurydice,
And these twain, mounting with their paranymph,
Drove onward through the dusky twilit fields,
Preceded by the nymphs and singing youths,
And boys diffusing light and odors warm,
With flaming brands of aromatic woods,
And matrons bearing symbols of the life
Of careful wives, the distaff and the sieve;
And followed by the echoes of their songs,
The fragrance crushed from moist and trodden grass,
The blessing of the ever-present gods,
Whom they invoked with earnest hymns and prayer.
From Orpheus' portico, festooned with vines,
Issued a flood of rare, ambrosial light,
As though Olympian portals stood ajar,
And Hymen, radiant by his torch's flame,
Mystic with saffron vest and purple, stood

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poem by Emma Lazarus
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Bristowe Tragedie: Or The Dethe Of Syr Charles Badwin

THE featherd songster chaunticleer
Han wounde hys bugle horne,
And tolde the earlie villager
The commynge of the morne.
Kynge EDWARDE sawe the ruddie streakes
Of lyghte eclypse the greie;
And herde the raven's crokynge throte
Proclayme the fated daie.
'Thou'rt ryght,' quod hee, 'for, by the Godde
That syttes enthron'd on hyghe!
CHARLES BAWDIN, and hys fellowes twain,
To-daie shall surelie die.
Thenne wythe a jugge of nappy ale
Hys Knyghtes dydd onne hymm waite;
'Goe tell the traytour, thatt to-daie
'Hee leaves thys mortall state.'
Syr CANTERLONE thenne bendedd low;
Wythe harte brymm-fulle of woe;
Hee journey'd to the castle-gate,
And to Syr CHARLES dydd goe.
Butt whenne hee came, hys children twaine,
And eke hys lovynge wyfe,
Wythe brinie tears dydd wett the floore,
For goode Syr CHARLESES lyfe.
'O goode Syr CHARLES!' sayd CANTERLONE,
'Badde tydyngs I doe brynge.'
'Speke boldlie, manne,' sayd brave Syr CHARLES,
'Whatte says thie traytor kynge?'
'I greeve to telle, before yonne sonne
Does fromme the welkinn flye,
Hee hath uponne hys honour sworne,
Thatt thou thalt surelie die.'
'Wee all must die, quod brave Syr CHARLES;
'Of thatte I'm not affearde;
'Whatte bootes to lyve a little space?
'Thanke JESU, I'm prepar'd.
'Butt telle thye kynge, for myne hee's not,
'I'de sooner die to-daie
'Thanne lyve hys slave, as manie are,
'Tho' I shoulde lyve for aie.'
Thenne CANTERLONE hee dydd goe out,
To telle the maior straite
To gett all thynges ynne reddyness
For goode Syr CHARLESES fate.
Thenne Maisterr CANYNGE saughte the kynge,
And felle down onne hys knee;
'I'm come,' quod hee, 'unto your grace
'To move your clemencye.'
Thenne quod the kynge, 'Youre tale speke out,
'You have been much oure friende;

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poem by Thomas Chatterton
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Only You Can Do A Hee-Hee With A Ha-Ha Too!

Open up your windows.
And,
Don't you slam the door.
There's no need or reason,
To do what's been done before.

What's outside you're missing,
And could care less if dismissed.
It will be the way it is,
For those accepting it exists.

You don't have to prove a thing,
About what that you do.
Learn that you can do a hee-hee,
And a ha-ha too!

Only you can do a hee-hee with a ha-ha too!
Yes only you can do a hee-hee with a ha-ha too!
Only you can do a hee-hee with a ha-ha too!
Yes only you know you can live...
With nothing to prove.

Only you can do a hee-hee with a ha-ha too!
Yes only you can do a hee-hee with a ha-ha too!
Only you can do a hee-hee with a ha-ha too!
Yes only you know you can live...
With nothing to prove.

You don't have to prove a thing,
About what that you do.
Learn that you can do a hee-hee,
And a ha-ha too!

Open up your windows.
And,
Don't you slam the door.
There's no need or reason,
To do that to me anymore.

Only you can do a hee-hee with a ha-ha too!
Yes only you can do a hee-hee with a ha-ha too!
Only you can do a hee-hee with a ha-ha too!
Yes only you know you can live...
With nothing to prove.

