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Another Good Reason

(harley allen/carson chamberlain)
I woke up the other night
Lying on the floor
Right beside someone
Ive never seen before
She said my names juliet
And romeo you aint
Thats another good reason not to drink
Thats another good reason not to drink
When Im sober Im almost a saint
If I keep going on like this
Ill end up like ole hank
Thats another good reason not to drink
I cant go see my best friend
He said stay away
Just because of what I said
On his wedding day
He oughta call a sherman
Cause she looks just like a tank
Thats another good reason not to drink
Thats another good reason not to drink
When Im sober Im almost a saint
If I keep going on like this
Ill end up like ole hank
Thats another good reason not to drink
Im gonna sue to city
About that policeman
Last night as I left the bar
He stepped right on my hand
He said are you drunk or blind?
I said let me think.
Thats another good reason not to drink
Thats another good reason not to drink
When Im sober Im almost a saint
If I keep going on like this
Ill end up like ole hank
Thats another good reason not to drink
Thats another good reason not to drink
When Im sober Im almost a saint
If I keep going on like this
Ill end up like ole hank
Thats another good reason
Baby let me in Im freezing
Another good reason not to drink

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Romeo Loves Juliet

Sitting on the balcony sipping on her herbal tea
Thats juliet, juliet
Talking on her mobile phone doesnt like to be alone
Thats juliet, juliet
And if she wont hang up or put down that cup
Hows that girl ever gonna know
That romeo, romeo loves juliet
Romeo, romeo loves juliet
Wishing her life away nothing left for me to say
About juliet, juliet
I dont wanna know let the poison steel the show
For juliet, juliet
And if she cant see the wood for the trees
Hows that girl ever gonna know
That romeo, romeo loves juliet
Romeo, romeo loves juliet
Love keeps no time but life slips through your fingers
Love has no design but its memory lingers
Romeo, romeo loves juliet
Romeo, romeo loves juliet
Romeo, romeo loves juliet
Romeo, romeo, romeo loves juliet

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Tale II

THE PARTING HOUR.

Minutely trace man's life; year after year,
Through all his days let all his deeds appear,
And then though some may in that life be strange,
Yet there appears no vast nor sudden change:
The links that bind those various deeds are seen,
And no mysterious void is left between.
But let these binding links be all destroyed,
All that through years he suffer'd or enjoy'd,
Let that vast gap be made, and then behold -
This was the youth, and he is thus when old;
Then we at once the work of time survey,
And in an instant see a life's decay;
Pain mix'd with pity in our bosoms rise,
And sorrow takes new sadness from surprise.
Beneath yon tree, observe an ancient pair -
A sleeping man; a woman in her chair,
Watching his looks with kind and pensive air;
Nor wife, nor sister she, nor is the name
Nor kindred of this friendly pair the same;
Yet so allied are they, that few can feel
Her constant, warm, unwearied, anxious zeal;
Their years and woes, although they long have

loved,
Keep their good name and conduct unreproved:
Thus life's small comforts they together share,
And while life lingers for the grave prepare.
No other subjects on their spirits press,
Nor gain such int'rest as the past distress:
Grievous events, that from the mem'ry drive
Life's common cares, and those alone survive,
Mix with each thought, in every action share,
Darken each dream, and blend with every prayer.
To David Booth, his fourth and last-born boy,
Allen his name, was more than common joy;
And as the child grew up, there seem'd in him
A more than common life in every limb;
A strong and handsome stripling he became,
And the gay spirit answer'd to the frame;
A lighter, happier lad was never seen,
For ever easy, cheerful, or serene;
His early love he fix'd upon a fair
And gentle maid--they were a handsome pair.
They at an infant-school together play'd,
Where the foundation of their love was laid:
The boyish champion would his choice attend
In every sport, in every fray defend.
As prospects open'd, and as life advanced,

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Romeo

A cross between a movie star
And a hero in a book
Romeo comes struttin in
And everybody looks
cause hes just got that special thang
That everybody needs
And everybody wants him
But not as bad as me
Hey, romeo, where art thou
Get out here on the floor
I want to dance you darlin
til you forget wherefore
Lets two step to a new step
Well keep it all in line
And well call this the romeo
cause youre so mighty fine
Chorus:
Romeo, romeo, romeo come dance with me
That sexy little body
Beats all Ive ever seen
I aint never seen a cowboy
Look that good in jeans
My temperature keeps risin
Every time we meet
I may not be in love
But let me tell you
Im in heat
Chorus:
Romeo, romeo, I just know Ill get you yet
Romeo, romeo, I want to be your juliet
So step it high, step it low
Step it out and in
Step to the side and let it slide
Then steppin up again
Step on toes, it all goes
Steppin as you please
But Im one step away from love
So dont step out on me
Chorus:
Romeo, romeo, romeo with the magic feet
So step it high, step it low
Step it out and in
Step to the side and let it slide
Then steppin up again
Step on toes, it all goes
Steppin as you please
But Im one step away from love
So dont step out on me
Tag:
Romeo, romeo

