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Margaritaville (feat. Jimmy Buffet)

[ duet with Jimmy Buffett ]
Nibblin' on sponge cake watchin' the sun bake all of those tourists covered with oil
Strummin' my six string on my front porch swing
Smell those shrimps they're beginning to boil
Wastin' away again in Margaritaville searching for my last shaker of salt
Some people claim that there's a woman to blame but I know it's nobody's fault
I don't know the reason to stay here all season
With nothing to show but this brand new tattoo
But it's a real beauty a Mexican cutie how it got here I haven't a clue
Wastin' away again in Margaritaville searching for my last shaker of salt
Some people claim that there's a woman to blame now I think must be Buffett's fault
[ steel - mandolin ]
I blew out my flip-flop stepped on a pop-top
Broke my legs crise on my way back home
But there's booze in the blender and soon it will render
That frozen concoction that helps me hang on hang on
Wastin' away again in Margaritaville searching for my last shaker of salt
Some people claim that there's a woman to blame but I know this is all Alan's fault
Some people claim that there's a woman to blame but I know it's all damn fault

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Margaritaville

By: jimmy buffett
1977
Nibblin on sponge cake
Watchin the sun bake
All of those tourists covered with oil
Strummin my six-string
On my front porch swing
Smell those shrimp theyre beginnin to boil
Chorus:
Wastin away again in margaritaville
Searching for my lost shaker of salt
Some people claim that theres a woman to blame
But I know its nobodys fault
I dont know the reason
I stayed here all season
Nothin to show but this brand new tattoo
But its a real beauty
A mexican cutie
How it got here I havent a clue
Chorus:
Wastin away again in margaritaville
Searchin for my lost shaker of salt
Some people claim that theres a woman to blame
Now I think
Hell, it could be my fault
I blew out my flip-flop
Stepped on a pop-top
Cut my heel had to cruise on back home
But theres booze in the blender
And soon it will render
That frozen concoction that helps me hang on
Wastin away again in margaritaville
Searching for my lost shaker of salt
Some people claim that theres a woman to blame
But I know its my own damn fault
Yes and some people claim that theres a woman to blame
And I know its my own damn fault

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Margaritaville

Nibblin' on sponge cake
Watchin' the sun bake
All of those tourists covered in oil
Strummin' my six-string
On my front porch swing
Smell those shrimp hey they're beginnin' to boil
Chorus:
Wasted away again in margaritaville
Searching for my lost shaker of salt
Some people claim that there's a woman to blame
But i know it's nobody's fault
I don't know the reason
I stayed here all season
Nothin' to show but this brand new tattoo
But it's a real beauty
A mexican cutie
How it got here i haven't a clue
Chorus:
Wasted away again in margaritaville
Searchin' for my lost shaker of salt
Some people claim that there's a woman to blame
Now i think
Must be buffet's fault
I blew out my flip-flop
Stepped on a pop-top
Broke my leg twice i had to limp on back home
But there's booze in the blender
And soon it will render
That frozen concoction that helps me hang on
Hang on
Wasted away again in margaritaville
Searching for my lost shaker of salt
Some people claim that there's a woman to blame
But i know this is all alan's fault
Yes and some people claim that there's a woman to blame
And i know it's our own damn fault

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Swing It

(jon-jon/babyface/r.phillips)
Oh yeah
Hey hey
I wanna know, do you have style?
The kind of style that makes a woman want to lose her mind
And I wanna know when you make it worth my time
Will it be like all the rest wont give you best, just fall behind
coz I wanna know what turns you on
And you keep the loving strong
coz with me you dont have to ask
coz Im the woman thatll give you what you need
Tell me
Do you think you can swing a little time with me
Swing it, swing it
Ill be all that you need
Do you think you can swing a little time with me
Swing it, swing it
Ill be all that you need
Theres not a thing that I wont do
Once I find a man that gives me love its kind of cool
Take any night by candlelight
I wanna be to you the one you never had before
coz I wanna know what turns you on
And you keep the loving strong
coz with me you dont have to ask
coz Im the woman thatll give you what you need
Tell me, tell me, tell me
Do you think you can swing a little time with me
Swing it, come on
Ill be all that you need
Do you think you can swing a little time with me
Swing it, swing it
Ill be all that you need
Do you think you can swing a little time with me
Swing it, swing it
Ill be all that you need
Do you think you can swing a little time with me
Swing it, swing it
Ill be all that you need
Do you think you can swing a little time with me
Swing it, swing it
Ill be all that you need
coz I wanna know what turns you on
Oh baby, keep it strong
You dont have to ask
coz Im the woman thatll give you what you need
Tell me
Swing it, swing it, swing it with me
Come on baby
Swing it, swing it, swing it with me

