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Best Intentions

I warned myself
no more dramas
until I caught
my reflection
on your eyes
willing mischief.

poem by Vince Gullaci
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The Cock And The Fox: Or, The Tale Of The Nun's Priest

There lived, as authors tell, in days of yore,
A widow, somewhat old, and very poor;
Deep in a dale her cottage lonely stood,
Well thatched, and under covert of a wood.
This dowager, on whom my tale I found,
Since last she laid her husband in the ground,
A simple sober life, in patience led,
And had but just enough to buy her bread;
But huswifing the little Heaven had lent,
She duly paid a groat for quarter rent;
And pinched her belly, with her daughters two,
To bring the year about with much ado.
The cattle in her homestead were three sows,
An ewe called Mally, and three brinded cows.
Her parlour window stuck with herbs around,
Of savoury smell; and rushes strewed the ground.
A maple-dresser in her hall she had,
On which full many a slender meal she made,
For no delicious morsel passed her throat;
According to her cloth she cut her coat;
No poignant sauce she knew, nor costly treat,
Her hunger gave a relish to her meat.
A sparing diet did her health assure;
Or sick, a pepper posset was her cure.
Before the day was done, her work she sped,
And never went by candle light to bed.
With exercise she sweat ill humours out;
Her dancing was not hindered by the gout.
Her poverty was glad, her heart content,
Nor knew she what the spleen or vapours meant.
Of wine she never tasted through the year,
But white and black was all her homely cheer;
Brown bread and milk,(but first she skimmed her bowls)
And rashers of singed bacon on the coals.
On holy days an egg, or two at most;
But her ambition never reached to roast.
A yard she had with pales enclosed about,
Some high, some low, and a dry ditch without.
Within this homestead lived, without a peer,
For crowing loud, the noble Chanticleer;
So hight her cock, whose singing did surpass
The merry notes of organs at the mass.
More certain was the crowing of the cock
To number hours, than is an abbey-clock;
And sooner than the matin-bell was rung,
He clapped his wings upon his roost, and sung:
For when degrees fifteen ascended right,
By sure instinct he knew ’twas one at night.
High was his comb, and coral-red withal,
In dents embattled like a castle wall;

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poem by John Dryden
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Reflection

Reflection
By: Adam M. Snow

The reflection in this cracked mirror shows only two;
my essence, my soul; it's also true.
My soul is tainted, my essence is numb;
my dreams grew dark, this is what I've become.

My reflection is cracked; I'm out of place;
my heart grows cold, I need your grace.
I'm falling apart; I've lost my way;
what else do you want me to say?

The rippling water's a mist how can that be?
Do I exist to be with thee?
I am cracked and so is my reflection;
these wounds, they show my affection.

Though I am but one in a reflection of two;
trying to find my place anew.
So let my reflection show who I am;
someone who was to be damned.

Let me be but one;
so that I may be done.
My reflections strain drops of blood;
just leave me here in the mud.

My eyes are stained, my touch is cold;
all I need is someone to hold.
My mouth is silent, my love breaks;
my body's bound, my soul aches.

I am but one in the mirror's looking glass;
looking upon my modern pass.
When will my reflection show;
the truth I do not dare to know?

My reflection is cracked; I'm out of place;
my heart grows cold, I need your grace.
I'm falling apart; I've lost my way;
I'm waiting here for the day.

My skin grew pale, did I died?
I'm here in this corner trying to hide.
My sight has gone; it's the break of dawn;
I'm going back to where it spawned.

The mirror's shattered, not my reflection;
from what I've done this is my infection.