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Ole Ola

When the blue shirts run out in Argentina
Our hearts will be beating like a drum
And your nerves are so shattered you can't take it
Automatically you reach out for the run
But there really isn't any cause for panic
Ally's army had it all under control
It's not merely speculations
It's not just imagination
To bring the World Cup home is Scotland's goal
Ole ola, Ole ola
We're gonna bring that World Cup back from over there
Ole ola, Ole ola
We're gonna bring that World Cup back from over there
We got Dalglish, Buchan and Macari
We got Archie Gemmill, Johnstone and McQueen
We got Big Joe Jordan waiting at the middle and the best support
This world has ever seen
We got Donachie, Rioch and Don Masson
We got Andy Gray and Asa Hartford too
And with this lethal combination it's a fair estimation
That the World Cup will be ours the end of June
Ole ola, Ole ola
We're gonna bring that World Cup back from over there
Ole ola, Ole ola
We're gonna bring that World Cup back from over there
Oh, Brazil, this time I don't think so
Holland without Cruyff just ain't the same
Germany will, we feel,be a challenge
The Italians can still play the game
But there's really only one team in it
We'll be singing as we'll get off of the plane
We are bound for Buenos Aires, we don't care just what they tell us
Only wish we had Danny McGrain
Ole ola, Ole ola
We're gonna bring that World Cup back from over there
Willie Johnstone, then it goes to Dalglish. Lou Macari supporting. There's on opener, defended by Buchan, there's Kenny Dalglish in there. Oh, what a goal!Oh, yes! That does it!
They'll be singing up there in Aberdeen and Dundee
Glasgow will be reaching fever pitch
Cause with a nation of five million we're gonna really turn the heat on
Cause we invented football anyway
Ole ola, Ole ola
We're gonna bring that World Cup back from over there Yes, we are
Ole ola, Ole ola
We're gonna bring that World Cup back from over there
Ole ola, Ole ola
We're gonna bring that World Cup back from over there All together now:
Ole ola, Ole ola
We're gonna bring that World Cup back from over there. One more
Ole ola, Ole ola
We're gonna bring that World Cup back from over there Yes, we are

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Joan and Romeo's Juliet

Once upon a time,
There was a Romeo and a Juliet
But Juliet was really Joan
who left Romeo to lead the captives to victory
Then captured and put on trial for heresy
After judgment was rendered, but before being burned at the stake,
a peasant girl loosened Joan's chains and won her heart
They Escaped to France to
live happily ever after in eachother's arms

Romeo got elected to congress
And as he rose in power,
He set out to win back Juliet
Only to find that his efforts were in vain
So on one very dark day,
He stole Juliet's lover away

Joan offered ransom for her lover
Romeo gave a counter-offer
And in France at sunset
Romeo and Joan met
Over coffee
To negotiate the heart of Romeo's discontent
An offer to let Joan's lover go
In exchange for Joan to return as Juliet
And it was so
That her lover was let go...

But empty beds do lie a lover's soul
That cannot bear to take in the sunlight all alone
And so it was, that Joan's lover died of a broken heart
After coming home to find a note
'Had to return to Romeo. Love Joan xoxo'

Upon hearing her lover's fate
Joan, a version of her former Juliet self,
Took upon her lips a mix of poisons sure to set Joan free
From the Juliet of her Romeo
To live in heaven with her lover happily

Soon after, Romeo returned, anticipating a Juliet open and waiting
But saw instead that death had taken hold
Realizing too late - that Juliet was always Joan

And Romeo, who swore he would live with no other,
that he could never recover...indefinitely,
the very next day,
married his press secretary

