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Can't Forget About You

The walls of my mind are closin' in.
Can't get away.
Your mem'ry won't end.
Chorus:
Can't forget about you. Can't forget about you.
Can't forget about you. Can't forget about you.
Breakin' my mind in threee quarter time makin' me blue.
Can't forget about you. Can't forget about you.
I never stop hearin' the music after the song is through.
I still see your eyes, your warm, gentle smile.
It was all worthwhile, each moment we knew.
Chorus

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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Makin Love

I just hate when the girl says wait
I really want her by my side
Dont hesitate
I really want her by my side
The whole night through
We do all the things that we wanna do
Well, come on baby, dont leave me sad
cause youre good lookin, the best Ive had
Makin love (makin love), makin love (makin love)
Makin love (makin love) all night long
Makin love (makin love), makin love (makin love)
Makin love (makin love) all night long
Ow, all night long
Red light, green light, dont say no
I really want her, she says
Stop, baby go, go, go
I really want her by my side
The whole night through
We do all the things that we wanna do
Well, come on baby, dont leave me sad
cause youre good lookin, the best Ive had
Makin love (makin love), makin love (makin love)
Makin love (makin love) all night long
Makin love (makin love), makin love (makin love)
Makin love (makin love) all night
Whoo
Makin love (makin love), makin love (makin love)
Makin love (makin love) all night long
Makin love (makin love), makin love (makin love)
Makin love (makin love) all night long
Makin love (makin love), makin love (makin love)
Makin love (makin love) all night long
Makin love (makin love), makin love (makin love)
Makin love (makin love) all night, oh

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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

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The Troubadour. Canto 2

THE first, the very first; oh! none
Can feel again as they have done;
In love, in war, in pride, in all
The planets of life's coronal,
However beautiful or bright,--
What can be like their first sweet light?

When will the youth feel as he felt,
When first at beauty's feet he knelt?

As if her least smile could confer
A kingdom on its worshipper;
Or ever care, or ever fear
Had cross'd love's morning hemisphere.
And the young bard, the first time praise
Sheds its spring sunlight o'er his lays,
Though loftier laurel, higher name,
May crown the minstrel's noontide fame,
They will not bring the deep content
Of his lure's first encouragement.
And where the glory that will yield
The flush and glow of his first field
To the young chief? Will RAYMOND ever
Feel as he now is feeling?--Never.

The sun wept down or ere they gain'd
The glen where the chief band remain'd.

It was a lone and secret shade,
As nature form'd an ambuscade
For the bird's nest and the deer's lair,
Though now less quiet guests were there.
On one side like a fortress stood
A mingled pine and chesnut wood;
Autumn was falling, but the pine
Seem'd as it mock'd all change; no sign
Of season on its leaf was seen,
The same dark gloom of changeless green.
But like the gorgeous Persian bands
'Mid the stern race of northern lands,
The chesnut boughs were bright with all
That gilds and mocks the autumn's fall.

Like stragglers from an army's rear
Gradual they grew, near and less near,
Till ample space was left to raise,
Amid the trees, the watch-fire's blaze;
And there, wrapt in their cloaks around,
The soldiers scatter'd o'er the ground.

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Byron

Canto the Fourth

I.

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!

II.

She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.

III.

In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.

V.

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The Dream

'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!

So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.

Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,

To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,

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The Cyclops

SILENUS:
O Bacchus, what a world of toil, both now
And ere these limbs were overworn with age,
Have I endured for thee! First, when thou fled’st
The mountain-nymphs who nursed thee, driven afar
By the strange madness Juno sent upon thee;
Then in the battle of the Sons of Earth,
When I stood foot by foot close to thy side,
No unpropitious fellow-combatant,
And, driving through his shield my winged spear,
Slew vast Enceladus. Consider now,
Is it a dream of which I speak to thee?
By Jove it is not, for you have the trophies!
And now I suffer more than all before.
For when I heard that Juno had devised
A tedious voyage for you, I put to sea
With all my children quaint in search of you,
And I myself stood on the beaked prow
And fixed the naked mast; and all my boys
Leaning upon their oars, with splash and strain
Made white with foam the green and purple sea,--
And so we sought you, king. We were sailing
Near Malea, when an eastern wind arose,
And drove us to this waste Aetnean rock;
The one-eyed children of the Ocean God,
The man-destroying Cyclopses, inhabit,
On this wild shore, their solitary caves,
And one of these, named Polypheme. has caught us
To be his slaves; and so, for all delight
Of Bacchic sports, sweet dance and melody,
We keep this lawless giant’s wandering flocks.
My sons indeed on far declivities,
Young things themselves, tend on the youngling sheep,
But I remain to fill the water-casks,
Or sweeping the hard floor, or ministering
Some impious and abominable meal
To the fell Cyclops. I am wearied of it!
And now I must scrape up the littered floor
With this great iron rake, so to receive
My absent master and his evening sheep
In a cave neat and clean. Even now I see
My children tending the flocks hitherward.
Ha! what is this? are your Sicinnian measures
Even now the same, as when with dance and song
You brought young Bacchus to Althaea’s halls?

CHORUS OF SATYRS:

STROPHE:
Where has he of race divine

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Beyond The End

Beyond the end
By: jimmy buffett, marshall chapman, will jennings
1985
We are a long way from anything, I told him. up ahead turn left and
Were fifteen or twenty minutes from cancun. turn right and youve
Got a batch of sixty miles of nothing. so who are we seeing,
Where is he and how do we get in touch.
- travis mcgee from the lonely silver rain
Mayan moon was burnin
We saw visions
Of the past returnin
On the shore
The band was playin
We all heard
What the moon was sayin
The world keeps closin in
It has before
It will again
A voice beyond the wind
Says we must go
Beyond the end
So follow
Beyond the end
A sea of friends are singin
Vaya con dios [go with god]
Mis amigos [my friends]
We take their hopes and feelins
To some new world
Well be revealin
Old worlds keep closin in
They have before
They will again
Voices call
Beyond the wind
Say we must go
Beyond the end
And follow
Beyond the end
(guitar break)
Old worlds keep closin in
They have before
They will again
Voices call
Beyond the wind
Say we must go
Beyond the end
Old worlds (old worlds) keep closin in (keep closin in)
They have before (they have before)
They will again
Voices call (voices call)

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I Dont Stop Rappin

Dont stop
Dont stop that rap
Too short
And I dont stop rappin
Just dont stop
Too short
I dont stop rappin
Dont stop that rap
Well Im sir too short
The true mc
Fresh again with the brand new beat
The big bank roller, I know whats happening
I get on the mike and I dont stop rappin
Dont stop
Dont stop that rap
Too short
I dont stop rappin
My rap dont stop, you know it cant
I get on the mic and I make big bank
Unlike some rappers that I know
Trying to get no, but that dont go
Im that rapper, sir too short
I know youve heard my name before
And if you havent, now you have
Sir too short dont stop that rap
Dont stop
I dont stop rappin
Too short
Dont stop that rap
Im so rough so tough when I talk my stuff
I dont stop rappin cuz Im too tough
Telling you rappers what its all about
Most mcs are played out
But not too short, Im the best
You know too short is so so fresh
If thats not short, your mind is snapping
The best is fresh cause I dont stop rappin
Dont stop
Dont stop rappin
Too short
I dont stop rappin
Im sir too short, the rapping man
Im a cold mc and I know I am
Im the big time rapper from east oakland
Into music and making fans
I love young ladies who love my rhymes
Cuz what they say is right on time
The only mc with fresh hits
Its sir too short, he never quits
Thats so so true, what they say

