Saints In Cells
They are saints in cells
haunted by the 18th century tales
stuck in the middle of hell
like Daniel in the lion's den
Their clothes are torn
like roses in the African horn
Their hearts are worn
like the wanderer's sole
innocence has not left though
and the whole world knows
They are just seeds amongst weeds
positively living like saints in cells
poem by Timothy muggaga
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John Daniel
(Dolly Parton)
John Daniel came to town one summer afternoon
Wearin' dirty work clothes so everyone presumed
He was just another logger from the loggin' camp nearby
And he was, but there was somethin' different in John Daniel's eyes
John Daniel was a young man, not more than twenty-four
And there was an air about him that one could not ignore
And in spite of callused hands & dirty clothes, his face was kind
And I wanted so to know what was in John Daniel's mind
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's somethin' about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
I rented him a room; he went upstairs like all the rest
It was Saturday and he'd be goin' in to town, I guessed
But he left in a robe and sandals, with a Bible in his hand;
And I thought to myself, John Daniel, I don't understand
Now I'd planned to meet some friends of mine when I got off at three,
In the park we often gather to talk of love and peace
When I got there I found that a crowd had gathered 'round;
And there I saw John Daniel a sittin' on the ground
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's somethin' about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
So, "You want to be free," he said, "Well, this is how you can."
As he read from the Bible he held in his hand
We were searchin' for the truth not knowin' where to look,
Not knowin' that the answers all were in John Daniel's book
John Daniel told us all how we could be free
John Daniel taught us all a better way for you and me
He came to us in our own way so we'd be sure to see
He had the light and essence of the man from Galilee
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's something about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
John Daniel, John Daniel, John Daniel
John Daniel do you hold the answer to a higher plan?
John Daniel came to town one summer afternoon
Wearin' dirty work clothes so everyone presumed
He was just another logger from the loggin' camp nearby
And he was, but there was somethin' different in John Daniel's eyes
Ooh, John Daniel, tell me where did you come from
Tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's something about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
song performed by Dolly Parton
Added by Lucian Velea
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The Santa-Fe Trail (A Humoresque)
I asked the old Negro, "What is that bird that sings so well?" He answered: "That is the Rachel-Jane." "Hasn't it another name, lark, or thrush, or the like?" "No. Jus' Rachel-Jane."
I. IN WHICH A RACING AUTO COMES FROM THE EAST
This is the order of the music of the morning: —
First, from the far East comes but a crooning.
The crooning turns to a sunrise singing.
Hark to the calm -horn, balm -horn, psalm -horn.
Hark to the faint -horn, quaint -horn, saint -horn. . . .
Hark to the pace -horn, chase -horn, race -horn.
And the holy veil of the dawn has gone.
Swiftly the brazen ear comes on.
It burns in the East as the sunrise burns.
I see great flashes where the far trail turns.
Its eyes are lamps like the eyes of dragons.
It drinks gasoline from big red flagons.
Butting through the delicate mists of the morning,
It comes like lightning, goes past roaring.
It will hail all the wind-mills, taunting, ringing,
Dodge the cyclones,
Count the milestones,
On through the ranges the prairie-dog tills—
Scooting past the cattle on the thousand hills. . . .
Ho for the tear-horn, scare-horn, dare-horn,
Ho for the gay -horn, bark -horn, bay -horn.
Ho for Kansas, land that restores us
When houses choke us, and great books bore us!
Sunrise Kansas, harvester's Kansas,
A million men have found you before us.
II. IN WHICH MANY AUTOS PASS WESTWARD
I want live things in their pride to remain.
I will not kill one grasshopper vain
Though he eats a hole in my shirt like a door.
I let him out, give him one chance more.
Perhaps, while he gnaws my hat in his whim,
Grasshopper lyrics occur to him.
I am a tramp by the long trail's border,
Given to squalor, rags and disorder.
I nap and amble and yawn and look,
Write fool-thoughts in my grubby book,
Recite to the children, explore at my ease,
Work when I work, beg when I please,
Give crank-drawings, that make folks stare
[...] Read more
poem by Vachel Lindsay
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Bible Stories: Daniel, Bel and the Dragon
When King Astyages died,
Cyrus of Persia became king;
Daniel was his honored companion.