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Romeo

My baby wears his heart on his sleeve
He wears a look on his face that says please please please
Love it everything he flaunts love it
Everything he vaunts I just cant hesitate
When he wants what he wants
Oh chucka, oh chucka, oh chucka, oh chucka
And I said oh chucka, oh chucka, oh chucka, oh chucka
Last night he calls me on the telephone
You know at two in the morning I just want to sleep on
But he got a way with words and
He got a way with charm
You know at three in the morning hes back into my arms
And I said oh chucka, oh chucka, oh chucka, oh chucka
And I said oh chucka, oh chucka, oh chucka, oh chucka
Hes the boy, hes the boy, hes the boy, hes the boy
Hes my romeo oh, oh
Hes the boy, hes the boy, hes the boy, hes the boy
Hes my r-o-m-e-o, romeo
Hes the boy, hes the boy, hes the boy, hes the boy
Hes my romeo oh, oh
Hes the boy, hes the boy, hes the boy, hes the boy
Hes mine
My my romeo, my my romeo, my my romeo, my my romeo
He looks so good the girls stop and stare
But I soon wanna look with his double dark hair
Im not gonna let him go
Im not taking any chance
Its a one in million mad mad romance
Oh chucka, oh chucka, oh chucka, oh chucka
Oh chucka, oh chucka, oh chucka, oh chucka
Hes the boy, hes the boy, hes the boy, hes the boy
Hes my romeo oh, oh
Hes the boy, hes the boy, hes the boy, hes the boy
Hes my r-o-m-e-o, romeo
Hes the boy, hes the boy, hes the boy, hes the boy
Hes my romeo oh, oh
Hes the boy, hes the boy, hes the boy, hes the boy
Hes mine, romeo
My my romeo, my my romeo
Hes my romeo
My my romeo
Hes my romeo
My my romeo, hes my romeo
My romeo..

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Romeo Vs Juliet

Romeo: I'm searching for another woman
Juliet : You think I'm innocent young girl
Romeo: In my enemy's house party
Juliet : Why are you looking love when there's only hatred?
Romeo: You are rose that has many thorns
Juliet : I know you are under my balcony
Romeo: So I say I will throw my name
Juliet : Am I that fool to believe sweet words?
Romeo: We swear love when there's only hatred
Juliet : I lost my cousin for your tragic friend
Romeo: They are too honest and brave to follow our game
Juliet : You leave me with another spoiled boy
Romeo: There's not other ways besides runaway
Juliet : For whom this trick I must play now?
Romeo: You don't tell me before I drink my poison
Juliet : You don't tell me before I stab my heart
Romeo & Juliet: Could this pain be love when there's only hatred?

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Marmion: Canto II. - The Convent

I.

The breeze, which swept away the smoke,
Round Norham Castle rolled,
When all the loud artillery spoke,
With lightning-flash, and thunder-stroke,
As Marmion left the hold.
It curled not Tweed alone, that breeze,
For, far upon Northumbrian seas,
It freshly blew, and strong,
Where, from high Whitby's cloistered pile,
Bound to St. Cuthbert's holy isle,
It bore a barque along.
Upon the gale she stooped her side,
And bounded o'er the swelling tide,
As she were dancing home;
The merry seamen laughed to see
Their gallant ship so lustily
Furrow the green sea-foam.
Much joyed they in their honoured freight;
For, on the deck, in chair of state,
The Abbess of Saint Hilda placed,
With five fair nuns, the galley graced.

II.

'Twas sweet to see these holy maids,
Like birds escaped to greenwood shades,
Their first flight from the cage,
How timid, and how curious too,
For all to them was strange and new,
And all the common sights they view,
Their wonderment engage.
One eyed the shrouds and swelling sail,
With many a benedicite;
One at the rippling surge grew pale,
And would for terror pray;
Then shrieked, because the sea-dog, nigh,
His round black head, and sparkling eye,
Reared o'er the foaming spray;
And one would still adjust her veil,
Disordered by the summer gale,
Perchance lest some more worldly eye
Her dedicated charms might spy;
Perchance, because such action graced
Her fair-turned arm and slender waist.
Light was each simple bosom there,
Save two, who ill might pleasure share -
The Abbess and the novice Clare.

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Rokeby: Canto III.

I.
The hunting tribes of air and earth
Respect the brethren of their birth;
Nature, who loves the claim of kind,
Less cruel chase to each assign'd.
The falcon, poised on soaring wing,
Watches the wild-duck by the spring;
The slow-hound wakes the fox's lair;
The greyhound presses on the hare;
The eagle pounces on the lamb;
The wolf devours the fleecy dam:
Even tiger fell, and sullen bear,
Their likeness and their lineage spare,
Man, only, mars kind Nature's plan,
And turns the fierce pursuit on man;
Plying war's desultory trade,
Incursion, flight, and ambuscade,
Since Nimrod, Cush's mighty son,
At first the bloody game begun.