[...] Read more

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The Baker Man

Well here comes a dance that will never be banned now
(Patty cake patty cake baker's man)
Yeah, stolen from a story called "The Baker's Man" now
(Patty cake patty cake baker's man)
(Choo choo choo choo-do choo choo)
It's impossible too sweet to cross the land????
(Patty cake patty cake)
Put your favorite records on and start the show now
(Patty cake patty cake baker's man)
Abra-cadabra look at everyone go now
(Patty cake patty cake baker's man)
(Choo choo choo choo-do choo choo)
Alakazam this dance has got to grow now
(Patty cake patty cake)
Well they tell me that it's optional to use your feet
But now you really don't need them if you keep your beat
Well Arthur Murray's gettin' blurry tryin' to learn that jive
When all the kids from coast to coast are really comin' alive
Well go tell the gang what a time you've had now
(Patty cake patty cake baker's man)
This Friday night we'll start a regular fad now
(Patty cake patty cake baker's man)
(Choo choo choo choo-do choo choo)
We'll do the Baker 'til it drives us mad now
(Patty cake patty cake)
(Patty cake patty cake baker's man)
(Patty cake patty cake baker's man)
(Patty cake patty cake baker's man)
(Patty cake patty cake baker's man)
(Choo choo choo choo-do choo choo)
(Patty cake patty cake baker's man)
Come on and take a lesson now
(Patty cake patty cake baker's man)
Clap your partner's hands
(Patty cake patty cake baker's man)
Not too hard
(Patty cake patty cake baker's man)
Now slap her in the face
(Patty cake patty cake baker's man)
What a disgrace
(Choo choo choo choo-do choo choo)
(Patty cake patty cake)
(Patty cake patty cake baker's man

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It's Five O'clock Somewhere

The sun is hot and that old clock is movin' slow,
An' so am I.
Work day passes like molasses in wintertime,
But it's July.
I'm gettin' paid by the hour, an' older by the minute.
My boss just pushed me over the limit.
I'd like to call him somethin',
I think I'll just call it a day.
Pour me somethin' tall an' strong,
Make it a "Hurricane" before I go insane.
It's only half-past twelve but I don't care.
It's five o'clock somewhere.
Oh, this lunch break is gonna take all afternoon,
An' half the night.
Tomorrow mornin', I know there'll be hell to pay,
Hey, but that's all right.
I ain't had a day off now in over a year.
Our Jamaican vacation's gonna start right here.
if the 'phones for me,
You can tell 'em I just sailed away.
An' pour me somethin' tall an' strong,
Make it a "Hurricane" before I go insane.
It's only half-past twelve but I don't care.
It's five o'clock somewhere.
I could pay off my tab, pour myself in a cab,
An' be back to work before two.
At a moment like this, I can't help but wonder,
What would Jimmy Buffett do?
JIMMY BUFFETT:
Funny you should ask Alan,
I'd say:
Pour me somethin' tall an' strong,
Make it a "Hurricane" before I go insane.
It's only half-past twelve but I don't care.
ALAN JACKSON & JIMMY BUFFETT:
Pour me somethin' tall an' strong,
Make it a "Hurricane" before I go insane.
It's only half-past twelve but I don't care.
He don't care.
I don't care.
It's five o'clock somewhere.
JIMMY BUFFETT:
What time zone am I on? What country am I in?
ALAN JACKSON:
It doesn't matter, it's five o'clock somewhere.
JIMMY BUFFETT:
It's always on five in Margaritaville, come to think of it.
ALAN JACKSON:
Yeah, I heard that.
JIMMY BUFFETT:

[...] Read more

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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

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From Seats to Feet

A style that brings the people,
From seats to feet...
Is something that isn't easily done.
Especially if more than a few are pleased.