The Babylonians’ idol was Bel;
Each day, they offered twelve bushels of flour,
Forty sheep and fifty gallons of wine;
The king too worshipped Bel;
But Daniel worshipped his own God!
When the King asked Daniel,
‘Why don’t you worship Bel? ’
Daniel answered he didn’t revere
Any man-made idols,
But worshipped the One, living God,
Who’d created heaven and the earth.
The king asked him, “Isn’t Bel’s a living God?
He eats and drinks each day”
But Daniel told him not to be deceived;
The idol was just inner clay,
And outer brass that never ate nor drank.
The angered King ushered the priests,
And ordered them to prove
That Bel ate /drank each day;
If so, Daniel would die for blasphemy;
If not, all of them would be killed;
The priests agreed to prove the same;
There were seventy priests, their wives and children.
The king entered the temple;
The priests asked him to place the food
And wine himself, and shut the door,
And seal it by his signet ring;
The priests didn’t care as below the statue,
They had a secret route through which they went
In and out, devouring the offerings.
When the food had been placed,
Then Daniel sifted ashes all
O’er the temple-floor;
With the help of servants,
in the king’s presence and left;
The door was sealed by the king’s ring.
At night, the priests and others secretly
went in and ate everything;
Next day, the king with Daniel came
And opened the sealed temple door,
[...] Read more
poem by John Celes
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November
'Tredje Reeb ind! - - Op at beslaae Mersseilet! -
Ha, alle Djævle, hvilken Nat! -'
*
Nøgent, øde Sted paa Jyllands Vestkyst.
(Det er Nat og Maaneskin; Skyerne jage hen over det oprørte Hav).
En Skare onde Natur-Aander mødes, de leire sig i Sandet.
Den Første.
Her November har sin Throne,
Hvilken deilig Dandseplads!
Storm og Hav er vort Orchester.
Hør dog, hvilket lystigt Stykke!
Mine Been er Hvirvel-Vinde;
Kom, imens de Andre sladdre
Om de natlige Bedrifter.
Den Anden.
Dette Sted især jeg ynder.
Om en herlig Spas det minder!
See I [rettet fra: i] der det løse Qviksand?
Det er flere Aar nu siden,
Men som nu, just i November,
Kom en lystig Brudeskare;
Klarinet og Violiner
Klang heel lysteligt fra Vognen,
Hvor med Silkebaand om [rettet fra: um] Haaret,
Bruden sad, saa ung og deilig.
Med en Taage jeg dem blænded',
I et Nu de svandt i Sandet.
Den Tredie.
Det er kun i forgaars siden,
Jeg mit Eventyr har prøvet.
Nyligt havde Stormen lagt sig,
Havet hvilte som et Klæde.
Stille laae et Vrag derude,
Alt dets Mandskab længst var borte,
Kun en Mand og tvende Qvinder
Endnu stode der forladte,
Men der laae en Baad paa Dækket,
Stor og bred; de der dem satte.
Manden bortskar [rettet fra: bortskjar] alle Touge,
Undersøgte Alting nøie,
Haabede, naar Vraget sank,
Baaden, frelst fra Dybets Hvirvler,
Let dem bar paa Havets Flade.*
Men eet Toug sig for ham skjulte,
Livet hang ved dette ene.
[...] Read more
poem by Hans Christian Andersen
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The Ballad of the White Horse
DEDICATION
Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?
Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?
In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.
Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.
Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.
Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.
Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.
But who shall look from Alfred's hood
[...] Read more
poem by Gilbert Keith Chesterton
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Januar
'- Nyfødt Aaret er vorden!
Stolt, med den flagrende Lok, i Storm og i Blæst,
Paa sin vingede Hest
Jager Tiden hen over Jorden - !'
*
Vandringsmanden.
Et Hjem for Samojed og Pescheræ
Viser den frosne Jord med sin Snee;
Men her, som i et Feeland at see,
Staaer det riimfrosne Træ
Og løfter mod Solen sin glimrende Green
Mod en Luft, som Italiens, sortblaa, men reen.
Det er deiligt at see,
Hvor over den hvide Snee
Den sorte Rovfugl svæver,
Og Hytterne hist, hvor Røgen sig hæver,
Hvor Pigen strøer Korn af sin lille Kurv
For den qviddrende Spurv.