What's outside you're missing,
And could care less if dismissed.
It will be the way it is,
For those accepting it exists.

[...] Read more

poem by Lawrence S. Pertillar
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Salmacis and Hermaphroditus.

MY wanton lines doe treate of amorous loue,
Such as would bow the hearts of gods aboue:
Then Venus, thou great Citherean Queene,
That hourely tript on the Idalian greene,
Thou laughing Erycina, daygne to see
The verses wholly consecrate to thee;
Temper them so within thy Paphian shrine,
That euery Louers eye may melt a line;
Commaund the god of Loue that little King,
To giue each verse a sleight touch with his wing,
That as I write, one line may draw the tother,
And euery word skip nimbly o're another.
There was a louely boy the Nymphs had kept,
That on the Idane mountains oft had slept,
Begot and borne by powers that dwelt aboue,
By learned Mercury of the Queene of loue:
A face he had that shew'd his parents fame,
And from them both conioynd, he drew his name:
So wondrous fayre he was that (as they say)
Diana being hunting on a day,
Shee saw the boy vpon a greene banke lay him,
And there the virgin-huntresse meant to slay him,
Because no Nymphes did now pursue the chase:
For all were strooke blind with the wanton's face.
But when that beauteous face Diana saw,
Her armes were nummed, & shee could not draw;
Yet she did striue to shoot, but all in vaine,
Shee bent her bow, and loos'd it streight againe.
Then she began to chide her wanton eye,
And fayne would shoot, but durst not see him die,
She turnd and shot, and did of purpose misse him,
Shee turnd againe, and did of purpose kisse him.
Then the boy ran: for (some say) had he stayd,
Diana had no longer bene a mayd.
Phoebus so doted on this rosiat face,
That he hath oft stole closely from his place,
When he did lie by fayre Leucothoes side,
To dally with him in the vales of Ide:
And euer since this louely boy did die,
Phoebus each day about the world doth flie,
And on the earth he seekes him all the day,
And euery night he seekes him in the sea:
His cheeke was sanguine, and his lip as red
As are the blushing leaues of the Rose spred:
And I haue heard, that till this boy was borne,
Rose grew white vpon the virgin thorne,
Till one day walking to a pleasant spring,
To heare how cunningly the birds could sing,
Laying him downe vpon a flowry bed,
The Roses blush'd and turn'd themselues to red.

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poem by Francis Beaumont
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Midsummer New York

Wake up in the morning, my hands cold in fear.
And midsummer new york my heart shakes in terror.
My heart, my hands, my legs, my mind,
Evrything I touch is shaking, shaking, shaking, shaking,
Shake, shake, shake, shake, shake, shake, oooh.
Wake up in the morning, my beds wet in sweat.
And midsummer new york, scream in the mirror.
And the door, and the chairs, and the floor, and the ceiling,
Evrything you see is aching, shaking, shaking, shaking,
Shake, shake, shake, shake, shake, shake, oooh.
And you shake, shake, shake, shake, shake,
Shake, shake, shake, shake, shake, shake, oooh.
Wake up in the morning, my minds dried up in pain.
Midsummer new yorks waiting for the rain.
The window, the trees, the park, the sun,
The whole world s shaking, is shaking, shaking,
Shake, shake, shake, shake, shake, shake, shake, oooh.
Shake, oh, shake, oh, shake,
Shake, oh, shake, shake.
Aching, aching, aching, aching, aching,
Oh, its aching, aching, aching, oh, aching,
Aching, aching, oh, its aching, aching, oh, oh.
Shaking, shaking,
Shake, shake, shake, shake, shake, shake, shake, shake,
Shake!
Shake, oh, shake, shake, shake, shake,
Shake, shake, shake.
Shake, shake,
Shake, shake, shake, shake.
Ooh, oh, shake, shake, shake, shake,
Oh, oh, oh, oh, aching, oh, oh, aching, aching, aching, aching.
Shake, shake, shaking, shaking, shaking, shaking,
Shaking, ooh, oh, shaking, oh, shake,
Oh, oh, shaking, shaking, shaking, shaking,
Oh, oh, shaking, shake, shake, shake, shake,
Shake, shake, shake,
Shake!
Oh, oh, oh, shake, shake.

