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Toilet

Squatting on the commode
Straighten the past
Forgetting excretion
Time is on the loose
Creates freedom

Burden exits from down
Imaginary burden flies into head
Unsolved sentiments flow in the water
Breaks freedom

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Universal Freedom Is......

Freedom from hunger and freedom from pain
freedom from loss and so freedom from gain.
Freedom to give and freedom to share
freedom from want and that of despair.

Freedom to think and freedom to know
freedom to achieve and freedom to grow.
Freedom from bondage and freedom of liberation
freedom from ignorance and any unknown situation.

Freedom to come and freedom to leave
freedom to stay and freedom to conceive.
Freedom from struggle and freedom of ease
freedom to enjoy and the capacity to please.

Freedom from failure and freedom of success
freedom from denial and freedom of access.
Freedom from illusion and freedom of reality
freedom to become what we are in actuality.

Freedom to live and freedom to die
freedom to laugh and freedom to cry.
Freedom to speak and freedom to listen
freedom to act based on a wise decision.

Freedom from hate and freedom of love
freedom of below and freedom of above.
Freedom of the past and freedom of the present
freedom of the future and what it can represent.

Freedom from war and freedom of peace
freedom to begin and freedom to cease.
Freedom from sickness and freedom of health
freedom from poverty and mishandled wealth.

Freedom from wrong and freedom being right
freedom of the day and freedom of the night.
Freedom to choose and freedom to reject
freedom to imagine what there is to expect.

Freedom from lust and freedom from greed
freedom from anger and freedom from breed.
Freedom from jealousy and freedom from pride
freedom from within and freedom from outside.
Freedom of always not having anything to hide.

Freedom from space and also freedom from time
freedom from attachment and freedom from crime
Freedom to work and freedom to play
freedom to believe and freedom to pray.

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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“Mathew” 6: 9-13

“our father in heaven”
(ode to the man who has children,
sitting around in an imaginary
place envied by other members
of the brainwashed)

“hallowed be your name”
(the sheep that baaaaa in unison
believe that there is a sound made
by all the simultaneous crying in
desperation which has then been
construed as a “name” then given
to the imaginary listener in said
imaginary place)

“your kingdom come”
(evidently, this wondrous trailer
park in the sky is something that is
supposed to be open to anyone sad
enough to submit their will to the pool
of simultaneous sheep baaaaa ing away
at the wall in hopes that the imaginary
listener in this imaginary place will
say something back)

“your will be done”
(those committed to baaaaa ing & to the
spread of this act of yelling to the sky in
hopes that said imaginary listener in said
imaginary trailer park will say something
back, wrote a lot of their babbling fiction
down & apparently there is where the aspiring
brainwashed can find the how to manual
for walking on four legs, growing a thick
coat of bustling hair & chewing grass)

on earth as it is in heaven”
(and once you drink the kool aid, there is
no going back according to the sheep
gazing at the stars, baaaaa ing in unison
hoping for the trailer park in the sky
where they can continue to baaaaa
together, grow their coats together &
chew grass together obliviously)

“give us this day our daily bread”
(baaaaa ing loud enough at the sky is
supposed to bring 3 square meals back to
the sheep who have done so, because
after having created an imaginary listener

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Straighten Up & Fly Right

Words and music by nat king cole and irving mills; american academy of music, mills music, ascap
The buzzert took the monkey for a ride in the air
The monkey thought that everything was on a square
The buzzert tried to throw the monkey off his back
But the monkey grabbed his neck and said now listen jack
Straighten up and fly right, straighten up and stay right
Straighten up and fly right
Cool down pappa dont you blow your top
Aint no use in divin, whats the use of jivin
Straighten up and fly right
Cool down pappa dont you blow your top
The buzzert told the monkey you are chokin me
Release your hold and I will set you free
The monkey looked the buzzert right dead in the eye
And said your storys so touching but it sounds like a lie
Straighten up and fly right, straighten up and stay right
Straighten up and fly right
Cool down pappa dont you blow your top
Musical interlude
Straighten up and fly right, straighten up and stay right
Straighten up and fly right
Cool down pappa dont you blow your top
Aint no use in divin, whats the use of jivin
You better straighten up and fly right
Cool down pappa dont you blow your top
Fly right