- Ja, nyfødt Aaret er vorden!
Stolt med den flagrende Lok, i Storm og i Blæst,
Paa sin vingede Hest
Jager Tiden hen over Jorden,
Trykker med faderlig Arm
Sine Børn, de kommende Aar, til sin Barm.
Er Maanen i Næ tolv Gange vorden,
Svæver et Barn fra hans Bryst til Jorden,
Hvorfra den ventende Broder vil stige
Igjen til sit evige Rige.
Thi Himmelens mægtige Blaa er det Hav,
Hvor Aaret forsvinder,
Hvorfra det nye oprinder
For vor Jord, denne altid blomstrende Grav.
Tiden
(paa sin vingede Hest).
Min Jord, Du er saa skjøn at see
I Sommer-Grønt, i Vinter-Snee!
Din Kamp, Din Færdsel, Død og Liv,
Alt peger til et Guddoms-Bliv!
Du Hvilepunkt for Tanken gav;
Først saae jeg kun et Taage-Hav,
Det maatte snart for Lyset døe,
Og Du fremstod, men alt var Sø!
Da voxte frem den første Ø,
Med Skov og Frugt og Blomster smaae,
Og Mennesket sin Skaber saae.
Hvert Aar et Barn jeg sendte ned,
Og gjennem Had og Kjærlighed
Det atter sig til Himlen svang,
[...] Read more
poem by Hans Christian Andersen
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Tannhauser
The Landgrave Hermann held a gathering
Of minstrels, minnesingers, troubadours,
At Wartburg in his palace, and the knight,
Sir Tannhauser of France, the greatest bard,
Inspired with heavenly visions, and endowed
With apprehension and rare utterance
Of noble music, fared in thoughtful wise
Across the Horsel meadows. Full of light,
And large repose, the peaceful valley lay,
In the late splendor of the afternoon,
And level sunbeams lit the serious face
Of the young knight, who journeyed to the west,
Towards the precipitous and rugged cliffs,
Scarred, grim, and torn with savage rifts and chasms,
That in the distance loomed as soft and fair
And purple as their shadows on the grass.
The tinkling chimes ran out athwart the air,
Proclaiming sunset, ushering evening in,
Although the sky yet glowed with yellow light.
The ploughboy, ere he led his cattle home,
In the near meadow, reverently knelt,
And doffed his cap, and duly crossed his breast,
Whispering his 'Ave Mary,' as he heard
The pealing vesper-bell. But still the knight,
Unmindful of the sacred hour announced,
Disdainful or unconscious, held his course.
'Would that I also, like yon stupid wight,
Could kneel and hail the Virgin and believe!'
He murmured bitterly beneath his breath.
'Were I a pagan, riding to contend
For the Olympic wreath, O with what zeal,
What fire of inspiration, would I sing
The praises of the gods! How may my lyre
Glorify these whose very life I doubt?
The world is governed by one cruel God,
Who brings a sword, not peace. A pallid Christ,
Unnatural, perfect, and a virgin cold,
They give us for a heaven of living gods,
Beautiful, loving, whose mere names were song;
A creed of suffering and despair, walled in
On every side by brazen boundaries,
That limit the soul's vision and her hope
To a red hell or and unpeopled heaven.
Yea, I am lost already,-even now
Am doomed to flaming torture for my thoughts.
O gods! O gods! where shall my soul find peace?'
He raised his wan face to the faded skies,
Now shadowing into twilight; no response
Came from their sunless heights; no miracle,
As in the ancient days of answering gods.
[...] Read more
poem by Emma Lazarus
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Canto the Fourth
I.
I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!
II.
She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.
III.
In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!
IV.
But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.
V.
[...] Read more
poem by Byron from Childe Harold's Pilgrimage (1818)
Added by Veronica Serbanoiu
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Den fremmede Fugl
Seer Du Huset med de røde Bjelker i den hvide Muur?
Rundt om kneise stolte Bøge i den store frie Natur.
Seer Du hist, bag Brombærhækken, Drengen med det aabne Blik?
Ene tumler han sig, lystig efter muntre Drenge-Skik;
Men nu standser han og lytter, thi høit oppe paa en Green,
Sidder der en Fugl og synger, o en lille, deilig een!