song performed by Yoko Ono
Added by Lucian Velea
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Midsummer New York

Wake up in the morning, my hands cold in fear.
And midsummer new york my heart shakes in terror.
My heart, my hands, my legs, my mind,
Evrything I touch is shaking, shaking, shaking, shaking,
Shake, shake, shake, shake, shake, shake, oooh.
Wake up in the morning, my beds wet in sweat.
And midsummer new york, scream in the mirror.
And the door, and the chairs, and the floor, and the ceiling,
Evrything you see is aching, shaking, shaking, shaking,
Shake, shake, shake, shake, shake, shake, oooh.
And you shake, shake, shake, shake, shake,
Shake, shake, shake, shake, shake, shake, oooh.
Wake up in the morning, my minds dried up in pain.
Midsummer new yorks waiting for the rain.
The window, the trees, the park, the sun,
The whole world s shaking, is shaking, shaking,
Shake, shake, shake, shake, shake, shake, shake, oooh.
Shake, oh, shake, oh, shake,
Shake, oh, shake, shake.
Aching, aching, aching, aching, aching,
Oh, its aching, aching, aching, oh, aching,
Aching, aching, oh, its aching, aching, oh, oh.
Shaking, shaking,
Shake, shake, shake, shake, shake, shake, shake, shake,
Shake!
Shake, oh, shake, shake, shake, shake,
Shake, shake, shake.
Shake, shake,
Shake, shake, shake, shake.
Ooh, oh, shake, shake, shake, shake,
Oh, oh, oh, oh, aching, oh, oh, aching, aching, aching, aching.
Shake, shake, shaking, shaking, shaking, shaking,
Shaking, ooh, oh, shaking, oh, shake,
Oh, oh, shaking, shaking, shaking, shaking,
Oh, oh, shaking, shake, shake, shake, shake,
Shake, shake, shake,
Shake!
Oh, oh, oh, shake, shake.

song performed by Yoko Ono
Added by Lucian Velea
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Battle Of Hastings - II

OH Truth! immortal daughter of the skies,
Too lyttle known to wryters of these daies,
Teach me, fayre Saincte! hy passynge worthe to pryze,
To blame a friend and give a foeman prayse.
The fickle moone, bedeckt wythe sylver rays,
Leadynge a traine of starres of feeble lyghte,
With look adigne the worlde belowe surveies,
The world, that wotted not it coud be nyghte;
Wyth armour dyd, with human gore ydeyd,
The sees Kynge Harolde stande, fayre Englands curse and pryde.
With ale and vernage drunk his souldiers lay;
Here was an hynde, anie an erlie spredde;
Sad keepynge of their leaders natal daie!
This even in drinke, toomorrow with the dead!
Thro' everie troope disorder reer'd her hedde;
Dancynge and heideignes was the onlie theme;
Sad dome was theires, who lefte this easie bedde,
And wak'd in torments from so sweet a dream.
Duke Williams menne, of comeing dethe afraide,
All nyghte to the great Godde for succour askd and praied.
Thus Harolde to his wites that stoode arounde;
Goe, Gyrthe and Eilward, take bills halfe a score,
And search how farre our foeman's campe doth bound;
Yourself have rede; I nede to saie ne more.
My brother best belov'd of anie ore,
My Leofwinus, goe to everich wite,
Tell them to raunge the battel to the grore,
And waiten tyll I sende the hest for fyghte.
He saide; the loieaul broders lefte the place,
Success and cheerfulness depicted on ech face.
Slowelie brave Gyrthe and Eilwarde dyd advaunce,
And markd wyth care the armies dystant syde,
When the dyre clatterynge of the shielde and launce
Made them to be by Hugh Fitzhugh espyd.
He lyfted up his voice, and lowdlie cryd;
Like wolfs in wintere did the Normanne yell
Girthe drew hys swerde, and cutte hys burled hyde;
The proto-slene manne of the fielde he felle;
Out streemd the bloude, and ran in smokynge curles,
Reflected bie the moone seemd rubies mixt wyth pearles.
A troope of Normannes from the mass-songe came,
Rousd from their praiers by the flotting crie;
Thoughe Girthe and Ailwardus perceevd the same,
Not once theie stoode abashd, or thoghte to flie.
He seizd a bill, to conquer or to die;
Fierce as a clevis from a rocke ytorne,
That makes a vallie wheresoe're it lie;
Fierce as a ryver burstynge from the borne;
So fiercelie Gyrthe hitte Fitz du Gore a blowe,
And on the verdaunt playne he layde the champyone lowe.