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The Sounder

(Life)
you couldn't escape this music even if
your name's Houdini
our tracks say Lah for Life and don't
disappear like a genie
communicating through your
airwaves like a giant C.B.
'cause this one's for your radios or
whether you recieve me
our music is so hot, it feels like the
sun in Tahiti
we rickety-rock, Gorillaz style is buck
wild, believe me
we heavyweights who phase ya like
ali did with Frasier
we spit the most flava but musically,
we'll amaze ya
we've been blessed and we've been
gifted like Jesus in his manger
won't you shout 'Halleluia!' here
comes your music savior
from your heart to your mind, your
spirits to your souls,
we've come to take control with the
Gorillaz on patrol
see, our rhymes possess the powers
of a superhero
supernaturally we rock the mic but
wit' a natural flow
if you didn't know before, you know
now - we told you so
Gorillaz rock your dome just like the
one in Tokyo
(2D)
it's a hard dream to contemplate
i could fall into the abyss-ah
and i love this interlude
it's the reason to deliver
and they called onto me
says they came to talk to me though
the more of us that lies,
i guess the kids don't live or die
(Si Phili)
'cause we're makin' this music that's
making you lose it
so people don't abuse it and there
ain't no way for you to refuse it
Gorillaz be the army that's startin'
this pardy-ardy
makin' more noise than carnivals

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Breakin' Loose

It was the typical blues, it was more bad news
I was walkin' down a dirty street
Saw a man, I knew some years before
On the corner where the losers meet
He had rags on his back, as a matter of fact
Had a cold look on his face
He was standin' in line, groanin' words to the kind
As I passed I could hear him say, he said......
Don't live your life by the dollar sign
Live life to the limit, that's the bottom line
No guarantees what tomorrow will bring
Be the best at what you are, it's all a little insane>
Breakin' loose, breakin' the chain
You never know what the future will bring
Breakin' loose, breakin' the spell
I tried a part, now I'm playin' it well
Professional man, had the world in his hands
He arrived in the finest cars
He posted up his lifetime success
Every night at his favorite bar
He got off the track, he never looked back
He's an upper class renegade
Now he ain't got a dime, just his peace of mind
And he knows that he's got it made
Breakin' loose, breakin' the chain
You never know what the future will bring
Breakin' loose, breakin' the spell
I tried a part, now I'm playin' it well
Breakin' loose, emotional bruise
That's enough, It's time to go through
Breakin' loose, cut the line
It don't matter what your money can buy
Breakin' loose, breakin' the chain
You never know what the future will bring
Breakin' loose, breakin' the spell
I tried a part, now I'm playin' it well
Breakin' loose, emotional bruise
The house on the hill, in a financial noose
Breakin' loose, cut the line
It don't matter what your money can buy

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Stop Breakin Down Blues

(Robert Johnson)
Everytime I'm walkin', down the streets, some pretty mama start breakin' down with me
Stop breakin' down, yes stop breakin' down
The stuff I got'll bust your brains out, baby, hoo hoo, it'll make you lose your mind.
I can't walk the streets now con, consolate my mind,
some no-good woman she starts breakin' down
Stop breakin' down, please stop breakin' down
The stuff I got it gon' bust your brains out, baby, hoo hoo, it'll make you lose your mind
Now, you Saturday night women's, you love to ape and clown,
you won't do nothin' but tear a good man reputation down
Stop breakin' down, please stop breakin' down
The stuff I got'll bust your brains out, baby, hoo hoo, it'll make you lose your mind
Now, I give my baby, now, the ninety-nine degree,
she jumped up and throwed a pistol down on me
Stop breakin' down, please stop breakin' down
Stuff I got'll bust your brains out, baby, hoo hoo, it'll make you lose your mind
I can't start walkin' down the streets, but some pretty mama don't start breakin' down with me
Stop breakin' down, yeah stop breakin' down
The stuff I got'll bust your brains out, baby, hoo hoo, it'll make you lose your mind

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Stop That Gentle Rocking Of My Cradle

Stop that gentle rocking of my cradle.
Stop that gentle rocking of my cradle.
Stop that gentle rocking of my cradle.
Stop that gentle rocking,
Will you stop that gentle rocking.
Will you stop that gentle rocking of my cradle.

Children now programmed to download.
Stop that gentle rocking of my cradle.
Children now exposed and overdosed...
On,
Crime...
Treason!
And...
Denial.