This is a skill of a master,
Unmasked.
And more than any other,
Who has crafted a task.

And it...
Takes a chef to know just how to bake a cake.
It takes a chef to know just how to bake a cake.
Yes it,
Takes a chef to know just how to bake a cake.
To whip a cake to taste takes more than a...
Shake and bake!

A style that brings the people,
From seats to feet...
Is something that isn't easily done.
This is a skill of a master,
Unmasked.
And more than any other,
Who has crafted a task.

And it...
Takes a chef to know just how to bake a cake.
It takes a chef to know just how to bake a cake.
Yes it,
Takes a chef to know just how to bake a cake.
To whip a cake to taste takes more than a...
Shake and bake!

No need to ask a master what is the task.
When people move from seats to feet,
They've been razz-a-ma-tazzed.

And it...
Takes a chef to know just how to bake a cake.
It takes a chef to know just how to bake a cake.
Yes it,
Takes a chef to know just how to bake a cake.
To whip a cake to taste takes more than a...
Shake and bake!

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Jimmy

Jimmy
It started out with a few misfortunes
His daddy ran off with some broad from the motown
When momma said we're leavin tomorrow
Jimmy already had his things together
So many days of thinking of the past
The girl he left behind and hangin out in the
free streets
Somehow Jimmy had survived his reflections
The broken glass in his hands, a noose before him
Said he did it before
He's gonna do it again
Give him a fix and a bottle and he won't complain
Until he's blue in the face
Jimmy's the leader of a losin' race
Hey Jimmy did you learn your lesson
You always know what you were missin'
Hey Jimmy did you solve the problem
Just a kid with no direction
Some people say it was fright that drove him
But Jimmy knows who's really scared of difference
The whipping boy won't take his beating
It only left them alone to their thinking
Of how he knew what they could never know
And he would live and learn to be himself
through his mistakes
Watch and laugh, pretend they were okay
Waiting for things to change is just another day
Said he did it before
He's gonna do it again
Give him a fix or a bottle and he won't complain
Until he's blue in the face
Jimmy's the leader of a losing race
Hey Jimmy did you learn your lesson
You always knew what you were missin'
Hey Jimmy did you solve the problem
Just a kid with no direction
Hey Jimmy don't you walk away
We'll look at life according to me
You're my life support auto biography
Hey Jimmy take a look inside
Let's take a chance, enjoy the ride
Impressions don't die
No one knew your story
Hey Jimmy did you learn you lesson
You always knew what you were missin' (Jimmy)
Hey Jimmy did you solve the problem
Just a kid with no direction (Jimmy)
Hey Jimmy did you learn your lesson
You always knew what you were missin' (Jimmy)