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poem by Thomas Chatterton
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Paradise Lost: Book X

Thus they in lowliest plight repentant stood
Praying, for from the Mercie-seat above
Prevenient Grace descending had remov'd
The stonie from thir hearts, and made new flesh
Regenerat grow instead, that sighs now breath'd
Unutterable, which the Spirit of prayer
Inspir'd, and wing'd for Heav'n with speedier flight
Then loudest Oratorie: yet thir port
Not of mean suiters, nor important less
Seem'd thir Petition, then when th' ancient Pair
In Fables old, less ancient yet then these,
Deucalion and chaste Pyrrha to restore
The Race of Mankind drownd, before the Shrine
Of Themis stood devout. To Heav'n thir prayers
Flew up, nor missed the way, by envious windes
Blow'n vagabond or frustrate: in they passd
Dimentionless through Heav'nly dores; then clad
With incense, where the Golden Altar fum'd,
By thir great Intercessor, came in sight
Before the Fathers Throne: Them the glad Son
Presenting, thus to intercede began.
See Father, what first fruits on Earth are sprung
From thy implanted Grace in Man, these Sighs
And Prayers, which in this Golden Censer, mixt
With Incense, I thy Priest before thee bring,
Fruits of more pleasing savour from thy seed
Sow'n with contrition in his heart, then those
Which his own hand manuring all the Trees
Of Paradise could have produc't, ere fall'n
From innocence. Now therefore bend thine eare
To supplication, heare his sighs though mute;
Unskilful with what words to pray, let mee
Interpret for him, mee his Advocate
And propitiation, all his works on mee
Good or not good ingraft, my Merit those
Shall perfet, and for these my Death shall pay.
Accept me, and in mee from these receave
The smell of peace toward Mankinde, let him live
Before thee reconcil'd, at least his days
Numberd, though sad, till Death, his doom (which I
To mitigate thus plead, not to reverse)
To better life shall yeeld him, where with mee
All my redeemd may dwell in joy and bliss,
Made one with me as I with thee am one.
To whom the Father, without Cloud, serene.
All thy request for Man, accepted Son,
Obtain, all thy request was my Decree:
But longer in that Paradise to dwell,
The Law I gave to Nature him forbids:
Those pure immortal Elements that know

[...] Read more

poem by John Milton
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Here Begynneth A Lyttell Treatyse Cleped La Conusaunce Damours

Forth gone the virgyns euerychone
Replet with ioye/and eke felicite
To gether floures. And some vnto one
Haue more fantasy/whan they it se
Than to all that in the medowes be
Another shall incontrary wyse
Gether other after theyr deuyse.

So done clerkes/of great grauite
Chose maters/wheron they lyst to wryte
But I that am of small capacite
Toke on me this treatyse to endyte
Tauoyde ydelnesse/more than for delyte
And most parte therof/tolde was to me
As here after/ye may rede and se.

Thus endeth the prologue.

The thyrde idus/in the moneth of July
Phebus his beames/lustryng euery way
Gladdynge the hartes/of all our Hemyspery
And mouynge many/vnto sporte and playe
So dyd it me/the treuthe for to saye
To walke forth/I had great inclination
Per chaunce some where/to fynde recreation

And as I walked/ever I dyd beholde
Goodly yonge people/that them encouraged
In suche maner wyse/as though they wolde
Ryght gladly have songe or daunsed
Or els some other gorgious thynge deuysed
Whose demeanynge/made me ryght ioyous
For to beholde/theyr dedes amorous.