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poem by Adam M. Snow
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Caught Up

Caught Up"
I'm the kind of brotha
Who been doin' it my way
Gettin' my way for years
In my career
And every lover
In and out my life
I've hit, love and left the tears
Without a care
Until I met this girl who turned the tables around
She caught me by surprise
I never thought I'd be the one breaking down
I cant figure it out why
I'm so
Caught up
Got me feelin' it
Caught up
I don't know what it is
But it seems shes got me twisted
I'm so
Caught up
Got me feelin' it
Caught up
I'm losin' control
This girls got a hold on me
Let me go baby
Now listen
My momma told me
Be careful who you do cuz karma comes back around
Same ol' song
But I was so sure
That it wouldnt happen to me
Cuz I know how to put it down
But I was so wrong
This girl was mean
She really turned me out
Her body was so tight
I'm lookin' for her in the daytime with a flashlight
My homies say this girl is crampin' my style
And I can't figure it out but
I'm so
Caught up
Got me feelin' it
Caught up
I don't know what it is
But it seems shes got me twisted
I'm so
Caught up
Got me feelin' it
Caught up

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song performed by Usher
Added by Lucian Velea
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.

Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.

Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.

1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.

Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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poem by Ella Wheeler Wilcox
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Your Mother Should Have Told You

Your looks are sensational
Where do I begin?
You're so unbelievable
It must be a sin
I try to keep pace with you
But I never win
You're on the attack again
I'll have to give in
You look fully grown
I thought you'd have known
Your mother should have told you
Girls turn into women
Your mother should have warned you
You fall in love and then
Your mother should have told you
You're sinking or you're swimming
Your mother should have warned you
Boys turn into men
Her manners are counterfeit
But she knows how to act
And when you get used to it
It's better than fact
You never can tell the real from pretend
You liked the beginning
Well, wait'til the end
You look fully formed
You should have been warned
Your mother should have told you
Girls turn into women
Your mother should have warned you
You fall in love and then
Your mother should have told you
You're sinking or you're swimming
Your mother should have warned you
Boys turn into men
Guitar solo
You look fully grown
I thought you'd have known
Your mother should have told you
Girls turn into women
Your mother should have warned you
Boys turn into men
Your looks are sensational
Where do I begin?
You're so unbelievable
It must be a sin
I thought you'd have known
You look fully grown
...... attend to your own
Your mother should have told you

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song performed by Robert Palmer
Added by Lucian Velea
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The Loves of the Angels

'Twas when the world was in its prime,
When the fresh stars had just begun
Their race of glory and young Time
Told his first birth-days by the sun;
When in the light of Nature's dawn
Rejoicing, men and angels met
On the high hill and sunny lawn,-
Ere sorrow came or Sin had drawn
'Twixt man and heaven her curtain yet!
When earth lay nearer to the skies
Than in these days of crime and woe,
And mortals saw without surprise
In the mid-air angelic eyes
Gazing upon this world below.

Alas! that Passion should profane
Even then the morning of the earth!
That, sadder still, the fatal stain
Should fall on hearts of heavenly birth-
And that from Woman's love should fall
So dark a stain, most sad of all!

One evening, in that primal hour,
On a hill's side where hung the ray
Of sunset brightening rill and bower,
Three noble youths conversing lay;
And, as they lookt from time to time
To the far sky where Daylight furled
His radiant wing, their brows sublime
Bespoke them of that distant world-
Spirits who once in brotherhood
Of faith and bliss near ALLA stood,
And o'er whose cheeks full oft had blown
The wind that breathes from ALLA'S throne,
Creatures of light such as still play,
Like motes in sunshine, round the Lord,
And thro' their infinite array
Transmit each moment, night and day,
The echo of His luminous word!

Of Heaven they spoke and, still more oft,
Of the bright eyes that charmed them thence;
Till yielding gradual to the soft
And balmy evening's influence-
The silent breathing of the flowers-
The melting light that beamed above,
As on their first, fond, erring hours,-
Each told the story of his love,
The history of that hour unblest,
When like a bird from its high nest

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poem by Thomas Moore
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Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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poem by Byron from Don Juan (1824)
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The Odyssey: Book 10