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Straighten Up And Fly Right

Words and music by Nat King Cole and Irving Mills; American Academy of Music, Mills Music, ASCAP
The buzzert took the monkey for a ride in the air
The monkey thought that everything was on a square
The buzzert tried to throw the monkey off his back
But the monkey grabbed his neck and said "Now listen jack"
Straighten up and fly right, straighten up and stay right
Straighten up and fly right
Cool down pappa don't you blow your top
Ain't no use in divin,' what's the use of jivin'
Straighten up and fly right
Cool down pappa don't you blow your top
The buzzert told the monkey you are chokin me
Release your hold and I will set you free
The monkey looked the buzzert right dead in the eye
And said "Your story's so touching but it sounds like a lie"
Straighten up and fly right, straighten up and stay right
Straighten up and fly right
Cool down pappa don't you blow your top
Musical Interlude
Straighten up and fly right, straighten up and stay right
Straighten up and fly right
Cool down pappa don't you blow your top
Ain't no use in divin,' what's the use of jivin'
You better straighten up and fly right
Cool down pappa don't you blow your top
Fly right

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Forget Myself

Would you believe it?
Those sapphire eyes
My birthstone, photogenic thighs
And the cameras flash they treat us like stars
We get free rides in chauffeured cars
We talk on the phone and your voice is desire
Winter blows with the summer fires
I promised you whats ours is ours
Somewhere backstage with sean and lars
I go crazy when you walk in the room
I laugh at myself with the girl in bloom
Gimme sex couldnt be too soon
All afternoon then
La parties in the phony lands
Bony grabs with the manicured hands
I always thought you are pretty like a whip
I shouldve watched my step
Cuz I keep on forgetting myself
And I keep on forgetting myself
I keep forgetting myself and
I keep on forgetting myself
I keep on forgetting myself
And I keep on forgetting myself
Who am i?
We both dont know
Time ticks by, where did it go?
You always knew where you were going to
So sweetly you said please come with you
The biggest fear running through my head
When you said you loved me you meant what you said
I was floating - did it go to my head?
When we still sleep with the dogs on the bed?
But the la parties and the vodka fizz
This is not my life, or maybe it is?
And I keep on forgetting myself
And I keep on forgetting myself
I keep forgetting myself and
I keep on forgetting myself
I keep on forgetting myself
And I keep on forgetting myself
Who am i? we both dont know
Time ticks by, where did it go?
Oh I make you doubt me
Oh I dont know why
Youre better off without me
Think Im looking over your shoulder
Cuz theres someone younger and youre feeling older
Youre crazy cuz you never faded
Dont want to be so complicated
See my life come undone

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They've Chosen To Be Winners

Picking up those pieces from a running done.
Now taking time when before they gave none.
Less they find offensive too.
With fresh sentiments meant,
They've improved.

Sticking to a purpose with a focused aimed
With minds more open.
And those attitudes changed.

A new day dawning has to them been sent.
To send defensive motives flushed,
With their fluxing minds now rinsed.

And...
They've chosen to be winners!
With those sentiments meant.
Winners.
With those sentiments meant.
Winners.
With those sentiments meant.
To leave behind their indifference.

They have chosen to be winners.
With those sentiments meant.
Winners.
With those sentiments meant.
They're winners.
With those sentiments meant.
To leave behind their indifference.

Picking up those pieces from a running done.
Now taking time when before they gave none.
Less they find offensive too.
With fresh sentiments meant they've improved.

And...
They've chosen to be winners!
With those sentiments meant.
Winners.
With those sentiments meant.
They're winners.
With those sentiments meant.
To leave behind their indifference.

They are winners.
With those sentiments meant.
Winners.
With those sentiments meant.
They're winners.