[...] Read more

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Homer

The Odyssey: Book 21

Minerva now put it in Penelope's mind to make the suitors try
their skill with the bow and with the iron axes, in contest among
themselves, as a means of bringing about their destruction. She went
upstairs and got the store room key, which was made of bronze and
had a handle of ivory; she then went with her maidens into the store
room at the end of the house, where her husband's treasures of gold,
bronze, and wrought iron were kept, and where was also his bow, and
the quiver full of deadly arrows that had been given him by a friend
whom he had met in Lacedaemon- Iphitus the son of Eurytus. The two
fell in with one another in Messene at the house of Ortilochus,
where Ulysses was staying in order to recover a debt that was owing
from the whole people; for the Messenians had carried off three
hundred sheep from Ithaca, and had sailed away with them and with
their shepherds. In quest of these Ulysses took a long journey while
still quite young, for his father and the other chieftains sent him on
a mission to recover them. Iphitus had gone there also to try and
get back twelve brood mares that he had lost, and the mule foals
that were running with them. These mares were the death of him in
the end, for when he went to the house of Jove's son, mighty Hercules,
who performed such prodigies of valour, Hercules to his shame killed
him, though he was his guest, for he feared not heaven's vengeance,
nor yet respected his own table which he had set before Iphitus, but
killed him in spite of everything, and kept the mares himself. It
was when claiming these that Iphitus met Ulysses, and gave him the bow
which mighty Eurytus had been used to carry, and which on his death
had been left by him to his son. Ulysses gave him in return a sword
and a spear, and this was the beginning of a fast friendship, although
they never visited at one another's houses, for Jove's son Hercules
killed Iphitus ere they could do so. This bow, then, given him by
Iphitus, had not been taken with him by Ulysses when he sailed for
Troy; he had used it so long as he had been at home, but had left it
behind as having been a keepsake from a valued friend.
Penelope presently reached the oak threshold of the store room;
the carpenter had planed this duly, and had drawn a line on it so as
to get it quite straight; he had then set the door posts into it and
hung the doors. She loosed the strap from the handle of the door,
put in the key, and drove it straight home to shoot back the bolts
that held the doors; these flew open with a noise like a bull
bellowing in a meadow, and Penelope stepped upon the raised
platform, where the chests stood in which the fair linen and clothes
were laid by along with fragrant herbs: reaching thence, she took down
the bow with its bow case from the peg on which it hung. She sat
down with it on her knees, weeping bitterly as she took the bow out of
its case, and when her tears had relieved her, she went to the
cloister where the suitors were, carrying the bow and the quiver, with
the many deadly arrows that were inside it. Along with her came her
maidens, bearing a chest that contained much iron and bronze which her
husband had won as prizes. When she reached the suitors, she stood
by one of the bearing-posts supporting the roof of the cloister,
holding a veil before her face, and with a maid on either side of her.

[...] Read more

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Chauvinist

I’d never really comprehended such a mighty range of
Shapes and sizes down behind, its really rather strange:
The buttock muscle in a woman, overlaid with fat
Is actually such a focal point for men to want to pat

Or squeeze, and then to tease her if its eminently stout,
Or even risk a stay in clink to sting it with a clout!
After all, we men are tuned to be that way inclined –
And tho’ our needs are varied, girls, theyre all perverse of mind!

Best of all, our sacred dream: to see her shed her gown
When gliding to the shower for the ritual sponging down.
But then alas! With body lathered, oops! she drops the soap;
‘Please! ’ we beg her, ‘bend and bare! ’ But we can only hope!

I’m sure by now you get the picture – like a rule of thumb –
That men like me obsess all day about the fairer bum.


Copyright © Mark R Slaughter 2010

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Take Your Life Off Pause

If you hesitate to bake it,
You or anyone will get to taste the cake.
Why is there a procrastination?
What is it you await to negotiate?
You will never know how that cake is rated.
Or even worthy of debate.
If you hestitate to bake it,
Pointless becomes the time wasted.

Take your life off pause,
Because you're seeking first to appease.
Take your life off pause,
Add to your life flavor.
Don't be afraid to dip into mystique.

Take your life off pause and bake it.
Take your life off pause and bake that cake.
Take your life off pause don't you fake it.
Take your life off pause don't wait too late.
Take your life off pause.
And...
Eliminate those tightened jaws.

You will never know how that cake is rated.
Or even worthy of debate.
If you hestitate to bake it,
Pointless is the time you waste.

Take your life off pause!
Bake and taste it.
And...
Take your life off pause.
Why negotiate?

Take your life off pause!
Bake and taste it.
And...
Take your life off pause.
Don't wait too late.

Take your life off pause!
Bake and taste it.
And...
Take your life off pause.
There is no need to debate.

Take your life off pause and bake it.
Take your life off pause and bake that cake.
Take your life off pause don't you fake it.
Take your life off pause don't wait too late.