To wryte all thynges of plesure/that I se
In euery place/where I passed by
In all a day recunted it can nat be
Who coude discryue the fresshe beauty
Of dames and pusels/attyred gorgiously
So swete of loke/so amiable of face
Smilyng doulcely/on suche as stande in grace

Certaynly theyr boute/and curtesy
Ofte moueth me/for to do my payne
Some thynge to wryte/them to magnifye

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poem by Anonymous Olde English
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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER

Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.

AUTUMN WINTER

Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

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poem by Jonathan Robin
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Shake Your Love

Chorus:
Shake your love
I just cant shake your love
Shake your love
I just cant shake your love
Shake your love
I just cant shake...
Shake your love
I just cant shake your love
Verse 1:
Im under a spell again
Boy Im wondering why
This is not a game of love but an emotional tie
Im trying to figure out my heart (heart...)
But I cant offer you proof
Of why we should never be apart
And that is the (that is the) that is the truth
Oh...
Chorus:
Shake your love
I just cant shake your love
Shake your love
I just cant shake your love
Shake your love
I just cant shake your love
Shake your love
I just cant shake your love
Verse 2:
Do you know why I stop and stare
And smile when you walk by
And how I call you up at night
I hang up the phone and I cry
If I never got to know you so well (I knew you well)
Maybe I would be fine
Baby you know that I cant tell
Why you should be (you should be) you should be mine oh
Chorus:
Shake your love
I just cant shake your love
Shake your love
I just cant shake your love
Shake your love
I just cant shake...
Shake your love
I just cant shake your love
Bridge:
Ooh I know what youre thinking
I see it in your eyes
You want to give our love another try
Im so glad you realize I cant...

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song performed by Debbie Gibson
Added by Lucian Velea
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Colin Clouts Come Home Againe

Colin Clouts Come Home Againe
THe shepheards boy (best knowen by that name)
That after Tityrus first sung his lay,
Laies of sweet loue, without rebuke or blame,
Sate (as his custome was) vpon a day,
Charming his oaten pipe vnto his peres,
The shepheard swaines, that did about him play:
Who all the while with greedie listfull eares,
Did stand astonisht at his curious skill,
Like hartlesse deare, dismayed with thunders sound.
At last when as he piped had his fill,
He rested him: and sitting then around,
One of those groomes (a iolly groome was he,
As euer piped on an oaten reed,
And lou'd this shepheard dearest in degree,
Hight Hobbinol) gan thus to him areed.
Colin my liefe, my life, how great a losse
Had all the shepheards nation by thy lacke?
And I poore swaine of many greatest crosse:
That sith thy Muse first since thy turning backe
Was heard to sound as she was wont on hye,
Hast made vs all so blessed and so blythe.
Whilest thou wast hence, all dead in dole did lye:
The woods were heard to waile full many a sythe,
And all their birds with silence to complaine:
The fields with faded flowers did seem to mourne,
And all their flocks from feeding to refraine:
The running waters wept for thy returne,
And all their fish with langour did lament:
But now both woods and fields, and floods reuiue,
Sith thou art come, their cause of meriment,
That vs late dead, hast made againe aliue:
But were it not too painfull to repeat
The passed fortunes, which to thee befell
In thy late voyage, we thee would entreat,
Now at thy leisure them to vs to tell.
To whom the shepheard gently answered thus,
Hobbin thou temptest me to that I couet:
For of good passed newly to discus,
By dubble vsurie doth twise renew it.
And since I saw that Angels blessed eie,
Her worlds bright sun, her heauens fairest light,
My mind full of my thoughts satietie,
Doth feed on sweet contentment of that sight:
Since that same day in nought I take delight,
Ne feeling haue in any earthly pleasure,
But in remembrance of that glorious bright,
My lifes sole blisse, my hearts eternall threasure.
Wake then my pipe, my sleepie Muse awake,
Till I haue told her praises lasting long:

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poem by Edmund Spenser
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Shake!