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Misty Morning

Misty mornin, dont see no sun;
I know youre out there somewhere having fun.
There is one mystery - yea-ea-eah - I just cant express:
To give your more, to receive your less.
One of my good friend said, in a reggae riddim,
Dont jump in the water, if you cant swim.
The power of philosophy - yea-ea-eah - floats through my head
Light like a feather, heavy as lead;
Light like a feather, heavy as lead, yeah.
See no sun! oh.
Time has come, I want you -
I want you to straighten out my tomorrow! uh.
I want - I want - I want you - (tomorrow).
Oh, wo-ah-ah-ah-ah-ah-ah-ah-ah!
I want you to straighten out my (tomorrow)!
Misty (morning) mornin, dont see no sun;
I know youre out there somewhere having fun.
Mysteries I just cant express:
How can you ever give your more to receive your less?
Like my good friend said, in a reggae riddim:
You cant jump - you cant jump in the water, if you cant swim.
I want you (I want you) - I want you to straighten out my today -
My tomorrow - my-my-my - my - my
(I want you to straighten out my tomorrow).
On a misty morning, uh! (I want you to straighten out my tomorrow).
Oh-oh oh-oh-oh-oh!
(I want you to straighten out my tomorrow)
Straighten out my tomorrow - my tomorrow! need some straightenin out!
(I want you to straighten out my tomorrow)
Mist! mm. (I want) mist! (you to straighten out my tomorrow)
Misty! oh! (I want you to straighten out my tomorrow) - /fadeout/

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Straighten Up & Fly Right

(words and music by nat king cole and irving mills)
The buzzard took the monkey for a ride in the air
The monkey thought that everything was on the square
The buzzard tried to throw the monkey off his back
The monkey grabbed his neck and said now listen, jack
Straighten up and fly right
Straighten up and fly right
Straighten up and fly right
Cool down, papa, dont you blow your top.
Aint no use in jivin
Whats the use in dabbin
Straighten up and fly right
Cool down, papa, dont you blow your top.
The buzzard told the monkey youre chokin me
Release your hold and Ill set you free
The monkey looked the buzzard right dead in the eye and said
Your storys fetchin but it sounds like a lie
Straighten up and fly right
Straighten up and do right
Straighten up and fly right
Cool down, papa, dont you blow your top.
(instrumental interlude)
Straighten up and fly right
Straighten up and do right
Straighten up and fly right
Cool down, papa, dont you blow your top.

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On the Innate Drive For What is Right

As life bled, martyrdom flared its buds.
Repression, red from irritation,
Rendered chinks and cracks; but thuds of
Armament - in cowardice - accomplice of the
Dictatorial blight thro' countless years -
Wreaked its retribution:
Yet hope began to bloom a coloured carapace
Enshrining their allegiance ‘gainst the
Terror in their tears.

And on! Splits yawned - breaches in the junta:
Flesh fought fanatical minds -
Bullets welcomed into open hands
And blessed with yearnings for morality:
Chiselled man-toys of death and mutilation
Couldn't repel the might of freedom
Surging at the bright horizon.

Crepuscular rays of purpose, body,
Flooded pandemonium with
Overwhelming clarity, direction -
Burdened clouds drifting wayward as the
Light channelled out a vision,
Intensifying focus on tomorrow -
Deepen their stride
As they home in to
What is theirs,
Rightfully theirs!


Copyright © Mark R Slaughter 2011


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Solomon

As thro' the Psalms from theme to theme I chang'd,
Methinks like Eve in Paradice I rang'd;
And ev'ry grace of song I seem'd to see,
As the gay pride of ev'ry season, she.
She gently treading all the walks around,
Admir'd the springing beauties of the ground,
The lilly glist'ring with the morning dew,
The rose in red, the violet in blew,
The pink in pale, the bells in purple rows,
And tulips colour'd in a thousand shows:
Then here and there perhaps she pull'd a flow'r
To strew with moss, and paint her leafy bow'r;
And here and there, like her I went along,
Chose a bright strain, and bid it deck my song.