Ret som Guld og skjønne Perler skinner Hoved jo og Krop,
Og den selv er ikke større end en fyldig Rosenknop.
Drengen og den lille Sanger blive snart fortrolig her,
Og de skiftes til at synge i det røde Aftenskjær.
Men i Drengens Hoved spøger mange rare Eventyr,
Dem han alle vil fortælle for det lille smukke Dyr;
Men see, Fuglen kan dem alle, selv han saae det paa sin Flugt,
Ingen kan som han fortælle, nei, det er dog alt for smukt!
Men det er ei nok med dette, den kan ogsaa hexe lidt;
Tusind Mile kan den flyve, mens den siger „qvirrevit!"
See den flyver, og den kommer, Drengen er saa sjæleglad,
Sjældne Frøkorn bringer Fuglen, indsvøbt i et Rosenblad.
I hvert Frø er skjulte Kræfter, knap er et i Jorden lagt,
Før et Trylleslot der voxer i sin hele, stolte Pragt.
Taget er af Morgenrøde, Søilerne er Bjergets Snee,
Og igjennem Slots-Portalet kan man ind i Himlen see!
Men et andet Frøkorn svulmer til en deilig Sommersky,
Og med Dreng og Fugl den svæver over Skov og Mark og By,
Seiler ind i Aftensolen, o den er saa rød og stor!
Stiger derpaa ind i Himlen, hvor den gode Gud jo boer;
Seer de mange, mange Stjerner, der som hvide Blomster staae,
Jesubarnet og Guds Engle med de store Vinger paa.
Skyen daler atter med dem, bringer dem til Skovens Krat,
Hvor de smukke Alfer lege i den lyse Sommer-Nat,
Og hvor Aanden af hvert Blomster, der henvisner Aar for Aar,
Atter nu i Midnats-Timen duftende for Øiet staaer.
Fra et Frøkorn stiger hurtigt frem en Palme, høi og stor,
Drengen der med Fuglen sidder, Træet meer og mere groer;
Høit det voxer over Skoven, over Skyen mod sin Gud,
Breder stolt sin grønne Krone over hele Jorden ud.
Fjerne Lande, fjerne Have, seer han dybt dernede staae,
Dog imellem Jord og Himmel underlig han længes maae.
Over Skyen, høit deroppe, Hjertet vil mod Jorden ned,
Og fra Jorden vil det atter søge hist — hvad det ei veed.
Saadan svinder Aar og Dage, Barnets søde Sorg og Lyst,
Øiet bliver da til Flamme, thi det brænder i hans Bryst.
Fuglen flyver, Fuglen kommer, og den flyver bort igjen;
See, da sidder han ved Stranden, stirrer over Fladen hen;
Øiet seer kun Hav og Himmel; Alt er det umaalte Blaae;
Ingen Ø og ingen Skyer, for det trætte Øie staae.
Men see hist, en sneehvid Svane nærmer sig mod Kysten her,
Og sin kjære Fugl han kjender i den stolte Svane der.
See, en Blomsterbaad den trækker, bunden ved sit Vinge-Par!
Og en underdeilig Pige den jo med i Baaden har.
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poem by Hans Christian Andersen
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Paradise Lost: Book 04
O, for that warning voice, which he, who saw
The Apocalypse, heard cry in Heaven aloud,
Then when the Dragon, put to second rout,
Came furious down to be revenged on men,
Woe to the inhabitants on earth! that now,
While time was, our first parents had been warned
The coming of their secret foe, and 'scaped,
Haply so 'scaped his mortal snare: For now
Satan, now first inflamed with rage, came down,
The tempter ere the accuser of mankind,
To wreak on innocent frail Man his loss
Of that first battle, and his flight to Hell:
Yet, not rejoicing in his speed, though bold
Far off and fearless, nor with cause to boast,
Begins his dire attempt; which nigh the birth
Now rolling boils in his tumultuous breast,
And like a devilish engine back recoils
Upon himself; horrour and doubt distract
His troubled thoughts, and from the bottom stir
The Hell within him; for within him Hell
He brings, and round about him, nor from Hell
One step, no more than from himself, can fly
By change of place: Now conscience wakes despair,
That slumbered; wakes the bitter memory
Of what he was, what is, and what must be
Worse; of worse deeds worse sufferings must ensue.