Performed by the time
Shake!
Hey, hey people what u come here 4?
Come on everybody, lets get out on the floor.
All the pretty girls shaking what they got
The boys swear to God that theyre all 2 hot
Everybody shake.
U got to shake something. my lord.
Shake! u got 2 shake something.
Come on pretty baby now dont be shy.
New liberated girl, ask a guy
We can go dancing baby every night
Shake! shake, shake shake! shake!
But u got 2 shake your body til the early, early light.
Everybody shake. (shake, shake, shake)
U got 2 shake something. my lord.
Shake! (shake,shake,shake)
U got 2 shake something
Sing with me now...
Lucys standing there with the false hair on
Dont shake it 2 hard or that hair will be gone (oops)
Marilyns so worried about her 2 left feet
Pretty thing keeps worrying about keeping on her feet
That dont matter yall, come on
Shake! oh lord. u got 2 shake something.
Everybody shake. (shake, shake, shake)
U got 2 shake something. (yeah, yeah, yeah)
Shake! come on yall. u got 2 shake something.
Shake! (shake, shake, shake)
Every-everybody.
Hey, hey, people what u come here 4? we want to shake something.
Come on everybody lets get out on the floor. gotta shake something.
U shake it 2 the north, u can shake it 2 the south. gotta shake something.
(somebody help me with this)
Shake! if u come 2 party now open up your mouth. gotta shake something.
Come on, oh yeah. yeah.
Shake! shake. u gotta shake something.
Oh dont stop. oh. shake! (shake, shake, shake)
Shake! (shake on it... for me)
Shake!
Ure hired. lets go. shake! shake!
Got to shake something

song performed by Prince
Added by Lucian Velea
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Superfly Sister

Written by michael jackson
Composed by michael jackson and bryan loren
Yeah shoo-hee
Oooh
Hee hee!
Shoo-hee
Woh
Woh
Hee!
Love aint what it used to be
That is what theyre tellin me
Push it in stick it out
That aint what its all about
He wanna do something keen to you
He wanna wrap his arms all around you girl
He wanna shake it up shake it down
Doing it right
He wanna jump back half flap doing it right
He wanna lay you down
Turn it up
Kicking it loose
He wanna fly high nigh high
Baby for youse
He wanna motormouth
Float around
Baby the back
He wanna shake it up shake it down
Moving round ha ha
Love aint what it used to be
(hee!)
That is what theyre tellin me
Push it in stick it out
That aint what its all about
(oh)
Susie like to agitate
Get the boy and make him wait
Mothers preaching abraham
Brothers they dont give a damn
(oh)
He wanna do something keen to you
He wanna wrap his arms all around you girl
He wanna do it up keep it high
Deep in the night
He wanna eye ball
Get hard
Playing it right
He wanna turn the key
Hurt the sheets
Move to the left
He wanna hot scrub

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song performed by Michael Jackson
Added by Lucian Velea
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The Tournament. An Interlude

HERAWDE
THE Tournament begynnes; the hammerrs sounde;
The courserrs lysse about the mensuredd fielde;
The shemrynge armoure throws the sheene arounde;
Quayntyssed fons depictedd onn eche sheelde.
The feerie heaulmets, wythe the wreathes amielde ,
Supportes the rampynge lyoncell orr bear;
Wythe straunge depyctures , Nature maie nott yeelde,
Unseemelie to all orderr doe appere,
Yett yatte
Makes knowen thatt the phantasies unryghte.
of her joies,
Muste swythen goe to yeve the speeres around;
Wythe advantayle & borne I meynte emploie,
Who withoute mee woulde fall untoe the grounde.
Soe the tall oake the ivie twysteth rounde;
Soe the neshe flowerr grees ynne the woodeland shade.
The woride bie diffraunce ys ynne orderr founde;
Wydhoute unlikenesse nothynge could bee made.
As ynn the bowke nete alleyn cann bee donne,
Syke ynn the weal of kynde all thynges are partes of onne.

Herawde , bie heavenne these tylterrs staie too long.
Mie phantasie ys dyinge forr the fyghte.
The mynstrelles have begonne the thyrde warr songe,
Yett notte a speere of hemm hath grete mie syghte.
I feere there be ne manne wordhie mie myghte.
I lacke a Guid , a Wyllyamm to entylte.
To reine anente a fele embodiedd knyghte,
Ytt getts ne rennome gyff hys blodde bee spylte.
Bie heavenne & Marie ytt ys tyme they're here;
I lyche nott unthylle thus to wielde the speare.
HERAWDE
Methynckes I heare yer slugghornes dynn fromm farre.
BOURTONNE
Ah! swythenn mie shielde & tyltynge launce bee bounde .
Eftsoones beheste mie Squyerr to the warre.