But now the sacred Singer leaves mine eye,
Crown'd as he was, I think he mounts on high;
Ere this Devotion bore his heav'nly psalms,
And now himself bears up his harp and palms.
Go, saint triumphant, leave the changing sight,
So fitted out, you suit the realms of light;
But let thy glorious robe at parting go,
Those realms have robes of more effulgent show;
It flies, it falls, the flutt'ring silk I see,
Thy son has caught it and he sings like thee,
With such election of a theme divine,
And such sweet grace, as conquers all but thine.

Hence, ev'ry writer o'er the fabled streams,
Where frolick fancies sport with idle dreams,
Or round the sight enchanted clouds dispose,
Whence wanton cupids shoot with gilded bows;
A nobler writer, strains more brightly wrought,
Themes more exulted, fill my wond'ring thought:
The parted skies are track'd with flames above,
As love descends to meet ascending love;
The seasons flourish where the spouses meet,
And earth in gardens spreads beneath their feet.
This fresh-bloom prospect in the bosom throngs,
When Solomon begins his song of songs,
Bids the rap'd soul to Lebanon repair,
And lays the scenes of all his action there,
Where as he wrote, and from the bow'r survey'd
The scenting groves, or answ'ring knots he made,
His sacred art the sights of nature brings,
Beyond their use, to figure heav'nly things.

Great son of God! whose gospel pleas'd to throw
Round thy rich glory, veils of earthly show,
Who made the vineyard oft thy church design,

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Roan Stallion

The dog barked; then the woman stood in the doorway, and hearing
iron strike stone down the steep road
Covered her head with a black shawl and entered the light rain;
she stood at the turn of the road.
A nobly formed woman; erect and strong as a new tower; the
features stolid and dark
But sculptured into a strong grace; straight nose with a high bridge,
firm and wide eyes, full chin,
Red lips; she was only a fourth part Indian; a Scottish sailor had
planted her in young native earth,
Spanish and Indian, twenty-one years before. He had named her
California when she was born;
That was her name; and had gone north.
She heard the hooves and
wheels come nearer, up the steep road.
The buckskin mare, leaning against the breastpiece, plodded into
sight round the wet bank.
The pale face of the driver followed; the burnt-out eyes; they had
fortune in them. He sat twisted
On the seat of the old buggy, leading a second horse by a long
halter, a roan, a big one,
That stepped daintily; by the swell of the neck, a stallion. 'What
have you got, Johnny?' 'Maskerel's stallion.
Mine now. I won him last night, I had very good luck.' He was
quite drunk, 'They bring their mares up here now.
I keep this fellow. I got money besides, but I'll not show you.'
'Did you buy something, Johnny,
For our Christine? Christmas comes in two days, Johnny.' 'By
God, forgot,' he answered laughing.
'Don't tell Christine it's Christmas; after while I get her something,
maybe.' But California:
'I shared your luck when you lost: you lost me once, Johnny, remember?
Tom Dell had me two nights
Here in the house: other times we've gone hungry: now that
you've won, Christine will have her Christmas.
We share your luck, Johnny. You give me money, I go down to
Monterey to-morrow,
Buy presents for Christine, come back in the evening. Next day
Christmas.' 'You have wet ride,' he answered
Giggling. 'Here money. Five dollar; ten; twelve dollar. You
buy two bottles of rye whiskey for Johnny.'
A11 right. I go to-morrow.'
He was an outcast Hollander; not
old, but shriveled with bad living.
The child Christine inherited from his race blue eyes, from his
life a wizened forehead; she watched
From the house-door her father lurch out of the buggy and lead
with due respect the stallion
To the new corral, the strong one; leaving the wearily breathing
buckskin mare to his wife to unharness.