Thence we went on to the Aeoli island where lives Aeolus son of
Hippotas, dear to the immortal gods. It is an island that floats (as
it were) upon the sea, iron bound with a wall that girds it. Now,
Aeolus has six daughters and six lusty sons, so he made the sons marry
the daughters, and they all live with their dear father and mother,
feasting and enjoying every conceivable kind of luxury. All day long
the atmosphere of the house is loaded with the savour of roasting
meats till it groans again, yard and all; but by night they sleep on
their well-made bedsteads, each with his own wife between the
blankets. These were the people among whom we had now come.
"Aeolus entertained me for a whole month asking me questions all the
time about Troy, the Argive fleet, and the return of the Achaeans. I
told him exactly how everything had happened, and when I said I must
go, and asked him to further me on my way, he made no sort of
difficulty, but set about doing so at once. Moreover, he flayed me a
prime ox-hide to hold the ways of the roaring winds, which he shut
up in the hide as in a sack- for Jove had made him captain over the
winds, and he could stir or still each one of them according to his
own pleasure. He put the sack in the ship and bound the mouth so
tightly with a silver thread that not even a breath of a side-wind
could blow from any quarter. The West wind which was fair for us did
he alone let blow as it chose; but it all came to nothing, for we were
lost through our own folly.
"Nine days and nine nights did we sail, and on the tenth day our
native land showed on the horizon. We got so close in that we could
see the stubble fires burning, and I, being then dead beat, fell
into a light sleep, for I had never let the rudder out of my own
hands, that we might get home the faster. On this the men fell to
talking among themselves, and said I was bringing back gold and silver
in the sack that Aeolus had given me. 'Bless my heart,' would one turn
to his neighbour, saying, 'how this man gets honoured and makes
friends to whatever city or country he may go. See what fine prizes he
is taking home from Troy, while we, who have travelled just as far
as he has, come back with hands as empty as we set out with- and now
Aeolus has given him ever so much more. Quick- let us see what it
all is, and how much gold and silver there is in the sack he gave
him.'
"Thus they talked and evil counsels prevailed. They loosed the sack,
whereupon the wind flew howling forth and raised a storm that
carried us weeping out to sea and away from our own country. Then I
awoke, and knew not whether to throw myself into the sea or to live on
and make the best of it; but I bore it, covered myself up, and lay
down in the ship, while the men lamented bitterly as the fierce
winds bore our fleet back to the Aeolian island.
"When we reached it we went ashore to take in water, and dined
hard by the ships. Immediately after dinner I took a herald and one of
my men and went straight to the house of Aeolus, where I found him
feasting with his wife and family; so we sat down as suppliants on the
threshold. They were astounded when they saw us and said, 'Ulysses,
what brings you here? What god has been ill-treating you? We took

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poem by Homer, translated by Samuel Butler
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Paradise Lost: Book 09

No more of talk where God or Angel guest
With Man, as with his friend, familiar us'd,
To sit indulgent, and with him partake
Rural repast; permitting him the while
Venial discourse unblam'd. I now must change
Those notes to tragick; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: on the part of Heaven
Now alienated, distance and distaste,
Anger and just rebuke, and judgement given,
That brought into this world a world of woe,
Sin and her shadow Death, and Misery
Death's harbinger: Sad talk!yet argument
Not less but more heroick than the wrath
Of stern Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespous'd;
Or Neptune's ire, or Juno's, that so long
Perplexed the Greek, and Cytherea's son:

If answerable style I can obtain
Of my celestial patroness, who deigns
Her nightly visitation unimplor'd,
And dictates to me slumbering; or inspires
Easy my unpremeditated verse:
Since first this subject for heroick song
Pleas'd me long choosing, and beginning late;
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroick deem'd chief mastery to dissect
With long and tedious havock fabled knights
In battles feign'd; the better fortitude
Of patience and heroick martyrdom
Unsung; or to describe races and games,
Or tilting furniture, imblazon'd shields,
Impresses quaint, caparisons and steeds,
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshall'd feast
Serv'd up in hall with sewers and seneshals;
The skill of artifice or office mean,
Not that which justly gives heroick name
To person, or to poem. Me, of these
Nor skill'd nor studious, higher argument
Remains; sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years, damp my intended wing
Depress'd; and much they may, if all be mine,
Not hers, who brings it nightly to my ear.
The sun was sunk, and after him the star
Of Hesperus, whose office is to bring

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poem by John Milton
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Reflection (rewrite and edit)

Reflection
By: Adam M. Snow

Alone am I this night of flutter,
confusion reigns, so I utter.
The air is that of a clouded dream;
so dark like that of an ordeal gleam.