HERAWDE
Thie valourous actes woulde meinte of menne astounde;
Harde bee yer shappe encontrynge thee ynn fyghte;
Anenst all menne thou berest to the grounde,
Lyche the hard hayle dothe the tall roshes pyghte .
As whanne the mornynge sonne ydronks the dew,
Syche dothe thie valourous actes drocke eche knyghte's hue.
THE LYSTES. THE KYNGE. SYRR SYMONNE DE BOURTONNE, SYRR HUGO FERRARIS, SYRR RANULPH NEVILLE, SYRR LODOVICK DE CLYNTON, SYRR JOHAN DE BERGHAMME, AND ODHERR KNYGHTES, HERAWDES, MYNSTRELLES, AND SERVYTOURS .
KYNGE
The barganette ; yee mynstrelles tune the strynge,
Somme actyonn dyre of auntyante kynges now synge.
MYNSTRELLES.

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poem by Thomas Chatterton
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Virgils Gnat

Wrong'd, yet not daring to expresse my paine,
To you (great Lord) the causer of my care,
In clowdie teares my case I thus complaine
Vnto yourselfe, that onely priuie are:
But if that any Oedipus vnware
Shall chaunce, through power of some diuining spright,
To reade the secrete of this riddle rare,
And know the purporte of my euill plight,
Let him rest pleased with his owne insight,
Ne further seeke to glose vpon the text:
For griefe enough it is to grieued wight
To feele his fault, and not be further vext.
But what so by my selfe may not be showen,
May by this Gnatts complaint be easily knowen.

We now haue playde (Augustus) wantonly,
Tuning our song vnto a tender Muse,
And like a cobweb weauing slenderly,
Haue onely playde: let thus much then excuse
This Gnats small Poeme, that th' whole history
Is but a jest, though envie it abuse:
But who such sports and sweet delights doth blame,
Shall lighter seeme than this Gnats idle name.

Hereafter, when as season more secure
Shall bring forth fruit, this Muse shall speak to thee
In bigger notes, that may thy sense allure,
And for thy worth frame some fit Poesie,
The golden offspring of Latona pure,
And ornament of great Ioues progenie,
Phoebus shall be the author of my song,
Playing on iuorie harp with siluer strong.

He shall inspire my verse with gentle mood
Of Poets Prince, whether he woon beside
Faire Xanthus sprincled with Chimæras blood;
Or in the woods of Astery abide;
Or whereas mount Parnasse, the Muses brood,
Doth his broad forhead like two hornes diuide,
And the sweete waues of sounding Castaly
With liquid foote doth slide downe easily.

Wherefore ye Sisters which the glorie bee
Of the Pierian streames, fayre Naiades,
Go too, and dauncing all in companie,
Adorne that God: and thou holie Pales,
To whome the honest care of husbandrie
Returneth by continuall successe,
Haue care for to pursue his footing light;

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poem by Edmund Spenser
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Robin Hood And Guy Of Gisborne

When shawes been sheene, and shradds full fayre,
And leeves both large and longe,
Itt is merry, walking in the fayre forrest,
To heare the small birds songe.

The woodweele sang, and wold not cease,
Amongst the leaves a lyne:
And it is by two wight yeomen,
By deare God, that I meane.

'Me thought they did mee beate and binde,
And tooke my bow mee froe;
If I bee Robin a-live in this lande,
I'le be wrocken on both them towe.'

Sweavens are swift, master,' quoth John,
'As the wind that blowes ore a hill;
For if itt be never soe lowde this night,
To-morrow it may be still.'

'Buske yee, bowne yee, my merry men all,
For John shall goe with mee:
For I'le goe seek yond wight yeomen
In greenwood where the bee.'
^ TOP

The cast on their gowne of greene,
A shooting gone are they,
Untill they came to the merry greenwood,
Where they had gladdest bee;

There were the ware of a wight yeoman,
His body leaned to a tree.

A sword and a dagger he wore by his side,
Had beene many a man bane,
And he was cladd in his capull-hyde,
Topp, and tayle, and mayne.