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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The Four Seasons : Spring

Come, gentle Spring! ethereal Mildness! come,
And from the bosom of yon dropping cloud,
While music wakes around, veil'd in a shower
Of shadowing roses, on our plains descend.
O Hertford, fitted or to shine in courts
With unaffected grace, or walk the plain
With innocence and meditation join'd
In soft assemblage, listen to my song,
Which thy own Season paints; when Nature all
Is blooming and benevolent, like thee.
And see where surly Winter passes off,
Far to the north, and calls his ruffian blasts:
His blasts obey, and quit the howling hill,
The shatter'd forest, and the ravaged vale;
While softer gales succeed, at whose kind touch,
Dissolving snows in livid torrents lost,
The mountains lift their green heads to the sky.
As yet the trembling year is unconfirm'd,
And Winter oft at eve resumes the breeze,
Chills the pale morn, and bids his driving sleets
Deform the day delightless: so that scarce
The bittern knows his time, with bill ingulf'd,
To shake the sounding marsh; or from the shore
The plovers when to scatter o'er the heath,
And sing their wild notes to the listening waste
At last from Aries rolls the bounteous sun,
And the bright Bull receives him. Then no more
The expansive atmosphere is cramp'd with cold
But, full of life and vivifying soul,
Lifts the light clouds sublime, and spreads then thin,
Fleecy, and white, o'er all-surrounding heaven.
Forth fly the tepid airs: and unconfined,
Unbinding earth, the moving softness strays.
Joyous, the impatient husbandman perceives
Relenting Nature, and his lusty steers
Drives from their stalls, to where the well used plough
Lies in the furrow, loosen'd from the frost.
There, unrefusing, to the harness'd yoke
They lend their shoulder, and begin their toil,
Cheer'd by the simple song and soaring lark.
Meanwhile incumbent o'er the shining share
The master leans, removes the obstructing clay,
Winds the whole work, and sidelong lays the glebe
While through the neighbouring fields the sowe stalks,
With measured step, and liberal throws the grain
Into the faithful bosom of the ground;
The harrow follows harsh, and shuts the scene.
Be gracious, Heaven! for now laborious Man
Has done his part. Ye fostering breezes, blow!
Ye softening dews, ye tender showers, descend!

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The Four Seasons : Winter

See, Winter comes, to rule the varied year,
Sullen and sad, with all his rising train;
Vapours, and clouds, and storms. Be these my theme,
These! that exalt the soul to solemn thought,
And heavenly musing. Welcome, kindred glooms,
Congenial horrors, hail! with frequent foot,
Pleased have I, in my cheerful morn of life,
When nursed by careless Solitude I lived,
And sung of Nature with unceasing joy,
Pleased have I wander'd through your rough domain;
Trod the pure virgin-snows, myself as pure;
Heard the winds roar, and the big torrent burst;
Or seen the deep-fermenting tempest brew'd,
In the grim evening sky. Thus pass'd the time,
Till through the lucid chambers of the south
Look'd out the joyous Spring, look'd out, and smiled.
To thee, the patron of her first essay,
The Muse, O Wilmington! renews her song.
Since has she rounded the revolving year:
Skimm'd the gay Spring; on eagle-pinions borne,
Attempted through the Summer-blaze to rise;
Then swept o'er Autumn with the shadowy gale;
And now among the wintry clouds again,
Roll'd in the doubling storm, she tries to soar;
To swell her note with all the rushing winds;
To suit her sounding cadence to the floods;
As is her theme, her numbers wildly great:
Thrice happy could she fill thy judging ear
With bold description, and with manly thought.
Nor art thou skill'd in awful schemes alone,
And how to make a mighty people thrive;
But equal goodness, sound integrity,
A firm, unshaken, uncorrupted soul,
Amid a sliding age, and burning strong,
Not vainly blazing for thy country's weal,
A steady spirit regularly free;
These, each exalting each, the statesman light
Into the patriot; these, the public hope
And eye to thee converting, bid the Muse
Record what envy dares not flattery call.
Now when the cheerless empire of the sky
To Capricorn the Centaur Archer yields,
And fierce Aquarius stains the inverted year;
Hung o'er the farthest verge of Heaven, the sun
Scarce spreads through ether the dejected day.
Faint are his gleams, and ineffectual shoot
His struggling rays, in horizontal lines,
Through the thick air; as clothed in cloudy storm,
Weak, wan, and broad, he skirts the southern sky;
And, soon-descending, to the long dark night,