Sometimes towards Eden, which now in his view
Lay pleasant, his grieved look he fixes sad;
Sometimes towards Heaven, and the full-blazing sun,
Which now sat high in his meridian tower:
Then, much revolving, thus in sighs began.
O thou, that, with surpassing glory crowned,
Lookest from thy sole dominion like the God
Of this new world; at whose sight all the stars
Hide their diminished heads; to thee I call,
But with no friendly voice, and add thy name,
Of Sun! to tell thee how I hate thy beams,
That bring to my remembrance from what state
I fell, how glorious once above thy sphere;
Till pride and worse ambition threw me down
Warring in Heaven against Heaven's matchless King:
Ah, wherefore! he deserved no such return
From me, whom he created what I was
In that bright eminence, and with his good
Upbraided none; nor was his service hard.
What could be less than to afford him praise,
The easiest recompence, and pay him thanks,
How due! yet all his good proved ill in me,
And wrought but malice; lifted up so high
I sdeined subjection, and thought one step higher
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poem by John Milton
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II. Half-Rome
What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)
Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,
[...] Read more
poem by Robert Browning from The Ring and the Book
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Marts
'Livets Frihed, Jordens Baand,
Kamp imellem Form og Aand.'
*
Mægtigt Vaarens Pulse banke,
Dog er det saa kold en Tid;
See, imellem Form og Tanke
Viser sig den store Strid;
Aaret giver i det Mindre,
Hvad i Secler Verden gav,
Hvad du seer, hvor Stjerner tindre,
Og i Oldtids sjunkne Grav,
Livets Frihed, Jordens Baand,
Kamp imellem Form og Aand.
*
Jorden.
Ton høit i Tidens Kamp mit stolte Qvad!
En Verden være mig mit Nodeblad,
Urbjergene, som dybt grundfæsted' staae,
De er' de sorte Streger, sat' derpaa,
Og hver Forstening, hvert et Lag deri,
Er Noden til den stolte Melodie.
Hvert Mammuthsdyr, hver Blomst i Stenen bundet
Os synger om et Liv, som er forsvundet,
Om Tidens Stræben, Tidens snevre Baand,
Om Kampen mellem Formerne og Aand.
Hvo sprængte Himlen med sit Stjernetal,
Den vidtudstrakte Ymers Pandeskal,
Den høie Himmelhvælving i sin Skranke -
Hvo, uden Aanden med sin Flamme-Tanke?
Copernikus gav Jorden Liv og Gang,
Stolt alle Sphærerne i Rummet sang,
De gamle Former bort som Avner fløi,
Og Verden blev saa navnløs stor og høi.
Den vilde Søgang bryder stolt hver Skranke,
Og Klippen brister, som den skjøre Planke,
Sø bliver Land og Landet atter Sø,
Men dobbelt skjøn sig reiser Ø ved Ø,
Det indre Liv sig lader ei betvinge.
See! Skovene fra Jordens Muld fremspringe,
Fixstjernens Skjær naaer ned til Jordens Bugt,
Skjøndt Secler svinde i dens snare Flugt,
Men Rummet ei kan Kraftens Straale dæmpe,
Forgjæves Titans Børn mod Himlen kjæmpe.
Brænd Byer af, riv ned med Tiger-Kloe,
Strøe Salt i Gruset, at ei Græs skal groe! -
Dog reiser Aanden atter Steen ved Steen,
[...] Read more
poem by Hans Christian Andersen
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
[...] Read more
poem by Robert Browning from The Ring and the Book
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Bruden i Rørvig Kirke
Klart skinner Maanen paa den nøgne Kyst.
I Præstegaarden er nu Alt saa tyst;
Dog, tyst og stille er det stedse der,
Thi i den øde Egn den ligger her
Paa Tangen, som gaaer langt hist ud i Havet,
Hvor Kirken staaer i Sandflugt halv begravet.
Hvem nærmer sig? — Med stærke Skridt de gaae.
Det er en Skare Mænd med Kapper paa!