'Stand you still, master,' quoth Litle John,
'Under this trusty tree,
And I will goe to yong wight yeomen,
To know his meaning trulye.'

'A, John, by me thou setts noe store,
And that's a farley thinge;
How offt send I my men beffore,
And tarry my-selfe behinde?

It is noe cunning a knave to ken,

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poem by Anonymous Olde English
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The Laughing Gnome

I was walking down the high street
When I heard footsteps behind me
And there was a little old man (hello)
In scarlet and grey, shuffling away (laughter)
Well he trotted back to my house
And he sat beside the telly (oaah..)
With his tiny hands on his tummy
Chuckling away, laughing all day (laughter)
Oh, I ought to report you to the gnome office
(gnome office)
Yes
(hahahahaha)
Ha ha ha, hee hee hee
Im a laughing gnome and you dont catch me
Ha ha ha, hee hee hee
Im a laughing gnome and you cant catch me
Said the laughing gnome
Well I gave him roasted toadstools and a glass of dandelion wine (burp, pardon)
Then I put him on a train to eastbourne
Carried his bag and gave him a fag
(havent you got a light boy? )
Here, where do you come from?
(gnome-mans land, hahihihi)
Oh, really?
In the morning when I woke up
He was sitting on the edge of my bed
With his brother whose name was fred
Hed bought him along to sing me a song
Right, lets hear it
Here, whats that clicking noise?
(thats fred, hes a metrognome, haha)
Ha ha ha, hee hee hee
Im a laughing gnome and you dont catch me
Ha ha ha, hee hee hee
Im a laughing gnome and you cant catch me
(own up, Im a gnome, aint I right, haha)
Havent you got an ome to go to?
(no, were gnomads)
Didnt they teach you to get your hair cut at school? you look like a rolling gnome.
(no, not at the london school of ecognomics)
Now theyre staying up the chimney
And were living on caviar and honey (hooray!)
Cause theyre earning me lots of money
Writing comedy prose for radio shows
Its the-er (what? )
Its the gnome service of course
Ha ha ha, hee hee hee
Im a laughing gnome and you dont catch me
Ha ha ha, oh, dear me
(ha ha ha, hee hee hee

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song performed by David Bowie
Added by Lucian Velea
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Sir Andrew Barton

The First Part
'When Flora with her fragrant flowers
Bedeckt the earth so trim and gaye,
And Neptune with his daintye showers
Came to present the monthe of Maye;
King Henrye rode to take the ayre,
Over the river of Thames past hee;
When eighty merchants of London came,
And downe they knelt upon their knee.

'O yee are welcome, rich merchants,
Good saylors, welcome unto mee.'
They swore by the rood, they were saylors good,
But rich merchants they cold not bee.
'To France nor Flanders dare we pass,
Nor Bordeaux voyage dare we fare;
And all for a rover that lyes on the seas,
Who robbs us of our merchant ware.'

King Henrye frownd, and turned him rounde,
And swore by the Lord that was mickle of might,
'I thought he had not beene in the world,
Durst have wrought England such unright.'
The merchants sighed, and said, 'Alas!'
And thus they did their answer frame;
'He is a proud Scott, that robbs on the seas,
And Sir Andrewe Barton is his name.'

The king loot over his left shoulder,
And an angrye look then looked hee;
'Have I never a lorde in all my realme,
Will feitch yond traytor unto mee?'
'Yea, that dare I,' Lord Howard sayes;
If it please your grace to give me leave,
Myselfe wil be the only man.'

'Thou art but yong,' the kyng replyed,
'Yond Scott hath numbred manye a yeare.'
'Trust me, my liege, Ile make him quail,
Or before my prince I will never appeare.'
'Then bowemen and gunners thou shalt have,
And chuse them over my realme so free;
Besides good mariners, and shipp-boyes,
To guide the great shipp on the sea.'

The first man that Lord Howard chose,
Was the ablest gunner in all the realme,
Thoughe he was threescore yeeres and ten;
Good Peter Simon was his name.
'Peter,' sais hee, 'I must to the sea,

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poem by Anonymous Olde English
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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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poem by Gilbert Keith Chesterton
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