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Mr. Spaceman

Performed by jimmy buffett, the great gonzo, and rizzo the rat
From kermit unpigged - jim henson records bmg kidz.
(talking)
Rizzo: hey look gonzo, jimmy's buffet!
Gonzo: oh, no no no no/ that's jimmy buffett. he's recording in there.
Come on let's go say hello.
Rizzo: no thanks, i saw a sign down the hall that said meatloaf.
Gonzo: well i'm going to see jimmy...
Gonzo: hello jimmy
Jimmy: gonzo
Gonzo: hey, you don't look so good
Jimmy: i had the most amazing night last night
(singing)
Jimmy: woke up this morning, with light in my eye,
And then realized it was still dark outside.
It was a light coming down from the sky.
I don't know who or why
Gonzo: must be those strangers that come every night,
Whose saucer shaped light, put people uptight.
Leave blue green footprints that glow in the dark.
I hope they get home alright.
(chorus)
Both: hey mr. spaceman,
Won't you please take me along.
I won't do anything wrong.
Hey mr. spaceman,
Won't you please take me along for the ride.
Jimmy: woke up this morning,
I was feeling quite weird.
Had flies in my ear and my toothpaste was smeared.
Opened my window,
They had written my name.
Both: said so long, we'll see you again.
(chorus)
Both: hey mr. spaceman,
Won't you please take me along.
I won't do anything wrong.
Hey mr. spaceman,
Won't you please take me along for the ride.
(talking)
Rizzo: hey you two.
Gonzo: what do you want rizzo?
Rizzo: you won't believe this, but there's a space ship outside.
Jimmy: oh yeah, i knew they'd come back for me.
Rizzo: what!
Jimmy: come on boys, let's go
Gonzo: yeah, let's go
Rizzo: no way, i'm not goin up in that thing.
Gonzo: oh rizzo
(singing)

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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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Astranaza

Hey girl, you're the one
That got me started
And i bet you'll be
The one to get us parted
In the beginning, in the beginning
You were the only one
In the beginning, in the beginning
Now everybody's had their fun
How i'm wishing
We could live together
Ooh, but the answer
In your eyes is never
In the beginning, in the beginning
You were the only one
In the beginning, in the beginning
Everybody's had their fun
Well, you and me
And we know what we're saying
To the rest of them
It's a game we're playing
In the beginning, in the beginning
We were the only one
In the beginning, in the beginning
Everybody else will come
How i'm wishing
We could live together
Ooh, but the answer
In your eyes is never, never
In the beginning, in the beginning
You were the only one
In the beginning, in the beginning
Or the mother of my son
In the beginning, in the beginning
You were the only one
In the beginning, in the beginning
Everybody had their fun
How i'm wishing
We could live together
But the answer in your eyes is never
In the beginning, in the beginning
You were the only one
In the beginning, in the beginning
Everybody had their fun
You and me
And we know what we're saying
To the rest of them
It's a game we're playing
In the beginning, in the beginning
We were the only one
In the beginning, in the beginning

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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Six String Music

Six string music
By: jimmy buffett, g.e. smith
1994
Turn off the t.v.
Turn off the crap
Kick off your high heels
Climb up in my lap
Chorus:
And Ill play music
A song from me to you
Simple six string music
A ballad or the blues
No interruptions
>from the telephone
Dont need call waitin
Just you and me alone
Chorus:
And my six string music (six string music)
A song from me to you
Simple six string music (six string music)
A ballad or the blues
Oh I remember that night in africa
My daughter and my little guitar
Straddling the equator
The king of zanzibar
Those shy black hidden faces
They didnt know me from adams cat
But the words and the singin
And the people in a ring
And the whole night went like that
Now some folks like icing
Some folks like cake
Some swim in the ocean
Some paddle in a lake
Well you can get into beethoven
Or you can groove on jimmy reed
But keep it simple stupid
All we really need is
Chorus:
Six string music (six string music)
A song from me to you
Simple six string music (six string music)
A ballad or the blues
Six string music (six string music)
Aint no symphony
Its just six string music (six string music)
So elementary