Men under Kappen blinker Staalet frem;
Den gamle Præst de gjæste i hans Hjem. -
Alt ryster Porten ved de stærke Slag;
Selv Spurven vækkes under Husets Tag
Og flagrer, bange, fra sin lille Rede,
Til Lyngen paa den sorte Hede.
II
Med Fader-Blik og sølvgraat Haar,
Den gamle Præst nu hos dem staaer;
Men taus som Aander er hver Mand;
De pege mod den nøgne Strand,
Hvor Kirken hæver sin røde Muur,
I den døde Natur.
Han kjender i dem et fremmed Folk;
De vise ham Guld og den skarpe Dolk,
De bede og true — nu drage de bort,
Og Præsten følger i Kjortel sort.
Fast holder han Bibelen under sin Arm,
Men Hjertet banker i Oldingens Barm;
De bane sig Vei gjennem Sandet,
Til Kirken ved Vandet.
III
Rundtom er alt saa øde, man seer kun den nøgne Strand,
Hvor Tangen flagrer i Vinden, henad det hvide Sand.
Saa underligt Bølgerne synge og over Dybet gaae,
De svulme, som Hjertet der længes, derfor de briste maae.
I Maanskinnet stiger Skummet, det hvide Bølge-Liig;
Den hvidgraa Maage flygter med bange, hæse Skrig,
Og slaaer mod Kirke-Ruden sit stærke Vinge-Par.
See Kirken den er oplyst, som aldrig før den var,
Og huult og dæmpet stiger derinde Sangen frem,
Det er, som Tone-Bølgen kom fra de Dødes Hjem.
IV
Af fremmede Mænd er hele Kirken fuld,
De straale sært i Vaaben og i Guld;
Kun tyndt er Skjægget om den brune Kind,
De hylle sig i deres Kapper ind;
Med Raslen Sværdene mod Gulvet slaae;
Man seer en Qvinde ene blandt dem staae,
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poem by Hans Christian Andersen
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The Marriage of Heaven and Hell
THE ARGUMENT
RINTRAH roars and shakes his
fires in the burdenM air,
Hungry clouds swag on the deep.
Once meek, and in a perilous path
The just man kept his course along
The Vale of Death.
Roses are planted where thorns grow,
And on the barren heath
Sing the honey bees.
Then the perilous path was planted,
And a river and a spring
On every cliff and tomb;
5
THE MARRIAGE OF
And on the bleached bones
Red clay brought forth:
Till the villain left the paths of ease
To walk in perilous paths, and drive
The just man into barren climes.
Now the sneaking serpent walks
In mild humility ;
And the just man rages in the wilds
Where Uons roam.
Rintrah roars and shakes his fires in
the burdened air,
Hungry clouds swag on the deep.
As a new heaven is begun, and it is
now thirty-three years since its advent,
the Eternal Hell revives. And lo!
Swedenborg is the angel sitting at
the tomb: his writings are the Unen
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poem by William Blake
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Satan Absolved
(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.
[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.
Satan. Ye have in truth good cause.
Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.
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poem by Wilfrid Scawen Blunt
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My Innocence Killed Me
INNOCENCE, INNOCENCE OH WHY DO I CRY? INNOCENCE, INNOCENCE WHERE IS THE TRUTH OVER THE LIE? INNOCENCE, INNOCENCE CAN THE GROUND KEEP ME DOWN? INNOCENCE OH INNOCENCE, WHO KEEPS PULLING YOU DOWN?
FAIL TO THE SYSTEM MY INNOCENCE WAS TAKING AWAY
I WISH FOR IT BACK EACH AND EVERY DAY
AS I LIE SMOTHERED UNDERGROUND
I COULD HAVE SURVIVED IF INNOCENCE WOULD HAVE STAYED AROUND
MY SHELTER, MY GROUND, AND ALSO MY ROOF
WHICH WAS DESIGNED ONLY TO PROTECT MY PROOF
EVIDENCE IS SUBMITTED ONLY TO HELP
WHEN I TURNED TO LOOK INTO YOUR EYES YOU LEFT
SEEKING WEALTH
ONLY TO LEAVE ME INSIDE AN EMPTY CHAMBER
FILLED WITH SO MUCH MAINLY ANGER
MY DISAPPOINTMENT IS PERCEIVED AS RAGE
IT'S JUST A CRAZE
TO BE TAKEN OUT OF MY MISERY RELEASED FROM THIS CAGE
INNOCENCE, INNOCENCE OH WHY I CRY? INNOCENCE, INNOCENCE WHERE IS THE TRUTH OVER THE LIE? INNOCENCE, INNOCENCE CAN THE GREED KEEP ME DOWN? INNOCENCE OH INNOCENCE, WHO KEEPS PULLING YOU DOWN?