Stop that gentle rocking of my cradle.
Stop that gentle rocking of my cradle.
Stop that gentle rocking of my cradle.
Stop that gentle rocking,
Will you stop that gentle rocking.
Will you stop that gentle rocking of my cradle.

Children now programmed to download.
Stop that gentle rocking of my cradle.
Children now exposed and overdosed...
On,
Crime...
Treason!
And...
Denial.

Stop that gentle rocking of my cradle.
Children now exposed and overdosed...
Stop that gentle rocking of my cradle.
On,
Stop that gentle rocking of my cradle.
Crime...
Stop that gentle rocking of my cradle.
Treason!
And...
Denial.

Zzzzz
Zzzzz
Oo ooh,
Poppa why you sleepin' so long?
Ooooh,
Poppa why you sleepin' so long?
Zzzzz

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Rosalind and Helen: a Modern Eclogue

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!

ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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The Loves of the Angels

'Twas when the world was in its prime,
When the fresh stars had just begun
Their race of glory and young Time
Told his first birth-days by the sun;
When in the light of Nature's dawn
Rejoicing, men and angels met
On the high hill and sunny lawn,-
Ere sorrow came or Sin had drawn
'Twixt man and heaven her curtain yet!
When earth lay nearer to the skies
Than in these days of crime and woe,
And mortals saw without surprise
In the mid-air angelic eyes
Gazing upon this world below.

Alas! that Passion should profane
Even then the morning of the earth!
That, sadder still, the fatal stain
Should fall on hearts of heavenly birth-
And that from Woman's love should fall
So dark a stain, most sad of all!

One evening, in that primal hour,
On a hill's side where hung the ray
Of sunset brightening rill and bower,
Three noble youths conversing lay;
And, as they lookt from time to time
To the far sky where Daylight furled
His radiant wing, their brows sublime
Bespoke them of that distant world-
Spirits who once in brotherhood
Of faith and bliss near ALLA stood,
And o'er whose cheeks full oft had blown
The wind that breathes from ALLA'S throne,
Creatures of light such as still play,
Like motes in sunshine, round the Lord,
And thro' their infinite array
Transmit each moment, night and day,
The echo of His luminous word!

Of Heaven they spoke and, still more oft,
Of the bright eyes that charmed them thence;
Till yielding gradual to the soft
And balmy evening's influence-
The silent breathing of the flowers-
The melting light that beamed above,
As on their first, fond, erring hours,-
Each told the story of his love,
The history of that hour unblest,
When like a bird from its high nest

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All Hells Breakin Loose

Street hustler comes up to me one day
And Im walkin down the street, mindin my own business
Now he looks me up and he looks me down and says
Hey man, what be this and what be that and why you gotta look like that?
Well I just looked at him, I kinda laughed, I said
Hey man, I am cool, I am the breeze
Havent you heard, theres a new revolution
Gotta spread the word - too much confusion
All hells breakin loose - hey hey have you read the news
All hells breakin loose - overloadin n blowin my fuse
All hells breakin loose - day and night, baby, night and day
All hells breakin loose - in the streets theres a brand new way, yeah
You know we aint always winners, but this is the life we choose
And we wont change or rearrange, and we aint never ever gonna lose
It aint always easy when the goin gets rough
When youre gettin even, you gotta show your stuff - tell about it now
Take a look around, only one solution
Set the world on fire, fight the institution
Gonna stand our ground, feel the new sensation
Somethings goin down - rock the nation
All hells breakin loose - hey hey, have you read the news
All hells breakin loose - overloadin n blowin my fuse
All hells breakin loose - day and night, baby, night and day
All hells breakin loose - ah, take it
Havent you heard, only one solution
Gotta spread the word - you gotta tell it to the people now
Take a look around, feel the new sensation
Set the world on fire - rock the nation
All hells breakin loose, all hells breakin loose
All hells breakin loose - baby baby baby baby whoo
All hells breakin loose - hey, hey, have you read the news
All hells breakin loose - overloadin n blowin my fuse
All hells breakin loose - day and night, baby, night and day
All hells breakin loose - in the streets you can hear them say
(repeats out)

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