II.
The Indian, prowling for his prey,
Who hears the settlers track his way,
And knows in distant forest far
Camp his red brethren of the war;
He, when each double and disguise
To baffle the pursuit he tries,
Low crouching now his head to hide,
Where swampy streams through rushes glide
Now covering with the wither'd leaves
The foot-prints that the dew receives;
He, skill'd in every sylvan guile,
Knows not, nor tries, such various wile,
As Risingham, when on the wind
Arose the loud pursuit behind.
In Redesdale his youth had heard
Each art her wily dalesmen dared,
When Rooken-edge, and Redswair high,
To bugle rung and bloodhound's cry,
Announcing Jedwood-axe and spear,
And Lid'sdale riders in the rear;
And well his venturous life had proved
The lessons that his childhood loved.

III.
Oft had he shown, in climes afar
Each attribute of roving war;
The sharpen'd ear, the piercing eye,
The quick resolve in danger nigh;
The speed, that in the flight or chase,

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Dad

I've knowed ole Flood this last five year or more;
I knoo 'im when 'is Syd went to the war.
A proud ole man 'e was. But I've watched 'im,
An' seen 'is look when people spoke uv Jim:
As sour a look as most coves want to see.
It made me glad that this 'ere Jim weren't me.

I sized up Flood the first day that we met
Stubborn as blazes when 'is mind is set,
Ole-fashioned in 'is looks an' in 'is ways,
Believin' it is honesty that pays;
An' still dead set, in spite uv bumps 'e's got,
To keep on honest if it pays or not.

Poor ole Dad Flood, 'e is too old to fight
By close on thirty year; but if I'm right
About 'is doin's an' about 'is grit,
'E's done a fair bit over 'is fair bit.
They are too old to fight, but, all the same,
'Is kind's quite young enough to play the game.

I've 'eard it called, this war - an' it's the truth
I've 'eard it called the sacrifice uv youth.
An' all this land 'as reckernized it too,
An' gives the boys the praises that is doo.
I've 'eard the cheers for ev'ry fightin' lad;
But, up to now, I ain't 'eard none for Dad.

Ole Flood, an' all 'is kind throughout the land,
They aint' been 'eralded with no brass band,
Or been much thought about; but, take my tip,
The war 'as found them with a stiffened lip.
'Umpin' a load they thought they'd dropped for good,
Crackin' reel 'ardy, an' - jist sawin' wood.

Dad Flood, 'is back is bent, 'is strength is gone;
'E'd done 'is bit before this war come on.
At sixty-five 'e thought 'is work was done;
'E gave the farmin' over to 'is son,
An' jist sat back in peace, with 'is ole wife,
To spend content the ev'nin' of 'is life.

Then comes the war. An' when Syd 'esitates
Between the ole folk an' 'is fightin' mates,
The ole man goes outside an' grabs a hoe.
Sez 'e, 'Yeh want to, an' yeh ought to go.
Wot's stoppin' yeh?' 'E straightens 'is ole frame.
'Ain't I farmed long enough to know the game?'

There weren't no more to say. An' Syd went - West:

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Ole Mulholland

Hey, sleepy monster in the sand
Time to get up and have a drink
Pacific rim has a tank that thinks
That she is really something grand
Let me tell you about
When I was hanging out
Just in my dothi
Running in the dawn
Right across my lawn
I saw a coyote
Ole, ole, ole for mulholland
See the water fall
And hooray, hooray the sky is falling
Down on bradburys mall
Ole, ole, ole for mulholland
All waxed in pride
Ive got a comfortable ride
And man, she could take us
Out across the salts
Right out of these faults
And on into vegas
So slept a monster in the dune
Woke him up and then he drank
Pacific rim has a think tank
But does she have iq for the moon?
The concrete of the aquaduct
Will last as long as the pyramid of egypt
Or the parthenon of athens
Long after joe harriman is elected major of los angeles
Ole, ole, ole for mulholland
See the water fall
And hooray, hooray the ants are crawling
Down in bradburys mall
Ole, ole, ole for mulholland
Yeah, its quite a sprawl
And hooray, hooray the sky is falling
Down on bradburys mall
Ole, ole, ole for mulholland
Ole