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Extension 33

Living at the y, extension 33,
Nothing to care or to worry.
Once I was in love with a blind man,
But my auntie told me, dont do it, its not worth it.
Living at the y, 33 years,
No one to call or to write to.
Once I was in love with a married man,
But my instincts told me, dont tell him, itll kill you.
Im sad I didnt marry the blind man,
But whats a life with three blind children?
Im glad I never told the married man,
It saved my pride and freedom.
Living at the y, in 33 rooms,
Nowhere to visit or write to.
Once I was in love, it nearly killed me,
But now I have my pride and freedom.
Freedom, freedom, freedom, freedom,
Freedom, freedom, freedom and pride.
Freedom, freedom, freedom, freedom,
Freedom, freedom, freedom and pride.
Freedom, freedom, freedom, freedom,
Freedom, freedom, freedom and pride.
Freedom, freedom, freedom, freedom,
Freedom, freedom, freedom and pride.
Freedom, freedom, freedom, freedom,
Freedom, freedom, freedom and pride.
Freedom, freedom, freedom, freedom,
Freedom, freedom, freedom.

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Flow

Gotta find a way to flow
In a host of things that grow
Where babies become old
And love is bought and sold
The mouth of God is wide
So lets just fall inside
And let the whole damned thing go, flow
Everybodys here
Mystery and beer
I have nothing to fear
Cuz I found a way to flow
In a host of things that grow
Where babies become old
And love is bought and sold
The mouth of God is wide
So lets just fall inside
And let every damned thing go
Flow
Flow
Flow
Everybodys here
The mystery is here
I have nothing to fear
Cuz ifound a way to flow
In a host of things that grow
These babies become old
And love is bought and sold
The mouth of God is wide
So Ill just fall inside
And let every damned thing go
Flow
Flow
Flow
Flow
Flow
Flow
Everywhere we go (flow)
Go inside (flow)
Go inside (flow)
Everywhere we go (flow)
I gotta find a way to flow
In a host of things that grow
Where babies become old
And love is bought and sold
And the mouth of God is wide
Ill just fall inside
And let the whole damned thing go
Flow
Flow
Flow

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The Four Seasons : Summer

From brightening fields of ether fair disclosed,
Child of the Sun, refulgent Summer comes,
In pride of youth, and felt through Nature's depth:
He comes attended by the sultry Hours,
And ever fanning breezes, on his way;
While, from his ardent look, the turning Spring
Averts her blushful face; and earth, and skies,
All-smiling, to his hot dominion leaves.
Hence, let me haste into the mid-wood shade,
Where scarce a sunbeam wanders through the gloom;
And on the dark-green grass, beside the brink
Of haunted stream, that by the roots of oak
Rolls o'er the rocky channel, lie at large,
And sing the glories of the circling year.
Come, Inspiration! from thy hermit-seat,
By mortal seldom found: may Fancy dare,
From thy fix'd serious eye, and raptured glance
Shot on surrounding Heaven, to steal one look
Creative of the Poet, every power
Exalting to an ecstasy of soul.
And thou, my youthful Muse's early friend,
In whom the human graces all unite:
Pure light of mind, and tenderness of heart;
Genius, and wisdom; the gay social sense,
By decency chastised; goodness and wit,
In seldom-meeting harmony combined;
Unblemish'd honour, and an active zeal
For Britain's glory, liberty, and Man:
O Dodington! attend my rural song,
Stoop to my theme, inspirit every line,
And teach me to deserve thy just applause.
With what an awful world-revolving power
Were first the unwieldy planets launch'd along
The illimitable void! thus to remain,
Amid the flux of many thousand years,
That oft has swept the toiling race of men,
And all their labour'd monuments away,
Firm, unremitting, matchless, in their course;
To the kind-temper'd change of night and day,
And of the seasons ever stealing round,
Minutely faithful: such the All-perfect hand!
That poised, impels, and rules the steady whole.
When now no more the alternate Twins are fired,
And Cancer reddens with the solar blaze,
Short is the doubtful empire of the night;
And soon, observant of approaching day,
The meek'd-eyed Morn appears, mother of dews,
At first faint-gleaming in the dappled east:
Till far o'er ether spreads the widening glow;
And, from before the lustre of her face,

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