I wonder where this fancy bestowed me;
in this room, damp as can be.
My vision is blurred from this smoky scene.
I see only a table, that of shallow green.

Heedfully I approach the table with ease,
Seeing afar it covered in bluish frieze.
My vision once blurred now is clearer;
that vanity table shown an olden mirror.

From the vanity table, that mirror I now held
I glanced upon myself, now greatly compelled.
A face has shown, was I yet not I,
it curses myself to die.

The image that was shown shadowed a vision:
Ye or I inter sweet derision,
o'er thy pass of insanity wake
as much of pain as I could take.

The mirror is now cracked as I am no more.
My heart beats cold as my days be hoar.
I've fallen apart and lost my way;
I am now one, alone in this blackened day.

My life's water has been turned into mist,
I, the writer who can't exist.
I am cracked in my own reflection
these wounds are the signs of my affliction.

I am one in this reflection shown two;
seeking to make my life anew.
I asked my reflection to be shown;
my truth, my past is left unknown.

I ask of thee, 'Let it be done.'
I am the writer, the lonely one
My reflections, it strains drops of blood;
now engulfing in life's lowly flood.

My eyes are stained as I lay cold,
I am weak-bound growing old.

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poem by Adam M. Snow
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The Iliad: Book 5

Then Pallas Minerva put valour into the heart of Diomed, son of
Tydeus, that he might excel all the other Argives, and cover himself
with glory. She made a stream of fire flare from his shield and helmet
like the star that shines most brilliantly in summer after its bath in
the waters of Oceanus- even such a fire did she kindle upon his head
and shoulders as she bade him speed into the thickest hurly-burly of
the fight.
Now there was a certain rich and honourable man among the Trojans,
priest of Vulcan, and his name was Dares. He had two sons, Phegeus and
Idaeus, both of them skilled in all the arts of war. These two came
forward from the main body of Trojans, and set upon Diomed, he being
on foot, while they fought from their chariot. When they were close up
to one another, Phegeus took aim first, but his spear went over
Diomed's left shoulder without hitting him. Diomed then threw, and his
spear sped not in vain, for it hit Phegeus on the breast near the
nipple, and he fell from his chariot. Idaeus did not dare to
bestride his brother's body, but sprang from the chariot and took to
flight, or he would have shared his brother's fate; whereon Vulcan
saved him by wrapping him in a cloud of darkness, that his old
father might not be utterly overwhelmed with grief; but the son of
Tydeus drove off with the horses, and bade his followers take them
to the ships. The Trojans were scared when they saw the two sons of
Dares, one of them in fright and the other lying dead by his
chariot. Minerva, therefore, took Mars by the hand and said, "Mars,
Mars, bane of men, bloodstained stormer of cities, may we not now
leave the Trojans and Achaeans to fight it out, and see to which of
the two Jove will vouchsafe the victory? Let us go away, and thus
avoid his anger."
So saying, she drew Mars out of the battle, and set him down upon
the steep banks of the Scamander. Upon this the Danaans drove the
Trojans back, and each one of their chieftains killed his man. First
King Agamemnon flung mighty Odius, captain of the Halizoni, from his
chariot. The spear of Agamemnon caught him on the broad of his back,
just as he was turning in flight; it struck him between the
shoulders and went right through his chest, and his armour rang
rattling round him as he fell heavily to the ground.
Then Idomeneus killed Phaesus, son of Borus the Meonian, who had
come from Varne. Mighty Idomeneus speared him on the right shoulder as
he was mounting his chariot, and the darkness of death enshrouded
him as he fell heavily from the car.
The squires of Idomeneus spoiled him of his armour, while
Menelaus, son of Atreus, killed Scamandrius the son of Strophius, a
mighty huntsman and keen lover of the chase. Diana herself had
taught him how to kill every kind of wild creature that is bred in
mountain forests, but neither she nor his famed skill in archery could
now save him, for the spear of Menelaus struck him in the back as he
was flying; it struck him between the shoulders and went right through
his chest, so that he fell headlong and his armour rang rattling round
him.
Meriones then killed Phereclus the son of Tecton, who was the son of