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Romeo And Juliet

Romeo and Juliet" was written by Mark Knopfler of Dire Straits, and
appears on that band's 1980 album, "Making Movies." Amy Ray has
performed it fairly regularly since at least 1987. It's always been
one of my favorite DS songs, and I was pretty floored when I first
heard Amy do it, so I once asked her about it. She claimed that she
was inspired to cover it after she saw Dire Straits on their
"Brothers in Arms" tour. She felt that the arrangement that they
were using for the tour really lacked the edge of the "Making Movies"
version, and she wanted to try to bring back that edge. Which she
does, because her stripped-down version is PURE edge. (Personally,
though, I LOVED the DS arrangement from the "Brothers in Arms" tour -
I like it better than the original, in fact.) Anyway... Amy tends
to improvise with this one a bit, so I just transcribed the lyrics
off of "Making Movies."
Romeo and Juliet.
A lovestruck Romeo sings the streets a serenade
Laying everybody low with a love song that he made
Finds a streetlight, steps out of the shade
Says something like "You and me, babe, how about it?"
Juliet says "Hey, it's Romeo! You nearly give me a heart attack!"
He's underneath the window,
She's singing "Hey-la, my boyfriend's back -
You shouldn't come around here singing up at people like that!
Anyway, whatcha gonna do about it?"
Juliet, the dice was loaded from the start
And I bet and you exploded into my heart
And I forget, I forget the movie song
When you gonna realize it was just that the time was wrong, Juliet?
We come up on different streets
They both were streets of shame
Both dirty, both mean
Yes, and the dream was just the same
And I dreamed your dream for you
And now your dream is real
How can you look at me as if I was just another one of your deals?
When you can fall for chains of silver
You can fall for chains of gold
You can fall for pretty strangers and the promises they hold
You promised me everything - You promised me thick and thin, yeah
Now you just say "Oh, Romeo, yeah,
You know I used to have a scene with him."
Juliet, when we made love you used to cry
You said "I love you like the stars above, I'll love you till I die"
There's a place for us
You know the movie song
When you gonna realize it was just that the time was wrong, Juliet?
I can't do the talks like they talk on the TV
And I can't do a love song like the way its meant to be
I can't do everything but I'll do anything for you
I can't do anything except be in love with you

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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

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Song of Wink Star

The Song of Wink Star
a happy story for children of all ages
story and text © Raj Arumugam, June 2008

☼ ☼

☼ Preamble

Come…children all, children of all ages…sit close and listen…
Come and listen to this happy story of the stars and of life…
Come children of the universe, children of all nations and of all races, and of all climates and of all kinds of space and dimensions and universes…
Come, dearest children of all beings of the living universe, come and listen to The Song of Wink Star…

Come and listen to this story, this happy story…listen, as the story itself sings to you

Sit close then, and listen to the story that was not made by any, or written by a poet, or fashioned by grandfathers and grandmothers warming themselves at the fire of burning stars…

O dearest children all, come and listen to the story that lives
of itself, and that glows bright and happy….

Come…children all, children of all ages, come and listen to this happy story, the story so natural and smooth as life, as it sings itself to you….


The Song of Wink Star
a happy story for children of all ages


☼ 1


Night Child, always so light and gentle, slept on a flower.
And every night, before he went to sleep, he would look up at the sky.
He would look at the eastern corner, five o’clock.

And there he would see all the stars in near and distant galaxies that were only visible to the People of Star Eyes.

Night Child was one of the People of Star Eyes. And so he could see the stars. And of all the stars he could see, he loved to watch Wink Star.

Wink Star twinkled and winked and laughed.
Every night Wink Star did that. Winked and laughed.

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Hank And Lefty

Daddy had a 1949 ford
When I was just about ten years old
We would listen to Hank and Lefty on the radio
''Why Don't You Love Like You Used to Do?''
And ''Just Look What Thoughts Will Do.''
Old Hank and Lefty raised my country soul.
Chours:
Now I learned how to sing and shuffle my shoes
Listin to Hank sing the ''Lovesick Blues.''
We never met Ol' Hank but we was awful close
Cut my teeth on ''Always Late.''
And ''I Love You a Thousand Ways.''
Ol' Hank and Lefty raised my country soul.
--- Instrumental ---
Daddy said the hair on his neck would crawl
When old Hank sang about the light he saw
Hank sure put a whole lot of heart in the songs he wrote
Everytime daddy got a little bit tight
''Mom and Dad's Waltz'' would make him cry
Old Hank and Lefty raised my country soul.
Chours:
Now I learned how to sing and shuffle my shoes
Listin to Hank sing the ''Lovesick Blues.''
We never met Ol' Hank but we was awful close
Cut my teeth on ''Always Late.''
And ''I Love You a Thousand Ways.''
Ol' Hank and Lefty raised my country soul.
Old Hank and Lefty raised my country soul.
Old Hank and Lefty raised my country soul...