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La Vie Dansante

La vie dansante
By: jimmy buffett, michael utley, will jennings
1984
[the dancing life]
They can come take it all away
Break your heart by the light of day
Drown your love in a distant bay
So lonely
See the ships heading for the rocks
See the time melting off of the clocks
Theres a light shatters all the locks
And saves me
It saves me
Thats why I wander and follow la vie dansante
On the night wind that takes me just where I want
Thats all I want la vie dansante
Why dont you wander and follow la vie dansante
On the night wind that takes you just where you want
Thats all you want la vie dansante
Miss the beat if you close your eyes
Every night wears a new disguise
And I live when a new surprise surrenders
Feel it all with a willing heart
Every stop is a place to start
If you know how to play the part with feeling
I play with feelings
Thats why I wander and follow la vie dansante
On the night wind that takes me just where I want
Thats all I want la vie dansante
Why dont you wander and follow la vie dansante
On the night wind that takes you just where you want
Thats all you want la vie dansante
Thats why we wander and follow la vie dansante
On the night wind that takes us just where we want
Thats all we want la vie dansante
Why dont you wander and follow the dancing life
On the night wind that takes you just where you want
Thats all you want la vie dansante
Thats why we wander and follow la vie dansante
On the night wind that takes us just where we want
Thats all we want la vie dansante
La la la la la la la la la la la la
La la la la la la la la la la la la
Thats all we want...
@album notes:
Back cover -
What goes around comes around say wise men in bars. any good artist feels compelled to change, if not doomed to change, and vary his art as much as he varies his life. starting from
Enter, buffett has shot off to a number of usual and unusual planets. now in riddles in the sand we see him coming home not quite on a-1a, but with the same richness of feeling that informed muc
His earlier work.
Years ago, down in riviera beach in southeast texas, I saw some cowboys ride into town on horseback for a dinner of gulf shrimp and oysters. if you were superman you could have seen key western

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Life Is Just A Tire Swing

By: jimmy buffett
1974
I remember the smell of the creosote plant
When wed have to eat on easter with my crazy old uncle and aunt
They lived in a big house, antebellum style (antebellum)
And the winds would blow across the old bayou
And I was a tranquil little child
Chorus:
Life was just a tire swing
jambalaya was the only song I could sing
Blackberry pickin, eatin fried chicken
And I never knew a thing about pain
Life was just a tire swing
In a few summers my folks packed me off to camp
Yeah me and my cousin baxter in our pup tent with a lamp
And in a few days baxter went home and he left me by myself
But I knew that Id stay, it was better that way
And I could get along without any help
Chorus:
Life was just a tire swing
jambalaya was the only song I could sing
Chasin after sparrows with rubber-tipped arrows
Knowin I could never hurt a thing
Life was just a tire swing (tire swing)
And I never been west of new orleans or east of pensacola
My only contact with the outside world was an rca victrola
And elvis would sing and then Id dream about expensive cars
And who wouldve figured twenty years later
Id be rubbin shoulders with the stars
Life was just a tire swing
Then the other mornin on some illinois road
I fell asleep at the wheel
But was quickly wakened up by a ma bell telephone pole
And a bunch of grant wood faces screamin is he still alive?
Through the window I could see it hangin from a tree
And I knew that I had survived
And life is still a tire swing
jambalaya is the best song I can sing
Blackberry pickin, eatin fried chicken
But I finally learned a lot about pain
Life is just a tire swing (tire swing)
Life was just a tire swing (tire swing)
Life was just a tire swing (tire swing)
Life was just a tire swing (tire swing)

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Jimmy

Jimmy, my heart is full of love, only true love,
And its wisdom and visions are you.
(baby baby, it's no returning)
Jimmy, there's words unspoken, and unbroken,
Only you can ensure everlasting.
(baby baby, this love is you)
Jimmy, i would like to drive your car,
It don't matter how long, how far.
Jimmy, you can have my loving heart and key and all.
Jimmy, i would like to wear your ring,
All your love songs i sure will sing.
Jimmy, you can have my loving heart and key and all.
Jimmy, i don't need to tell you how good your love is,
You're really all i need.
Jimmy, my heart is full of love, only true love,
And its wisdom and visions are you.
(baby baby, there's no returning)
Jimmy, there's words unspoken, and unbroken,
Only you can ensure everlasting.
(baby baby, this love is you)
Jimmy, i would like to drive your car,
It don't matter how long, how far.
Jimmy, you can have my loving heart and key and all.
Jimmy, i would like to wear your ring,
All your love songs i sure will sing.
Jimmy, you can have my loving heart and key and all.

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