NEGATIVE INTERIOR EMOTIONALLY INFERIOR
WHY DOES MY FREEDOM HAVE TO BE DESTROYED OVER MATERIAL?
LOOKING AT INNOCENCE AND IT SEEMS SO STRANGE.
LOOKING AT MY SITUATION AND REALIZING NOTHING WILL CHANGE.
PURE INJUSTICE TRAIL IS NOT THE SAME.
TAKING MENTAL PICTURES PLACING THEM INSIDE A FRAME.
WHEN THEY ENTER HELL HOPELY THEY BURN IN FLAMES.
I WILL NEVER BE THE SAME.
TO DEATH WHAT IS GAIN?
TO BONDAGE WHAT IS A CHAIN?
INNOCENCE WAS SLAINED AS THEY SCREAMED OUT MY NAME I'M ASKING FOR CHANGE GOT DEATH IN EXCHANGE PARDON MY SCREAM AND KICKS FORGET ABOUT MY INNOCENCE FREEDOM INVOLVE TRICKS AND I CAN'T HELP BUT LAUGH MY INNOCENCE IS THE ONLY REASON I GOT STABBED ON THIS SLAB AS I'M SLICED IN HALF REACHING FOR THE INNOCENCE THAT I HAVE BEEN TRYING TO GRAB YELLING OUT SO UNJUST VOICE YELLS OUT HUSH AND RUSH INTO MY EMBRACE AS THEY REVIVE MY SPIRIT AND TOUCH MY FACE. IS IT GOD OR INNOCENCE THAT I CHASE?
INNOCENCE, INNOCENCE WHY DO I CRY? INNOCENCE, INNOCENCE WHERE IS THE TRUTH OVER THE LIE? INNOCENCE, INNOCENCE CAN GREED KEEP ME DOWN?
INNOCENCE OH INNOCENCE, WHO KEEPS PULLING YOU DOWN.
poem by Courtney Steele
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Quatrains Of Life
What has my youth been that I love it thus,
Sad youth, to all but one grown tedious,
Stale as the news which last week wearied us,
Or a tired actor's tale told to an empty house?
What did it bring me that I loved it, even
With joy before it and that dream of Heaven,
Boyhood's first rapture of requited bliss,
What did it give? What ever has it given?
'Let me recount the value of my days,
Call up each witness, mete out blame and praise,
Set life itself before me as it was,
And--for I love it--list to what it says.
Oh, I will judge it fairly. Each old pleasure
Shared with dead lips shall stand a separate treasure.
Each untold grief, which now seems lesser pain,
Shall here be weighed and argued of at leisure.
I will not mark mere follies. These would make
The count too large and in the telling take
More tears than I can spare from seemlier themes
To cure its laughter when my heart should ache.
Only the griefs which are essential things,
The bitter fruit which all experience brings;
Nor only of crossed pleasures, but the creed
Men learn who deal with nations and with kings.
All shall be counted fairly, griefs and joys,
Solely distinguishing 'twixt mirth and noise,
The thing which was and that which falsely seemed,
Pleasure and vanity, man's bliss and boy's.
So I shall learn the reason of my trust
In this poor life, these particles of dust
Made sentient for a little while with tears,
Till the great ``may--be'' ends for me in ``must.''
My childhood? Ah, my childhood! What of it
Stripped of all fancy, bare of all conceit?
Where is the infancy the poets sang?
Which was the true and which the counterfeit?
I see it now, alas, with eyes unsealed,
That age of innocence too well revealed.
The flowers I gathered--for I gathered flowers--
Were not more vain than I in that far field.
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poem by Wilfrid Scawen Blunt
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Canto the Second
I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.
II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.
III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.
IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.
V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:
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poem by Byron from Don Juan (1824)
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