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De Stove Pipe Hole

Dat's very cole an' stormy night on Village St. Mathieu,
W'en ev'ry wan he's go couché, an' dog was quiet, too--
Young Dominique is start heem out see Emmeline Gourdon,
Was leevin' on her fader's place, Maxime de Forgeron.

Poor Dominique he's lak dat girl, an' love her mos' de tam,
An' she was mak' de promise--sure--some day she be his famme,
But she have worse ole fader dat's never on de worl',
Was swear onless he's riche lak diable, no feller's get hees girl.

He's mak' it plaintee fuss about hees daughter Emmeline,
Dat's mebbe nice girl, too, but den, Mon Dieu, she's not de queen!
An' w'en de young man's come aroun' for spark it on de door,
An' hear de ole man swear 'Bapteme!' he's never come no more.

Young Dominique he's sam' de res',--was scare for ole Maxime,
He don't lak risk hese'f too moche for chances seein' heem,
Dat's only stormy night he come, so dark you cannot see,
An dat's de reason w'y also, he's climb de gallerie.

De girl she's waitin' dere for heem--don't care about de rain,
So glad for see young Dominique he's comin' back again,
Dey bote forget de ole Maxime, an' mak de embrasser
An affer dey was finish dat, poor Dominique is say--

'Good-bye, dear Emmeline, good-bye; I'm goin' very soon,
For you I got no better chance, dan feller on de moon--
It's all de fault your fader, too, dat I be go away,
He's got no use for me at all--I see dat ev'ry day.

'He's never meet me on de road but he is say 'Sapré!'
An' if he ketch me on de house I'm scare he's killin' me,
So I mus' lef' ole St. Mathieu, for work on 'noder place,
An' till I mak de beeg for-tune, you never see ma face.'

Den Emmeline say 'Dominique, ma love you'll alway be
An' if you kiss me two, t'ree tam I'll not tole noboddy--
But prenez garde ma fader, please, I know he's gettin ole--
All sam' he offen walk de house upon de stockin' sole.

'Good-bye, good-bye, cher Dominique! I know you will be true,
I don't want no riche feller me, ma heart she go wit' you.'
Dat's very quick he's kiss her den, before de fader come,
But don't get too moche pleasurement--so 'fraid de ole Bonhomme.

Wall! jus' about dey're half way t'roo wit all dat love beez-nesse
Emmeline say, 'Dominique, w'at for you're scare lak all de res?
Don't see mese'f moche danger now de ole man come aroun','
W'en minute affer dat, dere's noise, lak' house she's fallin' down.

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Big Ole Butt

I was at the mall, sippin on a milkshake
Playin the wall, takin a break
Admirin the girls with the bamboo earings
Baby hair and bodies built to swing
Thats when I seen her
Her name was tina
Grace and poise kinda like a ballerina
I said, how you doin, my names big l
Dont ask me how Im livin, cause, yo, Im living swell
But then again Im livin kind of foul
cause my girl dont know that Im out on the prowl
To make a long story short, I got the digits
Calls her on my car phone and paid her a visit
I was spankin her and thankin her, chewin her and doin her
Layin like a king on sheets of satin
Thats what time it is, you know whats happenin
She had a big ole booty, I was doin my duty
I mean, yo, I admit that my girls a cutie
But tina was erotic, earls my witness
With the kind of legs that put stockings out of business
When I went home, I kissed my girl on the cheek
But in the back of my mind it was this big butt freak
I sat my girl down, I couldnt hold it in
And said to her with a devilish grin...
Tina got a big ole butt
I know I told you Id be true
But tina got a big ole butt
So Im leavin you
Tina got a big ole butt
I know I told you Id be true
But tina got a big ole butt
So Im leavin you
I went to the high school about three oclock
To try to catch a cutie ridin my jock
My homeboys jeep, the system blastin
Cold forty dogs, smilin and laughin
Girls all over, the kind I adore
I felt like a kid in a candy store
Thats when I seen her
Her name was brenda
She had the kind of booty that Id always remember
I said to my man, stop the jeep
Shes only senteen but, yo, dont sleep
I kicked the bass like an nfl punter
And scoped the booty like a big game hunter
I said to the girl, yo, you look tired
Lets go get some rest, relax by the fire
I put the big booty on a bearskin rug
She gave me a kiss, I have her a hug
I said to the girl, them young boys aint nothin

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