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poem by Homer, translated by Samuel Butler
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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;

Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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poem by Robinson Jeffers
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Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Caught Up

Coudlnt help myself
She was so fine, oh yea
I told her I had a girl
But she didnt mind
Now were gettin serious, serious
Cause I mad the wrong decision
Caught up in the middle
In the middle
In a love triangle
Howd I get caught up
In this situation
Dont wanna lose my girl
Cause shes my world
So dont get caught up
In this situation
Dont wanna lose your girl
If shes your world
She wanted me every night
To hold her tight, oh yeah
After I did the things
Her body likes, oh yea
Now its gettin serious
Were serious
Cause I made the wrong decision
Caught up in the middle
In the middle
Of a love triangle
Howd I get caught up
In this situation
Dont wanna lose my girl
Cause shes my world
So dont get caught up
In this situation
Dont wanna lose your girl
If shes your world
Howd I get caught up
In this situation
Dont wanna lose my girl
Cause shes my world
So dont get caught up
In this situation
Dont wanna lose your girl
If shes your world
Dont get caught up
Dont get caught up
Dont wanna lose you girl
Dont get caught up
Dont get caught up
Dont get caught up
Dont wanna lose your girl

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song performed by 112
Added by Lucian Velea
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Lazy Eye

The world spins round the secret lives
Of everyone that needs to hide
A cheap parade of endless lies
Filters through this lazy eye
And I dont believe in signs
No, I dont believe your lies
Caught in the breakdown
Caught in the breakdown
Caught in the breakdown
Caught in the breakdown
Lose yourself in no ones life
Trapped in nowheres empty light
Words like fists that tear you down
Crash before we hit the ground
And I dont believe in signs
No, I dont believe your lies
Caught in the breakdown
Caught in the breakdown
Caught in the breakdown
Caught in the breakdown
And I dont believe in signs
No, I dont believe your lies
No, I dont believe your lies
Caught in the breakdown
Caught in the breakdown
Caught in the breakdown
Caught in the breakdown
Caught in the breakdown
Caught in the breakdown
Breakdown
Caught in the breakdown

song performed by Goo Goo Dolls
Added by Lucian Velea
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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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poem by Robinson Jeffers
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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

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poem by Mahendra Bhatnagar
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Choose a Removal of Delusions

If you choose to save face,
With a haste...
That leaves a pacing done,
In waste.
Eliminate,
The pacing!
And do,
What it takes.

It takes reflection,
Done.
It takes reflection to overcome.
It takes reflection,
Done...
To remove delusions.

It takes reflection,
Done.
It takes reflection to overcome.
It takes reflection,
Done...
To remove delusions,
Of the one that runs.

Sit back.
Choose a removal of delusions.
Sit back.
Choose a removal of delusions.
Sit back.
Choose a removal of delusions and include,
A completion of truth you do.

Just sit back,
Choose a removal of delusions.
Sit back.
Choose a removal of delusions.
Sit back.
Choose a removal of delusions and include,
A completion of truth you do.

Relax and...
Choose a removal of delusions.
Sit back.
Choose a removal of delusions.
Sit back.
Choose a removal of delusions and include,
A completion of truth you do.

If you choose to save face,
With a haste...

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poem by Lawrence S. Pertillar
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Canto the Fifth

I
When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

II
I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain -- simple -- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

III
The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

IV
I have a passion for the name of "Mary,"
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad -- and let a tale grow cold,
Which must not be pathetically told.

V
The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

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poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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